La Woman
Editorial Reviews
Amazon.com essential recording
The last official Doors studio album, L.A. Woman was still high on the charts when, like the "actor out on loan" of its closing track, "Riders on the Storm," Jim Morrison died in a Paris bathtub in the summer of 1971. Via such tracks as "The Changeling," "Crawling King Snake," and the frothy, rollicking title track, the collection leaned heavily toward the blues--in particular, Morrison's boastful "Lizard King" brand of it. It also holds another entry in the band's ever-adventurous tone poems in the ever-underrated mythical tale of American music and culture, "WASP (Texas Radio and the Big Beat)." --Billy Altman --This text refers to the Audio CD edition.
Album Description
2000 reissue of The Doors' last album & best seller. Features 'Riders On The Storm', 'Love Her Madly" and "L.A. Woman'. Each LP jacket is hand crafted to recreate the original groundbreaking see-through artwork. Digitally remastered on a 24 karat gold CD. Standard jewel case. --This text refers to the Audio CD edition.
La Woman, Music, Doors, Pop, Rock
Average customer rating:
- Fabulous for any Broadway-lover
- Top Shelf
- TERRIFIC CD'S
- Great Collection of Broadways greatest Songs
- Great Compilation!
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Broadway - The American Musical (PBS Series)
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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- The Best of Broadway - The American Musical (PBS Series)
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ASIN: B00064ADMK
Release Date: 2004-10-19 |
Tracks:
- Give My Regards To Broadway- Joel Grey
- Swanee- Al Jolson
- When The Moon Shines On The Moonshine- Bert Williams
- A Pretty Girl Is Like A Melody- John Steel
- My Man- Fanny Brice
- Fascinating Rhythm- Fred Astaire, Adele Astaire
- If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
- Someone To Watch Over Me- Gertrude Lawrence
- Bill- 78 rpm Version Helen Morgan
- Ol' Man River- Paul Robeson
- Ain't Misbehavin'- Louis Armstrong & His Orchestra
- Ten Cents A Dance- Ruth Etting
- Body And Soul- Libby Holman
- Brother, Can You Spare A Dime- Bing Crosby
- Night And Day- Fred Astaire
- Heat Wave- Ethel Waters
- Smoke Gets in Your Eyes- Tamara
- You're The Top- Ethel Merman
- Summertime- Anne Brown
- September Song- Walter Huston
- My Heart Belongs To Daddy- Mary Martin
- It Never Entered My Mind- Shirley Ross
- Bewitched, Bothered, Bewildered- Vivienne Segal
- Oh, How I Hate To Get Up In The Morning- Irving Berlin
- Oh, What a Beautiful Mornin'- Alfred Drake
Tracks:
- New York, New York- Cris Alexander,Adolph Green,John Reardon
- If I Loved You- John Raitt,Jan Clayton
- Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
- There's No Business Like Show Business- Ensemble
- How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
- Once In Love With Amy- Ray Bolger
- Wunderbar- Alfred Drake,Patricia Morison
- Some Enchanted Evening- Ezio Pinza
- Lost In The Stars- Todd Duncan
- Diamonds Are A Girl's Best Friend- Carol Channing
- Luck Be A Lady- Robert Alda,Guys
- Getting To Know You- Gertrude Lawrence
- Who Cares?- Jack Carson,Betty Oakes
- Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
- Ballad Of Mack The Knife- Gerald Price
- Hey There- from "The Pajama Game" John Raitt
- Whatever Lola Wants- Gwen Verdon
- I Could Have Danced All Night- Julie Andrews
- Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
- The Party's Over- Judy Holliday
- Glitter And Be Gay- Barbara Cook
- Tonight- Larry Kert, Carol Lawrence
Tracks:
- Seventy-Six Trombones- Robert Preston
- I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
- Everything's Coming Up Roses- Ethel Merman
- My Favorite Things- from "The Sound Of Music" Mary Martin
- Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
- Try To Remember- Jerry Orbach
- Camelot- from "Camelot" Richard Burton
- Love Makes The World Go 'Round- Anna Maria Alberghetti
- I Believe In You- Robert Morse And Co.
- The Sweetest Sounds- Diahann Carroll,Richard Kiley
- Comedy Tonight- Zero Mostel
- What Kind Of Fool Am I?- Anthony Newley
- As Long As He Needs Me- Georgia Brown
- Hello, Dolly!- Carol Channing,Cast
- People- Barbra Streisand
- Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
- If I Were A Rich Man- Zero Mostel
- Night Song- Sammy Davis, Jr.
- The Impossible Dream- Richard Kiley
- If My Friends Could See Me Now- Gwen Verdon
- Open a New Window- from Mame Voice
Tracks:
- Willkommen- from "Cabaret" Joel Grey
- Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
- I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
- The Ladies Who Lunch- from "Company" Elaine Stritch
- Tea For Two- Roger Rathburn,Susan Watson
- I'm Still Here- Yvonne De Carlo
- I Don't Know How To Love Him- Yvonne Elliman
- We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
- Corner Of The Sky- John Rubinstein
- Send In The Clowns- Glynis Johns
- Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
- One- from "A Chorus Line" Cast
- All That Jazz- Chita Rivera,Ensemble
- Tomorrow- Andrea Mcardle
- Don't Cry For Me Argentina- Patti Lupone
- Come Follow The Band
- Lullaby Of Broadway- Jerry Orbach
- And I'm Telling You I'm Not Going- Jennifer Holliday
- The Bells Of St. Sebastian- Raul Julia
Tracks:
- Memory- Betty Buckley
- I Am What I Am- George Hearn
- Move On- Bernadette Peters,Mandy Patinkin
- Do You Hear The People Sing?- Michael Maguire,Cast
- The Music Of The Night- Michael Crawford
- You're Nothing Without Me- James Naughton,Gregg Edelman
- The American Dream- Jonathan Pryce,Cast
- Doctor Jazz- Gregory Hines,Company
- With One Look- Glenn Close
- On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
- Le Jazz Hot- Julie Andrews,Ensemble
- Seasons Of Love-
- Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
- I Wanna Be A Producer- Matthew Broderick,Ensemble
- Dancing Queen- Louise Plowright,Jenny Galloway
- Good Morning Baltimore- Marissa Jaret Winokur
- Movin' Out- Michael Cavanaugh,Band
- I Go To Rio- Hugh Jackman,Company
- Defying Gravity- Kristin Chenoweth,Idina Menzel
Customer Reviews:
Fabulous for any Broadway-lover.......2007-01-30
Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.
Top Shelf.......2007-01-04
This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.
TERRIFIC CD'S.......2006-03-23
THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.
Great Collection of Broadways greatest Songs .......2005-06-14
This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway
Great Compilation!.......2005-01-17
If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway
Average customer rating:
- BAKATARE - MIEYDA - UMA KAKATA - E:COLI - YOKO OH NOOOOO!!!
- Addictive, but not for everyone...
- Quirky + Charming + Weird
- good for one song
- Wierd
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Viva! La Woman
Cibo Matto
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD
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ASIN: B000002N11
Release Date: 1996-01-16 |
Tracks:
- Apple
- Beef Jerky
- Sugar Water
- White Pepper Ice Cream
- Birthday Cake
- Know Your Chicken
- Theme
- The Candy Man
- Le Pain Perdu
- Artichoke
- Bonus Track 1
Amazon.com
From the melting pot of New York's East Village come two ultrahip and very tasty expatriate Japanese music-makers, Miho Hatori and Yuka Honda, calling themselves Cibo Matto. That the name (pronounced "cheebo motto") means "food madness" in Italian is appropriate: the female duo sings about things to eat (apples, beef jerky, artichokes, birthday cakes) on all 10 tracks of their debut album, Viva! La Woman. And even if the record's lyrics are generally nonsensical, food makes for a great text: ripe with metaphors, it's sensual, colorful, irresistible, and quite universal. But as in another East Asian export--the 1994 Taiwanese film Eat Drink Man Woman--food is the canvas on which the artists paint their story, and not the story itself. Cibo Matto could just as easily stand for "sample madness." Sound, not taste, satisfies their appetite, and the disparate ingredients they pop in the blender--ambient bursts, random noises, hip-hop breakbeats, trip-hop swirls and churns, Afro-Cuban percussion, muted cool jazz trumpets, funky bass and keys--produce a sonic collage of rhythms and melodies that makes for some of the most successful sampler-based songwriting to date. Like Soul Coughing --a similar-minded downtown New York outfit--Cibo Matto don't replace real playing with sampler loops, they just bring the sampler into the mix as a limitless source for all the crazy sounds their conventional instruments can't get to. And like the Beastie Boys, Cibo Matto compose music the way kids play with toys--so naturally and so ecstatically it makes us all want to come out and join in their irrepressible fun. --Roni Sarig
Customer Reviews:
BAKATARE - MIEYDA - UMA KAKATA - E:COLI - YOKO OH NOOOOO!!!.......2006-12-30
Two Japanese girls experimenting with their $99- casio keyboard
and attaching ridiculously silly teeny infantile lyrics, primarily
about food: They get a recording contract, in NYC no less.. .the same city
that pays Katie Couric $75 million for smirking and souring my morning
coffee... Only in New York! One of the girls dates (sadly, but expectedly
... with a mom like Yoko Ono, would you expect any different?) untalented
Sean Lennon... and Sean (about 50 lbs overweight and blind as a bat)
plays bass in the group... Stupid me, I bought this album thinking
(ok, it was an impulse) I'd get another Pizzicato Five group. BOY WAS I WRONG!!!
NOT ONLY DOES THIS P.O.S. STINK TO HELL, UNEXPLICABLY IT SOLD 500,000 COPIES
ENCOURAGING THIS PAIR OF BUBBLEHEAD ASEXUAL UNTALENTED YOKO-ONOS TO
RECORD A FOLLOWUP ALBUM!!! They even had the nerve to appear at the
latin rock stage only becuase they could sing 1 stupid song in Portuguese.
To be fair, Geggy Tah also showed up, but they played much better songs.
I was very happy and satisfied when Cibbo matto was booed off the stage in Central Park.
I HOPE THESE TWO BYATCHES NEVER SET FOOT IN A RECORDING STUDIO AGAIN
AND THE NEXT TIMJE I SEE THEM IT'LL BE TO ASK ME IF I WANT TO SUPERSIZE
MY ORDER OF CHICKEN LO-MEIN!! - AND FOR THOSE OF YOU WHO GIVE THEM 5 STARS
AND WRITE ABOUT "BOSSA NOVA" AND "HIP HIP" INFLUENCES, PLEASE SEEK
DRUG REHABILITATION AS SOON AS POSSIBLE. If you;re not on drugs, then you
are most likely one of the 200 people who foolishly bought a copy of this
turd and want to con others into buying it from you by writing positive reviews.
Addictive, but not for everyone..........2006-02-28
Cibo Matto's first release, Viva! La Woman (1996) is a strange concoction - a unique mix of Hip Hop, alternative, electronic, dance, jazz and popular music influences that deosn't sound quite like anything you (or at least I) have heard before. Before I launch into my opinion on this astonishingly addictive and catchy album, I will make it very clear that I absolutely love it. I own a lot of CDs; some I have grown out of entirely, some I bought for only a couple of songs (or even one), some that were ultimately forgettable. Viva! La Woman, however, has remained one of my very favourite CDs - a kind of talisman to which I continually return for relaxation, escape, or inspiration for my own pursuits in music.
It also has to be said that it is not a CD for everyone. People with conservative tastes in music will see the ostensibly nonsensical lyrics to be nothing more than, well, nonsense. Others may listen to a track like 'Apple' and discard it as dissonance. I suppose you have to approach a pairing (Miho Hatori and Yuka Honda) like Cibo Matto with an open mind. We're not talking John Cage or Kraftwerk here, but it has to be said that Viva! La Woman is radically different to the music that you will hear in the charts. The Australian charts, anyway...
I first came across Cibo Matto in an episode of Buffy the Vampire Slayer, and again in Michel Gondry's fantastic music video for 'Sugar Water', and the love affair grew from there. It is hard to describe exactly what I find so addictive about Viva! La Woman. From the perspective of an audio production student, the album is an excellently-produced blend of the aforementioned musical genres, where sampled accoustics meet electronics to create some ridiculously catchy tracks that will stay in you head for... Well, its three years and counting for me, so far.
Then there's Miho Hatori and Yuka Honda's incredible vocals. The lyrics will at first seem whimsical, even childish. The more I've listened, however, the more the lyrics have combined with the music to articulate such feelings as love, sadness and jubilation better than any other album I own. Perhaps it's just me, but Viva! La Woman takes me on an emotional ride, stimulating my imagination all the while.
There's something more though. Like the cult TV show on which I discovered Cibo Matto, Viva! La Woman is just effortlessly cool. There's no better way of putting it. It's anything but ordinary, maddeningly catchy and really, really addictive. Highly recommended, and a worthy purchase for anyone who likes electronic and alternative music.
For the record, the 1999 follow up, Stero Type A, is brilliant as well.
Quirky + Charming + Weird.......2005-09-19
when this first came out, it was interesting and unique and different. but to me, it has not held up very well over time. there are some pretty cool songs on here, but the nonsense lyrics tend to make it very gimmicky and Cibo Matto always seemed to me as more of a novelty item than a functioning musical unit. a curse that this band never seemed to escape. but they can be charming and i found myself warming up more to their later releases after this one.
good for one song.......2005-08-04
I know the song Sugar Water from Buffy and was hoping the others would be along the same lines. To put it nicely, they did not fit my tastes.
Wierd.......2005-07-13
Japan is a strange place, Just listen to this album and you'll agree,
After being introduced to Cibo Matto by mom (you heard that right,she listes to everything from green day to Gorillaz)
Everything on this Album is great but the highlights have to be
Beef Jerky-Irreverant and funny, plus the say "A horse's ass is better than your's"
Birthday Cake-After about 15 seconds of silence you hear a click and someone yelling some incoherent thing followed by some wierd squeling and "SHUT AND EAT-TO BAD NO BON APPETITE-SHUT UP AND EAT-you know my love is sweet" gets blared in your ear so loud that the first time i litterally had to throw my headphones off(due to the max sound due to 15 seconds of silence)Propbably the best song on the album,irreverent.
Chicken-Quirkiest song on the album, hard to explain need to listen to this one yourself.
Artichoke-A double entrendre fest topped of with the line "Can you squeeze a Lemon on me?" Zed Zeppelin anyone?
Like i said this album is great all aroud(though theme is a little long) For those of you that have been to japan this is probably not that wierd to you
for the rest of us this is the best thing to come out of japan since video games.
Too bad they've broken up though
*Yuka's got Miho to do stuff on her second album eucademix probably the closest thing to a reunion fans will get
Average customer rating:
- Atmospheric Music to a Memorable Screenplay
- Good original score, though better old melodies
- Nicely done, Thomas, nicely done.
- Newman is On and Off, as Usual
- Contains a GREAT song
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Scent Of A Woman: Original Motion Picture Soundtrack
Thomas Newman , and Jose Padilla
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD
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ASIN: B000002ON6
Release Date: 1993-01-19 |
Tracks:
- Main Title
- A Tour Of Pleasures
- Tract House Ginch
- 45 In 25
- Balloons
- Cigars Part Two
- Por Una Cabeza
- Long Gray Line
- The Oakroom
- Park Ave.
- Witnesses
- Beyond Danger
- La Violetera
- Other Plans
- Assembly
- Fleurs De Rocaille
- End Title
Customer Reviews:
Atmospheric Music to a Memorable Screenplay .......2006-03-21
Everything about this excellent score is pure America. The tempo corresponds to the changing moods of the film from the rolling road rhythm to the erotic tango and the college flaky beat during the practical joke which misfires. I am the only member of my family who hasn't visited the USA but I am hoping to one day make the trip and experience the multitude of cultures which inspired Thomas Newman, the composer, to produce such musical imagery in the changing scenes.
Sylvia (UK)
Good original score, though better old melodies.......2002-10-08
As a matter of fact I bought this CD not as much due to Mr. Newman's original scrore, but since I liked very much the treatment of the beatiful Spanish song "La Violetera" in key moments of the film. Mr. Newman's music is very good, but the Spanish and Argentine music he used was much better. The performances of "The Tango Project" are superb. "La Violetera" is probably the nicest Spanish song, talking of a florist; it is widely known in its original version in Spain and Latin America, and moreover, came to international light thanks to Charles Chaplin's "City Lights" where it was the Leitmotif of the blind florist girl (a very adequate use indeed). The tango "Por una Cabeza" is probably the highlight of the score, because it is the piece danced by Al Pacino; unfortunately the other tango "Caminito", played by the orchestra at the restaurant, does not appear here. It is a petty. As a whole, I like the CD very much, especially the two performances of "The Tango Project", but just because they are more touching to my cultural heritage. Nonetheless, I praise both Mr. Newman's personal compositions as well as his perfect use of other's melodies.
Nicely done, Thomas, nicely done........2002-08-15
This cd is worth price of admission for one huge reason, the main theme music. It comes at us twice during our listening journey of Scent Of a Woman. It is likened to a kid finally learning to ride a bike for the first time, flying down his neigborhood road with a look of pride and surprise smudged neatly on his face. It is a delightful melody that will continue to stick in your mind for a long, long while.
Other notable tracks on this score are tracks 45 in 25, Balloons, Beyond Danger, and End Title.
This is a must cd for Newman fans and a very nice addition for any fan of film scores. Enjoy!
Newman is On and Off, as Usual.......2001-10-16
Scent of a Woman is 50% of a truly great film score...and 50% of a truly bad film score. It's obvious to the listener from which category a particular track comes from. Newman either gives the listener a vibrant, exciting, "new age" melody, or something that can only arguably be defined as music.
The fact remains, however, that when this score is on, it is REALLY on. The Main Title is an exciting track and the more emotional themes can really grab you by the heartstrings (though they undoubtedly hearken back to other works by Newman).
All in all though, for anyone familiar with Newman, two other scores better exemplify his talents. If you are looking for the unorthodox, "new age" Newman, go with American Beauty. If it's lush strings and sentiment you're after, go with Meet Joe Black (my personal favorite Newman score to date). Both will leave you with a much better idea of this talented composer.
Contains a GREAT song.......2000-01-19
Por Una Cabeza is a great song. I could listen to it all day. This is the first cd I found with a good version of it.
Average customer rating:
- have been searching for this for years
- Been looking for years
- An Excellent Introduction to Renaissance Dance
- renaissance dance music
- Wonderful reissue from early days of early music recordings
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Panorama: Dances of the Renaissance
Manufacturer: Deutsche Grammophon
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ASIN: B00004YMTN
Release Date: 2001-02-27 |
Tracks:
- Terpsichore: 1. Entree - Courante - Collegium Terpsichore
- Terpsichore: 2. Gavotte - Collegium Terpsichore
- Terpsichore: 3. Spagnoletta - Collegium Terpsichore
- Terpsichore: 4. La Bouree - Collegium Terpsichore
- Terpsichore: 5. Ballet - Collegium Terpsichore
- Terpsichore: 6. Volte - Collegium Terpsichore
- Musikalischer Tugenspiegel: Sophia (no.13) - Anna (no.4) - Collegium Terpsichore
- Musikalischer Tugenspiegel: Clara (no.6) - Collegium Terpsichore
- Musikalischer Tugenspiegel: Magdalena (no.3) - Collegium Terpsichore
- Musikalischer Tugenspiegel: Agatha (no.15) - Collegium Terpsichore
- Musikalischer Tugenspiegel: Regina (no.12) - Collegium Terpsichore
- Banchetto musicale: Suite No.4 - 1. Pavane - Collegium Terpsichore
- Banchetto musicale: Suite No.4 - 2. Gaillarde - Collegium Terpsichore
- Banchetto musicale: Suite No.4 - 3. Courante - Collegium Terpsichore
- Banchetto musicale: Suite No.4 - 4. Allemande - Tripla - Collegium Terpsichore
- Banchetto musicale: Suite No.5 - 1. Pavane - Collegium Terpsichore
- Banchetto musicale: Suite No.5 - 2. Gaillarde - Collegium Terpsichore
- Banchetto musicale: Suite No.5 - 3. Courante - Collegium Terpsichore
- Banchetto musicale: Suite No.5 - 4. Allemande - Tripla - Collegium Terpsichore
- Banchetto musicale: Suite No.3 - 1. Pavane - Collegium Terpsichore
- Banchetto musicale: Suite No.3 - 2. Gaillarde - Collegium Terpsichore
- Banchetto musicale: Suite No.3 - 3. Courante - Collegium Terpsichore
- Banchetto musicale: Suite No.3 - 4. Allemande - Tripla - Collegium Terpsichore
- Lamento di Tristano - Rotta - Ulsamer Collegium
- Trotto - Ulsamer Collegium
- Istampita Ghaetta - Ulsamer Collegium
- Istampita Cominciamento di gioia - Ulsamer Collegium
- Saltarello - Ulsamer Collegium
- Bassa danza a 2 - Ulsamer Collegium
- Alta danza a 3 - Ulsamer Collegium
- Bassa danza a 2 - Ulsamer Collegium
- Bassa danza a 3 - Ulsamer Collegium
- Basse danse La brosse - Tripla - Tourdion - Ulsamer Collegium
- Bassa danse La gratta - Ulsamer Collegium
- Basse danse La Magdalena - Ulsamer Collegium
Tracks:
- Calata ala Spagnola
- Der Judentanz
- Welscher Tanz - Wascha mesa - Hupfauff
- Pavana I - II
- Romanesca Guarda me las vacas
- Passamezzo - Saltarello
- Branle de Bourgogne
- Englischer Tanz
- Tanz Du hast mich wollen nemmem
- Schiarazula
- Ungaresca - Saltarello
- Ronde
- Branle de Bourgogne
- Branle de Champagne
- Passamezzo d'Italye - Reprise - Gaillarde
- Schiarazula Marazula
- Tedesca - Saltarello
- Ungaresca - Saltarello
- Branle - Branle gau
- Mascherade
- Saltarello
- Ballo detto 'Il Conte Orlando' - Saltarello
- Gagliarda del Principle di Venosa
- Barriera
- Celeste Giglio
- Pavana de Spaigne
- Courante
- Courante
- Volte
- Volte
- Pavan: The Funerals
- Noel's Galliard
- Coranto: High Ho Holiday
- Kemp's Jig
- Queen Elizabeth her Galliard
- Mrs. Winter's Jump
- Alman
- Galliard
- Galliarde de Monsieur Wustron
- Galliarde de la guerre
- Reprinse
- Tantz
- Paduan
- Galliard
- Catkanei
Customer Reviews:
have been searching for this for years.......2007-06-11
Happy to see the Collegium Terpsichore CD out again (disc 1), though hiding in this bargain set, wasn't immediately obvious. But one listen to the Praetorius samples and knew I found it. This album was played continuously on the air on KKHI when I was in college (circa late-hippie_, and I never tired of it. I wore out my LPs. Now I've misplaced that single CD so might have to buy it again if I can't locate it soon. Phooey. At least it's available. It's the most refreshing CD you'll ever put on your player.
Been looking for years.......2007-02-13
I have been looking for the Deutsche Grammophon "Dances from Terpsicore" from the 60's but to no avail till now. The entire album is included in this two disc set...
Yippee
An Excellent Introduction to Renaissance Dance.......2005-06-23
This is my first disc of Renaissance dance music, for which I have been searching for quite a while. I thought ir was very excellent. I have heard some before when I was in a few Shakespeare plays, and ever since, I have been looking. These selections provide a broad range of the music of the courts during the 15th and 16th centuries. There is music from all over Europe, including what sounds like Southeastern Europe. The interpretations are also very good, and they put me, at least, back into that time period. The only problem I found was the glockenspiel like instrument, which was sometimes a little annoying. Otherwise, wonderful.
renaissance dance music.......2004-10-24
This CD is a compilation of three recordings which are From The Vault: Dance Music of the High Renaissance by Fritz Neumeyer, Dance Music of the Renaissance by Josef Ulsamer, and Early Baroque Music by Konrad Ragossnig.
Wonderful reissue from early days of early music recordings.......2004-01-28
This cd is a reissue of material from several albums in the 60s. The Fritz Neumeyer recordings of Praetorius are from an old Archiv LP that was one of my first introductions to "early music", and it can be charged that it was more enthusiastic than historically informed. A recorder consort will take up one section of a tune, and then a group of viols will swirl in, maybe followed by crumhorns playing another brief phrase, and then a solo harpsichord finishing off the tune. Different instruments provide a variety of textures of sound, keeping things interesting even though most of the tunes are played fairly "straight", without a lot of improvisation. There's been quite a bit of research and rediscovery of Renaissance techniques since this record was first out, and I appreciate those, but these old recordings really get my toe tapping and remind me why I fell in love with early music in the first place.
Average customer rating:
- You'll be disappointed
- Pretty good musical mix
|
Greatest Songs from the Musicals
Various Artists
Manufacturer: Soho
ProductGroup: Music
Binding: Audio CD
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- Very Best Of Broadway Musicals
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ASIN: B000077JS0
Release Date: 2002-10-21 |
Tracks:
- Aquarius [From Hair] - Steve Brooker, NSO Ensemble, , Caroline O'Connor
- If I Can't Love Her [From Beauty and the Beast] - Ethan Freeman, National Symphony Orchestra, Martin Yates
- I Could Have Danced All Night [From My Fair Lady] - Katrina Murphy, National Symphony Orchestra
- Can You Feel the Love Tonight? [From The Lion King] - John Barrowman, National Symphony Orchestra, Martin Yates
- What I Did for Love [from a Chorus Line] - National Symphony Orchestra, Catherine Porter, Martin Yates
- This Is the Moment [From Jekyll and Hyde] - Gary Mauer, National Symphony Orchestra, Martin Yates
- All That Jazz [From Chicago] - Paulette Ivory, Julian Kelly, Katrina Murphy, National Symphony Orchestra, Sally Ann Triplett
- Impossible Dream [From Man of La Mancha] - Ethan Freeman, National Symphony Orchestra, Martin Yates
- America [From West Side Story] - National Symphony Orchestra
- Written in the Stars [From Aida] - Simon Bowman, NSO Ensemble, Sally Ann Triplett, Martin Yates
- Mame [From Mame] - Jerry Lanning, National Symphony Orchestra, Martin Yates
- Some Enchanted Evening [From South Pacific] - Thomas Allen, John Owen Edwards, Philharmonic Orchestra
- I Am What I Am [From LA Cage aux Follies] - Janet Glazener, Leslie Uggams
- One Song Glory [From Rent] - Sean McDermott, Martin Yates
Tracks:
- Phantom of the Opera [From The Phantom of the Opera] - Ethan Freeman, Claire Moore, National Symphony Orchestra, Martin Yates
- I Dreamed a Dream [From Les Miserables] - National Symphony Orchestra, Jacqui Scott, Martin Yates
- Bui Doi [From Miss Saigon] - Ethan Freeman, National Symphony Orchestra, Martin Yates
- As Long as He Needs Me [From Oliver!] - National Symphony Orchestra,
- Time Warp [From the Rocky Horror Picture Show] - Anita Dobson, NSO Ensemble, Martin Yates,
- Memory [From Cats] - Kim Criswell, National Symphony Orchestra, Martin Yates
- Why God Why [From Miss Saigon] - Graham Bickley, National Symphony Orchestra, Martin Yates
- I Know Him So Well [From Chess] - Katrina Murphy, NSO Ensemble, Sally Ann Triplett, Martin Yates
- One Day More [From Les Miserables] - National Symphony Orchestra, Martin Yates
- Peggy Sue [From Buddy Holly Story] - Dominic Curtis
- Empty Charis at Empty Tables [From Les Miserables] - Graham Bickley, National Symphony Orchestra, Martin Yates
- Dancing Queen [From Mamma Mia!] - Julian Kelly, NSO Ensemble, , Caroline O'Connor
- All I Ask of You [From The Phantom of the Opera] - Andrew Halliday, , National Symphony Orchestra, Martin Yates
- We Will Rock You [From We Will Rock You] - Martin Yates
Tracks:
- It's a Grand Night for Singing [From State Fair] - National Symphony Orchestra
- If I Were a Rich Man [From Fiddler on the Roof] - Jerry Lanning, National Symphony Orchestra
- I Talk to the Trees [From Paint Your Wagon] - Ethan Freeman, National Symphony Orchestra, Martin Yates
- Over the Rainbow [From The Wizard of Oz] - Gillian Bevan, , John Owen Edwards, , Royal Shakespeare Company
- Bless Yore Beautiful Hide [From Seven Brides for Seven Brothers] - Hal Fowler, National Symphony Orchestra, Martin Yates
- Grease [From Grease] - John Barrowman, NSO Ensemble, Martin Yates
- Woman in Love [From Guys and Dolls] - Gregg Edelman, , Emily Loesser, National Symphony Orchestra
- Secret Love [From Calamity Jane] - Debbie Gravitte, National Symphony Orchestra
- Quintet [From West Side Story] - National Symphony Orchestra
- I Will Always Love You [From the Best Little Whorehouse in Texas] - Salena Jones, John Pearce
- Money, Money [From "Caberet"] - Maria Friedman, National Symphony Orchestra, Jonathan Pryce
- If My Friends Could See Me Now (Sweet Charity) - Jacqueline Dankworth, National Symphony Orchestra, Martin Yates
- Thank Heaven for Little Girls [From Gigi] - Ron Moody, National Symphony Orchestra, Martin Yates
- Singin' in the Rain [From Singin' in the Rain] - Craig Barna, National Symphony Orchestra, Paul Robinson
Customer Reviews:
You'll be disappointed.......2006-09-02
Not the original artists. Very weak versions of beloved songs by marginal to downright bad vocalists.
Pretty good musical mix.......2006-03-10
Lots of great and clear vocals. I was looking for a musical mix and this has a nice sampling of many major songs but also some more recent stuff. I haven't purchased an import before but I would do it again if the opportunity presented itself. It is somewhat annoying to have three cds when I think it could have fit onto two. Still, more than I have complaints, I have compliments about it.
Average customer rating:
- Not worth buying!
- Don't waste your money
- Perfect for "drop the needle" style tests
- A CD with Attention Deficit Disorder
- This sucks...
|
Only Opera CD You'll Ever Need
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- The Most Famous Opera Arias
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ASIN: B000003GA0
Release Date: 1997-10-14 |
Tracks:
- Antony & Cleopatra: 'Give Me My Robe' - Leontyne Price
- Fidelio: 'In des Lebens Fruhlingstagen...' - Ben Heppner
- Fidelio: Act II Quartet: 'Ach, du bist gerettet...' - Deborah Voigt
- Norma: 'Casta Diva' - Rosa Ponselle
- Candide: 'Glitter And Be Gay' - Harolyn Blackwell
- Candide: 'Make Our Garden Grow' - Jerry Hadley
- Carmen: Flower Song - Placido Domingo
- Carmen: Habanera - Rise Stevens
- Carmen: Toreador Song - Robert Merrill
- Les pecheurs de perles: Duet: 'Oui, c'est elle, c'est la deesse...' - Robert Merrill
- Mefistofele: 'Ecco il mondo' - Samuel Ramey
- La Wally: 'Eben, ne andro lontana' - ONLY OPERA CD YOU'LL EVER NEED
- Lakme: Bell Song - Lily Pons
- L'Elisir d'Amore: 'Una furtiva lagrima' - Tito Schipa
- Lucia di Lammermoor: 'Chi mi frena in tal momento...' - Carlo Bergonzi
- Lucia di Lammermoor: 'Spargi d'amaro pianto' - Anna Moffo
- Martha: 'M'appari tutto amor' - Jussi Bjoerling
- Porgy & Bess: 'Summertime' - Leontyne Price
- Porgy & Bess: 'Bess, You Is My Woman' - William Warfield
- Andrea Chenier: 'Come un bel di di maggio' - Ben Heppner
- Romeo et Juliette: Juliette's Waltz; 'Je veux vivre' - Ruth Ann Swenson
- Salammbo: Aria - Kiri Te Kanawa
- Hansel & Gretel: 'Suuse, liebe Susse - Helen Donath
- I Pagliacci: 'Vesti la giubba' - Enrico Caruso
- Cavalleria Rusticana: 'Viva il vino' - Jussi Bjoerling
- Cherubin: 'Lorsque vous n'aurez rien' - Dawn Upshaw
- Manon: 'Ah! Fuyez, douce image' - Richard Crooks
- Cosi fan tutte: 'Come scoglio immoto resta' - Leontyne Price
- Don Giovanni: 'La ci darem la mano' - Edith Mathis
- Don Giovanni: 'Deh! vieni alla finestra' - Ezio Pinza
- Don Giovanni: 'Non mi dir' - Carol Vaness
- Le nozze di Figaro: 'Non piu andrai...' - Alan Titus
- Le nozze di Figaro: 'Porgi, amor' - Carol Vaness
- Le nozze di Figaro: 'Deh vieni, non tardar' - Bidu Sayao
- Die Zauberflote: 'Dies Bildnis ist bezaubernd schon' - Fritz Wunderlich
- Die Zauberflote: Der Holle Rache - Zdislawa Donat
- Die Zauberflote: Papageno - Papageno Duet - Christian Boesch
- Boris Godunov: 'I v ljutomgore, nisposlannom Bogom...' - Alexander Kipnis
- Tales Of Hoffmann: Barcarolle - Montserrat Caballe
- La Gioconda: 'Cielo e mar' - Beniamino Gigli
- La Boheme: 'Che gelida manina' - Giuseppe Di Stefano
- La Boheme: 'Mi piaccion quelle cose...' - Licia Albanese
- La Boheme: 'Fremon gia nell'anima' - Luciano Pavarotti
- La Boheme: Musetta's Waltz Song - Judith Blegen
- Gianni Schicchi: 'O mio babbino caro' - Angela Gheorghiu
- Madama Butterfly: 'Ah, ti serro palpitante' - Placido Domingo
- Madama Butterfly: 'Un bel di' - Leontyne Price
- Manon Lescaut: 'Donna non vidi mai' - Jussi Bjoerling
- La rondine: 'Chi il bel sogno di Doretta - Anna Moffo
- TOSCA: 'Recondita armonia' - Placido Domingo
- TOSCA: 'Vissi d'arte' - Irina Oudalova
- TOSCA: 'E avanti a lui...' - Zinka Milanov
- TOSCA: 'E lucevan le stelle' - Mario Lanza
- Turandot: 'Signore, ascolta' - Renata Tebaldi
- Turandot: 'In questa reggia' - Birgit Nilsson
- Turandot: 'Nessun dorma' - Jussi Bjoerling
- Dido & Aeneas: 'When I Am Laid In Earth' - Leontyne Price
- Il Barbiere di Siviglia: 'Largo al factotum' - Robert Merrill
- Il Barbiere di Siviglia: 'Una voce poco fa' - Roberta Peters
- Samson et Dalila: 'Mon coeur s'ouvre' - Christa Ludwig
- The Bartered Bride: 'Wenn ich das einmal erfahre' - Teresa Stratas
- Elektra: 'Agamemnon' - Inge Borkh
- Der Rosenkavalier: 'Ist ein Traum' - Erna Berger
- Salome: 'Nicht in der Welt...' - Inge Borkh
- Eugene Onegin: Lenski's Aria - Placido Domingo
- Eugene Onegin: Tatiana's Letter Scene - Leontyne Price
- Aida: 'Celeste Aida' - Jussi Bjoerling
- Aida: 'Ritorna vincitor!' - Leontyne Price
- Aida: 'Gloria all'Egitto' - John Alldis Choir
- Aida: 'O patria mia' - Leontyne Price
- Un Ballo in Maschera: 'O docezze perdute! O memorie...' - Robert Merrill
- Don Carlo: 'Dio, che nell'anima infondere' - Placido Domingo
- Ernani: 'Emani, involami' - Leontyne Price
- La forza del destino: 'Or muoio tranquillo...' - Robert Merrill
- La forza del destino: 'Pace, pace mio dio' - Zinka Milanov
- Nabucco: 'Va, pensiero' - Oleg Reshetkin
- Otello: 'Credo' - Tito Gobbi
- Otello: Willow Song - Leonie Rysanek
- Otello: 'Niun mi tema' - Jon Vickers
- Rigoletto: 'Qesta o quella' - Alfredo Kraus
- Rigoletto: 'Caro nome' - Anna Moffo
- Rigoletto: 'La donna e mobile' - Jan Peerce
- Rigoletto: 'Bella figlia dell'amore' - Alfredo Kraus
- La Traviata: Brindisi - Montserrat Caballe
- La Traviata: 'Di provenza' - Sherrill Milnes
- La Traviata: 'Sempre libera' - Eleanor Steber
- La Traviata: 'Addio del passato' - Anna Moffo
- Il Trovatore: Anvil Chorus - Moscow Classical Chorus & Ensemble
- Il Trovatore: 'Di quella pira' - Placido Domingo
- Il Trovatore: 'Tacea la notte placido - Leontyne Price
- Die Meistersinger von Nurnberg: 'Morgenlicht leuchtend' - Set Svanholm
- Die Walkure: Ride Of The Valkyries - Staatskapelle Dresden
- Die Walkure: Wotan's Farewell - Lawrence Tibbett
- Siegfried: Song Of The Forest Bird - Norma Sharp
- Gotterdammerung: 'Starke Scheite schichtet mir dort' - Kirsten Flagstad
- Lohengrin: Bridal Chorus - Robert Shaw Chorale
- Lohengrin: 'In fernem Land' - Lauritz Melchior
- Tannhauser: 'Dich teure Halle' - Waltraud Meler
Customer Reviews:
Not worth buying!.......2007-05-29
I found this recording basically worthless. It contains only very short excerpts of the song. Not enough to get into and enjoy!
Don't waste your money.......2007-01-18
This is the worst purchase I have ever made. It is a truly dreadful piece of work.I was so disgusted with it that I threw it into the trash can.
Perfect for "drop the needle" style tests.......2006-11-19
If you want to hear full recordings of arias, then this disc is not for you. It plays only tidbits of 99 arias. Contrary to the title, this is definitely not the only opera disc you'll ever need. You shouldn't take it seriously. This disc has next to no value for an opera neophyte. But for opera fanatics, there has never been a better test of your knowledge of operatic repertoire and singers. It's a great challenge for opera buffs. Sit down with your opera loving friends for an hour, play this disc, and try to be the first to identify the singer, composer, opera, and piece. If you're a music professor, this disc would make for an awesome pop quiz. Find out how well your students really know their opera repertoire.
A CD with Attention Deficit Disorder.......2006-10-02
I don't know anyone who would enjoy this CD. It will drive opera fans nuts with a hundred exerpts that run about 30 seconds each, then fade out without the singers even finishing a single verse. It's more like an index of arias, or a volume of teasers that hucksters might use to sell opera CDs.
I never realized how much Bernstein's "Glitter and be gay" sounded like Delibes' "Bell Song" until I heard 35 seconds of one, followed 23 seconds of the other.
Maybe the TV show 'Jeopardy' could use this CD. 'What is "Hush little baby don't you..."??'
What a waste of beautiful voices and great music. 38 seconds of Enrico Caruso, followed by 31 seconds of Jussi Bjoerling, followed by 38 seconds of Dawn Upshaw.
My copy is going to go sailing into the wastebasket as soon as I finish this review.
This sucks..........2006-03-31
I should only blame myself for not checking out more reviews... this is a CD filled with short, little snippets of great operas songs... and I mean SHORT, LITTLE snippets of 30 seconds or so, each. Don't buy this CD... it is a complete rip off... and that is saying ALOT since it is only $4.00... Again, my fault for not reading the reviews but I trusted that something called a "Music CD" would actually have complete songs... What else does this company offer? A "Music CD" that only has the intros or applause tracks to great songs...?
Move on to something else... Amazon has a great selection... just not this one.
Average customer rating:
|
Opera's Greatest Duets
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
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Similar Items:
- The Most Famous Opera Duets
- Operas Greatest Moments / Domingo, Price, Caballé, Kraus, Norman, Lanza
- Opera's Greatest Love Songs
- Great Operatic Duets
- Bellezza vocale ~ Beautiful Opera Duets
ASIN: B000003FRB
Release Date: 1994-09-27 |
Tracks:
- Otello: Gia nella notte
- Les pecheurs des perles: Au fond du temple saint
- Il Trovatore: Se m'ami ancor ... Ai nostri monti
- Don Giovanni: La ci darem la mano
- Madama Butterfly: Scuoti quella fronda (Flower Duet)
- La forza del destino: Solenne In quest'ora
- La Boheme: O soave fanciulla
- Les Contes d'Hoffmann: Belle nuit (Barcarolle)
- Don Carlo: E lui! desso! l'Infante! ... Dio, che nell'alma infondere
- Porgy And Bess: Bess, You Is My Woman Now
- La Traviata: Parigi, o cara
- La Boheme: In un coupe? ... O Mimi, tu piu non torni
- Norma: Mira, o Norma
- Otello: Ah! mille vite ... Si, pel ciel marmoreo giuro!
Customer Reviews:
Excellent selections.......2001-12-26
Excellent opera selections. Good range of different operas. The singers themselves are well known. Highly recommended to anyone getting into classical music.
Average customer rating:
- excellent but uncomplete
- To call it music may be a bit limiting.
- A worthwhile collection
- OhMyGodHowDreadful
- Kid Stockhausen
|
OHM: The Early Gurus of Electronic Music
Various Artists
Manufacturer: Ellipsis Arts
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- An Anthology of Noise & Electronic Music, Vol. 3: 1952-2004
- Audio Culture: Readings in Modern Music
- Roxy Music
- Profiler - Season 4
- Another Day on Earth
ASIN: B00004T0FZ
Release Date: 2000-04-25 |
Tracks:
- Valse Sentimentale - Clara Rockmore
- Oraison - Ens D'Ondes De Montreal
- Etude Aux Chemins De Fer - Pierre Schaeffer
- Williams Mix - John Cage
- Klangstudie II - Herbert Eimert/Robert Beyer
- Low Speed - Otto Luening
- Dripsody - Hugh Le Caine
- Forbidden Planet: Main Title - Louis Barron/Bebe Barron
- Elektronische Tanzste: Concertando Rubato - Oskar Sala
- Poem Electronique - Edgard Varese
- Sine Music (A Swarm Of Butterflies Encountered Over The Ocean) - Richard Maxfield
- Apocalypse-Part 2 - Tod Dockstader
- Kontakte - James Tenney/William Winant
- Wireless Fant - Vladimir Ussachevsky
- Philomel - Milton Babbitt
- Spacecraft - MEV
Tracks:
- Cindy Electronium - Raymond Scott
- Pendulum Music - Sonic Youth
- Bye Bye Butterfly - Pauline Oliveros
- Projection Esemplastic For White Noise - Joji Yuasa
- Silver Apples Of The Moon, Part 1 - Morton Subotnick
- Rainforest Version 1 - David Tudor
- Poppy Nogood - Terry Riley
- Boat-Woman-Song - Holger Czukay
- Music Promenade - Luc Ferrari
- Vibrations Composees: Rosace 3 - Francois Bayle
- Mutations - Jean-Claude Risset
- Hibiki-Hana-Ma - Iannis Xenakis
- Map Of 49's Dream The Two Systems Of Eleven Sets Of Galactic Intervals: Drift Study '31/69 c.... - La Monte Young
Tracks:
- He Destroyed Her Image - Charles Dodge
- Six Fants On A Poem By Thomas Campion: Her Song - Paul Lansky
- Appalachian Grove - Laurie Spiegel
- En Phase/Hors Phase - Bernard Parmegiani
- On The Other Ocean - David Behrman
- Stria - John Chowning
- Living Sound, Patent Pending Music For Sound-Joined Rooms Series - Maryanne Amacher
- Automatic Writing - Robert Ashley
- Canti Illuminati - Alvin Curran
- Music On A Long Thin Wire - Alvin Lucier
- Melange - Klaus Schulze
- Before And After Charm (La Notte) - Jon Hassell
- Unfamiliar Wind (Leeks Hills) - Brian Eno
Amazon.com
Opening with Clara Rockmore's reworking of Tchaikovsky with the theremin, and finishing with one of Brian Eno's ambient soundscapes, OHM artfully succeeds in its goal of giving a representative (as opposed to the impossible, comprehensive) overview of the first several decades of electronic music. Over 3 discs, 42 compositions, and 96 pages of notes and photos, OHM clearly illustrates the producers' and contributing writers' point that early electronic music is much of the foundation of contemporary music. Herein lies the connective tissue bridging musique concrète, 20th-century classical, electronic experimentation, and the theoretical avant-garde to psychedelia, ambient, dub, techno, electro, and synthpop and the globalization of sound. The groundbreaking uses of loops, sampling, drones, remixes, and cut-and-paste technology are put fully into context. The diversity of music included makes any sort of summation impossible, but that is also the point: electronic music is not really a genre, but an open field of endless possibility. From John Cage's famous "William's Mix" of tape snippets to Karkheinz Stockhausen's electronic orchestral compositions, from David Tudor and Holger Czukay's experiments in unrelated blendings of audio elements to David Behrman's supremely peaceful duet between computers and musicians, the aural renegades on OHM tread where none (save a few of their contemporaries) had gone before. The liner notes convey the incredible amount of hard work and experimentation it took to stitch together many of these pieces in the predigital era. Putting aside the inevitable quibbles about what's missing (much of it due to legal and/or logistical issues), a more complete collection of musical eggheads, eccentrics, and visionaries is hard to imagine. --Carl Hanni
Customer Reviews:
excellent but uncomplete.......2006-11-12
Althought most of the music here is an excellent collection of electronic music history, this 3 CDs lack of the important contribution given by the RAI phonology studios of Milan, Italy in the 50s
(which was bigger than Koln's WDR studios) with Bruno Maderna, Luciano Berio and Luigi Nono.
This is a big mistake. Milans studios were the biggest of europe and produced many important electroacoustic pieces.
If the collection aim to describe faithfully electronic music history, it should include this artists too.
To call it music may be a bit limiting. .......2006-10-24
Some of the tracks on here are "music". That is that they contain all the bits we're trained to experience as music -- melody, etc. Some are not, and the composers would be the first people to tell you that. A lot of these works are reactions to ingrained rules, so they're bound to be jarring.
A more successful way to approach such a broad and varied collection of audio experimentation is to think of it as curated sound. This isn't something to wash the dishes to, or to seduce someone to (although if you did manage to seduce someone with the recordings on this anthology, HOLD ON TO THAT PERSON, because they've got to be a keeper). These are unique sound textures that deserve a close, probably solitary listen, and I think if you're in the right frame of mind, it can be a very rewarding listen.
My main complaint is sequencing: each dicrete piece follows it's own internal logic, so there are more than a couple rough gear changes. However, since each piece is so different, and the collection is so varied, I'm not sure that you could totally escape that.
A worthwhile collection.......2006-01-11
The OHM collection contains some of those ground breaking electronic compositions that have shaped today's styles, from the early electronic instruments of Theremin and Martenot, through Pierre Schaeffer's Music Concrete tape music and the electronic music of Stockhausen and Subotnick, to the mainframe computer output of Risset and Chowning.
It is unfair to mark this collection down due to the production quality and 'musicality' of its contents, to do so would be to staggeringly miss the point of the development of electronic music through the 20th Century. What this collection shows is the ideas behind those at the cutting edge of the genre before many could even conceive of such output. That said it is hard going at points, as experimental music can be.
Highlights for me are no doubt Olivier Messiaen's 'Oraison' on CD 1, David Tudor's 'Rainforest Version 1' on CD 2 and on CD 3 David Behrman's 'On the Other Ocean' and Maryanne Amacher's 'Living sound Patent Pending'.
OhMyGodHowDreadful.......2005-08-15
Ok, this collection is supposed to be early works and, thus not expected to be very sophisticated or polished. But the OHM collection sounds like the first attempt of a spastic cat turned-loose on a Moog keyboard. When it is not boreing, this collection of random and dissonant sounds (I can't call it music) is without any redeeming qualities to make it worth while. Don't get me wrong, I am a long-time fan of Wendy (nie Walter) Carlos and some other real pioneers of electronic music. However, I find that the Ohm collection has no similar qualities and is a major disappointment.
Kid Stockhausen.......2003-01-17
This is required listening for anybody interested in the history of electronic music. Although implicitly aiming for the techno music audience, this audio history is overwhelmingly focused on the classical avant-garde of electro-acoustic composers. The closest you'll get to pop electronica is the Brian Eno track at the end of the third disc. No Kraftwerk, no Moroder, etc. Instead "OHM" manages to point to the continuities between, say, John Cage and artists currently working at the experimental edges of electronica (so-called IDM). It seems to be saying, "You think Kid 606 is visionary? Well check out this Stockhausen track from '59!"
Admittedly, some of the songs are much more interesting to think about than they are to listen to. Some of the early pieces that were made through thosuands of hours of pains-taking tape-splicing could be made today in an afternoon with a digital audio editor and a few effects plug-ins.
It is a beautiful package, containing a 90 page booklet of essays, quotations from the featured artists, and photographs. What all music should be: an education in daring.
Average customer rating:
- Nostalgia Trip
- Sweet and Sublime
- The aural equivalent of Truffaut's films: humane, touching.
|
Music for Films of Francois Truffaut
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD
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- Great Composers
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- A Bernardo Bertolucci Double Feature: George DeLerue's The Conformist, Ennio Morricone's A Man's Tragedy
ASIN: B000005J45
Release Date: 1997-07-29 |
Tracks:
- Two English Girls: La Declaration D'amour
- Jules And Jim: Main Title
- Jules And Jim: Vacancies
- Jules And Jim: Catherine Et Jim
- Jules And Jim: Brouillard
- Jules And Jim: Finale
- The Soft Skin: Pierre Et Nicole
- Such A Gorgeous Kid Like Me: Main Title
- Such A Gorgeous Kid Like Me: Stanislas Et Camille
- Love At 20: Antoine And Colette: Main Title
- The Woman Next Door: Le Secret De Madame Jouve
- Two English Girls: Anne Et Claude
- Two English Girls: La Rupture
- The Woman Next Door: Epilogue
- Shoot The Piano Player: Charlie
- Shoot The Piano Player: Lena
- Shoot The Piano Player: La Cafeteria
- Shoot The Piano Player: Theme D'amour
- Shoot The Piano Player: Poursuite
- Shoot The Piano Player: Finale
- La Valse De Fancois T.
- Day For Night: Chorale
- The Last Metro: End Credits
Customer Reviews:
Nostalgia Trip.......2005-09-24
Helps you remember these great and atmospheric movies. Only Nino Rota writes better movie music.
Sweet and Sublime.......1999-06-13
"La valse de Francois T" makes my heart want to burst. Never has sweet melancholia been so sweetly and lyrically expressed. This entire album is a godsend, but "La valse" - it is something else, far beyond my power to convey.
The aural equivalent of Truffaut's films: humane, touching........1998-10-03
Hitchcock had Bernard Herrmann, and Spielberg has John Williams, and Francois Truffaut had Georges Delerue. "Jules and Jim" jauntily evokes the delicious problems of one woman in love with two men. With "Shoot the Piano Player" you can almost see Charles Aznavour in his seedy Paris cafe. And most gloriously, for Truffaut's Oscar winner as Best Foreign Film, "Day for Night," Delerue composes a chorale that celebrates the endlessly repetitious, endlessly varied rituals of filmmaking. A wonderful collection of themes from nine films (plus "La valse de Francois T."), performed by the London Sinfonietta under the direction of Hugh Wolff.
Average customer rating:
- Rubinsky : a new reference in Villa Lobos
- Lively Piano Music from Brazil
- Charming Villa-Lobos pieces for children.
- More, please!
- Native?
|
Villa-Lobos: Piano Music Vol. 1 / Rubinsky
Sonia Rubinsky
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Villa-Lobos: Piano Music, Vol. 3
- Villa-Lobos: A Prole do Bebe No. 2, Cirandinhas
- Villa-Lobos: Bachianas Brasileiras No. 4
- Villa-Lobos Piano Music: Guia Prático Nos. 1-9
- Villa-Lobos: Bachianas Brasileiras (Complete)
ASIN: B00000ICMZ
Release Date: 1999-03-23 |
Tracks:
- The Baby's Family: Little White Doll (The Porcelain Doll)
- The Baby's Family: Little Brunette Doll (The Paste Doll)
- The Baby's Family: Little Mestiza Doll (The Clay Doll)
- The Baby's Family: Little Muhatta Doll (Rubber Doll)
- The Baby's Family: Little Black Doll (The Wooden Doll)
- The Baby's Family: The Poor Little Doll (The Rag Doll)
- The Baby's Family: Punch
- The Baby's Family: The Witch (The Cloth Doll)
- Cirandas: Terezinha de Jesus
- Cirandas: The Countess
- Cirandas: Senhora dona sancha
- Cirandas: The Carnation Fought With The Rose
- Cirandas: Poor Blind Woman
- Cirandas: Go Away, Go Away, Hawk
- Cirandas: Shoo, Shoo, Little Bird
- Cirandas: Let's Go To The Mountain, Calunga
- Cirandas: I Went To Itororo
- Cirandas: The Painter Of Canai
- Cirandas: In This Street
- Cirandas: Look At The Little Bird, Domine
- Cirandas: Looking For A Needle
- Cirandas: The Canoe Capsized
- Cirandas: What Beautiful Eyes!
- Cirandas: Chip, Chip, Chip
- Hommage a Chopin: Noturno
- Hommage a Chopin: A la balada
Amazon.com
At last, a replacement for Roberto Szidon's long-deleted recording of Cirandas! This is one of Villa-Lobos's most delightful works, a long piano suite (41:46 in this recording) of folk-flavored pieces that progress from one charming idea to another and never outlast their material. The Baby's Family, the first of two suites, is also charming music, made popular by Artur Rubinstein. The Chopin tribute is one of those crocks of musical dishwater Villa-Lobos stuck his hands into when his mind was on something else, but it's brief and comes at the end of the disc. Brazilian pianist Sonia Rubinsky plays with stylistic insight and gorgeous piano tone, very well captured by Naxos in a recording that sat in the can for almost five years before it was finally issued. --Leslie Gerber
Customer Reviews:
Rubinsky : a new reference in Villa Lobos.......2005-04-18
When Villa Lobos listened for the first time the works of Debussy and Stravinsky ( The Russian Ballets of Diaghlev danced in Rio de Janeiro in 1913 and 1917) he found the way to create something really adequate to involve Brazilian authentic tunes . The first important period of Villa Lobos as a composer involve two series of works: The Prole do Bebê ( No 1 and No 2) and the Choros. Prole do Bebê is full of Pentatonic and whole tone scales, and the Harmony of some of the pieces are deeply influenced by Stravinsky: The Polichinelo is a Brazilian brother of the Russian white/black harmony of Petrushka. For the first time one Brazilian composer was proud of our authentic songs and he placed these lovely melodies in the middle of a very sophisticated piano writing and with new harmonies that fitted wonderfully with his purposes. The Cirandas is also involved with the child's world. I would like to remember that The Cirandas are not important only as a wonderful composition, but I'm sure too that without this work a lot of authentic folkloric melodies would be lost ,as our childs don't play no more singing these melodies. Times of globalization...
The Prole No 1 and the Cirandas are among the most often played and recorded piano works of Heitor Villa Lobos. The references for the Prole do Bebe No 1 are of course Aline van Barentzen , that recorded the Prole 1 and 2 in Paris for EMI in the presence of the composer ( unfortunately the CD version of the album "Villa Lobos par lui meme" doesn't include this important recording, that was present in the LP version), Nelson Freire( unfortunately he recorded only the Prole 1) and Anna Stella Schic . For the Cirandas the references are again Anna Stella Schic ( the only pianist that recorded the complete works for piano by Villa Lobos), Roberto Szidon and Caio Pagano.
I'm profoundly satisfied with this first record of this important project ( It will be a series of 9 Cds, I believe). Sonia Rubinsky plays very well, and I would like to prize her attitude about the fidelity towards the printed score. As the Prole do Bebe No 1 includes some very often played compositions , they are normally played with some liberties and "traditions". As Mahler used to say, "Tradition is Schlamperei". I really prefer to listen these pieces as Sonia Rubinsky plays: as they are written. One can prefer the exceptional musicality of Nelson Freire in the Prole, or the analytical sound of Caio Pagano in the Cirandas. But Sonia is a first rate pianist too. She has a wonderful sonority .With her flawless musicality we can say that this integral began as a new reference in Villa Lobos discography .
Lively Piano Music from Brazil.......2003-05-20
Villa-Lobos, who is of course the great composer of Brazil, has a less secure place in the history of modern music of the West, so it is good that his art is getting a reappraisal, with various record labels committed to issuing cycles of his works-the symphonies and string quartets, for example. Villa-Lobos wrote a great deal of piano music that isn't heard as much as it used to be, so the present CD, the first in a two-volume series (maybe there will be more) from Naxos is welcome indeed.
If Ginastera is the Bartok of the pampas, Villa-Lobos, in his piano music at least, might be seen as early Prokofiev or Stravinsky transported to the Amazon. As with Ginastera, there is much of surface glitter and of grit, but the emotional depths that Ginastera plumbs in his more inward music seems sorely lacking in much of this piano music by Villa-Lobos. Maybe inwardness wasn't on the composer's agenda as he tried to recreate the world of childhood in these pieces. But I wish he had taken his cue from Schumann, whose "Kinderscenen" is great music primarily because it doesn't shy away from the truth that childhood isn't all fun and games, though the troubling dissonances that intrude on the surface serenity of Villa-Lobos' "The Countess" and "What Beautiful Eyes!" hint at this fact.
Anyway, there is certainly a place for brilliance and grit, which Villa-Lobos' music has in abundance, and especially if you don't listen to all these pieces at one sitting, you will appreciate the freshness and liveliness of Villa-Lobos' invention. I think you'll also find Villa-Lobos' brand of musical primitivism, which intelligently combines European modernism and native New World musical elements, intriguing. You'll probably be amused, too, by "Little Black Doll" and "Look at the Pretty Birdy," which start off as perfect Debussy knockoffs but quickly absorb Villa-Lobos' own Latin-tinged idiom. Certainly, it's easy to see why the Petrouchka-influenced "Punch" from "A Prole do Bebe" suite was at one time an encore favorite with pianists such as Villa-Lobos' champion Artur Rubinstein. Then there is the jazzy "In This Street" from "Cirandas," which illustrates Villa-Lobos' unique assimilation of European and Brazilian popular music.
Sonia Rubinsky brings the requisite pianistic chops to this recital. She has great technique and finds no hurdles she can't manage in Villa-Lobos' sometimes grueling keyboard writing. But she also brings delicacy, charm, and wit to her assignment as well, which breathes life and purpose into the quieter pieces like "What Beautiful Eyes!" A first-rate sound recording, too, from Fisher Hall in Santa Rosa, California. This disc is recommended without hesitation.
Charming Villa-Lobos pieces for children........2001-12-18
The move from the large-scale orchestra we may be more familiar with to the piano does not mean that the music of Villa-Lobos loses any of its energy, rhythm, colour or beauty. The two major works here, 'A Prole do Bebe' (the Baby's family) and 'Cirandas' (a Portuguese dance) evoke the world of childhood, and are said to belong to the traditon of Schumann and Tchaikovsky, but the warm colours and rich harmonies are more tropical than those chilly Europeans, with Villa-Lobos brilliantly incorporating and reworking Brazilian folk material. The first wittily depicts the personalities of a child's dolls; the set of dances push their good-natured skittishness into real emotion at times. The 'Homage a Chopin' give a famously restrained and reflective idiom some sunny and dramatic virtuosity. Brazilian pianist Sonia Rubinsky knows these pieces and their influences well, and responds to them with intelligence, empathy and humour.
More, please!.......2001-02-28
I have heard Villa-Lobos' A prole do Bebê in various interpretations, but I cannot remember it ever has impressed me more than in Sonia Rubinsky's recording of it, which is utterly virtuoso (I mean a natural virtuosity without bravado)and at the same time very warm and colorful. As in `A prole do Bebê' the `Cirandas', on the same record, show a surpring succesion of various moods, dreamy or exciting, tender or fiery and passionate. There is a continuous tension between strong rhythm and free flowing melody, and a sonority that is very well preserved in the excellent recording. She does not `hammer' the Cirandas as if they were written by Bartòk - a pitfall that seems not altogether imaginary. This is only the first of a series of discs on which Sonia Rubinsky will play Villa Lobos' complete piano works. I hope it won't take too long before we will be able to hear them all. In a broadcast by The Radio Suisse Romande I heard a marvelous sample of the net yet available second volume, which I am eagerly awaiting, as well as the other volumes.
Native?.......2000-10-25
The playing here is rather weak and one has to wonder if being a native of a particular country can be a benefit or a hindrence? As for fantasy, which is much needed in the music of Villa Lobos, I don't feel there is much> The quality of this recording seems o.k. I heard a performance of this pianists RUDEPOEMA and was equally unimpressed! As for the composer? Villa lobos is Fantastic! Interestingly enogh, the pianist Deborah Halasz has embarked on a interesting complete Villa lobos piano music set thet outshines the other competitors, including the mundane playing of Marc Andre Hamelin
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