Light My Fire

Track Listings

1. Light My Fire

2. Love Me Two Times

Light My Fire, Music, The Doors, Album Rock, Hard Rock, Proto-Punk, Psychedelic, Rock & Roll

Mendelssohn: Elijah
Average customer rating:

Wonderful, but not my first choice

THE BEST recording of the BEST oratorio ever...

Too bad there are so few recordings of Elijah

Mendelssohn: Elijah

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Franz Joseph Haydn: The Creation

Mendelssohn - Elijah / Terfel, Fleming, Bardon, Ainsley, Fulgoni, Paul Daniel

Mahler: Das Lied von der Erde

Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw

Brahms: Ein deutsches Requiem [A German Requiem]

ASIN: B0002XV31A
Release Date: 2005-02-15

Tracks:

Introduction: As God The Lord Of Israel Liveth
Overture
No.1 Help, Lord! Wilt Thou Quite Destroy Us?
No.2: Lord! Bow Thine Ear To Our Prayer!
No.3: Ye People, Rend Your Hearts
No.4: If With All Your Hearts
No.5: Yet Doth The Lord See It Not
No.6: Elijah! Get Thee Hence
No.7: For He Shall Give His Angels Charge Over Thee
Recitative: Now Cherith's Brook Is Dried Up
No.8: What Have I Do To Do With Thee?
No.9: Blessed Are The Men Who Fear Him
No.10: As God The Lord Of Sabaoth Liveth
No.11: Baal, We Cry To Thee: Hear And Answer Us!
No.12: Call Him Louder, For He Is A God!
No.13: Call Him Louder! He Heareth Not!
No.14: Lord God Of Abraham, Isaac And Israel!
No.15: Cast Thy Burden Upon The Lord
No.16: O Thou, Who Makest Thine Angels Spirits
No.17: Is Not His Word Like A Fire?
No.18: Woe Unto Them Who Forsake Him!
No.19: O Man Of God, Help Thy People!
No.20: Thanks Be To God!

Tracks:

No.21: Hear Ye, Israel; Hear What The Lord Speaketh
No.22: Be Not Afraid, Saith God The Lord
No.23: The Lord Hath Exalted Thee
No.24: Woe To Him, He Shall Perish
No.25: Man Of God, Now Let My Words Be Precious
No.26: It Is Enough; O Lord Now Take My Life
No.27: See, Now He Sleepeth
No.28: Lift Thine Eyes To The Mountains
No.29: He, Watching Over Israel, Slumbers Not
No.30: Arise, Elijah, For Thou Hast A Long Journey
No.31: O Rest In The Lord
No.32: He That Shall Endure To The End, Shall Be Saved
No.33: Night Falleth Round Me, O Lord!
No.34: Behold! God The Lord Passed By!
No.35: Above Him Stood The Seraphim
No.36: Go, Return Upon Thy Way
No.37: For The Mountains Shall Depart
No.38: Then Did Elijah The Prophet Break Forth
No.39: Then Shall The Righteous Shine Forth
No.40: Behold, God Hath Sent Elijah
No.41: But The Lord, From The North Hath Raised One
No.41a: O Come Everyone That Thirsteth
No.42: And Then Shall Your Light Break Forth

Customer Reviews:

Wonderful, but not my first choice.......2007-04-07

I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.

THE BEST recording of the BEST oratorio ever..........2006-08-15

Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.

That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.

All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.

Too bad there are so few recordings of Elijah.......2006-07-03

This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!

Average customer rating:

"Concerto" says everything
The Vietnam Concerto
Interesting music - haunting and beautiful
Sorry...
Beautiful, Smart

Riders on the Storm: The Doors Concerto

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Kashmir: The Symphonic Led Zeppelin
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Symphonic Rock
The Kennedy Experience
Music of ABBA, Beatles & Queen

ASIN: B00004YMTH
Release Date: 2000-10-10

Tracks:

Riders On The Storm
The Unknown Soldier
Spanish Caravan
Love Street
Hello, I Love You
Light My Fire
People Are Strange
Strange Days
The End

Amazon.com

Love him or hate him, Nigel Kennedy can play a mean fiddle. And on Riders on the Storm: The Doors Concerto, the violinist, arranger Jaz Coleman, and the Prague Symphony Orchestra pay energetic tribute to--who else?--the Doors. These instrumental string arrangements try their damnedest to avoid becoming elevator-music covers, but they only vaguely resemble the Doors' originals. The violinist loves a jam, and these arrangements thankfully give him plenty of room to solo. The longer tracks--"Light My Fire" and "The End"--work best, with Kennedy offering inspired playing and plenty of drama. Doors fans may be interested in hearing fresh takes on their favorite tunes ("Riders on the Storm," "Light My Fire," "The Unknown Soldier," and more), but those accustomed to Kennedy's more classical endeavors may be disappointed. Oddly enough, the living members of the Doors have nothing but great things to say about this disc. Strange days, indeed. --Jason Verlinde

Customer Reviews:

"Concerto" says everything.......2006-12-19

This is a very well executed adaptation of Doors music into classic. I also own the fantastic George Winston's "Night Divides the Day", and I could say both CDs, even though different in it's category, perform a fantastic tribute to The Doors. But this is not a CD for "The Doors" fans, as it is more directed to Classical lovers. You will find very interesting versions of: Spanish Caravan & The Crystal Ship

The Vietnam Concerto.......2006-11-05

I really love this album. To me, it evokes all the tragedy and sadness of the Vietnam war. Every time I listen to it, I feel very moved. Kennedy is an inspired violinist, and his instrument fairly weeps at times. So, if you are a baby-boomer like me, you may really respond to music that captures the times in which the Doors wrote and sang.

Interesting music - haunting and beautiful.......2006-01-07

As a music guy, I can listen to classical and then go to rap and appreciate both.

As I really like the Doors, I saw this CD and recognizing what Jaz Coleman did with Led Zeppelin, I bought this CD.

It is not much like the LeZeppelin effort. However, both are equally beautiful. The LZ disc sounded like a movie soundtrack. Here the music sounds like a sad concerto.

Truly, I was struck by the sadness in the music. It is powerful though, and the arrangements strike the right chord (terrible pun - sorry) between being exactly similar to the Doors music, and a fresh interpretation.

Should you buy this disc? Well, if you enjoy classical music and you are not a snob - then yes. This disc may get you to enjoy some contemporary music in a vital interpretation. If you are a Doors fan, I would think you would enjoy hearing your favorite songs being played in a new way.

Overall, I believe this is an interesting disc to own. Well worth it. It is and does stand within my classical collection. It ain't Horowitz, but it sure is sweet!!

Sorry..........2005-09-08

Sorry this review is short, but this album was terrible. The members have talent, but the songs bare no resemblance to Doors songs what-so-ever. I have found this at every library in the city of Kootenai County in Idaho, so you should try your local library. Really bad CD. For more details, e-mail me at moviefreak144@hotmail.com

Beautiful, Smart.......2005-08-22

If any rock group deserved to be recorded in classical arrangements it would be The Doors. This could have been thrown together haphazardly to make a quick buck like some classical rock recordings but thankfully it hasn't. A lot of work was put into this. The Doors were much more musical and clever than many rocks bands. Jim Morrison was an extremely dynamic and sensitive vocalist and Nigel Kennedy pays complete homage to him. There is nothing but utter respect for The Doors music here. They chose some of the best musical Doors songs but I wish they would have included The Crystal Ship with maybe a soft piano solo. I think "Crystal Ship" was Ray Manzarek's most creative work. These are very, very deep orchestrations and the feelings of the original songs are preserved throughout (although I had trouble with "Unknown Soldier" and "People are Strange"). You will hear new things every time you listen to it. The diversions in each piece are true to the original songs. Jim Morrison's melodies are eerily mimicked on many instruments and you can hear Jim's beauty and wonderful phrasing. "Spanish Caravan" features a very competent classical guitarist and the melody played by an extremely sensitive violinist. My favorite song on this recording "Love Street" (allegedly written for the street which Jim and Pamela Courson lived in Lauryl Canyon) is double the length of the original song, a very, very emotional, very beautiful and haunting composition. If one song could summarize Jim and Pam's relationship and their sad and tragic lives it would be this song. During "Love Street" one can envision Jim and Pam in an eternal embrace. The spirit of "Light my Fire" comes shining through, if not maybe a little too bouncy and campy and not soft enough. The violas play the left-hand organ accompanyment and there is plenty of counterpoint. I didn't quite understand "People are Strange". It is turned into a romantic and galloping song whereas the original song was quite odd and spacey with shifting vocal effects. I had the most trouble with "Unkown Soldier", it's highly romanticized and I didn't recognize it. Likewise, "Strange Days" is drawn out and romanticized with harps, etc. The End is extremely well done, the eastern modality gives you the sense of a caravan on an endless trek through the Sahara desert. The recording mix is perfect: the lead violinist or any of the other soloists are not sharp or favored in the least. I only wish this was a double CD and included other emotional songs like Queen of the Highway, Hyacinth House, Wild Child, Love Her Madly, LA Woman, Blue Sunday, Wishful Sinful, Unhappy Girl, The Soft Parade and definitely Moonlight Drive and The Crystal Ship. Ray Manzarek (and Robby/John) should be very proud of what Nigel Kennedy has done. I think Jim would be proud, too. You do not have to be a classical music lover to enjoy this recording, you will understand most of these songs. This is an absolutely wonderful CD to sit down and relax to. Thank you very much Nigel and Ray, please record more Doors!

Come, Gentle Night: Music of Shakespeare's World

Average customer rating:

Ensemble Galilei's music is lilting, elegant and unexpected!
beautiful
Excellent!
It will bring about many gentle nights
Visualizing Beauty

Come, Gentle Night: Music of Shakespeare's World

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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From The Isles To The Courts
Shakespeare Songs
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ASIN: B0000478S3
Release Date: 2000-01-25

Tracks:

Mister Issac's Maggot, Chestnut (Dove's Vagary)
Woodycock
Death's Second Self
Jack's Health, Vale Of Years, Jack's Health Reel
Come, Gentile Night
Departe, Departe, The Cobbler's Hornpipe, Third Act Tune
But Let Them Go, Ladies, Sight No More
In A Garden So Green, Childgrove
Fire, Burn, and Cauldron Bubble
The Asp
Rumble Thy Bellyful
Pastime With Good Company, O Lusty May
Irish Lament
Joy To THe Person Of My Love
The Winter's Tale Set: Love's Winter Light, Apples In Winter, Drive The Cold Winter Away, Jenny Pluck Pears
Lilli Burleo
The Scottich Play Set: Life Is But A Walking Shadow, Mill, Mill O', Pawky Adam Glen
Heart's Ease, Now That The Spring, Gathering Peascods
No Longer Mourn For Me

Customer Reviews:

Ensemble Galilei's music is lilting, elegant and unexpected!.......2002-11-29

With their soulful playing and artful, sometimes even ephemeral arrangements, the six women of Ensemble Galilei convey a rare depth of emotion. In the insert notes, gamba player Carolyn Ann Surrick describes their creative process: "[In making this recording, we engaged in]...a kind of work that is so focused and intense that years can go by in one afternoon... Extraordinary music-making requires trust... [We] live for the times when the only thing that exists right then is the music--when the instruments are speaking as if we don't exist, and they are having their own conversation." Thank you, Ensemble Galilei, for allowing the rest of us the privilege of coming along for the ride! It's simply delectable. This chamber ensemble, featuring fiddle, harp, gamba, oboe, pipes and percussion, can also be heard on their other Telarc release, "From the Isles to the Courts", and "The Mystic and the Muse: Celebrating 600 Years of Women in Music", on the Dorian label.

beautiful.......2001-01-22

Sheer beauty, as a lover of English music I found this to be one of the most beautiful of all Shakespearean albums. Such harmony, such subtlety, one wishes that the gentle night will never stop.

Excellent!.......2001-01-04

Ensemble Galilei provide some excellent arrangements of English renaissance compositions. I believe that John Playford (English Dancing Master) fans will be particularly satisfied with the renditions presented here. It is very unfortunate that E.G. did not provide more arrangements from such early music sources. Some of E.G.'s own compositions seem very weak and not in the renaissance spirit of the rest of the CD. Nonetheless, this CD is highly recommmended.

It will bring about many gentle nights.......2000-11-22

I found this album to be solid. Very sweet, but not afraid to use percussion which makes it livelier and more fun. I adore the quiet, peacefulness of the music and the flawless execution of these renaissance songs.

Visualizing Beauty.......2000-08-20

I recently had the good fortune to direct a performance of King Lear--the ENTIRE five acts, in a community theatre, non-profit setting. I used twenty-four fully committed non-actors, who for the love of the ideas, participated in this performance. The first and main challenge that I faced was, how do I go "behind" the words, and invoke the right emotions, etc., to give these actors the range and tools needed for an effective, powerful performance? Critical to this performance was the beauty and brilliance of this recording, which I used throughout the various scenes of the play. This helped the performers tremendously, creating the different tapestries in the mind of the Bard. In short, this work is real genius, that I was so happy that I stumbled across. I am now putting in our performance programs, along with our most heart-felt thanks to E.G., the name of the recording and I have copies from Telarc to sell at each performance!

What if Mozart wrote "Born to Be Wild"/ The Hampton String Quartet

Average customer rating:

Great CD if you can find it!
Mozart Meets Steppenwolf

What if Mozart wrote "Born to Be Wild"/ The Hampton String Quartet
Richard Henrickson , Regis Iandiorio , Richard Maximoff , John Reed , Jimmy Page , Brian Holland , and Keith Richards
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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HSQ Rides Again
What If Mozart Wrote "Roll over Beethoven"
Take No Prisoners
Sympathy For The Devil

ASIN: B000003ERH
Release Date: 1990-10-25

Tracks:

White Rabbit
Stairway To Heaven
Stop In The Name Of Love
Honky Tonk Woman
Light My Fire
Sunshine of Your Love
You've Lost That Lovin' Feeling
Born To Be Wild
Good Vibrations

Customer Reviews:

Great CD if you can find it!.......2002-01-30

This is vintage Hampton String Quartet. Recorded while they were still on RCA, this album shows the group's early potential. To see how they have grown, compare the "Stairway to Heaven" on this CD with the "Stairway to Heaven" on HSQ's independent CD "Sympathy For The Devil". The rock string quartets capture the vitality and energy of rock much better than other attempts by classical musicians. A great CD!

Mozart Meets Steppenwolf.......2000-06-22

This is a great CD for studying and working to. It's all of your favorite songs but done classical style which helps improve on mental abilities. I listen to this while I am at work or studying in my dormroom. The Hampton Quartet really pulls through with this one. 4 stars!

Average customer rating:

Excellent Collection

Light My Fire
José Feliciano
Manufacturer: Bmg/RCA Camden
ProductGroup: Music
Binding: Audio CD

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Feliciano!
Legendary José Feliciano
Absolutely the Best
Feliz Navidad
Jose Feliciano - All-Time Greatest Hits

ASIN: B000024GEL
Release Date: 1997-03-10

Tracks:

Light My Fire
Stay With Me
Chico And The Man (Main Theme)
And I Love Her
Don't Let The Sun Catch You Crying
You're No Good
Pegao
Nature Boy
California Dreamin'
(There's) Always Something There To Remind Me
Here There And Everywhere
Sunny
And The Sun Will Shin
Daytime Dreams
Yesterday
Essence Of Your Love
Rain
By The Time I Get To Phoenix
In My Life
And The Feeling's Good

Album Description

20 of the virtuoso acoustic guitarist's best, including histop three version of the Doors' classic 'Light My Fire', plus his hit theme to the '70s sitcom 'Chico And The Man', andnumerous other renditions of pop hits like 'Sunny', 'Here, There & Everywhere', 'Don't Let The Sun Catch You Crying', 'California Dreamin'' and '(There's) Always Something There To Remind Me'. 1997 release.

Customer Reviews:

Excellent Collection.......2003-07-05

For those of you who love the sound of a crisp and clean acoustic guitar and a soulful voice to go with it, this is a great album to own. This collection of HITS is not by any means the complete and definitive anthology of Jose Feliciano's Greatest works but is a great place to begin. After you listen to this CD in its enirety you will realize why this artist is so loved and respected by the masses. For the people that don't enough about this artist amazing talent and international appeal this set delivers to the maximum potential and provides the listener a beautiful and rewarding listening experience. Jose is the kind of musician/performer that once you have listen to his easygoing layback style of singing you will be immediately hooked on what has been universally known for more than 30+ years as the Feliciano sound. This album include's four of Jose's greatest classics that are an absolute MUST to become more familiar with this artist's classic repertoire. They are LIGHT MY FIRE, the only song in pop history to go to #1 twice. The Doors original in 1967 and Feliciano's colossal remake in 1968. CALIFORNIA DREAMIN, another remake of a classic by the Mamas and The Papas. CHICO AND THE MAN, the song that Jose wrote and performed for the popular TV sitcom of the same name starring the late Freddie Prinze. Last but certainly not least RAIN, another Feliciano composition who is a favorite among his many fans (myself included). The rest of the album's tracks are superbly performed and a few of them make their debut for the first time on CD. One of my favorites AND THE FEELING'S GOOD from the fantastic LP of the same name release in 1974, is a true Feliciano classic in my opinion. BY THE TIME I GET TO PHOENIX, is a beautiful instrumental that displays Jose's gentle and pure but nevertheless brilliant skill as a guitarist. This track was originally included in what many consider to be Feliciano's greatest album ever 10 TO 23 released in 1969, produced by Jose's longtime friend and collaborator in the studio Rick Jarrard. Overall this CD and his legendary career now in it's fourth decade prove to be a powerful account of how a little boy from Puerto Rico who was left permanently blind at birth defied all the obstacles and insurmountable odds and went on to become one of the most versatile and gifted entertainers the world has ever known. Accumulating massive stardom and phenomenal wealth along the way. Get this CD, you will love it.

Average customer rating:

Superhits: 1968 (Time Life Music)
Merrilee Rush and the Turnabouts , Mason Williams , Spanky and Our Gang , Marvin Gaye and Tammi Terrell , The Lettermen , The Vogues , Mama Cass , Classics IV , Bobby Goldsboro , and Sergio Mendes and Brasil '66
Manufacturer: Time Life Music
ProductGroup: Music
Binding: Audio CD
ASIN: B000SY01NE

Product Description

Song list: 1. A Beautiful Morning - The Rascals~~~2. Spooky - Classics IV~~~3. Light My Fire - Jose Feliciano~~~4. The Look of Love - Sergio Mendes and Brasil '66~~~5. Like to Get to Know You - Spanky and Our Gang~~~6. Classical Gas - Mason Williams~~~7. Angel of the Morning - Merrilee Rush and the Turnabouts~~~8. I Wish It Would Rain - The Temptations~~~9. Ain't Nothing Like the Real Thing - Marvin Gaye & Tammi Terrell~~~10. Do You Know the Way to San Jose - Dionne Warwick~~~11. Honey - Bobby Goldsboro~~~12. Hooked on a Feeling - B.J. Thomas~~~13. Stoned Soul Picnic - The 5th Dimension~~~14. Goin' Out of My Head/Can't Take My Eyes Off You - The Lettermen~~~15. Grazing in the Grass - Hugh Masakela~~~16. Turn Around, Look at Me - The Vogues~~~17. Wichita Lineman - Glen Campbell~~~18. (Theme from) Valley of the Dolls - Dionne Warwick~~~19. Dream a Little Dream of Me - Mama Cass~~~20. Abraham, Martin & John - Dion~~~21. I Heard It Through the Grapevine - Marvin Gaye~~~22. (Sittin' on) The Dock of the Bay - Otis Redding.

Average customer rating:

An AntiWar Masterpiece
Visceral power & beauty coupled with stunning performances!!
One of the best and most easily grasped of modern operas

Tippett: King Priam

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

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ASIN: B000000AXV
Release Date: 1995-11-14

Tracks:

King Priam: Prelude
King Priam: Hecuba: What Is It, Nurse?
King Priam: Priam: Old Man Of Troy, You're Welcome
King Priam: Hecuba: Then Am I No Longer Mother To This Child
King Priam: Priam: A Father And A King
King Priam: Priam: The Queen Is Right
King Priam: First Interlude - Nurse, Old Man: Thus Shall A Story Begin
King Priam: 1st Huntsman: The Bull Is Away Over There
King Priam: Paris: They Have Taken My Bull
King Priam: Hector: Father, He's A Shepherd Boy
King Priam: Priam: So I'd Hoped It Might Be
King Priam: Second Interlude - Nurse, Young Guard, Old Man: Ah, But Life, Life Is A Bitter Charade
King Priam: Helen, Paris: Ah, Ah ...
King Priam: Hermes: Divine Go-between, That's Who I Am
King Priam: Paris: Lady Athene, If I Honor You ...
King Priam: Paris: Lady Hera, If I Honor You ...
King Priam: Paris: Aphrodite, If I Honor You ...
King Priam: Hector: So You've Given Up Fighting!
King Priam: Priam: So Trojans Honor Menelaus ...
King Priam: First Interlude - Old Man: Hermes, Hermes, With The Winged Feet Come Quick!
King Priam: Achilles: O Rich-soiled Land
King Priam: Achilles: Why Are You Weeping, Patroclus?
King Priam: Second Interlude - Old Man: O, O, What A Threat To Troy
King Priam: Hermes: A Hero In Achilles Armour ...
King Priam: Hector: All Trojans, All Fought Bravely

Tracks:

King Priam: Serving Woman: Lady Andromache, Should We Not Light The Fire?
King Priam: Hecuba: Daughter Andromache, You Must Go Out ...
King Priam: Andromache: Did You Hear?
King Priam: Helen: Let Her Rave
King Priam: Hecuba: O That My Ears Should Hear Impiety So Gross!
King Priam: Andromache: Now You Shall Go
King Priam: First Interlude - Serving Women: No ... No ... No ... We Have It From The Runner
King Priam: Priam: What Is Happening?
King Priam: Young Guard: A Crime
King Priam: Nurse: The Soul Will Answer From Where The Pain Is Quickest
King Priam: Second Interlude
King Priam: Achilles: Priam! Here! What Is This?
King Priam: Priam: I Clasp Your Knees, Achilles
King Priam: Achilles: Old Man, I Am Touched
King Priam: Third Interlude -
King Priam: Paris: Where Is My Father, Where Is Priam?
King Priam: Chorus: Ah, Ah! Ah, Ah!
King Priam: Chorus: Ah, Ha, Ha, Ha
King Priam: Chorus: Ah, Ah!

Customer Reviews:

An AntiWar Masterpiece.......2002-08-26

Tippett and Britten were composers who, though very different in temperment and style, had many interests in common. One of the overiding concerns with both composers was the moral response to war and it's horrors. For Britten, the War Requiem and Owen Wingrave are his very clear moral response to war. Tippet, in his fashion is much more psychological in this work, which must rank as one of Tippett's best and most powerful operatic statements.

King Priam is a dramatic tour de force. Based on the Illiad as seen through the eyes of the Trojans, the work is a meditation on the inevitability of fate in mass movements like war. Priam, though illdisposed to the war, is unable to stop or control it as it takes both of his sons, his kingdom and then finally his own life. He emerges as a figure of moral power and grandeur, but ultimately as impotent and tragic. This libretto is one of Tippett's best and most clear statements.

Musically, Priam is a powerhouse, inaugurating Tippett's second major style. Priam is constructed in a mosaic style. Small chamber groups of instruments with defined musical content are assigned to characters. As the work develops, these small groups combine and recombine in a shifting maze of patterns that seems to endlessly reinvent itself. The music starts out as largely tonal, but the tonality breaks down as Fate takes over and dooms the Trojans. The work is never serial, but it takes an almost Bergian view of tonality, sometimes more and sometimes less tonal as the dramatic situation warrants. The vocal lines are mostly declaimed, but with moments of lyricism that are unfogettable, such as Priam's first aria, A Father and a King, or the beautiful scene between Priam and Achilles in the third act. And Achilles war cry at the end of act two is bone chilling!

This is a great performance of this piece. Many of the singers originated the roles and sing them with power and authority. Phillip Langridge is terrific as Paris. Robert Tear is a marvelous Achilles. David Aetherton conducts this difficult score with precision and a fine ear for balances.

This is a profound opera by a major 20th century composer. If you like Britten, you should own this as well. It is increasingly looking like Tippett's masterpiece.

Visceral power & beauty coupled with stunning performances!!.......2001-06-13

I bought this on a whim, having heard only the slightest bit of Tippett's orchestral music and none of his operas. I expected the music to be "difficult," and the performances stilted, but I was oh so wrong! Yes, this is definitely late 20th century music -- often dissonant and atonal, but it is utterly beautiful, emotionally moving music. I'm a huge fan of Britten's operas, and judge all modern opera composers by his standards, and (pardon my gushing) Sir Michael is more than up to the challenge. First of all, he takes on the daunting task of adapting the Iliad into a opera libretto and manages to compress the drama beautifully into 3 acts that tell the story imaginatively, comprehensively and in a wholly theatrical manner. Second, he uses the music to heighten the sense of character by giving each persona a unique style of vocal line and orchestration (yes, this is what all composers do, or try to do, but Tippett succeeds in a way few others do). Several of the characters are accompanied by solo instruments (bravura parts of concerto-like difficulty performed brilliantly) -- Achilles by solo guitar, Helen by solo cello, King Priam by violin, etc. Three characters form a sort of Greek chorus who comment on the action and bring a sense of questioning morality to the whole.

All of the solo singers are astutely cast and sing with amazing power. Standouts (difficult to single out any of them, they're all so brilliant): Phillip Langridge is first-rate as Paris, Priam's second son -- he sings with enormous power and pathos at the same time. Felicity Palmer is velvety sex personified as Helen. Norman Bailey as Priam has a raw edginess to his sound, which lends such a sense of reality to a man pushed to the edge by fate and his warring sons. The London Philharmonia gives a virtuoso performance, led sensitively and intelligently by David Atherton. The digital sound is crystal clear and beautifully engineered: the sound couldn't be better live at the Met! Take a chance on this one, and enter into an operatic world you will never forget.

One of the best and most easily grasped of modern operas.......1999-02-27

Contemporary opera was never the same after King Priam, a suitable irony given that the Opera is perhaps the most easily grasped by the listening public of the 5 Tippett Operas. Even so, the "crisis of King Prian" stylistically and emotionally is the germ-seed for the eccentrism yet to come in "The Knot Garden", "The Ice Break", and "New Year". Tippett's theme is the futility of choice and the nature of the impact of choice on humanity in the micro-sphere of the individual and the macro-sphere of the community and history. Tippett's unusual yet perfectly conceived recasting of the Iliad from the Trojan persepctive does more than summarize plot, but pauses to comment on the universal human potential implicit therein. A must-buy for Tippett fans and for anyone who likes opera, Greek Mythology, classical music, or a good story.

Customer Reviews:

a voice teacher and early music fan.......2006-01-19

This is a good representation of Campions' songs considering that he wrote so many of them. It is likely that Campion,not himself a professional performing musician, thought it the role of the performer to fashion their own lute parts:'For the notes and Tablature, if they satisfie the most, we have our desire; but let expert masters please themselves with better'. This seems to support the notion that Campion wished his own texts to be respected and not overshadowed by music. Far from being a foursquare musical Mr. Average, he shows himself to be a musical revolutionary. While the florid vocal writing of the Italians was an innovation to which his poetry was not suited, his sense of harmony and the responsibility given to the performer in 'creating' the music from a tune and a bass was new. One has to remember that his life was quite exciting living in the "fast lane" so to speak. I mention this fact because the emotional investment on the part of the singer must be great encompassing all sorts of tone color and vocal nuances. All of the singing is "pretty" but except for a couple of the songs such as "I Care Not For These Ladies" and "Fain Would I Wed" which showed some measure of drama, I didn't feel anything with the rest of them. Blaze has an excellent voice, but unfortunately the emotion is not always there. I think he comes across best in sacred music..Just my opinion.There are 23 songs on this disc. Many have been frequently recorded by other singers, particularly countertenors. Some of the most familiar are:'It Fell on a Summer's day'-'I care not for these Ladies'-Fire! Fire!'-'The cypress-curtain of the night'-'Fain Would I Wed'- and 2 sacred songs:'Author of Light' and 'Never Weather-beaten sail'.

Average customer rating:

Light My Fire
UB40
Manufacturer: Virgin
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000523DA
Release Date: 2000-11-27

Tracks:

Light My Fire
King (Main Remix) (Ub40 Vs Shadow Snipers Remix)
High On A Breeze

Album Details

Ub40 Cover the Doors Classic. Includes an Exclusive Remix of 'king' (Ub40 Vs Shadow Snipers).

Average customer rating:

a voice teacher and early music fan
Serious Drawback
Pleasant recital of Dowland contemporary

Campion: Elizabethan Songs

Manufacturer: Hmf Classical Exp.
ProductGroup: Music
Binding: Audio CD

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Handel Opera Arias, Vol. 1 ~ Drew Minter, PBO, McGegan

ASIN: B000059WLG
Release Date: 2001-03-13

Tracks:

Beauty, Since You So Much Desire
Love Me Or Not
Your Fair Looks
Never Love Unless You Can
O Never To Be Moved
The Cypress Curtain Of The Night
Awake Thou Spring Of Speaking Grace
Come, You Pretty False-Eyed Wanton
So Tired Are All My Thoughts
Fire, Fire
Pined I Am, And Like To Die
Author Of Light
See Where She Flies
Fair, If You Expect Admiring
Shall I Come, Sweet Love, To Thee?
It Fell On A Summer's Day
Kind Are Her Answers
Beauty Is But A Painted Hell
Sweet Exclude Me Not
Are You What Your Fair Looks Express?
I Care Not For These Ladies
Never Weather-Beaten Sail

Customer Reviews:

a voice teacher and early music fan.......2006-12-24

Thomas Campion (1567-1620) was a poet as well as a musician, and his songs definately reflect this ability, for they could just as well be read as sung. Philip Rosseter ( his friend) states that his 118 songs were "superfluous blossomes of his deeper Studies," no doubt referring to his Latin poetry , or perhaps medicine, which was his profession. What Campion did better than Dowland, or any other English composer of the day, was to "couple my words and notes lovingly together, which will be much for him to doe that hath not power over both." It is best to listen to them in order of priority to poem, melody and lastly singer. His melodies are simplistic and unadorned by shocking harmony designed to overpower the weight of the word itself. T.S. Eliot was in no doubt about Campion's quality:"except for Shakespeare, the most accomplished master of rhymed lyric of his time."
The performance of these songs by Drew Minter (countertenor) accompanied by Paul O'Dette (lute) is really quite outstanding. I must say that this disc is so much better than Minter's other disc of lute songs "Sweeter Than Roses". His voice had a much clearer tone quality and he did not get 'nasal' or 'edgy' as he is prone to do. He kept his voice light and distinct with very neat diction. When he goes for a loud full sound like Michael Chance or David Daniels his voice is not pleasant to hear. But this album is very good and his emotional investment into each song was excellent. Just a very good LISTEN!!!!

Serious Drawback.......2006-04-08

Elizabethan Songs. Twenty-two songs by Thomas Campion (1567 – 1620), performed by Drew Minter (countertenor) and Paul O’Dette (lute).
Recorded in November 1989 at Bethel United Church of Christ, Manchester, Michigan.
Harmonia Mundi. Originally issued as HMU 907023, now re-issued as part of the budget-price Classical Express series as HMCX 3957023. Total time: 58’23”.

Thomas Campion was a contemporary of both Shakespeare and Dowland and was a medical doctor who wrote poetry which he also set to music. Drew Minter performs twenty-two of these here with his inimitable coppery countertenor, a voice which is, in fact, very beautiful, but needs considerable getting used to if you are new to it. (Minter sings at alto pitch, but nobody would mistake him for a female!) He is accompanied by master lutenist Paul O’Dette, whose contribution remains fairly quietly in the background. The songs themselves are, of course, in Elizabethan English, making them rather difficult to understand. And this is where this CD suffers a serious drawback: the texts are not printed in the thin CD booklet; instead, there is a note saying that they can be downloaded from the internet, but when I tried to visit the site mentioned (on more than one occasion recently), the server was down, the address unknown. I nevertheless enjoyed listening, but without really knowing what Minter was singing so delightfully about. Campion’s melodies sound to my ear a little “samish”, and I occasionally found myself wishing that the program had been interrupted by a lute solo or two.

Pleasant recital of Dowland contemporary.......2001-03-28

There is little overlap between this Campion CD and the similar recital featuring another American countertenor, Steven Rickards, on Naxos. However if forced to choose between the two note that the Naxos release includes sung texts, while this one from Classical Express does not. On the other hand O'Dette is a more characterful lute player.

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