The Rolling Stones (England's Newest Hitmakers) [Original recording remastered]

Track Listings

1. Not Fade Away

2. Route 66

3. I Just Want to Make Love to You

4. Honest I Do

5. Now I've Got a Witness

6. Little By Little

7. I'm a King Bee

8. Carol

9. Tell Me

10. Can I Get a Witness

11. You Can Make It If You Try

12. Walking the Dog

Tracks:

Gimme Shelter
Love In Vain
Country Honk
Live With Me
Let It Bleed
Midnight Rambler
You Got the Silver
Monkey Man
You Can't Always Get What You Want

Amazon.com essential recording

One of the Stones' most beloved albums, 1969's Let It Bleed was a benchmark for several reasons. First, founding guitarist Brian Jones died during the recording process. Second, the Stones take their last significant look at pure blues (Robert Johnson's spooky "Love in Vain") and country ("Country Honk," the two-stepping alter ego of "Honky-Tonk Women") before folding both styles into a cohesive rock & roll vision. Third, it contains some of the band's most eerie hits, such as the flame-enveloped "Gimme Shelter," the drug-reality anthem "Monkey Man," the epic "You Can't Always Get What You Want," and Mick Jagger's menacing "Midnight Rambler." --Steve Knopper

Customer Reviews:

A very strange album-with one all time classic song.......2007-07-20

I bought this album after initially being satisfied that my 3cd Stones' compilation and their later "Jump back" compilation were sufficient for having the best Stones' songs. What changed? I saw Mick Jagger perform solo in Australia many years ago and a guy I went to the concert with got excited when a certain song started to be played [along with the audience]. I asked what it was...thought he said "Jimmy Shelter", which just confused me!

Anyway, when I heard Jagger play that song live, I considered it to be an instant classic. It's started to be played more on Australian commercial FM radio since then, fortunately. And I do remember this song being listed on some internet poll as the Stone's greatest song...a sentiment I have to agree with, or at least share the honour with "Jumpin' Jack Flash". Gimme Shelter just has has a nice subtle guitar sound and male/female vocals which put goosebumps on the back of your neck.

On this album, there is distortion of this song, and I'm guessing that the recording technology was not able to capture the bigness of this song's sound.

So, why only two stars for this album? Firstly, I don't give albums a lot of stars for merely having ONE great song on it. Secondly, like I say in the headline of my review, this album is passing strange-I did NOT expect an album full of blues and country music from a pop/rock group!

It's been a while since I've listened to this album after I bought it recentlylish [some months ago]-so, going on memory, I think that "Country honk" is what WOULD become a compilation staple, Honky Tonk Women. Unfortunately, it is a little too country for me.

This album does have other songs that often make Stones' compilations, but it's just that I don't particularly like those songs! E.g. "You can't always get what you want".

If you've never heard "Gimme Shelter" [which absolutely shines as a song due to the great female vocals in the song], then either buy this album, or the Stones' compilation "Hot Rocks". If you choose to buy this album, however, then make sure you like or are open to blues and country music.

I'm not sure if this album often gets listed as one of the Stones' great albums, but for me it is not that good [this is the only regular Stones' album I have, along with my two compilations comprising 4 cds].

For die hard fans only, I think, though Gimme Shelter is a 5 star song, in my opinion.

OH MY GOD! MAYBE THIS IS THERE BEST ALBUM? ANOTHER MASTERPIECE!.......2007-07-11

Wow! What a line up! As soon as you hear the opening guitar of Gimme Shelter you know your in for something special! I love "Country Honk" How many groups have that kind of balls to not include a classic hit like "Honky Tonk Woman" and do a country version of that song for the album? Most groups could only dream of having enough great material to do something like that! The Stones were at the top of the game between "Beggar's" & "Exile". They managed to put out four of the greatest albums of all time, a fantastic live album(Ya Ya's) and an incredible hits set with Hot Rocks! This is an album that should be in every music lovers collection!

Stones And Guests make a classic........2007-07-05

The Rolling Stones and their guests made a great one with Let it Bleed. Keith is at his best, His song Silver is one of the best. Nicky Hopkins piano at the start of Monkey man is creative.Byron Berlines fiddle makes Country Honk better. Al Kooper plays Frech horn, Piano and Organ on Cant always get what you want. Bobby Keys has a good solo on Live With Me. Ry Cooders mandolin is good on Love In Vain. Mick is great on here his vocals are great and good harmonica on Midnight Rambler.

A another Stones classic.......2007-05-24

Led It Bleed is the follow up to Beggers Banquet and its just as good if not better than Beggers Banquest with its country, blues, and rock music.

Worth it?.......2007-04-29

The album has been reviewed for content excellently on these pages. I will only comment on this New Edition.
I have listened to this album since 1973, and have LP and CD.

Was it worth to buy this Remastered version?

Absolutely. I hear things in the mix that I'd never heard before (even with my older and well-abused ears!).

Same for Aftermath, and Beggars Banquet. There's a new freshness on these re-editions that is simply staggering.
Of course, only if you have listening equipment that can capture these details... But even on my old Quad and Heresy's the difference is amazing.

Average customer rating:

Stong album of music but compromised ethically and aesthetically
You Can't Always Get What You Want- But You Get What You Need
Just amazing that one band could have this many hits
Classic Rolling Stones!!!! All their best stuff!!
Deja vu all over again

Forty Licks
Rolling Stones
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

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The Who: The Ultimate Collection
Sticky Fingers
The Best Of The Doors
Jump Back: The Best of the Rolling Stones 1971-1993
Experience Hendrix: The Best of Jimi Hendrix

ASIN: B00006IR69
Release Date: 2002-10-01

Tracks:

Street Fighting Man
Gimme Shelter
(I Can't Get No) Satisfaction
The Last Time
Jumpin Jack Flash
You Can't Always Get What you Want
19th Nervous Breakdown
Under My Thumb
Not Fade Away
Have You Seen Your Mother, Baby
Sympathy For The Devil
Mother's Little Helper
She's a Rainbow
Get Off My Cloud
Wild Horses
Ruby Tuesday
Paint It Black
Honky Tonk Women
It's All Over Now
Let's Spend The Night Together

Tracks:

Start Me Up
Brown Sugar
Miss You
Beast Of Burden
Don't Stop (new)
Happy
Angie
You Got Me Rocking
Shattered
Fool To Cry
Love Is Strong
Mixed Emotions
Keys To Your Love (new)
Anybody Seen My Baby?
Stealing My Heart (new)
Tumbling Dice
Undercover of the Night
Emotional Rescue
Only Rock 'n Roll (But I Like It)
Losing My Touch (new)

Amazon.com

The band that proclaimed itself "The Greatest Rock & Roll Band in the World" has long since represented rock's most overarching confluence of art and commerce--with a distinct emphasis on the latter in recent decades--a notion this 40-track, five-decade-spanning anthology can't completely escape. While this is the first anthology to gather hits from the band's entire career, it's the early tunes that highlight one of the Stones' central ironies: virtually their entire "bad boy" reputation was built working for The Man. That original '60s musical arc bounded from '50s rock and R&B revivalism ("Not Fade Away," "The Last Time") to anti-Mop Top aggression ("Satisfaction," "Get Off My Cloud," "19th Nervous Breakdown") to proto-goth cynicism ("Paint It Black," "Have You Seen Your Mother Baby") and psychedelic minstrelsy ("She's a Rainbow," "Ruby Tuesday") to the epitome of blues-based cock rock ("Street Fighting Man," "Jumpin' Jack Flash") in quick succession. Wresting control of their own destinies--and future copyrights--at the end of the '60s, they'd spend the next 30 years largely recycling their earlier incarnation ad infinitum--their music sprinkled with occasionally successful forays into contemporary club and disco fodder ("Some Girls," "Shattered")--and resting on their well-paid laurels. Unfortunately, the listless quartet of new tracks that flesh out this collection seems little more than another business deal to hype their 2002-03 world tour, with "Don't Stop" arguably the weakest in a long string of post-'80s Stones McSingles. If Jagger seems typically detached here, Keith Richards injects some welcome, craggy warmth into the closing barroom lament, "Losing My Touch." But it's also a performance that suggests his legendary band has become little more to him than "The Greatest Day Job in the World." --Jerry McCulley

Album Description

Limited 'tour edition' reissue of 2002 compilation is repackaged & includes one bonus track 'Sympathy For The Devil' (Neptunes Remix). Virgin. 2003.

Album Details

Digitally Remastered Comprehensive Collection of 40 Tracks from their Entire Historical Career plus Four Tracks Recorded Specifically for this Set. Limited Edition with Four Different Covers and Booklet.

Customer Reviews:

Stong album of music but compromised ethically and aesthetically.......2007-07-17

I enjoy this mix and it makes for a great way to get remastered sound on career highlights spanning the decades without me having to re-purchase all the CDs.

For those complaining about the inclusion of latter-day songs or the exclusion of deeper tracks, please spare me with your self-righteous declarations of purity. Clearly, the intention here is to provide a 40-year-career retrospective that caters to the common denominator among devoted and casual fans of all generations. In this sense, this compact album of songs makes a strong statement of the band's accomplishments and sounds over four decades. Devoted followers of the band can choose (and probably already have chosen) from numerous other albums/compilations that serve other purposes.

For me, however, I have serious reservations about the ethical and aesthetic compromises made in compiling this album. First, listeners should be warned of the tracks that are newly edited versions of the originally-released versions. I cannot believe how much shorter some of these are. "Miss You" is over one minute shorter than the original studio release. "Mixed Emotions" is over 1/2 minute shorter! To not offer a brief disclaimer somewhere on the exterior of the package is an ethical assault on the consumer. Altering the originals for convenience of packaging is an aesthetic compromise I'm unwilling to endorse.

You Can't Always Get What You Want- But You Get What You Need.......2007-07-17

I have to admit that building my summer sand castle was quite some chore. Chore at the shore if you will. Little did I know that when I picked this spot it was next to a beach mime colony. You got that right. They walk around and imagine stepping on seashells and use imaginary fishing poles to catch - you got it - nothing! My life has turned into an Antonioni nightmare. But, the good thing is that at least it's quiet and peaceful here at night.
Anyway, I am here to review the Stones 2 disc set called "Forty Licks" which is supposed to represent their forty years as a rock band. I don't think I could add any new insight into their music that you don't already know. Do remember though that they started out as a rythmn and blues group which grew more and more into the rock genre.
This is a good representative set of many of their mega-hits and best known songs. For the most part I think it is a satifactoy cross section of all their years. Although, I do have an issue of what was not included. I think "Tell Me" from their early years could certainly have been included. As well as "Rock and a Hard Place" from the Steel Wheels album. Should I also include "Monkey Man" from the Let It Bleed album? Well, we could go on and on et cetera et cetera of all the songs that weren't included. And, thinking it over, this could easily have been a 3 disc set and still not touch on all there is. My advice is, that if you really want the complete Stones, then get all their offerings. There are a few clunkers out there-but most of the albums are superb and probably show the band through many periods of their existence. They also have produced many, many live albums. Probably the very best would be Get Your Ya-Yas Out followed by Stripped. But, again, that is only my opinion.
Still, I think the material here is the most concise collection since the marriage of their record companys. Certainly it beats Hot Rocks by a mile. I understand what they were doing here - trying to give us a cross section of all their years. However, that said, I think their classic older tunes beat out the newer ones - but that is me just being picky.
I also think that many out there probably have a nonchalant opinion of them. "Oh, it's just the Stones again- God are they old"! You all know the drill. They have been around so long that it's easy for some to become complacent and not find anything they do to be of any consequence anymore. But this set, I think, will set those self-appointed pundits straight.
First off, they certainly have proven that they deserve the mantle of being mega-talents. You just have to listen to all they have done and marvel at the creativity and talent they possess. Alot of this is because of the Jagger-Richards collaboration. Keith is master of the groove and hook, meanwhile Jagger's lyrics are probably some of the best I've ever heard. The combination is lethal and, I believe, gave Lennon-McCartney a run for their money for many, many years. But, looking back, you would have thought that, at the beginning, the Stones would have burned out while the Beatles would have survived. Reality, though, has dealt us a strange twist of fate by proving the opposite is true. The fact that they are still at it, producing rock music of quality, is testimony to how great they really are.
I have seen these guys in concert many times. Really, I think that their shows were some of the best I've ever seen. I still can't get over Jagger ripping his scarf off and whipping the stage and throwing rose petals at the audience during "Midnight Rambler". And those huge blow-up women on the sides of the stage during "Honkey Tonk Women". They know how to do a show- that is for sure.
In closing, this 2 disc set is definitely worth owning, even if you have most of their material already. Why? Most of the great ones are here- in one package. And, although they have had many compilations (maybe too many?) in the past-most of the good stuff is right here. I believe that they are the world's greatest "Rock and Roll Band". Certainly there are others that are great. But, none of them have yet to reach the longevity. I say, keep rockin' guys. You really have nothing more to prove at this point. My only assumption is that you do it because you love the music. I love it too. And many others as well.
Now I must get back to my beach obligations. The mimes are imitating a Rolling Stones concert tonight. And, wouldn't you know? I have to provide the music!

Here comes my 19th Nervous Breakdown---your "shattered" Metamorpho

Just amazing that one band could have this many hits.......2007-06-10

These guys must have sold their souls to the devil because there is no other way one band could strike gold so many times. You can simply put this CD into your player and be entertained for hours. The only reason to skip a song is because you want to hear one great song before you hear the other great song.

Great band. Great album. Nothing else to be said.

Classic Rolling Stones!!!! All their best stuff!!.......2007-04-08

A must have for any Stone's fans-even if your not. It has like 40 of their best well known songs, mostly their classics I believe. And a few new one's, like "love is strong". I highly reccommend this CD, you get to own a piece of the LEGENDS!!

Deja vu all over again.......2007-01-19

On the one hand, this is a nice compilation of the Rolling Stones' greatest hits from the early 1960s to the early 21st century. On the other hand, these tunes have appeared on other greatest hits albums, and some of the songs are not really among their best works. And, of course, one can always wonder why other songs (e.g., "Midnight Rambler") were not selected for this album.

Still, this does represent a greatest hits collection from the early years ("Not Fade Away" or "The Last Time") to their glorious 1960s hits (e.g., "Satisfaction," "Get off of My Cloud," "Street Fighting Man," "Jumping Jack Flash"--with one of the all time guitar riffs) to the early 1970s (e.g., "Brown Sugar," "Happy," Angie," etc. Later hits are also well represented, such as "Miss You," "Start Me Up," "Shattered" (one of my guilty pleasures), "Fool to Cry," and "Under Cover of the Night." The later songs are a bit weak (e.g., "Losing My Touch").

Overall, for those who have not been following Rolling Stones' music over the eons, this is not a bad introduction. For those steeped in Stones' works, this is, to some extent, "deja vu all over again."

Average customer rating:

Rock, blues, ballads
A MASTERPIECE! ROCK, COUNTRY AND BLUES AT IT'S FINEST!
"Wild Horses" should not keep you away from excellence!
Good Stones album..but the best?
why no remaster?

Sticky Fingers
The Rolling Stones
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

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Let It Bleed [DSD]
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Goats Head Soup

ASIN: B000000W5N
Release Date: 1994-07-26

Tracks:

Brown Sugar
Sway
Wild Horses
Can't You Hear Me Knocking
You Gotta Move
Bitch
I Got The Blues
Sister Morphine
Dead Flowers
Moonlight Mile

Amazon.com essential recording

"Sister Morphine," the heart of guitarist Mick Taylor's first full studio album with the Stones, doesn't get the airplay of "Brown Sugar" or "Wild Horses." But it's one of the most vivid, horrifying songs about drug abuse ever recorded--as Mick Jagger sings "from my hospital bed," the ringing guitars of Taylor and Keith Richards build to full catharsis behind him. On that and lighter songs like the countryish "Dead Flowers" and the rocker "Bitch," Charlie Watts establishes himself as rock's prototypical drummer. He's creative and propulsive and knows how to swing, but he never overwhelms the song or the other Stones. --Steve Knopper

Amazon.com

Only a peak-of-their-powers Stones could manage to overshadow one of their very greatest albums by surrounding it in their studio chronology with Let It Bleed and Exile on Main St.. Sticky Fingers, however, is anything but an also-ran. Offering some of the band's most inspired twists on their basic approach--"Sway," the midtempo rocker that would sound orchestral even without Paul Buckmaster's climactic string arrangement; the gorgeous closer "Moonlight Mile"--this also rocks like the demon they had lived to face another day after Altamont. And, as if to prove their minds were still as dirty as their music, its keynote is "Brown Sugar." --Rickey Wright

Customer Reviews:

Rock, blues, ballads.......2007-07-20

This landmark 1971 album gave the Stones a massive hit with Brown Sugar. Together with Bitch and the extended jam Can't You Hear Me Knocking it is one of three powerful rock songs while the rest of the album contain soulful, bluesy or country-tinged ballads.

These ballads are all rather dark and brooding, from the melancholy Wild Horses to the unoriginally titled but moving I Got the Blues and the chilling Sister Morphine, whilst Dead Flowers with its country flavor has poetic lyrics and an addictive tune.

The album concludes with the yearning Moonlight Mile, a final unforgettable track. This mix of melodious ballads and power rock make Sticky Fingers a masterpiece and one of that decade's top albums by the greatest rock band of all time.

A MASTERPIECE! ROCK, COUNTRY AND BLUES AT IT'S FINEST!.......2007-07-10

This is a classic album and is certainly in the top 100 ever made! My personal favorite cut is "Sway" I just love to hear Mick Taylor wailing away on his guitar until the fade out. Every cut is exceptional and there are a few hits on this album "Brown Sugar" and "Wild Horses" mainly and "Bitch",but this album goes much deeper than those obvious cuts with the classic country "Dead Flowers" and "Can't You Hear Me Knocking" which rocks all the way to the jazz-like end! Every song is worth mentioning and this album should be in every music lovers collection.

"Wild Horses" should not keep you away from excellence!.......2007-06-02

As the author of the Jefferson Airplane book "Take Me To A Circus Tent" I am often ask to review and talk about various rock recordings from the 60's and 70's.

The Rolling Stones Mick Taylor period is a treasure chest that never empties. Mick was the most advantageous choice for the group. His leads, fills, and general sound pushed the band to new heights.

"Sticky Fingers" runs with the smoothest of engines from start to finish. The tracks are incredible examples of the Stones diversity and ability to excel. While the casual fan will gravitate toward "Brown Sugar" and "Wild Horses", don't deprive yourself of one of the most underrated tunes ever "Sway." Mick Taylor has his patent of excellence all over the arrangement of "Can't You Hear Me knocking."

Often the word great is used to excess but in this case it doesn't do justice!

Mick Taylor we miss you. A shame you left.

Be well always,
Craig Fenton
Author of the Jefferson Airplane book "Take Me To A Circus Tent"

Good Stones album..but the best?.......2007-04-19

"Sticky Fingers" isnt just a great Stones album, but a great classic rock album as well. The only thing that I have to debate about this album is that I dont think its the best Stones record. The honor would have to go to "Let it Bleed" Now, I am in no way comparing this to "Let it Bleed" because that just wouldn't be fair, since every song on "Let it Bleed" is excellent, which makes it an easy five star effort. The reason I give this only four stars is that is falls just a bit short from perfect. I feel when you are reviewing Stones albums from this time frame, that you have to be a little more judgemental, since the late 60's/ all 70's time frame was the best for the band. They even had some early 80's solid albums, but no where near the musical effort as the earlier stuff. "Sticky Fingers" seems to fall a bit short with "You gotta move", and "Dead Flowers" which in my opinion seem to be blues songs that are forced, instead of the blues infused "Sister Morphine" , and "Moonlight Mile" which the band seems to flow more gracefully. I am sure there will be some that love those songs, but I feel that they are just a bit overdone, and they just arent very solid songs, if that makes any sense. Its still a great record from the Stones, but I feel that it just isn't pefect, but that doesn't mean that it shouldn't be in everyone's CD collection. ENJOY!

why no remaster?.......2007-04-09

Their best album. And my favorite album of all. But one star goes away for not remastering this one as they have the CD's of the early years. Surely it is deserving.

Average customer rating:

Raw, relentless Stones
A MASTERPIECE! ONE OF THE GREATEST ALBUMS EVER MADE!
Timeless, and even better (!) than I remembered
Exile on my street
Maybe the best

Exile on Main St.
The Rolling Stones
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

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Sticky Fingers
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ASIN: B000000W5L
Release Date: 1994-07-26

Tracks:

Rocks Off
Rip This Joint
Shake Your Hips
Casino Boogie
Tumbling Dice
Sweet Virginia
Torn And Frayed
Sweet Black Angel
Loving Cup
Happy
Turd On The Run
Ventilator Blues
I Just Want To See His Face
Let It Loose
All Down The Line
Stop Breaking Down
Shine A Light
Soul Survivor

Amazon.com essential recording

From the swaggering frustration in the first song ("I only get my rocks off while I'm sleeping," Mick Jagger sings in the hyper "Rocks Off"), the Stones speed through familiar neighborhoods of country, blues, and R&B on Exile. They never even bother to stop when they've crashed into something. They don't leap into new worlds so much as master the old ones, turning Slim Harpo's blues obscurity "Hip Shake" into a harp-and-piano steamroller and setting spines a-cracking in "Ventilator Blues." Both "Tumbling Dice" and Keith Richards's "Happy" have become hits, but the 1972 album is most notable for its overall murky adrenaline. --Steve Knopper

Amazon.com

Before Keith Richards's bad habits took over for a time in the mid-'70s, his work ethic was quite high. Stories abound of the long, if somewhat off-schedule, hours he spent working on this classic album in the basement of his home in France. Hanging together as much because of great songwriting ("Rocks Off," "Soul Survivor") as its fabled grungy atmosphere, Exile caps the Stones' great 1968-'72 run with a force that belies their supposed spiritual tiredness. What some of these songs are about is anybody's guess--Keith claims "Ventilator Blues" was inspired by a grate, while the song plays like an ode to a pistol--but that's just part of this album's hazy game. --Rickey Wright

Customer Reviews:

Raw, relentless Stones.......2007-07-16

I was imagining this is to be the Stones' "White Album", right? - a double album which coulda made an incredible single album. A big reason it's not is that the Beatles' opus was wildly eclectic, with 1930s crooners, art songs, even garage music. This '72 effort, with all the verbiage about rediscovered echoey dungeons in somewhere in France, has a very consistent sound, thanks to the Glimmer Twins and all their good friends (Bobby Keys, Jim Price, Bill Plummer, et. al.). Gotta say, though, there are some tentative "B-side" quality cuts, and it's to their credit that the Stones open the double-album with one of them, "Rocks Off". Let's see, we'll also put "Casino Boogie", "Ventilator Blues" on the shelf....just kidding.
"Rip This Joint" was probably the best pure R & R song for that whole year, despite the high profiles that year of '50s originators like Ricky Nelson ("Garden Party"), Chuck Berry ("My Ding-A-Ling" and "Reelin' And Rockin'), Elvis Presley ("Burning Love"), and Little Richard ("Rockin' With The King" - Canned Heat with LR). When it came to roots music, they could do it better than all of them (except for when Richard showed up with his full band, at that time).
They proved they understood the blues, too, delivering on Slimp Harpo's "Shake Your Hips" (saw Mr. Penniman perform it in Trenton, NJ, in 2003 - did he dig the Stones' version?). "Turd On The Run", despite the lousy title, brings 'em back to the '60s and their many Bo Diddley "tributes", this one takes off like an SUV leaving the parking lot of a New Jersey community college at 6pm on a Friday, and never slows down.
Now to the real heavyweights, and you can name 'em, "Tumbling Dice", the super hit; "Sweet Black Angel", a beautiful folk-blues said to have been written about Activist Angela Davis; "Happy", still sounding great.
"Shine A Light", featuring Billy Preston, re-emerges with even more brightness. A real gem, which should have proven to be a true Pop perennial.
"Sweet Virginia", almost straight ahead Country, also warrants reappraisal as an almost "lost" artifact.
Small criticism: voices are mixed too far back; this together with the occasional monochromatic sound image, can put the listener on edge.
I guess it's in the spirit of serious bluesmen, combing that dank and dusty basement overseas for some scent of the American Delta.

A MASTERPIECE! ONE OF THE GREATEST ALBUMS EVER MADE!.......2007-07-10

This is such an incredible two album set. From the opening guitar lick of "Rocks Off" to the final strum in "Soul Survivor" we know we have just listened to a amazing collection of music! This is not a hits album by any stretch! It is a record that sounds great from start to finish or picking random cuts. I am a musician and I have been a DJ in past years in clubs and pubs. I always got a great response from the hip customers when I would throw in "Casino Boogie" or "All Down The Line" in at the local pub. What some folks don't understand is how many different sounding songs are on this album! Most groups today have one or two songs and they just keep regurgitating them out over and over again to fill album after album. This is the my favorite Stones album and it doesn't even contain my favorite Stones song! A timeless classic!

Timeless, and even better (!) than I remembered.......2007-07-03

You know, I haven't visited this album in a long time; it has been one of my very favorite works of art since its release in '72, but it seemed like one of those things that might have been played out for me. I've been helping my wife load her iPod with things I think are essential, and naturally this came to mind, so in the process I gave it another spin. To say that I am reinfatuated is an understatement, which gives rise to this review. "Exile" is just such a work of uncommon depth and maturity and desperation and joy and carnality and the whole nine yards that it is nearly staggering. Plus it rocks harder than you ever will. Don't listen to haters who bemoan its lack of hits; it flows like nothing else...best digested as a whole. And anyways, "Tumbling Dice" was a certifiable hit back in the day; I know, I was alive then, and it was an indelible part of the soundtrack of the summer of '72. This listen brought me back to my very first needle drop on "Rocks Off" in '72 when I was 13 years old. From the first whomp of Charlie's drums I remember it as being a life-changing experience that gave me some idea of what adult music and life was all about. And the power and glory of this record is such that I have always been mystified over the critical response alluding to the allegedly murky mix, etc. To me it simply sounds like the perfect example of what rock and roll is supposed to sound like, and when words and phrases emerge from the mix they're almost always a surprise, even after thirty-five years. This record is proof positive of the enduring greatness of the Stones, and is to my ears their finest hour, and then some.

Quick question: My CD version of this is an original CBS era iteration (bought it like in '87-88), and it still sounds pretty good to me, even with the undoubted advances in mastering since then. Is this relatively newer Virgin version a BIG BIG BIG sonic upgrade, or just a sonic uptick? Thanks!

Exile on my street.......2007-05-30

Exile on main street is one of the best. With a variety of styles it nrver drags. Great songs like Let it loose, Shine a light. Rocks Off, Soul Surivor Tumbling Dice and Ventilator Blues is a paint peeler. Sweet Virginia and Torn and Frayed are good country.Stop Breaking down and shake your Hips are good blues, good slide on stop Breaking Down Texas blues on Shake your Hips. Sweet Black Angel is great reggae.

Maybe the best .......2007-05-11

This is just great..
Keith, Mick, Mick, and Nicky are at their best.

Average customer rating:

great oldies
HOT ROCKS 1964-1971 IS THE BEGINNING'S AND MAKING'S OF A ROCK N' ROLL PHENOMENAL LEGACY.
Rolling Stones Hot Rocks SACD
DSD Revives The Classics!
An Early And GREATEST Stage Of A Continuing Phenomenon

Hot Rocks 1964-1971 [DSD Remastered]
The Rolling Stones
Manufacturer: Abkco
ProductGroup: Music
Binding: Audio CD

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Jump Back: The Best of the Rolling Stones 1971-1993
Beggars Banquet
Sticky Fingers
Let It Bleed [DSD]
More Hot Rocks: Big Hits & Fazed Cookies

ASIN: B00006EXDM
Release Date: 2002-08-27

Tracks:

Time Is On My Side
Heart Of Stone
Play With Fire
(I Can't Get No) Satisfaction
As Tears Go By
Get Off Of My Cloud
Mother's Little Helper
19th Nervous Breakdown
Paint It, Black
Under My Thumb
Ruby Tuesday
Let's Spend the Night Together

Tracks:

Jumpin' Jack Flash
Street Fighting Man
Sympathy For the Devil
Honky Tonk Women
Gimme Shelter
Midnight Rambler (Live)
You Can't Always Get What You Want
Brown Sugar
Wild Horses

Amazon.com

It's the rare greatest-hits album that takes on a life of its own. Generally, best-of collections are superceded by updated retrospectives. Hot Rocks is one of the rare exceptions to the rule. Originally released in 1972, it instantly became the Stones intro of choice, elbowing aside Big Hits, High Tide and Green Grass and Through the Past Darkly. Why? It happened to hit the racks when Mick and company were at their creative peak. The 21 tracks found here represent seven years of dizzying growth. From "Time is on My Side" through "Satisfaction" and "Let's Spend the Night Together," on to Sticky Fingers's "Brown Sugar" and "Wild Horses," Hot Rocks never lets up. The likes of Sucking in the '70s and Jump Back come and go, but this Stones overview will not be moved. --Steven Stolder

Album Description

This Super Audio Compact Disc (SACD) recording offers high-resolution sound and is playable on both standard CD players and SACD-compatible devices.

Album Description

Remastered reissue of 1972 compilation, suitable for standard & 'Super Audio' CD players. Gatefold digipak.

Customer Reviews:

great oldies.......2007-07-20

excellent cd from the stones.had it before and wore it out on cassette it may be their best compilation ever.

HOT ROCKS 1964-1971 IS THE BEGINNING'S AND MAKING'S OF A ROCK N' ROLL PHENOMENAL LEGACY........2007-06-24

I will be writing a review on the legendary greatest hits compilation 2-CD set entitled "HOT ROCKS 1964-1971" by the second all-time greatest band in Rock n' Roll history that has also been called THE GREATEST ROCK N' ROLL BAND IN THE WORLD. I give you England's second most favorite sons, the reigning and defending World Champions of Rock n' Roll, T-H-E R-O-L-L-I-N-G S-T-O-N-E-S! "HOT ROCKS 1964-1971" was originally released in 1972 on Vinyl/LP and 8-Track on the London / ABKCO Records label which is the Decca Record Company Ltd. Looking through the history of this compilation album, there were three different releases of this album on CD. This legendary compilation album would see its first release on a 2-CD set in 1985 on the ABKCO / London Records label which is the registered trademark of Decca Record Company Ltd. The 1985 release did one of the very first Analogue to Digital mastering ever by Mobile Fidelity Sound and is manufactured by PolyGram in Hanover, West Germany. The 1985 release is one of the most sought after collectibles around if you can find it. This compilation album would be re-released in 1986 on the ABKCO Records label noting that the recording's were Digitally remastered from original master recordings. Which now brings me to the new and most recent 2002 re-release also on the ABKCO Records label. The new 2002 re-release contains the DSD (Direct Stream Digital) Remastered encoding process which is to supposedly capture every detail and nuance of the original master tapes. As always, if I hear any new additional information concerning this legendary compilation album or the artist, I will edit this review immediately so that you the consumer will get the overall best informative and most accurate review possible.

PLEASE NOTE: There has been a concern that I found extremely important to stress to all of you. It has been brought to my attention by some of my friends as well as some of my fellow readers and reviewers that the 2002 release is really not recorded in the DSD remastered encoding process. After doing my own research and conducting my own personal study, I find this fact to be true. I purchased two different "HOT ROCKS 1964-1971" on a 2-CD set bearing and stating the DSD Remastered logo and packaged in a Digipak while the other is packaged in a jewel case. Looking at the discs itself, the two discs packed in the jewel case are not on gold discs while the two discs that are packaged in the Digipak are gold discs. Listening to both sets, there was a difference and improvement in the sound quality of the DSD Remastered on the two gold discs packaged in the Digipak. There was no improvement on the other two discs. Personally, in my opinion, the very first 1985 CD release sounds better than the other two CD re-releases ever did. I just thought that I would clear this up and help in making you the consumers more aware of what you are purchasing.

What can I possibly say about THE ROLLING STONES that hasn't already been said? THE ROLLING STONES will forever go down in Rock n' Roll history and be remembered for composing and recording Rock's second all-time greatest anthems ever. THE STONES would also be known the world over for inventing the Rock n' Roll lifestyle thus labeling them "the bad boys of Rock." When ROLLING STONES legendary frontman and Rock God Mick Jagger met up with his old childhood chum, guitarist Keith Richards, their true friendship and bond would be special which would last up to this very day. However, when Jagger and Richards met up and joined forces with the original and genuine prince of darkness himself, the late great ROLLING STONES founder, leader and guitarist Brian Jones, Brian Jones' replacement, guitarist Mick Taylor, bassist Bill Wyman, drummer Charlie Watts and the late quitely known pianist, Ian "Stu" Stewart, THE ROLLING STONES would be born resulting in modifying the mixture of Blues, Jazz and Rock n' Roll together thus giving their sound a new rich and pure quality that the British could truly call their own. THE STONES have contributed and accomplished so much in Rock n' Roll that they don't have anything left to prove.

THE STONES legendary Rock anthems speak for themselves. With the exception of ELVIS and THE BEATLES, THE ROLLING STONES have so many great songs put together in many greatest hits compilations, that many music lovers would feel and think that it is truly unfair that no other band around in this world could stand up to them or match them. When it comes to THE STONES' true Rockers in this compilation album, you have great anthems defining the band's persona beginning on DISC ONE such as the greatest riff in Rock n' Roll history, the blistering "Satisfaction," the mild and soothing song which unfolds into a Rocker grabber, "Under My Thumb," the merciless Rocker "Get Off Of My Cloud," the incredible sounding Rocker "19th Nervous Breakdown," the breakthrough Rocker "Paint It Black" and the explosive Rocker with a message, "Lets Spend The Night Together.

DISC TWO takes right where DISC ONE left off and begins with the forever ROLLING STONES legendary trademark Rock anthem, "Jumpin' Jack Flash," the electrifying Rocker "Street Fighting Man," the daring and tempting Rocker of all Rockers, "Sympathy For The Devil," the Rock n' Roll anthem that would have honky tonk bars screaming and craving for more, "Honky Tonk Women," the groundbreaking Rocker "Gimme Shelter," the kick a*s hard Rocker performed live, "Midnight Rambler" and THE STONES' rewarding experience's with black women, "Brown Sugar."

THE STONES also showed a more mellower and romantic side of the band thus exposing a sensitive persona. DISC ONE would deliver legendary songs such as THE STONES trademark Rock anthem "Time Is On My Side," the beautifully slow and romantic "As Tears Go By" and the beautifully slow and wonderfully atmospheric sounding "Ruby Tuesday."

DISC TWO would take right where DISC ONE left off and deliver two more great slow Rock anthems such as the legendary gospel according to THE ROLLING STONES preached THE STONES' way, "You Can't Always Get What You Want" and the beautifully slow and smooth acoustic anthem "Wild Horses."

Listening to the "HOT ROCKS 1964-1971" compilation album, this collection is by far, one of the Top 5 greatest collections ever assembled by anybody. This is a great album for everybody of all ages to enjoy. This treasure gem is priceless and will live on forever for as long as music still exists. You can do all of your album purchases either on Amazon com or at your nearest local orders Books and Music store.

In closing, THE ROLLING STONES have been on Rock's ultimate pedestal on and off for many years now taking where THE BEATLES left off. However, THE STONES have also had their fair share of tragedies and tribulations to contend with such as the untimely deaths of both Brian Jones in 1969 and Ian "Stu" Stewart in 1985. Despite THE STONES fatalities, THE ROLLING STONES have persevered and continue to move forward in representing Rock n' Roll as being its only premiere act thus resulting in delivering the highest grossing tours of all time up to this very day. THE STONES have already received the highest ultimate honor possible by being inducted as members of the Rock n' Roll Hall of Fame in 1988. THE ROLLING STONES have forever left more than their fair shares of their many mark's and place's in Rock n Roll history. And because of that my fellow Rock n' Rollers, THE ROLLING STONES will NEVER be forgotten or denied even if they tried. I, for one, have seen every single STONES tour since 1981 and will continue to see every tour till THE STONES are no more. So here's to you Mick, Keith, the late great Brian, Mick T., Bill, Charlie and the late great Stu. Thanks for the great memories and moments with many more still to come. And as the saying goes, "AND THE REST IS ROCK N' ROLL HISTORY," need I say mnore? Thanks for reading my review and I truly hope that you have enjoyed reading it as much as I have truly enjoyed writing it for your reading pleasure. I also deeply hope that all of you will read all of my other reviews in the near future when time permits. LONG LIVE THE ROLLING STONES! R.I.P. Lewis Brian Hopkin-Jones A.K.A. Brian Jones, Born 28 February 1942, Died officially on 3 July 1969 at age 27. Also R.I.P. Ian "Stu" Stewart, Born 18 July 1938, Died 12 December 1985 at age 47. Long Live Rock n' Roll. Rock out always and take it easy. Forever in Rock, John L.

Rolling Stones Hot Rocks SACD.......2007-06-13

For any Stones fan, I think this was the culmination or consensus of the greatest hits album for any band. I have owned this title on vinyl, cd and now SACD. First of all, any compilation album is subject to the producer's vision, and I understand that. That is each song may have been produced differently.
On the first disc, it is obvious that the early days of stereo engineering meant separating everything into left and right, but the clarity of SACD really shines through.***Note** Just because it's SACD doesn't mean it's 5.1 surround. I was especially impressed with Ruby Tuesday. I finally can hear that the distortion in the left speaker is actually an over-mike'd cello and not (as I thought for years) some funky bass line.
The second CD really stood out with some great tunes, especially Honky Tonk Women and Midnight Rambler. I tend to prefer when songs are mixed as if I where listening to the band live. That is, I like the lead singer in the middle and drums behind the lead singer. Guitars, bass and backing vocals should be on either side. I was really disappointed with Gimme Shelter because this mix seemed to cram everything towards the center. I don't know if this was the original production or just this cd. The rest of the cd is great. Now if they can just re-engineer the Who's Who's Better, Who's Best on SACD, I'll be in Heaven. ***Another note*** This review may be nullified by the fact that, as my children have pointed out, I'm old, and as such, I can afford a lot better speakers than I could when I was young.

DSD Revives The Classics!.......2007-05-03

There's not much to add about the immense quality of the basic stereo versions of these songs. They are all immortal. However, this DSD (similar to SACD) brings out the subtle (and not so subtle) highs and lows of all tracks by accenting their high quality. Be aware that this is DSD and NOT SACD. It has to have the SACD logo to be SACD. That being said, you've never heard so clear a version of, "You Can't Always Get What You Want" or "Wild Horses". The most fantastic version is of, "(I Can't Get No) Satisfaction" which not only sounds like the first time you heard it - it sounds like they are in your living room! I jest not!

An Early And GREATEST Stage Of A Continuing Phenomenon.......2007-04-02

As a child of the 1960's (born in 1946), The Rolling Stones have made music that I have listened to at each stage of my adolescent and presumably post-adolescent life. At each juncture, their music has been through changes as has one or two of the band members, as have I! Asked when he planned to retire some years ago, Mick Jagger - in classic Mick Jagger style - responded something like, "... no one asks Muddy Waters or John Lee Hooker that question. Why are you asking me? I sing my version of the blues and plan to do so until I can't. That might include being wheeled out on stage in a wheelchair some years from now, still doing what I do as best as I can." That is not intended to be a direct quote, but is rather the way I recall hearing the story told and retold over the years. I recall it this way because it makes sense to me ... a LOT of sense. Often characterized as the quintessenal rock and toll band, The Rolling Stones were, are and I expect will continue to be and become a continuing phenomenon of musical expression. That being said, even bands that seem to go on forever have their stronger and weaker periods; their peaks of high creativity and valleys of times when they simply have to fulfill a contractual obligation by releasing an album and/or touring.

For most Stones fans, the period the collection at hand provides an unarguably thrilling sampling of is that in the years from 1964 to 1971 during which the Stones wrote, performed and recorded some of the greatest music in the continually developing story of the genre we call Rock and Roll.

This is a two CD set is produced on two layers. One is a `normal' CD, the second is a Super Audio CD (SACD). Both layers have been produced from the original takes using DSD (Direct Stream Digital) encoding which does a simply tremendous job of capturing each and every subtle moment, tone and innuendo on each track - be it from voice or instrument. It actually sounds a lot better than the original recordings and is far superior to standard `remasterings' of older studio and/or live recordings. So, even though there are no real surprises on these CDs, there is much delight to be had by the Stones audiophile in hearing just how good they really sound(ed) during this period.

The specific tracks are all known, verbatim, to many of my generation and include, on the first CD:
1. Time Is On My Side
2. Heart Of Stone
3. Play With Fire
4. (I Can't Get No) Satisfaction
5. As Tears Go By
6. Get Off Of My Cloud
7. Mother's Little Helper
8. 19th Nervous Breakdown
9. Paint It, Black
10. Under My Thumb
11. Ruby Tuesday, and
12. Let's Spend The Night Together

The second CD picks up where the first one leaves off with:
1. Jumpin' Jack Flash
2. Street Fighting Man
3. Sympathy For The Devil
4. Honky Tonk Women
5. Gimme Shelter
6. Midnight Rambler (Live)
7. You Can't Always Get What You Want
8. Brown Sugar, and
9. Wild Horses

Clearly, the Rolling Stones have produced dozens of albums and hundreds upon hundreds of songs: most are at least better than average and many (some would argue, most) are far superior to most of everything else that has ever (or may ever be) written for, performed or recorded in this particular musical genre.

Whether you believe that the Stones are simply one of the greatest Rock and Roll bands to ever perform or that they are THE greatest, you will have no regrets about investing in this remarkably hypnotic, engaging and enthusiastic pair of CDs. La crème de la crème. The best of the best. Vocally, musically, ensemble-wide: in all measurable respects. Close your eyes and sing along - with your voice or in your mind. Either way, you won't be disappointed.

Average customer rating:

A CLASSIC! THE STONES IN TOP FORM AGAIN!
WOW, this remastering!!
proof that british rock has guts
Beggar's Banquet is a Feast!
CLASSIC

Beggars Banquet
The Rolling Stones , and Rolling Stones
Manufacturer: Abkco
ProductGroup: Music
Binding: Audio CD

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Let It Bleed [DSD]
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ASIN: B00006AW2J
Release Date: 2002-08-27

Tracks:

Sympathy for the Devil
No Expectations
Dear Doctor
Parachute Woman
Jigsaw Puzzle
Street Fighting Man
Prodigal Son
Stray Cat Blues
Factory Girl
Salt of the Earth

Amazon.com essential recording

Opening with "Sympathy for the Devil," the Stones' infamous we-are-evil poem, this all-original 1968 album began a quality streak almost unmatched in rock & roll. Mick Jagger begins writing from the working-class hero's perspective--especially on the anthem "Street Fighting Man" and "Salt of the Earth"--and Keith Richards buttresses his partner with rock-solid slide licks recently graduated from the School of Old Blues Records. "Jig-Saw Puzzle," which inexplicably never became a hit, is the only known instance of Jagger's describing the Stones' individual personalities in verse. --Steve Knopper

Amazon.com Music Reviews

Beggars Banquet is among the Stones two or three greatest albums, so it's also among the very best rock & roll albums ever made. Though known for its twin anthems of social decay, "Sympathy For The Devil" and "Street Fighting Man," it's actually the album's gritty yet beautiful acoustic country and country-blues numbers--"Dear Doctor," "Prodigal Son," "No Expectations," "Factory Girl"--that has helped Beggars stand up so effectively through the years--that and the fact that Keith Richard's lyrics here often come as close to sincerity as he's capable. When he sings "Let's drink to the hard working people," for once you almost believe him. --David Cantwell

Customer Reviews:

A CLASSIC! THE STONES IN TOP FORM AGAIN!.......2007-07-11

The Stones started to really shine with this album. It was the peak of their creative genius! "Beggar's Banquet","Let It Bleed","Sticky Fingers" and "Exile On Main Street" should be in everyone's top 100 albums of all time! Though this album is more acoustic than most efforts by the Stones,there are some classic jammers including Sympathy for the Devil, Street Fighting Man and the forgotten Stray Cat Blues!

WOW, this remastering!!.......2007-06-07

OK, so it doesn't say so, but this is the "DSD" remaster just like the Let It Bleed remaster is. I won't comment on the album; a million reviews and words-of-mouth have cemented its reputation already. But I had to post on here about the remastering: it is THE best remastering I have EVER heard on a classic rock album. If you want to be blown away by the difference that sound quality can make, just listen to "Sympathy for The Devil" twice back-to-back: first on Forty Licks, then on the DSD remastered version of Beggar's Banquet. I've probably heard "Symapathy for The Devil" over one hundred times in my days, and there are tons of small details that I absolutely never heard before I listened to this version. I'm just glad I didn't get suckered into buying an SACD player, because this Beggar's Banquet re-release shows me that the same kind of phenomenal sound quality is possible from conventional CDs. Jody H. Klein, you deserve a Nobel Prize for this project!

proof that british rock has guts.......2007-06-06

the stones sixties output was the perfect balance for the beatles more friendly sound.. The stones had a very earthy, bluesy , rocking sound.. one of their best albums where there sound comes across in an almost perfect fashion is 'beggars banquet'... It contains some of their most socially confrontational material including the hard hitting anthem of an opener 'sympathy for the devil'.. this somehow beautifully merges with the much slower contemplative 'no expectations'.. indeed this serves as a formula for many upcoming stones releases (sticky fingers is the perfect example).. 'dear doctor' shows the stones flirting with country western... another big track on this album is 'street fighting man' another hard hitting rocker.. again the rockers are balanced out as it is followed by more acoustic bluesy music.. you can clearly hear the influence of the blues legends that the group loved so much particularly the ones that worked for chess studio like howlin wolf.. beggars banquet is indeed a banquet of classic stones material.. the main delight for me is in discovering some of their acoustic tracks which have gotten little or no radio play.. and also it is nice to see their work as it was intended in the context of an album...something their best of collections have greatly destroyed.. This is a band at its peak..

Beggar's Banquet is a Feast!.......2007-06-05

This is a "must have" release mainly because it includes, "Sympathy for the Devil" and "Street Fighting Man." It also marks the Stones' first serious venture into Southern R&B and blues written by them.

CLASSIC.......2007-05-24

I like the singles from the stones yet I never bought any stones music until I hear Beggers Banquet. I was 18 years old and blown away by the album. I became a big fan after that.

Average customer rating:

Rock N Roll !
(4.5 stars) TOP OF THE LINE ROLLING STONES ! (could have been their best with a little more effort)
the last great stones album.
Some Girls
a great rolling stones cd

Some Girls
The Rolling Stones
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

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Sticky Fingers
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ASIN: B000000W5P
Release Date: 1994-07-26

Tracks:

Miss You
When The Whip Comes Down
Just My Imagination (Running Away With Me)
Some Girls
Lies
Far Away Eyes
Respectable
Before They Make Me Run
Beast Of Burden
Shattered

Amazon.com essential recording

A fresh, uncompromising attempt to incorporate 1978 pop techniques into the band's familiar sound, Some Girls opens with the disco sass of "Miss You" and closes with the self-destructive punk of "Shattered." (Both songs, especially "Miss You," with its distinctive Mel Collins sax solo, remain live showstoppers.) So the Stones declared credibility in the dance circuit without sacrificing their hard-rock reputation. Though the anti-love "Beast of Burden" and the stylishly slow "Just My Imagination (Running Away with Me)" continue to rack up the most airplay, the obscurities stand up surprisingly well. Worth replaying: Keith Richards's rickety rocker "Before They Make Me Run." --Steve Knopper

Amazon.com

Few rock stars have played in the intersection of real life, image, and fans' imaginations as smartly (and comically) as Mick Jagger does on Some Girls. With the Stones again running at top pace, Jagger aims his gimlet eye at his and the boys' gossip-column lives (the Chuck Berryish "Respectable," the archly blues-wailing title track), his collapsing marriage (where was Bianca when Mick's pals were trying to hook him up with the "Puerto Rican girls who're just dyin' to meetchoo?) and the mores and modes of New York society in the Studio 54 era (practically everything here). Slot in Keith's lament "Before They Make Me Run," and this is one of the greatest Stones albums. --Rickey Wright

Customer Reviews:

Rock N Roll ! .......2007-07-12

Some Girls, is one of the greatest Rock n roll cds. The Stones rock the late 70s with some of their best guitar. Lies, Some Girls, Respectable and When The Whip Comes Down are all great Rock n roll. Far Away Eyes is the only country its lighter than the great stones country. Miss You is a great song great sax solo from Mel Collins and Hamonica from Sugar Blue. Some Girls is one of the stones Five best a great guitar based Rock n Roll cd from The Rolling Stones.

(4.5 stars) TOP OF THE LINE ROLLING STONES ! (could have been their best with a little more effort) .......2007-04-24

Some Girls (1978) is a very good album on the strength of the funky Miss You, the rocking When the Whip Comes Down, Keith Richards' Before They Make Me Run, punk influenced Shattered, tougue-in-cheek country Far Away Eyes, the semi-soul ballad Beast of Burden, the respectable Respectable, and the tell-it-like-it-is attitude of Some Girls. All Rolling Stones classics, every one of them as good as any other Rolling Stones classic. Just My Imagination and Lies are just so bad they almost ruin the whole thing, and sort of block the flow of this otherwise great album. Whose idea was it cover this Temptations classic, anyway? This sounds like the band was warming up or doing a sound check, recorded it, and put it on the album. Lies is it's twin. If they had replaced those two with songs that matched the quality of the others, this could have been the best album the Rolling Stones had ever recorded. As it is, I rate it a solid 4.5 stars, and recommend it, because it has some of The Stones' best songs.

the last great stones album........2007-03-30

1978. the last great stones album. i happen to think (unlike many others) that they've done some very good stuff since then, but this is definitely the end of the line for greatness in their discography. "just my imagination," "repectable," "before they make me run," which is about as good a thing as keith richards ever did, and "beast of burden" are all classics. mick jagger's voice is brimming with personality here (instead of falling into a caricature of himself, which sometimes has happened in these later years). keith and ron wood splatter the recording with great guitar licks. and every song is strong to great. a wonderful piece of rock and roll. come back, boys. dylan did it. you can too. i know that you can.

Some Girls.......2007-01-10

This has always been one of my favorite Stones LP's, and recently purchased it in CD form. Still love it!

a great rolling stones cd.......2006-12-30

every song on here is great.great musicians.they can play rock,country,etc.i used to like sticky fingers better but i find myself listenin' to this one more.hell,i just played this cd earlier today.

Jump Back: The Best of the Rolling Stones 1971-1993

Average customer rating:

The best of the era
How come they sound so good? Cuz its the STONES, that's why!
Great Stones Collection
not the best choice of songs
Mixed Emotional CD

Jump Back: The Best of the Rolling Stones 1971-1993
The Rolling Stones
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

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Hot Rocks 1964-1971 [DSD Remastered]
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ASIN: B0002OOUP0
Release Date: 2004-08-24

Tracks:

Start Me Up
Brown Sugar
Harlem Shuffle
It's Only Rock N' Roll
Mixed Emotions
Angie
Tumbling Dice
Fool To Cry
Rock And A Hard Place
Miss You
Hot Stuff
Emotional Rescue
Respectable
Beast Of Burden
Waiting On A Friend
Wild Horses
Bitch
Undercover Of The Night

Album Description

Full title - Jump Back: The Best Of The Rolling Stones 1971-1993'. This collection features 18 of the Stones' best hits after leaving Abkco in 1971, all remastered from the original masters via 20 bit technology. Features 'Start Me Up', 'Brown Sugar', 'It's Only Rock 'N' Roll', 'Mixed Emotions', 'Angie', 'Miss You', 'Hot Stuff', 'Beast Of Burden', 'Wild Horses', 'Bitch', 'Undercover Of The Night', & more! Virgin. 1994. --This text refers to the Audio CD edition.

Customer Reviews:

The best of the era.......2007-07-09

The bset cuts from, arguably, the best years of the Stones. If you are Stones fan you probably have most of these on other albums, however now they are all together for you, just pop in the cd and you've got eighteen of their best. A shame, however some longer versions of the songs aren't here, like Waiting on a friend...the long version has some incredible sax solos by Billy Keys. The one downfall of strictly studio cut albums.
Forget the iPod, just play the entire CD!

How come they sound so good? Cuz its the STONES, that's why!.......2007-01-08

JUMP BACK * THE BEST OF THE ROLLING STONES has tracks that span the years 1971 to 1989. Taken direct from masters, and using what was then the latest technology (20 bit), sound quality of these 18 tunes is excellent. Included is a nicely illustrated 12-page booklet, that has comments about each song by band members-- the sort of details fans and trivia buffs go for. Some examples: "Brown Sugar" was written by Mick while he was filming NED KELLY in Australia, the demo of "It's Only Rock 'N' Roll (But I Like It)" featured Jagger and David Bowie, "Undercover Of The Night" was inspired by a William Borroughs novel called CITIES OF THE RED NIGHT, and so on.

JUMP BACK is a solid collection of later-career Rolling Stones tracks, recorded while they were still at the top of their game.

TOTAL RUNNING TIME -- 74:19

Great Stones Collection.......2006-07-07

If you want to listen to the best Mick Jagger & company had to offer from the early 70s to the early 90s then this is the CD for you.
Not all the big numbers are here but there are enough to make this a "must have" Stones album, especially for those who don't want to buy all the individual albums these tunes came from.
The digital remastering sounds great and there is a good liner notes booklet too.

not the best choice of songs.......2006-05-20

This should have included SHATTERED, SHE'S SO COLD, and ONE HIT TO THE BODY, if it was a true greatest hits cd from this time period.

Mixed Emotional CD.......2006-03-11

I have Mixed Emotions about this CD compilation. Most of the Stones best songs are here during that era, although I would have liked to have seen "Can't You Hear Me Knocking?", "Monkey Man", "Shattered", "She's So Cold", or "Dance Little Sister" on it. But the biggest letdown in this CD was the editted version of the Monster Hit: "Miss You" by one minute and sixteen seconds. (the singles version) Also, "Beast of Burden","Hot Stuff", and "Fool to Cry" were each cut by almost a full minute! "Rock and A Hard Place" was also editted too. (You can hear the eight minute dance version of 'Miss You' on the "Rarities '71 to '03" CD, but that was more amusing than fantastic listening.) Overall the 'Jump Back' CD is good, but You Can't Always Get What You Want. If you did, you got me Rocking!

Average customer rating:

Not as advertised
Near Classic '66-67 Stones
Where The Summer of Love Found The Stones
Everybody Should Get Flowers

Flowers
The Rolling Stones , and Rolling Stones
Manufacturer: Abkco
ProductGroup: Music
Binding: Audio CD

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Similar Items:

December's Children (And Everybody's)
Their Satanic Majesties Request
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England's Newest Hitmakers

ASIN: B00006AW2N
Release Date: 2002-08-27

Tracks:

Ruby Tuesday
Have You Seen Your Mother, Baby Standing in the Shadow?
Let's Spend the Night Together
Lady Jane
Out of Time
My Girl
Backstreet Girl
Please Go Home
Mother's Little Helper
Take It or Leave It
Ride on Baby
Sittin' on a Fence

Album Description

This Super Audio Compact Disc (SACD) recording offers high-resolution sound and is playable on both standard CD players and SACD-compatible devices.

Album Description

Remastered reissue of 1967 album, suitable for standard & 'Super Audio' CD players. Digipak.

Customer Reviews:

I just got mine and thought the same thing the last poster did -- that Amazon screwed up and this isn't a SACD hybrid as advertised. But it IS one. If you look on the disk itself, you will the DSD and Super Audio CD. I was angry at first because I already have the regular CD and wanted the SACD hybrid, but after opening it I am a happy camper. FWIW, it is in a cardboard case and the case says nothing about being a SACD hybrid.

Not as advertised.......2007-05-17

Flowers was advertised as a SACD hybrid, I received the remastered CD. This rating only reflects Amazons incorrect listing on the website.

Near Classic '66-67 Stones.......2007-03-12

"Flowers" holds the same place in the Stones' U.S. catalog that "Yesterday...and Today" held in the Beatles' - until the CD era, when the Beatles eliminated those bastardized US Capitol releases with UK editions of all catalog titles up to "Sgt. Pepper's", for it was those UK Parlophone albums that the Beatles and George Martin meticulously prepared and programmed. (This international uniformity lasted until enough time had elapsed to allow for nostalgia and commerce to warrant repackaging those American Beatles titles in expensive boxed sets).
But the Stones' UK catalog was never so clearly superior; the British Deccas are not necessarily superior to their US counterparts. Certainly original Decca vinyl was sonically preferable to London's 'fake stereo' in the '60s. Otherwise, however, the biggest difference was cultural: hit singles have always sold albums in the States. In England their inclusion on LPs was seen as redundant. If the Beatles always produced their albums in England, by 1964 The Stones were recording - in superb stereo - at Chicago's Chess Studios, and soon they stormed the charts and defined their times with 'The Last Time', 'Satisfaction' and other classics recorded at RCA in Hollywood. Partly this may have to do with Andrew Oldham's awareness that his role as producer was limited, and that to make great sounding records the Stones needed terrific engineers like Ron Malo (Chess) and Dave Hassinger (RCA). Which brings us to the rather maligned US-only "Flowers", like "December's Children" a hodge-podge that has steadily gained the status of near-classic, an album that sounds remarkably vital forty years after its release.
Not really, contrary to general assumption, a 'compilation', "Flowers" was issued in June 1967, the same month Brian Jones escorted Nico to the Montery Pop Festival where, still the wizard and true star ahead of the curve, he appeared onstage resplendent in his baubles and singular finery to introduce his friend Jimi Hendrix to America. But it was also a period of stress and crisis in the Stones' world, with the band unable to tour - Mick Jagger, Keith Richards, and Brian Jones (along with various friends and family) had all been busted for drugs during the preceding months, and the completion and release of "Their Satanic Majesties Request" would be delayed until November; radiant doomed Brian Jones was privately in the midst of a free-fall that would lead to his inevitable dismissal from the Stones, followed, just weeks later, by his death July 3, 1969.
At the time of release most of "Flowers" was new to the US audience (which might explain why it was another smash hit, reaching # 3 in "Billboard", during a 35 week chart run), containing tracks from UK versions of "Aftermath" and "Between The Buttons" that were deleted before Stateside release, along with two classic late '66 hit singles previously unavailable in album form. Three tracks had not been released anywhere by the Stones. As such "Flowers" at first sounds somewhat like a cross between the two previous studio albums. (It was, however, oddly flawed by the inclusion of three hits already available on the US editions of those albums - 'Let's Spend The Night Together,' 'Ruby Tuesday,' and 'Lady Jane').
Musically 1966 - 67 was the period during which Brian had lost interest in the guitar, instead coloring each song with an array of different instruments that always seemed to deepen the mood and power of the music. The Stones, with Ian Stewart and Jack Nitzche helping out, were experimenting, moving away from the classic American blues/r&b/soul/country forms that had inspired their first five albums. The music here is detailed and carefully textured, the songwriting sharp and acerbic, though often here with an introspective, late-night ambience that distinguishes it from the more willful "Buttons". "Flowers" does finally establish its own identity disctinct from the the two earlier classics, as exemplified by the English-folk/Appalachian tone of the exquisite closing track ('Sittin' On A Fence'). One is struck by the band's effortlessly great songwriting and ability to create fresh settings for each track. 'Sittin' On A Fence' is a brilliant example of the Stones' ambivilance (remember "Salt Of The Earth" or "Street Fighting Man")as well as a dramatic and effective climax to a great set. Elsewhere, 'Have You Seen Your Mother, Baby' remains a work of blistering power and density, its amphetemine fueled roar of guitar feedback, Wyman's impossibly heavy bass, and otherwordly pop-art horns concealing a dazzling lyric of Freudian sexual repression that demands to "tear through the shadow..." during its bridge. 'Out Of Time,' is both shorter and in a different mix from the UK version. The sole cover, 'My Girl' is lovely but minor, a bit too respectful of the Temptations' original to be considered inspired (compare the band's 1978 re-invention of 'Imagination'). Side two (of the vinyl album) provides one gem after another, from the waltz-time class analysis of 'Backstreet Girl', with Brian's gorgeous accordion and Mick's brutal yet tender vocal; 'Please Come Home' is 'Mona' on on acid, its relentless, hypnotic Diddleybeat transformed by Brian's theremin and what sounds like either synthesizer or mellotron, Keith's virtuosic guitar swirling through the mix atop Charlie Watts' perfect drumming (and, by the way, Shirley Watts makes a singular appearance here on backing vocals). 'Mother's Little Helper' is of course a classic single and another masterful track, with the droning guitar and Brian's sitar(?)providing a sense of dread and foreboding while Mick's vocal projects absolute confidence. 'Take It Or Leave It' is a pensive jewel, 'Ride On Baby' a unique rocker on which Keith's guitars are restrained but trenchant while Charlie's congas and Brian's harpsichord, bells, and harp (not harmonica) stand out as especially inventive.
Why not five stars? As stated, the three re-runs are simply lazy. Let us rewrite history by replacing them: open this album with another non-album single from '66, 'Sad Day'. Replace 'Let's Spend the Night' with 'Mother Baby's' B-side, the psychedelic blues 'Who's Driving Your Plane?' and insert the hotel room insomnia and restlessness of 'What to Do' as track five (in place of 'Lady Jane'). Now we have an album that is thematically and musically a far more cohesive statement. (And of course we use the full 5:37 'Out Of Time')...With the CD format and a multi disc changer anyone can program the album this way, and it's how I now choose to listen to it.
It doesn't matter anymore if this album was put out as stopgap. The 1966-67 Stones made accomplished, frequently startling music that can't be categorized as merely 'transitional', and some of the best appears on "Flowers", in remastering that, since the 2002 catolog upgrade, is superb. Finally, ponder the album jacket - on the front cover, Brian's is the only flower whose stem is without any leaves at all...

Where The Summer of Love Found The Stones.......2006-11-14

Crippled by drug busts and court appearances, the summer of '67 Stones had little time to come up with new material, much less an answer to the revolutionary pop of the Beatles' just-released Sgt. Pepper. Therefore Decca records was forced to put out this compilation of hits and outtakes dating back as far as Dec. '65 ( those being "My Girl," "Out of Time," "Mother's Little Helper," "Backstreet Girl" and "Sittin' On A Fence"). But that's hardly a raw deal, as the album is in essence a mini-greatest hits of the Stones at the peak of their mid-sixties creativity:
the shimmering Jan '67 single of "Ruby Tuesday"/ "Let's Spend The Night Together" (the latter of which makes its contemporary "Strawberry Fields" sound like a druggy chore by comparison), The anarchic energy of Aug '66's "Have You Seen Your Mother, Baby," the glorious chorus in "Out of Time" from the Aftermath album, and so on. But the true forgotten gems here are "Backstreet Girl," a decadent acoustic waltz with the late multi-instrumentalist Brian Jones on accordian (the fact that his flower on the album cover had no leaves was a band in-joke), with Mick's lyrics pointing the finger at the philandering of his fellow pop stars as much as himself, and "Sittin' On A Fence," Keith and Brian doing some lovely acoustic dueling as Mick ponders his old classmates and the life he could have led. An album released in summer, it's actually perfect for a cold winter's night, talented young men conjuring all kinds of visions for one's own darkness.

Everybody Should Get Flowers.......2006-08-29

OK...To understand Flowers, you have to first realize the context in which it was released. Flowers was released as an American only album of material that was not issued on previous albums, material that was cut from the American versions of albums released in their full 14 track format in Britain, or singles that had not made it into an album yet. Also don't forget that the Stones weren't touring at the time, attempting to find the same refuge that the Beatles had in their studio to try some experimentation a la Sgt. Peppers which became Satanic Majesties. Now that the proper context has been established, this album finds the Rolling Stones at the peak of their mid-60's creative power. Group founder Brian Jones had not yet cashed out on his drug and alcohol binges and he was totally into what has retrospectively been dubbed "flavoring" the albums and tracks that the Stones were putting out. The album is strung together with singles: "Ruby Tuesday" b/w "Let's Spend the Night Together", "Have You Seen Your Mother?", "Mother's Little Helper", and "Lady Jane". This material coupled with the leftovers from the British releases of Aftermath and Between the Buttons helps make this album somewhat eclectic like the other two albums but no less entertaining. The psycho-Bo Diddley "Please Go Home" is great 60's style garage-psyche rock. Anytime the Stones go Bo Diddley is worth listening to, by the way. "Out of Time" is a great companion piece to "Under My Thumb" from Aftermath, as it features much of the same instrumentation, with Brian Jones anchoring the song on his marimbas once again. "Back Street Girl" and "Ride on Baby" both fall into the same vein, with the use of the classical instruments on the rock tracks for that mock-Baroque feel that many of the 60's bands like the Kinks and Yardbirds went for with their use of harpsichords, etc. "Sitting on a Fence" and "Take It or Leave It" are also like songs, with similar feels and good acoustic guitar work. "My Girl" to me is the one oddity on the album but somehow it works with the eclecticness of the finished product.
This album was one of the first albums that I ever bought when I got into the Rolling Stones. It was also the first Stones album that I bought my fiancee when we were 16. We both loved it and I have never regretted that choice. For me, the albums Aftermath and Between the Buttons represent height of the Stones in the 60's before they changed directions forever. This album, Flowers, bridges the two in the same way that Rubber Soul and Revolver were bridged by Yesterday and Today. These albums form critical trilogies of albums at points where two bands were reaching critical mass just as the dream of the 60's was ending for so many.
Now for the disclaimer: as some reviewers have pointed out, this album is not part of the canon of Rolling Stones albums. That may be true but when you compare this album to others such as Exile on Main Street and Sticky Fingers or Beggars Banquet and Let It Bleed, but you are essentially comparing different bands and different times when holding Flowers against these rockers. Flowers is a great album that is completely misunderstood and underestimated. This album came out in 1967 and when compared with other albums of that time and place it shines with the best of them.

Average customer rating:

Great Early Work, Surprising Sounds
Refreshing Pop From An Often Harder Group
Get the UK version
Doesn't get any better than this!
The Stones Go a Little Psychedelic

Between The Buttons
The Rolling Stones , and Rolling Stones
Manufacturer: Abkco
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Aftermath
Flowers
December's Children (And Everybody's)
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ASIN: B00006AW2U
Release Date: 2002-09-03

Tracks:

Let's Spend the Night Together
Yesterday's Papers
Ruby Tuesday
Connection
She Smiled Sweetly
Cool, Calm and Collected
All Sold Out
My Obsession
Who's Been Sleeping Here
Complicated
Miss Amanda Jones
Something Happened to Me Yesterday

Amazon.com

The Stones began their transitional period, from reinvigorating R&B standards (on their early albums) to reinventing rock & roll (on the brilliant four-album streak beginning with Beggars Banquet), on this underrated 1967 collection. Even the songs that didn't become smash hits, such as the speed demon "Miss Amanda Jones" and the honky-tonking "She Smiled Sweetly," are more than curiosities despite experimental touches with organ, sitar, and kazoo. Mick Jagger proves, on the psychedelic "Yesterday's Papers" and "Ruby Tuesday," that he can sing a sexy ballad even if he's incapable of crooning. Of course, the opening piano-driven rocker "Let's Spend the Night Together" sounds as fresh and sexual as it ever did. --Steve Knopper

Album Description

This Super Audio Compact Disc (SACD) recording offers high-resolution sound and is playable on both standard CD players and SACD-compatible devices.

Album Description

Remastered reissue of 1967 album, suitable for standard & 'Super Audio' CD players. Digipak.

Customer Reviews:

Great Early Work, Surprising Sounds.......2007-07-16

This CD captures a very early sound.

Cool, Calm and Collected has a rich sweet but powerful melody to it

Something Happened to Me Yesterday is a unique piece too.

On the whole it's a unique sounding CD of The Rolling Stones that I recommend.

Refreshing Pop From An Often Harder Group.......2007-07-04

This is a scrappy, on-the-go album from Jan '67 that feels like some other band's, the Kinks, say, and fits writer Philip Norman's description of it as "a vaudeville show echoing in a nearly empty hall." But just because that vaudeville was to play to a greater acclaim six months later on Sgt. Pepper's doesn't make parts of it any less valid.
You get the two-sided timelessness of "Let's Spend The Night"/"Ruby Tuesday," plus "She Smiled Sweetly" (rediscovered in the movie "The Royal Tennenbaums") that gently glides along Keith's organ work, and "Cool, Calm, Collected," (Brian sitar work should be voted most original ever!) the music hall ambience of which, along with the similar closer "Something Happened To Me Yesterday," probably percolated in the Beatles' heads as they worked that winter in Abbey Road. There's also "Who's Been Sleeping Here" with its Dylanish beauty, and the infectious "Connection" (Stones outBeatle the Beatles!), which predicts the drug inspections that would harass them unceasingly.
"My Obsession" sucks, "Yesterday's Papers" just okay, and "Amanda Jones" is a Chuck Berry vamp taking a nauseating turn, but the rest is well worth owning. They would never sound so convincingly pop again...

Get the UK version.......2006-08-21

Please, do yourself a favor and get the U.K. release of _Between the Buttons_ rather than the U.S. release. The U.K. album is well-balanced and has two tracks that you must hear -- especially "Backstreet Girl," which is now one of my favorite Stones songs. Sure, "Ruby Tuesday" and "Let's Spend the Night Together" are great songs; they just don't fit on the album very well. My advice: buy the U.K. version from Amazon and download the two hits from iTu^es.

Doesn't get any better than this!.......2006-06-15

I don't care what anyone thinks, this is my all time favorite Rolling Stones. Everything about it is truly amazing. The songs are so diverse; they range from simple rockers like "Connection" and "My Obsession" to divine classics like "Let's Spend The Night Together" and "Ruby Tuesday". "Let's Spend The Night Together" is the best Stones song ever recorded. I love everything about it; from the drumming to the backing vocals. "Ruby Tuesday" also stands out as very heartfelt, especially with Brian Jones playing the recorder. "Yesterday's Papers" is another good one that really has that sixties sound to it. I especially like the guitar solo in it. "She Smiled Sweetly" is a lovely ballad and songs like these are very rare in the Stones catalog. I love "My Obsession" also; it's very simple as is "Connection", where Keith delivers some of his best back-up vocals. "Something Happened To Me Yesterday" ends the album sweetly; the song is light hearted and fun. I enjoy listening to it.

1. Not Fade Away
2. Route 66
3. I Just Want to Make Love to You
4. Honest I Do
5. Now I've Got a Witness
6. Little By Little
7. I'm a King Bee
8. Carol
9. Tell Me
10. Can I Get a Witness
11. You Can Make It If You Try
12. Walking the Dog