Soledad [Import]

1. Propiedad Privada - Soledad

2. De Mi Pueblo - Soledad

3. De Mi Madre

4. Amutuy - Soledad

5. Que Toca Nunca Baila

6. Cantaré

7. Chacarera del Cardenal

8. Luna Cautiva

9. Carta a un Amigo

10. José Antonio

11. Cuando Llora Mi Guitarra

12. Garza Viajera

13. Si Queremos

Soledad,Soledad,Columbia,Latin,Latin Pop

Music

jazz

music

Tracks:

Spring Of Buenos Aires
Summer Of Buenos Aires
Autumn Of Buenos Aires
Winter Of Buenos Aires
Fugue 9
Years Of Solitude - Paulo Sergio Santos
Libertango - Chiquinho Do Acordeon
Tristango - Chiquinho Do Acordeon
Novitango - Chiquinho Do Acordeon
Deus Xango - Paulo Sergio Santos

Customer Reviews:

Piazzolla brazillian version.......2007-05-18

Only Astor Piazzolla could equal himself. A bandoneon virtuoso playing his own works, nobody could do better than him. However Four Seasons of Buenos Aires deserves a place of honour in the cd collection of Piazzolla's fans.

Bland music.......2007-05-07

I heard this piece at a concert and loved it. However, this recording had none of the fire and passion of the concert. I returned it.

Master piece.......2005-12-29

The right balance between classical, popular, contemporany music this CD is a fascinating interpretation of Piazzolla best works in a Brazilian way bringing together some of its best talented musicians.
The extraordinary performances of Rio Cello Trio and the Orquestra de Cordas Brasileiras makes this CD unforgettable.

Don't Be Fooled.......2005-03-05

Milan Records owns the rights to a lot of the later Piazzolla canon, and since his death has steadily been mining its holdings with a number of CD reissues and compilations that are readily identified as Milan's by the similarity of the cover art used. Don't be fooled by the Four Seasons of Buenos Aires, however. While it is a fine recording, Piazzolla does not appear on it as anything but the composer.
I didn't read the back of the CD cover before I bought it and so when I opened it, I was surprised to find that the cover had fooled me into thinking Piazzolla was featured. I played it anyway, prepared for the worst, as many offerings of Piazzolla compositions turn out mediocre at best. At first, it seemed like my fears were confirmed, but after several listens I warmed to the music.
Those familiar with AP's "Four Seasons" sequence know that they are among the most classically oriented of his works and have only the slightest connection to tango. But they also know that when performed by Piazzolla and one of his musical formations, that they are among the most powerful of his longer works. Anyone taking on the task of interpretation had better know well what the heck they are doing or risk making musical fools of themselves.
This interpretation of the "Four Seasons" is done by a Brazilian orchestra that in my view started rather weakly. It isn't until "winter" (Invierno Porteno) was reached that the power and majesty of the music comes to fruition.
From there on out, the rest of the CD is quite good. My favorites of the remainder are the three parts of the "Libertango" sequence that they performed and which features some excellent mandolin work and Deus Xango, which closes the recording with a jazzy rendering oddly reminiscent of some of the old CTI-era jazz recordings.
The weakness of the start drops a star, but its the rest of the recording which puts this in the recommended category for anyone who loves the music of Astor Piazzolla.

Superb collection.......2004-05-04

Superb collection of Piazzolla's 'new tango': four ear-bending modern arrangements followed by an array of traditional performances. Because of its versatility and constant quality, this disc easily lets itself play from start to end and over again. Four seasons for the ear indeed.

Average customer rating:

Wonderfully captivating music by the tango master
When styles mix
Explains It All To Those Wounded in Love
Great sex music! Comes from the heart!
Piazzolla's Unofficial Interpreter

Hommage A Piazzolla

Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

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Tango | Latin Music | Styles | Music

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Vivaldi and Piazzolla: Eight Seasons
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La Camorra
Piazzolla: Tango Ballet, Concierto Del Angel, Tres Piezas Para Orquesta De Camara / Kremer, Glorvigen, et al

ASIN: B000005J48
Release Date: 1996-09-24

Tracks:

Milonga En Re
Vardarito
Oblivion
Escualo
Histoire Du Tango: Cafe 1930
Concierto Para Quinteto
Soledad
Buenos Aires Hora Cero
Celos
El Sol Sueno (Hommage A Astor Piazzolla)
Le Grand Tango

Amazon.com essential recording

Gidon Kremer, who plays the standard violin repertoire so well, has remained a restless explorer of music. Here is his first album of Piazzolla arrangements, introduced by a moving and perceptive assessment of Piazzolla by composer John Adams. Kremer has completely steeped himself in the spirit of the tango, and of Piazzolla's transformation of this music into concert works. The selection (mostly larger-scale Piazzolla works), the varied arrangements, and the compelling quality of the playing make this one of the best albums of this music not involving the composer's own performances. And if you love it, you'll be glad to know that Kremer's second Piazzolla album is also available. --Leslie Gerber

Customer Reviews:

Wonderfully captivating music by the tango master.......2005-10-25

I was introduced to the music of Astor Piazzolla by the more than great violinist Gidon Kremer when he played a virtuosic tango as an encore. Whenever a rich new vein of wonderful music is opened to me, well, it makes for a bright and happy day. Not long after I picked up this CD and I can recommend it to you highly. This is more than just tango dance music, these are serious and contemplative compositions that use the Tango as the vehicle just as the classical and especially Baroque composers used their dance music for instrumental compositions. The music is full of mood, sensuality, rhythm, lush harmonies, dissonance, love, and pain. It is a music of contrasts and never gets too fussy or complicated. It wears its heart on its sleeve and draws us in because it is so charming.

Each piece has its own varied ensemble and the musicians in that ensemble also arrange the music for that track. Kremer leads from the violin in all of them, after all it is his album and his hommage to Piazzolla. However, the instruments used depend on the musical materials and mood of the piece. The piano is used quite a bit, and at times there are wind instruments. The bandoneón is required in tango, as well. It is a kind of concertina that was developed and made in Germany, but adopted in Argentina for the Tango. It has a wonderfully reedy sound and is played with buttons on each side of the bellows. Depending on the model, the note can change or stay the same whether you are pulling the bellows out or pushing them in, but in all of them there are two voices always at the octave and gives the bandoneón its characteristic sound.

The only composition not by Piazzolla is a very interesting tango included as a tribute to the master entitled "El sol sueño" by Jerzy Peterbushsky.

This is good music and a very enjoyable change of pace.

When styles mix.......2005-09-07

I bought this record following a live performance by Gidon Kremer et al. at the Verbier Festival. The mixture of classical music with a dose of jazz on a Latin base produces an interesting result that is quite surprising at first. However, the more one hears, the more the result grows on the listener, just as at the live show where the audience, somewhat stunned at the outset, gave a standing ovation at the end.

Overall, the mélange is pleasant, chill listening to be appreciated by fans of any of the three styles of music.

Explains It All To Those Wounded in Love.......2005-01-16

Ever have a moment where you loved someone so much you hated him?

Ever have a relationship you could not get out of your mouth, your mind, your heart, your system, but that you knew was over and done with forever and ever, and you'd never even see the other again?

Ever feel so happy you wanted to cry? No, sob? Wrenching, wracking sobs? From happiness, now.

Yes?

Have I got a CD for you: Hommage a Piazzolla, featuring Gidon Kremer.

Like many, I suspect, I have a mixed relationship to tango. When I put on a tango CD, I fear I'll be hearing something that sets my teeth to jangling and makes me want to slap someone in the face.

This isn't that. You could listen to most of this while sitting perfectly still, on a window sill, in fact, with the lights down low in your apartment, as you stare out at the rain-slicked city at night. A drink sits on a nearby table, unfinished...you have no will to finish it.

(It's hard not to imagine these things while listening to this music; really, it's all so poetic, cinematic, irresistable.)

At some point, though, you're probably not going to be able to sit still any more, and you'll have to put that rose in your teeth and cut a few moves.

Tango often sounds, to we non-Argentinians, like a parody of itself.

This CD does not.

Rather, when I put it on, not at all sure what to expect, I had one of those epiphanies that art can give you.

I had been brooding over a vexed relationship, one I did not understand, but knew was hurting me, not with any immediacy, but like a sore tooth that could stand to go a few more months before you get over your fear of the dentist to get it fixed.

What bugged me most of all was that I did not understand what was hurting. Rationally, I had no reason to feel troubled.

I put on this CD, with the relationship way in the back of my mind, and I just, immediately thought, "That's it. This music is explaining it all; this music is articulating everything."

Not bad.

This kind of music, music that allows in the true bittersweet of life, the unsolvable, the passion, is all too rare. If music that addresses those qualities is what you crave, this CD might be just what you need.

Great sex music! Comes from the heart!.......2004-07-21

The music and perforamance are so sensually played and achingly beautiful, the hairs on my neck and arms stand up on end. Listen to the opening track and tell me this is not great sex music. Yes, tango is a very sensual art form and this CD is great for those very intimate moments. Of course, sex aside, the music is nothing short of a miracle unto itself. That I was to discover this CD just last year meant I was without it for 7 years since it was released. My life is richer for this and other Piazzolla works done by Kremer.
This CD has become one of those "island" CDs that you would take if you wer so to become deserted on one. You should be so lucky!

Piazzolla's Unofficial Interpreter.......2001-04-12

I first became aware of this CD several years ago as its melancholy strains wafted through the air of a bookstore through which I was browsing. My ears perked up...Piazzolla!!! Upon inquiry, I was shown the CD and I immediately purchased a copy. I couldn't wait to get home and listen to it at elevated volume. What a recording!! Kremer has captured and distilled the essence of Piazzolla's music. Every song is a masterpiece and nearly all of my favorite mid-period Piazzolla compositions are contained within. A special treat is the magnum opus which closes the set, a 12-minute rendering of Le Grand Tango with just Kremer's violin and the restrained passion of Vadim Sakharov's piano to lead your mind into another musical dimension. Gidon Kremer has since recorded a number of Piazzolla-related CDs and in so doing has set himself up as the unofficial interpreter of El Maestro's music. If you like Piazzolla, you are sure to enjoy this CD. I give it my highest recommendation.

Average customer rating:

addicted to Piazzolla
Thrilling work
La Camorra, Piazolla
EXCELLENT
Paradise Now

La Camorra

Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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Tango: Zero Hour
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Astor Piazzolla - The Soul Of Tango: Greatest Hits
Pulsación

ASIN: B00000IXTX
Release Date: 2007-03-02

Tracks:

Soledad
La Camorra I
La Camorra II
La Camorra III
Fugata
South: The Dreams
South: Regression To Love

Customer Reviews:

addicted to Piazzolla.......2007-05-20

I am just reading the Piazzolla's splendid biography which had enabled me to have a better understanding of his compositions and given me an appreciation of his individuality.
The music is intoxicating and powerful to anyone addicted to the rhythm of tango. The harmony is easy to listen to and the melodies are very likable. The authentic performance of the composer and his New Quintet is quite remarcable. It is hard to imagine that Piazzolla would be involving in his quintet anyone less that highly accomplished. Splendid CD. Highly
recomended.
Joe Neustatl.

Thrilling work.......2007-03-17

This is a thrilling work. Soledad is an exemplar of slow, passionate music of a sort I have never heard before. I would love to see a choreographers vision of the three part La Camorra. The music summons an Argentina I read about decades ago in Borges' stories. Everything I could hope for in a Piazzolla work.

La Camorra, Piazolla.......2005-10-14

This Piazolla CD is pure Argentinian magic! The first piece on the CD is divinely beautiful. I could listen to it over and over again.

EXCELLENT.......2004-12-09

I'm stunned by two things: First, that I am the first person to review this great album and it is nearly 5 years old.

Second, that I havnt 'discovered' Piazzola sooner. Sure, I have known the name but tango has never much appealed to me before...that is until I heard this CD.

The recording is EXCELLENT the playing is EXCELLENT the music is EXCELLENT.

If you are on the fence on this one don't hesitate to jump in and get it.

Paradise Now.......2001-10-01

What I like about Astor Piazzolla 's compositions are that they shift dynamically, rhythmically, mood-wise in a fairly illogical way that mimics the texture of everyday life (mine at least). Not rampant atonality . Like life, the compositions retain consistent voices, threads of melodies. But bet's are off about what's comin' around the corner.

Piazzolla is always a first-class FEELING human as opposed to a musician's musician. Operatic in his emotional intensity.

This CD has an erotically slow "Soledad", three raucous and adorable fight-songs about "La Camorra" (the quarrel). Next, a muscular fugue, "Fugata", "Sur: Los Suenos (South: The Dreams)" holding a child's nursery song? inside, and last "Regresso Al Amor (South: Regression To Love)". I enjoy YOYO Ma's version of "Regresso Al Amor" (on Yo-Yo Ma: SOUL OF THE TANGO: MUSIC OF ASTOR PIAZZOLLA) but this CD has the composer performing, making it more bittersweet (he died in '92)- more "regressive".

Tracks:

I'm Bad Like Jesse James
She's Long, She's Tall (She Weeps Like A Willow Tree)
When My First Wife Left Me
Heartaches And Misery
One Bourbon, One Scotch And One Beer
I Don't Want No Trouble
I'll Never Get Out Of These Blues Alive
Seven Days
What's The Matter Baby
Lucille
Boogie Everywhere I Go
Serve Me Right To Suffer
Bang Bang Bang Bang

Amazon.com essential recording

Simply one of the greatest live blues recordings ever. Hooker plays alone at Soledad, yet the real thrill is hearing him backed at Greenwich Village's Café Au-Go-Go in 1966 by Muddy Waters and his band, including pianist Otis Spann, unsung harmonica giant George Smith, Francis Clay on drums, and guitarists Sammy Lawhorn and Luther Johnson. All are at the height of their abilities, but it's Hooker who works like a hoodoo conjurer, making misery rain down in "Seven Days" and "When My First Wife Left Me." This August night's reading of "I'm Bad Like Jesse James" ranks among the most intimidating vocal performances ever taped. His guitar and baritone singing sink to rarely heard depths of the blues--that secret place in the music (known only to its absolute masters) where it becomes an elemental force. --Ted Drozdowski

Customer Reviews:

Hard blues True blues Live blues.......2007-01-21

John lee seemed like he had the blues his hole life.Maybe he did maybe he didn't. He played the hole blues man thing to a T. He seemed like the coolest of all cats when he was up on stage. That's because he was. The people bought it hook line and sinker as they should.I have heard,lived and felt the blues since I was 8 yrs.old. I can totally relate to what he was doing and singing about back then and now.Hookers blues and boogie music is and will always be timeless. That to me is the conection I have with him.Pure blues, no nonsense music that hits you like a ton of bricks. This CD does just that and more.

Best Ever.......2007-01-10

If I was stranded on a deserted island and I was to have one CD this would be the one , thought that Hooker and Heat was good , this blows it away ...............

Two Great Live Albums in One CD.......2006-10-18

This is actually two live albums combined. Cafe Go-Go finds Johnny earlier in his career and Live at Soledad prison finds Johnny mid-career right in the middle of his endless boogie phase.

Live at The Cafe Go-Go is recoreded with Muddy Waters band (Muddy always had the best bands!) including the great Otis Spann on Piano. Muddy even plays guitar on one of the tunes. Sound quality is excellent and John Live is in fine form, but a little restrain. You get the feeling the band had not played that much together. Hearing JLH with Otis Spann in keys is pretty cool however. Bad like Jesse James is one of the creepiest songs made and is made even more haunting by Spann's parse piano.

Live at Soledad prison catch John Lee is his Endless Boogie phase, which for me is where it is at. Sound quality is surprisely very good and his band, including his son John Lee Jr., are tight. Bang Bang Bang is a great jam all the way from the Motor City. This contains all but two cuts of the original Live at Soledad album. These two tunes were sung by John Lee Jr. I love how at the end of the album the prison plugs the plug on the band and it takes a while for everybody to figure out what happened.

Looking for some more great live John Lee Hooker check the live Album with Albert King (they don'y played together, but share the same CD) 'I Play the Blues for you'. For me this is some of the finest JLH caught live on tape. JLH studio album 'Never get out of these blues alive' is also another great album.

This is a great album for anyone who enjoys the blues, live blues, John Lee, or enjoys Otis Spann. Album should be the staple of any basic bblues collection. I highly recommend this CD.

Live John Lee..........2005-11-22

Hearing John Lee Hooker backed by the Muddy Water's band from the 1960's is a real treat. The version of "I'm Bad Like Jessie James" that opens the CD is one of the most menacing songs I've ever heard; John Lee describes in detail how he will "take care of" a former friend he took in who went around town telling everybody that he slept with John Lee's wife. This song is a perfect example of how John Lee Hooker was the personification of badass. John Lee also runs through some of his classics like "One Bourbon, One Scotch, and One Beer" and "Bang Bang Bang Bang". I prefer the Cafe Au Go Go set to the Soledad Prison set, but both sets are worth hearing and are full of good performances from John Lee and the band. This is definitely worth getting if you are fan of John Lee Hooker or the blues.

What an incredible man!.......2005-04-07

It's hard not to get shivers when listening to this recording. John Lee Hooker had such an incredible voice and it's as if his singing and playing encapsulates all misery imaginable. He extracted so much emotion from these songs that made me feel as though I'd actually lived the experience. It's so incredibly painful to listen to in places that I expected the heavens to open up in response. This is a man who knew what he was doing.

The band is in top form and John Lee uses them to get the crowd rocking as he works his magic. Everything is spot-on! From slow, painful numbers to upbeat, rollicking shuffles, John Lee Hooker and his band can do it all.

This is a landmark album that shows a man (and a band) at the top of their game and it's something no self-respecting blues fan should be without! You'd have to be dead not to be affected by this!

Average customer rating:

Amazing
Typical Piazzolla...Extraordinary
A Christlike Performance
superb playing of great music

Los Tangueros

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Piazzolla: Song of the Angel

ASIN: B0000029TY
Release Date: 1997-01-14

Tracks:

Revirado
Fuga y misterio
Milonga del angel
Decarissimo
Soledad
La muerte del angel
Adios Nonino
Libertango
Verano porte
Michelangelo '70
Buenos Aires hora cero
Tangata

Amazon.com essential recording

Like his frequent partner, Yo-Yo Ma, pianist Emanuel Ax has become infatuated with the tangos of Astor Piazzolla. Ax sought out pianist Pablo Ziegler, a long-time member of Piazzolla's ensemble, to make these arrangements and perform them with him. With his innate musicianship and Ziegler as a tutor, Ax has entered wholeheartedly into the world of the New Tango. These performances have just the right feeling for rhythm and color. Whether you need an album of Piazzolla on two pianos is another question. I'd say get some of Piazzolla's own recordings first. But for piano tango this album is a total success. --Leslie Gerber

Customer Reviews:

Amazing.......2005-07-16

There is a certain intensity in Piazzola's music that is hard to describe. It can be very powerful and nostalgic at the same time, very energetic and extremely mellow. Rumor has it that when Piazzola was studing music, his teacher pesuaded him to go back to his natural instrument, the bandoneon, as Piazzola had proven to play it with a special sensitivity.
While played in the bandoneon , Piazzola's music reaches all its Argentinean identity and character, but in the piano- in this case two of them- his music transforms and gets a richness that is really imppresive. I can't imagine two better piano players to deliver the passion of Piazzola's music. Emmanuel Ax and Pablo Ziegler are amazing together. Los Tangueros is a classic for all the Piazzola fans.

Typical Piazzolla...Extraordinary.......2003-03-05

The quintessential Piazzolla is presented here in a rapturous performance by several artists in their own right. I was attracted to this recording because I play the piano and the idea of Emanual Ax and Pablo Ziegler (another one of those classical-Tango joint venture a la Yo Yo Ma) performing Tango was too much to pass up.

The transcriptions are very, very good. In fact, though one can readily distinguish the sound from the classic Tango ensemble, the music is seamless. It works! Of particular interest is "La muerte del angel". One wishes that the "angel" trilogy could be presented in one package instead of spread out over several recordings. And speaking of transcripts, a German firm now distributes piano versions of Piazzolla tangos in three volumes.

While I'm wishing, it would be great if someone recorded the entire body of Piazzolla compositions in one collection.

A Christlike Performance.......2000-08-02

I was unfamiliar with Emanuel Ax, very familiar with Pablo Ziegler, and ultra familiar with the work of Astor Piazzolla, so I decided to give this CD a try. The only disappointment is that there are only 12 songs on this recording. It must have been difficult for Piazzolla acolyte Ziegler to decide which of the hundreds of worthy Piazzolla compositions to record. In the end, he did a great job not only in selecting a variety of Piazzolla styles, but also in selecting those which fit his conception of this project. Its hard to choose a favorite here though if pressed, I'd name the stately Soledad followed closely by the equally majestic Tangata. Ziegler's arrangements are impeccable. He proves that a lot of music can spring from two pianos with no other instrumentation needed when the arrangements are right. I heartily recommend this album not only to Piazzolla fans, but to fans of the piano. I hope that Ax and Ziegler soon offer an encore to this Christlike performance.

superb playing of great music.......1999-08-07

Piazzola does for tango what Gershwin did for the blues. And there is no better medium to hear what Piazzola is up to than these splendid arrangements for two pianos. Emanuel Ax, of course, is one of America's best living pianists. With Ziegler, he forms an unforgettable team. Highly worthwhile.

Average customer rating:

Resurrection of an Old LP Compilation
Vintage Renata

The Best of Tebaldi

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B0002L2XUC
Release Date: 2004-10-12

Customer Reviews:

Resurrection of an Old LP Compilation .......2007-03-09

I bought this compilation on a London LP back in the seventies. I listened to it until I wore it out. They wisely began the disc with probably the best recording she ever made, that of Si, mi chiamano Mimi, from La Boheme. The singing on that cut is so ravishing and inspired. All the other cuts are almost as good, except for the one from La fanciulla del West; there she was past her prime, but it's a great aria. Instead, they should have included her recording of O Patria Mia from AIDA. Tebaldi had something that even the great Caballe has never completely matched, and this CD really does represent her best work.

Vintage Renata.......2005-01-03

This recital, one of the series of "original cover" [in this case the English, not the American cover] albums that DECCA has been re-issuing, is a compilation-recital drawn from Tebaldi's many complete-opera sets.

TRACKLISTING

1 Sì. Mi chiamano Mimì (Mimì)
La Bohème Puccini
2 Donde lieta uscì al tuo grido (Mimì)
La Bohème Puccini
3 Vissi d'arte (Tosca)
Tosca Puccini
4 Laggiù nel Soledad (Minnie)
La fanciulla del West Puccini
5 Un bel dì, vedremo (Cio-cio-san)
Madama Butterfly Puccini
6 "Con onor muore" (Cio-cio-san)
Madama Butterfly Puccini
7 Signore, ascolta! (Liù)
Turandot Puccini
8 Tu che di gel sei cinta (Liù)
Turandot Puccini
9 La mamma morta (Maddalena)
Andrea Chénier Giordano
10 Io son l'umile ancella (Adriana)
Adriana Lecouvreur Cilèa
11 Poveri fiori (Adriana)
Adriana Lecouvreur Cilèa
12 L'altra notte in fondo al mare (Margherita)
Mefistofele Boïto

Carlo Bergonzi tenor (tracks 1 & 6)
Cornell MacNeil baritone (track 4)
Mario del Monaco tenor (track 8)
Orchestra e coro dell'Accademia di Santa Cecilia
Tullio Serafin (tracks 1, 2, 5, 6 & 12)
Francesco Molinari-Pradelli (track 3)
Franco Capuana (tracks 4, 10 & 11)
Alberto Erede (tracks 7 & 8)
Gianandrea Gavazzeni (track 9)

Her luminous, radiant voice was at her best here.

Now DECCA ought to re-issue Tebaldi's classic 1955 recital with Alberto Erede conducting, from which I particularly cherish the two items from Licinio Refice's CECILIA, an azione sacra from the 1930s that Tebaldi sings with a tenderness and glow that is guaranteed to bring tears to your eyes.

To know Renata is to love her, and so will you, if you hear this exquisite disc.

The several non-jet-setting conductors in this dic lead with un-flashy excellence and a gracious, Italianate regard for the needs of the singer: a lesson in STYLE.

Average customer rating:

It's the best for my heart
disappointing

The Best of Astor Piazzolla

Manufacturer: Fabulous
ProductGroup: Music
Binding: Audio CD

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ASIN: B0006B655M
Release Date: 2005-01-25

Tracks:

Jeanne y Paul
Peno
Oblivion
Enrico IV
Ave Maria
Cavalcata
Rememberance
Adios Nonino
Suite Punta del Este [Theme from 12 Monkeys]
Escualo
Years of Solitude

Album Description

Nice price collection of tracks from 'Cadaveri Eccelenti'. Acrobat.

Customer Reviews:

It's the best for my heart.......2007-06-27

Maybe it is not a perfect recording,
maybe you can find some poor sound quality (not about play itself),
But it's the best play for my soul.
I think it's the cure for your sadness. Not for happy people.

disappointing.......2006-06-28

Such a title should deserve better quality... Other CDs of Piazzolla are much better.

Average customer rating:

Commitment, passion and problems. . . .
Flawed, but nevertheless excellent
Disappointing Puccini recital
Mixed bag
Pitch problems and vocal disappointments

Puccini

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music
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The Essential Angela Gheorghiu
Diva
Roberto Alagna & Angela Gheorghiu - Duets & Arias
Angela Gheorghiu - Arias
Angela Gheorghiu - Live from Covent Garden

ASIN: B0006G9HAC
Release Date: 2005-03-01

Tracks:

Un Bel Di Vedremo
Tu, Tu, Piccolo Iddio
Addio, Mio Dolce Amor - Chorus Of The Royal Opera House, Covent Garden
Nel Villaggio D'Edgar - Chorus Of The Royal Opera House, Covent Garden
Chi Il Sogno Di Doretta
Si, Mi Chiamano Mimi
Quando Me N'vo
Donde Lieta Usci
L'amore E Un'altra Cosa...Laggiu Nel Soledad
In Quelle Trine Morbide
Sola, Perduta, Abbandonata
Senza Mamma
O Mio Babbino Caro
Se Come Voi Piccina Io Fossi
Signore, Ascolta!
Tu Che Di Gel Sei Cinta
In Questa Reggia - Chorus Of The Royal Opera House, Covent Garden

Tracks:

Vissi D'arte

Amazon.com

It would be difficult to fault the singing of Angela Gheorghiu on these discs (the second, bonus CD contains "Vissi d'arte" from her complete recording of Tosca). She goes through almost the entire Puccini catalog of heroines--Mimi and Musetta, Liu, Butterfly, Manon Lescaut, Liu and Turandot, Lauretta, Suor Angelica, Minnie (from Fanciulla), as well as the gals from La Rondine, Edgar, and Le Villi, and her exquisite, fine-grained, unique sound--with its dusky lower register--is always interesting and beautifully inflected. Her attention to dynamics is admirable, verbally, she seems genuinely involved in each character. The voice can deliver as much power, as in the end of the first Edgar aria, as gentleness, in Suor Angelica's "Senza Mamma" as needed. But somehow she doesn't make any one of the characters entirely her own. This may be a bit picky, but maybe that's the case with recital albums. Let's face it--her voice is irresistible and her husband, Roberto Alagna, adds his bronzed tones to two of the selections. --Robert Levine

Customer Reviews:

Commitment, passion and problems. . . ........2007-01-28

Buy this CD and stay with it for a day or two. You'll eventually be won over, even if you belong to another
"camp".

OK: We all know there is a type of "opera queen" of all sexes and sexual orientations that thrive on bashing
certain singers while lauding others. This is not a war. I resisted Gheroghiu for years due to the hype and
marketing. I have not heard her live, so I don't know if she is out-faching herself by singing damn near
everything alla Callas.

What I DO hear is a rather "ugly" voice (again alla Callas) that is so distinctive as to be instantly recognizable. There is that middle European "keening", rapid vibrato quality that Vishnevskaya had.

What I hear above ALL however, is commitment and passion. There are pitch problems, AGAIN alla Callas, sharp
here, flat there, driven "ugly" sounds: all the hallmarks of the Kunstdiva, of which I think she might be the
reigning example in our time.

The Puccini style here is questionable: let's lay that off on the conductor.

Fleming, Gheorghiu, Netrebko, et al: committed, intelligent, driven women who make the world a better place
in which to live and listen.

Have your favorites, and lay off the others in print.

Flawed, but nevertheless excellent.......2006-02-04

My personal rating is 5 stars, but I'm just biased to everything Romanian, the public rating derives from the fact that people need an objective as possible review, and that lead me to the flaws:
Ms. Gheorghiu's voice is there as always, with it's dark, round timbre but, as I beleive a fellow reviewer has noted, they sound a bit alike. The usual passion she injects in this music is not entirely present, she somehow sounds uninspired.
Even so, the good outweighs the bad, and that's what makes this an excellent addition to your musical library; there's not a misplaced note anywhere, her gorgeous voice is a delight to the ears, and the musical selection is quite good and interesting, even if she's not up to the challenge of Turandot (at least not yet). For some reason that I don't share, a few people have found the conducting bad, but that's the aspect I pay less attention to, unless it's enormously obvious.
In short, this is a disc fans of Gheorghiu and good singing can't miss.

Disappointing Puccini recital.......2005-12-06

Angela Gheorgiou can sing Puccini like nobody's bussiness, but something is missing from this collection. It's good, with few rough spots (and admittedly, pitch issues) but I don't want "good" from Angela, I want GREAT! She can do better. She can sing these arias with more passion, better technique and I just don't understand what has happened to her. There is sameness to all these arias, and not much color or variation.
Vissi D'arte is very good, and In questa Regia is great, very different from how it is usually done, but Tu, Tu, Piccolo Iddio is not good at all and I don't like Quando Me N'vo either, I have heard much better performances of this classic, especially by Anna Netrebko, who is hot on Angela's heels as the next great diva. Watch your back, dear Angela!
Also, the programming on this album is strange, why is Vissi D'arte on a seperate disc...?
For anyone who loves this voice, it would still be a nice recital, but I am disappointed, I expected better.

Mixed bag.......2005-12-06

As a great lover of Puccini music, it's difficult to disappoint me when it comes to recordings. This collection of arias sung by Angela Gheorghiu covers every Puccini opera except Il Tabarro (from Il Trittico), so the broad selection is a treat. I've heard many conflicting opinions about her singing, but I consider Gheorghiu's soprano sound to be uniquely rich and beautiful. Moreover, she has made a strong contribution to recorded opera.

Anton Coppola's conducting is too slow for my taste most of the time. He seems to love every note Puccini wrote (which is understandable!), but his pacing undermines the drama in some of these selections. He also doesn't get much force out the orchestra when it is needed, such as in Turandot and the Madama Butterfly finale.

EMI's packaging is ridiculous. One aria, "Vissi D'arte" from Tosca, is on a separate disc, billed as a "bonus CD." It is from her earlier recording of the opera conducted by Antonio Pappano. The case is like a hardcover book, which looks nice, but does not fit in typical CD storage spaces.

Pitch problems and vocal disappointments.......2005-09-27

I really liked Gheorghiu the first time that I heard her. I thought that she was probably the best soprano out there in the spotlight. After hearing this CD, however, I have really changed my mind. First of all, she sings flat in alot in this CD. Secondly, her technique is showing some flaws now in that she can not always pronounce the words correctly. So she makes some strange sounds. For example, "Tu, tu, tu" which should be pronounced with a pure 'oo' sound is pronounced 'tuh'. I also feel that her voice is a bit frantic in alot of parts with her middle range and chest voice being weak and uncoordinated. How unfortunate! She needs to get it together or she is going down the toilet.

Average customer rating:

beautiful music
Overwhelming first song
Beautiful
great first album, a bit of the Venezuelan Zeitgeist of 60s

Songs of Venezuela
Soledad Bravo
Manufacturer: Buda Musique
ProductGroup: Music
Binding: Audio CD

General | Folk | Styles | Music

Venezuela | South & Central America | International | Styles | Music

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Revolutionary Songs of Latin America
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Mis Canciones: My Songs
Cantos Revolucionarios De America Latina
Lo Mejor: The Best of Soledad Bravo

ASIN: B000001N7S
Release Date: 1995-09-01

Tracks:

Polo Margariteno
Malaguena
Fulia
Cantos De Pilon
Mi Tripon
Caramba
Alla Viene Un Corazon
Tonadas De Ordeno
Cantos De Pilon II
Malaguena II
Pajarillo Verde
Cantos De Trabajo
Flor Del Cacao
Malaguena
Sabana Blanca-Mocho Hernandaz
Canto De Ordeno
Galeron Margariteno
Canto De Trapiche
Punto Margariteno
Zumba Que Zumba
Para Los Mares
Fulia
Llamado De San Juan

Customer Reviews:

beautiful music.......2007-01-23

For those who don't speak Spanish, the first words sung on the album say "To sing makes sense... singing makes sense, has understanding and reason..." which although it loses something in the translation, tells the listener straight away that this is an album dedicated to Venezuelan song, from African derived work songs to folk tales, protest music and romantic and at times tragic poetry. Soledad Bravo pays tribute to the treasure trove of folk with her beautiful emotive voice which is variously angelic and earthy and her guitar, accompanied only occasionally by other folk instruments. Get it and track down the lyrics on the net if you're a non-Spanish speaker.

Overwhelming first song.......2005-05-28

One of the reviewers below hits it right on the mark. The first song "Polo Margariteno" is so heartfelt, so overwhelming in its intensity that the rest of the CD (and 99% of any other music that you hear) could not possibly match it. It is that powerful. It is that joyous. Everytime I listen to it, I feel like weeping. That being said, there are plenty of other great songs on this CD, especially tracks 2, 9, 10, 17, and 19. Check it out. Everyone should hear "Polo Margariteno." It is one of the greatest songs ever recorded.

Beautiful.......2003-06-16

Heard this music on KPFA in the car once and when I got home I immediately looked up their play list and ordered it. Not all the songs are as good as the first one, but this has become one of my favorite CDs very quickly.

great first album, a bit of the Venezuelan Zeitgeist of 60s.......1998-08-31

This is a collection of Venezuelan folk tunes, interpreted by single voice and guitar (not the traditional formula). It is a fine sample of the Nueva Trova movement, which sought to revive folk traditions with new political and social statements. Bravo's voice changed dramatically in following albums; here the words just float from her mouth in a bright, sweet tone, with a gentility of diction that evokes instant nostalgia. This album is a great, accessible introdution to the wealth of Venezuelan music.

Average customer rating:

Beautiful beautiful!
Lovely, lovely listening

Piazzolla: Tangos

Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Soul of the Tango: The Music of Astor Piazzolla
Libertango: The Music of Astor Piazzolla
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Tango: Zero Hour
Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4

ASIN: B00000JSAR
Release Date: 1999-08-03

Tracks:

Libertango
Adios Nonino
Cierra tus ojos y escucha
Revirado
Milonga del Angel
La Muerte del Angel
Resurreccion del Angel
Violentango
Melodia en la menor
Anos de Soledad
Meditango
Oblivion

Customer Reviews:

Beautiful beautiful!.......2006-03-02

I am not a music connoisseur, but I do love Piazzolla, and I like Saxophone. I think the way the two are combined in this CD is absolutely wonderful. Piazzolla's compositions are the "usual" ones, but believe me, Mondelci's sax rendition is just outstanding. This is wonderful music for your thoughts and your senses. Highly highly recommended. If you are in doubt, do listen to the music samples on Amazon, but remember that the sound quality of in the CD is way superior to that allowed by the short samples. Too bad I can only find another 2-3 CDs by Mondelci.

Lovely, lovely listening.......1999-08-10

Oh, no! I thought when yet another tango CD came my way for review. Well, I should have thought Oh, yes! The Delos label seldom disappoints and their new by Piazzolla (DE 3252) is quite lovely. Here we have Saxophonist Federico Mondelci and the Moscow Chamber Orchestra under Constantine Orbelian in a program of 12 arrangements (mostly by the soloist) of tangos by Astor Piazzolla, mostly on the moody side, but all a welcome relief from the barrage of atonal bangings on one side and the tuneless mediocrities that pass for popular and show music today. A good deal of this will remind you of "Nights in the Gardens of Spain" and other earlier works that capture the sultriness of the Spanish climate and mindset. I highly recommend this Delos offering.

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