If You Can't Give Me Love [Import]

Track Listings
1. Can The Can    
2. Daytona Demon    
3. All Shook Up    
4. Keep A Knockin'    
5. I May Be Too Young    
6. I Bit Off More Than I Cou    
7. Four Letter Words    
8. Rolling Stone    
9. Wake Up Little Susie    
10. Heartbreak Hotel    
11. Love Hurts    
12. Don't Break My Heart    
13. I've Never Been In Love    
14. Mama's Boy    
15. The Race Is On    
16. If You Can't Give Me Love    

Editorial Reviews
Album Details
Compilation of her Greatest Hits featuring 'Breakdown', 'Tired of Waiting', the Race is In' and Many Others.

If You Can't Give Me Love, Music, Suzi Quatro, Glam Rock, Glitter, Hard Rock, Pop, Pop/Rock, Rock, Songwriter
Broadway - The American Musical (PBS Series)
Average customer rating: 5 out of 5 stars
  • Fabulous for any Broadway-lover
  • Top Shelf
  • TERRIFIC CD'S
  • Great Collection of Broadways greatest Songs
  • Great Compilation!
 Broadway - The American Musical (PBS Series)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. The Best of Broadway - The American Musical (PBS Series)
  2. Broadway: The American Musical
  3. Broadway: The American Musical
  4. Broadway - The American Musical (PBS Series)
  5. Somewhere over the Rainbow: The Golden Age of Hollywood Musicals

ASIN: B00064ADMK
Release Date: 2004-10-19

Tracks:

  1. Give My Regards To Broadway- Joel Grey
  2. Swanee- Al Jolson
  3. When The Moon Shines On The Moonshine- Bert Williams
  4. A Pretty Girl Is Like A Melody- John Steel
  5. My Man- Fanny Brice
  6. Fascinating Rhythm- Fred Astaire, Adele Astaire
  7. If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
  8. Someone To Watch Over Me- Gertrude Lawrence
  9. Bill- 78 rpm Version Helen Morgan
  10. Ol' Man River- Paul Robeson
  11. Ain't Misbehavin'- Louis Armstrong & His Orchestra
  12. Ten Cents A Dance- Ruth Etting
  13. Body And Soul- Libby Holman
  14. Brother, Can You Spare A Dime- Bing Crosby
  15. Night And Day- Fred Astaire
  16. Heat Wave- Ethel Waters
  17. Smoke Gets in Your Eyes- Tamara
  18. You're The Top- Ethel Merman
  19. Summertime- Anne Brown
  20. September Song- Walter Huston
  21. My Heart Belongs To Daddy- Mary Martin
  22. It Never Entered My Mind- Shirley Ross
  23. Bewitched, Bothered, Bewildered- Vivienne Segal
  24. Oh, How I Hate To Get Up In The Morning- Irving Berlin
  25. Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

  1. New York, New York- Cris Alexander,Adolph Green,John Reardon
  2. If I Loved You- John Raitt,Jan Clayton
  3. Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
  4. There's No Business Like Show Business- Ensemble
  5. How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
  6. Once In Love With Amy- Ray Bolger
  7. Wunderbar- Alfred Drake,Patricia Morison
  8. Some Enchanted Evening- Ezio Pinza
  9. Lost In The Stars- Todd Duncan
  10. Diamonds Are A Girl's Best Friend- Carol Channing
  11. Luck Be A Lady- Robert Alda,Guys
  12. Getting To Know You- Gertrude Lawrence
  13. Who Cares?- Jack Carson,Betty Oakes
  14. Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
  15. Ballad Of Mack The Knife- Gerald Price
  16. Hey There- from "The Pajama Game" John Raitt
  17. Whatever Lola Wants- Gwen Verdon
  18. I Could Have Danced All Night- Julie Andrews
  19. Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
  20. The Party's Over- Judy Holliday
  21. Glitter And Be Gay- Barbara Cook
  22. Tonight- Larry Kert, Carol Lawrence

Tracks:

  1. Seventy-Six Trombones- Robert Preston
  2. I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
  3. Everything's Coming Up Roses- Ethel Merman
  4. My Favorite Things- from "The Sound Of Music" Mary Martin
  5. Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
  6. Try To Remember- Jerry Orbach
  7. Camelot- from "Camelot" Richard Burton
  8. Love Makes The World Go 'Round- Anna Maria Alberghetti
  9. I Believe In You- Robert Morse And Co.
  10. The Sweetest Sounds- Diahann Carroll,Richard Kiley
  11. Comedy Tonight- Zero Mostel
  12. What Kind Of Fool Am I?- Anthony Newley
  13. As Long As He Needs Me- Georgia Brown
  14. Hello, Dolly!- Carol Channing,Cast
  15. People- Barbra Streisand
  16. Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
  17. If I Were A Rich Man- Zero Mostel
  18. Night Song- Sammy Davis, Jr.
  19. The Impossible Dream- Richard Kiley
  20. If My Friends Could See Me Now- Gwen Verdon
  21. Open a New Window- from Mame Voice

Tracks:

  1. Willkommen- from "Cabaret" Joel Grey
  2. Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
  3. I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
  4. The Ladies Who Lunch- from "Company" Elaine Stritch
  5. Tea For Two- Roger Rathburn,Susan Watson
  6. I'm Still Here- Yvonne De Carlo
  7. I Don't Know How To Love Him- Yvonne Elliman
  8. We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
  9. Corner Of The Sky- John Rubinstein
  10. Send In The Clowns- Glynis Johns
  11. Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
  12. One- from "A Chorus Line" Cast
  13. All That Jazz- Chita Rivera,Ensemble
  14. Tomorrow- Andrea Mcardle
  15. Don't Cry For Me Argentina- Patti Lupone
  16. Come Follow The Band
  17. Lullaby Of Broadway- Jerry Orbach
  18. And I'm Telling You I'm Not Going- Jennifer Holliday
  19. The Bells Of St. Sebastian- Raul Julia

Tracks:

  1. Memory- Betty Buckley
  2. I Am What I Am- George Hearn
  3. Move On- Bernadette Peters,Mandy Patinkin
  4. Do You Hear The People Sing?- Michael Maguire,Cast
  5. The Music Of The Night- Michael Crawford
  6. You're Nothing Without Me- James Naughton,Gregg Edelman
  7. The American Dream- Jonathan Pryce,Cast
  8. Doctor Jazz- Gregory Hines,Company
  9. With One Look- Glenn Close
  10. On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
  11. Le Jazz Hot- Julie Andrews,Ensemble
  12. Seasons Of Love-
  13. Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
  14. I Wanna Be A Producer- Matthew Broderick,Ensemble
  15. Dancing Queen- Louise Plowright,Jenny Galloway
  16. Good Morning Baltimore- Marissa Jaret Winokur
  17. Movin' Out- Michael Cavanaugh,Band
  18. I Go To Rio- Hugh Jackman,Company
  19. Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

5 out of 5 stars Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

5 out of 5 stars Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

5 out of 5 stars TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

5 out of 5 stars Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

5 out of 5 stars Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway
Authentic George Gershwin, Vol. 1-4
Average customer rating: 5 out of 5 stars
  • Excellent performer
  • A unique project
  • Gershwin historical, manic, perfect, archival
  • Definative
 Authentic George Gershwin, Vol. 1-4

Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

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ASIN: B0001Z2RSC
Release Date: 2004-08-24

Tracks:

  1. Swanee
  2. Come To the Moon
  3. I Was So Young (You Were So Beautiful)
  4. Tee-Oodle-Um-bum-Bo
  5. Nobody But You
  6. Limehouse Nights
  7. Drifting Along With The Tide
  8. Rhapsody In Blue
  9. Oh Lady Be Good!
  10. Fascinating Rhythm
  11. Hang On To Me
  12. I'd Rather Charleston
  13. The Man I Love
  14. The Half Of It, Dearie, Blues
  15. So Am I
  16. Kickin' The Clouds Away
  17. Concerto In F

Tracks:

  1. Sweet And Low-Down (I)
  2. That Certain Feeling (I)
  3. Looking For A Boy
  4. When Do We Dance?
  5. Sweet And Low-Down (II)
  6. That Certain Feeling (II)
  7. Irish Waltz
  8. Do, Do, Do
  9. Someone To Watch Over Me
  10. Clap Yo' Hands
  11. Maybe
  12. Three Preludes: I. No.1: Allegro Ben Ritmato E Deciso / II. No.2: Andante Con Moto / III No.3: Allegro Ben Ritmato E Deciso
  13. Meadow Serenade
  14. My One And Only
  15. 'S Wonderful/Funny Face
  16. He Loves And She Loves
  17. An American In Paris
  18. Liza
  19. Strike Up The Band
  20. Embraceable You
  21. I Got Rhythm (I)
  22. I Got Rhythm (II)

Tracks:

  1. Of Thee I Sing
  2. Jilted
  3. Second Rhapsody
  4. For You, For Me, For Evermore
  5. Cuban Overture
  6. Isn't It A Pity?
  7. Variations On 'I Got Rhythm'
  8. I. Catfish Row: Introduction - Jazzbo Brown - First Chorus, 'Summertime'
  9. II. Porgy Sings: 'I got Plenty O' Nuthin' - 'Bess, You Is My Woman Now'
  10. III. Fugue: Murder Of Crown, Act III Scene 1
  11. IV. Hurricane: Introduction, Act II Scene 3 - Hurricane, Act II Scene 3
  12. V. Good Morning, Brother: Occupational Humoresque, Act III Scene 3 - 'Good Morning, Brother' - Children's Song 'Sure To Go To Heaven' - 'I'm On My Way' (Finale)
  13. They Can't Take That Away From Me
  14. Let's Call The Whole Thing Off
  15. Our Love Is Here To Stay

Tracks:

  1. Girl Crazy Overture
  2. French Ballet Class
  3. Dance Of The Waves
  4. Slap That Bass
  5. Walking The Dog
  6. I've Got Beginner's Luck
  7. They All Laughed
  8. They Can't Take That Away From Me
  9. Shall We Dance
  10. By Strauss
  11. I Can't Be Bothered Now
  12. The Jolly Tar And The Milkmaid (1st Version)
  13. Put Me To The Test
  14. The Jolly Tar And The Milkmaid (2nd Version)
  15. Stiff Upper Lip
  16. A Foggy day (In London Town)
  17. Nice Work If You Can Get It
  18. Things Are Looking Up
  19. I Was Doing All Right
  20. Love Walked In

Customer Reviews:

5 out of 5 stars Excellent performer.......2007-03-09

This plates are wonderful. I was charmed, and when I close my eyes now, I see scenes with American in Paris or Porgy and Bess but my favorite piece of music is Rhapsody in Blue. It's more than excellent is fantastic. Jack Gibbons perfectly feels the unique tone Gershwin's music, the mixture rythms of jazz with influences of impressionists and clear and beauty melodies.
I'm fascinating.

5 out of 5 stars A unique project.......2006-11-23

Gibbons' undertaking is unique: to reconstruct and then execute and record the note-for-note playing of Gershwin as documented on the composers' piano rolls, sound recordings and certain published arrangements. I agree with the reviewer who points out that the result is like a library and not a recital you sit back and listen to (or get up and dance to). In fact Gibbons does some editing of his "library" now and then, and clearly documents it in his liner notes: in some reconstructions he augments accompaniment effects and even the melodic line itself. I don't mind that at all, especially as Gibbons scrupulously accounts for such tampering in his liner notes; but it seems to me that it is in this area of "tampering" that Gibbons the artist is asserting himself...which of course undermines the "library", the "historical archive": you have to search and read a bit to find out when you're hearing only Gershwin and when you're hearing some added Gibbons. I don't mind; Gibbons is a remarkable artist in his own right, not merely an impeccable documentarian. For sheer generosity of production Gibbons' Gershwin must also be unique: 4 cd's, scholar-level liner notes (yes, you need a magnifying glass to read them), and rock-bottom bargain price.

5 out of 5 stars Gershwin historical, manic, perfect, archival.......2006-06-12

First: this is 4 high-end produced cd's (in low-end jewel cases) for the price of 2. The liner notes of all 4 cd's are condensed in a booklet of microscopic print, so you may need to spend the savings on a magnifying glass. MONEY WELL SPENT.
Second: Jack Gibbons plays (and has recorded) the Alkan op 39 etudes (he probably plays a lot more Alkan than that). For those of you not in the know, this is to say he has world-class chops, indeed history-class (Liszt, who never played his friend Alkan, at least in public). But it's also to say that Gibbons knows how to interpret and personalize fantastically difficult piano music. For me, his Alkan op 39 is personal and passionate and real (contrast the facile and over-pedalled Hamelin and the just-the-notes-ma'me Ringeissen). An appreciation of Gibbons' Alkan is important here because while his Alkan is uniquely personal (as such music must be, no matter how hard it is to play) his Gershwin is deliberately impersonal...which is to say: no pianist, no singer would want to reproduce what Gibbons has given us in these 4 cd's, and in fact few listeners will be able to listen for long to these 4 cd's without a respite, a break , some silence, some minimal styling from somebody (anybody) else...which brings me to
Third: This is an archive, not a recital. This is a library, not a program. There is no track-by-track contrast of moods here, no track-by-track concession to easy listening, varied delight, any more than a library shelf of novels is alphabetized by authors' last names as a concession to mood or fancy or taste of the searching patron. This is the documented Gershwin in his recording mode: manic, notey, clever, "on", and never, as generations of stylists found in him, ravishing, tender, longing, sweet, glad, hopeful...person-to-person, in a word. I can listen to these cd's about half an hour at a time, max. This is Gerwhsin, not Gibbons. And this is just one side of Gershwin. He died at 38, in the summer. Brain tumor. A lot of pain.
Finally, Jack Gibbons has given the world a uniquely valuable and easily available resource. Gibbons could now do us a service by playing us some Gershwin as he feels it, as it hits him and makes him sing (as Gershwin, our American Schubert, does to all of us, and as I think Alkan has done to Gibbons). I would love to see a Gershwin stylings by Gibbons now that Gibbons himself has made sure Gershwin in his authenticity is safe and sound.

5 out of 5 stars Definative.......2005-07-23

Here's the whole Gershwin catalog at a great price... Five plus hours of bliss. Definately five stars!

Gibbons, according to a family friend and biographer Edward jablonski "recreates Gershwin's style." I'll never know. I can say this is a lively recording and has the perfect balance. It's neither stuffy and plodding or cute.
Wagner: The Valkyrie
Average customer rating: 4.5 out of 5 stars
  • "The death-doomed alone are destined to look on me."
  • Breathtaking, powerful, accessible, not just an alternative
  • Absolutely Breathtaking!
  • A powerful reading of the most moving opera in the Ring.
  • The power of Wagner's music drama is now fully accessible
 Wagner: The Valkyrie

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

All Works by WagnerAll Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
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Similar Items:
  1. Wagner: The Rhinegold
  2. Siegfried (Goodall Ring Cycle/Chandos Opera in English)
  3. The Twilight of the Gods (Goodall Ring Cycle/Chandos Opera in English)
  4. Mozart - Don Giovanni / Garry Magee · Cullagh · Banks · Plazas · Shore · Tierny · PO · David Parry

ASIN: B00004YU6Z
Release Date: 2000-11-28

Tracks:

  1. Act I: Prld - English Nat Opr Orch/Reginald Goodall
  2. Act I, Scene 1: The Storm Drove Me Here - Alberto Remedios/Margaret Curphey
  3. Act I, Scene 1: This House And This Wife - Margaret Curphey/Alberto Remedios
  4. Act I, Scene 1: Evil Fortune's Never Far From Me - Alberto Remedios/Margaret Curphey
  5. Act I, Scene 2: There He Lay, Feeble And Faint - Margaret Curphey/Clifford Grant/Alberto Remedios
  6. Act I, Scene 2: Through Field And Forest - Alberto Remedios/Clifford Grant/Margaret Curphey
  7. Act I, Scene 2: Friedmund No One Could Call Me - Alberto Remedios/Clifford Grant/Margaret Curphey
  8. Act I, Scene 2: The Neidings Raided Again - Alberto Remedios
  9. Act I, Scene 2: So The Norn Who Dealt You This Fate - Clifford Grant/Margaret Curphey/Alberto Remedios
  10. Act I, Scene 2: I Know A Troublesome Race - Clifford Grant
  11. Act I, Scene 3: A Sword Was Pledged By My Father - Alberto Remedios
  12. Act I, Scene 3: Are You Awake? - Margaret Curphey/Alberto Remedios
  13. Act I, Scene 3: My Husband's Kinsmen - Margaret Curphey
  14. Act I, Scene 3: Yes, Loveliest Bride - Alberto Remedios/Margaret Curphey
  15. Act I, Scene 3: Winter Storms Have Vanished (Siegmund's Spring Song) - Alberto Remedios
  16. Act I, Scene 3: You Are The Spring - Margaret Curphey
  17. Act I, Scene 3: Oh Sweetest Enchantment - Alberto Remedios/Margaret Curphey
  18. Act I, Scene 3: The Stream Has Shown My Reflected Face - Margaret Curphey/Alberto Remedios
  19. Act I, Scene 3: Siegmund Call Me, And Siegmund Am I! - Alberto Remedios
  20. Act I, Scene 3: Siegmund, The Walsung, Here You See! - Alberto Remedios/Margaret Curphey

Tracks:

  1. Act II, Scene 1: Go Bridle Your Horse, Warrior Maid! - Norman Bailey
  2. Act II, Scene 1: Hoyotoho! Hoyotoho! (Brunnhilde's Battle Cry) - Rita Hunter
  3. Act II, Scene 1: The Usual Storm, The Usual Strife - Norman Bailey/Ann Howard
  4. Act II, Scene 1: Pretend That You Don't Understand! - Ann Howard/Norman Bailey
  5. Act II, Scene 1: Now It's Come To Pass! - Norman Bailey
  6. Act II, Scene 1: So This Is The End Of The Gods And Their Glory - Ann Howard
  7. Act II, Scene 1: You Never Learn What I Would Teach You - Norman Bailey/Ann Howard
  8. Act II, Scene 1: What Must I Do? - Norman Bailey/Ann Howard
  9. Act II, Scene 1: Hiaha! Hiaha! Hoyotoho! - Rita Hunter/Ann Howard/Norman Bailey
  10. Act II, Scene 2: Fricka Has Won The Fight - Rita Hunter/Norman Bailey
  11. Act II, Scene 2: When Youth's Delightful Pleasures Had Waned - Norman Bailey
  12. Act II, Scene 2: She Refused To Reveal More About It - Norman Bailey/Rita Hunter
  13. Act II, Scene 2: There's More To Tell - Norman Bailey
  14. Act II, Scene 2: Yet One Can Accomplish What I May Not - Norman Bailey
  15. Act II, Scene 2: But The Walsung, Siegmund - Rita Hunter/Norman Bailey
  16. Act II, Scene 2: Then Siegmund Must Fall In His Fight? - Rita Hunter/Norman Bailey
  17. Act II, Scene 2: I Give You My Blessing, Nibelung Son! - Norman Bailey/Rita Hunter
  18. Act II, Scene 2: No, Have Mercy - Rita Hunter/Norman Bailey

Tracks:

  1. Act II, Scene 2: So I Obey His Command - Rita Hunter
  2. Act II, Scene 3: Rest Here For A While; Stay By My Side! - Alberto Remedios/Margaret Curphey
  3. Act II, Scene 3: Away! Away! - Margaret Curphey/Alberto Remedios
  4. Act II, Scene 3: Where Are You, Siegmund? - Margaret Curphey/Alberto Remedios
  5. Act II, Scene 4: Siegmund! Look At Me! (Announcement Of Death) - Rita Hunter/Alberto Remedios
  6. Act II, Scene 4: And If I Come - Alberto Remedios/Rita Hunter
  7. Act II, Scene 4: Then Greet For Me Walhall - Alberto Remedios/Rita Hunter
  8. Act II, Scene 4: Woe! Woe! Sister And Bride - Alberto Remedios/Rita Hunter
  9. Act II, Scene 4: Two Lives Now Lie In Your Power - Alberto Remedios/Rita Hunter
  10. Act II, Scene 5: Charms Of Sleep Are Sent To Still - Alberto Remedios
  11. Act II, Scene 5: I Hear Your Call - Alberto Remedios/Margaret Curphey
  12. Act II, Scene 5: Wehwalt! Wehwalt! - Clifford Grant/Alberto Remedios/Margaret Curphey/Rita Hunter/Norman Bailey

Tracks:

  1. Act III, Scene 1: Hoyotoho! Hoyotoho! (Ride Of The Valkyries) - Katie Clark/Anne Evans/Elizabeth Connell/Helen Attfield/Shelagh Squires/Anne Conoley
  2. Act III, Scene 1: Shield Me And Help - Rita Hunter/Katie Clarke/Anne Conoley/Elizabeth Connell/Helen Attfield/Anne Evans/Sarah Walker...
  3. Act III, Scene 1: Hear While I Tell You - Rita Hunter/Katie Clarke/Anne Conoley/Elizabeth Connell/Helen Attfield/Anne Evans/Sarah Walker...
  4. Act III, Scene 1: Pray Suffer No Sorrow For Me - Margaret Curphey/Rita Hunter/Katie Clarke/Anne Conoley/Elizabeth Connell/Helen Attfield/Anne...
  5. Act III, Scene 1: Fly Him Swiftly, Away To The East! - Rita Hunter
  6. Act III, Scene 1: O Radiant Wonder! (Parting Salute) - Margaret Curphey
  7. Act III, Scene 1: Stay, Brunnhild! - Norman Bailey/Margaret Curphey/Rita Hunter/Katie Clarke/Anne Conoley/Elizabeth Connell/Helen...
  8. Act III, Scene 2: Where Is Brunnhild? - Norman Bailey/Margaret Curphey/Rita Hunter/Katie Clarke/Anne Conoley/Elizabeth Connell/Helen...
  9. Act III, Scene 2: Weak-Spirited, Womanish Brood! - Norman Bailey
  10. Act III, Scene 2: Here I Am, Father - Rita Hunter/Norman Bailey
  11. Act III, Scene 2: No More Will You Ride From Walhall - Norman Bailey/Margaret Curphey/Rita Hunter/Katie Clarke/Anne Conoley/Elizabeth Connell/Helen...
  12. Act III, Scene 2: Did You Not Hear What I Decreed? - Norman Bailey/Margaret Curphey/Rita Hunter/Katie Clarke/Anne Conoley/Elizabeth Connell/Helen...
  13. Act III, Scene 3: Was It So Shameful - Rita Hunter/Norman Bailey
  14. Act III, Scene 3: I Know So Little - Rita Hunter/Norman Bailey
  15. Act III, Scene 3: You, Who This Love Into My Heart Revealed - Rita Hunter/Norman Bailey
  16. Act III, Scene 3: You Indulged Your Love - Norman Bailey
  17. Act III, Scene 3: Unworthy Of You This Foolish Maid - Rita Hunter/Norman Bailey
  18. Act III, Scene 3: You Fathered A Glorious Race - Rita Hunter/Norman Bailey
  19. Act III, Scene 3: In Long, Deep Sleep - Norman Bailey/Rita Hunter
  20. Act III, Scene 3: Farewell, My Valiant, Glorious Child! (Wotan's Farewell) - Norman Bailey
  21. Act III, Scene 3: These Eyes So Warm And So Bright - Norman Bailey
  22. Act III, Scene 3: Loge, Hear! Come At My Call! - Norman Bailey
  23. Act III, Scene 3: Magic Fire Music - Norman Bailey

Customer Reviews:

4 out of 5 stars "The death-doomed alone are destined to look on me.".......2007-06-12

Okay, so we have the Solti, Bohm, Karajan, Levine, Janowski, Goodall, and Sawallisch Rings on the market (I haven't listened to the other Ring recordings yet, sorry to say). And all of these leave me to one conclusion: the many differences lead me to believe that all of these ring sets have their own authenticities and setbacks. And here they are:

TIMING (Estimate):
Solti's Ring: 14 hours, 30 minutes
Bohm's Ring: 13 hours, 30 minutes
Karajan's Ring: 14 hours, 50 minutes
Goodall's Ring: 16 hours, 50 minutes
Janowski's Ring: 14 hours, 0 minutes
Levine's Ring: 15 hours, 20 minutes
Sawallisch's Ring: 14 hours, 0 minutes

CONDUCTING:
Solti: Solti's conducting is driven with sheer muscle, but sometimes he makes the Ring overemotional. His Walkure & Gotterdammerung Preludes are clear examples: they're annoyingly bombastic. Nonetheless he almost seldom loses control with anything. His clear focus on the drama is astonishing.

Bohm: I must say his live Bayreuth recording brings out some of the best. He puts more faith in the orchestral score, but he also gives it more intensity. His tempi are some of the quickest, but they still don't seem rushed at all (except maybe "Wohin schleich'st du eilig und schlau"). I especially like his "Forging Scene" & "Hagen Summons the Vassals"; both are the most energetic on disc.

Karajan: Karajan's chamber approach is very interesting. Instead of going for the drama or the energy, the conductor goes for the beauty. Almost everything in his Ring sounds very ethereal because of his excessive use of lyricism. His orchestral preludes (except Walkure Act 1) sound more beautiful than others, and much of the soft parts (such as Siegfried Act Three Scene Three) are controlled nicely. His "Funeral March" and "Immolation" are recommendable. Siegfried Act Three Scene Two could have improved with more tension.

Goodall: Oh, boy. While I do praise Goodall with his amazing attention to detail, his ridiculously sluggish tempi will tick some Wagnerites off: everything is slower than adagio moderato. But I did enjoy listening to the slow beauty of his "Wotan's Farewell/Magic Fire Music". This was recorded live and sung in English.

Janowski: This is a very classical Ring. Instead of bombast, spacious, or lyrical passion, maestro Janowski gives us the straightforward approach. He goes straight for Wagner's original intentions (precise tempi, dynamics, flow of leitmotivs, etc.), which makes this another exquisite Ring. "Hagen Summons the Vassals" is probably the fastest I've ever heard (along with Sawallisch's). Rheingold Scene Four can be best described as "sensational".

Levine: While he does stay true to the score like Bohm, this conductor makes for a somewhat dull Ring. His handling of the orchestra is nice, but the moderately slow tempi he chooses is flawed. It should be more animated. His beautiful "Funeral March" and "Erda's Warning" are two of the few flawless features.

Sawallisch: I guess you can say that Sawallisch is half-Karajan, half-Janowski. While he does stay true to the orchestral score like Janowski, he also puts in a little Karajan-like lyricism. At some points he loses track with orchestra and singers (as does every live recording) but Bohm has more control. This was also recorded live.

ORCHESTRA:
Solti's Vienna Philharmonic: The woodwinds are the most beautiful in Solti's Ring (the "Forest Murmurs" is clear evidence of that). French horns and Wagner tubas make this a recommended listening. The strings in "Heda Heda Hedo" could've added a bit more work, but they are strikingly spectacular everywhere else. The orchestra gives it their all in Siegfried Act Two & Three, but they are at their weakest in Walkure Act One & Three (Bohm's Bayreuth does it better). Overall, it's the loudest and certainly most bombastic out of all the Ring orchestras combined.

Bohm's Bayreuth Festival: The ultimate Wagnerian orchestra gives it their all. The brass both high and low are the most powerful, while the woodwinds are the most delicate. The strings are muffled only a few times, otherwise the eighteen anvils are perfectly loud and clear. Erda's scenes aren't as effective as Janowski's, but the entire Walkure is more successful than Janowski's when it comes to tone & technique. Overall, this orchestra is the most dramatic.

Karajan's Berlin Philharmonic: The entire orchestra sounds polished, not to say that it is bad. Indeed the drama is still there, but much of the suspense is lacking (the scenes with Fasolt and Fafner come to mind). The brass sometimes overpowers the strings, which can be a serious problem. Gotterdammerung "Three Norns" Scene sounds very mysterious, very eerie.

Goodall's English National Opera: This orchestra sounds nice, even if the sluggishness can bring them down at times. The Flight of the Valkyries doesn't sound too good in a slow tempo, but the entire orchestra does sound lucid here. Siegfried Act One Prelude is the creepiest. All of the leitmotivs are heard loud and clear, just like in Janowski's version.

Janowski's Staatskapelle Dresden: This orchestra has the same force & flair as does Bohm's Bayreuth Festival, only Dresden sounds much clearer due to the fantastic digital sound. Even minor details are found in this Ring. I can hear harps in Flight of the Valkyries! The strings imitate the Siegfried forest very well, while the woodwinds representing the songbird are wonderful (but not as wonderful as Solti's songbird). Dresden's "Magic Fire Music" (along with Berlin's) is the most extravagant.

Levine's Metropolitan Opera: The brass and woodwinds are the true stars. The strings sound too tired to continue on in Siegfried & Gotterdammerung. The Finale to Rheingold is absolutely stunning (the trumpets and trombones will not disappoint), and the Second Act of Walkure is the most impressive, the most refined.

Sawallisch's Bavarian State: Wrong notes in this live recording won't matter, as the entire orchestra gets everything going in all four nights at the opera. The strings never surrender to imperfection, and the winds are marvelously aligned. I just wish that some of the singers would keep up with the orchestra.

SINGERS:
-Wotan
Solti: Hans Hotter is the superior Wotan. He sounds powerful throughout the Ring (except Rheingold, in which a less stellar George London performs).

Bohm and Janowski: Theo Adam in Bohm's live recording is another treat. While he is not as equally impressive as Hotter, he can certainly conjure up everlasting emotions. Adam sounds weaker in Janowski's studio recording, but he still doesn't disappoint.

Karajan: Dietrich Fischer-Dieskau plays Wotan in "Rheingold," while Thomas Stewart replaces Fischer-Dieskau in "Walkure" and "Siegfried". I don't think Fischer-Dieskau was a good choice; he sounds too humane and too light. Stewart makes an astounding improvement in both "Walkure" and "Siegfried".

Goodall: Norman Bailey has that divine spark that Hotter used to cherish. He's heavy and unblemished, and he handles the English text with flair and sheen.

Levine: James Morris is a notch below Hotter, Adam, and Bailey, but he overpowers Fischer-Dieskau pretty much throughout the Levine's Ring.

Sawallisch: I may be biased, but Robert Hale just didn't do it for me. He sounded dull and tedious, and his Wotan's Farewell wasn't enough to sadden me.

-Brunnhilde
Solti and Bohm: Birgit Nilsson is the best Brunnhilde on the market. Her Valkyrie cry is delightful, and her final scene in Gotterdammerung is brilliant beyond belief.

Karajan: Regine Crespin is without a doubt one of the finest Brunnhildes after Nilsson. She's fantastic in Walkure Act Three. I just wish she stayed on as the Valkyrie later on in the Ring (Helga Dernesch is no good in Gotterdammerung, sorry to say).

Goodall: Rita Hunter is at her strongest in Walkure and Siegfried. She is at her weakest in Gotterdammerung. What may have caused her downfall in the fourth installment? "The world may never know."

Janowski: Jeannine Altmeyer is basically the most controversial Brunnhilde on CD. Some people say that she's too light and weak, while others say she sounds young and very enchanting. I'm with those who think Altmeyer was a good choice, but you yourself (the shopper) are going to have to decide whether she's good or not.

Levine and Sawallisch: Hildegard Behrens is just like Nilsson and Crespin: while she's not the best, she is definitely another perfect Brunnhilde of choice. She's at her most dazzling when she performs Walkure (Levine) and Siegfried (Sawallisch).

-Siegmund & Sieglinde
Let's see. For the Siegmunds, we have James King for Solti and Bohm. Jon Vickers for Karajan, Alberto Remedios for Goodall, Siegfried Jerusalem for Janowski, Gary Lakes for Levine, and Robert Schunk for Sawallisch. For the Sieglindes, we have Regine Crespin for Solti, Leonie Rysanek for Bohm, Gundula Janowitz for Karajan, Margaret Curphy for Goodall, Jessye Norman for both Janowski and Levine, and Julia Varady for Sawallisch. Hmm . . . Jerusalem is good . . . and so is Vickers . . . Janowitz is charming, and so is . . . Oh, what the heck? All the singers for Siegmund and Sieglinde are fantastic. Two exceptions, though: Robert Schunk doesn't sound heroic enough, and Jessye Norman for Levine's Ring doesn't sound young and innocent enough.

-Siegfried
Solti and Bohm: Wolfgang Windgassen may very well be the best Siegfried for the ages. His `Forging Scene" in both renditions are defiantly inspiring. His last scene in Gotterdammerung is celestial and overwhelming.

Karajan: Jess Thomas (Siegfried) and Helge Brilioth (Gotterdammerung) may not be as ideal as Windgassen, but they do know how to be a magnificent heldentenor. Thomas pulls it off with Act One and Three.

Goodall: Wow! What a singer that Alberto Remedios! He never drags in either of the last two installments, and he uses the correct emotions in every scene that he is in.

Janowski and Sawallisch: Rene Kollo's Siegfried is a poetically expressive one. In Janowski's version he sounds playful when he's in Mime's home, and he sounds willed when he's in the Gibich Hall. He is not good enough in Sawallisch's version, however. His tiresome "Forging Scene" is obvious evidence of that.

Levine: Oh, Reiner Goldberg. At least you tried. Seriously, he sounds too tedious (especially in Gotterdammerung Act Three Scene Two) and too old. I don't know Levine should've chose Kollo when he recorded his Ring.

-Alberich
Solti and Bohm: Gustav Niedlinger has a heaviness that overwhelms a few other baritones. When he sings his only sequence in Gotterdammerung Act Two Scene One, his emotion is so pure that his son Hagen would've drowned himself in tears (Too melodramatic? Sorry about that.). The only problem is that his character sounds too one-dimensional. Alberich isn't just some cardboard-cutout bad guy. He has a very good reason why he wants to take revenge on the world. Overall, Niedlinger is amazing throughout Wagner's Ring (He deserves many awards for "Bin ich nun frei?").

Karajan: I guess you can say that Zoltan Kelemen tries his best throughout. He is not good in Rheingold, but he gets better in Siegfried and Gotterdammerung.

Goodall: Derek Hammond-Stroud is three-dimensional, but not that much. Still, he can sound very demanding in Rheingold Scene One and Siegfried Act Two Scene One.

Janowski: Siegmund Nimsgern may be the most humane Alberich yet, but it's all good. He sings with more passion than Kelemen and more robustness than Hammond-Stroud. Niedlinger's ferociousness puts him below, however. "Schaf'st du, Hagen, mein sohn?" is noteworthy.

Levine and Sawallisch: Ekkehard Wlaschiha is one hell of a vigorous Alberich. I praise him in Rheingold Scene One and Three. His performance in Siegfried (both versions) could've improved with more distrustfulness towards Mime and the Wanderer.

-Mime
Solti and Karajan: Gerhard Stolze is the creepiest Mime ever known to humankind. This dwarf outsings other Mimes on the market. When he sings "Die stucken! Das Schwert!" his anger and fear is the most effective to almost all Ring listeners.

Bohm: Erwin Wohlfahrt wins second place. He gives a first-rate performance in Siegfried Act One, but loses some of his edge in Act Two. He is an exceptional Mime nonetheless. Look for him in Karajan's Rheingold, also.

Goodall: Gregory Dempsey isn't emotional enough. He doesn't sound fearful or depressed at all, which makes him the dullest Mime for the Ring.

Janowski: Peter Schreier is for Siegfried, while Christian Vogel is for Rheingold. Vogel is less than perfect, while Schreier is way beyond outstanding. Schreier is less ghoulish and more benevolent, more three-dimensional than Stolze and Wohlfahrt. The only flaw I can find is his handling of "Die stucken! Das Schwert!" He could've added a bit more fear in that sequence.

Levine: Heinz Zednik is yet another excellent mime. He is equal to Schreier when it comes to humaneness and lyricism. His performance in Rheingold Scene Three is pure gold, while his performance in Siegfried (particularly "Willkommen, Siegfried!") is a stunning achievement.

Sawallisch: Helmut Pampuch is just like Schreier and Zednik: he's very VERY good. Nuff said.

-Loge
Solti: Set Svanholm may be the weakest Loge. He is not very ominous throughout all of his scenes, and his lack of a sinister atmosphere is greatly affects the entire Rheingold. But he'll soon be forgotten later on in the Ring.

Bohm: Why the heck would the conductor have Wolfgang Windgassen play both Siegfried AND Loge? The demi-god needs to sound different from a son of a Walsung. Still, it's satisfactory, and his "Ihrem ende eilen sie zu" gives great foreshadowing.

Karajan: Gerhard Stolze is easily the most entertaining Loge to listen to. His scenes in Scene Three are delightful.

Goodall: Emile Belcourt isn't as good as Stolze, but he certainly can make some of the best of an English-speaking Loge.

Janowski: Peter Schreier is the most eccentric out of all of them, and that's a fact. Much of his singing involves imagination, peril, vengeance, and deviousness. Belcourt depends only on imagination and deviousness, Stolze only vengeance and deviousness, and Windgassen only peril. His odd conversations with Alberich and the gods/goddesses are classic.

Levine: Siegfried Jerusalem doesn't seem like a good choice for Loge. He's better off playing Siegmund or Siegfried, but not a demi-god.

Sawallisch: Robert Tear is on par with Stolze and Schreier. Sometimes he takes things too low, but all is forgiven with his management of character development.

-Everyone Else
Uh-huh, what can I say? Everyone else does a good job in all Ring recordings (maybe not in Swarowsky's version). Matti Salminen is the perfect Hagen (Janowski, Levine, and Sawallisch), while Kirsten Flagstad is the most brilliant Fricka (Solti). The Norns and Rheinmaidens do a splendid job in Solti, Janowski, and Levine. The Vassals (male choir) are at their unsurpassed in Bohm and Goodall. The only flawed Erda is Anne Collins (Goodall), maybe too light and too heavy at times. All in all, no one here is graded C or lower.

CONCLUSION: I have yet to listen to Barenboim's Bayreuth presentation and the essential mono recordings (Furtwangler, Krauss), but I'm pretty sure that have their advantages and disadvantages. So there you have it. We have the histrionic Solti, the energetic Bohm, the otherworldly Karajan, the spacious Goodall, the calculated Janowski, the relaxed Levine, and the serious Sawallisch Rings. They have their own authenticities and setbacks, and they certainly have their own significances for Ring listeners everywhere.


Sir Georg Solti: Wagner - Der Ring des Nibelungen (Ring Cycle) / Sir Georg Solti

Karl Bohm: Wagner: Der Ring des Nibelungen

Herbert von Karajan: Der Ring des Nibelungen / Karajan / Berlin Philharmonic

Goodall: Wagner: The Ring Cycle (Box Set)
-The Rhinegold (Part 1): Wagner: The Rhinegold
-Siegfried (Part 3): Siegfried (Goodall Ring Cycle/Chandos Opera in English)
-Twilight of the Gods (Part 4): The Twilight of the Gods (Goodall Ring Cycle/Chandos Opera in English)

Marek Janowski: Wagner: Der Ring des Nibelungen

James Levine: Der Ring Des Nibelungen

Wolfgang Sawllisch: Wagner - Der Ring des Nibelungen (Ring Cycle) / Sawallisch, Bayerischer Staatsoper

5 out of 5 stars Breathtaking, powerful, accessible, not just an alternative.......2005-05-03

This is one of three Walkure's in my collection: the very underrated Leinsdorf, the thrilling Boehm and this one with Goodall. I believe Goodall is right up there with the best of them. Remedios, Hunter and Bailey sing beautifully and with sufficient drama. I'll go out on a musical limb and say I believe Bailey is one of the finest Wotan's on disc. Many will disagree but I think he has the measure of the role, the power to pull it off and a burnished timber that never becomes coarse under powerful climaxes... Remedios may well be the star of the trilogy along with Hunter and Bailey. His Siegmund is beautifully sung and his Siegfried by the way, is no mean stint either. Would that we had tenors that could sing Siegfried without sounding stretched beyond their limits. I am continually puzzled by the bad reviews that the orchestra playing receives from ARG, Classics Today and a few others. The ENO is not a Concertgebouw or Vienna Philharmonic but I think they play beautifully, a few clinkers notwithstanding. For a live show, they do a pretty d..... good job. THe sound from both orchestra and singers is exceptionally fine. This set belong in your collection if you like Wagner and, Die Walkure, in particular. If I had been at the performance in the 1970's I would have come home very happy, satisfied and richer for the experience.

5 out of 5 stars Absolutely Breathtaking!.......2002-09-13

I had long cringed at the thought of this magnificant masterpiece recorded in English. Even after reading several rave reviews on this cylce that I've read by authoritive Wagnerites and critics, I was still skeptical. Finally, I decided to add Goodall's 'Ring' as my third complete cycle (after Solti & Bohm) for one reason: because it was in English and I felt it would enhance my understand of 'The Ring.' In fact, after achieving that "higher understanding" I was planning on selling this set on Ebay. That was, of course, before I heard this magnificant recording.

During the course of my research on 'The Goodall Ring' most of the praised seemed to heighten around 'Siegfried,' which is my absolute favorite of the cycle. That also helped to seal the deal. As the critics said, 'Siegfried' under Goodall is excellent, but not as monumental as Solti's reading, which IMHO is the greatest recording of 'Siegfried.'

The set that stands out, to me, in 'The Goodall Ring' is this recording; The Valkyrie. It is absolutely breathtaking. Not only is it my favorite of this set, it is my favorite Valkyrie recording period (I am very familiar with Boehm's, Solti's, Karajan's, Furthwanglers, Levines, and others). Alberto Remedios (Siegmund here and Siegfried in the last two operas) is truly magnificant. It is the best Siegmund I have heard on disc (and his Siegfried rivals Windgassen). Coupled with Margaret Curphey (Sieglinde), you get the most beautiful and moving duo I have heard on record. The duet in Act I is simply glorious. You also get the bonus of Norman Bailey's triumphant Wotan (and Wanderer too). He has such command and prescene. He sounds like a God. Throw in Rita Hunter, who holds her own as Brunnhilde, Goodall's miraculous conducting, and excellent playing by the orchestra and it all adds up to a stunning recording.

I can only say that in a way it's a shame this set is in English. Were it not, I believe Goodall's 'Ring' would be one of the most talked about, popular, and sought after complete recordings of the cycle. I can only say that I am so happy that I finally opened up to opera recorded in a different language than written.

I have fallen completely in love with Goodall's entire cycle. And, I have fallen in love with 'The Ring' all over again.

5 out of 5 stars A powerful reading of the most moving opera in the Ring........2001-08-30

This performance of *Die Valkure,* the second and most popular opera in Wagner's Ring Cycle, is musically splendid. Its special significance, however, is that it is sung in English. An English performance of the Ring is perhaps more important than that of any other opera(s), because Wagner's libretti are suffused with his ideas about society, fate, justice, and love. Even if (at times) you need to read along to understand what the singers are saying, *hearing* the lyrics in English is truly stirring in a way that performances in your non-native language cannot match.
A particular stand-out on this recording is the Wotan. His timbre, diction, and delivery perfectly embody the troubled god who tries desperately, and in vain, to keep the world under his control. His angst and wrath are utterly convincing.

5 out of 5 stars The power of Wagner's music drama is now fully accessible.......2001-01-30

I have never been a fan of opera in translation, but I must say that Andrew Porter's rendering of The Ring in English is amazing. He uses modern, not archaic, English, and the word choice is so very earthy and Germanic that the noble yet somewhat severe atmosphere of the Teutonic myths is conveyed perfectly. The sound, in other words, is an elegantly Germanic, and totally appropriate for the music and the Story it tells. It is not true that you can't understand the English anyway, because you can understand if you care to pay any attention at all. The translation is lucid, and so it the marvelous singing that conveys it.

Goodall's sense of music drama is lush, and takes some getting used to after the crash-and-burn Solti set, but after a time or two it seems just right. Goodall is not always slower than the rest, either; for example, the famous Ride of the Valkyries that begins Act III is quicker than Solti's surprisingly slow and heavy account. It is the most exciting that I have heard--and I have heard quite a few--but it is not so fast that the power is lost in favor of urgency.

This is not an urgent Die Walkure, and it is all the better for it. Goodall takes the time to actually tell the story, and is sensitive to the drama's needs over what could be called convention. For example, Wotan's Farewell doesn't thunder out after Brunnhilde's final declamation, like in so many recordings; rather, Goodall's interpretation is more dreamy, mysterious, and appropriately trance-like, in keeping with the action on stage.

I own the complete Solti Ring, but I must say I will be the first in line to get each new installment of this remarakable Ring as soon they hit the shelves. If you are new to Wagner, and are willing to make the plunge into a complete Ring, then start with this one and see if you want to continue. This recording is definitely one of the great Rings, and the superb translation will open up the work in ways that following the libretto just won't. I promise that you won't be able to put this one away easily. Get it!
Symphonic Magic, Vols. 1-4
Average customer rating: 5 out of 5 stars
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 Symphonic Magic, Vols. 1-4

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ASIN: B0000011KK
Release Date: 1997-06-24

Tracks:

  1. The Circle of Life - Kingston SO/Glen Fast
  2. I Just Can't Wait To Be King - Kingston SO/Glen Fast
  3. Can You Feel the Love Tonight - Kingston SO/Glen Fast
  4. The Lion Sleeps Tonight - City of Prague Phil/Colin Frechter
  5. Hakuna Matata - Kingston SO/Glen Fast
  6. Carnival of the Animals: Introduction-Royal March of the Lion - American PO/Barry Faldner
  7. Carnival of the Animals: Wild Asses - American PO/Barry Faldner
  8. Carnival of the Animals: The Aquarium - American PO/Barry Faldner
  9. Carnival of the Animals: Aviary - American PO/Barry Faldner
  10. Carnival of the Animals: The Swan - American PO/Barry Faldner
  11. Carnival of the Animals: Finale - American PO/Barry Faldner
  12. William Tell Overture - Ljublijana SO/Anton Nanut
  13. Radetsky March - Sofia SO/Barry Faldner
  14. Give a Little Whistle - Kingston SO/Glen Fast
  15. When You Wish Upon A Star - Kingston SO/Glen Fast
  16. I've Got No Strings - Kingston SO/Glen Fast
  17. Turn Of The Old Music Box - Kingston SO/Glen Fast
  18. Hi Diddle-dee-dee (an Actor's Life for Me) - Kingston SO/Glen Fast
  19. When You Wish Upon A Star (reprise) - Kingston SO/Glen Fast
  20. Symphonie Fantastique: March of the Scaffold - Ljublijana SO/Anton Nanut
  21. Hebrides Ov Op.26: Fingal's Cave - Ljublijana SO/Marko Munih
  22. The Magic Flute Ov, K.620 - Ljublijana SO/Marko Munih

Tracks:

  1. (Just) Whistle While You Work - Kingston SO/Glen Fast
  2. I'm Wishing - Kingston SO/Glen Fast
  3. With A Smile And A Song - Kingston SO/Glen Fast
  4. Some Day My Prince Will Come - Kingston SO/Glen Fast
  5. One Song - Kingston SO/Glen Fast
  6. Heigh-Ho - Kingston SO/Glen Fast
  7. The Nutcracker Ste, Op.71a: Miniature Ov - Ljublijana SO/Marko Munih
  8. The Nutcracker Ste, Op.71a: March - Ljublijana SO/Marko Munih
  9. The Nutcracker Ste, Op.71a: Dance of the Sugarplum Fairy - Ljublijana SO/Marko Munih
  10. The Nutcracker Ste, Op.71a: Russian Dance - Ljublijana SO/Marko Munih
  11. The Nutcracker Ste, Op.71a: Arabian Dance - Ljublijana SO/Marko Munih
  12. The Nutcracker Ste, Op.71a: Chinese Dance - Ljublijana SO/Marko Munih
  13. The Nutcracker Ste, Op.71a: Dance of the Pipe Flutes - Ljublijana SO/Marko Munih
  14. The Nutcracker Ste, Op.71a: Waltz of the Flowers - Ljublijana SO/Marko Munih
  15. Colonel Hathi's March - City of Prague PO/Colin Frechter
  16. The Bare Necessities - City of Prague PO/Colin Frechter
  17. I Wanna Be Just Like You - City of Prague PO/Colin Frechter
  18. Poet and Peasant Ov - Ljublijana SO/Anton Nanut
  19. 'L'Arlesienne' Ste No.2: Farandole - Ljublijana SO/Marko Munih
  20. The Love of Three Oranges March - American PO/Barry Faldner
  21. Finlandia - Ljublijana SO/Marko Munih
  22. 'Eine Kleine Nachtmusik' (A Little Night Music) (Ser in G, K.525 Allegro) - Ljublijana SO/Alexander Von Pitamic

Tracks:

  1. Belle - Kingston SO/Glen Fast
  2. Beauty and the Beast - Kingston SO/Glen Fast
  3. Be Our Guest - City of Prague PO/Colin Frechter
  4. The Sleeping Beauty Ballet Ste, Op.66: Introduction, The Tree Fairy - Volgograd SO/Edward Serov
  5. The Sleeping Beauty Ballet Ste, Op.66: Adagio, Pas d'action - Volgograd SO/Edward Serov
  6. The Sleeping Beauty Ballet Ste, Op.66: Pas de caricature - Volgograd SO/Edward Serov
  7. The Sleeping Beauty Ballet Ste, Op.66: Panorama - Volgograd SO/Edward Serov
  8. The Sleeping Beauty Ballet Ste, Op.66: Waltz - Volgograd SO/Edward Serov
  9. Arabian Nights - Kingston SO/Glen Fast
  10. Prince Ali - Kingston SO/Glen Fast
  11. A Whole New World - Kingston SO/Glen Fast
  12. One Jump Ahead - Kingston SO/Glen Fast
  13. Scheherazade, Op.35: The Sea and Sinbad's Ship - Ljublijana SO/Anton Nanut
  14. Dumbo Overture - City of Prague PO/Colin Frechter
  15. March Militaire - Sofia SO/Barry Faldner
  16. 'Peer Gynt' Ste No.1, Op.46: In The Hall of the Mountain King - Ljublijana SO/Andrew Schenck
  17. Light Cavalry Ov - Ljublijana SO/Marko Munih

Tracks:

  1. If I Knew You - City of Prague PO/Colin Frechter
  2. Just Around The River Bend - City of Prague PO/Colin Frechter
  3. Colours Of The Wind - City of Prague PO/Colin Frechter
  4. Peter and the Wolf (Symphonic Tale for Children), Op.67: Andantino (Peter) - American PO/Barry Faldner
  5. Peter and the Wolf (Symphonic Tale for Children), Op.67: Allegro (The Bird) - American PO/Barry Faldner
  6. Peter and the Wolf (Symphonic Tale for Children), Op.67: Moderato No.11 (The Cat) - American PO/Barry Faldner
  7. Peter and the Wolf (Symphonic Tale for Children), Op.67: Poco Pin Andante No.15 (The Grandfather) - American PO/Barry Faldner
  8. Peter and the Wolf (Symphonic Tale for Children), Op.67: Andantino, Come Prima No.17 (Peter) - American PO/Barry Faldner
  9. Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante No.18 (The Grandfather) - American PO/Barry Faldner
  10. Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante Molto No.19 (The Wolf) - American PO/Barry Faldner
  11. Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante No.24 (The Duck) - American PO/Barry Faldner
  12. Peter and the Wolf (Symphonic Tale for Children), Op.67: Vivo No.30 (The Bird) - American PO/Barry Faldner
  13. Peter and the Wolf (Symphonic Tale for Children), Op.67: Poco Meno Mosso-Moderato No.35 (Peter) - American PO/Barry Faldner
  14. Peter and the Wolf (Symphonic Tale for Children), Op.67: Allegro Moderato No.39 (The Hunters) - American PO/Barry Faldner
  15. Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante No.41 (Peter) - American PO/Barry Faldner
  16. Peter and the Wolf (Symphonic Tale for Children), Op.67: Sostenuto-Listesso Tempo No.48... - American PO/Barry Faldner
  17. Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante-End No.53 (Peter) - American PO/Barry Faldner
  18. Swan Lake Ballet: Scene (moderato) - Ljublijana SO/Marko Munih
  19. Swan Lake Ballet: Waltz - Ljublijana SO/Marko Munih
  20. Swan Lake Ballet: Swan Dance (allegro moderato) - Ljublijana SO/Marko Munih
  21. Swan Lake Ballet: Scene (andante) - Ljublijana SO/Marko Munih
  22. Swan Lake Ballet: Czardas (moderato) - Ljublijana SO/Marko Munih
  23. Bibbidi-Bobbodi-Boo - City of Prague PO/Colin Frechter
  24. A Dream is a Wish Your Heart Makes - City of Prague PO/Colin Frechter
  25. We Can Do It - City of Prague PO/Colin Frechter
  26. So This Is Love (Cinderella Waltz) - City of Prague PO/Colin Frechter
  27. 'Carmen Ste' No.1: The Toreadors - Ljublijana SO/Marko Munih
  28. In the Steppes of Central Asia - Ljublijana SO/Marko Munih
  29. 1812 Ov, Op.49 (finale) - Ljublijana SO/Marko Munih
  30. Marriage of Figaro Ov, K.492 - Ljublijana SO/Anton Nanut

Customer Reviews:

5 out of 5 stars A little something different.......2007-01-10

I enjoyed this music and am using some of it to choreograph a little different "Disney" for my students.I think it will come in handy in the future as well.
If You Can't Give Me Love
Average customer rating: 4 out of 5 stars
  • Love your work Suzi
 If You Can't Give Me Love
Suzi Quatro
Manufacturer: Disky Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Pop | Styles | Music
Singer-SongwritersSinger-Songwriters | Pop | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
GeneralGeneral | Rock | Styles | Music
GeneralGeneral | Hard Rock & Metal | Styles | Music
Hard RockHard Rock | Hard Rock & Metal | Styles | Music
GlamGlam | Classic Rock | Styles | Music
GeneralGeneral | Classic Rock | Styles | Music
Classic RockClassic Rock | Imports | Stores | Music
RockRock | Imports | Stores | Music
ASIN: B0000089U5
Release Date: 2004-01-01

Tracks:

  1. Can The Can
  2. Daytona Demon
  3. All Shook Up
  4. Keep A Knockin'
  5. I May Be Too Young
  6. I Bit Off More Than I Cou
  7. Four Letter Words
  8. Rolling Stone
  9. Wake Up Little Susie
  10. Heartbreak Hotel
  11. Love Hurts
  12. Don't Break My Heart
  13. I've Never Been In Love
  14. Mama's Boy
  15. The Race Is On
  16. If You Can't Give Me Love

Album Details

Compilation of her Greatest Hits featuring 'Breakdown', 'Tired of Waiting', the Race is In' and Many Others.

Customer Reviews:

4 out of 5 stars Love your work Suzi.......2001-12-01

This is another compliation in the compliation trail that record companies issue with Suzi Q's material. A great shot of Suzi on the cover looking very cute and with a lovely sexy smile on her face.

Disky communication has released quite a few Suzi compliations now i hope in the near future that they will remaster a couple.
If You Can't Give Me Love (Delta)
Average customer rating: Not rated
    		If You Can't Give Me Love (Delta)
    Suzi Quatro
    Manufacturer: Delta
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Rock | Styles | Music
    Pop RockPop Rock | Pop | Styles | Music
    GlamGlam | Classic Rock | Styles | Music
    CDs Under $7CDs Under $7 | Pop Rock | Pop | Today's Deals in Music | Formats | Music
    CDs $7 - $10CDs $7 - $10 | Pop Rock | Pop | Today's Deals in Music | Formats | Music
    All Bargain TitlesAll Bargain Titles | Pop Rock | Pop | Today's Deals in Music | Formats | Music
    CDs $7 - $10CDs $7 - $10 | Pop General | Pop | Today's Deals in Music | Formats | Music
    CDs Under $7CDs Under $7 | Glam | Classic Rock | Today's Deals in Music | Formats | Music
    CDs $7 - $10CDs $7 - $10 | Glam | Classic Rock | Today's Deals in Music | Formats | Music
    All Bargain TitlesAll Bargain Titles | Glam | Classic Rock | Today's Deals in Music | Formats | Music
    Classic RockClassic Rock | Imports | Stores | Music
    ASIN: B00001ZT7O
    Release Date: 1996-02-22

    Album Details

    Compilation of her Greatest Hits featuring 'breakdown', 'tired of Waiting', the Race is In' and Many Others.

    Music Review:

    1. Interview CD Book
    2. Jewels V.1 & 2 [Import]
    3. Just Push Play [Import] [Original recording remastered]
    4. Legend Continues
    5. Little Deuce Coupe [Import]
    6. Live at the Isle of Wight Festival 1970
    7. Live! Bootleg [Import] [Original recording remastered]
    8. Live Evil
    9. Livin' on the Edge [CD-single]
    10. Money & Cigarettes

    Music Review

    music review

    Music Review

    Flamingo Honey

    A Treasury of Chamber Music

    Alfred Schnittke: Violin Concertos Nos. 1 & 2

    Tennessee Mountain Home: 23 Bluegrass Gems [Import]

    5 Years of Distance Records [Import]

    A Winter's Eve

    Album [Import]

    A Long Hot Summer [Explicit Lyrics]

    All for Love

    Ausgewählte Lieder

    1000 Pounds [CD-single]

    40 Anos De Bossa Nova [Import]

    6 Feet Deep [Explicit Lyrics]

    See the Light

    Yellowstone: The Music of Nature