Coda [Import]

Track Listings

1. We're Gonna Groove

2. Poor Tom

3. I Can't Quit You Baby

4. Walter's Walk

5. Ozone Baby

6. Darlene

7. Bonzo's Montreux

8. Wearing and Tearing

Editorial Reviews
Album Description
Japanese remastered reissue of 1982 album, packaged in a limited edition miniature LP gatefold sleeve. 8 tracks. Warner. 2003.

Product Description

The Baby Beethoven music CD is an Oppenheim Toy Portfolio Gold Award winner. Featuring 19-tracks, the 35-minute collection designed as a playful introduction to the drama and range of Beethoven's music. All of the pieces featured on the Baby Beethoven music CD were composed in the late 18th and early 19th centuries and trace the range of history's most famous musician. Masterfully re-orchestrated by the Baby Einstein Music Box Orchestra for little ears, Baby Beethoven music CD is an excellent audio accompaniment to any child's playtime. Tracks from this delightful CD are featured on Baby Einstein's Baby Beethoven DVD.Musical Selections:1. Tune up and theme from Symphony No. 9, 2nd movement2. Symphony No. 1, 1st movement, Op. 213. Minuet in G4. Sonata in F5. Sonata No. 14 (Moonlight), 2nd movement, Op. 27, No. 26. The Ruins of Athens, Turkish March, Op. 1137. Rondo in C, Op. 51, No. 18. Fur Elise, WoO 599. Rondo a Capriccio in G, Op. 12910. Symphony No. 5, 1st movement, Op. 6711. Military March No. 1 in F, WoO 1812. Sonatina in G13. Sonata 8 (Pathetique), 3rd movement, Op. 1314. Symphony No. 9, 4th movement, Op. 12515. Sonata No. 2, 1st movement, Op. 2, No. 216. Allegro for a Flute Clock17. Symphony No. 6, 3rd movement, Op. 6818. Sonata No. 8 (Pathetique), 2nd movement Op. 1319. Symphony No. 9, 4th movement coda, Op. 125Age: Birth +Awards:* Billboard Magazine Top Midline Classical Albums (#2) - 2004* Oppenheim Toy Portfolio Gold Award (2002)

Customer Reviews:

Baby loves this mucic!.......2007-02-17

Puts our 6-week old daughter to sleep. What more could you ask for!

Music to her ears!.......2006-11-04

One of the first things I bought for my infant daughter was a collection of the Baby Einstein cd's, and I'm so glad I did! My girl just loves to listen and brightens up everytime the orchestra tunes up at the start of the cd. It is simplified, so not as thrilling for mom, but no real complaints... It certainly beats the Wiggles.

ok.......2006-02-15

This CD is just ok. I like the "Baby Needs..." collection much better. The music in this CD is nice, but some of it is fast paced and does not work well to listen to during nap time. My son seems to enjoy it, though. It is nice for playtime.

Ugh! Glorified Music-Box Music.......2005-12-04

My husband and I are fans of classical music with a substantial CD collection. When we found out we were pregnant, I picked up the Baby Beethoven CD from my local library to see what it was like.

It's glorified music box music... some of the pieces are almost impossible to distinguish without checking the jewel case for the name.

If you really want to expose your child to Beethoven, don't waste your time with this CD. For soothing sleepy-time music, try "Beethoven at Bedtime."

A Classy Classical CD.......2005-04-15

Classical music makes your baby smart? Who cares what the "experts" say? As a mom, I judge any children's music CD by how often my kids ask to hear it. And Baby Beethoven CD gets two tiny thumbs up! My 5-year-old daughter has enjoyed this music since she was small (we also own the VHS tape). Now her younger sisters love it, too. The play list of 19 selections ranges from soothing symphonies, such as Symphony No. 6 in F major ("Pastoral"), to lively sonatas, like the Piano Sonata No. 8 in C minor ("Pathétique") that inspire my girls to leap and twirl across the room. And that makes this CD a smart buy.

Average customer rating:

Scraping the bottom of the barrel...
CODA IS A COMPILATION OF STUDIO OUTTAKES AND UNRELEASED LIVE TRACKS.
Leftovers? Retreads? The Rest?
Even Zeppelin's "trash" is great....
A great but wrongly panned Zep version of The Beatles' Let it Be

Coda
Led Zeppelin
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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Presence
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ASIN: B000002JSR
Release Date: 1994-08-16

Tracks:

We're Gonna Groove
Poor Tom
I Can't Quit You Baby
Walter's Walk
Ozone Baby
Darlene
Bonzo's Montreux
Wearing And Tearing

Amazon.com

Coda, released in 1982 after the breakup of the band, was the result of a trawl through the studio archives in search of leftover material. In fact, they had already used up almost all of the good stuff; this was Led Zeppelin's only disappointing album. Nevertheless, even relatively poor material by Led Zeppelin is decent and some tracks here are classic, notably "Poor Tom," "Ozone Baby," and "Wearing and Tearing." The latter, one of three outtakes from the In Through the Out Door sessions, features a particularly high-octane blend of stripped-down, grungy rock & roll and is considered their response to the then-burgeoning punk movement. With so little studio material available, live versions of "I Can't Quit You Babe" and "We're Gonna Groove" from 1970 flesh out the set; the former features some blistering playing. --James Swift

Customer Reviews:

Scraping the bottom of the barrel..........2007-05-09

Released two years after the band's breakup, "Coda" is a collection of leftovers from Led Zeppelin's career. Fair warning, I tend to hate these kinds of compilations-- most of the time the stuff left in the bucket was left there for a reason, and while demos can be interesting to hear, they're usually of limited value. This record collects two tracks recorded live in 1970 and subsequently overdubbed ("We're Gonna Groove" and "I Can't Quit You Baby"), one leftover each from "Led Zeppelin 3" ("Poor Tom") and "Houses of the Holy" ("Walter's Walk"), no less than three from "In Through the Out Door" ("Ozone Baby", "Darlene" and "Wearing and Tearing") and a drum feature by John Bonham with subsequent overdubs by Page ("Bonzo's Montreaux").

"Coda" pretty much lives up to my previous comments-- nothing here is awful, "Poor Tom" has a nice chug to it, "Darlene", while in serious need of lyrical development, has a decent riff, but by and large it moves from one unmemorable piece ("We're Gonna Groove") to another ("Ozone Baby"). The only real (and quite noteworthy at that) is "I Can't Quit You Baby"-- a downright explosive performance, guitarist Jimmy Page provides response to vocalist Robert Plant's call over a nice blues groove before cutting loose into one of his fiercest solos on record. But one track doesn't do much to resurrect an album, and this one is pretty much for collector's only.

CODA IS A COMPILATION OF STUDIO OUTTAKES AND UNRELEASED LIVE TRACKS........2007-02-26

I will be writing a review on the legendary compilation album simply entitled "CODA" by one of Rock's greatest legendary bands, I give you one of England's pride and joy's, the MIGHTY LED ZEPPELIN. "CODA" was originally released in 1982 on Vinyl/LP and Cassette on the Swan Song Inc. Records label which is distributed by Atlantic Records. This album would eventually see its release on Compact Disc in the late 80's. As always, if I hear any new additional information concerning this legendary album or the artist, I will edit this review immediately so that you the consumer will get the best informative and most accurate review possible.

CODA in the dictionary means the final passage of a movement or composition. After John Bonham passed into immortality in September 1980, many Rock critics as well as many fans such as myself have wondered if Atlantic Records and Swan Song Inc. would ever go through the vaults and release an album consisting of unreleased outtakes and live tracks by LED ZEPPELIN? It would take two years before the world got its answer. The release of "CODA" would express many different opinions from millions of fans as well as the Rock critics. In my opinion, "CODA" is LED ZEPPELIN'S planned farewell. "CODA" is also a beautiful tribute to the late great John Bonham. In reality, "CODA" is a very good album. "CODA" actually spans from 1969 to the final 1978-1979 "IN THROUGH THE OUT DOOR" sessions.

In my opinion, the best songs on this album are the a*s kicking "We're Gonna Groove," (1969) the incredible "Walter's Walk," (1972) the breathtaking "Ozone Baby," (1978) the groundbreaking "Darlene" (1978) and the blistering killer Rocker "Wearing And Tearing." (1978)

The other songs such as the great acoustic "Poor Tom," (1970) the live sound check rehearsal "I Can't Quit You Baby" (1970) and the incredible "Bonzo's Montreux" (1976) are all also very good tracks that deserve to be heard.

Listening to all these great songs makes me wonder why LED ZEPPELIN omitted these songs from their perspective albums. These songs are really good.

Overall, this is definitely an album worth seeking and checking out.

I would like to highly recommend purchasing this legendary album to own as a valuable and important part of his or her own personal music collection. This album will definitely prove to stand the test of time and will always be around to be enjoyed, appreciated and cherished for many years to come, NOW AND FOREVER.

In closing, with the success of "CODA," there would be more unreleased concerts and albums from LED ZEPPELIN in the years ahead to keep the ZEPPELIN legend alive. As it seems, there is still plenty of air left in the ZEPPELIN blimp to keep the LED ZEPPELIN legend alive and kicking. With this in mind, it would seem that LED ZEPPELIN is REBORN all over again. So here's to you Robert, Jimmy, John Paul and the late great John Bonham. And as the saying goes, "AND THE REST IS ROCK N' ROLL HISTORY," am I wrong? Thanks for reading my review and I hope you enjoyed reading it as much as I enjoyed writing it for your reading pleasure. I also hope that you will read all of my other reviews in the near future when time permits. LED ZEPPELIN FOREVER. R.I.P. MR. JOHN HENRY BONHAM. Long Live Rock n' Roll. Rock out always and take it easy. Forever In Rock, John L.

Leftovers? Retreads? The Rest?.......2007-02-13

Better than most rock groups at their zenith. I really, really like this cd a lot. Especially the version in the Complete Studio Recordings.

Even Zeppelin's "trash" is great...........2007-01-10

Despite the fact that this album is leftover tracks over the course of Led Zeppelin's career, the 8 tracks are excellent, and this album has a coherent feel despite being recorded over a period of 8 years or so. I find that remarkable. Led Zeppelin shows the world how great they were/are with this album. It's an album of rejected songs, and it's stil better than most of the drek out today (and even back in Zeppelin's heyday). The only other artists who have great "rejected" songs are Bob Dylan and Frank Zappa. There isn't a wasted track here. I really like the killer riff from Walter's Walk, the scorching We're Gonna Groove, and the insane I Can't Quit You Baby (which is superior to the version on Led Zeppelin I). Despite having a mere 8 tracks and just over a half hour long, you should pick this up. It's awesome.

A great but wrongly panned Zep version of The Beatles' Let it Be.......2006-08-10

Led Zeppelin's odds and ends album Coda was released in November of 1982.
How this album came to be, let's set the stage shall we.
In 1980, Led Zeppelin were riding high on the success of In Through the Out Door which was on its way to selling 7 million copies in the US alone(not bad for Zep standards and outsold Zep 3 and Presence). The band toured Europe and were selling out venues nightly but then traged struck, drummer John Bonham passed away on September 25, 1980 as the band was rehearsing for a US tour. Over two months later, the band broke up after the death of Bonham whose style was hard to replicate and deemed him irreplaceable.
Throughout 1981 and 1982, guitarist Jimmy Page worked on the soundtrack to Death Wish II and Robert Plant released his solo debut Pictures at Eleven(which hit #3 in the US). Also, Page went through the Zep vaults to cobble together a final Led Zeppelin album which would be called Coda.
The recordings were from between 1970 and 1978 with some fresh overdubs by Plant and Page where required as followed.
We open with the rocker We're Gonna Groove which is the same version as it would appear on the 2003 Led Zeppelin DVD and recorded at The Royal Albert Hall in January, 1970(not Morgan Studios like the notes stated). It's the same version as on the DVD but Page overdubbed guitar solos in 1982 to fill out the song(the overdubs are not on the DVD version) and Plant's voice went through a phaser(unlike teh DVD version). Next is Poor Tom which is a great countryish outtake from Led Zeppelin III. The song has Page playing acoustic guitar over a classic Bonzo drum pattern with Jonesy filling out the bass and Plant singing and playing harmonica. Next is I Can't Quit You Baby which is the same song as on Led Zeppelin I, but on steroids. Harder drumming and more furious guitar & singing than on the original. It has a very raw feel to it. This track is also on the Zep DVD from Royal Albert Hall but shortened for vinyl constraints(and not a rehearsal like the liner notes state). The first half ends with the Houses of the Holy outtake Walter's Walk. This rocker just rocks and would have appeared on Houses save time constraints and there were no lyrics so Plant recorded the vocals in 1981/82 with fresh lyrics.
The album's second half consists of the outtakes from In Through the Out Door except as noted. The rocker Ozone Baby is from the ITtOD sessions and was one of the rock radio hits from the album. Darlene is next and is one of the album's best tracks and the biggest rock radio hit from the album. Another ITtOD outtake which just rocks. Next is Bonzo's Montreux which is a John Bonham drum workout that was recorded in Montreux in 1976. It just features Bonham and Page messing around in the studio one day and Page later added some electronic stuff to it. The closing Wearing and Tearing is Zeppelin's answer to the punk music movement that was popular in Europe at the time(it didn't get big in the US until years later) and is from the ITtOD sessions. It has a very fast-paced beat and is a killer rocker.
Coda, when released, quickly stormed to #4 on the Billboard album chart and went Platinum quick but by then Men at Work, Michael Jackson, A Flock of Seagulls and later Duran Duran were all dominating the US music scene.
In 1993, this album was re-issued on The Complete Studio Recordings box set(see review) with the four bonus tracks that appeared on Led Zeppelin's 1990 and 1993 box sets.
If you are an unbiased Zep fan(like myself), pick this up, if not your loss.
Recommended!

Bryars: Jesus' Blood Never Failed Me Yet

Average customer rating:

excellent
Almost there (get rid of tom waits)
Unique and Magnificent
Borrow it first
Gavin Bryars Never Failed Me Yet

Bryars: Jesus' Blood Never Failed Me Yet

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000040UT
Release Date: 1993-08-10

Tracks:

Jesus' Blood Never Failed Me Yet: Tramp With Orchestra I (String Quartet)
Jesus' Blood Never Failed Me Yet: Tramp With Orchestra II (Low Strings)
Jesus' Blood Never Failed Me Yet: Tramp With Orchestra III (No Strings)
Jesus' Blood Never Failed Me Yet: Tramp With Orchestra IV (Full Strings)
Jesus' Blood Never Failed Me Yet: Tramp And Tom Waits With Full Orchestra
Jesus' Blood Never Failed Me Yet: Coda: Tom Waits With High Strings

Amazon.com

This late minimalist, 74-minute piece for orchestra and tape has had, and continues to have, a near-legendary effect on its audience. It's the rare work created specifically to tug gently at one's heartstrings that actually does, and not subtly, either. It starts with a found recording of a homeless man singing a halting, simple melody looped over and over. Then Bryars builds and buttresses this with a full orchestra brought in incrementally, from the first carefully placed short pendulum string sweep to, 10 minutes from the end, the gravelly-voiced singer Tom Waits joins in. It's an obvious but effective work--appealing to all the basics of our emotional nervous system, but still tragically beautiful. --Robin Edgerton

Customer Reviews:

excellent.......2007-05-07

the item purchased is in perfect condition and it has been shipped in time

Almost there (get rid of tom waits).......2007-04-10

This is a pretty moving and relaxing piece, especially considering that a single sample is looped for 74 minutes but around it there is slow orchestral development. Near the end, it is completely destroyed by the annoying and gratuitous addition of Tom Waits. If you can, I suggest finding a shorter copy of it with no Tom Waits on it, apparently Bryars made a 60 minute version for tape and a 25 minute version for vinyl both before this one and both out of print for Brian Eno's Obscure label.

Unique and Magnificent.......2007-03-30

A fantastic work with an incredible story behind it. I originally heard an exerpt from this work which was played during a radio interview, and I was absolutely captivated. I think this CD is great, however my partner and a couple of friends have suggested it is a little too repetitive. I think the repetition, with such a subtle progression, is the key to this deeply moving album. I would highly recommend this as an interesting and unique addition to any music library. Be aware: playing the full CD may not be to everyone's liking, although I think most would enjoy some smaller portion of the 74+ minutes. I think few would not be touched by the story behind it!

Borrow it first.......2006-11-06

Buy CDs that you expect you'll want to play reasonably often; otherwise borrow them, as I did with this one, from a library - - that'd be my advice. Borrow it again if you find you want to listen to it again.

I don't think this is a religious piece; at least, to me it seems to be about experimentation (taken, as one reviewer put it, to the breaking point). It concludes with Mr. Waits sounding truly drunken.

I made it through the entire CD in two sittings.

Gavin Bryars Never Failed Me Yet.......2006-03-30

The controvery rages. Is it rubbish or a work of genius?

When I first heard the original on Sinking Of The Titanic, I thought it was really irritating, and I couldn't get the tune out of my head for days. I put the cd away for a few weeks......and then something made me pull it out and listen again. Still irritating.....but there was something about it that made me want to come back and give it another go. The third time around, I *really* started to listen -- and I was hooked. The gradual background (at first) orchestration grows into something fascinating and wonderful, and you just *have* to listen.

Forget about the religious aspect. It's doesn't detract from the music, and I don't think Bryars meant for this to be a religious work anyway. It's an extremely moving piece, simple, rich, and gloriously done. And probably unlike anything else you've ever heard.

Listening to a short clip won't do you any good, but the cd sells cheap enough to take a chance on for a complete listen. But be forewarned: even one complete listen ain't gonna do it. You'll have to stay with this one for a few more turns to appreciate it. You'll want to use the cd for an air catcher on your wind chimes at first, but hang in there, and you'll be richly rewarded.

Average customer rating:

Noticeably different from the original soundtrack, but that doesn't make it any less fantastic.
pensieri da Staciella
Do not confuse music you love with rendition you won't
Great Quality
Disappointing performance of classic Godfather music...

The Godfather: Trilogy 1, 2 & 3

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

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ASIN: B000059LEY
Release Date: 2001-03-13

Tracks:

The Godfather: The Godfather - Waltz
The Godfather: Love Theme From The Godfather
The Godfather: Sicilian Pastorale
The Godfather: The Pick-Up
The Godfather: The Godfather - Tarantella
The Godfather: The Godfather - Mazurka
The Godfather: The Godfather - Finale
The Godfather - Part II: The Immigrant
The Godfather - Part II: Kay
The Godfather - Part II: Marcia Stilo Italiano
The Godfather - Part II: The Godfather Part II - End Title
The Godfather - Part III: Marcia Religiosa
The Godfather - Part III: Marcia Festa
The Godfather - Part III: The Immigrant/Love Theme From The Godfather III.
The Godfather - Part III: The Godfather III - Intermezzo
The Godfather - Part III: Prld From Cavalleria Rusticana
The Godfather - Part III: Coda - The Godfather Part III Finale

Amazon.com

The Godfather saga may have its roots in pulp fiction, but the vision of director Francis Ford Coppola turned the story of Don Vito Corleone into an epic, multigenerational metaphor for modern American society and its place in the world. Coppola's musical choices were equally sage; aged Italian scoring legend Nino Rota's mournful solo trumpet theme ("Godfather Waltz") would become both a crucial, emotional link in all three films and an enduring modern icon on a par with the themes to Star Wars and Jaws.

This compendium gathers key themes from the Godfather trilogy in modern rerecordings, by conductor Paul Bateman and the Prague Philharmonic, that are sonically pristine and faithful to the originals. Utilizing the rich musical heritage of his native Italy (and occasionally evoking memories of his great collaborations with Fellini), Rota's Godfather music would ultimately net him his only Oscar ^®, for Godfather II. Carmine Coppola, the director's father, supplements Rota's work with music that's more distinctly ethnic, while the prelude from Italian classical composer Pietro Mascagani's masterful opera Cavalleria Rusticana becomes a crucial element in Godfather III, filling the void left by Rota's passing in 1979. --Jerry McCulley

Customer Reviews:

Noticeably different from the original soundtrack, but that doesn't make it any less fantastic........2006-11-10

When I first reading the reviews to this Soundtrack collection, I was a bit skeptical, as I read many reviews which mentioned the differences among this collection and the original soundtracks. Being a huge fan of the films and their music, I was a bit nervous about my purchase, but figured how bad could it sound? It's the Godfather!

However, when I got the CD in the mail, I was pleasantly surprised. While I did notice some differences (Tarantella sounds somewhat changed) between the Collection songs and the original analogs, they were not a change for worse. These tracks produced the same, if not greater emotional response than those from the films.

Listening to the whole soundtrack is a great experience from beginning to end for fans of the films and their music, and I absolutely praise the Prague Philharmonic orchestra, Crouch End Festival Chorus, and conductor Paul Bateman for their excellent transition of the original work into this 30th Anniversary collection.

If you like the music from the films, get this disc!

pensieri da Staciella.......2004-06-29

E un vero piacere per me quando ascolto a chisto disco perche le canzoni mi fanno ricordare Sicilia. Ma chisto disco manca solamente una canzone speciale, "E Bruciata La Terra." 'Sta canzone era cantata dal figghiu di Michele quando sono in Sicilia. Chista canzone e una canzone di Sicilia antica, rappresenta la cultura siciliana, e veramente e una canzone beddissima.

Do not confuse music you love with rendition you won't.......2003-11-11

I would not like to repeat what another reviewer said there: this is no original soundtrack. It is a very professional - and very uninspired - job by Prague Philarmonic who might have followed the music sheet but they lost the magic.

Yes, the tunes are memorable and, right from the first movements, they evoke the ghosts of complex cinematic imagery that are so deeply ingrained in the mind of anyone who loves this film. But the magic is gone. You know it's not THE soundtrack, and you've heard the real thing so many times.

The truth is that if you had Pavarotti to sing classic songs of The Rolling Stones, you would be disappointed with the result - despite the fact that Luciano has a much better voice than Mick Jagger.

Those artists who recorded the original soundtrack 30 years ago in Hollywood - and who remembers their names today? - were probably not as accomplished as the Prague Philarmonic. But they created the real thing, and therefore this cover disc will forever be no more than nice background music. That's all I use it for.

Great Quality.......2003-07-15

I bought this after watching the movies for the first time, and listened to it, without noticing any difference. I just went, "what an amazing remastering job", then I saw that they were re-recorded. I never thought there was that big a difference when watching the movies over and over, and I really scrutinize re-recordings generally(like those done for Star Wars).

I bought the regular Godfather 1 cd after this, and I've hardly touched it since I bought it. I think this Godfather Trilogy is far superior in audio quality and performance. I think it has more feeling then the originals.

Disappointing performance of classic Godfather music..........2003-01-09

I am a die-hard Godfather afficianado and I was terribly disappointed in this CD. When I purchased it, I didn't realize it was not a recording of the original soundtrack from the movie. Instead, it is a reproduction of the songs by The City of Prague Philharmonic. The performance is technically accurate, but does not at *all* convey the emotion of the movie's moments. It's as if the musicians studied the score, but never saw the movie. In track after track, the rhythms are not quite right, the mood is not set, etc, which is jarring for someone who knows the movies well. If you just want to hear some pleasing music, buy this CD. If you intend to buy a CD of The Godfather soundtrack in order to re-experience the magic of the Godfather movies themselves, look elsewhere.

Average customer rating:

Narration with music

Story Of Dvorák In Words And Music

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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ASIN: B000001KD7
Release Date: 1995-04-16

Tracks:

Furiant
Allegro Grazioso
Allegro Grazioso
Scherzo
Opening
Serbian Dance
You Ask Why My Songs
Kolo
Nature, Life And Love Motive
Kolo
Allegro Non Troppo
Kolo
Allegro Assai
Eja, Mater Fons Amoris
Kolo
Allegro Molto
Dumka
Scherzo Caprccioso, Op. 66
Allegro Moderato
Allegro Moderato
Largo
Vivace Non Troppo
Humoresque In G Flat Major, Op. 108 No. 7
Allegro
Allegro
Polka
Slavonic Dances
Slavonic Dances
Slavonic Dances
Slavonic Dances

Customer Reviews:

Narration with music.......2006-01-07

I ordered this CD because of the price, and quickly found out why it is a cheap one. The narration is fine, but it is spoken over the music, and the music is just excerpts except for the featured selections at the end of the CD, which is all of four pieces. This is a great CD for the car - a little audio learning lesson, and does give a good intro into some of Dvoraks most famous pieces. But, it is no Carl Haas rendition.

Average customer rating:

One of the Best Recordings of 19th Century Ballet Music Ever Produced
Great Conducting for Dancing
The full Quijote
Delightful recording of neglected composer
It is an excellent full length version of Minkus 'Ballet.

Léon Minkus: Don Quijote

Manufacturer: Capriccio
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

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ASIN: B000001WS6
Release Date: 1995-12-12

Tracks:

Don Quijote: Overture
Don Quijote: Prologue - Allegro
Don Quijote: Prologue - Auftritt (Appearance of Don Quijote)
Don Quijote: Prologue - Allegro assai
Don Quijote: Prologue - Sancho Thanks Don Quijote For The Salvation
Don Quijote: Act 1 - A Square In Barcelona
Don Quijote: Act 1 - Appearance Of Kitri
Don Quijote: Act 1 - Kitri and Basilio
Don Quijote: Act 1 - Moreno Dance
Don Quijote: Act 1 - Scene: Lorenzo, Kitri and Basilio
Don Quijote: Act 1 - Appearance of Gamasch
Don Quijote: Act 1 - Seguidilla
Don Quijote: Act 1 - Street Dancer And Toreador Espada
Don Quijote: Act 1 - Dance Of Espada
Don Quijote: Act 1 - Allegro: Scene Of Toreadores
Don Quijote: Act 1 - Street Dancer
Don Quijote: Act 1 - Coda
Don Quijote: Act 1 - Presto assai. Allegro mestoso. Meno mosso. Tempo di Marcia
Don Quijote: Act 1 - Sancho Pansa And Girls
Don Quijote: Act 1 - Girlfriends Of Kitri
Don Quijote: Act 1 - Scene
Don Quijote: Act 1 - Variation: Basilio And Girlfriends
Don Quijote: Act 1 - Variation: Kitri
Don Quijote: Act 1 - Coda
Don Quijote: Act 2 - Taverna: Introduction
Don Quijote: Act 2 - Taverna: Appearance Of Kitri And Basilio
Don Quijote: Act 2 - Taverna: Spanish Dance
Don Quijote: Act 2 - Taverna: Spanish Dance Of Mercedes
Don Quijote: Act 2 - Taverna: Karmencitta
Don Quijote: Act 2 - Taverna: Solo a gitana - Dance Of Espada
Don Quijote: Act 2 - Taverna: Sailors' Dance
Don Quijote: Act 2 - Taverna: Scene
Don Quijote: Act 2 - Taverna: Coda

Tracks:

Don Quijote: Act 2 - Gypsy Camp: Gypsy Dance 1
Don Quijote: Act 2 - Gypsy Camp: Gypsy Dance 2
Don Quijote: Act 2 - Gypsy Camp: Theater Of Marionettes: Performance Scene, Madness Of Don Quijote
Don Quijote: Act 3 - Dream: Scene In The Forest
Don Quijote: Act 3 - Dream: Dream Of Don Quixotte
Don Quijote: Act 3 - Dream: Allegretto
Don Quijote: Act 3 - Dream: Variation: Dryads' Mistresses
Don Quijote: Act 3 - Dream: Dryads' Mistresses ('Souvenir du Ball')
Don Quijote: Act 3 - Dream: Amour
Don Quijote: Act 3 - Dream: Variation: Dulcinea (Kitri)
Don Quijote: Act 3 - Dream: Coda
Don Quijote: Act 4 - Duke's Temple: March
Don Quijote: Act 4 - Duke's Temple: Scene
Don Quijote: Act 4 - Duke's Temple: Amour
Don Quijote: Act 4 - Duke's Temple: Classical Variation 1
Don Quijote: Act 4 - Duke's Temple: Classical Variation 2
Don Quijote: Act 4 - Duke's Temple: Entree
Don Quijote: Act 4 - Duke's Temple: Adagio
Don Quijote: Act 4 - Duke's Temple: Variation: Basilio
Don Quijote: Act 4 - Duke's Temple: Variation: Kitri
Don Quijote: Act 4 - Duke's Temple: Variation: Kitri (Version Of No. 9)
Don Quijote: Act 4 - Duke's Temple: Coda
Don Quijote: Act 4 - Duke's Temple: Finale: Spanish Dance

Customer Reviews:

One of the Best Recordings of 19th Century Ballet Music Ever Produced.......2005-10-15

Finding recordings of old ballets from the 19th century is usually a feat within its self. Just about every ballet company today performs them, but the orchestra hardly ever records thier music. The old composers of the ballet before Tchaikovsky are, in my opinion, the most underrated creators of music ever. Alot of this has to do with the fact that they did not write music for showing off the orchestra or even the conductor, but for showing off the ballet dancer. The Ballet Master would set down strict instructions of time, tempo, and even scoring so that the music would fit like a glove to the dances and dramatic scenes. These composers are often dismissed for thier very 'un-symphonic' approach to composing. It is rare, that an orchestra sits down to record peices that were written soley for the ballet dancer. Delibes's or Tchaikovsky's music has more symphonic qualities, and the two are more famous. This results in thier music getting recorded more often (to often if you ask me).
Among these composers, the most famous is Leon Minkus. He was, before Tchaikovsky came along, the resident composer of ballet music for the Russian Czar's Imperial Ballet in St. Petersburg. With the great choreographer Marius Petipa (who would later create "La Bayadere", "The Sleeping Beauty", "Nutcracker", "Swan Lake" among others) they created a ballet very loosley based on the Cerevantes novel "Don Quixote". The ballet premiered in Moscow, Russia in 1869 for the Bolshoi Ballet. It was taken to St Petersburg in 1872 for a more lavish and formal staging and has been performed there ever since. The work was much revised and reworked throughout Petipa's lifetime and well afterward. Among these was the staging by the great dancer Alexander Gorsky in 1900. "Don Quixote" (or "Don Quijote" as its spelled on the packaging) has been tinkered with a great deal throughout the 20th century. It is these versions that have been passed down to us.

The music, true to 19th century tradition, was added to and revised by several composers, mostly at the behest of the ballerinas that danced its leads, and the fact that revisions of the work went on well after Minkus's death. Most of the additional music is recorded here (at least the important additions), and Spassov does a first rate job in his conducting. The music is played exactly as it would sound if you were in the theatre and had dancers right in front of you.

I was so excited when I saw this item a few years back for sale and quickly snatched it up. There is another recording done by the Victoria Orchestra of the Austrailian Ballet, with the Minkus score revised and refurbished by John Lanchbery, a version used for Nureyevs sumptuous staging (its only available on the orchestra Victoria site for purchase). Spassov's conducting is one of the best performances of ballet music ever put on disc. It should be owned by all dancers and balletomanes alike. Five Stars!

Great Conducting for Dancing.......2000-08-18

Spassov is a boon to ballet dancers. Excellent tempos and phrasing for the dancer. It's such a joy to have the full-length recording.

The full Quijote.......2000-02-11

I was pleased to find the full length recording of this ballet that is rarely seen in its entirety. I enjoyed the recording, however, I found the orchestra less than full-bodied, especially during the Grand Pas de Deux towards the end of the CD. It seemed a little tinny, a little too fragile during Kitri's variation, which does not suit her passionate, voluptuous nature. Aside from these drawbacks, I found the music very entertaining. I am still waiting for a full length version by a more robust orchestra, but in the meantime, this Don Quijote recording will do.

Delightful recording of neglected composer.......1999-09-04

This recording of DON QUIXOTE (the only relatively complete recording of the ballet) is a must for all lovers of ballet. While some of the orchesteral playing tends toward the insensitive oom-pah-pah side Leon Minkus's lilting score loses none of its charm or vivacity. This recording is also interesting in that it records much music which is rarely performed in American productions of the ballet. It is a delight to be able to hear the hauntingly beautiful vision scene whenever one wishes as the three variations (four if you count the recording of the original Dryad Queen's pas seul) are each masterpieces. The programme notes, unfortunately, are poorly translated and less complete than one would like. All in all I can not reccomend highly enough this fine recording of a neglected composer's work. One can only hope that other 19th century Russian ballets will be recorded. The reputations of Ceasare Pugni, Leon Minkus, and Riccardo Drigo as hack composers are completely undeserved.

It is an excellent full length version of Minkus 'Ballet........1999-05-11

Usually, people who feel a strong predispotition for ballet music, have hard times in order to find on the commercial CD classical music, works by ballet music composers of the end of the last century. Minkus work has been negleted, but in the present version it is possible to listen to sensitive music which was predecesor of Tchaikovsky 's great ballet. I bougth this full length version at London city on 1995 and I know that in my country, Argentine, is quite hard to find Cappriccio CD version. I hope that Cappricio is keeping on with full length Ballet's version, hoping to listen a full length Version of L'Corsario as the production of Kirov Ballet and the Full length version of the Ballet La Source by Minkus-Delibes.

Classical Evolution: Famous Ballet Works

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Classical Evolution: Famous Ballet Works

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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Classical Evolution: Ballet Music From Operas
Classical Evolution: Waltzes
Classical Evolution: Rite of Spring
Classical Evolution: Famous Piano Works I
Classical Evolution: Famous Piano Works II

ASIN: B000065ARJ
Release Date: 2002-05-07

Tracks:

Sabre Dance - Hungarian State Orchestra
Slavonic Folk Melody With Variations - Berlin Radio Symphony Orchestra
Festive Dance And Waltz Of The Hours - Berlin Radio Symphony Orchestra
Notturno - Berlin Radio Symphony Orchestra
Music Of The Automats And Waltz - Berlin Radio Symphony Orchestra
Csardas - Berlin Radio Symphony Orchestra
Prelude - Les Chasseresses - Budapest Philharmonic Orchestra
Intermezzo - Valse Lente - Budapest Philharmonic Orchestra
Pizzicati - Budapest Philharmonic Orchestra
Cortege De Bacchus - Budapest Philharmonic Orchestra
Moderato - Sofia National Opera Orchestra
Allegretto - Sofia National Opera Orchestra
Allegro - Sofia National Opera Orchestra
Andantino - Sofia National Opera Orchestra
Coda Allegro - Sofia National Opera Orchestra

Schubert Complete String Quartets Vol. 6: Quartet No. 15 (1826); Five German Dances with seven trios and a coda, D. 9

Average customer rating:

Often expressive and dramatic, at times a little plodding and not too concerned with architectural coherence
A Fine Budget Version of Schubert's Last String Quartet
A Beautiful Conclusion to This Series

Schubert Complete String Quartets Vol. 6: Quartet No. 15 (1826); Five German Dances with seven trios and a coda, D. 9

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Schubert: String Quartets (Complete), Vol. 3
Schubert: String Quartets (Complete), Vol. 1
Complete String Quartets 4
Schubert: String Quartets (Complete), Vol. 2
Schubert: Complete Quartets, Vol. 5

ASIN: B0009JMEHY
Release Date: 2005-06-21

Tracks:

Allegro Molto Moderato
Andante Un Poco Moto
Scherzo: Allegro Vivace
Allegro Assai
No.1 In C Major
No.2 In G Major
No.3 In D Major
No.4 In F Major
No.5 In C Major

Customer Reviews:

Often expressive and dramatic, at times a little plodding and not too concerned with architectural coherence.......2006-08-14

In the 6th volume of its complete traversal of Schubert's compositions for string quartet on Naxos, the Kodaly Quartet brings together the great quartet opus 161, one of the last works of Schubert's desperately short life and one of his most poignant compositions, and an early rarity, written when he was 16, the 5 German Dances D. 90. The latter is written in a typically "gallant" style, with no great depth but full of charm. But the big nut on this CD is of course the 15th quartet.

In the first movement "Allegro molto moderato", the Kodaly Quartet is quite dramatic, very attentive to the movement diverse moods, from harrowing vehemence to hushed mystery, and nicely retains the dance-like lilt of the second theme; there is a price to pay, however, in the multiplication of tempo transitions, none of them prescribed by Schubert ; one senses musicians interested in immediate dramatic impact rather than architectural coherence. The second movement "Andante un poco moto" is taken by the Kodaly quartet at a very deliberate, not very "motorized" tempo (almost as slow as the Quartetto Italiano in their recording from 1976), making it sound more like an adagio in plaintive tone, almost a funeral march, with accents that evoke not so much cries of revolt or pain as moans; the approach is effective in its own way, but it is not exactly what Schubert wrote. And here again, in the more animated passages, the Kodalys do not hesitate to perceptibly accelerate tempo; Quartetto Italiano was more consistent in that respect.

Under the Kodaly's bows, the Scherzo's "Allegro vivace" (3rd movement) is not particularly vivacious, but nonetheless sufficiently light and full of bounce, as befits this musical invention which suggests the bumblebee's flight or the butterfly's flutter (and the elve's dance will do, too). The middle trio however is rather mawkish, and again the Kodalys imperceptibly speed up their tempo in the second part. Their Finale is somewhat disappointing, due to a tempo that is too deliberate to evoke the race to the abyss that others conjure (Gidon Kremer and friends on Sony take as much time to get through the movement - but with the repeat) and, while the ensemble's tone production until then had been not exceptional but unexceptionable, the 1st violin becomes a bit sour in its upper registers.

Not an exceptional version then, but at that price one that remains very acceptable.

A Fine Budget Version of Schubert's Last String Quartet.......2005-06-25

Schubert's 15th and last string quartet is one of his most important works. It was written between the 20th and the 30th of June 1826 (Schubert died in 1828, when he was only 31 years old). This quartet is an incredibly masterful display of emotional depth, extraordinary harmonic progressions, and sheer rhythmic impetus.

The first movement opens in a very direct fashion - it lacks the usual formal introduction. There are some ethereal soft echo effects here from the cello, accompanied by tremolos in the upper strings. Schubert knew he was dying at the time he wrote this music, and it is a very moving mixture of defiance, anguish and resignation. The second movement is a songful and serene night piece that is disturbed by two violent outbursts. Again the cello plays a very important part here, introducing the first plaintive motif and repeating the songful theme after each outburst. The scherzo, which is based on a quavering figure that is interspersed with some short spiccato themes, has been likened to a dance of elves. The finale was once described by writer J. A. Westrup as "a mad rondo, violent in rhythm and wild in harmony." Abrupt alternations between major and minor lead to some very unexpected harmonic progressions - this is Schubert at his most creative and audacious.

This budget stereo Naxos recording by the Kodaly Quartet concludes its survey of Schubert's string quartets. I feel this is the finest single-disc stereo version, and the inclusion of the lovely German Dances as a filler makes this CD a most attractive purchase. I certainly prefer the warm, mellow playing here by the Kodaly to the brash and rather hard-boiled Sony CD account by the Juilliard Quartet (I absolutely love the latter's Bartok & Schoenberg recordings, but they tend to be too assertive in Schubert). Likewise, I think the Kodaly's account is far better than the Lindsay Quartet's (ASV), which has some dreadfully out of tune playing (I have weeded both the Juilliard and the Lindsay recordings).

To my ears, the main stereo competition here is the extremely polished Quartetto Italiano (available in an inexpensive Philips "two-fer" of Schubert's four last quartets). While I prefer the latter, I'm also keeping the Kodaly (the German Dances, while brief, are pretty indispensable). If memory serves, an orchestrated version of the first Dance was used in a highly-effective way with other Schubert works (especially the Piano Trio #1) in Stanley Kubrick's brilliant film "Barry Lyndon."

However, this Vol. 6 of the Kodaly Quartet's Schubert is the only one in their series that I will be keeping. That's not to say that the series is in any way unattractive. But Schubert's first seven quartets are fairly early, immature works, and I can't see owning multiple versions of them. And there are simply better versions of the later quartets. All 15 quartets were once available on mono Westminster LPs from the early 1950's (in excellent sound). These were performed by the wonderful Vienna Konzerthaus Quartet (Kamper, Titze, Weiss and Kvarda), all of whose members were players in the Vienna Philharmonic under conductor Wilhelm Furtwangler. This remains my "desert island" version of the complete quartets (they have been issued on CDs in Japan on the MCA label).

The great Busch String Quartet (Adolf Busch, Gosta Andreassen, Karl Doktor, and Hermann Busch) recorded the "ne plus ultra" account of #8, a superb #14 (unfortunately, due to 78 rpm constraints, the latter is shorn of all the repeats), and #15. These are available, along with the Fantasie in C (Busch & Serkin) and the Piano Trio #1, on a Pearl CD set.

My personal favorites in the last three Schubert quartets:

#13. The Vienna Konzerthaus captures like no other ensemble the intensely Brucknerian span of this gorgeous work.

#14. In chronological order, my all-time favorites of this stunning masterpiece are the ORIGINAL 1927 Budapest Quartet (Emil Hauser, Joseph Roisman, Istvan Ipolyi, and Harry Son) on a hard to find Novello CD; the 1927/28 Capet Quartet (a reading of extraordinary spiritual purity on Biddulph); the heartbreakingly beautiful 1936 Busch Quartet (Pearl); the c. 1950 Vienna Konzerthaus (a uniquely warm and gemutlich account on Westminster LP and Japanese MCA CD); and the gloriously well-played c.1951 Hollywood Quartet (mine is on a Capitol LP).

#15. The Busch and the Vienna Konzerthaus are both supremely eloquent here, but my ultimate allegiance is to the latter's inimitable warmth and lyricism.

All of those versions are, of course, in monophonic sound. For a single CD version of #15 in good stereo sound, I feel this effort by the Kodaly Quartet is clearly the one to own.

Jeff Lipscomb

A Beautiful Conclusion to This Series.......2005-06-25

The Kodály Quartet has been slowly recording all of Schubert's string quartets and with this Volume 6 we come to the end. The CD contains Schubert's last finished quartet, No. 15 in G Major, D. 887, Op. 161, and the disc is filled out by Five German Dances, D. 90. The Kodály Quartet has more or less become the Naxos label's house quartet, having recorded large chunks of the central quartet literature for them. This is good, because not only are they a wonderful quartet, they are non-interventionist without being bland. String quartet playing is hard work and requires much slow, thoughtful study on the part of the players. It is to the Kodály's credit that they have taken a slow and steady course through the Schubert quartets, some of which they surely had never played before; the early apprentice works in particular are almost never played and yet the Kodály played them not only with musicianly respect but with love and admiration.

When we get to Schubert's last quartet, though, we have an undisputed masterpiece that every quartet worthy of the name plays. Its opening movement is one of the most marvelous (and harmonically complicated) works he ever composed. It takes fifteen minutes to play and works its magic in subtle ways. For instance, when it comes time for the recapitulation the first theme is changed from minor to major, and the second from major to minor. Had anyone ever thought to do that before? The minor key cello theme that opens the Andante is one of Schubert's patented melodies; it almost tears your heart out with its gentle pathos. In the Scherzo we are in familiar elfin Schubertian territory that evolves into ländlerisch folk dance rhythms in the Trio, gentle, not turbulent. And this prepares us for the high spirits of the Finale, a rowdy tarantella. The Kodály play this quartet with a maximum of relish, a minimum of gratuitous edge. They make this complex quartet what it is really meant to be, a thoroughly comprehensible compendium of 1826 quartet writing, easy on the ear and rewarding for the analytic mind. This is a beautiful performance worthy to stand beside any of the earlier treasured recordings (Busch, Alban Berg, Quartetto Italiano) this marvelous quartet has been afforded.

The disc is rounded out by five German Dances written when Schubert was sixteen. They are notable for their rough good humor. No. 4 lasts a mere 50 seconds but is infectious enough to have this listener up and stomping his feet in an enthusiastic approximation of dancing. The Kodály's approach is, fittingly, more rough and ready in these pieces than in the subtleties of the 15th Quartet, evidence that they are really entering into the spirit of the music itself rather than applying a one-size-fits-all approach.

Although with a timing of only 59+ minutes, this CD is heartily recommended for its marvelous musicmaking.

Scott Morrison

Tchaikovsky: The Nutcracker; Sleeping Beauty; Swan Lake (Highlights)

Average customer rating:

Serviceable Tchaikovsky Ballet Interpretation by Andre Previn
dull previn
Tchaikovsky's greatest music.

Tchaikovsky: The Nutcracker; Sleeping Beauty; Swan Lake (Highlights)

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

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ASIN: B00005NPJY
Release Date: 2002-08-13

Tracks:

Swan Lake, Op.20: Act I. No.2: Waltz
Swan Lake, Op.20: Act II. No.10: Scene
Swan Lake, Op.20: Act II: No.13. Dance Of The Swans: IV. Allegro Moderato
Swan Lake, Op.20: Act II: No.13. Dance Of The Swans: V. Andante Non Troppo - Allegro - Ida Haendel/Douglas Cummings
Swan Lake, Op.20: Act III: No.20 Hungarian Dance
Swan Lake, Op.20: Act III: No.21 Spanish Dance
Sleeping Beauty, Op.66: Act I. No.6: Valse
Sleeping Beauty, Op.66: Act I. No.8: Pas D'action: I. Rose Adagio - John Brown
Sleeping Beauty, Op.66: Act II. No.17: Panorama
Sleeping Beauty, Op.66: Act III. No.24: Puss In Boots
Sleeping Beauty, Op.66: Act III: No.28. Pas De Deux: I. Adagio
Sleeping Beauty, Op.66: Act III: No.28. Pas De Deux: V. Coda
Sleeping Beauty, Op.66: Act III. No.30: Finale - LSO/Andre Previn L
The Nutcracker, Op.71: Ov
The Nutcracker, Op.71: Act I. No.2: March
The Nutcracker, Op.71: Act II: No.12. Divert: II. Arabian Dance
The Nutcracker, Op.71: Act II: No.12. Divert: III. Chinese Dance
The Nutcracker, Op.71: Act II: No.12. Divert: IV. Trepak (Russian Dance)
The Nutcracker, Op.71: Act II: No.12. Divert: V. Dance Of The Reed Pipes
The Nutcracker, Op.71: Act II: No.14. Pas De Deux: Dance Of The Sugar Plum Fairy
The Nutcracker, Op.71: Act II. No.13: Waltz Of The Flowers

Customer Reviews:

Serviceable Tchaikovsky Ballet Interpretation by Andre Previn.......2006-12-24

This is a good rendering of three of Tchaikovsky's most well known ballets--Swan Lake, The Sleeping Beauty, and the Nutcracker. Andre Previn conducts the London Symphony Orchestra.

The sound is crisp, the orchestra plays handsomely, Previn leads the orchestra well. The Nutcracker, for example, is a nice interpretation and, at Christmas time, adds an enjoyable element to the household as one plays the music.

I would not say that this is an inspired CD, treading new territory in interpreting Tchaikovsky. But it is a well done work and will be pleasing to most listeners.

dull previn.......2005-08-01

i like the playing at times from the london synphony but previns interpertation ruins it.these are great masterpeices that deserve better,iv never liked the way previn does his music to begin with to dull,not a good conductor,and when the london synphony got him in the late 60s he was pretty inexperienced as a conductor of classical music and it shows here

Tchaikovsky's greatest music........2002-09-08

Tchaikovsky was one of the most beloved classical music composers. Many of his compositions -- including his piano and violin concertos -- are among the most popular of all classical compositions. But Tchaikovsky's finest compositions were his three ballets, excerpts of which are presented on this CD. And one of the most outstanding conductors of Tchaikovsky's ballets is Andre Previn. My first recommendation would be to get complete performances of all three of Tchaikovsky's ballets. However, those who wish to sample the highlights of these masterpieces can do no better than this outstanding -- and bargain priced -- CD. This is some of the greatest music ever written by anyone, beautifully performed by a master of the genre.

Average customer rating:

Major Orchestras, Major Conductor, Major Power!
Thunder and Lightning
Wonderful
Big, Beautiful Music!
Solti at his best!!

Thunder & Lightning

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Thunderous Classics
Heavy Classix
Time Life Presents: Classical Thunder
Holst: The Planets/John Williams: Star Wars/Strauss: Also Sprach Zarathustra
Simply the Best Classical Anthems

ASIN: B00000DLUS
Release Date: 1998-11-10

Tracks:

William Tell Overture: Galop - Georg Solti
Ga Parisienne: Cancans 1 & 2 - Georg Solti
La Gioconda: Dance of the Hours - Georg Solti
Russlan And Ludmilla: Overture - Georg Solti
Die Walkide of the Valkyries - Georg Solti
Carmen: Prelude, Act I (March of the Toreadors) - Georg Solti
1812 Overture: Finale - Georg Solti
Les Preludes: Finale - Georg Solti
Symphony No. 6 in F: 'Pastoral' - Storm - Georg Solti
Aida: Triumphal Chorus & Grand March - Georg Solti
Lohengrin: Prelude to Act III - Georg Solti
Prince Igor: Polovtsian dances - Georg Solti
Requiem: Dies irae - Georg Solti
Requiem: Tuba mirum - Georg Solti
Symphonie Fantastique: March to the Scaffold - Georg Solti
Romeo and Juliet Overture Fantasia: Montagues and Capulets, Love Theme and Finale - Georg Solti
Pictures At An Exhibition: The Hut on Hens' Legs - Georg Solti
Pictures At An Exhibition: The Great Gate of Kiev - Georg Solti

Tracks:

Also sprach Zarathustra: Sunrise - Solti
The Planets: Mars - Solti
Romeo And Juliet Ballet Suit: Dance of the Knights - Solti
Symphony No. 4 In F Minor: IV. Allegro con fuco - Solti
A Night On The Bare Mountain - Solti
Pomp and Circumstance March No. 1 in D - Solti
Damnation Of Faust: Hungarian March - Solti
Tannhauser: Fest March (Entrance of the Guests) - Solti
Enigma Variations: Troyte (Variation No. 7) - Solti
Enigma Variations: E.D.U. (Variation No. 14) - Solti
Il Trovatore: Anvil Chorus - Solti
Bolero: Conclusion - Solti
Symphony No. 9: Ode To Joy - Solti
The Twilight Of The Gods: The Immolation Of The Gods - Solti

Customer Reviews:

Major Orchestras, Major Conductor, Major Power!.......2004-06-16

I own multiple recordings of most of the works on Georg Solti's Thunder & Lightning, but I always hold this collection as my reference. Not only with his beloved Chicago Symphony Orchestra, but several other world class ensembles, the Maestro shows his monumental interperative talents to make old warhorses sound as if we've never heard them before. He could inspire an orchestra to "open the heavens or open a flower" with his baton. His presence is missed, but his work is forever.

Thunder and Lightning.......2004-02-22

If you wish to relax using this CD set after work, you are buying the wrong album. But, if you MUST drive between one and six in the morning, this set, by repeating all just once, can keep you awake on the road, however boring it is. Trust me, TRUST SOLTI!

Wonderful.......2002-05-23

Solti shows here why he is one of the best interpreters of classical music. while conducting Wagner is his best work, here he shows that he can interpret well just about any composer. also, in this 2-disc set, there is a nice wide range of music, so for those who are just getting into classical music, this is a good place to start.

Big, Beautiful Music!.......1999-05-17

This collection is great fun. I can't imagine a better way to drive home from work on a Fri afternoon than listening to Solti's "Thunder and Lightning" LOUD on an excellent car stereo. Order and ENJOY!!:)

Solti at his best!!.......1999-05-13

A wonderful collection of Solti's intensity and drive in this music. He is at his best here and how nice to hear a variety of orchestras. Good "sampler" for future purchases.

Music Review: