Ladies Man [Import]

Editorial Reviews
Album Description
Reissue of concert recording from the 1969 Toronto Rock And Roll Festival, plus two early studio recordings from the '60s, covers of 'Goin' To The River' & 'Ain't That Just Like A Woman'. Eight tracks total. 1991 TKO Magnum Music release.

Ladies Man, Music, Alice Cooper, Hard Rock, Heavy Metal, Pop, Popular Music, Rock, Rock/Pop
All At Once Well Met: English Madrigals; The King's Singers
Average customer rating: 4.5 out of 5 stars
  • Very pleased
  • Sumptuous and mellow
  • One of the Best Collections of English Madrigals
  • A Delightful Collection of English Madrigal
  • A wide variety
 All At Once Well Met: English Madrigals; The King's Singers
John Dowland , Thomas Morley , Thomas Weelkes , John Wilbye , William Byrd , John Farmer , and The King's Singers
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. English and Italian Renaissance Madrigals
  2. The King"s Singers: English Renaissance
  3. Olde English Madrigals & Folk Songs at Ely Cathedral
  4. Madrigal History Tour
  5. Annie Laurie ~ Folksongs of the British Isles / Barrueco · The King's Singers

ASIN: B000002RPZ
Release Date: 1990-10-25

Tracks:

  1. English Madrigals: A Little Pretty Bonny Lass
  2. English Madrigals: Weep No More, Thou Sorry Boy
  3. English Madrigals: Shoot False Love
  4. English Madrigals: Now Is The Month Of Maying
  5. English Madrigals: Four Arms, Two Necks, One Wreathing
  6. English Madrigals: Hark, All Ye Lovely Saints Above
  7. English Madrigals: Since Robin Hood
  8. English Madrigals: Though Philomela Lost Her Love
  9. English Madrigals: O Wretched Man
  10. English Madrigals: Weep, O Mine Eyes
  11. English Madrigals: The Nightingale, The Organ Of Delight
  12. English Madrigals: Come, Sirrah Jack, Ho!
  13. English Madrigals: Cruel, Behold My Heavy Ending
  14. English Madrigals: Fair Phyllis I Saw Sitting All Alone
  15. English Madrigals: Sing We And Chant It
  16. English Madrigals: On A Fair Morning
  17. English Madrigals: Oft Have I Vowed
  18. English Madrigals: Is Love A Boy?
  19. English Madrigals: Say, Love, If Ever Thou Didst Find
  20. English Madrigals: All At Once Well Met
  21. English Madrigals: Construe My Meaning
  22. English Madrigals: Lord! When I Think
  23. English Madrigals: Cruel, Wilt Thou Persever
  24. English Madrigals: Fine Knacks For Ladies
  25. English Madrigals: Strike It Up, Tabor
  26. English Madrigals: I Love, Alas I Love Thee
  27. English Madrigals: Farwell, Dear Love
  28. English Madrigals: See, See The Shepherd's Queen
  29. English Madrigals: Have I Found Her
  30. English Madrigals: Lady Your Words Do Spite Me
  31. English Madrigals: Were I A King
  32. English Madrigals: Come Again
  33. English Madrigals: Tan Ta Ra, Cries Mars
  34. English Madrigals: Why Should I Love?
  35. English Madrigals: This Sweet And Merry Month Of May

Customer Reviews:

4 out of 5 stars Very pleased.......2007-06-10

I wasn't sure what to expect when I bought this CD. True, I could have listened on line before buying but that would have taken the fun out of the purchase. Besides, I really didn't care for the CD the first couple of times I listened but now I really love it. It's not something to listen to all the time but given the right circumstances e.g. a small gathering of friends, it's perfect. If I'd listened to online, I wouldn't have purchased it.

5 out of 5 stars Sumptuous and mellow.......2002-11-28

The six men of the King's Singers present sweet and light-hearted madrigals of such English composers as Morley, Weelkes, Dowland, Wilbye and Byrd. The thirty five selections include "Now is the Month of Maying", "Though Philomela Lost Her Love", "Sing We and Chant It," the celebration of tobacco entitled "Come, Sirrah Jack, Ho!" and a host of other fa-la-la-la-la venues interspersed with wistful laments. I love the rich, sonorous sound of a male vocal ensemble, with countertenors, tenor, baritones and bass, and these six singers do a great job. Occasional instrumental accompaniments by lute and tabor are included, but this group doesn't really need it--I could listen to them for hours all by themselves. Also quite enjoyable, as well as educational, is their earlier release, "The King's Singers' Madrigal History Tour: Italy, England, France, Spain and Germany". For a more risque' take on the vocal music of Renaissance England, you might get a kick out of "The Art of the Bawdy Song" by the Baltimore Consort with the Merry Companions.

5 out of 5 stars One of the Best Collections of English Madrigals.......2002-03-27

Any fan of the King's Singers will regret not having this album in their collection.

This album offers a veritable feast of the choicest English madrigals found on any comparable album. From the obligatory "Now is the Month of Maying" and "Fair Phyllis" to the more obscure "Tan ta ra, cries Mars," there is certainly enough on this album to bring a smile to lovers of Renaissance music - and a spark of recognition to anyone who sang traditional madrigals in high school or university. For serious students of early music, this album comes very highly recommended.

Among the more sonorous offerings on this album, Jones' "Farewell, Dear Love" and Dowland's "Come Again," cannot be ignored. Nor can Bennet's immortal "Weep O mine eyes" be matched more musically than here by the King's Singers.

This album has been played again and again for almost 6 years as both serious listening and background working music. And it has yet to lose its delight.

4 out of 5 stars A Delightful Collection of English Madrigal.......2000-08-16

With 35 tracts to enjoy you're sure to find a couple of favorites. I gave this CD 4 of 5 stars compared to 5 stars for the King's Singers World Madrigal Tour CD. If you prefer all your songs in English, this will be your 5 star CD. Tract 32 "Come again" is my favorite due to the surperb tenor lead and melodic development. Compared to many polyphonic early music styles (1300s-1485), this era (1500-1610) provides many memorable melodies.

4 out of 5 stars A wide variety.......2000-04-28

This is an excellent sampling of English madrigals. This presentation, given by an older roster of the Singers, is a nice introduction to the world of the madrigal, and English madrigals in particular.
Broadway - The American Musical (PBS Series)
Average customer rating: 5 out of 5 stars
  • Fabulous for any Broadway-lover
  • Top Shelf
  • TERRIFIC CD'S
  • Great Collection of Broadways greatest Songs
  • Great Compilation!
 Broadway - The American Musical (PBS Series)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

BalletsBallets | Ballets & Dances | Classical | Styles | Music
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Similar Items:
  1. The Best of Broadway - The American Musical (PBS Series)
  2. Broadway: The American Musical
  3. Broadway: The American Musical
  4. Broadway - The American Musical (PBS Series)
  5. Somewhere over the Rainbow: The Golden Age of Hollywood Musicals

ASIN: B00064ADMK
Release Date: 2004-10-19

Tracks:

  1. Give My Regards To Broadway- Joel Grey
  2. Swanee- Al Jolson
  3. When The Moon Shines On The Moonshine- Bert Williams
  4. A Pretty Girl Is Like A Melody- John Steel
  5. My Man- Fanny Brice
  6. Fascinating Rhythm- Fred Astaire, Adele Astaire
  7. If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
  8. Someone To Watch Over Me- Gertrude Lawrence
  9. Bill- 78 rpm Version Helen Morgan
  10. Ol' Man River- Paul Robeson
  11. Ain't Misbehavin'- Louis Armstrong & His Orchestra
  12. Ten Cents A Dance- Ruth Etting
  13. Body And Soul- Libby Holman
  14. Brother, Can You Spare A Dime- Bing Crosby
  15. Night And Day- Fred Astaire
  16. Heat Wave- Ethel Waters
  17. Smoke Gets in Your Eyes- Tamara
  18. You're The Top- Ethel Merman
  19. Summertime- Anne Brown
  20. September Song- Walter Huston
  21. My Heart Belongs To Daddy- Mary Martin
  22. It Never Entered My Mind- Shirley Ross
  23. Bewitched, Bothered, Bewildered- Vivienne Segal
  24. Oh, How I Hate To Get Up In The Morning- Irving Berlin
  25. Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

  1. New York, New York- Cris Alexander,Adolph Green,John Reardon
  2. If I Loved You- John Raitt,Jan Clayton
  3. Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
  4. There's No Business Like Show Business- Ensemble
  5. How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
  6. Once In Love With Amy- Ray Bolger
  7. Wunderbar- Alfred Drake,Patricia Morison
  8. Some Enchanted Evening- Ezio Pinza
  9. Lost In The Stars- Todd Duncan
  10. Diamonds Are A Girl's Best Friend- Carol Channing
  11. Luck Be A Lady- Robert Alda,Guys
  12. Getting To Know You- Gertrude Lawrence
  13. Who Cares?- Jack Carson,Betty Oakes
  14. Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
  15. Ballad Of Mack The Knife- Gerald Price
  16. Hey There- from "The Pajama Game" John Raitt
  17. Whatever Lola Wants- Gwen Verdon
  18. I Could Have Danced All Night- Julie Andrews
  19. Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
  20. The Party's Over- Judy Holliday
  21. Glitter And Be Gay- Barbara Cook
  22. Tonight- Larry Kert, Carol Lawrence

Tracks:

  1. Seventy-Six Trombones- Robert Preston
  2. I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
  3. Everything's Coming Up Roses- Ethel Merman
  4. My Favorite Things- from "The Sound Of Music" Mary Martin
  5. Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
  6. Try To Remember- Jerry Orbach
  7. Camelot- from "Camelot" Richard Burton
  8. Love Makes The World Go 'Round- Anna Maria Alberghetti
  9. I Believe In You- Robert Morse And Co.
  10. The Sweetest Sounds- Diahann Carroll,Richard Kiley
  11. Comedy Tonight- Zero Mostel
  12. What Kind Of Fool Am I?- Anthony Newley
  13. As Long As He Needs Me- Georgia Brown
  14. Hello, Dolly!- Carol Channing,Cast
  15. People- Barbra Streisand
  16. Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
  17. If I Were A Rich Man- Zero Mostel
  18. Night Song- Sammy Davis, Jr.
  19. The Impossible Dream- Richard Kiley
  20. If My Friends Could See Me Now- Gwen Verdon
  21. Open a New Window- from Mame Voice

Tracks:

  1. Willkommen- from "Cabaret" Joel Grey
  2. Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
  3. I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
  4. The Ladies Who Lunch- from "Company" Elaine Stritch
  5. Tea For Two- Roger Rathburn,Susan Watson
  6. I'm Still Here- Yvonne De Carlo
  7. I Don't Know How To Love Him- Yvonne Elliman
  8. We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
  9. Corner Of The Sky- John Rubinstein
  10. Send In The Clowns- Glynis Johns
  11. Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
  12. One- from "A Chorus Line" Cast
  13. All That Jazz- Chita Rivera,Ensemble
  14. Tomorrow- Andrea Mcardle
  15. Don't Cry For Me Argentina- Patti Lupone
  16. Come Follow The Band
  17. Lullaby Of Broadway- Jerry Orbach
  18. And I'm Telling You I'm Not Going- Jennifer Holliday
  19. The Bells Of St. Sebastian- Raul Julia

Tracks:

  1. Memory- Betty Buckley
  2. I Am What I Am- George Hearn
  3. Move On- Bernadette Peters,Mandy Patinkin
  4. Do You Hear The People Sing?- Michael Maguire,Cast
  5. The Music Of The Night- Michael Crawford
  6. You're Nothing Without Me- James Naughton,Gregg Edelman
  7. The American Dream- Jonathan Pryce,Cast
  8. Doctor Jazz- Gregory Hines,Company
  9. With One Look- Glenn Close
  10. On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
  11. Le Jazz Hot- Julie Andrews,Ensemble
  12. Seasons Of Love-
  13. Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
  14. I Wanna Be A Producer- Matthew Broderick,Ensemble
  15. Dancing Queen- Louise Plowright,Jenny Galloway
  16. Good Morning Baltimore- Marissa Jaret Winokur
  17. Movin' Out- Michael Cavanaugh,Band
  18. I Go To Rio- Hugh Jackman,Company
  19. Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

5 out of 5 stars Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

5 out of 5 stars Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

5 out of 5 stars TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

5 out of 5 stars Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

5 out of 5 stars Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway
Assassins (2004 Broadway Revival Cast)
Average customer rating: 4 out of 5 stars
  • Unworthy of This Show
  • Great.
  • Deserves a place in your Sondheim Discography
  • Dashed high hopes
  • Letdown from the original
 Assassins (2004 Broadway Revival Cast)
Stephen Sondheim , Neil Patrick Harris , Marc Kudisch , Michael Cerveris , Denis O'Hare , and James Barbour
Manufacturer: P.S. Classics
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
GeneralGeneral | Broadway & Vocalists | Styles | Music
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Similar Items:
  1. Sweeney Todd (2005 Broadway Revival Cast)
  2. Assassins (1991 Original Off-Broadway Cast)
  3. Assassins
  4. The Frogs (2004 Broadway Cast)
  5. The 25th Annual Putnam County Spelling Bee (2005 Original Broadway Cast)

ASIN: B0002B161Y
Release Date: 2004-08-03

Tracks:

  1. Everybody's Got The Right
  2. Ballad Of Booth
  3. Ladies And Gentlemen, A Toast!
  4. How I Saved Roosevelt
  5. What Does A Man Do...?
  6. Gun Song
  7. Ballad Of Czolgosz
  8. Unworthy Of Your Love
  9. I Am A Terrifying And Imposing Figure...!
  10. Ballad Of Guiteau
  11. Have It Your Way
  12. Another National Anthem
  13. Take A Look Lee
  14. Something Just Broke
  15. Everybody's Got The Right

Amazon.com

"Everybody's got a right/To their dream." So begins Stephen Sondheim's 1991 show Assassins--and in this case, said dreams involve killing an American president. The characters form a veritable rogues' gallery, including John Hinckley, Lee Harvey Oswald and John Wilkes Booth of course, but also half-forgotten luminaries such as Leon Czolgosz (who killed McKinley) and "Squeaky" Fromme (who aimed for Gerald Ford with an unloaded gun). While Sondheim's lyrics are trenchant as ever, his music, which ranges from Sousa pomp to clever little waltzes, is technically brilliant but also oddly uninvolving. (Many fans prefer the recording of the 1991 Off-Broadway version, though "Something Just Broke," which was added to the 1992 London production, makes its recorded debut here.) Still, there are several high points. In "Unworthy of Your Love," for instance, Hinckley and Fromme wax poetic about their unrequited love for Jodie Foster and Charles Manson, respectively, in a Burt Bacharach-style ballad that's deliberately (I hope!) sappy. And of course as with most Sondheim shows, the cast of this revival--Michael Cerveris, Mario Cantone, Becky Ann Baker, Marc Kudisch, Denis O'Hare--is very good. --Elisabeth Vincentelli

Customer Reviews:

1 out of 5 stars Unworthy of This Show.......2007-03-01

Assassins is a masterpiece of American theatre. Through a revue of skits and songs, it examines ideas we don't want to face, and shows us the flip side of the American Dream. The score rates as one of Sondheim's best, and the overall effect, when the show is performed well, is incredibly powerful. For years, people have wanted to mount a production on Broadway.

Given this result, they needn't have bothered.

I am still amazed at how much this production got wrong. The principal cast is nothing short of dreadful: the acting is almost laughably overwrought; the pacing keeps getting disrupted by pauses held too long and lines spoken too slowly; some singers are frequently behind the tempo (notably Michael Ceveris as Booth), while others are painful to listen to (like Jeffrey Kuhn as Zangara and Mario Cantone as Sam Byck); the new orchestrations allow for more musicians in the pit, but are much less effective than the earlier arrangements.

To top it all off, this production includes "Something Just Broke", a song sung by the Ensemble as various "average" Americans of different time periods recalling where they were when the president was shot. The song was introduced in the London production, presumably for people who didn't understand the show to have something to latch on to, but it was mercifully kept out of the published vocal score and libretto. It's not a bad song in and of itself, but musically it does not fit in with the rest of the score, and dramatically it doesn't fit in with the rest of the script. Worse, it is placed right between the Kennedy assassination -- the climax of the show -- and the finale, thus skewing all the dramatic momentum and depriving the show of an effective resolution.

The result of all this is that the comic moments aren't funny, the powerful moments fail to move, and the wonderful music is left ho-hum.

I realize that the extraordinary cast of the original production of Assassins presents a dauntingly high standard for everyone else to compare to, but the college productions I've seen were better than this.

5 out of 5 stars Great. .......2006-11-08

What an amazingly talented cast! Neil Patrick Harris, Marc Kudisch, Alex Gemignani (The new Valjean in the revival of Les Miserables) and of course, the former demon barber of Fleet Street, Michael Cerveris (in the role that won him a Tony)...Just to hear these giants of musical theatre perform together as an ensemble alone is worth the price of this recording. This recording is so wonderfully done, and I can't recommend this enough.

'Unworthy of your Love' and 'The Ballad of Booth' are heartbreakingly beautiful, strange that I say that considering the subject matter, but it's true, those two songs alone will stay with you for days on end. The Ballad of Booth has poetic and tragic lyrics like 'Damn my soul, if you must, let my body turn to dust, let it mingle with the ashes of my country...What I did, I did well, and I did it for my country. Let them cry 'Dirty Traitor!', they will understand later...'. and the hauntingly gorgeous melody that goes with those lyrics is just so well, romantic! But then you have the tongue-in-cheek, slightly macabre numbers like 'The Gun Song' and 'Everybody's Got The Right' with lyrics like, 'Everybody's got the right to be happy. Life's not as bad as it seems! Everybody deserves a little sunshine...' and 'All you have to do is, move your little finger...and you can change the world!'

What a rollarcoaster of emotion! I mean, seriously, who else but Sondheim could pull that off and make it the brilliant masterpiece that it clearly is?

One of my biggest regrets is not seeing this during it's brief run in 2004. :(

5 out of 5 stars Deserves a place in your Sondheim Discography.......2006-07-28

Like other reviewers I was fortunate enough to see Roundabout's revival production but perhaps unfortunate that my total enjoyment of that production may bias my critical listening. I can't help but recall the proprietor (Marc Kudish) caressing a pistol into the hand of each assassin when listening to the opening Everybody's Got The Right.

However, while fans of Sondheim and musical theater will argue over every nuance, I find that both this and the original are excellent in their own way. Yes, the voices in the first recording are more refined, yet this recording seems to better capture the character's mannerisms in the vocal stylization, whether the twitchy madness of Guiteau (Dennis O'Hare) or the depressed howl of Sam Byck (Mario Cantone).

This is a worthwhile recording and one that provides me with a reprise of the excellent staging and acting of this quirky play.

2 out of 5 stars Dashed high hopes.......2006-07-14

Assassins is a fascinating and surprising show. You can't imagine a more unlikely topic for a musical and yet, when you hear and/or see the show, you can't help to be impressed by the entire production. Maybe if I'd never heard the original cast recording, I would have given this a higher rating, but, to be frank, this recording suffers in comparison to the original recording in nearly every way.

While the diction on this recording is often impressive...especially Neil Patrick Harris's...too often it is accomplished at the price of tempo. Too many times the musical director has made the choice to slow down portions of the songs to the point of sluggishness. Absolutely NONE of the performances is superior to the original. That doesn't mean that any of the newer performances are horrible, it's just that they don't measure up. The one who comes the closest is Neil Patrick Harris whom I find naturally charming and vulnerable in anything he does.

The best addition to this recording is Mario Cantone's rant as Sam Byck. Unfortunately, I can't recommend getting this recording based solely on that. The biggest mis-step is the omission of the full, final, Kennedy scene. Hearing it on the original recording for the first time is an absolutely thrilling and chilling experience. Not having it all here is a MAJOR disappointment.

Buy the original recording first and check this one out from the library.

3 out of 5 stars Letdown from the original.......2006-04-10

I have been a huge fan of Assassins since it first came out back in '91. While I've never had the pleasure of seeing the play in person, I've read it several times and listened to the original cast recording so often one can hardly believe it. So when I saw "Broadway Cast Recording" I was thrilled. Then I listened to it. I went from thrilled to appalled.

John Weideman, who wrote the music, seems to prefer the Broadway cast recording--at least he says so in its liner notes. I'm not sure why. While some of the songs are still excellent (like the Hinckley-Fromme duet "Unworthy of Your Love"), many of them are just plain painful to listen to. Most of the time the singing vaccilates between being totally flat of affect (most notably Moore in "The Gun Song") to hyperbolic melodrama. Booth mumbles to the point of near-unintelligibility in several songs; Zangara sounds eerily like the mob boss from 'Johnny Dangerously' that keeps calling everyone "farging bastages"; Moore sings nearly the whole time as if she'd OD'd on sedatives; and Guiteau sounds so stereotypically gay that GLAAD should be suing the producer.

It almost seems as if the cast are not sure what do do with their characters. The cast of the Original Cast Recording hit the characters perfectly--an outstanding mix of suffering, despair, anger and hostility. The Broadway cast can't seem to, in the language of the musical, "connect" to the characters. For me this is a huge failing, as the "charcaters" here are real individuals; if the performers can't connect to them, how can we be expected to?

There are also some content differences between this recording and the original. Several brief additions are made from elsewhere in the musical, and the new song "Something Just Broke" written for the Broadway revival is included on the recording. However, about half of the last act (which is included on the original) is cut out. Sadly, the material cut out is far more moving, unsettling and significant than the material added. Also, "Something Just Broke", while a fine song (and performed better than most of the rest of the material), unfortunately breaks up the natural link between the Kennedy assassination's triumphalist ending and the closing version of "Everybody's Got the Right".

I gave this three stars because I love Assassins. It is a brilliant and unnerving drama. But the Original Cast Recording is immensely superior to the Broadway Cast Recording in its ability to reveal this to the audience. I'm glad it was revived, and I'm glad it won three Tony awards--now it can get the recognition it deserves; but for me, I'll stick to the original version I fell in love with years ago. If only the Broadway recording has found a way to be "worthy of your love"...
Death of a Ladies' Man
Average customer rating: 3.5 out of 5 stars
  • As decadent as it gets...
  • A trip into the Big Empty
  • Fabulous!
  • Call me crazy....
  • An appealing record that won't appeal to everyone
 Death of a Ladies' Man
Leonard Cohen
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Recent Songs
  2. New Skin for the Old Ceremony
  3. Various Positions
  4. Songs of Love and Hate
  5. I'm Your Man

ASIN: B0000026K9
Release Date: 1990-10-25

Tracks:

  1. True Love Leaves No Traces
  2. Iodine
  3. Paper thin Hotel
  4. Memories
  5. I Left A Woman Waiting
  6. Don't Go Home With Your Hard-On
  7. Fingerprints
  8. Death Of A Ladies Man

Customer Reviews:

4 out of 5 stars As decadent as it gets..........2007-04-09

A milestone in the dialectic of love and boredom. A monument to the self-obsessed. Brilliant and completely overdone. The lyrics are cutting. The distinctly Motown-in-decline musical arrangements border on ridiculousness. Something like...Fellini's Satyricon in music set in the 1970s. Lovers of love and lovers of words should not miss this one. Other people should.

3 out of 5 stars A trip into the Big Empty.......2006-11-12

Whilst this is probably the last album of Leonard Cohen I would listen to personally (with the exception of "Dear Heather" which I did not particulary enjoy) or recommend to a "new fan", it certainly has merit.

Spector's "over-production" is absurd, and often works against the song, and the singer, but it is the kind of album that once you start listening to it, you sense it's potential, trapped beneath a haze of cocaine nights and sleazy background all-girl choir singing.

Certainly the lyrics have merit, as always with Cohen, and in fact it is a document of a time I guess in Cohen's life, when the sensitive trappings of the folk singer-songwriter had given way to a seedier lifestyle, the flipside of the fame he had achieved by the late 70's.

It earns its 3 stars, and is an engaging, if empty, record.

5 out of 5 stars Fabulous!.......2006-10-03

This is my favourite LC record. Spector takes the old curmudgeon's work to a whole new level of genius.

5 out of 5 stars Call me crazy...........2006-07-20

I love this album. It's one I listen to again & again. Yes, it's a different sound for Leonard but all the songs are decent (sans Fingerprints--actually, its just the corny chorus that I don't like). Don't buy it if this is your first foray into Cohen. Go with something safe like "The Future" instead, then progress backwards into "New Skin for Old".

4 out of 5 stars An appealing record that won't appeal to everyone.......2006-07-17

The problem with this idiosyncratic album is that only fans of both Leonard Cohen and Phil Spector, two individuals with very different approaches to recording music, will appreciate it. Cohen's confessional, singer-songwriter lyrics call for simple, understated arrangements, not Spector's grandiose wall of sound, so die-hard Cohen fans will probably think this album is egregiously overproduced. On the other hand, the lavish string and horn arrangements will leave Spector enthusiasts expecting the commanding vocals of a gifted pop singer, not Cohen's brooding, world-weary groan. Both Cohen and Spector were past their primes and clearly coping with midlife crises at the time this record was made. Their music is saturated with lust, dissipation, and nostalgia, all from a very male perspective. Many will find it tawdry and overwrought, but for the right listener it can touch the rawest nerve.
Roast Beef of Old England (Traditional Sailor Songs)
Average customer rating: 4.5 out of 5 stars
  • Set Sail With These Great Songs
  • Jack Aubrey would have loved it...
  • Good traditional stuff
  • Continuing Enjoyment
  • Great CD!
 Roast Beef of Old England (Traditional Sailor Songs)
Jerry Bryant , and Starboard Mess
Manufacturer: Essay
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
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Similar Items:
  1. Shanties & Songs of the Sea
  2. Musical Evenings With The Captain
  3. Sailors' Songs & Sea Shanties
  4. Musical Evenings With The Captain, Vol. 2
  5. Blow the Man Down

ASIN: B00004UDET
Release Date: 2000-08-15

Tracks:

  1. Spanish Ladies
  2. A Jolly Sailor's True Description Of A Man-Of-War
  3. Adieu, Sweet Lovely Nancy
  4. St. Patrick's Day
  5. Warlike Seamen
  6. The First Of June
  7. Drops Of Brandy
  8. Roast Beef Of Old England
  9. Heart Of Oak
  10. Nancy Dawson
  11. Ben Backstay
  12. Sailors' Hornpipe/Rickett's Hornpipe
  13. Bay Of Biscay-o
  14. The Battle Of The Nile
  15. Nelson's Victory/Hull's Victory
  16. The Banks Of The Nile/Sailor's Cravat
  17. A New Sea Song (Sweethearts And Wives)
  18. Pleasant And Delightful
  19. Captain Barton's Distress On The Lichfield
  20. Chevy Chase
  21. The Shannon And The Chesapeake
  22. Distressed Men-Of-War
  23. Sailor's Jacket
  24. Don't Forget Your Old Shipmate

Amazon.com

If Roast Beef of Old England isn't enough to spawn a dose of contact scurvy, many other of these two dozen salty tunes will set the boat a-rocking. Treasures such as "A Jolly Sailor's True Description of a Man-of-War" and "Drops of Brandy" detail life among British seamen of the early 1800s without dredging up too much of the usual pirates, shipwrecks, or mutiny. It's an historical document of the regular life at sea, inspired by the British Navy novels of Patrick O'Brian, with intentions to anchor the writing in the ordinary sounds and stories of those fictionalized seafaring times. Glad fiddle, fife, and Jerry Bryant's humble six-man choral crew Starboard Mess spill the beans in suitable fashion without a sailor's colorful vocabulary. They supply the "yo ho ho" and annotations, you bring the rum and black powder. --Ian Christe

Customer Reviews:

4 out of 5 stars Set Sail With These Great Songs.......2007-01-28

Jerry Bryant and his Starboard Mess offer up to the listener some wonderful performances of traditional British sailor tunes. They are all performed acapella, and despite other reviewers saying that these songs lack spirit, I find that there's plenty in store. Pennywhistle and fiddle songs are also thrown in and do nothing but add to the enjoyment of this album. Read your favorite Jack Aubrey novel or other seafaring tales such as "Treasure Island" while listening to this album to truly enhance your literary experience. My personal favorites include "Spanish Ladies" and "Bay of Biscay-o."

You should see the looks I get from the little wannabe thugs in their tricked out Hondas listening to hip-hop when I pull up next to them in my conservative white Toyota Camry and I'm belting out lines like "We'll rant and we'll roar like true British sailors...." Jay-Z can't even hold a candle to these wonderful old tunes.

Highly recommended.

5 out of 5 stars Jack Aubrey would have loved it..........2007-01-09

This is the real thing! It takes some time to get into these songs...but then I started to join in. For someone reading O'Brian its a MUST.

4 out of 5 stars Good traditional stuff.......2007-01-05

Just what I was looking for, some traditional British songs from the age of sail. I recomend this for anyone with an interest in British maritime and naval history.

5 out of 5 stars Continuing Enjoyment.......2006-05-05

I've owned this CD for a few years now, and it hasn't become stale yet.

Being a 'younger' person with generally 'younger' preferences in music, and yet still a person thoroughly devoted to Patrick O'Brian and all his works, on first listening I was doubtful.

Another two or three spins around the CD player, though, and I was hooked. Crisp, clear and obviously as historically accurate as they can be, these songs give delight even now.

Best use? Volume dialled up to eleven for the morning drive to work, bellowing along at the top of my voice - and often the bottom of my range! Heart of Oak, Roast Beef of Old England, The Shannon and the Chesapeake - uproarious. Sailor's Jacket is the foot-tappingest instrumental; it still sets my toes a-jumping. And the sweeter songs? Give them plenty of wellie .. Adieu Sweet Lovely Nancy is fabulous.

Other big numbers: A Jolly Sailor's True Description of a Man-of-War, A New Sea Song (Sweethearts & Wives) - which has some fabulously 'historically accurate' narrative within (POB readers will know whereof I speak! ;-} - and Distressed Men-of-War - another song referred to within the POB Canon.

Heartily recommended.

5 out of 5 stars Great CD!.......2005-10-28

I am very impressed with the quality of this CD. The sound is clear and the tones perfect. It was a surprise just how familiar all the song is! They are very vivid and worldly. I bought this CD with out knowing what was on it; I was truly surprised and happy with it. My 6th graders will enjoy learning to this CD, and as well as singing the songs to complement our reading of Treasure Island.
Lisa
The Music Man (1957 Original Broadway Cast) [Angel Reissue]
Average customer rating: 4.5 out of 5 stars
  • Music Man
  • One of This Country's Finest Musicals Beautifully Re-Mastered
  • We need a new remaster, nonetheless
  • Accept no substitutes!
  • Preston and Cook are the best ever
 The Music Man (1957 Original Broadway Cast) [Angel Reissue]

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
Traditional Vocal PopTraditional Vocal Pop | Broadway & Vocalists | Styles | Music
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Similar Items:
  1. My Fair Lady (1956 Original Broadway Cast)
  2. South Pacific (Original 1949 Broadway Cast)
  3. Camelot (1960 Original Broadway Cast)
  4. West Side Story (1957 Original Broadway Cast)
  5. Guys & Dolls: A Decca Broadway Original Cast Recording (1950 Original Broadway Cast)

ASIN: B000002SNL
Release Date: 1992-11-17

Tracks:

  1. Act I. Overture/Rock Island - Vern Reed
  2. Act I. Iowa Stubborn - Ensamble
  3. Act I. Ya Got Trouble - Robert Preston/Ensemble
  4. Act I. Piano Lesson - Barbara Cook/Pert Kelton
  5. Act I. Goodnight My Someone - Barbara Cook
  6. Act I. Seventy-Six Trombones - Robert Preston
  7. Act I. Sincere - Buffalo Bills
  8. Act I. The Sadder But Wiser Girl For Me - Robert Preston
  9. Act I. Pick-A-Little, Talk-A-Little - Asnia Rice, Peggy Mondo, Elain Swann, Helen Raymond, Martha Flynn, Robert Preston
  10. Act I. Goodnight Ladies/Marian The Librarian - Robert Preston, Buffalo Bills
  11. Act I. My White Knight - Barbara Cook
  12. Act I. Wells Fargo Wagon - Eddie Hodges, Ensemble
  13. Act II. It's You - Buffalo Bills
  14. Act II. Shipoopi - Iggie Wolfington, Ensemble
  15. Act II. Lida Rose/Will I Ever Tell You? - Buffalo Bills, Barbara Cook
  16. Act II. Gary, Indiana - Eddie Hodges
  17. Act II. Till There Was You - Barbara Cook, Robert Preston
  18. Act II. Finale - Robert Preston, Barbara Cook, Ensemble

Amazon.com

Although Robert Preston and Barbara Cook put in stellar performances, it's the music that's the star of this hugely successful document of the 1958 Broadway smash. Written entirely by Meredith Willson, it drew from memories of his childhood in a small Midwestern town. Preston plays a traveling salesman/con artist, while Cook is the dull spinster "Marian the Librarian," whose love for Preston's character makes her come alive. "Seventy-Six Trombones" has become a marching band standard, while "Ya Got Trouble" (featuring dizzying fast-talk from Preston) and "'Til There Was You" (with a gorgeous vocal from Cook) remain well known even among those who have never seen the show. The latter was also a favorite of the Beatles, who covered it on their first album. --Dawn Eden

Customer Reviews:

5 out of 5 stars Music Man.......2007-02-09

The original cast recording brings back the memory of the live production I saw which will always be superior, in my opinion, to the movie version. However, the movie was one of the better "reproductions" of this genre.

5 out of 5 stars One of This Country's Finest Musicals Beautifully Re-Mastered.......2006-11-23

THE MUSIC MAN opened on Broadway on December 19, 1957 to rave reviews from the critics, adulations from the captivated audiences, and the beginning of a long run. This wondrous musical is an 'opera' of sorts in that the piece is not a series of songs connected by the usual musical comedy spoken dialogue. Meredith Willson wrote the music and lyrics in such a way that there is not an extraneous note or word that doesn't contribute to the totality of the work.

Despite the multiple reincarnations of this brilliant show both on film and recording, none of them compares to this original cast. Imagine Barbara Cook (lithe, and new) as Marian the Librarian: Cook still reigns as one of our finest voices on the stage and cabaret rooms today. Robert Preston is not only rich in personality he also delivers the immensely complex patter songs with deft authority. And the Buffalo Bills add the multiple barbershop quartet numbers with authentic sound and professionalism.

This musical holds all of the joys and imaginations and longings that we all hold so dear in our memories of how things used to be - and it is so terrific to return to that stage of ecstasy again. This is a must own CD. Grady Harp, November 06

5 out of 5 stars We need a new remaster, nonetheless.......2006-10-22

A very interesting photo on the liner booklet's back cover demonstrates the one real flaw in this otherwise classic recording: it shows Robert Preston at the album sessions singing at two mikes, a fat Neumann with a Capitol flag and a skinny one, probably an AKG. This can only mean Capitol recorded this in simultaneous mono and stereo takes. With all that knob twiddling the balance had to go off, a problem not entirely corrected by the reissue engineer Bob Norberg, whose remasterings of Ol' Blue's Capitol mono output have earned scorn from some Sinatraphiles for their slight fake echo and stereo effects. (He remastered just about every album in the Broadway Angel series; the monos all appear to have the echo and stereo.) I guess we should be happy to have this in any form at all given how the other majors turned it down. Capitol was late and indifferent to the cast album trade, and it only had three hits before making its monumental closing botch of "Follies." However the label approached it it's still a great and exciting score perfectly performed. Who could have imagined a hit musical with a barbershop quartet? And if only all women could sing like Barbara Cook! Who says you can have too much of a good thing?

With the show's fiftieth anniversary coming up (!) now would be a good time for a remaster. (I know, I know, I'm tired of paying repeatedly for the same product too, but this deserves it.) It should include a second disc with the 1959 Capitol documentary LP "And Then I Wrote 'The Music Man'", where Meredith Willson and his wife Rini detail the eight years of trials and rewrites behind the show. Nor would it hurt to have bonuses like Willson's original take on "Till There Was You" (called "Till I Met You," which Fran Warren evidently first sang on "The Big Show") or a few licensed pop balladeers of the day -- and maybe examples like the 70s jingle for the late lamented Oldsmobile ("Oh ho the new Oldsmobile is a -- comin' down the line...."). It must also include Willson's contentious JFK physical fitness tune "Chicken Fat", recorded about the time "The Music Man" was filmed and available only on oddball Web music sites, where Preston yells and grunts himself into an athletic -- passion. (I keep thinking Allan Sherman recorded a full version of his notorious parody "76 Sol Cohens", but I guess he didn't.) The whole thing should end with a live public-radio performance from 1980 or 1981 where Willson led the superb Detroit Concert Band in "76 Trombones" and "The Stars and Stripes Forever" -- an apt and brilliant finish.

No, I have not forgotten the Beatles, but I fear neither have their lawyers.

4 out of 5 stars Accept no substitutes!.......2006-08-22

This the best version of "The Music Man" available, especially if you're looking for the Broadway cast. The performances here are all terrific, the recording and mastering are great, and the liner notes are informative and thorough. "The Music Man" is available in several other versions and forms, including other releases of the same original cast recording, but without the good mastering or liner notes found here. My wife and I, hoping to listen to this great show with our kids, first purchased other versions that were easier to find (e.g., on iTunes) and those were major disappointments. Buy this CD (Broadway Classics from Angel) and accept no substitutes.

5 out of 5 stars Preston and Cook are the best ever.......2006-07-15

Yes, the film is a delight, and Shirley Jones is certainly good as Marian. But the original cast album of this wonderful musical remains the best version ever, mostly thanks to Barbara Cook, whose voice was and remains a miracle of rare device to listen to.

For years I thought I was the only person who was in love with her voice, wearing out vinyl LPs of this musical with replaying. Then, in the early 80s I saw Cook in a one woman show in London, and discovered I was part of a fanatical following! The other reviews here on Amazon confirm the truth: there is only one truly great Marian, Madam Librarian.

Watch the movie, which is a terrific adaptation of the stage show, go to professional and amateur revivals of the musical, but buy this recording of the score for repeated listening. There is nothing better.
Léhar: The Land of Smiles; The Merry Widow; The Count of Luxembourg (Highlights)
Average customer rating: 5 out of 5 stars
  • Arguably "The Best" English "Merry Widow "
 Léhar: The Land of Smiles; The Merry Widow; The Count of Luxembourg (Highlights)

Manufacturer: Class. for Pleas. Us
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
OperettasOperettas | Opera & Vocal | Styles | Music
Similar Items:
  1. Johann Strauss II: Die Fledermaus; The Gypsy Baron (Highlights)
  2. Offenbach: La Belle Hélène; Orpheus in the Underworld; La Vie Parisienne (Highlights)
  3. Music of Sigmund Romberg
  4. Offenbach: Orpheus in the Underworld / Burgess, Watson, etc (Highlights)
  5. The Best of Operetta, Vol. 3

ASIN: B00009KHY2
Release Date: 2003-09-02

Customer Reviews:

5 out of 5 stars Arguably "The Best" English "Merry Widow ".......2006-09-12

This is the "Merry Widow" with English translation by Christopher Hassel sung by June Bronhill. I loved this rendition ever since I first heard it in about 1960. What's to love? First the translation is the best I've heard. The language doesn't sound "stilted" as some others. And, you can understand almost every word sung. Plus, the famous song, "Vilja" has some wording that moves me every time I hear it: The soprano sings, "Love me and I'll DIE for you!" with the word "die" somewhat emphasized. I don't know, there's just something "powerful" about someone saying they'd "die" for love! AND, at the end of "Vilja" the chorus and soprano raise to a crescendo hitting a high note together. In many renditions the chorus is heard but not the soprano on the final high note. In THIS version, the soprano, June Bronhill, can be heard rising to the final high note with an incressing crescendo and fortissimo louder than the chorus and holding the final high note---which gives a very thrilling effect as she holds that final note, I assure you!

The "problem" is that this June Bronhill, Reid, and Hassel version is hard to find on CD. For example, this CD is made in Holland and "there is one left" so it says on Amazon. But, if you can find it, I think it would be very much worth a listen. Then, after hearing it, if you think there's a "better" Merry Widow, please let ME know! Thanks. Email:boland7214@aol.
CBS Dinner Classics: Sunday Brunch, Vol. 2
Average customer rating: 5 out of 5 stars
  • Wow!!! The Good Humored Ladies!
 CBS Dinner Classics: Sunday Brunch, Vol. 2

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Dinner Classics: The Sunday Brunch Album
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  5. CBS Dinner Classics: Cocktail Party

ASIN: B00000277P
Release Date: 1991-01-09

Tracks:

  1. Orchestral Suite No. 2, BWV 1067: Badinerie
  2. Abdelazer (The Moor's Revenge) Z. 570: Rondeau
  3. Cantata No. 78: Wir Eilen Mit Schwachen
  4. Oboe Concerto No. 2 In D Minor: II. - Adagio
  5. Solomon: The Arrival Of The Queen Of Sheba
  6. Concerto For 2 Mandolins In G Major, R. 532: II - Andante
  7. Bernice: Minuet
  8. Flute Concerto In D Major, Op.10 , No.3, R. 428 'Il Cardellino': I - Allegro
  9. Cantata No. 147: Jesu, Joy Mans Desiring
  10. Mandolin Concerto In C Major, R.425: I - Allegro
  11. Cantata No. 156: Sinfonia
  12. Water Music: Bourree
  13. Water Music: Hornpipe
  14. Le donne di buon umore: 4. Andante
  15. Le donne di buon umore: 3. Allegro
  16. Water Music: Air
  17. Water Music: [Menuet]
  18. Water Music: [Hornpipe]
  19. The Gordian Knot Unty'd, Z.597: I - Overture
  20. The Gordian Knot Unty'd, Z.597: II - Air
  21. The Gordian Knot Unty'd, Z.597: III - Rondeau Minuet
  22. Abdelazer (The Moor's Revenge) Z. 570: Air
  23. Concerto For Harpsichord In F Minor, BWV 1056: II - Largo
  24. Violin Concerto In F Major, Op. 8, no. 3: 'Autumn' From The Four Seasons: III - Allegro
  25. Fanfares For Trumpets, Timpani, Violins & Oboes; Suites de symphonies, Premiere Suite: I - 'Rondeau' [Allegro]

Customer Reviews:

5 out of 5 stars Wow!!! The Good Humored Ladies!.......2006-08-03

The 'Good Humored Ladies' written by Scarlatti is recorded by the Cleveland Orchestra conducted by Louis Lane. This recording alone is a good reason to add this CD to your collection. It was issued many years ago and finally re-released again.

Other music on the CD is also high quality sound and very relaxing.

An addition to the music includes recipes inside the paper cover.
The Broadway Album
Average customer rating: 4.5 out of 5 stars
  • Learning About Love While Yearning
  • Great !
  • Number one
  • she believes the hype
  • Lovely voice, lovely songs
 The Broadway Album

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000264K
Release Date: 1990-10-25

Tracks:

  1. Putting It Together
  2. If I Loved You
  3. Something's Coming
  4. Not While I'm Around
  5. Being Alive
  6. I Have Dreamed/We Kiss In A Shadow/Something Won..
  7. Adelaide's Lament
  8. Send In The Clowns
  9. Pretty Women/The Ladies Who Lunch
  10. Can't Help Lovin' That Man
  11. I Loves You Porgy/Porgy, I's Your Woman Now...
  12. Somewhere

Amazon.com

As its title indicates, this 1985 recording marked Barbra Streisand's return to her Broadway roots (significantly, she had dropped her pop-period Guilty perm and returned to straight hair). The CD contains a broad selection of show tunes, from Guys and Dolls's "Adelaide's Lament" to Sweeney Todd's "Not While I'm Around." But let's face it: this may also be one of Babs's most dated albums, due to typically '80s synthesizer-heavy arrangements that simply don't work with the material. Company's "Being Alive" is scarred by a preening alto sax, while West Side Story's "Something's Coming" features what sounds suspiciously like syndrums. But--and it's a pretty big "but"--Streisand sounds more buttery than ever ("Send in the Clowns" may be one of her finest '80s moments), so much so that she often manages to overcome the cheesy production. Now that's a singer. --Elisabeth Vincentelli

Customer Reviews:

4 out of 5 stars Learning About Love While Yearning.......2007-06-09

C. Kenneth Burkholder, who via an understanding was at the time of the original release of this was Barbra's prospectve father-in-law and whose death has occurred, said of this "If I Loved You", "That's nice." The tragicomic rendition of part of Adelaide fascinatingly points out some dangers of stripping for pay.
Just past the beginning of creating "What Times Are," a musical by (a) pacifist(s) as well as an adaptation of my play "What Time Is It, Neil Armstrong?," which is a sequel to my novel "How Did That Sun Get Out," I am inspired by the yearning apparent in "The Broadway Album"--a yearning not for perfection but for worthwhile ways for people all over the earth and in space to spend time.

4 out of 5 stars Great !.......2007-02-27

I bought the CD to replace my worn-out cassette tape, and I was pleased to find it has one more track -- Adelaide's Lament -- which I enjoyed. Nice to have another comic song to balance out the love songs. She brings out the beauty of these lovely tunes.

5 out of 5 stars Number one .......2007-02-05

Barbra is the number one female ballad singer of all time. No one has her range of feeling, the sheer lyric power of her voice, her sometimes exaggerated but often poignant power to dramatically express feeling. She can create the chill down the spine with a small trill or with a wild unexpected crescendo. 'Broadway' is her first home, and acting a song as she sings it comes natural to her.
This is one of her finest albums.

1 out of 5 stars she believes the hype.......2006-10-12

This is from the big-shot who thinks she can control a political party and tell fans what to think about issues despite being a high-school dropout. She's a good singer, but not the best. She basically needs to shut the eff up and sing. Hey, those are her words, right?

5 out of 5 stars Lovely voice, lovely songs.......2006-08-02

This album contains the choicest of Broadway hits given an outstanding interpretation by the Streisand. Barbra's flawless voice moves up and down with ease as the melodies unfold. Perfect!
What Then Is Love
Average customer rating: 3.5 out of 5 stars
  • What then is taste?
  • Why no listing of the songs?
  • Lacks that extra drop of refinement
 What Then Is Love

Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000IWRF
Release Date: 1999-05-18

Tracks:

  1. I - Sing A Song Of Joy: Sing A Song Of Joy
  2. I - Sing A Song Of Joy: Eliza Is the Fairest Queen
  3. I - Sing A Song Of Joy: The Honeysuckle
  4. II - What Then Is Love?: What Then Is Love Sings Coridon
  5. II - What Then Is Love?: What Then Is Love But Mourning
  6. II - What Then Is Love?: What Thing Is Love?
  7. III - Sorrow, Come: Galliard 'Shall I Strive'
  8. III - Sorrow, Come: I Sigh, As Sure to Wear the Fruit
  9. III - Sorrow, Come: Sorrow, Come
  10. IV - Shall I Sue?: Heigh-Ho Holiday
  11. IV - Shall I Sue?: Shall I Sue
  12. IV - Shall I Sue?: Breake Now My Heart And Dye
  13. IV - Shall I Sue?: Woo Her And Win Her
  14. V - Witty Wanton: The Peaceful Western Wind
  15. V - Witty Wanton: Sweet Philomel
  16. V - Witty Wanton: I Care Not For These Ladies
  17. V - Witty Wanton: Courante On 'I Care Not For These Ladies'
  18. V - Witty Wanton: A Pretty Duck There Was
  19. V - Witty Wanton: Witty Wanton
  20. VI - Faine Would I Wed: Faine Would I Wed
  21. VI - Faine Would I Wed: Mother, I Will Have A Husband
  22. VI - Faine Would I Wed: Now Hath Flora Robb'd Her Bow'rs
  23. VII - Sing We And Chant It: Move Now With Measured Sound
  24. VII - Sing We And Chant It: Rest, Sweet Nymphs
  25. VII - Sing We And Chant It: Sing We And Chant It

Customer Reviews:

5 out of 5 stars What then is taste?.......2000-04-10

The very reason I purchased this CD was the fact that it used reconstructed Elizabethan accents; attempts at accuracy are always preferable to bowing to popular misconceptions (like in Shakespeare in Love--ack). I found this recording both aesthetically pleasing and intellectually stimulating--one can clearly see through this recording the branch-off point between the modern British and American accents, something which had always mystified me before.

Musically, this recording is full of little-known gems of the English Renaissance. This is a sample of what's on it, for Kenneth Melia: Sing a song of joy; Eliza is the fairest Queen; What then is love but mourning; Shall I sue; Heigh-ho holiday; I care not for these ladies; Mother, I will have a husband; Rest, sweet nymphs (a beautiful rendition with soaring harmonies on the chorus); and Sing we and chant it. Kenneth, if you still want a more complete list, just e-mail me (mitsuo@uclink4.berkeley.edu). But I insist that if you buy it now, without knowing all the songs, you will not be disappointed. They are subdued and genteel, with that hint of playfulness which one could say characterized the court under Elizabeth I. The vocalists are excellent, never succumbing to the operatic vocal style so popular with renditions of this repertoire, and, I think, the least authentic. Once again, Anne Azema charms with her supple, almost serpentine stylizations, and you also get a wealth of other talented vocalists who speak the Elizabethan tongue with convincing fluency. The instrumentalists play with passion and a feline subtlety that will catch you and never let go.

1 out of 5 stars Why no listing of the songs?.......1999-12-04

I'll admit, right away, that I haven't heard the music on this CD. What I want to comment about is the fact that it is impossible to FIND OUT WHAT MUSIC IS ACTUALLY ON IT! I thought Amazon would have the list of songs, because I couldn't find out what they were at the local music shop. I already have a good number of Boston Camerata CD's and I wanted to find out what was on this one before I purchased it. The local store even has a software program which normally allows customers to find out what's contained on a CD if it isn't on the cover. The only listing for this CD was "songs." This isn't the first time that a Boston Camerata CD has not had the musical selections listed on the outside. Why not ALWAYS have a listing of the music on the cover? Even if it's in small font it would still be worth it. So, as of yet I haven't purchased it. How does one find out what's on it? K.Melia

4 out of 5 stars Lacks that extra drop of refinement.......1999-05-23

This is a hard one to call. Brought up as I was on the ultra-modulated renditions of this and like material on Vanguard LPs by Alfred Deller and his consort, I find this Erato effort lacks that extra drop of refinement that is needed for the courtly music of the Elizabethan period. (The street and theater music might be another story, but beside the point here.) I know it is Anglophilic bias working here, but I found (for example) tenor William Hite's East Coast accent distracting. The women have accents that, while not all that appropriate, at least do not jar. It is of course true that Elizabethan English was closer to what Ringo Starr sounded like than Laurence Oliver. Play the track that contains "I care not for these ladies," which is indeed sung with a regional accent and you will see what I mean. However, in general "an Elizabetan Songbook" should sound at least what we accept today as British-sounding, if you follow. This said, I cannot fault the vocalizing or the playing. But I will still return to my Vanguard sets before playing this again. Still--who can dispute taste?

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