Face Dances [Import]

Track Listings

1. You Better You Bet

2. Don't Let Go The Coat

3. Cache Cache

4. Quiet One

5. Did You Steal My Money

6. How Can You Do It Lone

7. Daily Records

8. You

9. Anaother Tricky Day

10. I Like Nightmares

11. It's In You

12. Somebody Saved Me

13. How Can You Do It Alone (Live)

14. Quiet One (Live)

Tracks:

You Better You Bet
Don't Let Go The Coat
Cache Cache
The Quiet One
Did You Steal My Money
How Can You Do It Alone
Daily Records
You
Another Tricky day
I Like Nightmares
It's In You
Somebody Saved Me
How Can You Do It Alone (Live)
The Quiet One (Live)

Album Description

Digitally remastered Japanese reissue of The Who's 1981 album in a miniaturized LP sleeve with the original pac kaging intact. Limited to the initial pressing only, it also features all five of the bonus tracks included on MCA's U. S. reissue in the '90s! The extra cuts are 'I Like Nightmares', 'It's In You', 'Somebody Saved Me', 'How Can You Do It Alone' (Live) and 'The Quiet One' (Live). 14 tracks total. 1999 reissue of 1997 reissue.

Album Details

Limited Japanese Version Featuring Lp Style Slipcase,& 5 Bonus Tracks. Digitally Remastered

Customer Reviews:

The Who's stinker, but still a few tracks shine.......2007-07-17

"Face Dances" is hardly anything that we would expect from "The Who", yet after losing Keith Moon, and bringing their rock to a new decade, one would imagine that it would be a total failure, its not, but its still the worst Who album, in my opinion. There are a few tracks that stand out, which make it average, but that is about it. This is nothing special, but grab it if you want to add it to your collection, just dont expect much....

(3.5 stars) Not as bad as they say.......2007-04-07

If you're looking to start a classic rock-related argument, one of the best ways is by bringing up the quality of The Who Mach 2: that is, the two albums released between Keith Moon's death and the group's long break from releasing studio material (though we all know too much about those cash-in "farewell tour/reunion tour" albums). Out of the two, It's Hard is simply an affront to the Who's name, but I like Face Dances. Yeah, Moony's trademark insanity is missed, yeah, Pete indulges himself in a bit of insincere complaining (Did You Steal My Money?, Daily Records), and there are a few toss-offs such as The Quiet One and How Do You Do It Alone. But I like this one. I really do. You Better You Bet is indisputedly The Who Mach 2's best song. Yeah, it's pure pop, but it's also filled with hooks and funny, less-than-subtle innuendos, so I can't complain. Radio favorites such as Don't Let Go the Coat and Cache Cache (with an el strangeo refrain) add a lot. The record closes out with a fine ballad-y/putdown thing called Another Tricky Day, and You is one of Entwistle's hidden treasures, a thundering rocker in the vein of My Wife. So it's not Who's Next or Tommy, but it's far better than It's Hard (or its predecessor, Who Are You).

You better you bet it's a good album.......2007-01-29

This is Who are you part. 2, more songs about growing old in a youthful world of rock. These are some of Pete's best songs since Who by Numbers. He was drinking heavily but still very prolific, amazing!

One of The Who's Weakest Albums .......2006-12-27

After the tragic death of Keith Moon, the surviving members of The Who-vocalist Roger Daltrey, bassist John Entwistle, and guitarist Pete Townshend recruited The Faces' drummer Kenney Jones to make the album Face Dances, released in 1981. While today it is considered by some fans to be an under-appreciated gem, Face Dances was infact a low point in the band's long career.

Part of the problem lies in Pete Townshend's lyrics. One of the greatest songwriters in the history of rock 'n' roll, Townshend had penned such fantastic rockers as "My Generation," "Behind Blue Eyes," "Won't Get Fooled Again," "Love Reign O'er Me," and "Who Are You." Sadly, by the mid 1970s, Townshend was battling a drug and alcohol addiction. Thus his songs became more personal. The Who by Numbers (1975) was an album of deep self-assessment and featured The Who's most brutally honest lyrics. It is truly a unique album and an underrated gem in The Who catalogue. Who Are You (1978) was more upbeat with heavy, multi-layered production. Face Dances, while it continued the trend of producing a different sound for each new album, was so far removed from previous records that it didn't sound like The Who at all.

This is another problem with Face Dances. When not producing themselves, The Who had always chose someone close to them to produce their work. In the 1960s, it was Kit Lambert. In the 1970s, it was Glyn Johns. For Face Dances, they chose American record producer Bill Szymczyk. Szymczyk, who had produced superb albums for The Eagles like Hotel California and The Long Run, was an odd choice. The smooth, light-rock sound of The Eagles was fitting because it reflected the lyrics, but for The Who (a band that had earned the title of "Greatest Rock 'n' Roll Band in the World") it was completely wrong.

The album opens great with "You Better You Bet," the last hit single The Who released. It is after this song that Face Dances quickly goes downhill. "Don't Let Go the Coat," is catchy, but it's so darn lightweight. It's funny that Pete's demo is much superior. The remaining songs also suffer, with the exception of John Entwistle's "You." Again, I found Pete's demos for "Did You Steal My Money?" and "How Can You Do It Alone?" to be much better. The bonus tracks "It's In You" and "Somebody Saved Me" help alot. I recommend that you skip this one and buy It's Hard (1982), a much improved album.

why people put them dowm.......2006-11-13

this record is much better the the who by the numbers or even who are you.Dont know why people dont like it. Im a real who fan and this one is one of the best thing the who had done For me was the last good who record

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Suite Of Three Pieces, Op.116: Waltz
Waltz In D-Flat, Op.64 No.1: 'Minute' Waltz
La Plus Que Lente
Suite No.2 In B Minor, BWV 1067: Polonaise
Suite No.2 In B Minor, BWV 1067: Menuet
Suite No.2 In B Minor, BWV 1067: Badinerie
Crowley's Reel
Masquerade: Waltz
Brian Boru's March
Belfast Hornpipe
Concerto In D: Polacca
The Great Rose: Pie In The Face Polka
Fantasia Para Un Gentilhombre: Canario
Jamaican Rumba
Divertimento in D,K.334: Menuetto
Petite Suite: Ballet
Concerto In D, Op. 10, No. 3 'Il cardellino': Cantabile
Hora Staccato
Tambourin
Schoen Rosmarin
The Molly Maguires: Pennywhistle Jig
Gayaneh: Sabre Dance

Customer Reviews:

James Galway Enchants with "Dances for Flute".......2003-03-11

I purchased this CD after hearing a couple of tracks on our local fine arts radio station, but was completely unprepared for the richness and beauty to be found therein. Galway is a past master of the flute.

The selections on this CD, both familiar and new to this reviewer, are lovely. And more than one is positively haunting. I tell myself each day that I will remove the disk from the changer, to save for another day. But I cannot. I must have my daily dose of Galway.

Such is the enchantment that he weaves.

Unusual but outstanding flute music.......2001-01-30

This is one of a number of cd's bought for my wife (an avid flute lover) which have turned out to be among my favorites.

Galway plays with his normal crispness and energy, but here some unusual pieces one doesn't hear often. The two Khachaturian songs are haunting and the Belfast Hornpipe is so neat!

Customer Reviews:

The Real Thing.......2007-01-27

I'm a HUGE Mantovani fan and have had mixed results trying to upgrade my collection to CDs. This collection is the original orchestra arrangements of all the classics. This is the one to buy.

Fantastic Collection of Favorites!!!.......2003-07-02

The Mantovanti Orchestra shows off their "marvelous versatility" in this "wonderful" collection of "8 CDs", with titles that tell you "just what to expect", such as: "The Love Songs", "Memorable Classics", "Itallian Favorites", "On Broadway", etc. You can set the MOOD for practically ANY occassion! There are even some "popular" selections that we all know and treasure like: "Moon River", "Over the Rainbow" and "Autum Leaves"!
You will NOT want to remove these GREAT CDs from your CD Player, once you have listened to them! They make "nice" background music for small get-togethers or "lovely" background music for those "ROMANTIC DINNERS", for you and your "SPECIAL SOMEONE"!!! I HIGHLY RECOMMEND THIS SET!!! It is a GREAT DEAL for the money, even at the full price!!!

Average customer rating:

Face Dances
The Who
Manufacturer: Universal
ProductGroup: Music
Binding: Audio CD

General | Pop | Styles | Music

Pop Rock | Pop | Styles | Music

General | Rock | Styles | Music

General | Hard Rock & Metal | Styles | Music

Hard Rock | Hard Rock & Metal | Styles | Music

British Invasion | Classic Rock | Styles | Music

Album-Oriented Rock (AOR) | Classic Rock | Styles | Music

Supergroups | Classic Rock | Styles | Music

General | Classic Rock | Styles | Music

Classic Rock | Imports | Stores | Music
ASIN: B00006BGX8
Release Date: 2002-09-02

Tracks:

You Better You Bet
Don't Let Go the Coat
Cache Cache
Quiet One
Did You Steal My Money
How Can You Do It Alone
Daily Records
You
Another Tricky Day
I Like Nightmares [#][*]
It's in You [#][*]
Somebody Saved Me [#][*]
How Can You Do It Alone [Live][*]
Quiet One [Live][*]

Average customer rating:

I Am an American Woman

Manufacturer: Vienna Modern Masters
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music
ASIN: B000004A6Z
Release Date: 1995-12-01

Average customer rating:

Face Dances - Remastered
The Who
Manufacturer: Polydor
ProductGroup: Music
Binding: Audio CD

General | Pop | Styles | Music

General | R&B | Styles | Music

General | Rock | Styles | Music

General | Hard Rock & Metal | Styles | Music

General | Miscellaneous | Styles | Music

General | Soundtracks | Styles | Music

General | Classic Rock | Styles | Music

General | Broadway & Vocalists | Styles | Music
ASIN: B000LXMBVM

Average customer rating:

Face Dances

ProductGroup: Music
Binding: Audio CD

Pop Rock | Pop | Styles | Music
ASIN: B000HOJDU2
Release Date: 2006-11-01

Face Dances (+5 Bonus Tracks) (Remastere

Average customer rating:

Worth It For The True Who Fan
Great Classic

Face Dances (+5 Bonus Tracks) (Remastere
Who
Manufacturer: Universal/Polygram
ProductGroup: Music
Binding: Audio CD

Supergroups | Classic Rock | Styles | Music

General | Classic Rock | Styles | Music

Classic Rock | Imports | Stores | Music
ASIN: B000007UR1
Release Date: 1998-01-27

Album Details

Digitally Remastered with the Following Bonus Tracks: 'i Like Nightmares', 'it's in U', 'somebody Saved Me', 'how Can U Do it Alone' (Live in Chicago 1979) and 'quiet One' (Live in New York 1982).

Customer Reviews:

Worth It For The True Who Fan.......2001-06-21

The original of this album has always been one of my favorite Who records. Half of my early 1980s was spent with the vinyl record or cassette tape of this playing in the backround.

The question here is: "Is it worth the substantial extra loot for the remastered bonus tracks version"?

The answer is: "Only if you are a true fan". If you are really only interested in a CD with "You Better You Bet" and "Another Tricky Day" on it, go with the cheaper original. However, if you just love the sound of Roger, Pete, and John booming out great music, pick up the remaster. The sound quality on the remaster is excellent while the bonus tracks are quite good overall. "I Like Nightmares" and "It's In You" are excellent cuts that would have fit right in on the original album just fine. "Somebody Saved Me" sounded better in Pete's redone version on the All the Best Cowboys album in 1982. The two live cuts at the end are great Who jams recorded in 1979 and 1982 respectively.

I still put the remaster on shuffle most every week at work and continue to love it.

Great Classic.......2000-06-22

This is a great Who Classic ! You better you better you bet is one the the most powerfull songs ever recorded by this band

Average customer rating:

The Who's stinker, but still a few tracks shine
(3.5 stars) Not as bad as they say
You better you bet it's a good album
One of The Who's Weakest Albums
why people put them dowm

Face Dances
The Who
Manufacturer: Polygram Int'l
ProductGroup: Music
Binding: Audio CD

General | Pop | Styles | Music

Pop Rock | Pop | Styles | Music

General | Rock | Styles | Music

General | Hard Rock & Metal | Styles | Music

Hard Rock | Hard Rock & Metal | Styles | Music

British Invasion | Classic Rock | Styles | Music

Album-Oriented Rock (AOR) | Classic Rock | Styles | Music

Supergroups | Classic Rock | Styles | Music

General | Classic Rock | Styles | Music

Classic Rock | Imports | Stores | Music

Rock | Imports | Stores | Music

Pop | Imports | Stores | Music
Similar Items:

It's Hard
Who Are You
The Who by Numbers
Odds & Sods
Quick One (Happy Jack)

ASIN: B000026WTW
Release Date: 2000-04-25

Tracks:

You Better You Bet
Don't Let Go the Coat
Cache Cache
Quiet One
Did You Steal My Money
How Can You Do It Alone
Daily Records
You
Another Tricky Day
I Like Nightmares [#][*]
It's in You [#][*]
Somebody Saved Me [#][*]
How Can You Do It Alone [Live][*]
Quiet One [Live][*]

Album Description

Album Details

Limited Japanese Version Featuring Lp Style Slipcase,& 5 Bonus Tracks. Digitally Remastered

Customer Reviews:

The Who's stinker, but still a few tracks shine.......2007-07-17

(3.5 stars) Not as bad as they say.......2007-04-07

You better you bet it's a good album.......2007-01-29

One of The Who's Weakest Albums .......2006-12-27

why people put them dowm.......2006-11-13

Music Review:

Music Review

music review

Music Review

Go North: The Bronze Anthology [Import]

The Philadelphia Connection

The Soloki Monastery Part 1

Small Town Thing

Venezia Chill Out [Import]

Western Spaces

Und Es War Sommer [Import]

Thug Mentality 1999 [Clean]

The Greatest Hits of All [Original recording remastered]

The Roaring 20's

Time Capsule Remixes [Import]

Tango [Import]

Transformation

Cliches

Land of the Midnight Sun

1. You Better You Bet
2. Don't Let Go The Coat
3. Cache Cache
4. Quiet One
5. Did You Steal My Money
6. How Can You Do It Lone
7. Daily Records
8. You
9. Anaother Tricky Day
10. I Like Nightmares
11. It's In You
12. Somebody Saved Me
13. How Can You Do It Alone (Live)
14. Quiet One (Live)