Fun Fun Fun

Editorial Reviews
Album Description
1990 compilation on EMI, part of the Zounds series ofdigitally remastered 'greatest hits' collections. 62 minuteslong, 'Fun Fun Fun' features 25 of The Beach Boys biggest &best for Capitol in the '60s, including: 'Surfin' U.S.A.','Surger Girl', 'Fun, Fun, Fun', 'I Get Around', 'CaliforniaGirls', 'Barbara Ann', 'Good Vibrations', 'Sloop John B','Wouldn't It Be Nice' and 'Help Me, Rhonda'.

Tracks:

Down On The Street
Loose
T.V. Eye
Dirt
1970
Fun House
L.A. Blue

Tracks:

T.V. Eye (Takes 7 & 8)
Loose (Demo)
Loose (Take 2)
Loose (Take 22)
Lost In The Future (Take 1)
Down On The Street (Take 1)
Down On The Street (Take 8)
Dirt (Take 4)
Slide (Slidin' The Blues) (Take 1)
1970 (Take 3)
Fun House (Take 2)
Fun House (Take 3)
Down On The Street
970

Album Description

Long before the raw power of punk icon Iggy Pop became legend, his first incarnation as Iggy Stooge of proto-punk trailblazers The Stooges roared into being. The essence of punk years before the genre existed, The Stooges' furious music was a howling, visceral, fuzztone-drenched, and unprecedented vortex of sound, as evidenced on their revolutionary self-titled, John Cale-produced 1969 debut album. Their bracing follow-up, Fun House portrayed their evolution into a fiercer, stronger band with Iggy's primal vocals and mad brilliance more potent than ever. Each immortal album is now remastered and twice as amazing with a second disc of rarities and previously unreleased tracks.

Customer Reviews:

Hot animalistic rock and roll at its best..........2007-05-28

This has to be one of the hardest hitting albums ever released. The fact that it came out in 1970 is amazing, only confirming that the Stooges were ahead of their time. (This album pre-dated the punk movement of '77 by seven years.) Also confirming that "Fun House" was a work of genius is the fact that Elektra records dumped the Stooges from their roster after they released this album, which proves the theory that genius is rarely understood, accepted, or recognized in it's time and is only appreciated in hindsight. This album wipes the floor with what is considered "heavy" today, you put it up next to a band like Nickelback or another band in that genre and it makes the other band look emotionless and weak by comparison. The first three songs on this disc don't let up a bit, "Down On The Street", "Loose", and "T.V. Eye" are all relentless grooves that capture the Stooges throbbing rhythm section, buzzsaw guitar, and Iggy's over the top vocals and gutteral screams and yelps. (I once read Iggy's explanation of what the "T.V." stands for in "T.V. Eye", and it doesn't stand for television, and thats all I can say on Amazon.) "Dirt" stands as one of the Stooges best slow songs, and doesn't lag for a seven minute dirge. The onslaught continues with "1970" which was later to be covered by many punk bands years later, most notably The Damned, who released it as "I Feel Alright" on their debut album. "Fun House" has one of my favorite Iggy vocals and a struttin' vamp of an arrangement by the band, including a honking sax. I can remember blasting it in college and having people walk by my door and asking, "What the hell's that noise?". "L.A. Blues" is like a free jazz blow out where the band implodes on itself. Unbelievable. This album sounds as fresh today as it probably did back then, and will remain timeless. It is amazing to me that the Stooges combined a punk attitude and aggressive music this way in the late sixties and early seventies, when hippies ruled the music scene. I spoke to a guy once who saw the Stooges live during this period and said it was the most inspiring thing he ever saw. If you are a rock fan and haven't heard this one, don't hesitate, just buy it. This disc never gets old and should be an essential for everyone's CD collection.

The loudest record ever made, and one of the best........2007-03-11

This second, astonishing album by Detroit's The Stooges is one of the great, unadulterated, balls-out moments in rock music. This is the first--and last-- time that rock, punk, metal and psychedelia would all organically coexist on one record, and the album remains a touchstone for punk, metal and radio-rock bands. ALthough many have tried, the intricate and living fusion of hormonal scream, deep groove and self-sconsciousness has never been re-attained. In this, their supreme moment, the Stooges wander through the drugged and adrenal detritus of the '60s with both distortion AND wah-wah pedals way up, and the result is simply intoxicating.

What appears to be on first listen simple three-chords-and-a-scream protopunk turns into something much more interesting. Don Galucci's production makes "Fun House", unlike their eponymous effort, really open up and breathe. Galucci creates a dark hint of space behind the lumbering swagger of "Down on the Street," and on the buzz-saw "T.V. Eye," the scream-and-howl sequence at the song's climax echoes eerily as the rhythm section shakes the listener buy the throat. Guitarist Ron Ashton uses wah-wah, fuzz, distortion, echoes, layered lines and everything from scratching to full-on howling feedback to give the songs layers and suprising intricacy. The rhythm section is as heavy as it is wiggly-- Dave Alexander throbs when necessary and noodles when possible.

Riding this monster wave are Iggy's vocals. From quiet moaning of "Hurt" to the twisted screaming at the end of "T.V. Eye," Pop is almost as mesmerising on record as, fights and broken glass antics and huge see-your-soul eyes, playing live. The music avoids the macho and sexist cliches of what would become metal and punk by not identifying Pop's Id with any political or social agenda. Pop, unlike the metalheads he so inspired, is not afraid of mocking himself, leading to an odd and yet captivating emotioanl vulernability. Mix this with the lumbering swagger of f*ck-me tunes like the animal-out-of-the-cage "Loose" and you get a kind of stoner sonnet cycle. You get the feeling listening to this disc that Iggy is coming to you straight and effortlessly from the unconscious-- from the straightforward tunes like "Loose" to the paranoia and simple weirdness of "She's got a T.V. eye on me..."

The songs are heavy and groovy, sometimes tightly structured ("Down on the Street"), here and there touching ("Hurt"), and sometimes, as Henry Rollins once said, housewreckers that just beg you to pick things up and destroy them ("L.A. Blues"). This is deeply sexy, groovy and massively, MONSTROUSLY loud stuff, like its cover a maelstrom of sound, since unsurpassed. Like "Exile on Main Street" and "Zen Arcade", this record works as both beer drinking and dope-smoking music, equal parts adrenalin and groove. The Stooges, like Curt Cobain, felt hugely "stupid/and contagious", and mananged to infect all of subsequent musical history. This is THE loudest record yet made, heavy, groovy, nasty and totally sexy.

The Stooges grab your neck. They pound your head into the wall. You begin to bleed. And then you find yourself begging for more. What else is there to say? Get it and turn it up, way up.

The animal is loosed and stalking you thru the FUN HOUSE .......2007-02-16

With the follow up to their eponymous debut, THE STOOGES make that "quantum leap" one often reads about, and in this case, FUN HOUSE is, in a word, stunning! Never pleasantly or hilariously "dumb" like the debut, FUN HOUSE is an amazing and perplexing advancement from that debut record which of and by itself would have sealed THE STOOGES' reputation. This band was even better than anyone could have ever guessed (though their record sales quickly relegated their two Elektra releases, the debut and FUN HOUSE, to the bargain bin). FUN HOUSE is jaw-droppingly unforgiving, a punch in the gut, a splash of acid in the face, hard power and hot metal, a lurching monster, referred to as "proto-punk" because of its influence on every Punk and Grunge band since, but really, such bands are belittled and reduced to mere "poodles" by this far-end risk that in fact is the most unique record of its era and a hybrid of 50s rock, 60s psychedelia, and that which was as yet unnamed (Punk) and no band has yet matched the achievement. Few records have predicted the coming decades as FUN HOUSE did in 1970, though typically unrecognized in its time. As Iggy Pop (a.k.a. Iggy Stooge) himself said, and to paraphrase, THE STOOGES could "eat all those poodles for breakfast." With a scorched earth policy that leaves no listener unscathed, this record is probably one of the most challenging records in the Rock n' Roll catalog, and not for the faint of heart, such as those moments all over the record when one hears Iggy blatantly snorting. If you ever listened to CAPTAIN BEEFHEART's TROUT MASK REPLICA you might get a shred of an idea of the accessibility of some of this record, particularly "L.A. Blues" which is a non-song cacophony of horror with the carnivorous animal Iggy loosed, roaring, and stalking the complacent world. But for the student and lover of Rock n' Roll, this record is a must. I think the primary reason Rock critics and diehard fans continue to cite THE STOOGES, especially FUN HOUSE, is because of the foresight of this material. The experimental aspect of the record is indicative of its era (it is completely un-commercial, but many bands included such material on their records in those days, though, frankly, lame by comparison) yet, like all three of THE STOOGES albums, FUN HOUSE never sounds dated. Tracks like the sustained tension of "Down On The Street", the superbly nasty and compelling "Loose," the luscious blues of "Dirt," the burping, mesmerizing "T.V. Eye," and the sucker-punch "1970," in which Iggy shrieks "...I feel alright" ending with a major snort (the sequel to "1969" when Iggy had "nuthin' ta do") are supremely realized and uncompromising, and if it weren't for their shocking effect, I'd be wearing a s**t eatin' grin. One of Rock's great romps, FUN HOUSE is not for the uninitiated, the timid, or uninspired. That being said, FUN HOUSE is one of the greatest records of Rock, a whole hell of a lot of fun, possibly my all time favorite, and one of the very few records of Rock that upon listening to for the first time I said to myself, "WOW!" In another word, a masterpiece.

Manic masterpiece.......2006-10-24

This is it, look no further: Fun House is The Stooges' manic, excessive, drug, alcohol and sex-fuelled homage to everything and anything that yer bona fide very naughty boy could ever do to have fun fun fun. Nihilistic madness, the lot of it, but not yer sophisticated New Yorker dressed in black sort of nihilism. More of yer trailer trash rebel who doesn't want to miss a minute of it.

Picture this album as the unfolding story of a weekend's rampage, beginning with the opportunistism of "Down on the Street" and ending up with the come-down of "L.A. Blues". The musical mayhem in between describes pretty candidly what he gets up to. Probably a cracking party, but one that few of us could survive intact. Some pleasures are better experienced vicariously, methinks.

One Funhouse You'll Never Leave.......2006-07-30

. . . even if you wanted to; but if you're a fan of pure rock I can't imagine you'd want this wasted soundscape to ever end. The only complaint one could make about _fun house_ is that it ends; this is about the best criticism one could make of an album, as I'm sure you would agree. Iggy, the Asheton Bros. & Co. get more out of sludgy three-chord rants than pretty much anyone before or since (see anything by Boris for a worthy contemporary heir). The Stooges live up to their namesake perfectly here and continue to set the pace for extreme music on this CD, be it punk, metal, experimental, or otherwise.

My favorite moment on the CD is when Iggy yells "I feel all right" repeatedly over the sloppiest detuned dirge one could imagine. Andy Mackay lands in the middle of the wreckage with a sax solo; he sounds like an alien playing an instrument in tune here, making things as weird as they could be. Note to extreme musicians: Iggy & Co. made the prototype for your kind of music THIRTY-FIVE years ago using more than just guitars & drums . . . IT CAN BE INTERESTING TO USE OTHER INSTRUMENTS BESIDES THESE TWO BASICS, as _fun house_ all too clearly shows.

"t.v. eye" is another scummy jewel, perhaps one of the most memorable riffs in the history of rock (perhaps because it or something like it has been in a thousand other songs before and after--regardless, this is the best version of this riff). Iggy pegs paranoia to a tee and says volumes for anyone who has ever felt weirded out (a great portion of us, to be sure). The miracle is that he does it in a few words ("she got a t.v. eye on me . . .). An absolute masterpiece of minor-key minimalism.

"L.A. Blues" is another fitting and memorable ending to this inferno of a funhouse. Coming as this album did in 1970, this instrumental somehow serves as the capstone for the decade without anyone emitting a word. It sounds like a Grateful Dead jam gone way, way wrong, as if to say "Well, here's where your drugs and free love got you: straight in the sh**ter. May as will make the hippy dream sound like what it's come to!" The miracle on this song is that Asheton & Co. manage to show no musical proficiency whatsoever, just a mass noise freak-out without sense or sensibility. "Welcome to the '70's," they seem to be saying, "it's gonna get way stranger from here on in." Listen to it really loud and I can pretty much guarantee that you'll understand why Lester Bangs couldn't stop singing the praises of these guys and this song in particular. It takes great music like this to inspire the greatest rock writing ever.

Like I said, the CD ends here and the listener wants way, way more. Iggy never quite captured this sort of glory again, but fellow gutter-snipes like the Ramones, the Clash, and the Pistols were able to make some equally worthy trash-thrum on their own. Guess one never does leave this funhouse, after all.

Average customer rating:

GREAT for kids and parents, too!
cute for kids
Everybody listens when they come to my house
A gem!
One of the most under rated cd's on the market

Nicky's Jazz for Kids
Various Artists
Manufacturer: Dominick
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Jazz for Kids: Sing, Clap, Wiggle and Shake
Nicky's Jazz Lullabies
Nicky The Jazz Cat
Mary Had a Little Amp
A Child's Celebration of Rock 'n' Roll

ASIN: B0000DI4TB
Release Date: 2003-10-21

Tracks:

Key-Mo Ky-Mo (The Magic Song) - The King Cole Trio
Everybody Eats When They Come to My House - Cab Calloway
A Tisket, A Tasket - Ella Fitzgerald
Three Blind Mice - The King Cole Trio
The Music Goes 'Round and Around - Louis Prima
The Jungle King (You Ain't Done a Doggone Thing) - Cab Calloway
Ten Feet Off The Ground - Louis Armstrong
All That Meat And No Potatoes - Fats Waller
Jeepers Creepers - Count Basie & Tony Bennett
The Umbrella Man - Dizzy Gillespie
Chew-Chew-Chew (Chew Your Bubblegum) - Ella Fitzgerald
Your Feet's Too Big - Fats Waller
A Doodlin' Song - Peggy Lee

Album Description

Nicky's Jazz For Kids has received The American Library Association's Notable Children's Recording Award, The Parents' Choice Silver Honor Award, The iParenting Media Award, and was chosen as a Parenting Magazine "Parenting Pick."

This jazz for kids CD--the very first and best collection of its kind--provides children with a fun and engaging introduction to jazz with rhyming, fun-filled, sing-a-long songs that they (and you) will never tire of. All tracks were chosen especially for kids by their buddy Nicky The Jazz Cat and were re-mastered from their one-of-a-kind originals. Sung by the world's most celebrated jazz legends, Louis Armstrong, Count Basie, Tony Bennett, Cab Calloway, Nat King Cole, Ella Fitzgerald, Dizzy Gillespie, Peggy Lee, Louis Prima and Fats Waller, Nicky's swinging and spirited picks are sure to inspire endless singing, dancing and interactive musical play with the whole family.

The most car-friendly CD ever!

Customer Reviews:

GREAT for kids and parents, too!.......2007-04-13

I rarely write reviews, but just had to write about this amazing CD. It's not your typical kiddie-fare. My three kids (ages 4, 6, and 8) listen to this one over and over again, and my husband and I are hooked, too. We are not into jazz at all, but the songs here are so catchy and fun. It's cool enough that you could even play it at an adult function, and everyone would like it. In fact, I'm buying it for my mom, who is 64, because I know that she'll be singing it around the house in no time at all -- just like we do!

cute for kids.......2006-08-13

I bought "Nicky's Jazz Lullabies" before my baby was born and loved it, so I decided to purchase this CD. My baby is a little young for it yet, but it fun to listen to while we play. The songs are cute and catchy, and I'm sure she'll love it eventually. I'm a jazz lover and hope to introduce her to some of the greats. Plus, in my opinion, this beats those cheesy kids songs any day.

Everybody listens when they come to my house.......2006-07-25

This is a delightful program of songs that will please everyone with a garden of word-tune delights. My family and I loved it. We've played it over and over again for our friends. I bought it for several other children I know. They loved it. One 4-year-old is determined to learn every song. And that means learning lots of words, rhymes, syncopation, from great artists of American jazz culture. A verbal infusion for the young that is great fun.

A gem!.......2006-01-23

I rarely write reviews, but I need to comment on how fantastic this compilation is. I have a four-year-old and an eighteen-month-old, and this CD is in heavy rotation at our house. My husband and I love the music at least as much as they do -- it's stylish and sets a great mood as we're making dinner and doing dishes. The kids love it too, needless to say. My four-year-old's favorites are Three Blind Mice (she loves when the farmer's wife squeaks that she'll give back the tails) and the final track by Peggy Lee (where she says the word *poop*, as in "party poop" -- endless laughter ensues). Ella Fitzgerald's A-Tisket, A-Tasket and Chew, Chew Your Bubblegum are priceless. All in all, I highly recommend this CD -- everyone will be happy to hear it again and again.

One of the most under rated cd's on the market.......2005-05-03

This cd has won awards and delighted anyone who has listened. Why it isn't a requirement for kids learning about music, especially in the US where Jazz became Jazz, is beyond me. Perfectly charming songs from the best of the best who made Jazz, lots of passionate Jazz.

Average customer rating:

Love this cd!
Great
Wonderfully entertaining
Fun... and won't dull your brain.
Fun Music Grownups can enjoy with their kids!

Bottle Of Sunshine
Milkshake
Manufacturer: Milkshake Music
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Happy Songs
Jack's Big Music Show, Season 1
Under a Shady Tree
PLAY!
Way Out

ASIN: B00065AX6A
Release Date: 2004-10-05

Tracks:

Bottle Of Sunshine
Bluebird
School
Woo-Woo
Milkshake!
Boom, Boom
ABC Of Me
Space Song
Book Of Dreams
Jump
Smile
MS R&R
Rainy Day
One Wish
Sleepytown

Amazon.com

Milkshake, the duo of Lisa Mathews and Mikel Gehl (alums of the pop/rock act Love Riot), pours heart and soul into Bottle of Sunshine, and kids ages one to six will slurp it up the same way they did Happy Songs, Milkshake's harmony-thick debut. Mathews's pleasant voice (reminiscent of Cowboy Junkies's Margo Timmons' in its sleepy, drifty, peacefulness), and a light acoustic touch earns this act a spot in the cool kids' musicians category. Parents will love Sunshine for its pared-down folk/rock sound, and kids will appreciate a lack of shyness when it comes to getting silly. For parents, some children's records make the drone of a blender seem a preferable listening experience. In the span of two super-smooth discs, Milkshake manages to reverse all that. --Tammy La Gorce

Album Description

Well, true to the phrase "Good things take time," two years after the release of our 2002 debut CD Happy Songs, we present Bottle Of Sunshine. The disc offers fifteen brand new Milkshake originals the whole family can groove to. You'll also find lots of variety here, although most of the songs still live in the rock genre. We recorded "ABC Of Me" live in the studio with a jazz combo. It's a new take on the Alphabet Song, and each letter stands for some quality or thing that reminds us of how great we are, and how wonderful childhood is. "Boom Boom" turned into a country rock song as we added fiddle and banjo and a "yee-haa". There's a doo-wop tinged song about having fun in the water called "Woo-Woo." There are some totally acoustic songs ("Bluebird" and "Milkshake!") and some very electrified, all-out rock songs ("School" and "Space Song"). But every song is memorable. And each one was great fun to record.

British children's author/illustrator Alexis Deacon created the cover art for Bottle of Sunshine, along with illustrations for the 16-page booklet accompanying the CD. Please look for his wonderful children's books "Slow Loris" and "Beegu," both published by Kane Publishers, NY.

Bottle of Sunshine also contains a bonus: three Milkshake music videos of songs from Happy Songs. Two of these, "Fingers & Toes" and "Tall", are fully animated. The third, "Happy Song", is a live action video with some animation sprinkled here and there.

Customer Reviews:

Love this cd!.......2007-07-18

I bought this cd after seeing a Milkshake video on PBS. We have had it over a year and still listen to it every week. It is so full of energy and fun. It makes you want to get up and dance. Adults can even tolerate listening to it in the car. I recently purchased Milkshake's cd "Play!" also, but it is not as enjoyable.

Great.......2007-01-10

I love this CD-my son can listen to it over and over and over again. One of their best!

Wonderfully entertaining .......2007-01-06

From preschoolers to first graders, "Bottle Of Sunshine" will prove a 'kid friendly' favorite with its toe-tapping tunes, hand-clapping rhythms, and sing-along lyrics flawlessly delivered by Milkshake (singer Lisa Mathews and guitarist Mikel Ghel) with their usual flair and easy expertise. The fifteen superbly presented and impressively recorded pieces comprising this outstanding and highly recommended CD album for children include: Bluebird; School; Woo-Woo; Milkshake!; Boom, Boom; ABC of Me; Space Song; Book of Dreams; Jump; Smile; Ms. R&R; Rainy Day; One Wish; Sleepytown; and the title piece, Bottle of Sunshine. This is a wonderfully entertaining and sure to be kid-pleasing addition to any family, preschool, daycare center, elementary school, or community library CD music collection for children. Also highly recommended is Milkshake's other kid's CD, "Play!" which features songs about kids having fun playing baseball, bowling, pretending, playing music, having parades, planting a garden, and more!

Fun... and won't dull your brain........2006-11-05

I purchased this CD for my 18 month old daughter after hearing the ABC song at library storytime. She has some definite favorites and asks for them as soon as we get in the car. The songs are cheerful, clever and fun to dance/sing along with. We recently ordered another copy as a gift for a 5 year old. She LOVES it too!
Highly recommend!

Fun Music Grownups can enjoy with their kids!.......2005-11-16

Not only do my kids love the music, but I do too!! We've seen them live and they're awesome. Lisa has so much energy and dances around in her "tutu" and those "crazy tights" and Mikel is so awesome with the kids. They are talented musicians who make kids music fun for everyone. Watch them on Noggin - Jack's Music Show. The videos are lively and fun! I hope they'll make a DVD of the videos, including the one's on their web site.

Itzhak Perlman - Live in the Fiddler's House

Average customer rating:

A great collection of klezmer favorites!
Best Klezmer album
This was a fun C.D.

Itzhak Perlman - Live in the Fiddler's House
Itzhak Perlman , Klezmatics , Andy Statman , Klezmer Conservatory Band , and Brave Old World
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Similar Items:

In the Fiddler's House
Jews With Horns
Rhythm & Jews
The King of the Klezmer Clarinet
Yiddish-American Klezmer Music 1925-1956

ASIN: B000002SMI
Release Date: 1996-11-12

Tracks:

Bukovina 212
Lekho Neraneno
Doina Naftule
A Hora mit Branfn
Healthy Baby Girl Hora
Golem Tants
Honga Encore
Nigh
Bulgars-The Kiss
Meron Nign-In the Sukke
Sholom Aleykhem
Khaiterma
Andy's Ride
A Heymisher Bulga-Wedding Dance
Kale Bazetsn (Seating the Bride)-Khusidl (Khasidic Dance)
Fun Tashlikh
A Yingele fun Poyln (A Young Man from Poland)-Di Mame iz Gegangen in Mark Arayan (Mother went to the
Processional/Klezmer Suite-Ale Brider (We Are All Brothers)

Customer Reviews:

A great collection of klezmer favorites!.......2006-09-30

Premiere violinist Itzhak Perlman is joined live in concert by four premiere klezmer groups: Brave Old World, The Klezmatics, Andy Statman, and the Klezmer Conservatory Band. Vibrant, poignant and distinctly old-world, klezmer is the musical style that developed among Eastern European Jews. Featuring the soulful fire of violin, clarinet, accordion, mandolin and vocal leads, accompanied by cimbalom (a hammered-dulcimer), piano, drums. There are a few soulful slow tunes mixed in amongst the fiery dances, but most of the selections on "Live in the Fiddler's House" are fun and up tempo, full of the instrumental virtuosity one would expect both of this genre, and of a concert violinist of Itzhak Perlman caliber. Klezmer is some of the world's best good-time music, right up there with Irish jigs, Cajun two-steps and country banjo pickin'. But it's not all sweetness and light; inherent in the mournful, minor mode of this traditional music is blend of opposites--both the sorrow of persecution and defiant sense of fun-in-the-moment inherent of a culture displaced, trying to maintain its identity in an ever-changing and often hostile world. And therein lies klezmer's appeal to the soul. For more great Jewish music, try any of the separate releases by Brave Old World, The Klezmatics, Andy Statman and his band, and the Klezmer Conservatory Band. You might also enjoy "The Hidden Gate: Jewish Music Around the World," the traditional Sephardic music of the group Voice of the Turtle, and the unplugged world fusion of Basya Schechter and Pharoah's Daughter in "Out of the Reeds."

Best Klezmer album.......2004-11-16

To me, this is the best klezmer album I've ever listened to (and I have quite a few). And it's a live album. Although it's a kind of live version of "In the Fiddler's House", the repertoire is not the same (they only share one or two songs). The bands accompanying Itzhak Perlman are at their best (they are the best klezmer performers!). I prefer, personally, Andy Statman's clarinet and mandolin (Andy's Ride and Meron Nign/In the Sukke are my favorites); then there are great moments with Brave Old World (Doina Naftule and A Hora mit Branfn are beautiful pieces) and the Klezmatics, of course. The 12 minute finale is an absolute well crafted medley, under Klezmer Conservatory Band's leader, Hankus Netsky. I did'n want it to end.
I don't like at all the women voices of Klezmer Conservatory Band, although the instrumental pieces (like Khosidl) are amazing.
There is not a second in this album which is not top klezmer.

This was a fun C.D........1999-01-16

For people who are into Klezmer music this is the finest C.D.! For Klezmer music lovers, this is a masterpiece.

Average customer rating:

Ditto
Not only one of X's greatest albums, one of the greatest albums ever!
X's Best!
walking the line
sizzlin sounds of summer

More Fun in the New World
X
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

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Similar Items:

Under the Big Black Sun
Wild Gift
Los Angeles
See How We Are
Ain't Love Grand!

ASIN: B000065DU2
Release Date: 2002-05-21

Tracks:

The New World
We're Having Much More Fun
True Love
Poor Girl
Make The Music Go Bang
Breathless
I Must Not Think Bad Thoughts
Devil Doll
Painting The Town Blue
Hot House
Drunk In My Past
I See Red
True Love Pt. #2
Poor Girl (Demo/Remix) (Bonus Track)
True Love Pt. #2 (Demo/Remix) (Bonus Track)
Devil Doll (Demo/Remix) (Bonus Track)
I Must Not Think Bad Thoughts (Demo/Remix) (Bonus Track)

Amazon.com

Although Exene Cervenka and John Doe should be remembered as the most influential punk songwriting team after the Clash's Joe Strummer and Mick Jones, they remain a cult favorite. Oh well, that hardly diminishes the lasting impact of More Fun in the New World. Released as a follow-up to 1982's earth-shattering Under the Big Black Sun, this CD catches the grimy Los Angeles quartet at the height of its power, lashing out at Reagan's increasingly synthetic and sodden America and turning a blind eye to the emerging new wave scene that would soon overrun their city. Songs like "True Love" and "Hot House" are essentially timeless, reaching back to the very heart of rock & roll's primal roots with appropriately ravenous production by former Doors keyboardist Ray Manzarek, while looking forward with their widescreen melodies. If it wasn't for X we would have never had the Go-Go's, the Pixies, Sonic Youth, No Doubt, or the White Stripes. And that would be a sad world, indeed. --Aidin Vaziri

Album Description

Expanded and remastered reissue of 1983 album with 4 previously unissued bonus recordings 'Poor Girl' (demo/remix), 'True Love Pt. 2' (demo/remix), 'Devil Doll' (demo/remix) & 'I Must Think Bad Thoughts' (demo/remix).

Customer Reviews:

Ditto.......2007-01-27

The facts we hate: everybody's got something to hide except ___ and his ______.

Not a huge fan of this band like some of the others here, but "More Fun in the New World" is one of the great punk albums of the eighties, chock full of songs that hold up to scrutiny. It's worth getting for the track "I Must Not Think Bad Thoughts" alone, which best showcases Exene Cervenka and John Doe's vocal interplay. In case you don't have Windows Media or RealPlayer, here's a sample of the lyrics, just imagine them singing:

'Walking down the road, everybody yelling "Hurry up!" "Hurry up!" But I'm waiting for you, I must go slow. I must not think bad thoughts. When is this world coming to? Both sides are right but both sides murder. I give up; why can't they? I must not think bad thoughts. The civil wars and the uncivilized wars. Conflagrations leap out of every poor furnace. The food cooks poorly and everyone goes hungry. From then on it's dog eat dog, dog eat body, and body eat dog. I can't go down there. I can't understand it."

And so on and so forth...

Not only one of X's greatest albums, one of the greatest albums ever!.......2005-12-29

I know that a lot of X fans are upset that this truly legendary band never got the commercial success that they truly deserved. However, that never really bothered me. Because after all of these flash in the pan and flavor of the week groups are dead and gone, their music will be as well. However, X's music will live forever. Which is what is so remarkable about this band. Some twenty years later, their music is so contemporary, it does not sound dated at all (well maybe one their albums does). I guess the two biggest hits off this great album are "Poor Girl" and "Breathless." However, every cut is great, from the start to finish, each track is blistering and fresh. Los Angeles legends, just like their first and best producer.

X's Best!.......2005-10-15

I've had "Los Angeles" and "Wild Gift" for quite some time now, for some strange reason I always thought I wouldn't like any other X album, I was wrong, "More Fun in the new world" along with "Under the big black sun" are by far my favorite X albums,
I remember hearing all of these songs when they came out, when I was a kid, because I dad is a huge X fan, but I never realized just how good they were. This is truly X's last great album.

I have to agree with the review that says this is one of the best album sides in rock history, the first 7 songs are amazing. my personal favorites are "We're having much more fun", and "Poor girl", those 2 songs make the album worth buying alone, they really show how much X had grown as songwriters, "The New World", "True Love", "Make the Music go Bang" and their cover of "Breathless" are also amazing songs, and "I must not think bad thoughts" is totally different from what X usually does but its a really cool song. The first 7 songs are so good, I can't see how this album didn't go multi-platinum.

The rest of the album is good, its just not as good as the first half, "Devil Doll", "Painting the town blue", and "I see red" are all great songs, if you like X you won't be disapointed, "Drunk in my past" is one of my favorites on the album, "Hot House" is an alright song, its worth listening to, its just not up to par with the rest of the album, and the only track I don't like is "True Love pt. 2", for some reason it just doesn't vibe with me, maybe its the Doobie brothers like intro, but I think the song just drags, luckily its the last song on the album.

John Doe, Exene, Billy Zoom and D.J. Bonebreak all shine on this album and I like this album (along with "Under the big black sun") probably more than "Los Angeles". I would highly recomend this or any of the first 4 X albums for that matter, to anybody who apreciates good rock music.

walking the line.......2005-09-30

X has a funny way of tip toeing the line between raw punk and gritty, classic rock. For one, John and Exene sing extremely well together. The fact that they sing harmonies in a punk band is unusual, but it works. Then there is the fact that they can just churn out the most adrenaline injected punk you will ever hear. These elements are really evident on this and albums after Los angeles and wild gift. X will live on the heart and minds of fans as one of the most dynamic and kick ass bands punk music has ever produced.

sizzlin sounds of summer.......2005-06-18

Is it punk? Is it rock? Is it country? Who freakin cares!! This band has never been duplicated.

Average customer rating:

Fun House
Add A Little FIRE To Your FUNHOUSE
Thee Sound of Hell
Wow
"Sick, Twisted House" is more like it

Fun House
The Stooges
Manufacturer: Elektra / Ada
ProductGroup: Music
Binding: Audio CD

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Raw Power
New York Dolls
The Idiot
Lust for Life
White Light/White Heat

ASIN: B000005IU2
Release Date: 1990-10-25

Tracks:

Down On The Street
Loose
T.V. Eye
Dirt
1970
Fun House
L.A. Blues

Amazon.com

Of course the Stooges were stupid, that was the whole point. Three chords were okay, two were even better, one or none (the cacophonous "L.A. Blues") was best of all. Drunk on their own testosterone, Iggy Pop and Co. kept things simple, loud, and brutal--and he's been coasting on the band's rep ever since. Slow and thuddy as it sounds now, almost nobody had ever made rock as primal as this second album. Iggy howled like a psycho, the band sounded like they could barely play the elementary riffs, and occasionally a moment of bone-headed poetry made it through the glorious muck. --Douglas Wolk

Customer Reviews:

Fun House.......2007-04-12

Iggy And The Stooges-Fun House ****

Fun House was the second Stooges album. Released in 1970 Fun House along with The Stooges two other albums Raw Power and the self titled The Stooges became what is now known as proto-punk. The stooges were the precursor to punk. But what is interesting about that is the band had the punk attitude but their music was sometimes lengthy and often contained horns, and jazzy time signatures, all of which are not in the punk genre usually. But that in itself is what makes it punk because The Stooges did what they wanted weather it was acceptable or not.

Iggy Pop, Dave Alexander, Steven Mackay, Sott and Ron Asheton are at the top of their game here. While this was Steven Mackays last album with the band he sure went out with a bang. Mackay wasnt an official member of the band really but he was always listed on the album up until Raw Power. But anyways the band was nothing less then amazing here.

On the bands debut, The Stooges, they had a song called '1969' which went on to become a classic, well here they have '1970' which while not as good as 69, is an excellent song and what do you know it also went on to become a classic. 'Down On The Street' which opens the album and does so brilliantly. It's a hard rocker with lots of energy and great guitar. 'Loose' is a lot like 'penatrate' from Raw Power. The titled refects the feel of the sound of the album. The song is about sex obviously. 'T.V Eye' is one of the better songs on the album, and Iggy gives a fantastic performance. 'Dirt' drags on a little long but is still a great song. 'Fun House,' the title track is one of the best songs on the album. It is rich in Saxophone. This is a longer song as well, almost eight minutes in length. But it never gets boring. The album ends with 'L.A. Blues' is well just noise. The album could have been better with out it. Iggy just growls and the band just plays random notes and scales as if it is a jazz improvision. Completly aweful way to end a otherwise great album.

Fun House has gone down in history as one of the all time greatest albums in punk, rock n' roll, and music in general. Fun House is an album that no collection should be without, and an album that no collection is complete without. If your a fan of Iggys solo work then you will love this. If you are a fan of punk you will really love this because you can see where they all drew influence from. Truly a great record that I would recomend to all who are interested.

Add A Little FIRE To Your FUNHOUSE.......2007-04-02

The sound of FUN HOUSE never gets old. The Stooges 2nd album, Fun House, was first released in 1970. They sound so much more ALIVE w/ POWER and agitated aggression, than on their debut self-titled release in 1969. FUNHOUSE is just mind blowing Sure-fire in your face ferocity!
On the front cover of the album it looks like Iggy is basking in the flames of Hell and the music portrays such a passionate deep, fiery kind of mess and rage.
Don Gallucci was FUNHOUSE's producer and directed the band members to capture the intensity felt from The Stooges live shows; and showcase it in the studio. What resulted from the studio sessions brought out a much more maniacal side to Iggy Pop, it just sounds like he was having so much fun making this album. JAZZ fused w/ Blues and Punk attitude all around.
Unfortunately in 1970, the majority record buying public wasn't interested in The Stooges or FUNHOUSE. They felt it's Hellish nature depicted a darker world of sex and drugs. I guess it was just ahead of it's time.
My favorite songs are: "Loose" - "1970" - & "Funhouse" - I do prefer RAW POWER's(Stooges 3rd album)version of "Dirt" better than the FUNHOUSE one.
The Stooges along w/ Iggy Pop and their three albums did inspire a lot of artists. Thanks to Iggy Pop's vision he influenced the proto-punks in London as well as New York. Such influence can be seen on Sonic Youth's earlier work: Confusion is Sex(their second full-length)
The Stooges also directly influenced Black Flag, Richard Hell, The Birthday Party, & in the later '80s, one of my Favorites - Mudhoney.
Rage Against the Machine - covered the opening track on FUNHOUSE -"Down On the Street," for their last album 2000s Renegades.
To Me FUNHOUSE sounds fresh even after the 37 years it has been released! And Rolling Stone named it one of the TOP 500 albums of ALL TIME(191)!

Yep - I give it 5 stars!

Thee Sound of Hell.......2007-03-22

This is what hell sounds like. Forget the dumb reviews talking about bad musicianship, sludge etc. This is a fantastic album that grinds along, and implodes at the end like a rocket in the sky. Buy it buy it buy it.

Wow.......2007-02-25

I bought this album about 10 years ago. I hadn't heard "1970" for a while (until earlier this evening) and almost forgot what a perfect piece of chaos it is. The sax player deserves serious praise (as well as whoever suggested putting sax on a Stooges album in the first place).

Funhouse is one of the most compact, cohesive, crazy albums ever recorded. The whole thing is quite an experience.

"Sick, Twisted House" is more like it.......2006-11-02

Still, what an album! If you want brilliant hard rock masterpieces, this is certainly one of them! The debut was brutal. But this transcends brutal. Along with The Velvet Underground's White Light/White Heat, it's one of those records that will make those less hardy listeners run and hide. Just listen to L.A. Blues, AKA Formless Mess. When I played this tune for my brother, he covered his ears and ran away. I can't say I blame him, either. That song lacks melody, harmony, or anything else even remotely related. I love it. It gets better - T.V. Eye certainly fills the "brutal, insane, straightforward rock 'n' roll" quotient required of anything Stooges-related. Sex anthems 1970 and Loose prove that NOBODY can do sex anthems (no pun intended) like the Stooges. Then there's the slow, lurching mutant-blues Dirt, very underrated and very, VERY cool. And there's that title track... woof. All the hype about this one is true.
And Howard Tuttleman, you are so self-absorbed it's sickening. You claim yourself "Master Reviewer" and "Teenage Genious". Well, guess what? You misspelled "genius", which speaks VOLUMES about your intelligence.

Average customer rating:

ALTHOUGH I'M GENERALLY NOT BIG ON BALLADS...
One Fine "little" Record
***1/2 - slightly uneven, but a lot of good stuff
Awesome solo debut from Glenn Frey
Glenn goes it alone

No Fun Aloud
Glenn Frey
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

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The Allnighter
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Live

ASIN: B000002H12
Release Date: 1994-05-24

Tracks:

I Found Somebody
The One You Love
Partytown
I Volunteer
I've Been Born Again
Sea Cruise
That Girl
All Those Lies
She Can't Let Go
Don't Give Up

Customer Reviews:

ALTHOUGH I'M GENERALLY NOT BIG ON BALLADS..........2007-07-12

... "The One You Love" is one of my Top 10 favourite ballads of the 80's and has one of the catchiest sax riffs ever, right up there with "Careless Whisper"... whoddathunk Glenn Frey was capable of such a great AOR tune?

One Fine "little" Record.......2007-01-15

I've spun this one (on an old LP) since it came out in '82 or so; I love Joe Walsh, and Henley is one of rock's best social commentators, but somehow, Glenn has always captured my ear more solidly; like a great Steely Dan or Huey Lewis record, the compositions are multi-textured, fun, deeply layered--but oh-so-catchy. Like Buffett, if he could arrange songs more cleverly (Frey's a MASTER of that, don't you think?); I also absolutely love THE ALLNIGHTER and SOUL SEARCHIN', but this first solo effort remains my favorite!

The thing about the "later" retrospective collections of Frey solo work is that you miss out on some great tracks! "The One You Love"--LIVE?! Where's "That Girl" and "All Those Lies" and "I Found Somebody"?! For my dollar, and a truly great listening experience, get all three solo records, put 'em in your Windows Media Player or MP3, hit "shuffle" and you've got yourself a fine Glenn Frey Jukebox.

Interesting sidenote: I know we're a little sick of Eagles repackaging, but honestly: as executive producer/arranger/band member, I don't think HELL FREEZES OVER or FAREWELL VOL. I would be possible (or nearly as good) without Glenn Frey: "the working man's Eagle."

***1/2 - slightly uneven, but a lot of good stuff.......2005-06-22

Eagle Glenn Frey's first solo album came out in May, 1982, and it has dated a little bit, like almost all mainstream rock records from the 80s.
But much of "No Fun Aloud" holds up very well, and Frey's and Jack Tempchin's songwriting partnership produced a handful of really good pop-rock song with a distinct soul flavour.

The album produced no fewer than five singles, with the soaring soul ballad "The One You Love" peaking at #15 on the Billboard 200 (and #2 on the Adult Contemporary listings).
"Partytown" got to #5 on the Mainsteam Rock list, and it's a pretty good little rocker...it always sounded better live, though.
The opener "I Found Somebody" is another highlight, a great mid-tempo soul-rock tune with Al Garth on sax. And Frey goes further into soul territory with the gentle "I Volunteer" and the swaggering "I've Been Born Again", and lays down a pretty good rendition of Huey 'Piano' Smith's "Sea Cruise".

The latter half of the album is not quite as consistent as the first. The synthetic "Don't Give Up" has dated really badly, and "All Those Lies" is just not particularly memorable.
The ballad "That Girl", co-written with fellow Detroit native Bob Seger, is perhaps a bit too sweet for some, but the Spanish-sounding "She Can't Let Go" is a real gem. Frey plays some lovely acoustic guitar and bass parts, and his voice is the perfect instrument for this type of song.

Glenn Frey's liner notes are clever and very much worthwhile, by the way, and his impeccable vocals and knack for crafting laid-back love songs take this album a long way.
3 1/2 stars. An enjoyable forty minutes.

Awesome solo debut from Glenn Frey.......2004-12-20

Thanks for reading.
I love Glenn Frey. He's a great singer, and he's seems to have so much fun.
I had heard " The One you Love" for years without knowing Glenn Frey had done it. What a brilliant song.
Beautiful, sweet saxaphone, it's almost out of place and not belonging on this album. I bought this album on the strength of that one song, and I wasn't disappointed.
Fans expecting more of the same won't get it though, as this is quite an upbeat album.
Some gems include " I found Somebody " also released as a single I think, " I volunteer" " All those lies" and " Don't give up "
This is great early 80s music, and might bring back a few memories for some, although I only bought this a few months ago myself!
I loved it- a great CD
Eagles fans will love it!

Glenn goes it alone.......2003-04-17

When Glenn split from the Eagles in 1980 and decided to make solo records he made No Fun Aloud with the aid of long time Eagles collaborator Jack Tempchin and a smattering of others, Hawk Wolinski etc. You may have expected Eagles formula LA rock but Glenn wentback to his blue eyed soul roots in Detroit and released an album full of R&B in a happy throw away style. First listen and subsequent listens allowed the words unsubstantial and light weight to spring to mind but time has treated the music well and some songs have grown on me as time went on. That Girl written with Bob Seger is one, as is I Volunteer which sounds a bit like Eagles, On the Border period. Don`t Give Up utilises 80`s electronics effectively and sounds vaguely Eagles Long Runnish. Sea Cruise is a joy in a happy go lucky Jamaica/R&B style while the Hit off the album the One You Love is a lovely ballad which brings a touch of moistness to the eye (occassionaly) While Don was venting his political spleen Glenn was having a good time. Treat this album as just that a good time record.

Average customer rating:

Tony Chestnut
Not so great
Great CD for Ex Ed
"Miss Terri"
Move and Groove with the Kids

Tony Chestnut & Fun Time Action Songs

Manufacturer: The Learning Station
ProductGroup: Music
Binding: Audio CD

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Here We Go Loopty Loo
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ASIN: B00000GBZ8
Release Date: 1998-11-01

Tracks:

Tony Chestnut
Five Little Monkeys
Way Down Yonder
One, Two, Buckle My Shoe
How Much Is That Doggie?
Mr. Mirror
I Like Friends
Rattlesnake
Swimming Song
Shiny Clean Dance
Imagination, Communication
Pump, Pump Shuffle
Twister Time
The Spirit Song

Product Description

3 years & up. Don, Laurie and Jan are known for their ability to capture attention by creating a fun, learning environment where children are invited to participate, sing, dance and experience music's magic in education.

Customer Reviews:

Tony Chestnut.......2007-01-19

Wonderful product for big kids(adults) and little kids! So glad I purchased it! Fun for all!

Not so great.......2006-11-02

I thought the Tony Chestnut song would be a little more upbeat. The whole CD is much like folk music. I am not a lover of it.

Great CD for Ex Ed.......2002-02-21

This CD is the best. I use it DAILY in our morning "Circle Time" with my Ex Ed classroom. The children (of all abilities and levels) LOVE it and really get into the movements and words of the songs. Tony Chestnut & 5 Little Monkeys are their favorites.

"Miss Terri".......2002-01-25

What a wonderful surprise this CD is! I am a Preschool teacher and had previously found the 'basic' words to the title song on-line. It was sung to a slightly different tune than presented on the cd, but none the less, is a MAJOR hit with my students! It's a play on words from the classic head-shoulders-knees & toes. That particular song is a bit to advanced for the special needs children but there are MANY others that are appropriate! The kids LOVE the Swimming Song & The Mirror song, the latter being a cool down, more quiet song, with FUN movement!! I would definetly say "Add it to your collection"! I also purchased Learning Station's newest CD, Physical Ed. It too is equally good, but it is physical be prepared!! It is also geared more to the older 3's and even 4 year old students.

Move and Groove with the Kids.......2000-12-29

I had to buy the CD version since my cassette wore out. Every song is great and kids of all ages enjoy singing as well as movin' and groovin' to the beat. The title song TONY CHESTNUT is the favorite among the younger set. It's a wonderful play on words for the body parts; toe-knee-chest-nut (head) etc. I have successfully taught this song to children as young as 3 to the ripe age of 8. Parents enjoyed learning the words and motions from their children. The rest of the songs are wonderful too. I had the luck of seeing the Learning Station in person a few years back for a Musical Workshop and it was well worth the time put it in. I recommend the rest of their CDs as well.

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Shekinah's Mom

Fun Learning Songs
Twin Sisters
Manufacturer: Twin Sisters
ProductGroup: Music
Binding: Audio CD

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Super Silly Songs
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ASIN: B0007XL3CO
Release Date: 2005-02-01

Tracks:

First I'll Learn My ABC's
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Product Description

GENERAL FEATURES: Fun Learning Songs by Twin Sisters begins with "Now I'll Learn My ABC's" to "Say Please and Thank You." Twenty fun songs in all that teach as they entertain. Twin Sisters product #524CD. Lyrics included. For preschool age children.

Customer Reviews:

Shekinah's Mom.......2006-07-20

This is a tape that "sings" many important preschool concepts. Singing makes the learning process easy for preschoolers. My daughter is 3 and in her preschool environment she has learned and is learning many of the concepts "sang by children" on this tape. I use this CD to review the concepts that she knows and to further acquaint her with skills that she is acquiring. Song # 8 is BINGO ... I used this song to teach my daughter how to spell her name. After your child has learned the BINGO song, substitute the letters in her name into the medley and your child will learn to spell their name in no time flat. We listen to Song # 5 "Sing Thru the Year" a couple of times a week. In her preschool class they are learning the months and me further reinforcing the months through the song on this CD is accelerating the learning process. She knows her shapes. But soon we will use tract 13 and 14 to help her draw her shapes. I think this is a great took in the hands of a Mom that wants to facilitate their preschoolers/kindergarteners learning and retention of these vital concepts.

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Yay!
I am blown away.
Menomena's First Album
Glad I found this band
"Try and stop us now!"

I Am the Fun Blame Monster!
Menomena
Manufacturer: Film Guerrero
ProductGroup: Music
Binding: Audio CD

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ASIN: B0002VKZTS
Release Date: 2004-09-07

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Oahu
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Customer Reviews:

Yay!.......2007-05-06

A true test to how good an album is: how many times can u listen to it in a row and still discover something new with each listen. By the 5th spin i'm hooked. Truly a bunch of guys to celebrate. Off-key, puzzling, beautiful tapestry of funk, rock and piano. When the piano kicks in on 'cough coughing' i had butterflies in my chest. I can't wait to hear their other albums.

I am blown away........2007-04-12

Wow. This band is truly refreshing. They are a rainbow paisley oasis in a desert of brown Dockers. I hope they stick around for a long time.

Menomena's First Album.......2005-10-12

First of all, "I Am the Fun Blame Monster" is an awesome album title because it is an anagram of "Menomena's First Album"...who does that?! Regardless of their inventive album title, Menomena's sound is also wildly creative. The thought and experimentation that went into this album is incredible and I hope everyone gets to experience the wonder of the monster...plus, the album presentation is something to be proud of and, best of all, fun to play with. I bought the album for my boyfriend and was very tempted to keep it for myself ;)

Glad I found this band.......2005-03-13

I'm almost ashamed to say that I've just recently started listening to this band, even though they hail from my city, good old gritty Portland, OR. Though I really can't comment on the mathematics and computer programming of this music (though somehow that impresses me in a geeky kind of way), I can tell you in my humble opinion, that this album is mature and sophisticated, yet not at all inaccessible. I'm thoroughly impressed with their crashing orchestral sound... and equally blown away by the fact that they totally rock!!

As it's been said before, there is this sort of low-fi Radiohead quality to their stuff, but I hestitate labeling or associating Menomena too closely with them. After listening to this album with complete abandon, I feel like I've been through an Experience. I'm spent, but thoroughly invigorated and hopeful.

"Try and stop us now!".......2005-01-11

This little Fun-Blame Monster sure came outta nowhere, didn't it? I mean, we have pitchfork throwing up a "featured review" one moment, followed by a chorus of indie kids and online mags screaming "hell ya!" and then it's forgotten in time for the year-end best-of lists... It came and went so fast that I'd mostly forgotten about it until I randomly came upon a used copy at the local record shop. The crude dragon drawing on the front insisted that I give it a sample listen, and, rolling my eyes, I grudgingly obliged. Now about this local record store, I have to give them credit that they even have listening stations for the used c.d.s. Still, they make it pretty clear that they don't want you there too long by making it very uncomfortable- you stand in a little booth with nothing to lean on or sit on. I wasn't planning on being there too long- only 30 secs a song, 9 songs, a quick little five minutes, right? I pressed play...and stood there for the whole 45 minute runtime. Man, it blew me away.

The first thing that sucks you in is the drumming. It pummels you with complex, danceable, near-hip-hop beats- not unlike those from the Flaming Lips Soft Bulletin. And then, the melodies come in, weave a tapestry in your head, and keep you eagerly anticipating each new moment. Piano, Saxophone, Keyboards and bass flow together in most unexpected and blissful ways. I can't remember when I last heard such bewilderingly ornate melodies- those perfect tunes that never repeat a single time more than they have to, and that reward every time you listen but are never to obtuse to leave your head.

Each song exemplifies an unique approach, but it's a wonderfully sequenced album with many of the pieces flowing into each other. Really, the only weak link are the lyrics, which are pleasant but certainly not standout. But this is POP music of the highest order. The whole stands together as an ode to the clarity that comes out of loneliness- those 4 am moments when you stare out your window, perfectly content to be perfectly alone.

Yup, it was "left-field" alright, so left-field it seems it's already been forgotten. That's a real shame- this is, without a doubt, one of the most brilliant pop records in recent years. Grab it while you can.

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Zaki

What It Is [Explicit Lyrics]

We Live Here

The Great Clarinet Quintets

(What's the Story) Morning Glory? [Enhanced]

Wet Dog

Yeah [CD-single]

By the River - Chuck Butler Band

Optimystique