Byrdmaniax

Editorial Reviews
Amazon.com
Byrdmaniax has been sidelined ever since its original 1971 release, when it arrived in the wake of the triumphant Untitled. At the time, the group's musical diversity was beginning to suggest uncertainty, but in hindsight--and with the inclusion here of three contemporaneous bonus tracks--there is much to savor. Highlights include Roger McGuinn's poignant "Kathleen's Song" and the band's striking cover of Jackson Browne's "Jamaica Say You Will." Skip Battin was never better than on "Citizen Kane," a collaboration with maverick Kim Fowley. Original tracks are enhanced by a sensitive alternate version of McGuinn's "Pale Blue" and, particularly, by Bob Dylan's "Just Like a Woman." Byrdmaniax may not be the pick of the Byrds' canon, but it sits well in Sony's imaginative repackaging of this much-loved band's catalog. --Patrick Humphries --This text refers to the Audio CD edition.

Byrdmaniax, Music, Byrds
Byrdmaniax
Average customer rating: 3.5 out of 5 stars
  • Byrdmaniax is not just for Byrd Maniacs
  • "Melcher's Folly"?
  • AN EXCELLENT ALBUM BY THE BYRDS THAT SHOULD NOT BE FORGOTTEN
  • It's The Byrds!
  • LISTEN TO THE SONGS, NOT THE REVIEWS
Byrdmaniax
The Byrds
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Pop | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
Folk RockFolk Rock | Rock | Styles | Music
GeneralGeneral | Rock | Styles | Music
Country RockCountry Rock | Rock | Styles | Music
GeneralGeneral | Classic Rock | Styles | Music
Similar Items:
  1. Farther Along
  2. Dr. Byrds & Mr. Hyde
  3. Ballad of Easy Rider
  4. The Byrds Untitled
  5. Byrds

ASIN: B00004OCEO
Release Date: 2000-02-22

Tracks:

  1. Glory, Glory
  2. Pale Blue
  3. I Trust
  4. Tunnel Of Love
  5. Citizen Kane
  6. I Wanna Grow Up To Be A Politician
  7. Absolute Happiness
  8. Green Apple Quick Step
  9. My Destiny
  10. Kathleen's Song
  11. Jamaica Say You Will
  12. Just Like A Woman
  13. Pale Blue
  14. Think I'm Gonna Feel Better

Amazon.com

Byrdmaniax has been sidelined ever since its original 1971 release, when it arrived in the wake of the triumphant Untitled. At the time, the group's musical diversity was beginning to suggest uncertainty, but in hindsight--and with the inclusion here of three contemporaneous bonus tracks--there is much to savor. Highlights include Roger McGuinn's poignant "Kathleen's Song" and the band's striking cover of Jackson Browne's "Jamaica Say You Will." Skip Battin was never better than on "Citizen Kane," a collaboration with maverick Kim Fowley. Original tracks are enhanced by a sensitive alternate version of McGuinn's "Pale Blue" and, particularly, by Bob Dylan's "Just Like a Woman." Byrdmaniax may not be the pick of the Byrds' canon, but it sits well in Sony's imaginative repackaging of this much-loved band's catalog. --Patrick Humphries

Customer Reviews:

4 out of 5 stars Byrdmaniax is not just for Byrd Maniacs.......2006-12-24

By now, we've all heard the legend of Byrdmaniax. The Byrds have restored their critical and commercial standing with Ballad of Easy Rider and (Untitled), they record their next album, then leave the mixing to producer Terry Melcher so they can begin on a 200 city tour. Melcher then goes and ruins the album by pouring on the commercial cheese in the form of strings, woodwinds, a choir of female backup singers, etc. This is all factually accurate. Furthermore, the reports are correct, this is indeed the Byrds' worst LP. However, "the Byrds' worst LP" is like saying you only found $40 laying on the ground when you're used to finding $75. For most bands, this album is pretty-damn-good to outright-great.

It may be unfair to look at it this way, but if it weren't for Terry Melcher's production, Byrdmaniax could have ended up as one of the best later-period Byrds records. I view Byrdmaniax as the Byrds' Smiley Smile. Both were done by bands who got into a mellow space and did an album to reflect that. Both albums were also released to scathing reviews and backlash from fans at the time of their release. Time, however, has restored Smiley Smile's critical standing and public acceptance. This is not the case with Byrdmaniax, and unfairly so.

One of the things that has always stood out to me about Byrdmaniax, bad production aside, is that it actually contains some of the best songs that the individual band members ever contributed to a Byrds record. In my opinion, the only two mis-steps in terms of songwriting are Skip Battin's "Tunnel of Love" (which has charm in and of itself) and Roger McGuinn's "I Wanna Grow Up to Be a Politician".

McGuinn provided three gems for this record. "Pale Blue" is without question the record's highlight and one of the highlights of his entire songwriting career. The "hominess" of that song is its real strength. "Kathleen's Song" is almost certainly my favorite McGuinn lead vocal on the album and is an absolutely gorgeous song. If you don't dig the Byrdmaniax mix, check out the alternate mix on the 1990 box set without Melcher's syrup. That'll give you your facts all you need. His other gem on this album, "I Trust", has a killer melody and great lyrics.

Gene Parsons and Clarence White turn in their best collaboration on a Byrds LP with "Green Apple Quick Step", an awesome bluegrass number that features some great banjo picking courtesy of White. It's cool to listen behind the banjo and hear McGuinn playing his acoustic guitar, trying to keep up with Clarence White. Gene Parsons provides some great harmonica fills and fiddler Byron Berline was brought in to seal the deal. If you can listen to this without helplessly tapping your foot in time, you're a far better person than I.

Skip Battin' shines with "Citizen Kane", a song about 1930s Hollywood megalomania, complete with a vintage Vaudeville sound that compliments the lyrics perfectly. Battin also delivered in spades with "Absolute Happiness", hands down the best song he ever wrote for a Byrds album, and possibly the best song he ever wrote period.

Of the album's three covers, "Glory, Glory" and the traditional tune "My Destiny" are both very nicely done, but they don't hold a candle to the reading of Jackson Browne's "Jamaica Say You Will" which closes the album. Clarence White delivers a vocal performance that will leave you feeling dirty, used and wanting more. The raw emotion in his delivery makes it a classic moment in the Byrds' cannon. The man's guitar playing always spoke for itself, but he was also a far better singer than a lot of people give him credit for.

In closing, I urge everyone to go back and listen to Byrdmaniax again, but when you do, check any pre-conceived notions at the door. Enjoy what it has to offer the listener. It's a mellow, reflective album that contains many delicate and beautiful songs. It's not perfect, but few albums are. And as David Fricke correctly pointed out in the liner notes on the CD reissue in 2000, "Byrdmaniax isn't just for Byrd maniacs".

4 out of 5 stars "Melcher's Folly"?.......2006-10-09

When this disc was origionally released in 1971, The Byrds 'Untitled' was still rumbling through the charts. It was basically a contractual obligation, hastily pieced together between arduous tours by the band. No surprise, therefore, that the work was widely panned in the press. Particular criticism was reserved for producer Terry Melcher, son of Doris Day and producer of two of The Byrds most successful compositions, 'Mr. Tambourine Man' and 'Turn, Turn, Turn'. One good turn does not necessarily portend another, however, and the critics whistfully took aim at Melcher's politically incorrect use of strings and horns at a time when the wah-pedal guitar and mega-decibel heavy metal sounds were the norm. Of course in our more enlightened era, the disc can be viewed from a less hostile perspective, which was probably well-received by Melcher prior to his 2004 passing.

There are several uncompromising delights on 'Byrdmaniax'. Among them are the opening cover of the Art Reynolds Singers 'Glory, Glory', a modern day Christian number given a rousing treatment by the band. Clarence White's lead guitar is just bold enough to tower over the piano-driven wall-of-sound. The movement towards a more postive mantra prevails over the course of the next two songs. A vibrant, lush production of 'Pale Blue' can be contrasted with the acoustic guitar version offered as a bonus track, so the listener can play Melcher and decide which gives this 'invitation to romance' track its best backing. 'I Trust' follows, opining that although "it's so hard being human with all the troubles inside, somehow I know everything's gonna be alright". Tracks four through seven change the mindset a bit, opting for tracks possessing a stageshow sound. Indeed, 'Citizen Kane' is a novelty track about the Hollywood experience, and the mocking 'I Wanna Grow Up To Be a Politician' was originally written by Roger McGuinn with Jacques Levy to be included in the 'Gene Tryp' musical that never was. 'Tunnel of Love' is unique for it's honky-tonk tempo, while 'Absolute Happiness' is an excursion into Buddhism, complete with sweetly flowing, velvety strings and chords. The disc doesn't miss on the final four tracks, three of which feature Clarence White's talents on guitar (the country-rock instrumental 'Green Apple Quick Step'), and vocals (the country-blues number 'Mr. Destiny' and the closer, the worthy cover of Jackson Browne's 'Jamaica Say You Will'). Sandwiched between these gems is the best track of all, another song originally written by McGuinn and Levy for the 'Gene Tryp' musical, 'Kathleen's Song', a gentle ballad featuring the wonderful chorus, "some people say, love goes away... but not mine".

Two additional bonus tracks flesh out the disc. What Byrds album would be complete without a bit-o-Dylan? The oversight is corrected with the inclusion of the piano and organ-driven 'Just Like a Woman'. Former Byrd Gene Clark also claims a composition among the bonus tracks as Clarence White resurrects 'Thing I'm Gonna Feel Better'. While the raw vocal and electric guitars of the track don't fit in particularly well with the Terry Melcher induced feel of the disc... what does? Perhaps the most valid criticism of 'Byrdmaniax' is that it lacks an overall cohesion... even down to the odd cover photo, looking like The Byrds have met up with Lando Carissian's futuristic embalming methods, and the inexplicable title of the disc. As such, this 'lost album' from The Byrds canon may be as hidden from the view of even Byrds connosieurs as the studio banter and hidden track that follow the acknowledged bonus tracks. Don't overlook it... whatever it is. How fitting.

Oh, and one additional note: Owners of other gloriously reissued Byrds discs will be quite pleased to find that the royal treatment was accorded this disc by Columbia as well. The liner notes by David Fricke of Rolling Stone magazine are informative and relevant, the track information is substantial, and the replication of the original vinyl packaging is sublime. Nothing to sniff at if you're a true Byrd maniac.

5 out of 5 stars AN EXCELLENT ALBUM BY THE BYRDS THAT SHOULD NOT BE FORGOTTEN.......2005-02-01

One difference about this album, in contrast to the other BYRDS albums, is the appearance of the Gospel female singers on three of their songs. GLORY GLORY that features the gospel singers with R0GER MCGUINN'S lead vocal has an excellent piano intro, along with ROGER'S lead guitar. The acoustic ballad PALE BLUE would have sound a whole lot better if the drummer GENE PARSONS who plays the harmonica had sung the song himself, since he had the best singing voice, next to GRAM PARSONS, in the band since the 1969 reincarnation of THE BYRDS. Additionally, Gene not singing on this album is very unfortunate. I TRUST is a outstanding song with CLARENCE WHITE'S blasting guitar riffs, piano riffs by producer TERRY MELCHER, ROGER'S lead vocal, and the female singers. Meanwhile, bass guitarist SKIP BATTIN delivers a strong and excellent lead vocal, accompanied by the female singers, the horn section, and the keyboard riffs, to his TUNNEL OF LOVE, and his CITIZEN KANE that features excellent horn solos, piano riffs, CLARENCE'S guitar riffs, and SKIP'S lead vocal is another excellent song too. ROGER'S I WANNA GROW UP TO BE A POLITICIAN also features excellent guitar riffs by CLARENCE WHITE, the horn section, and piano. SKIP also delivers a relaxing and heart-warming lead vocal to this quiet ballad ABSOLUTE HAPPINESS that features excellent organ and piano riffs, along wiht CLARENCE'S low-volume guitar solo. Listening to the instrumental GREEN APPLE QUICK STEP is like a joy ride in the country with GENE'S banjo riffs, along with the acoustic guitar, violin, and CLARENCE WHITE'S father ERIC WHITE harmonica playing. MY DESTINY with CLARENCE lead vocal, ROGER'S harmony vocal, the piano intro, and pedal steel guitar is a excellent country/ folk song, and ROGER'S KATHLEEN'S SONG is a excellent acoustic ballad with the orchestra in the background. And now comes the highlight for this album called JAMAICA SAY YOU WILL that was written by the then unknown JACKSON BROWNE. This is the best song, in my opinion, that CLARENCE has ever sung with THE BYRDS. Furthermore, his lead vocal and his acoustic and electric guitar riffs, along with ROGER'S harmony vocal, and orchestra give this song, another outstanding song that should not have remained unpopular, a calmly, heart-warming and relaxing feeling. JUST LIKE A WOMAN is a excellent acoustic ballad with ROGER's lead vocal, and keyboards in the background, and the alternate version of PALE BLUE with the orchestra is equally next to the album version. Meanwhile, CLARENCE'S arrangement of ex-BYRDS' former singer GENE CLARK'S THINK I'M GONNA FEEL BETTER kicks the album into overdrive, although CLARENCE adding his lead guitar riffs to ROGER'S lead guitar riffs would have given this song a more powerful rock and roll sound. Plus, there is a hidden alternate version of GREEN APPLE QUICK STOP with the band discussing how to play on the song, possibly for fun though. More importantly, I feel that there should have been a three-part harmony vocals by CLARENCE, ROGER, and GENE on the songs MY DESTINY and JAMAICA SAY YOU WILL. Plus, GENE should have been singing the high notes instead of SKIP, or JOHN YORK beforehand, throughout the remainder of their career.

4 out of 5 stars It's The Byrds! .......2005-01-23

I grew up listening to The Byrds, so I went along with all the changes. I loved all the different sounds they provided. My favorite is "Sweetheart Of The Rodeo", but I never disliked Byrdmaniax or even read the reviews when it was released. I never paid too much attention to that stuff, as most critics usually didn't have a clue, and I was too much the collector to listen to them anyway. :]
My favorite tunes from this LP have always been, "I Want To Grow Up..." and "Glory, Glory". But really, there is not a bad song on it. I never tried to compare one Byrds LP with another. They're all Great, some better than others, that's all!
I'd rate any Byrds LP anywhere from an A+ to a B+.

You can't lose.

4 out of 5 stars LISTEN TO THE SONGS, NOT THE REVIEWS.......2004-08-06

First of all, to the guy who talks about revisionists saying this album is good, he himself is the revisionist as he views the album through the image of Roger McGuinn today years after the fact.
The later years of the Byrds are outstanding and ten times as good as the overated sub-par buffalo springfield covers of their so called brilliant era. This album and Untitled obliterate "The Notorious byrd Brothers" and the like. How someone could not think "Glory, Glory", "Pale Blue", or "I wanna grow up to be a politician" are better than fluff like "Old John Robertson" and "Change is Now" (or even most of "The Notorious Byrd Brothers" I will never understand, oh wait yes I will, that is the rock journalist consensus and so it is done as it is in heaven, eh? The devaluing of the latter-day Byrds output is right up there in the travesties of rock history discourse with Bowie and Zappa being credited over true visionaries. But hey pretention is easilly seen as genius if you meet the quallifications of "cool" required for music to be good that is so excellently pointed to in a previous review here.
Byrdmaniax
Average customer rating: Not rated
    Byrdmaniax
    The Byrds
    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Pop | Styles | Music
    Pop RockPop Rock | Pop | Styles | Music
    Folk RockFolk Rock | Rock | Styles | Music
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    Similar Items:
    1. Farther Along
    2. Dr. Byrds & Mr. Hyde
    3. Fifth Dimension
    4. Byrds
    5. Ballad of Easy Rider

    ASIN: B000008DWH
    Release Date: 1993-01-26

    Tracks:

    1. Glory, Glory
    2. Pale Blue
    3. I Trust
    4. Tunnel of Love
    5. Citizen Kane
    6. I Wanna Grow up to Be a Politician
    7. Absolute Happiness
    8. Green Apple Quick Step
    9. My Destiny
    10. Kathleen's Song
    11. Jamaica, Say You Will [*]
    12. Just Like a Woman [#][*]
    13. Pale Blue [Alternate Version]
    14. Think I'm Gonna Feel Better [#][*]
    Byrdmaniax
    Average customer rating: Not rated
      Byrdmaniax
      The Byrds
      Manufacturer: Sony Japan
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Pop | Styles | Music
      Pop RockPop Rock | Pop | Styles | Music
      Folk RockFolk Rock | Rock | Styles | Music
      GeneralGeneral | Rock | Styles | Music
      Country RockCountry Rock | Rock | Styles | Music
      GeneralGeneral | Classic Rock | Styles | Music
      Classic RockClassic Rock | Imports | Stores | Music
      RockRock | Imports | Stores | Music
      ASIN: B0000CD87F
      Release Date: 2004-01-06

      Tracks:

      1. Glory, Glory
      2. Pale Blue
      3. I Trust
      4. Tunnel of Love
      5. Citizen Kane
      6. I Wanna Grow up to Be a Politician
      7. Absolute Happiness
      8. Green Apple Quick Step
      9. My Destiny
      10. Kathleen's Song
      11. Jamaica, Say You Will [*]
      12. Just Like a Woman [#][*]
      13. Pale Blue [Alternate Version]
      14. Think I'm Gonna Feel Better [#][*]

      Album Description

      Japanese reissue of 1971 album packaged in a miniature LP gatefold sleeve features 14 tracks including 3 bonus tracks, 'Just Like A Woman', 'Pale Blue' (Alt. Version) & 'Think I'm Gonna Feel Better'. CBS. 2003.

      Album Details

      Japanese Limited Edition in an LP-STYLE Slipcase.
      Byrdmaniax
      Average customer rating: 3.5 out of 5 stars
      • Byrdmaniax is not just for Byrd Maniacs
      • "Melcher's Folly"?
      • AN EXCELLENT ALBUM BY THE BYRDS THAT SHOULD NOT BE FORGOTTEN
      • It's The Byrds!
      • LISTEN TO THE SONGS, NOT THE REVIEWS
      Byrdmaniax
      Byrds
      Manufacturer: Line (Ger)
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Rock | Styles | Music
      GeneralGeneral | Classic Rock | Styles | Music
      Similar Items:
      1. Farther Along
      2. Dr. Byrds & Mr. Hyde
      3. Ballad of Easy Rider
      4. The Byrds Untitled
      5. Byrds

      ASIN: B000002RJU
      Release Date: 1995-03-23

      Amazon.com

      Byrdmaniax has been sidelined ever since its original 1971 release, when it arrived in the wake of the triumphant Untitled. At the time, the group's musical diversity was beginning to suggest uncertainty, but in hindsight--and with the inclusion here of three contemporaneous bonus tracks--there is much to savor. Highlights include Roger McGuinn's poignant "Kathleen's Song" and the band's striking cover of Jackson Browne's "Jamaica Say You Will." Skip Battin was never better than on "Citizen Kane," a collaboration with maverick Kim Fowley. Original tracks are enhanced by a sensitive alternate version of McGuinn's "Pale Blue" and, particularly, by Bob Dylan's "Just Like a Woman." Byrdmaniax may not be the pick of the Byrds' canon, but it sits well in Sony's imaginative repackaging of this much-loved band's catalog. --Patrick Humphries

      Customer Reviews:

      4 out of 5 stars Byrdmaniax is not just for Byrd Maniacs.......2006-12-24

      By now, we've all heard the legend of Byrdmaniax. The Byrds have restored their critical and commercial standing with Ballad of Easy Rider and (Untitled), they record their next album, then leave the mixing to producer Terry Melcher so they can begin on a 200 city tour. Melcher then goes and ruins the album by pouring on the commercial cheese in the form of strings, woodwinds, a choir of female backup singers, etc. This is all factually accurate. Furthermore, the reports are correct, this is indeed the Byrds' worst LP. However, "the Byrds' worst LP" is like saying you only found $40 laying on the ground when you're used to finding $75. For most bands, this album is pretty-damn-good to outright-great.

      It may be unfair to look at it this way, but if it weren't for Terry Melcher's production, Byrdmaniax could have ended up as one of the best later-period Byrds records. I view Byrdmaniax as the Byrds' Smiley Smile. Both were done by bands who got into a mellow space and did an album to reflect that. Both albums were also released to scathing reviews and backlash from fans at the time of their release. Time, however, has restored Smiley Smile's critical standing and public acceptance. This is not the case with Byrdmaniax, and unfairly so.

      One of the things that has always stood out to me about Byrdmaniax, bad production aside, is that it actually contains some of the best songs that the individual band members ever contributed to a Byrds record. In my opinion, the only two mis-steps in terms of songwriting are Skip Battin's "Tunnel of Love" (which has charm in and of itself) and Roger McGuinn's "I Wanna Grow Up to Be a Politician".

      McGuinn provided three gems for this record. "Pale Blue" is without question the record's highlight and one of the highlights of his entire songwriting career. The "hominess" of that song is its real strength. "Kathleen's Song" is almost certainly my favorite McGuinn lead vocal on the album and is an absolutely gorgeous song. If you don't dig the Byrdmaniax mix, check out the alternate mix on the 1990 box set without Melcher's syrup. That'll give you your facts all you need. His other gem on this album, "I Trust", has a killer melody and great lyrics.

      Gene Parsons and Clarence White turn in their best collaboration on a Byrds LP with "Green Apple Quick Step", an awesome bluegrass number that features some great banjo picking courtesy of White. It's cool to listen behind the banjo and hear McGuinn playing his acoustic guitar, trying to keep up with Clarence White. Gene Parsons provides some great harmonica fills and fiddler Byron Berline was brought in to seal the deal. If you can listen to this without helplessly tapping your foot in time, you're a far better person than I.

      Skip Battin' shines with "Citizen Kane", a song about 1930s Hollywood megalomania, complete with a vintage Vaudeville sound that compliments the lyrics perfectly. Battin also delivered in spades with "Absolute Happiness", hands down the best song he ever wrote for a Byrds album, and possibly the best song he ever wrote period.

      Of the album's three covers, "Glory, Glory" and the traditional tune "My Destiny" are both very nicely done, but they don't hold a candle to the reading of Jackson Browne's "Jamaica Say You Will" which closes the album. Clarence White delivers a vocal performance that will leave you feeling dirty, used and wanting more. The raw emotion in his delivery makes it a classic moment in the Byrds' cannon. The man's guitar playing always spoke for itself, but he was also a far better singer than a lot of people give him credit for.

      In closing, I urge everyone to go back and listen to Byrdmaniax again, but when you do, check any pre-conceived notions at the door. Enjoy what it has to offer the listener. It's a mellow, reflective album that contains many delicate and beautiful songs. It's not perfect, but few albums are. And as David Fricke correctly pointed out in the liner notes on the CD reissue in 2000, "Byrdmaniax isn't just for Byrd maniacs".

      4 out of 5 stars "Melcher's Folly"?.......2006-10-09

      When this disc was origionally released in 1971, The Byrds 'Untitled' was still rumbling through the charts. It was basically a contractual obligation, hastily pieced together between arduous tours by the band. No surprise, therefore, that the work was widely panned in the press. Particular criticism was reserved for producer Terry Melcher, son of Doris Day and producer of two of The Byrds most successful compositions, 'Mr. Tambourine Man' and 'Turn, Turn, Turn'. One good turn does not necessarily portend another, however, and the critics whistfully took aim at Melcher's politically incorrect use of strings and horns at a time when the wah-pedal guitar and mega-decibel heavy metal sounds were the norm. Of course in our more enlightened era, the disc can be viewed from a less hostile perspective, which was probably well-received by Melcher prior to his 2004 passing.

      There are several uncompromising delights on 'Byrdmaniax'. Among them are the opening cover of the Art Reynolds Singers 'Glory, Glory', a modern day Christian number given a rousing treatment by the band. Clarence White's lead guitar is just bold enough to tower over the piano-driven wall-of-sound. The movement towards a more postive mantra prevails over the course of the next two songs. A vibrant, lush production of 'Pale Blue' can be contrasted with the acoustic guitar version offered as a bonus track, so the listener can play Melcher and decide which gives this 'invitation to romance' track its best backing. 'I Trust' follows, opining that although "it's so hard being human with all the troubles inside, somehow I know everything's gonna be alright". Tracks four through seven change the mindset a bit, opting for tracks possessing a stageshow sound. Indeed, 'Citizen Kane' is a novelty track about the Hollywood experience, and the mocking 'I Wanna Grow Up To Be a Politician' was originally written by Roger McGuinn with Jacques Levy to be included in the 'Gene Tryp' musical that never was. 'Tunnel of Love' is unique for it's honky-tonk tempo, while 'Absolute Happiness' is an excursion into Buddhism, complete with sweetly flowing, velvety strings and chords. The disc doesn't miss on the final four tracks, three of which feature Clarence White's talents on guitar (the country-rock instrumental 'Green Apple Quick Step'), and vocals (the country-blues number 'Mr. Destiny' and the closer, the worthy cover of Jackson Browne's 'Jamaica Say You Will'). Sandwiched between these gems is the best track of all, another song originally written by McGuinn and Levy for the 'Gene Tryp' musical, 'Kathleen's Song', a gentle ballad featuring the wonderful chorus, "some people say, love goes away... but not mine".

      Two additional bonus tracks flesh out the disc. What Byrds album would be complete without a bit-o-Dylan? The oversight is corrected with the inclusion of the piano and organ-driven 'Just Like a Woman'. Former Byrd Gene Clark also claims a composition among the bonus tracks as Clarence White resurrects 'Thing I'm Gonna Feel Better'. While the raw vocal and electric guitars of the track don't fit in particularly well with the Terry Melcher induced feel of the disc... what does? Perhaps the most valid criticism of 'Byrdmaniax' is that it lacks an overall cohesion... even down to the odd cover photo, looking like The Byrds have met up with Lando Carissian's futuristic embalming methods, and the inexplicable title of the disc. As such, this 'lost album' from The Byrds canon may be as hidden from the view of even Byrds connosieurs as the studio banter and hidden track that follow the acknowledged bonus tracks. Don't overlook it... whatever it is. How fitting.

      Oh, and one additional note: Owners of other gloriously reissued Byrds discs will be quite pleased to find that the royal treatment was accorded this disc by Columbia as well. The liner notes by David Fricke of Rolling Stone magazine are informative and relevant, the track information is substantial, and the replication of the original vinyl packaging is sublime. Nothing to sniff at if you're a true Byrd maniac.

      5 out of 5 stars AN EXCELLENT ALBUM BY THE BYRDS THAT SHOULD NOT BE FORGOTTEN.......2005-02-01

      One difference about this album, in contrast to the other BYRDS albums, is the appearance of the Gospel female singers on three of their songs. GLORY GLORY that features the gospel singers with R0GER MCGUINN'S lead vocal has an excellent piano intro, along with ROGER'S lead guitar. The acoustic ballad PALE BLUE would have sound a whole lot better if the drummer GENE PARSONS who plays the harmonica had sung the song himself, since he had the best singing voice, next to GRAM PARSONS, in the band since the 1969 reincarnation of THE BYRDS. Additionally, Gene not singing on this album is very unfortunate. I TRUST is a outstanding song with CLARENCE WHITE'S blasting guitar riffs, piano riffs by producer TERRY MELCHER, ROGER'S lead vocal, and the female singers. Meanwhile, bass guitarist SKIP BATTIN delivers a strong and excellent lead vocal, accompanied by the female singers, the horn section, and the keyboard riffs, to his TUNNEL OF LOVE, and his CITIZEN KANE that features excellent horn solos, piano riffs, CLARENCE'S guitar riffs, and SKIP'S lead vocal is another excellent song too. ROGER'S I WANNA GROW UP TO BE A POLITICIAN also features excellent guitar riffs by CLARENCE WHITE, the horn section, and piano. SKIP also delivers a relaxing and heart-warming lead vocal to this quiet ballad ABSOLUTE HAPPINESS that features excellent organ and piano riffs, along wiht CLARENCE'S low-volume guitar solo. Listening to the instrumental GREEN APPLE QUICK STEP is like a joy ride in the country with GENE'S banjo riffs, along with the acoustic guitar, violin, and CLARENCE WHITE'S father ERIC WHITE harmonica playing. MY DESTINY with CLARENCE lead vocal, ROGER'S harmony vocal, the piano intro, and pedal steel guitar is a excellent country/ folk song, and ROGER'S KATHLEEN'S SONG is a excellent acoustic ballad with the orchestra in the background. And now comes the highlight for this album called JAMAICA SAY YOU WILL that was written by the then unknown JACKSON BROWNE. This is the best song, in my opinion, that CLARENCE has ever sung with THE BYRDS. Furthermore, his lead vocal and his acoustic and electric guitar riffs, along with ROGER'S harmony vocal, and orchestra give this song, another outstanding song that should not have remained unpopular, a calmly, heart-warming and relaxing feeling. JUST LIKE A WOMAN is a excellent acoustic ballad with ROGER's lead vocal, and keyboards in the background, and the alternate version of PALE BLUE with the orchestra is equally next to the album version. Meanwhile, CLARENCE'S arrangement of ex-BYRDS' former singer GENE CLARK'S THINK I'M GONNA FEEL BETTER kicks the album into overdrive, although CLARENCE adding his lead guitar riffs to ROGER'S lead guitar riffs would have given this song a more powerful rock and roll sound. Plus, there is a hidden alternate version of GREEN APPLE QUICK STOP with the band discussing how to play on the song, possibly for fun though. More importantly, I feel that there should have been a three-part harmony vocals by CLARENCE, ROGER, and GENE on the songs MY DESTINY and JAMAICA SAY YOU WILL. Plus, GENE should have been singing the high notes instead of SKIP, or JOHN YORK beforehand, throughout the remainder of their career.

      4 out of 5 stars It's The Byrds! .......2005-01-23

      I grew up listening to The Byrds, so I went along with all the changes. I loved all the different sounds they provided. My favorite is "Sweetheart Of The Rodeo", but I never disliked Byrdmaniax or even read the reviews when it was released. I never paid too much attention to that stuff, as most critics usually didn't have a clue, and I was too much the collector to listen to them anyway. :]
      My favorite tunes from this LP have always been, "I Want To Grow Up..." and "Glory, Glory". But really, there is not a bad song on it. I never tried to compare one Byrds LP with another. They're all Great, some better than others, that's all!
      I'd rate any Byrds LP anywhere from an A+ to a B+.

      You can't lose.

      4 out of 5 stars LISTEN TO THE SONGS, NOT THE REVIEWS.......2004-08-06

      First of all, to the guy who talks about revisionists saying this album is good, he himself is the revisionist as he views the album through the image of Roger McGuinn today years after the fact.
      The later years of the Byrds are outstanding and ten times as good as the overated sub-par buffalo springfield covers of their so called brilliant era. This album and Untitled obliterate "The Notorious byrd Brothers" and the like. How someone could not think "Glory, Glory", "Pale Blue", or "I wanna grow up to be a politician" are better than fluff like "Old John Robertson" and "Change is Now" (or even most of "The Notorious Byrd Brothers" I will never understand, oh wait yes I will, that is the rock journalist consensus and so it is done as it is in heaven, eh? The devaluing of the latter-day Byrds output is right up there in the travesties of rock history discourse with Bowie and Zappa being credited over true visionaries. But hey pretention is easilly seen as genius if you meet the quallifications of "cool" required for music to be good that is so excellently pointed to in a previous review here.

      Music Review:

      1. California (And Other) Girls
      2. California Dreamin' Collection [Import]
      3. CCR Mix [CD-single]
      4. Chimes of Freedom [EP]
      5. Clapton Chronicles: The Best Of Eric Clapton
      6. Classic Rock, Vol. 1
      7. Corridors of Power
      8. Crazy Moon (Expanded Edition)(+7 Bonus T
      9. Detroit Rock City [Soundtrack]
      10. Do It Again!

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      Gin for Every Virgin

      Saturday Night Fever [Original recording remastered] [Soundtrack]

      No Jive

      One of These Nights [Import] [Original recording remastered]

      Nationalgeographic

      Power Turk: Turkce Pop [Import]

      Paul Hindemith: Orchestral Works, Vol. 2

      Quiet Joy

      Nude [CD-single] [Import]

      Po' Folks [CD-single] [Import]

      Blues in the Night

      Live at Club Mozambique