Let It Rock [Import]

Track Listings

1. Let It Rock

2. Gotta Find My Baby

3. Bo Diddley

4. Almost Grown

5. Dimples

6. Boom, Boom

7. C Jam Blues

8. Sonny's Slow Walk

9. Pontiac Blues

10. My Babe

11. I Don't Care No More

12. Baby, Don't You Worry

13. Night Time Is the Right Time

14. I'm Gonna Put You Down

15. Fattening Frogs for Snakes

16. Nobody But You

17. Bye, Bye, Sonny, Bye, Bye

18. Coda

Editorial Reviews
Album Description
18 digitally remastered live covers of R&B standards from legends such as Chuck Berry & John Lee Hooker, featuring a guest appearance by Sonny Boy Williamson. Snapper. 2003.

Tracks:

Gatekeeper
Mushaboom
Let It Die
One Evening
Leisure Suite
Lonely Lonely
When I Was A Young Girl
Secret Heart
Inside And Out
Tout Doucement
Now At Last

Amazon.com

Canadian singer Leslie Feist has served as a guest vocalist for Norwegian folkies Kings of Convenience, Toronto power-pop troupe Broken Social Scene, and - under the frightening moniker "Bitch Lap-Lap" - the hairy female rapper Peaches. But her unruly resume hardly prepares you for the emotionally rich, softy sensual music on her major label debut. Moving from tortured torch songs such as "Lonely Lonely" to pulsating originals like "Mushaboom," it also contains stunning remakes of Ron Sexsmith's "Secret Heart" and the Bee Gees' "Inside and Out," tunes Feist not only makes her own but effectively uses to dissect her romantic desolation. "Don't you wish we could forget that kiss?" she smolders on the title track. Not in this lifetime. --Aidin Vaziri

Customer Reviews:

Hmmm, go back to Broken Social Scene and let this siht die, please.......2007-07-10

Fiest runs the gamut of musical styles from A to B on this record, from soul (ish) vocals to Norah Jones-like musings to out and out disco which was bad enough the first time - may the BeeGees rot in hell. I guess it's ok if you're an "indie" artist to regurgitate past musical styles that weren't too good to begin with and add a few electronic flourishes so you won't be accused of being too too retro and then add some dishpan shallow boy/girl lyrics and voila - pop genius! Fieist manages to be both sultry and sucky at the same time. Well at least all I lost was time having downloaded it, listened to it twice and deleted it. Not my bag, dad.

Another great album.......2007-07-06

I only found out about Leslie Feist in an LA Times article in early July 2007, and bought a couple discs on a lark. Good investment. This lady is gonna go far. A less mature work than The Reminder but very high-quality work.

Two stand out songs.......2007-06-18

I would rate the songs I like at 5 stars each but can't rate the cd any higher than a 3 since there are only two period. Her voice is sweet and velvety but I just don't play it that much.

Delicately Beautiful.......2007-06-12

There is one particular word for describing the sound of Feist.

Refreshing.

This '05 debut album for Feist is crisp, clear, and melodious. Right from the moment "Gatekeeper" grabs your attention you're hooked, and glad to be so. It's hard to place Feist into any one category of music. She makes me think of a possible Norah Jones wrapped in a modern shell of jazzy, loungy, and slightly Indie influences. Like nothing you've ever heard, certainly not in the last few years. Her more recent album, The Reminder, is capturing most of the attention of listeners right now and rightfully so, but this work is not to be forgotten. For a debut solo album, Let It Die seems to lack no maturity, and to think that it was recorded in a mere week amid her many international tours of '05! These songs show no hint of being mindlessly crammed onto a record ready for the shelves. In fact, it shows no haste at all. Simply the most relaxing music, but not to the point that it's short on pop, albeit in a very subtle way.

"Mushaboom" picks up the pace followed by worthy-of-flagship-status "Let It Die". All of the next three tracks are gold when you arrive at the strange tale of "When I Was a Young Girl" to which there is nothing I can compare it to except maybe Norah Jones' "Sinkin' Soon". "Secret Heart" is a fun little inquiring kind of tune with nice subtle vocals. Now we come to the place that the critics really rave about here. Feist's remake of one of my favorite Bee Gees songs "Inside and Out" is killer. The Bee Gees did such an original good job on it that its tough to say this one's better, but its close. Alot jazzier to boot. After you finish jivin' out, you arrive at unexpected "Tout Doucement". Feist's surrounding influences shine out in this jaunty little tune, so jaunty that you feel like you're strolling down a sunny avenue in Paris one morning on your way to a little cafe. Afterall, it was recorded in Paris. This charming tune will tell you that. Last we have "Now At Last", suitable but certainly not least. Of all the songs on this album it seems that this one above all others was made for Feist. Simple, delicate, and just really nice.

You simply must check out this one of a kind CD, certainly one of the best of '05. Enjoy

Time to Let it Die.......2007-05-18

I read that Feist was a sort of Norah Jones on steroids. I like Norah Jones but I'm not crazy about Norah Jones. I wanted originality. I wanted a jazz singer with a little more punch than Norah Jones. After making it through the first 8 tracks of Let It Die, I did. Feist needs steroids. Her voice is weak. There's a sexy breathless style common these days and then there's "I have no lung capacity". Feist seems the latter. Steroids could help.

Sorry, I didn't like it. The sound quality is poor which may contribute to the artist's poor performance. 2 stars because it's different and different is good. I don't think things will get better in future releases because the talent doesn't burst through. There's talent in her but not in the quantity to smash into your CD "Top Played" list.

Average customer rating:

This Album is a Cure for Insomnia
Not Tim's best
A Great album
Let It Play!
"Let it Go" Falls a little flat for this McGraw fan

Let It Go
Tim McGraw
Manufacturer: Curb
ProductGroup: Music
Binding: Audio CD

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Greatest Hits

ASIN: B000MG1ZCO
Release Date: 2007-03-27

Tracks:

Last Dollar (Fly Away)
I'm Workin'
Let It Go
Whiskey and You
Suspicions
Kristofferson
Put Your Lovin' On Me
Nothin' To Die For
Between The River And Me
Train #10
I Need You
Comin' Home
Shotgun Rider

Amazon.com

More of a happy-go-lucky artist in his younger days, Tim McGraw here sounds as if he carries the weight of the world on his shoulders. After the comparatively lighthearted, irresistibly catchy opening single, "Last Dollar (Fly Away)," most of the midtempo material that follows ranges from the somber to the morose. There's the night-shift weariness of "I'm Workin'," the alcohol-drenched heartbreak of "Whiskey and You," and the soul-tortured title track. Even a song with the upbeat title "Put Your Lovin' on Me" has McGraw asking his lover to "be my drug" and "take this weight off me." Things turn positively lethal with "Between the River and Me," the story of revenge on an alcoholic, wife-beating stepfather. The set also features the obligatory duet of marital devotion with Faith Hill ("I Need You") and a couple of nods toward classic country ("Kristofferson" and the closing "Shotgun Rider," which could be McGraw's "Mamas, Don't Let Your Babies Grow Up to Be Cowboys"). "Nothin' to Die For" returns to the inspirational vein of "Live Like You Were Dying," but little here finds McGraw in a feel-good mode. --Don McLeese

Customer Reviews:

This Album is a Cure for Insomnia.......2007-07-17

This is the worst kind of trash I have ever heard. The chord progressions are not unique, and it is not even true to the spirit of british rock and roll. The guy can't even sing. In fact, I heard he lip syncs at his concerts. After I heard this album, I stomped on it and threw it in my garbage. Maybe you should buy it so that you can do it too.

Not Tim's best.......2007-07-09

I bought this CD because of the duet of Tim and Faith Hill, I Need You. It's an amazing song and I absolutely love it! However, the rest of the CD doesn't do much for me. It's not bad, but it's not great either. Some songs are better than others, but the duet is the only one that really stands out to me, although I do enjoy the last track. I can't totally trash this CD, but I just can't highly recommend it either.

A Great album.......2007-07-05

This is a great album, it was my first Tim Mcgraw cd. There is something very real and down to earth about these songs. It has a very authentic feel to it, life, the truimphs, the loses, love... And all throughout there is a spiritual/inspirational feel to the entire album. Tim Mcgraw sings from the heart.

The song "I Need You" just blew me away, it's one of my all time favorite songs. "Last Dollar (Fly Away)" is such a fun song.

All the songs on this album are very good and memorable. Now I have almost all of Mr. Mcgraw's cds!

A Great Album...

Let It Play!.......2007-07-01

I have just returned home from Canada - travelled there to see Tim & Faith on their Soul2Soul Tour. The show was absolutely sensational, and I even got to shake the man's hand! Until I heard these songs performed live! I must admit I felt that the album was a little flat and heavy compared to previous Tim efforts, however I now have a newfound appreciation of their depth and McGraw's abilities. Diversity definitely a word which can be attributed to him and his prowess as a performner.

Between The River & Me marries the aural aspects of Garth Brooks' Thunder Rolls with the lyrics of the Dixie Chicks' Goodbye Earl, and it really works. The obligatory Tim & Faith duet is magnificent - I Need You's lyrics really demonstrate that with a gorgeous melody to boot. Last Dollar is as up-tempo as you can get - a great party tune. One further favourite is Suspicions which could easily be a soul artist performing - exceptional.

I hope Tim's next album has some more hopeful tracks on it, definitely. However as an artistic piece, the album is really quite flawless, with an impressive story-telling dexterity that so many song-writers can only aspire to.

Look forward to the next exciting chapter in the McGraw chronicles, and will DEFINITELY return to the US or Canada to hear the songs live! Britain really does not know what it is missing!

"Let it Go" Falls a little flat for this McGraw fan.......2007-06-27

By this point in his career Tim McGraw is one of the most decorated Country artists of the past 20 years. Unfortunately I found this album to be out in Left Field bouncing along instead of heading out over the fence. Many of the songs have the signature soulful vocals from McGraw, however I found the songwriting to be much weaker than previous albums. Nothing instrumentally seems to have the hooks or emotional sounds of albums past, so instead of peaks and valleys I felt like many of the songs just plodded along without any particular direction. Not until the eighth song did I find a song that really reached out and grabbed me, and with "Nothin to Die For" I at this point am hoping the rest of the album will finish strong. It does pump up the volume a bit with the semi-honky "Between the River and Me" as it also has a bit of a darker appeal within its sound and songwriting. The song "Train #10" is somewhat memorable, but nothing to write home about.

With song eleven the CD rolls into "I Need You" in which his wife Faith Hill sings along. By this time I've heard many tunes that the couple have sang and though this one does not stand out to me as those have, I really enjoyed it for the most part and much take my hat off to Faith's vocal performance on this track. Thirteen tracks in all, it is not near as strong as past CD's but if you are a big Tim McGraw fan and have enjoyed everything he has done up to this point, you may find it appealing enough.

Average customer rating:

I'M TIRED, SO TIRED....
The Convoluted End
This Album gets such a bad rep
Let It Be
UN ALBUM MUY TRISTE...

Let It Be
The Beatles
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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Abbey Road
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ASIN: B000002UB6
Release Date: 1990-10-25

Tracks:

Two Of Us
Dig A Pony
Across The Universe
I Me Mine
Dig It
Let It Be
Maggie Mae
I've Got A Feeling
One After 909
The Long And Winding Road
For You Blue
Get Back

Amazon.com

Sloppy in conception, and even sometimes in the playing, Let It Be often gets a bad rap. Unfairly, as it's often as charming, well written, and (oh yeah) rocking as the Beatles' "better" albums; it's also more outright fun than Abbey Road, the masterpiece it followed into the stores. With Lennon and McCartney working together on the perfect "I've Got a Feeling," "Two of Us," and "Dig a Pony," it's hard to believe these guys were about to implode. --Rickey Wright

Customer Reviews:

I'M TIRED, SO TIRED...........2007-07-12

TO MY SURPRISE, NOTHING REALLY STOOD OUT AS I EXPECTED IT TO. THIS ALBUM DIDN'T DO IT FOR ME 35 YEARS AGO EITHER. I WAS HOPING I WAS WRONG; PERHAPS I'M JUST TIRED LIKE 'THEY' WERE THEN...

The Convoluted End.......2007-07-08

The heavy black border on the front cover, the inexplicable reversion by the band members to "younger" looks, the red apple label, the "new phase Beatles album" line on the back cover, all played their part in confusing one particular 13-year-old upon this album's release. It would only be about five years later, once the Beatle literature began to proliferate in earnest, that I comprehended the situation behind what many commentators bemoaned as a painfully weak finish to a spectacular musical career, indeed epoch. All these years later I still find myself agreeing that it was a shame the Beatles didn't keep this one in the vault and let Abbey Road stand as their true swan song.

Overall, though, Let It Be really does little to tarnish the Beatles' reputation. There are small pleasures here that stand the test of time better than some of the Beatles' more grandiose efforts. "Two of Us" and "Get Back" can proudly take their place among the best of Lennon-McCartney, and even the overproduced "Across the Universe" and "The Long and Winding Road" still have a haunting melodic beauty.

And the Beatles, being the Beatles, didn't leave this without an odd wrinkle or two in the backstory. For one thing, this is the album for which the final Beatles recording sessions were conducted. Absent John, the rest of the group convened sometime after Abbey Road was put to bed to record George's "I Me Mine", which was featured in the Let It Be film, but only in rough form. They also put some finishing touches to the title track. These sessions were conducted in January 1970, which gave the Beatles the barest toehold as a working group in the new decade. The initial release of the album also reportedly featured a book of photos that one commentator described over thirty years ago as "useless", though I've never seen that book and would very much like to, if only to say I did.

And there is this: the album is entirely free of even the barest hint of the sometimes painful tension on display in the film. I'm not sure what that means, except that they obviously had moments even at this nadir when they could rally and make the magic happen.

This Album gets such a bad rep.......2007-07-05

And i dont really know why. It has some of the beatles better songs on it, and its a pretty cohesive album on the whole. yes, it does seem that spector can be accused of overproduction; it would have undoubtedly been better if martin was producing. dont pass this album up. its essential to anyone's catalog.

Let It Be.......2007-06-08

I never recieved this DVD.......I emailed the seller and all he wanted was my zip code,which I sent to him....I have emailed him three times but never recieved my purchuse. I am on a fixed income and wanted it to give as a gift..I am very disappointed.....Lois Eddy

UN ALBUM MUY TRISTE..........2007-05-07

A comparacion de las grandes obras beatles como STG. PEPPER, REVOLVER, RUBBER SOUL, THE WHITE ALBUM y ABBEY ROAD, siento que este se quedo muy atras; lo siento muy incompleto, como uno de esos discos a los que les falto un mejor trabajo... y mas canciones (pudieron haber incluido DON'T LET ME DOWN, la cual aparece en la pelicula); por lo demas, no niego que es un buen disco, pero es obvio que le falta mucho para llegar a niveles como el de los anteriores mencionados; talvez se deba a que los mismos Beatles no pusieron mucho esfuerzo en su elaboracion, ni siquiera fue producido por el gran George Martin (no olvidemos que fue una epoca de enojos, disgustos y disgregacion para los fab-four)... creo que Phil Spector no supo asimilar la "atmosfera-beatle"; la mayor prueba fue lo que le hizo a THE LONG AND WINDING ROAD (algo que Paul nunca le perdonara); a pesar de todo contiene grandes piezas como LET IT BE, GET BACK, ACROSS THE UNIVERSE y una linda cancion de george, I ME MINE; indispensable para todo beatlemaniaco, pero talvez uno de los ultimos a ser conseguido... y no dejo de sentir melancolia al escucharlo, si, TALVEZ TODO TIEMPO PASADO FUE MEJOR.

Average customer rating:

Beautiful Soul
Happy listening
fantastic voice
CLOSER-JOSH GROBIN
HOT! HOT! HOT!

Closer
Josh Groban
Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD

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Tracks:

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Per Te
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Amazon.com

Thanks to a fortuitous intersection of talent and fate, 22-year-old Josh Groban hasn't finished his senior year in performing arts school but has already released his sophomore effort on a major major label. Fans of the young vocal phenom's debut will find much to enthrall them here, even if it nudges the singer closer to the center of producer/mentor David Foster's MOR pop sensibilities. Eschewing much of its predecessor's more overt classic-lite pretensions and pop-rock covers for a slate of dramatic, Eurocentric ballads that serve as a showcase for the singer's inviting baritone, Groban shrewdly positions himself as the American alternative to the Bocelli-Watson crossover axis. "Caruso" may find the singer falling short of its operatic inspiration, but "Oceano" and "My Confession" quickly showcase his true dramatic range (which seems to all but yearn for a bona fide Broadway musical challenge), while a vocal take of Bacalov's graceful "Il Postino" theme uses classical virtuoso Joshua Bell's violin flourishes to good effect. To his credit, Groban displays some promising efforts at songwriting collaboration on the bittersweet "Per Te" and "Remember When It Rains," while the ambient/ethnic soundscape of Deep Forest's "Never Let Go" offers a teasing alternative to the record's otherwise melodramatic production formula. Groban has found commercial triumph via Foster's mentoring, but there remains a nagging sense here that he hasn't truly pushed himself as an artist--yet. --Jerry McCulley

Customer Reviews:

Beautiful Soul.......2007-07-13

Josh Groban is such a wonderful and soothing artist. If you are in need of meditative 'deliciousness' buy this album!

Happy listening.......2007-06-27

A wonderful music CD with one of the best voices in the world today.The bonus "you raise me up"makes it a must have CD.

fantastic voice.......2007-06-01

Wow. What a voice. This is a great cd. I would definitely buy it again.

CLOSER-JOSH GROBIN.......2007-05-14

THIS YOUNG MAN HAS A VOICE EQUAL TO ANDREA BOCELLI AND IS A GOOD EXAMPLE FOR YOUNG SINGERS TODAY.

HOT! HOT! HOT!.......2007-05-10

THIS CD IS FANTASTIC. THE VOCALS ARE SO STRONG IT DOESN'T MATTER THAT THEY ARE IN ENGLISH, FRENCH, SPANISH, AND ITALIAN. THE PASSION COMES THRU LOUD AND CLEAR. I CAN'T BELIEVE I WAITED SO LONG TO GET THIS. IT'S PLAYED NEARLY EVERY DAY. EVEN MY 4 AND 7 Y/O SING TO IT.

Average customer rating:

A very strange album-with one all time classic song
OH MY GOD! MAYBE THIS IS THERE BEST ALBUM? ANOTHER MASTERPIECE!
Stones And Guests make a classic.
A another Stones classic
Worth it?

Let It Bleed [DSD]
The Rolling Stones , and Rolling Stones
Manufacturer: Abkco
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006AW2G
Release Date: 2002-08-27

Tracks:

Gimme Shelter
Love In Vain
Country Honk
Live With Me
Let It Bleed
Midnight Rambler
You Got the Silver
Monkey Man
You Can't Always Get What You Want

Amazon.com essential recording

One of the Stones' most beloved albums, 1969's Let It Bleed was a benchmark for several reasons. First, founding guitarist Brian Jones died during the recording process. Second, the Stones take their last significant look at pure blues (Robert Johnson's spooky "Love in Vain") and country ("Country Honk," the two-stepping alter ego of "Honky-Tonk Women") before folding both styles into a cohesive rock & roll vision. Third, it contains some of the band's most eerie hits, such as the flame-enveloped "Gimme Shelter," the drug-reality anthem "Monkey Man," the epic "You Can't Always Get What You Want," and Mick Jagger's menacing "Midnight Rambler." --Steve Knopper

Customer Reviews:

A very strange album-with one all time classic song.......2007-07-20

I bought this album after initially being satisfied that my 3cd Stones' compilation and their later "Jump back" compilation were sufficient for having the best Stones' songs. What changed? I saw Mick Jagger perform solo in Australia many years ago and a guy I went to the concert with got excited when a certain song started to be played [along with the audience]. I asked what it was...thought he said "Jimmy Shelter", which just confused me!

Anyway, when I heard Jagger play that song live, I considered it to be an instant classic. It's started to be played more on Australian commercial FM radio since then, fortunately. And I do remember this song being listed on some internet poll as the Stone's greatest song...a sentiment I have to agree with, or at least share the honour with "Jumpin' Jack Flash". Gimme Shelter just has has a nice subtle guitar sound and male/female vocals which put goosebumps on the back of your neck.

On this album, there is distortion of this song, and I'm guessing that the recording technology was not able to capture the bigness of this song's sound.

So, why only two stars for this album? Firstly, I don't give albums a lot of stars for merely having ONE great song on it. Secondly, like I say in the headline of my review, this album is passing strange-I did NOT expect an album full of blues and country music from a pop/rock group!

It's been a while since I've listened to this album after I bought it recentlylish [some months ago]-so, going on memory, I think that "Country honk" is what WOULD become a compilation staple, Honky Tonk Women. Unfortunately, it is a little too country for me.

This album does have other songs that often make Stones' compilations, but it's just that I don't particularly like those songs! E.g. "You can't always get what you want".

If you've never heard "Gimme Shelter" [which absolutely shines as a song due to the great female vocals in the song], then either buy this album, or the Stones' compilation "Hot Rocks". If you choose to buy this album, however, then make sure you like or are open to blues and country music.

I'm not sure if this album often gets listed as one of the Stones' great albums, but for me it is not that good [this is the only regular Stones' album I have, along with my two compilations comprising 4 cds].

For die hard fans only, I think, though Gimme Shelter is a 5 star song, in my opinion.

OH MY GOD! MAYBE THIS IS THERE BEST ALBUM? ANOTHER MASTERPIECE!.......2007-07-11

Wow! What a line up! As soon as you hear the opening guitar of Gimme Shelter you know your in for something special! I love "Country Honk" How many groups have that kind of balls to not include a classic hit like "Honky Tonk Woman" and do a country version of that song for the album? Most groups could only dream of having enough great material to do something like that! The Stones were at the top of the game between "Beggar's" & "Exile". They managed to put out four of the greatest albums of all time, a fantastic live album(Ya Ya's) and an incredible hits set with Hot Rocks! This is an album that should be in every music lovers collection!

Stones And Guests make a classic........2007-07-05

The Rolling Stones and their guests made a great one with Let it Bleed. Keith is at his best, His song Silver is one of the best. Nicky Hopkins piano at the start of Monkey man is creative.Byron Berlines fiddle makes Country Honk better. Al Kooper plays Frech horn, Piano and Organ on Cant always get what you want. Bobby Keys has a good solo on Live With Me. Ry Cooders mandolin is good on Love In Vain. Mick is great on here his vocals are great and good harmonica on Midnight Rambler.

A another Stones classic.......2007-05-24

Led It Bleed is the follow up to Beggers Banquet and its just as good if not better than Beggers Banquest with its country, blues, and rock music.

Worth it?.......2007-04-29

The album has been reviewed for content excellently on these pages. I will only comment on this New Edition.
I have listened to this album since 1973, and have LP and CD.

Was it worth to buy this Remastered version?

Absolutely. I hear things in the mix that I'd never heard before (even with my older and well-abused ears!).

Same for Aftermath, and Beggars Banquet. There's a new freshness on these re-editions that is simply staggering.
Of course, only if you have listening equipment that can capture these details... But even on my old Quad and Heresy's the difference is amazing.

Average customer rating:

Josh is even better in live!
Very Good!
Let me explain...
Re-Live the Concert Experience!
DVD is so worth the price

Josh Groban Live at The Greek (CD/DVD)
Josh Groban
Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD

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Josh Groban in Concert (with Bonus DVD)
Closer
Josh Groban
Awake
With You

ASIN: B00063LTH4
Release Date: 2004-11-30

Tracks:

Oceano
Mi Mancherai (il postino)
Mi Morena
Canto Alla Vita
Remember When It Rained
Remember
America
Never Let Go

Tracks:

Oceano
Per Te
To Where You Are
Mi Mancherai (il postino)
Mi Morena
Alejate
Canto Alla Vita
Nocturne/Bohemian Rhapsody (performed by Lucia Micarelli)
Alla Luce Del Sole (special guest artist: Bela Fleck)
My December
Caruso
Remember When It Rained
Vincent (Starry, Starry Night)
Remember
You Raise Me Up
America
Never Let Go

Amazon.com

If Josh Groban's unabashedly melodramatic musical fusion inspires grousing on both sides of the classical/pop pundit divide, the screams of the (mostly) young female fans that punctuate these 2004 performances at L.A.'s historic Greek theater better underscore the real point. This set's CD and more expansive DVD complement each other well; if anything, supplemented by a live string ensemble and crack backing band, they're a warmer, more focused showcase for the singer's talents than the studio albums that made his meteoric fame. In peak form, Groban variously delivers forceful renditions of his pop-operatic powerhouses "Canto Alla Vita" and "Anna Luce Del Sole" (the former featuring a drum solo [!] from Groban, the latter a fine guest turn by Bela Fleck on banjo), takes a surprising solo piano break on Paul Simon's "America," waxes Central Asian on Troy's "Remember" and brings the crowd to its feet with the heart-on-his-sleeve dramatics of Closer's "Never Let Go." They're all informed by the singer's insouciant, youthful enthusiasm, arguing that Groban is gifted with more than just a magnificent voice; he's a complete natural as a performer as well. The DVD also includes a tour diary narrated with typical charm by the singer, as well as bonus live performance of "Believe" from the Polar Express soundtrack. --Jerry McCulley

Album Description

Josh Groban's 2002 PBS "Great Performances" special was a #1 selling DVD and the best-selling long-form music video of 2003. His second "Great Performances" special was taped at L.A.'s Greek Theater in the summer of 2004. For fans of the young sophisticated pop phenomenon who has sold more than 8 million albums, this CD+DVD package is just the latest great performance in the career of Josh Groban. DVD Extras: On the road with Josh for Summer 2004 Tour and a special performance of "Believe" from The Polar Express (it's PBS footage mixed w/ film footage).

Customer Reviews:

Josh is even better in live!.......2007-04-14

I recently saw Josh on his new tour with Awake, and it was so awesome that inspired me to buy this DVD to replicate the experience a little bit. I loved it! Especially loved the few extra songs I've never heard before (Mi Morena, America). Some people were complaining about the nasal sound and quality, but this is a live show so of course it sounds a little different. Bottom line is I think Josh is a great preformer and his very funny also :)

Very Good!.......2007-02-09

This CD/DVD was very good. I watched the DVD and was impresed with the way He handles the "spot light." He seems to be a very humble person and I think that is what makes his music so enjoyable to listen to. Not forgetting his awesome voice!

Let me explain..........2007-01-14

There are several reviews that talk about how annoying it is for the fans to wave light sticks and/or American flags in this DVD. Perhaps if I explain why, it will seem less annoying.

The waving of the light sticks was started at the very beginning of his first tour, mainly to show him how much the fans appreciated the concerts. The first idea was to wave them during the last verse of "You Raise Me Up," when the choir came out. Later, fans added another show of support by waving blue light sticks during "Vincent (Starry Starry Night."

OK, if you still find that annoying, that's your right. However, the flag waving at the end of "To Where You Are" was special. This concert was filmed on September 11, and the flags were waved at the end of "To Where You Are" for those who were lost, and the families of those who were lost, on 9/11/2001.

It's your right if you still find these things annoying. I just thought I'd try to help you to understand.

Since this is a forum for giving our opinions of the DVD, I have to say that I love it. He has a beautiful voice and I love listening to him under any circumstance. The DVD is wonderful, IMHO.

Re-Live the Concert Experience!.......2007-01-09

Was fortunate enough to attend Josh's "Closer" concert tour date at Jones Beach--amazing voice. Getting this album brought back all of the memories of that amazing evening outdoors under a "Starry, Starry Night." I used to not bother purchasing live albums because they had poor audio quality, but not anymore. Love this album! (Actually, I love all of his stuff.)

DVD is so worth the price.......2007-01-08

I disagree with some of the reviewers complaining about a nasal sounding CD. Yes, there are few parts where it may sound a little nasal but people have to remember that this a LIVE concert and if they wanted perfect sound they should buy the studio album instead. He still sounded brilliant and great. The DVD is fantastic for all those who don't have the luck or means to attend a Groban concert. It captures the energy and pure joy of a concert. Sometimes its even better than being at the concert because you can see Groban close up. I hope that there will be a concert DVD released for the AWAKE concerts.

Average customer rating:

Forget the Original and Buy this one.
Good but Maybe Not Essential - For Completists
" The Beatles Get Back" -----as it was originally intended.
Love it
"Let it Rest in Peace"

Let It Be... Naked
The Beatles
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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Let It Be
Beatles for Sale
A Hard Day's Night
Help! [UK]
Revolver [UK]

ASIN: B0000DJZA5
Release Date: 2003-11-18

Tracks:

Get Back
Dig A Pony
For You Blue
The Long And Winding Road
Two Of Us
I've Got A Feeling
One After 909
Don't Let Me Down
I Me Mine
Across The Universe
Let It Be

Amazon.com

Re-recorded, remixed, overdubbed and repackaged--all before its 1970 American release, mind you--Let It Be has long been the most second-guessed album in the Beatles otherwise sterling catalog. This curious, three-decade-late, stripped-down rethink offers up yet another spin on what started as a back-to-the-roots album/documentary project called Get Back in January, 1969, but ended up as the band's de facto swan song 18 months later. Paul McCartney in particular has long been irked by producer Phil Spector's grandiose orchestra and choir overdubs to the title track and "The Long and Winding Road," and indeed the "bare" versions here have a distinct, plaintive charm lacking in Spector's typical pomp. All the various snippets of studio and live chatter that seasoned the original have been removed, leaving the recordings to be judged on their essentially live-in-the-studio merits. If the intent was to "de-Spectorize" the album, the inclusion of John Lennon's 1968 benefit track "Across the Universe" and George Harrison's "I Me Mine" (which marked the last-ever Beatles session in January, 1970) in their original versions seems equally odd, the legendary producer having appended them to the album's original track listing in the first place. The rambling "bonus disc" of conversation and song snippets culled from hundreds of hours of session and film tapes may fascinate diehard fans, but it also underscores the murky, often unfocused state of affairs the Fabs found themselves in during the last year of their remarkable career. --Jerry McCulley

Customer Reviews:

Forget the Original and Buy this one........2007-07-02

A lot of people don't want history messed with, but I, for one am glad that this has come out. I bought the original album in the 70's and as a Beatles fan was very disappointed. It just didn't sound like them to me. I replaced all my Beatles albums on CD when the time came--except for this one. You know from other reviewers the tale of this album's creation, but let me say that this is probably the closest we will get to hearing these songs as they might have sounded if The Beatles had stayed together long enough to actually finish this project. This sounds, to my ears, much more like the Beatles. The greatly improved sound quality is reason enough to buy this cd. I don't miss "Maggie Mae" or "Dig it" which were nothing but useless filler. All the banter being gone, makes it a much more polished album. Including "Don't let Me Down" makes perfect sense, since it is in the film, backs the "Get Back" single and strengthens the collection of songs. I can't imagine why it wasn't there in the first place.

A minor complaint would be that it would have been nice to have a few bonus songs such as "The Ballad of John and Yoko", "Old Brown Shoe", "You Know My Name, Look Up the Number" and the single version of "Get Back." The first two, though not part of the "Let it Be" project, were comtemporaneous with the other songs and have the same sound. The Latter two were from singles related to the album. It would have also been more in keeping with the traditionally generous song selection on other Beatle albums, and these songs have never properly been put on an album(and this would be the one). Only eleven songs seems a bit stingy. The inclusion of these songs would have made this a killer album at the time, on par with their other albums, instead of the sad affair it was. I also dislike the flippant title and art work. In hindsight (always 20/20) it would have been much better to do a deluxe release of the original "Let it Be" that included these recordings. A double CD that probably would have made everyone ecstatic, since they would have what they want and could make the comparison. The Fly on the Wall bonus seems pointless and could have probably been much more substantial. Oh well.

In summary, greatly improved over the original in terms of songs and sound quality, but could use a few more songs for the money. Get this one and forget the original. If you have a need for the Spectorized versions for completeness or sentimentality, you can find them on "One" or other repackagings.

Good but Maybe Not Essential - For Completists .......2007-06-15

As David Goodwin says in his review here, there isn't much different about this album from what most people know about Let It Be - I certainly didn't feel or notice anything dramatically different except a cleaner sound. Artistically, this was not the Beatles' most outstanding album, but neither is it unlistenable. It's hard to pinpoint why this album - which is certainly above average in every respect became relegated in the Beatles pantheon. (NOTE: I give this three stars, but that's based on Beatles standards!)

This is the band returning in many ways to its roots, still experimenting with a more American sound, while McCartney is secure in his role as a ballads composer. The jam quality of the sessions (One After 909), hearken back to where the Fab Four were, earlier in their career - and yet, seem out of place. Only McCartney sounds polished. John's standout track is Don't Let Me Down, and Get Back remains a rock classic in the vein of Back in the USSR.

It isn't an uneven album at all, but my guess is that a lack of dynamism in some respects, and the legacy of being the Beatles' final release and a somewhat throwaway effort - has created an uneven legacy for this album. Not to forget that Let It Be followed an entire slew of concept albums from the Fab 4. The sweetness of Abbey Road and the intentional disparateness of the White Album and the vividness of Sgt Peppers left Let It Be as a conceptual void of sorts.

Let It Be Naked is probably best for completists. Across the Universe is one of my favourite tracks but the version here is average. Plus I'm not sure if Paul McCartney's signature pieces - Let It Be and The Long & Winding Road - are really better off without Phil Spector's strings. Simply because most of us have been listening to those versions for years! You don't miss the stripped instrumentation on these versions either. They will likely play in your head as you hear the naked versions.

" The Beatles Get Back" -----as it was originally intended........2007-06-03

Looking back on this album, this was how The Beatles really were. When these sessions were recorded around January 1969, they were a most fractuous "group". Nobody other than Paul, really wanted the The Beatles to continue on. John Lennon himself, at the time was so whacked out, that he could care less. Originally, they were going to release Let It Be/Get Back, in horribly recorded form. Along came Phil Spector-----who, without Paul's knowledge, added over produced nonsense, to their sound. Listen to " The Long and Winding Road"---before, and after. The reason why we have Abbey Road, is the group wanted to go out, on a better note, than the musical slop that was the fun and head games, played at Twickenham Studios/Apple.

Love it.......2007-05-14

My husband loves the Beatles. He has a collection most of the Beatles's songs. I even listened to the cd and downloaded to my Ipod so I can listen in a gym.

"Let it Rest in Peace".......2007-03-29

I'm a huge Beatle fan. I "grew up" with them. And I never liked "Let it Be." "...Naked" isn't much of an improvement. Technically it actually sounds worse, although de-Spectoring was a good idea. The original plan was to have a rough, live feel to the album and, in John's words, to "have none of your (George Martin's) production rubbish."
Now you really can hear and buy "Get Back," the advanced LP pressing of "Let it Be" sent mostly to DJs. CD Maximum (Russia) has issued a number of Beatles' two-fers, and "Get Back" is coupled with "Yellow Submarine." "Get Back" feels like the Beatles and makes sense in relation to the film.
Track order:
1)One Afer 909
2)Don't Let Me Down
3)Dig a Pony
4)I've Got a Feeling
5)Get Back
6)For You Blue
7)Teddy Boy
8)Two of Us On Our Way Home
9)Dig It
10)Let it Be
11)The Long And Winding Road
"Teddy Boy" appeared on Paul's first solo album, and "Dig It" gets half-restored to 4 1/2 minutes. I do have a problem with some of the sequencing, but I finally enjoy listening to these sessions! Also, the "Get Back" cover shot is the same pic used for "The Beatles: 1967-1970."

Average customer rating:

"I ain't gonna never change" (* * * * 1/2)
Why We Remember This Band
wanna hear a little bit of gossip?
Every current so-called punk band owes thier careers...
Possibly the finest punk / Alternative record ever

Let It Be
Replacements
Manufacturer: Restless Records
ProductGroup: Music
Binding: Audio CD

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Tim
Pleased to Meet Me
Hootenanny
Zen Arcade
Double Nickels on the Dime

ASIN: B00006FR75
Release Date: 2002-09-03

Tracks:

I Will Dare
Favorite Thing
We're Comin' Out
Tommy Gets His Tonsils Out
Anadrogynous
Black Diamond
Unsatisfied
Seen Your Video
Gary's Got A Boner
Sixteen Blue
Answering Machine

Amazon.com essential recording

On their first releases, even amid all the smirking irreverence, the Replacements seemed to have more ambition than other post-punkers, but it wasn't until Let It Be that they actually realized it. There's still plenty of smirking here--"Seen Your Video" is a great snotty taunt--but there's also smartly-crafted pop like "I Will Dare" and not-quite-love songs like "Answering Machine," not to mention a rocking cover of uncool Kiss that's played perfectly straight. This is classic, all-over-the-board indie rock, especially the angst-ridden empathy of "Sixteen Blue," where Paul Westerberg, all of 23, remembers just how it is to be a teenager. --David Cantwell

Album Description

Remastered reissue of their 'five-star' 1984 album. RestlessRecords. 2002.

Customer Reviews:

"I ain't gonna never change" (* * * * 1/2).......2007-01-07

Let It Be is not as consistent as its follow-up, Tim, but it contains more of the band's best songs than that album does. It also contains filler in the worst sense of the word, but that is forgivable since it is surrounded by wonderful hardcore and straightforward rockers, as well as sincere acoustic guitar and piano based-ballads.

"I Will Dare" - featuring old-timey guitar and even a mandolin - and "Favorite Thing", also with a twangy guitar, are cleaner (but hardly pristine) updates of their earlier sound. After these opening tracks, the band revisits that earlier sound with the album's hardest-rocking numbers, "We're Coming Out" and "Tommy Gets His Tonsils Out". (The latter provides two minutes of comic relief, but it's too bad that Westerberg stumbles over the lyrics in the second verse.) Following these four rockers, the rest of the worthwhile tracks are basically ballads, and are just as good and sometimes better than the disc's rock songs. "Androgynous", which follows on the heels of "Tommy", is a stunner. Musically, it is shoved along by a weeping piano. Lyrically, it vividly portrays the desolate streets of a small Midwestern town, where anything other than stiflingly normal is suspect: "Kewpie dolls and urine stalls/Will be laughed at/The way you're laughed at now". (I am originally from such a town, so I know what I mean.) This song shows the influence of the more haunting moments of the Big Star record Third/Sister Lovers. The acoustic "Unsatisfied" and the electric "Answering Machine" makes Westerberg's influence on the alternative scene that blossomed in the early 90s blatantly obvious.

The album is not perfect, of course. "Seen You're Video" and "Gary's Got a Boner" are the previously mentioned offending filler. The cover of Kiss's "Black Diamond" isn't terribly bad, but it isn't terribly inspired, either. Finally, "Sixteen Blue" is often praised for its portrayal of "the hardest age". Granted, it makes some accurate enough observations, but as a song, it isn't really anything special (except for Bob Stinson's cool fade-out guitar). This is one of several songs on the disc that indicate that Westerberg was looking to his teenage years for lyrical inspiration. However, the Kiss cover and Ted Nugent riff on "Gary's Got a Boner" suggest that he and Stinson may have relied too much on their teenage record collection for musical inspiration. Nevertheless, there are several more palpable points of reference, too, such as the New York Dolls, Alex Chilton (duh), and that other Minneapolis post-punk outfit, Husker Du.

I was only 8 years old when Let It Be was released, and too into classic rock when my high school classmates got into The Replacements via Paul Westerberg's solo work. For both reasons, I don't have any memories of listening to the band when I could have really related to their songs. In fact, I didn't really start listening to them until I was in my late 20s. The fact that they can be appreciated so many years after the fact is evidence of the timeless quality of their songs, and proof that they were as responsible for albums that were as essential to the 80s as those by American peers such as Husker Du, R.E.M., and The Pixies.

Why We Remember This Band.......2006-09-27

The Replacements are probably one of the greatest hidden treasures to be dug out of the 80s. They were a band that could easily have been shoved aside, but those of us who found what made this band great, we knew they could never be forgotten or put to the bottom of any pile.

Granted, The Replacements were dirty, nasty, drunken, and did about as much to destroy their fame that they could. And sure, on half of this album, one can hear a band that surely were quick and dirty and had a devil may care attitude and perhaps the listener could be forgiven for asking why should we care too? These songs are at the best just simple fun and at their worst a dirty joke that isn't funny or even boring.

However, there is that other half of the album which is why we remember this band. The fact is, Paul Westerberg could be brutally honest and sometimes showed us the pain he felt which was the pain we all felt. All the posturing to be tough boys on tracks like "We're Coming Out" is quickly forgotten with "Androgynous", which he looks at the social outcasts and wonders why they are laughed out when all they've done is dropped one of the seperators in the world.

Towards the end of the album, they drop "Sixteen Blue", which in 4 minutes puts the social awkwardness of being a teenager onto the track, the whole too old to be a kid but too young to be an adult. Anyone could write "Everything's sexually vague" but who else could follow that with "And you wonder to yourself that you might be gay"? That track alone shows us why people love this band. Paul Westerberg had something to say about being human.

This album is a perfect split between mindless fun songs and deep introspective songs. They hadn't dropped that dirty riotious attitude that they were infamous for, and they were beginning to show off that introspection that they became one of the greatest rock bands for. Purely, one of the greatest albums ever.

wanna hear a little bit of gossip?.......2006-05-24

okay, okay, okay: everyone knows this is a classic garage/punk/whatever album. of course it is. buy it! but i've heard some information about the band itself that you may find interesting: it seems that back in the day, when they made this album, they consumed alcoholic beverages to a degree that was not entirely healthy for young men. somehow, despite this behavior, they still made great rock 'n' roll records. go figure!

Every current so-called punk band owes thier careers..........2006-05-06

To these guys! Goo Goo Dolls, Green Day, etc...This is the blue print for you guys. What else can you say about "The Replacements" except this is pure genius and pure rock and roll. Anyone that doesn't own one of their albums just doesn't like music. They were the best band of the 80's. I think I've listened to "Unsatisfied" about 100 times in my lifetime and get goosebumps everytime!

Possibly the finest punk / Alternative record ever.......2006-04-02

The Replacements were one of the 5-10 greatest rock bands ever. This is arguably their greatest album.

Their entire career (1981-1991) was sadly during the era when radio was dominated (obliterated..) by the retro "Classic Rock" format. As a result, the 'Mats were never heard by most people. Their legacy is the dozens of major bands who, by their own admission, owe part or all of their sound to the influence of the Replacements ( including: Nirvana, Wilco, Goo Goo Dolls...)

If you are a fan of punk, grunge, or Alt Rock, you should own this record.

Average customer rating:

Great CD
An amazing voice and a worthwhile message!
Absolutely Wonderful!
Great music
anxiously awaiting

Since I Let You Go
Eric Dodge
Manufacturer: Racing Snail Records RSR
ProductGroup: Music
Binding: Audio CD

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Why Not Today
Body Clutter: Love Your Body, Love Yourself
Sink Reflections: Overwhelmed? Disorganized? Living in Chaos? The FlyLady's Simple FLYing Lessons Will Show You How to Get Your Home and Your Life in Order--and It All Starts with Shining Your Sink!

ASIN: B000CA8PMS
Release Date: 2005-11-01

Tracks:

Anything For You (Eric Dodge)
What Would Elvis Do (Eric Dodge)
Since I Let You Go (Eric Dodge)
Mama Never Told Me (Eric Dodge)
My Best (Eric Dodge)
The Dash (Eric Dodge)
That's Who I Wanna Be (Eric Dodge)
It Ain't Love (Eric Dodge)
I Blame Me (Eric Dodge)
What A Concept (Eric Dodge)
When I Was Your Age (Eric Dodge)
It Ain't Gonna Happen (Eric Dodge)
Up A Creek (Eric Dodge)
Unchained Melody (Eric Dodge)

Product Description

The Debut Country music Nashville release by Eric Dodge.

Customer Reviews:

Great CD.......2006-11-01

This CD is awesome. I was lucky enough to hear Eric play in Utah and he has an amazing voice. There is no foul language and it is entertaining for the whole family.

An amazing voice and a worthwhile message!.......2006-10-27

I love this CD - Eric's songs range from the thought-provoking, to the nostalgic, to the just plain fun! I'm not even a big country fan, but I think that his music appeals to a wide range of audiences! To top it all off, everything I've heard about him and seen of him during interviews, shows him to be a very sweet, down-home, humble kind of guy, who just happens to have extraordinary talent!

Absolutely Wonderful!.......2006-10-24

I loved this CD. It has a good mix of songs on it from several fun and light-hearted songs to songs that provoke deep thought and reflection on life. Eric is very talented and I recommend this to everyone.

Great music.......2006-10-16

I love to listen to Eric Dodge's music and this is a great cd. It has been so inspiring to me. His music is not only entertaining, but it makes me want to be a better person - to really think about what I'm doing with my life...

anxiously awaiting.......2006-10-16

I was so lucky to see Eric in St Louis at a Flyfest and he sang a few songs. He is really talented and a great guy. I ordered the cd and cant wait for it to arrive. All I have heard is wonderful things. I am sure he will not disappoint.

Average customer rating:

This band was WAY better when they were young and hungry
What happened?
Brilliant !
Bringing Ska into the 1990s
A happy island in a sea of grunge

Let's Face It
The Mighty Mighty Bosstones
Manufacturer: Island / Mercury
ProductGroup: Music
Binding: Audio CD

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Question the Answers
Ska-Core, The Devil & More
Pay Attention
It Means Everything
Twenty-Eight Teeth

ASIN: B000001ERG
Release Date: 1997-03-11

Tracks:

Noise Brigade
The Rascal King
Royal Oil
The Impression That I Get
Let's Face It
That Bug Bit Me
Another Drinkin' Song
Numbered Days
Break So Easily
Nevermind Me
Desensitized
1-2-8

Amazon.com

Virtually an institution after a decade on the scene, Boston's finest ska band continues to deliver an extreme adrenaline rush on its fifth album, which was produced by Paul Kolderie and Sean Slade. The metal edge in the Bosstone's particular brand of skacore comes further to the forefront this time, while songs such as "Noise Brigade" and "Royal Oil" rank among the catchiest they've recorded. And Nate Albert continues to carve out a new role for the guitar in ska-influenced music. Jim Derogatis

Customer Reviews:

This band was WAY better when they were young and hungry.......2006-09-11

I think it is very sad what happened to the Mighty Mighty Bosstones. They started off with the best intentions and sadly something fell apart in the machine. Their late fan-base of young kids and main-streamers is quite likely clueless (no pun intended) to the gem this band once was in their youth. For a few short moments, the Mighty Mighty Bosstones were a band synonomous with good times.

In the early to mid-90's those Taang! recordings and even the first major label full length disk were one of the most FUN little secrets in music. It was just... fun stuff. I repeat the word FUN because no other word seems to fit better. The Bosstones in the early days were wild. College radio loved them, great clubs like Trenton City Gardens and the Trocadero in Philly booked them practically monthly to sell out shows with lines around the block. They brought some great opening acts with them as well and EVERYBODY had an "I met Dicky Barrett" story. There was stage diving and crowd surfing and fresh set lists for multiple night gigs. You always left a mid 90's Bosstones show drenched in sweat and reeling from the adrenaline rush.

Then something serious rotted out in the foundation. I don't feel I am qualified to fairly explain why, but after the "Don't Know How to Party tour", this band took a monster nosedive. I recall MAJOR disappointment was the vibe on that yellow album, "Question the Answers?" or something. Musically this album is uneven, but a little better than the last. It is mainly recognized for it's "commercial" break-thru and the "hit" singles. The Bosstones hit it big with this album. "The Impression That I Get" becomes THE song... piling a layer of dirt on ALL the fine memories and material of the past. The live shows MUTATED for the worse too. The band seemed ROBOTIC. They played the SAME stuff over and over for years.

To quote (of all people) Apollo Creed , the Bosstones lost that "Eye of the Tiger" or something... This album is like that 5th Rocky movie in a way. It's all grown up, more worldly and wise. It tries to write mature songs with better chops and carry forward, but it can't compare with the fire of the early days of hard earned glory. Back when they were hungry this band was great.

If you want to climb up the Art Museum stairs, rock out to their Taang! records; they are classics. It is a shame this band did not age well.

What happened?.......2006-04-14

What the ... happened to these cats? They use to be so awesome. Remember their actually brilliant jamz like Toxic Toast and just about that whole Question The Answers album days. That's the MMB I once remembered. The packed ampetheater days at the warped tour with other awesome bands like Rancid, Sick Of It All,...etc. Those times rocked. I seen these guys 2 years ago and they didn't even have that energy that they once did. It was a pretty boring show unlike the first time I saw them. I think Dickey and the boys need to hang it up.

Brilliant !.......2006-04-13

Not just one of the greatest albums by the Bosstones, but one of the best albums I have (and I have many). Great fast-paced musicianship mixed with very intelligent lyrics. Moreover, many songs have a great moral, not mindless drivel. "Break So Easy" and "Numbered Days" immediatley jump to mind as just a few of the great songs on this CD. I can't imagine anybody not liking this album, or really not liking any of their albums. Great band!

Bringing Ska into the 1990s.......2005-12-19

It was during the 1997 Baseball Playoffs when I discovered the Mighty Mighty Bosstones. Fox Sports was promoting their coverage of the Baseball Playoffs and using the song "The Impression That I Get". The combination of lead vocalist Dicky Barnett with some intense guitars and horns seemed like the perfect song for promoting the playoffs. Little did I know, that the song "The Impression That I Get" had nothing to do with Baseball. This song was found on the album released by the Mighty Mighty Bosstones called "Let's Face It". From a commercial sales standpoint, the Mighty Mighty Bosstones may be considered for all practical purposes a "One Hit Wonder" with "The Impression That I Get" - however there definitely is a lot more to offer on "Let's Face It" than just the one song.

The Mighty Mighty Bosstones can be classified as Ska music. Ska was one offshoot of the Mod Revival that occurred in the 1980s. Ska is a mix of New-Wave and Punk that has a strong Brass influence. It is clear that "Let's Face It" has a strong Ska influence. Even the members of the Mighty Mighty Bosstones appear in on the album cover dressed in "Mod-like" suits over a White Background - something that is a common among Mod bands. By the time the music landscape hit the mid 1990s, it was Alternative Rock and more acoustic styled guitar-laden sounds that were dominating the music landscape. In a way, this also made the Mighty Mighty Bosstones a most unlikely hit in the 1990s. There won't be any slow or acoustic numbers here - all of the songs have a high tempo to them. One other point is that Mod Revival/Ska songs are often short in length. "Let's Face It" follows this model as well - this album contains 12 tracks and only one of those tracks is over 3:21 in length (that is "Another Drinkin Song"). Some may argue whether this album is a true representation of Ska, but I give the Bosstones a lot of credit for bringing Ska to the forefront in the 1997 music scene.

As mentioned, the one hit off of this album was "The Impression That I Get". As mentioned above, while this might have been a catchy song when it came to Baseball, it had nothing to do with Baseball. The general consensus is that this song really has to do with AIDS. The most obvious lines of this song are - "I'm not a coward, I've just never been tested; I'd like to think if I was I would pass" (referring to an AIDS test). Even the song's opening lines provide some references - "Have you ever been close to tragedy? Or been close to those who have?" (referring to either having to deal with AIDS or being around people who have had AIDS). What this song demonstrated to me is that not only is Dicky Barrett a good vocalist, but he is also one heck of a songwriter. Barrett isn't afraid to tackle serious subjects. In addition, this song is the perfect cross section of New-Wave/Punk meeting the Brass section.

The first five tracks on this collection are going to have the strongest horns influence. While the Brass Section will highlight many of the songs, there are songs that will a stronger Punk/New-Wave influence and the horns will play a secondary role. Songs such as "That Bug Bit Me", "Desensitized", and "1-2-8" are prime examples of this.

The Bosstones aren't afraid to tackle other subjects on this album. "Nevermind Me" is probably the album's second strongest strong - this isn't just a track about Drug use, but a song dealing with someone who is close to a drug addict ("He didn't hit me for a home; Or hit me up 'cause he was cold; He was addicted to drugs"). The song "Royal Oil" might on the surface seem like a commentary on Middle Eastern Oil, but it too is a song about Drug use ("Whether you smoke or poke the poison; You lose the chance to be tomorrow"). The title track, "Let's Face It" is a commentary against racism ("Be racist, be bigots, be sure; We won't stand for your hate?; "How far have we come?"). The song "Another Drinkin Song" is sung from someone trying to justify their actions for being an alcoholic ("What you call the disease, I call the remedy; What you're callin' the cause, I call the cure"). The song "Desensitized" deals with how we have become immune to those newsworthy items that at one time we would once abhor.

While this is a very good album, the one thing that might be a negative is that a lot of the songs do sound very much alike. Many of the songs are catchy and were able to capture my interest - however many of the songs failed to hold my interest for extended periods of time. I'm also not a fan of very short songs. While I do give the Bosstones credit for packing a lot of good music in a short period of time, perhaps if they used their Ska roots as base and explored some other musical directions, it could have extended the songs and at the same time created some more of the musicianship originality this album needs.

The liner notes contain of the lyrics to all of the songs. It is worth noting that there are some explicit words used in the lyrics. The Mighty Mighty Bosstones are an eight piece band, and I think it would have been good to give musician credits to each of the members of the band. While this isn't the strongest album, I still think this was a bright spot on what I would consider a weak year in the music industry (1997). There is definitely more to check out than just the one hit on this album, so I would definitely say it is worth checking out.

A happy island in a sea of grunge.......2005-10-20

I own very little ska, and this is the only Mighty Mighty Bosstones album I've ever bought, but I frequently find myself in the mood to hear this.
This is feel-good, be-happy, get-up-and-dance music. The lyrics are socially relevant and clever, the guitar and drums are good, and the horns are terrific. I challenge anyone to listen to "Noise Brigade," "The Rascal King," or "The Impression That I Get" and not jump out of their seat and dance.
My daughter's only three months old, but this is already her favorite CD--she gets happy and laughs whenever it comes on.

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Catalani: Mass; Falce

Coatings [Import]

Dralion

Bust It, Vol. 2

Larnelle Live: Psalms, Hymns & Spiritual Songs

Stomping at the Savoy: Hot Rod 1955-1961

1. Let It Rock
2. Gotta Find My Baby
3. Bo Diddley
4. Almost Grown
5. Dimples
6. Boom, Boom
7. C Jam Blues
8. Sonny's Slow Walk
9. Pontiac Blues
10. My Babe
11. I Don't Care No More
12. Baby, Don't You Worry
13. Night Time Is the Right Time
14. I'm Gonna Put You Down
15. Fattening Frogs for Snakes
16. Nobody But You
17. Bye, Bye, Sonny, Bye, Bye
18. Coda