London Town [Import]

Track Listings

1. London Town

2. Cafe On The Left Bank

3. I'm Carrying

4. Backwards Traveller

5. Cuff Link

6. Children Children

7. Girlfriend

8. I've Had Enough

9. With A Little Luck

10. Famous Groupies

11. Deliver Your Children

12. Name And Address

13. Don't Let It Bring You Down

14. Morse Moose And The Grey Goose

Editorial Reviews
Album Description
Digitally remastered Japanese reissue of their platinum 1978 album in a miniaturized LP sleeve with the origina l cover art intact & limited to the initial pressing only. 'London Town' reached #2 in the charts & features the #1 smash 'With A Little Luck'. 2000 release.

Tracks:

Enigma Variations, Op. 36: Theme
Enigma Variations, Op. 36: I. C.A.E. (Caroline Alice Elgar, The Composer's Wife)
Enigma Variations, Op. 36: II. H.D.S.-P. (Hew Daivd Steuart-Powell)
Enigma Variations, Op. 36: III. R.B.T. (Richard Baxtet Townshend)
Enigma Variations, Op. 36: IV. W.M.B. (William Beath Baker)
Enigma Variations, Op.36: V. R.P.A. ( Richard Penrose Arnold)
Enigma Variations, Op.36: VI. Ysobel (Isabel Fitton)
Enigma Variations, Op.36: VII. Troyte (Troyte Griffith)
Enigma Variations, Op.36: VIII. W.N. (Winifred Norbury)
Enigma Variations, Op.36: IX. Nimrod (A. J. Jaeger)
Enigma Variations, Op.36: X. Intermezzo: Dorabella (Dora Penny)
Enigma Variations, Op.36: XI. G.R.S. (George Robertson Sinclair)
Enigma Variations, Op.36: XII. B.G.N. (Basil G. Nevinson)
Enigma Variations, Op.36: XIII. Romanza: (Lady Mary Lygon)
Enigma Variations, Op.36: XIV. Finale: E.D.U. (The Composer)
Pomp & Circumstance Marches, Op.39: No.1 in D
Pomp & Circumstance Marches, Op.39: No.2 In A Minor
Pomp & Circumstance Marches, Op.39: No.3 In C Minor
Pomp & Circumstance Marches, Op.39: No.4 In G
Pomp & Circumstance Marches, Op.39: No.5 In C
Cockaigne (In London Town) - Concert Overture, Op.40

Customer Reviews:

Great recording, great price. Buy this without question!!!!!.......2007-07-08

I stumbled across this little gem for the low price of about $3.00. I almost kept going assuming that the price was an indication of the quality. Glad I looked twice.

This is a wonderful album with respectful treatments and excellent sound quality, performed by the some of the greatest musicians in the world from the London Symphony Orchestra, the London Philharmonic Orchestra and the Philharmonica Orchestra.

The Enigma Variations, a Theme and 15 short orchestrations that Sir Edward then named after his friends and family based on personality traits, are a wonderful, uncelebrated Opus. I love these pieces. They truly showcase the power of Elgar's compositional style and flair. They certainly rival his more famous Pomp and Circumstance, in my humble opinion. The recording is sharp, well mixed, with no perceivable noise.

As for the Pomp and Circumstance recordings, well done throughout. All 5 pieces are played wonderfully and recorded beautifully with excellent sound mixing and very little, if any, background noise.

Cockaigne Overture is, once again, perfect. Marvelous treatment, wonderful musicianship, excellent sound and quality.

THIS HAS GOT TO BE THE GREATEST MUSICAL VALUE ON THE SHELVES RIGHT NOW. I STILL CAN'T BELIEVE I ONLY PAID $3.00 FOR THIS RECORDING. I WOULD HAVE GLADLY SHELLED OUT THE OBLIGATORY $15.00 - $20.00 CONSIDERING THE QUALITY OF THIS CD.

IF YOU ARE READING THIS, YOU MUST BUY RIGHT NOW, BEFORE THEY COME TO THEIR SENSES AND RAISE THE PRICE!

CLASSICAL MASTERS.......2007-05-12

I BOUGHT THE CD FOR POMP AND CIRCUMSTANCE BUT QUICKLY FELL IN LOVE WITH THE ENTIRE PIECE. IT IS WONDERFUL!

Noble Elgar, unbelievable price.......2007-05-05

This is not some schlock budget disc, which the price might suggest. Boult was one of the great Elgar interpretors (Barbirolli too) and these performances, especially the inspired Enigma Variations, bring out the very soul of Elgar. Sound quality, by the way, is excellent--warm and rich analog glow.

Great for High School Graduations!.......2007-03-12

I am the Principal of a small private boarding school that opened just last year. We do not have a school orchestra, so when the time came for us to plan our graduation ceremony, I searched all over the web for the traditional music. I heard some awful, piano versions of Pomp and Circumstance #4, and some other lackluster symphonic versions. Seraphim's CD of Elgar's works is by far the best. It is warm, heartfelt, inspiring, rich and incredibly well produced. Perhaps having the London Symphony Orchestra and the London Philharmonic Orchestra was the best choice, as they are playing the works of a fellow countryman. Several people came up to me after the ceremony to comment on the music, saying they were extremely moved by the music. Not bad for just playing it over a boombox!

By the way, if you are planning on using this for a graduation, know that you will have to edit out the long introductory passage and figure out how to loop the most famous "graduation" section over enough times to get through your ceremony!

Elgar's Greatest Hits at a Rock Bottom Price!.......2006-09-28

You just can't go wrong with this compilation of Elgar works and this super-cheap price. The performances are full-priced quality. This is a great introduction to Elgar CD. The Enigma Variations will bring tears to your eyes!

Average customer rating:

one of his best
avilable
Misplacing the muse
Before the Egg
The melodies grow on you

London Town
Paul McCartney
Manufacturer: EMI/Parlophone
ProductGroup: Music
Binding: Audio CD

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Back To The Egg
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McCartney II

ASIN: B00000721I
Release Date: 1993-06-08

Tracks:

London Town
Cafe on the Left Bank
I'm Carrying
Backwards Traveller
Cuff Link
Children Children
Girlfriend
I've Had Enough
With a Little Luck
Famous Groupies
Deliver Your Children
Name and Address
Don't Let It Bring You Down
Morse Moose and the Grey Goose
Girls' School [*]
Mull of Kintyre [*]

Album Description

Digitally remastered reissue of their hit 1978 album, which stayed at #2 for six weeks in a row! Features the #1 smash 'With A Little Luck', plus the title hit & the top 30 'I've Had Enough', along with two bonus tracks: 'Mull Of Kintyre' & 'Girls' School'. 16 tracks total. 1993 EMI release. The original was released on EMI/ Parlophone.

Album Details

Digitally Remastered Reissue of the Original Album with London Town / with a Little Luck / I've Had Enough and More, plus Two Bonus Tracks Added: Girl's School and Mull of Kintyre.

Customer Reviews:

one of his best.......2007-06-07

I've always hated With a Little Luck and every one of the dozens of songs he's written that sound just like it. However, I'm Carrying is two minutes of Paul at his melodic best, easily matching the inspiration of Yesterday. Denny's song, Deliver Your Children is a great country-folk song and the title track is also very high quality. Probably one of his best post-Beatles efforts.

avilable.......2007-04-03

I have a couple of friends who don't have a computer. Some CDs they like are not at the stores so I order them from you for them and they pay me back. I bought the Rachmaninoff for myself, one that is very hard to find. I received that, the two McCartney CDs & the Neil Young DVD, O.K.
Thanks...

Misplacing the muse .......2006-12-21

Part of an underachieving four-album run (Speed of Sound, Back to the Egg, Mc Cartney II), London Town shows Mr. McCartney at loose ends. The song fragments don't work. I remember how frustrated I was the first time I heard Backwards Traveller- a short burst of infectious song followed by some uninspiring synth junk.

Earlier in McCartney's career, albums that received mixed reviews--Ram, Wild Life and Red Rose Speedway--all had enough gold in them to satisfy, nevertheless. By contrast, London Town--as well as Back to the Egg--very nearly miss completely.

Fortunately, Tug of War was four years off. But then, another drought until Flowers in the Dirt, and so on...

Before the Egg.......2006-07-07

A Cuff Link...guess Phil Collin's sucess of the 80s was helped alot by this cool sound (Collins is a big Fan of any thing Beatle). Besides the Hits of this album, I really Recomend "Name and Adress", its Brilliant and Respectfull of Elvis (which is why Paul lets it Fall apart, cause the Mimic so Good). Morse Moose is alot of Fun too. Maturity has brought ME even more Insight,Taste, and an appreciation; to Melody+Composition+ Talented Fun, as I am a well experienced Music Lover. Mull of Kintyre and Don't let it Bring you Down, give me a welcomed Mist to my Eyes. Girls School arouses My arousals(Jimmy Durante tone here), even though I Like mature women, and Good Clean Fun....this song Rocks tooo. Bought this with Back to the Egg(Combo Price Premo). Both Album Covers are Worth Framing... also. Oh Yeah !

The melodies grow on you.......2006-03-08

By this time(1978), Paul McCartney had nothing to prove. The man was an ex-member of the biggest group(Beatles) that ever hit the planet. And he had great success with his current band of the time, Wings, in which less than two years prior, they had finished up a world tour.
It stands to reason that anything the man has given us after that world tour was a bonus. He could have retired at this point and not have made a single rcord again.
`Londontown' is expertly crafted pop that we have come to expect from McCartney. Now reduced to a trio of a Macca, Laine, and Linda, Wings came up with a highly listenable album that is vastly underrated. Why? Perhaps music listeners and critics were still comparing subsequent solo/Wings albums to mcCartney`s best effort, `Band on the run, or perhaps some were still comparing to what he had done with The Beatles.
Leave your expectations at the door and hear the album for what it is. A strong album brimming with good ,listenable tunes.
The title track, London town wriiten in collaboration with Denny Laine, has an introspective melody with descriptive, wry lyrics, something you wouldnt expect form McCartney. `Cafe On the left Bank' is more uptempo with desciption of Paris social life.
Im carrying is a beauitiful, tender ballad.
Backwards traveler is amiddle of the road rocker.
`Children Children' is a folk composition wrtitten in tandem with Denny Laine, who is very undervalued as a collaborator with macca.
`Girlfriend' has to be the downright, sappiest song McCartney has ever committed to vinyl. It`s probaly one of the songs critics use as evidence to point out Macca is lightweight. Im not keen on this as you can tell.
`Ive had enough' is an uptempo rocker that makes up for the last track`s emabarassment.
`With a little Luck', which most people probaly know about was the #1 single chockful of the most tasteful synthesizer touches ever employed in a pop song.
`Famous groupies' is a folksie ode to , well, `groupies'. Its mediocre, nothing spectacular.
deliver your children is an uptempo folk number with Denny Laine, once again proving how underrated Laine was as a Wings member. He wasn`t a mere sideman to Macca as critics allege.
`Name and Address' is a song influenced by Macca`s love of 1950`s style rock and roll. It`s reminiscent of that time.
`Don`t Let it Bring You down' seems to be a celtic-folk influenced ballad stating what the title is trying to say to it`s audience.
`Morse moose and The Grey Goose' is probaly the most maligned track on this album, but its rather strong to these ears. It contains some of Macca`s most inspired bass playing. Part funk, part sea chantey sing along, it`s easy to see how people would be turned off by this, but it`s unique and inventive.
Now we get to to the bonus tracks;
`Girl`s School is a smoking ,blistering, grooving rocker, possibly one of the more rockier number s Macca has ever committed to vinyl. It goes to show the man can rock out when he wants to, and he was clearly not the lightweight critcs point him out to be. It was the flip side of `Mull of Kintyre',Macca and Laine`s collaboration of a Scottish waltz also featured here. This was a huge hit worldwide except for America. Why, I do not know.
All in all, a strong album, some tracks are more inspired than others, but on the whole , a very good album from a man who had nothing left to prove even at that time

Elgar: Cello Concerto; Sea Pictures; Cockaigne Overture

Average customer rating:

Wonderful performances and remastering
DuPre at her best
Don't even think about buying another performance!
Sea Pictures, a life changing event, Lord Elgar, I worship thee!
The Definitive Elgar Cello Concerto

Elgar: Cello Concerto; Sea Pictures; Cockaigne Overture

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Great Recordings Of The Century - Brahms: Violin Sonatas nos 1 - 3 / Perlman, Ashkenazy

ASIN: B0002VEQGG
Release Date: 2004-09-07

Tracks:

Concert Overture: Cockaigne (In London Town) Op.40 - Philharmonia Orchestra
I. Adagio - Moderato - Jacqueline Du Pre
II. Lento - Allegro Molto - Jacqueline Du Pre
III. Adagio - Jacqueline Du Pre
IV. Allegro - Moderato - Allegro, Ma Non Troppo - Jacqueline Du Pre
I. Sea Slumber-Song - Janet Baker
II. In Haven (Capri) - Janet Baker
III. Sabbath Morning At Sea - Janet Baker
IV.Where Corals Lie - Janet Baker
V. The Swimmer - Janet Baker

Customer Reviews:

Wonderful performances and remastering.......2007-02-19

This legendary Du Pre recording of the Elgar Cello Concerto is certainly one of the titles I've been waiting to see in the Great Recordings of the Century. Du Pre gives a passionate reading of the concerto, capturing all the pathos in this immensely tragic work, with able support from Barbirolli and the London Symphony Orchestra, drawing upon his expertise in this music. Barbirolli and the LSO also ably support Dame Janet Baker in her rendition of the Sea Pictures. Dame Janet sings with a light touch and a tonal beauty that befits the music, and one can hear everyone making the most of this underrated Elgar work and unearthing the many nuances in his depiction of the sea.

You'll wonder what the Cello Concerto and the Sea Pictures have in common besides boasting great performances in this disc. Well, from my reading of it, they both harbour sentiments of unpredictability in life. The Cello Concerto is laden with yearning for a lost world, a world torn apart by the First World War, and the Sea Pictures features some depictions of how the sea destroys love.

As expected, this reissue in the Great Recordings of the Century series offers the best remastering that these performances could ever deserve. They emerge as if they were clean, full and vibrant recordings that sound like they were only recorded yesterday. My only quibble is that the CD producers decided to throw in the Cockaigne Overture, which is a rather frivolous piece in relation to the deep, sober mood of the original record. I know that we must get bang for our dollars with the capacity of a CD, but the Cockaigne really spoils the mood of the other two pieces. Thankfully the listener can programme it out and get to the Concerto and the Sea Pictures.

But don't let this deter you from grabbing a copy of this legendary recording that surely deserves its coveted place in this superb EMI series.

DuPre at her best.......2007-02-19

The Elgar belongs to no other. Jackie may have been a bit high-strung, but there's more emotion in this recording that one can find in any other recording of anything in the universe.

Don't even think about buying another performance!.......2006-09-28

... unless you already have this one and want to appreciate it even more!

This is Du Pre's signature piece and she OWNS it.

And Janet Baker, knowing she is dying of cancer, sings Sea Pictures like there is literally no tomorrow.

This is one of those rare recordings where the planets perfectly align to give you music, performers, recording and MOMENT that together exceed the sum of the parts.

Sea Pictures, a life changing event, Lord Elgar, I worship thee!.......2006-01-01

Hello my name is Marcus. You may remember me from such films as the Flintsto... well I'll save my Troy McKlure impersonation for later. Right now its all about Elgar. Or should I say "SIR" Edward Elgar.

The rules for entry into my own "Immortal Composers Club" are insanely strict. I myself a music instructor, composer recording artist have not even been allowed in the club officially as a member yet. I'm like an apprentice to these masters. Or dare I say I am a "padawan learner" still learning.

The Yoda master of the club is of course J.S. Bach, the Obi-Wan of the club, easily Elgar. Myself a practitioner of the archaic non-commercial art of "Art Song" have been moved to tears a few times by both Elgars Sea Pictures and the flawless mezzo performance on this awesome recording. Everything on the CD is of course great but in my opinion the Sea Pictures is one of the greatest art song cycles in human history.

Myself just completing my first modern art song cycle called " Harmonious Haiku " (which you can check out with any basic Google search,) can greatly appreciate the unfortunately to unappreciated form of Art Song.

Sea Pictures is one of my favorites of the Genre. Forget the movies, forget drug store fiction, put on some Sea Pictures, close your eyes and experience what song writing could have been if not for the L. A. Record companies and the well I can't say "Fab" but you know, those four guys with the hair.

Elgar is how a real Englishman makes music! Ride on Brother! Ride on!

Thank you,
Your friend in great music
~ MarcusUnlimited :)

The Definitive Elgar Cello Concerto.......2005-05-04

This performance is hands down the single best recording of the Elgar Cello Concerto. Other accounts are good -- Tortelier, Navarra, Yo-Yo Ma -- but only one stereo reading was good enough to replace the composer's own historical recording with Beatrice Harrison and that is this one by Jacqueline du Pre. Sir John Barbirolli and the Halle Orchestra accompany the cellist in this definitive 1965 performance, which for all intents and purposes, launched her career. Du Pre's playing has the quality and delivery of a great singer, so it is only fitting that the Concerto be coupled with another legendary performance -- Janet Baker's "Sea Pictures" again with JB and the lads from Manchester. This CD has been available for years as a full-price title, but it is great to see it now at midline in the "GROTC" series. In fact, for more in depth reviews of these performances, including one from esteemed music critic David Hurwitz, you should consult this reissue's predecessor.

Average customer rating:

East of Angel Town
Peter Cincotti
Manufacturer: Sire / London/Rhino
ProductGroup: Music
Binding: Audio CD

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ASIN: B000RHRGEE
Release Date: 2007-08-14

The Ultimate Gilbert & Sullivan Collection

Average customer rating:

Well worth the price
Not Exactly "The Ultimate" Collection...
Where's the chicks?!?!
Not quite the ultimate....
Great Music - Questionable Selection

The Ultimate Gilbert & Sullivan Collection
Arthur Sullivan , Isidore Godfrey , Royston Nash , New Symphony Orchestra of London , Royal Philharmonic Orchestra , Colin Wright , Donald Adams , George Cook , Gillian Knight , Jean Hindmarsh , Jeffrey Skitch , John Ayldon , John Reed , Joyce Wright , Kenneth Sandford , Lyndsie Holland , Owen Brannigan , Pauline Wales , Peggy Ann Jones , Thomas Round , Valerie Masterson , and D'Oyly Carte Opera Company
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

The Decca Records Store | Specialty Stores | Music
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The Best of Gilbert & Sullivan
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Topsy-Turvy
The Best of Gilbert & Sullivan

ASIN: B000007OU0
Release Date: 1998-06-09

Tracks:

H.M.S. Pinafore: We Shall Sail The Ocean Blue
H.M.S. Pinafore: I'm Called Little Buttercup
H.M.S. Pinafore: My Galant Crew, Good Morning
H.M.S. Pinafore: I'm The Monarch Of The Sea
H.M.S. Pinafore: When I Was A Lad
H.M.S. Pinafore: Nevermind The Why And Wherefore
H.M.S. Pinafore: Kind Captain, I've Important Information
H.M.S. Pinafore: Carefully On Tip - Toe Stealing
H.M.S. Pinafore: For He Is An Englishman
The Pirates Of Penzance: I Am The Very Model Of A Modern Major - General
The Pirates Of Penzance: When A Felon's Not Engaged In His Employment
The Pirates Of Penzance: With Cat Like Tread
The Sorcerer: My Name Is John Wellinton Wells
The Gondoliers: Take A Pair Of Sparkling Eyes
Patience: If You're Anxious To Shine
The Mikado: If You Want To Know Who We Are
The Mikado: A Wand'ring Minstrel I
The Mikado: Behold The Lord High Executioner
The Mikado: As Someday It May Happen
The Mikado: Three Little Maids From School Are We
The Mikado: The Sun Whose Rays Are All Ablaze
The Mikado: Here's A How - De - Do!
The Mikado: From Ev'ry Kind Of Man Obedience I Expect
The Mikado: A More Humane Mikado Never Did In Japan Exist
The Mikado: The Criminal Cried As He Dropp'd Him Down
The Mikado: The Flowers That Bloom In The Spring, Tra La
The Mikado: On A Tree By A River A Little Tom Tit
The Mikado: There Is Beauty In The Bellow Of The Blast
The Mikado: For He's Gone And Married Yum-Yum

Customer Reviews:

Well worth the price.......2006-04-13

I love this CD. No, despite its name it is not the "ultimate" collection, as scarcely could be expected from a single CD. It is heavy on Mikado, as others have stated. It leaves out things I would have included and includes things I would have left out. But the performances are wonderful, traditional and all you expect from G&S. Considering the low price, it is well worth including in your G&S collection ... as PART of your collection. After the disappointment of the godawful Opera World video series (Don't buy it!) this CD is a joy and a relief.

Not Exactly "The Ultimate" Collection..........2004-12-23

It seems that a collection of Gilbert & Sullivan music that has the name "The Ultimate Collection" in its title would boast a wide range of music, but I found the selection disappointing. Half of the tracks are songs from The Mikado, and the other half is divided between five... yes, FIVE other operettas. This means that the representation from each operetta is awfully scant. I would have liked to see less Mikado and more of everything else, and perhaps some highlights from the more obscure operettas (Princess Ida and The Sorcerer, namely).

In addition, while most of the music is very well performed, some of the vocalists either go a bit overboard or, at the very opposite end, seem to lack expression. For example, this Nanki-Poo (in The Mikado) seems to be overly occupied with vibrato. Katisha's voice is annoying, and The Mikado's low voice often seems to lack feeling and humor. The other idiosyncracies, like the very frightening evil laughing during "A More Humane Mikado" and hissing during "Three Little Maids" really bug me.

Then again, I'm new to Gilbert and Sullivan, and was introduced to the music through the Topsy Turvy soundtrack, which has a noticeably less operatic style, and hardly includes "stage noise"... so perhaps all this is the norm. Do listen to the tracks for yourself, though, before you purchase the CD. Personally, I find that the Topsy Turvy soundtrack, while considerably less ecompassing, is much lighthearted and easier listening.

Where's the chicks?!?!.......2003-05-15

It wouldn't be G&S if not for the ladies - so where are they? How could they leave out Mabel's aria - or Josephine's!? The only female aria included on this disc comes from Mikado, which is the least exciting (if G&S could be un-exciting) of the three! Everything else on the recording is great, but I am still quite disappointed.

Not quite the ultimate...........2002-03-25

This is a great collection, but unfortunately it doesn't have songs from all the works of G&S. Most notably, there is nothing from the "Yeoman of the Guard". I still reccommed it however as John Reed is wonderful!!

Great Music - Questionable Selection.......2002-02-05

It's an ongoing challenge to find a recording of Gilbert and Sullivan that combines premium musicality and great theatrical performance. This recording is a true gem on both fronts. My only complaint is that for a "Best of" collection, this compilation is Mikado-heavy and scarcely touches on highlights from other masterpieces, particularly The Pirates of Penzance. This would be my favorite G&S CD of all time, of only it included tracks like "When the Foeman Bares his Steel," "Poor Wand'ring One," and "Dry the Glist'ning Tear," but then again, I guess there's no real consensus as to which are Gilbert and Sullivan's best works, and there are too many to fit on one CD.

Average customer rating:

Best of the the popular Copland...
A Great American Album
Must have this one...

Ultimate Copland Album

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

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ASIN: B00002S5EW
Release Date: 1999-11-09

Tracks:

Fanfare For The Common Man
From Four Dance Episodes From 'Rodeo': Saturday Night Waltz
From Four Dance Episodes From 'Rodeo': Hoe-Down
From Old American Songs: Simple Gifts
Appalachian Spring: Variations On A Shaker Hymn
From Music For Movies: Grovers Corners (From Our Town)
From Billy The Kid: Introduction - The Open Prairie
From Billy The Kid: Street In A Frontier Town
From Billy The Kid: Mexican Dance
From Billy The Kid: Gun Battle
From Billy The Kid: Celebration (After Billy's Capture)
From Billy The Kid: The Open Prairie Again
From Billy The Kid: El Salon Mexico
Appalachian Spring: Very Slowly
Appalachian Spring: Allegro
Appalachian Spring: Moderato: The Bride And Her Intended
Appalachian Spring: Fast: The Revivalist And His Flock
Appalachian Spring: Allegro: Solo Dance Of The Bride
Appalachian Spring: Meno Mosso
Appalachian Spring: Doppio Movimento: Variations On A Shaker Hymn
Appalachian Spring: Moderato: Coda

Customer Reviews:

Best of the the popular Copland..........2004-12-26

Here's a great introduction to the popular music of Aaron Copland. When "Fanfare for the Common Man" begins, sparks of recognition will fly for most listeners. This song has been everywhere: presidential inaugurations, the olympics, commercials, movies, etc. Some flatten it as hopelessly clichéd, while others find it moving and inspiring. Copland also reprised it in the finale of his Third Symphony. Arguably Copland's most famous piece, "Appalachian Spring" closes the CD. In between, more great Copland: excerpts from 'Rodeo' (apparently the beef lobby has appropriated "Hoe-Down" as one of their themes); a great vocal rendition of "Simple Gifts" and a large chunk of another of Copland's best known works: "Billy the Kid". The only confusing piece is the "Variations on a Shaker Hymn" from Appalachian Spring when the entire Appalachian Spring is already included. Seems slightly redundant.

Though most of the pieces on this CD were written in the 1930s and 1940s, they tend to evoke the old west. With titles such as "Rodeo" and "Billy the Kid" this shouldn't surprise too many people.

Copland went on to compose more dissonant and twelve tone compositions later on in his career. These obviously weren't as popular with the public in general as the pieces on this CD. Nonetheless, if this disc whets the appetite, a foray into Copland's less popular works will yield much. It will help to expose the totality of Copland's output. This disc only represents a small portion of his work. Regardless, this disc is a great starting point for getting to know one of the United States' best known composers of the twentieth century.

A Great American Album.......2004-02-13

This is a great album representing true patriotic American music. Songs like "Hoe-Down" are lively and energetic and give rememberance to what one can imagine as the true American spirit.

Must have this one..........2002-09-17

I like all types of music, I wanted this album because I liked the song "RODEO" that is used on the beef commercials. This CD has made me into a Copland fan. It has many great songs. If you want a CD that says "I am an American." This is it. I am sending copies to a friend in Bombay and Tel Aviv. This is who I am put to music.

Average customer rating:

Best of Elgar

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

$6.99 and Under | Classical Music Blowout | Stores | Music

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Elgar: Pomp and Circumstance Marches Op. 39; Enigma Variations Op. 36
Elgar: Enigma Variations
The Best of Fauré
The Best of Shostakovich
Best of Prokofiev

ASIN: B0000014HN
Release Date: 1997-03-18

Tracks:

Pomp And Circumstance March In D Major, Op. 39, No. 1
Enigma Variations, Op. 36: Nimrod
Intoduction And Allegro, Op. 47
Cello Concerto In E minor, Op. 85 - Adagio
Salut d'amour, Op. 12
Symphony No. 1In A Flat Major, Op. 55, - Andante nobilmente e semplice (Excerpt)
Serenade For Strings In E Minor, Op. 20: Larghetto
Serenade For Strings In E Minor, Op. 20: Allegretto
Violin Concerto In B Minor Op. 61 - Andante
Pomp and Circumstance March In G Major, Op. 39, No. 4
Cockaigne Overture (In London Town), Op. 40

Copland: Our Town; The Red Pony Suite; El Salón México; Danzón Cubano; Three Latin American Sketches

Average customer rating:

Copland conducts Copland
Profound
review and comparison with Slatkin's CD
Great music, bad orchestras
Red Pony Review

Copland: Our Town; The Red Pony Suite; El Salón México; Danzón Cubano; Three Latin American Sketches

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

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Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

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Copland: Music for Films
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Copland: Appalachian Spring; Rodeo; Fanfare for the Common Man
The Copland Collection: Orchestral & Ballet Works, 1936-1948

ASIN: B0000026GF
Release Date: 1990-10-25

Tracks:

Our Town
The Red Pony Suite - Morning On The Ranch: I. Morning On The Ranch
The Red Pony Suite - Morning On The Ranch: II. The Gift
The Red Pony Suite - Morning On The Ranch: III. Dream March And Circus March
The Red Pony Suite - Morning On The Ranch: IV. Walk To The Bunkhouse
The Red Pony Suite - Morning On The Ranch: V. Grandfather's Story
The Red Pony Suite - Morning On The Ranch: VI. Happy Ending
El Salon Mexico
Danzon Cubano
Three Latin-American Sketches -: Estribillo
Three Latin-American Sketches: Paisaje Mexicano
Three Latin-American Sketches: Danza de jalisco

Customer Reviews:

Copland conducts Copland.......2003-11-27

Aaron Copland was, admittedly, NOT a great conductor. Nevertheless, musicians enjoyed working with him, possibly because he was so exuberant and enthusiastic. One friend said Copland might tell musicians to "hit a home run." He certainly wanted the musicians to have fun and it's clear that usually happened. Along the way, Copland did manage to give his interpretations of his own music, setting a standard of how it should be played.

It's very apparent in Copland's numerous recordings for Columbia (now available on Sony) that the composer left an important legacy. Among the more original American composers, Copland was distinctly American. He enjoyed a fine musical education from Nadia Boulanger in Paris that gave his compositions some added depth. Initially, Copland followed George Gershwin's example and made considerable use of jazz and blues in his works. Copland himself said he felt he soon exhausted the possibilities of popular music and then turned to American folk music.

A trip to Mexico, where he met and befriended Carlos Chavez, resulted in Copland's first great musical triumph, "El Salon Mexico." It became the only Copland work to ever be conducted by Arturo Toscanini with the NBC Symphony Orchestra. On this CD one has a chance to hear the composer himself conducting this 1936 triumph.

This writer has long enjoyed Copland's wonderful music for the 1948 Technicolor western "The Red Pony," an adaptation of the John Steinbeck story by Lewis Milestone that starred Myrna Loy and a young Robert Mitchum. The music is such an important ingredient in this classic film. Fortunately, Copland extracted a concert suite from the film score and it is included in this CD.

Copland wrote other film scores, too, and we get to hear some of the music he wrote for the 1940 film adaptation of Thornton Wilder's very American play, "Our Town."

The CD includes some additional Latin-influenced works, "Danzon Cubano," which rivals Gershwin's "A Cuban Overture," and "Three Latin American Sketches." These are very colorful, exciting works.

Perhaps, as some have said, the London Symphony Orchestra and the New Philharmonic Orchestra were not up to par in these recordings. Some of that may have been Copland's fault. Still, these are competent performances and they convey what the composer wanted.

Profound.......2003-10-31

Forget what the guy above says about the London Symphony Orchestra's recording of "Our Town." Hands down, the most beautiful piece of music I have ever heard. Moving, surreal, profound. Truly a once in a lifetime experience.

review and comparison with Slatkin's CD.......2003-05-10

It does seem (and I have heard from professional conductors) that performance standards of orchestras in the 1960s and 70s were not what they are today, but I would not necessarily hold that fact against this CD. While Leonard SlatkinÕs more recent recording with the Saint Louis Symphony Orchestra (on the RCA label) is much more pristine, and the musicians sound much more in tune, I find something in CoplandÕs own interpretation of his music that is missing from SlatkinÕs (still very capable) rendition.

Comparing the two versions of ÒOur TownÓ, for example, the difference in character is striking. With Copland the tempo is much slower, the intensity is proportionally much greater, and Copland, with a composerÕs sense of intimacy with his score and the music intended behind it, derives more musicality out of each phrase and note than I hear in SlatkinÕs faster-paced performance. The same can be said for the rest of CoplandÕs CD--what the older recording might lack in technical musicianship, it makes up for in greater interpretive depth. While it is aggravating sometimes to hear instruments out of tune (and I am only assuming that what sounds out of tune to me today was equivalently considered out of tune back then), the tradeoff may be worth it for some.

Great music, bad orchestras.......2000-06-13

While this is some of Copland's best (and most under-recognized) work, the orchestras represented on the CD are, as a whole, awful. Even the London Symphony orchestra had an off day on "Our Town," and the New Philharmonia Orchestra does a good job of butchering the rest of the CD, particularly "Danzon Cubano." The recording of "Danzon" is quite possibly the worst I've ever heard any symphony orchestra play. While it may be worth the money as a bargain CD, do NOT pay full price for this.

Red Pony Review.......2000-01-05

I am currently studying my A-Levels, including a music tehcnology course. One homework was to compose a piece. I played this piece two years ago, and remembered the incredibly difficult timing, and then the satisfaction of getting it right at the start of the Walk to the Bunkhouse. Since I first heard it I kept noticing new sounds, and parts to it. I love it, and keep listening to it again and again, hearing new life in it. Buy this Now!

The Copland Collection: Orchestral & Ballet Works, 1936-1948

Average customer rating:

Bought this for Concerto for Clarinet
Aaron Copland: Populist and Conductor
Tribute to Lincoln
A great way to get your dose of Copland....
Well balanced retrospective, -or- Listen to this!

The Copland Collection: Orchestral & Ballet Works, 1936-1948

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

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The Copland Collection: Orchestral Works, 1948-1971
Copland: Music for Films
A Copland Celebration Vol. 3
A Copland Celebration Vol. 1
Samuel Barber / Thomas Schippers

ASIN: B0000027BJ
Release Date: 1991-01-18

Tracks:

El Salon Mexico
An Outdoor Overture
Billy The Kid: Introduction: The Open Prairie
Billy The Kid: Street In A Frontier Town
Billy The Kid: Prairie Night (Card Game At Night)
Billy The Kid: Gun Battle
Billy The Kid: Celebration (After Billy's Capture)
Billy The Kid: Billy's Death
Billy The Kid: The Open Prairie Again
Quiet City
John Henry
Our Town
Las Agachadas
Fanfare For The Common Man

Tracks:

Rodeo (Four Dance Episodes): I. Buckaroo Holiday
Rodeo (Four Dance Episodes): II. Corral Nocturne
Rodeo (Four Dance Episodes): III. Saturday Night Waltz
Rodeo (Four Dance Episodes): IV. Hoedown
The City: New England Countryside
Of Mice And Men: Barley Wagons
The City: Sunday Traffic
Our Town: Grovers Corners
Of Mice And Men: Threshing Machines
Appalachian Spring (Suite From The Ballet): Very Slow
Appalachian Spring (Suite From The Ballet): Fast
Appalachian Spring (Suite From The Ballet): Moderato
Appalachian Spring (Suite From The Ballet): Fast
Appalachian Spring (Suite From The Ballet): Still Faster
Appalachian Spring (Suite From The Ballet): As At First (Slowly)
Appalachian Spring (Suite From The Ballet): Calm And flowing
Appalachian Spring (Suite From The Ballet): Moderato; Coda
Letter From Home
Danzon Cubano

Tracks:

Lincoln Portrait: Lento
Lincoln Portrait: Subito Allegro
Lincoln Portrait: 'Fellow Citizens, We Cannot Escape History...'
Symphony No. 3: I. Molto Moderato-With Simple Expression
Symphony No. 3: II. Allegro Molto
Symphony No. 3: III. Andantino Quasi Allegretto
Symphony No. 3: IV. Molto Deliberato
Concerto For Clarinet, Strings, Harp, & Piano

Amazon.com

Aaron Copland made numerous recordings of his own music, including an extensive series for CBS during the 1960s and '70s, mostly with London orchestras. He was not an especially proficient conductor--consequently, the performances he conducted often lacked pace and rhythmic punch. His last recordings of his most popular scores have been reissued by Sony on an exceptionally well-remastered 3-CD set. These accounts do a good job of conveying the overall shape of the pieces, and they deliver telling characterizations of many episodes. Details emerge that are lost in some other accounts, and there is an appealing gentleness and sweetness to the approach. But the readings do not have as much grip as those of Bernstein and Slatkin, among others, and in spite of the authority they automatically possess, they are not necessarily preferable. --Ted Libbey

Customer Reviews:

Bought this for Concerto for Clarinet.......2007-07-14

The sum is greater than the parts. This is a great Copland collection and shows his diversity. Yet as divers and the three CD are they are all distinctively Copland. Benny Goodman is usually associated with jazz yet he was also diverse in his career. "Concerto for Clarinet, Strings, and Harp & Piano" is a mantra that will carry you to a timeless place.

An added plus is the many other popular pieces that you know you heard but did not realize it was Copland especially the music from movies.

You may have to play the set a few times before being able to recognize the different tracks by name. The down side is many of Copland's works are outside of the date range of this collection.

Aaron Copland: Populist and Conductor.......2005-03-29

If you want a prime collection of Copland's more accessible works, this is it. Yes, it's true that Bernstein's recordings of individual pieces are often bolder and livelier; but this set offers the composer's own authoritative view of his work, and for that reason alone it is priceless. In addition, it includes virtually all the orchestral pieces he composed during his "populist phase," from El Salon Mexico (1936) to the Clarinet Concerto (1948). You won't find some of these lesser-known gems, such as An Outdoor Overture (1938) or Letter from Home (1944, written--like Rhapsody in Blue--for Paul Whiteman), on typical single-disc Copland compilations. I'd even go so far as to claim this as one of the four indispensable compilations of American instrumental music from the first half of the twentieth century (the others on my list--in case anyone cares--are Joshua Rifkin playing Scott Joplin, Oscar Levant playing Gershwin, and the Blanton-Webster band recordings of Duke Ellington).

What amazing riches flowed from Copland's pen during the period covered by these three discs! Billy the Kid (1939), Quiet City (1940), Our Town (1940), Fanfare for the Common Man (1942), Rodeo (1942), Lincoln Portrait (1942), Appalachian Spring (1944), and the Third Symphony (1946)--all are here. Some of this music is so familiar, so deeply ingrained in America's cultural consciousness, that we might be tempted to take it for granted. But imagine how much poorer the American concert repertoire would be without it. It's almost impossible, at this point, to conceive of a time when this wonderful music--which is to America roughly what Mussorgsky's music is to Russia, Grieg's to Norway, and Falla's to Spain--didn't exist. It was during the dozen years covered by this collection that Copland pulled away from the pack of his talented contemporaries (Hanson, Thomson, Harris, etc.) and, in a way, but with greater technical sophistication, filled the void left by the tragically early death of Gershwin, whose heyday, 1924-1935, immediately preceded the composition of the works on this collection.

The ballet music is all presented here in the familiar orchestral suites Copland arranged. Most of the selections are played by the London Symphony Orchestra, although the New Philharmonia and the just-plain Philharmonia get cracks at a few key works. The last-named orchestra, for instance, takes on the biggest piece on the program, Copland's Third, the closest thing American music has to a Beethoven's Ninth (although the work's sublime rhetoric has never completely convinced me--it's neither my personal favorite by Copland nor my favorite American symphony . . . but it sure has its moments). In addition to the fine orchestral playing, another treat is that Henry Fonda narrates the Lincoln Portrait--an almost inevitable pick, given the virtually mythic way his acting style embodied the American spirit and the fact that he had portrayed the sixteenth president in John Ford's classic film Young Mr. Lincoln (1939).

The set concludes with what, over the years, has become my favorite work by Copland, the Concerto for Clarinet, Strings, Harp, & Piano, written for and performed here by surely the last century's greatest clarinetist, Benny Goodman. This work effects a concise synthesis between Copland's mature style and his earlier jazz stylings from the 1920s; in addition, the searing eloquence of the opening slow movement seems to me the most profound lyrical writing Copland ever achieved. Stoltzman's recording, ironically enough, swings harder than the king of swing's, but this collaboration between the composer and the man who commissioned it is for the ages.

The only major "populist" scores written after the period this collection covers are the film scores to The Red Pony (1948) and The Heiress (1949). Both can be acquired on an essential Leonard Slatkin CD for RCA. And since this collection doesn't include chamber music, the great Violin Sonata (1943), a kind of more intimate counterpart to Appalachian Spring, will have to be sought elsewhere. (One good option is Gil Shaham/Andre Previn on DG.) A serious Copland collector will also want to grab the other two volumes of the Copland Collection itself. The early set features important works such as the Organ Symphony (1924), Music for the Theater (1925), and the Short Symphony (1932)--but both of the other collections also include long, thorny pieces like the early Symphonic Ode and the late Connotations that can be rather difficult for the average enthusiast to enjoy.

Most of the essential, universal Copland is to be found on this second installment of the Copland Collection, and I would definitely recommend it as the place to start exploring Copland's magnificent contribution to American music. It has been a wonderful and treasured companion of mine for many years, and it also serves to conjure up a timely and inspiring vision of open prairies, nocturnal cityscapes, and the populist, humane values that America should, ideally, epitomize.

Tribute to Lincoln.......2001-10-28

I purchased this set of Copeland CD's because I wanted the Tribute to Lincoln narrated by Henry Fonda. This is a masterful recording especially for Americans in this time. The Tribute sends chills down my spine whenever I her it. My greatest joy however, was how much I have enjoyed all of the CD's in the set. I tend to be much more of a classical listener. I have heard Copeland but not in any organized fashion. This set has brought a new and delightful experience to my listening options.

A great way to get your dose of Copland...........2000-06-30

The 2nd of this three CD collection is wonderful. My favorite though is the third one. Doesn't mean this isn't good. This Sony Copland Collection set is worth the money for. Copland is sooo much more then Appalachian Spring, Fanfare for the Common Man, Rodeo, etc... But you get a lot of typical Copland on these CDs. Songs we all know and love. But there are some unfamiliar good ones too. Concerto for Clarinet took me by storm. So did Letters from Home. Good quality, good booklet, good recording, good playing (how Copland got the London Symphony to play something right I will never know), good everything. It's not perfect because it doesn't compete with THE best Copland like the third CD set of this collection, or the The Tendeer Land. Oh, these three CD sets don't cover all Copland, but it does for the most part. It doesn't have many chamber works, two choral works, and his two operas. You can cover some of those with the full version of Tender Land and of Second Hurricane (which also comes with the choral work, In the Beginning). But this is a good series. I highly recommend it!

Well balanced retrospective, -or- Listen to this!.......1999-08-11

Mr. Copland's works, as always, are exceptional This album, which consists of his work both as a composer and as a conductor, brings his music to life in a way no other conductor can. This is a well mastered and well produced work and worth the listen. To hear Arron Copland's music as he intended is wonderfull.

Average customer rating:

Opera voices don't work for musical theater
Great Score But A Bit Dated
Operatic voices take away the verve and excitement
Good Recording
Highly competent studio cast recording of the show

On the Town

Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music
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On the Town

ASIN: B000001GI4
Release Date: 1993-09-14

Tracks:

On The Town: I Feel Like I'm Not Out of Bed Yet
On The Town: New York, New York
On The Town: Presentation of Miss Turnstiles
On The Town: Gabey's Comin' - Pickup Song
On The Town: Taxi Number: Come Up to My Place
On The Town: Carried Away
On The Town: Lonely Town
On The Town: High School Girls
On The Town: Lonely Town - Pas de deux
On The Town: Carnegie Hall Pavane
On The Town: I Can Cook Too
On The Town: Lucky to be Me
On The Town: Times Square: Finale, Act 1
On The Town: So Long, Baby
On The Town: I Wish I Was Dead
On The Town: Ya Got Me
On The Town: Ain't Got No Tears Left
On The Town: Pitkin's Song
On The Town: Subway Ride And Imaginary Coney Island
On The Town: The Great Love Displays Himself
On The Town: Pas de deux
On The Town: Some Other Time
On The Town: The Real Coney Island
On The Town: Finale
Appendix: The Intermission's Great

Amazon.com

Three sailors on shore leave chasing after women in the Big City--that's the premise for On the Town, the brilliant, innovative, and electrically vibrant 1944 show by Leonard Bernstein (and Jerome Robbins, Adolph Green, and Betty Comden) that literally overflows with great songs and dance music. This version features a strong cast and three numbers cut from the New York premiere. It's well worth a visit. --David Vernier

Customer Reviews:

Opera voices don't work for musical theater.......2006-09-15

I had to force myself to listen beyond Sam Ramey's first "I feel like I'm not outta bed yet"... why?... it comes down to two things:

1) When listening to opera singers performing musical theater I always have difficulty understanding "what" they're singing about. Sure, I can hear the words, but the purified sound sands down everything that was gritty and emotional. It's almost like a Musak treatment, taking the raw energy and vitality of the original and softening it for easier listening. This is usually never a problem with original cast recordings which may have less-than-perfect vocal production, but are 100% locked in with singing-saying what the music and words mean TOGETHER.

2) I find these type of recordings patronizing to the great number of extremely talented musical theater artists who would each bring better interpretations to the studio because they'd have actually performed the parts, on-stage, dancing and acting, for many shows in a row. From an interpretation POV, this recording sounds like it was banged out after a few coachings, a few rehearsals, and a lot of engineering time. That approach seems to belittle the dedicated contributions of music theater artists.

==========
This is supposed to be American Musical Theater, a little rough around the edges, packed with physical/musical/emotional vitality, intelligence, wit, etc. This recording does not convey those attributes at all. It is physically revolting for me to listen to this homogenized, purified, sanitized, corrected, over-engineered, and nonexpressive recording. I'm glad I borrowed it from the library.

Great Score But A Bit Dated.......2006-03-19

A wonderful score from Leonard Bernstein detailing three naval soldiers' day of leave in New York City. Even if some of the songs are a bit past their prime, there are still great catchy tunes:

New York, New York
Taxi Number: Come Up To My Place (a very catchy duet)
Ain't Got No Tears Left
Some Other Time

This recording, however, is not the greatest. Its poor quality just reminds you of how dated some of the music is, so I recommend you get a different version.

Operatic voices take away the verve and excitement.......2005-09-21

Bernstein started a bad trend with his crossover West Side Story, in which Kiri Te Kanawa and Jose Carreras were painfully miscast. But that version has sold very wel over the years, so now we have MTT condcuting a big symphony orchestra and singers like von Stade and Hampson who try their best but feel all wrong. This is a great score, but here the whole sense of naive sailors on shore leave in the big city, plus the special jazziness of Bernstein in the Forties, doesn't come across. These are very sophisticated people trying to ham up WW II period charm--no thanks.

Good Recording.......2002-08-19

This is a good recording of this very enjoyable work. The quality of singing is fine and the orchestral work is particularly good. The music itself is really fun and well above the level of the great majority of Broadway musicals, including better known works like Oklahoma. This is the first of a group of excellent musicals; On The Town, Wonderful Town, and West Side Story, written by Bernstein and collaborators in the 40s and 50s. All are excellent and incorporated music and dance in innovative ways. West Side Story is the best known and most performed but I believe that the music in On The Town is the best of the group. All of these musicals, in one way or another, celebrate New York City.

Highly competent studio cast recording of the show.......2002-06-13

While the vocal performances here do not match the re-assembled original cast recording of 1960 in terms of dramatic and comedic interpretations, Tilson Thomas' reading of the score is every bit as good as Bernstein's himself in the 1960 recording. In terms of tempi, rhythmns, dynamics and sound this orchestral reading is the twin of Bernstein's. So one asks oneself, why assemble a studio cast to do it over again when the original is so exceptional??? We may never know the answer but the reading which was simulcast on PBS was amusing at moments, thanks to Comeden and Green's narration and filling in synopses of the dialogue lines skipped over, and the performance was well received by the audience. Here it is re-recorded without the audience.

The only thing I can point to is the inclusion of three numbers dropped out of town before the show's opening - Gabey's Comin/Pickup Song, Ain't Got No Tears Left, and The Intermission's Great. These make up for 7:54 minutes rightfully deemed unworthy of inclusion in the frozen show (especially the latter which is stupid beyond belief - although R&H stole the concept for their Intermission Talk in ME AND JULIET). The nightclub numbers So Long, Baby and I'm Blue are extended 31 seconds and 19 seconds respectively (they were shortened by these 50 seconds to fit onto the 1960 LP release.

So what do you have here that you don't have on the 1960 cast album? 50 seconds of the original show and 7:54 minutes of songs never used and of less than stellar quality.

Very little reason to prefer this over the original, especially with the vocal performances not up to par. Small wonder it went out of print rather quickly. Stick to the 1960 recording.

(For purists, that original LP release was unable to fit two numbers recorded for it onto the two sides of vinyl - DO RE DO and I UNDERSTAND. The former was added when the LP was re-released (to accompany the 1971 revival) and when it made its debut on CD, I UNDERSTAND joined it for a complete recording.)

Music Review:

Music Review

music review

Music Review

Beat, Surf, Fun

Barbirolli conducts French Music

American Collection: Max Lifchitz

Stranger In Your Life

Autumn Is the End

American Spirit

Again [Import]

America Got Luv 4 the Thugs

African Child

Beethoven: Symphony Nos. 2 & 4

Best Live [Import]

24 Horas No Ar [Import]

Armageddon

Damn Right We Got the Blues

Risotto

1. London Town
2. Cafe On The Left Bank
3. I'm Carrying
4. Backwards Traveller
5. Cuff Link
6. Children Children
7. Girlfriend
8. I've Had Enough
9. With A Little Luck
10. Famous Groupies
11. Deliver Your Children
12. Name And Address
13. Don't Let It Bring You Down
14. Morse Moose And The Grey Goose