Ayre

Editorial Reviews
Amazon.com
This is a fascinating CD, containing two song cycles--one brand new, by Osvaldo Golijov, and one dating from 1964, by Luciano Berio. Berios's is a setting of folk songs from several countries, including France, Italy, America, and Sardinia. Golijov's songs are in Spanish, but they cross Christian, Jewish, and Arab cultures. The Berio arrangements contain nicely odd harmonic cadences in the accompaniments. Dawn Upshaw sings them simply and directly, albeit in what might be called a traditional operatic, if low-keyed, fashion. Golijov's songs are strange, daring, and magnificent, in composition, accompaniment, rhythm, and vocal delivery. To be sure, Upshaw uses an operatic sound for much of the cycle, but she lets loose with some of the most remarkable yelps, hoots, and bellows to express the texts and situations as well. The songs vary: some are prayers, some folk songs, some lullabies. Golijov orchestrates with accordion, horn, laptop computer (electronica), flute, violin, viola, and more--and the sounds fit the words. He doesn't seem to care whether he's making music classical or popular: as a result he has created something unique. Fans of pop music will be as entranced by this as will those specializing in classical music. Try this--it's remarkable. --Robert Levine

Osvaldo Golijov: Ayre, Music, Osvaldo Golijov, Dawn Upshaw, Chamber, Chamber Music, Classical, Classical Composers, Classical Vocals, Solo Voice(s) and Small Ensemble, Vocal, Vocal Music

Average customer rating:

A Triumph!

Lucid and Dazzling

Not original? Ha!

Upshaw is a true artist

Review of 'Ayre'

Osvaldo Golijov: Ayre
Osvaldo Golijov , Dawn Upshaw , Luciano Berio , and Folk Songs
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Berio, Luciano | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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Release Date: 2005-09-27

Tracks:

Dawn, St. John's Day - Dawn Upshaw
A Mother Roasted Her Child - Dawn Upshaw
Walls Are Encircling The Land - Dawn Upshaw
Moon - Dawn Upshaw
Nani - Dawn Upshaw
My Love - Dawn Upshaw
My Eyes Weep - Dawn Upshaw
Be A String, Water, To My Guitar - Dawn Upshaw
Untie Your Ribbons - Dawn Upshaw
O God, Where Shall I Find You? - Dawn Upshaw
Ariadna In Her Labyrinth - Dawn Upshaw
Black Is The Color - Gordon Gottlieb
I Wonder As I Wander - Gordon Gottlieb
Loosin Yelav - Gordon Gottlieb
Rossignolet Du Bois - Gordon Gottlieb
A La Femminisca - Gordon Gottlieb
La Donna Ideale - Gordon Gottlieb
Ballo - Gordon Gottlieb
Motettu De Tristura - Gordon Gottlieb
Malurous Qu'o Uno Fenno - Gordon Gottlieb
Lo Fiolaire - Gordon Gottlieb
Azerbaijan Love Song - Gordon Gottlieb

Amazon.com

This is a fascinating CD, containing two song cycles--one brand new, by Osvaldo Golijov, and one dating from 1964, by Luciano Berio. Berios's is a setting of folk songs from several countries, including France, Italy, America, and Sardinia. Golijov's songs are in Spanish, but they cross Christian, Jewish, and Arab cultures. The Berio arrangements contain nicely odd harmonic cadences in the accompaniments. Dawn Upshaw sings them simply and directly, albeit in what might be called a traditional operatic, if low-keyed, fashion. Golijov's songs are strange, daring, and magnificent, in composition, accompaniment, rhythm, and vocal delivery. To be sure, Upshaw uses an operatic sound for much of the cycle, but she lets loose with some of the most remarkable yelps, hoots, and bellows to express the texts and situations as well. The songs vary: some are prayers, some folk songs, some lullabies. Golijov orchestrates with accordion, horn, laptop computer (electronica), flute, violin, viola, and more--and the sounds fit the words. He doesn't seem to care whether he's making music classical or popular: as a result he has created something unique. Fans of pop music will be as entranced by this as will those specializing in classical music. Try this--it's remarkable. --Robert Levine

Customer Reviews:

A Triumph!.......2007-06-24

On June 4 2007 I went to a meeting at the Chicago Symphony Orchestra. Chicago Public Schools teachers were invited to brainstorm ideas to have our students working in the production of 'Ainadamar', an opera by Osvaldo Golijov, in cooperation with Albany Park Theatre Project (APTP). Osvaldo Golijov attended that meeting. Afterwards we were invited to stay to see Ayre. This is how I discovered Golijov.
By the second song I was completely blown away and almost in tears ... The music was so powerful, and the singing completely energetic and mesmerizing at the same time. Jewish music melted with Muslim influences and with a Spanish traditional touch here and there. The soprano Dawn Upshaw was brilliant, and so was the whole orchestra. I've never seen before a laptop computer mixed with an orchestra. And the orchestra itself was nothing conventional (Spanish guitar, accordion, flutes, oboes, violins, etc.). The composer himself presented the songs like a tribute to friendship. Also, he said it was a 'story on how the opressed became the opressors'. A very remarkable music experience that I strongly recommend. Not an easy listening, but definetely worth it!
The album contains two different pieces. Tracks 1-11 'Ayre' (2004) by Osvaldo Golijov (1960), which is the world premiere recording. Tracks 12-22 'Folk Songs' (1964) by Luciano Berio (1925-2003). The soprano Dawn Upshaw sings both of the pieces. I bought this CD because of 'Ayre' and this is what this is review is about. However, I also liked the folk songs by Berio and I give this CD 4 stars overall (4,5 for Ayre).

Lucid and Dazzling.......2006-09-28

Lucid and Dazzling. That's all there is to say. Lucid and dazzling.

Golijov takes a good hard long look at Berio's 'Folk Songs,' thinks about what he'd do differently, and does it. Ayre is one of the most creative collections of multi-lingual, international, inter-faith, inter-cultural mosaic to enter the musical word. It is motley and mixed. It has dark humor with wicked grins, sentimental sighs and long winding melodies that stay in your head for a day or two.

On seeing a live show of this about two weeks after the CD came out I cried and cried - because not only do we have such amazing and moving music in this piece, it is music that - in its mediterranean hodge-podge - gives us a reminder of how beautiful the world would be if we'd all sing with, instead of shoot at, each other.

And the Berio - well, I thought Berberian's recording from the 70's was it. But Dawn, well, she just gets certain subtleties and colors that Cathy couldn't. And Ms. Upshaw can growl, scream, laugh, mock, and dream just as good as Cathy could.

A good CD for fall. A great gift for those of extra-ecclectic taste. An even better musical intro for those that want to see/hear where (I hope) classical music is heading.

Not original? Ha!.......2006-06-22

So, I ended up buying this album not for the main piece, Golijov's Ayre but for Upshaw's version of Berio's Folksongs. In fact, in the length of time I've had this disc, which has been a couple of months, at least, I never even once attempted listening to Golijov's piece. The truth of the matter was, I kept telling myself I didn't like Goljov - which was silly and contradictory of me since I've always enjoyed Golijov's The Dreams and Prayers of Isaac the Blind. In fact, because I knew I enjoyed Isaac The Blind, I investigated whether or not I'd enjoy Golijov's newly released opera, Ainadamar. After listening to some 30 second samples from Amazon.com, I must admit that I wasn't impressed with what I heard. I also investigated his La Pasion Segun San Marcos only to arrive at the opinion that it, too, was lacking in very many ways. I immediately figured that aside from Isaac the Blind, Golijov's other material seemed bland, unempathetic and largely undeveloped - almost as if he were in a hurry to be prolific!

Well, needless to say, my opinion of him immediately changed when I finally decided to listen to Ayre. From the very first note, I realized it was Golijov from my familiarity with Isaac the Blind and I was instantaneously drawn in. The rhythm was exotic, casual, and yet refined, and the harmony transported me away from 21st century America into a wholly other multi-cultural dimension. The introduction holds you in suspense, awaiting what's next, and then gradually shifts into mode encompassed by Jewish and Arabesque tones and colors. Upshaw's singing is so evocative and pronounced that, just like in her performance of Gorecki's "Symphony No. 3," she doesn't spare any emotion in her performance. Her voice alone adds so much texture to these songs!

The song cycle ranges from the beautiful to the absurd, at times, with Upshaw's singing leading the way. And while the music itself often appears to move from place to place, never seeming to touch the same place twice, there is actually so much cohsiveness between each song that it's impossible not to realize these songs rely upon each other for their strength and viability just like any other architectural composition.

Some people harangue Golijov for being a popular living composer, often berating him with fallible characterizations. Some even claim he isn't original and is only recycling what's come before in order to put himself among the ranks of Mozart, Mahler, and Shostakovich. As one reviewer belows states, Golijov is considered the Brittany Spears of classical. Far from it, as I see it! Golijov's music is no less original than many other composers, including Mozart himself. In fact, it's truly quite difficult to find any composer, living or dead, who was not inspired or did not find their cue from music that preceded them. Golijov may take certain themes borrowed from previous composers (such as composing a song cycle based on Berio's Folksongs) and incorporate those themes into the larger scheme, but such inspiration is no different than the countless composed renditions of "Variations on a Theme by Paganini."

Don't let overly traditionalist music-lovers stray you away from this release! It's truly what your heart, soul, and ears have been searching for!

Upshaw is a true artist.......2006-04-23

I must first say that I have the highest admiration for Dawn Upshaw. Here is an artist, a wonderful singer, who is willing to explore music as varied as can be imagined. From Bach to Schubert to Debussy to Golijov and Saariaho, she illuminates it all with her beautiful voice. She is a true artist and a courageous one, (witness the hostility in some of the reviews here.)

I feel that Golijov is a very important contemporary composer, and this work, with its varied ethnicity and moods is a fascinating journey. To me the second half of the album, folk songs of Luciano Berio, while interesting, is nowhere near as powerful as Golijov piece.

The instrumental group Andalucian Dogs are superb. They accompany Upshaw with boundless energy and virtuosity.

Review of 'Ayre'.......2006-03-07

Some of the selections were interesting. One or two, very interesting but overall, so-so. Upshaw is wasted on this one.
Occasionally 'atmospheric'.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
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Very Informative and Enjoyable
Frank's view
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Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
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The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
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The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
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Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
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Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
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The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
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Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
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Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
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Variations On A Theme Of Frank Bridge (No. 4)
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Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

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Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
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Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
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Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
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Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
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A Cello With An Identity-Crisis: The Pizzicato Flamencan
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Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
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The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
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Capriccio Di Bravura
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A Variety Of Techniques
Chamber Music No.II
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The Loneliness Of The Cor Anglais
The Swan Of Tuonela
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Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
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The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
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As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
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The Snow Maiden (Scene 5: Melodrama)
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Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
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Pictures At An Exhibition (The Old Castle)
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Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
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The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
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The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
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The French Horn Under Its Woodwind Hat
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Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

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The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
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Trumpets And Drums - An Incomparable Alliance
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The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
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Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
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The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
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Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
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Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

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Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
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Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Air Pour Les Trompettes
Trumpet Voluntary
Kanon
Fantasie In C
We Hasten With Eager Footsteps
Fantasia And Fugue In D Minor
My Heart Ever Faithful
Toccata And Fugue In D Minor
Fugue In G Minor ('Little')
Trumpet Voluntary
Contrapunctus
Trumpet Tune And Ayre
Galliard Battaglia
Canzon Aechiopican
Sonata In Three Movements For Trumpets
Where'er You Walk
Hallelujah, Amen
Madrigal

Customer Reviews:

Brandon's Review.......2004-02-09

I am a trumpet player who has studied under the tutalage of Bernie Nero principle trumpet of the Austin Symphony and am also a graduate of the Juilliard School of Music,therefore I feel that I am in a unique position to coment on the quality of this recording. Although the music assembled for the recording is an excellent combination of contrasting styles, the musical prhasing is not played charicteristically correct for that time period of music,and stylistically lacks cohesivness. None the less it is still a very good recording, that is why I give it a four rating.

Consistent excellence.......2002-05-20

The Canadian Brass never disappoints. There are some great arrangements of Baroque classics on this album. It may be hard to imagine an organ piece like Bach's Toccata and Fugue in D Minor played by a brass quartet, but it actually works. Overall, this album is consistent in delivering great music.

You can't go wrong with the Canadian Brass.......1999-12-06

You really can't go wrong with any CD by the Canadian Brass; they're such an outstanding group. Because of this, it can oftentimes be difficult to choose which of their CDs to purchase. However, if you are looking for a Canadian Brass CD focused around the more classical aspect of music, "Go For Boroque!" is an excellent choice. Compared to the other CB baroque CD, I feel this one is the better. It has a lot more tracks, and the songs, in my opinion, are better. It has everything from my personal favorite, "We Hasten with Eager Footsteps," to "Trumpet Voluntary," to "Toccata and Fugue in D Minor," which is more closely associated with "Phantom of the Opera." I highly recommend this recording.

Average customer rating:

Quite powerful and sentimental
Disappointing Sound
The 10 Tenors
Great CD
Over the Top Vocals

Here's to the Heroes

Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Tenology
Larger Than Life
The Ten Tenors - Larger Than Life
Ten Tenors in Prayer
Tenology - the Best of So Far

ASIN: B000H5U65M
Release Date: 2006-09-12

Tracks:

Just To See Each Other Again
Here's To The Heroes
Buongiorno Principessa
There'll Come A Day
We Have All The Time In The World
Places
Les Choristes
You Only Live Twice
Tick All The Day's Off One By One
Somewhere In Time
Who Wants To Live Forever
Gladiator Suite: Now We Are Free/Il Gladiatore

Album Description

A compilation between Australia's favorite export, the Ten Tenors, film score icon John Barry, and famed lyricist Don Black. Here's To The Heroes has all the epic sweep, swoon, swashbuckle, and pure entertainment value of the many great films Barry has adorned with his timeless music.

Customer Reviews:

Quite powerful and sentimental.......2007-02-26

I found this album very moving, with tremendously rich vocals and instrumentals. It has a strong sentimentality to its sound, which I found highly appealing. But if you see yourself as above all that, this album will be easy to criticize, as some of the comments below attest.

In my mind, this music is more like show tunes, and less like a classical operatic rendition. And for that, it is quite well done. My favorite song is Bongiorno Principesa (sp?), which is quite moving and deeply romantic. One does not have to know Italian to understand love in song.

If other classical cross-over, such as Andrea Bocelli appeals to you, I strongly suggest you give it a try.

Disappointing Sound.......2007-02-16

The sound level from song to song is inconsistent. Requiring frequent volume adjustment. Several songs the orchestra overshadows the voices. The songs are beautiful.

The 10 Tenors.......2007-01-10

This CD has the best selection yet in my opinion for these wonderful voices..It really portrays how well they blend together and also how they accompany the Solos....I find it very relaxing driving and have had this
playing constantly in the car going back and forth to work.....The Music is superb I bought their other CD also which is great but this is THE favourite..I hope you enjoy it..

Great CD.......2007-01-04

I bought this CD b/c "Here's to the Hero's" was played at my cousin's funeral. He was killed in a plane crash fighting forest fires in California. The song was so beautiful and very moving, especially at an unexpected funeral, such as this one. It was the first time I had ever heard of them. I love the CD. It's a bit cheesy putting words to all these movie soundtrack themes. (Here's the Hero's is to the theme of Dances With Wolves). However, it is a very nice CD. I listen to it all the time. Actually, I have another CD by John Barry (Movie Themes) that I've had for a long time. After I bought the Ten Tenors, practically every song on here is on that John Barry (Instramental) CD. They just put words to theirs.

Over the Top Vocals.......2006-10-19

I know I will probably get slammed by people for not totally disliking or completely loving this CD. I am in the middle although I lean... overall it is a bit much. Some of the arrangements of this Australian vocal power group could use a little restraint. That being said however, some of the tracks are simply amazing. I am a big James Bond fan and "You Only Live Twice" is powerful. The Queen anthem from the Highlander movies, "Who Wants to Live Forever" is stunning. The Gladiator suite from the movie brings a new dimension with the all-male vocals making it an edgier version. If you are a big fan of movie scores and even bigger popera vocals, this CD is for you. Of course, this CD may be over the top but some of the tracks are worth keeping it on repeat so you may want the options of purchasing individual tracks. That said, turn this up on your stereo system to hear the full power of ten amazing tenor voices on this John Barry-helmed CD.

Average customer rating:

Listen with Earphones and Be Astounded
Sweet baroque trumpet music!
Praising The Most High Through The Clarion Voice
Wonderful Wynton
Darn Good Trumpet Playing

Wynton Marsalis: In Gabriel's Garden

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Wynton Marsalis - Baroque Music for Trumpet
Classic Wynton
Kathleen Battle · Wynton Marsalis ~ Baroque Duet / Anthony Newman · Orch St. Luke's · Nelson
Baroque Music for Trumpets
The London Concert: Haydn/Hummel/Mozart/Fasch

ASIN: B000002AP7
Release Date: 1996-05-14

Tracks:

Suites de Symphonies, Premiere Suite, Fanfares: Rondeau
The Prince Of Denmark's March
Sonata In D Major, G.5: I. Adagio
Sonata In D Major, G.5: II. Allegro e staccato
Sonata In D Major, G.5: III. Adagio
Sonata In D Major, G.5: IV. Allegro
The King's March
Sinfonia In D Major, G. 4: I. Presto
Sinfonia In D Major, G. 4: II. Adagio e spiccato - Presto
Sinfonia In D Major, G. 4: III. Allegro
An Ayre
Sonata No. 2 In D Major For Trumpet, Strings And Basso Continuo: I. (Overture). (Grave) - Allegro
Sonata No. 2 In D Major For Trumpet, Strings And Basso Continuo: II. Adagio
Sonata No. 2 In D Major For Trumpet, Strings And Basso Continuo: III. (March). (Allegro)
Rondeau from Abdelazar
Sonata A5 No. 1 In D Major, T.V.1: I. Andante
Sonata A5 No. 1 In D Major, T.V.1: II. Allegro
Sonata A5 No. 1 In D Major, T.V.1: III. Grave
Sonata A5 No. 1 In D Major, T.V.1: IV. Allegro
Rondeau
Sonata In D Major, G.6: I. Adagio - Vivace
Sonata In D Major, G.6: II. Adagio - Largo
Sonata In D Major, G.6: III Allegro
Prelude From Te Deum, H. 146
Sinfonia con tromba In D Major, T.V.8: I. Allegro
Sinfonia con tromba In D Major, T.V.8: II. Adagio
Sinfonia con tromba In D Major, T.V.8: III. Allegro moderato
Sinfonia con tromba In D Major, T.V.8: IV. Allegro
Trumpet Voluntary
Brandenburg Concerto No. 2 In F Major, BWV 1047: I. -
Brandenburg Concerto No. 2 In F Major, BWV 1047: II. Andante
Brandenburg Concerto No. 2 In F Major, BWV 1047: III. Allegro assai

Customer Reviews:

Listen with Earphones and Be Astounded.......2007-03-12

As I've said in other reviews of music, I don't know the technicalities, but I know what I like. Wynton Marsalis has never failed to delight and, truth be told, I use "In Gabriel's Garden" as background music in the office and to fall asleep to. As smooth or smoother than any trumpet player I've ever heard, and his "Moto Perpetuo" is simply unbelievable.

He rounds out my four favorite classical musicians: Itzhak Perlman, Earl Wild, David Russell, and Wynton Marsalis. How would you like to see all four on stage? A pipe dream: I can't even get tickets to any one of them unless I know four years in advance that they're going to be in town.

Btw, "Classical Wynton" is my all-time favorite Marsalis album.

I have one wish, and can't forgive PBS for not doing this: Wynton had a program for kids about jazz, and after "its run," they never brought it back. I think it should be required in all schools.

Sweet baroque trumpet music!.......2005-10-01

It was the first disc that acquaints me with this trumpeter 2 years ago and i was suprised by that the disc brought me more than i ever dared expect from it, probably the artist is not active enough like a professional classical specialist to establish an impression to me as a classical artist from which I would like to expect more and more but this one is stunningly wonderful classical cd,although its sound quality is not preferable to me:the orchestre sounds too timid,afterall the trumpeter Mr Marsalis does not fail in retain my interest in the disc.well I cannot say more for trumpet is a complete musically stranger to me.if there are more classical trumpet music discs coming up.I would look forward to this name.

Praising The Most High Through The Clarion Voice.......2003-07-18

...a lowly servant heralding the return of The King...

...perhaps at the fringe society-wise, but nevertheless a clarion voice in praise of The Most High...

...stunning and spiritually invigorating...

Wonderful Wynton.......2001-12-15

Wynton Marsalis is a superb musician. His style is bright, pure and exuberant, but he has a tendency to go a little overboard sometimes. In this CD that tendency is particularly evident in his rendition of Bach's Brandenburg Concerto. However, his playing is terribly moving and charismatic and he brings a vitality to these pieces that is seldom present in other performers' interpretations. The repertoire is very varied and the English Chamber Orchestra provide wonderful accompaniment. These versions may be a little flamboyant sometimes, but they are great nonetheless, and Wynton's masterful playing is always worth listening. Very few people can express the sheer joy of making music as intensely as Mr. Marsalis; his renditions of Jeremiah Clarke's works are absolutely marvellous.

Darn Good Trumpet Playing.......2001-11-11

Okay, I'll admit Mr. Marsalis may have taken some liberties with the music and made it a little more "flashy," shall we say. However, this IS Wynton Marsalis, and as long he continues to play impeccably on all his albums (this one being no exception), he can do whatever he darn well pleases as far as I'm concerned.

On this recording, Wynton Marsalis produces music from an instrument from which it is difficult for most other trumpet players to get any kind of respectable sound. His mastery of the piccolo trumpet is nothing short of remarkable, to say the least. If you've ever tried to play one, after hearing this you will gain a much deeper appreciation for the man's seemingly limitless talent and potential with both piccolo and regular trumpets.

Yes, piccolo trumpet means some high notes, so if high notes bother you, maybe you should shy away from this one and pick out another one of Mr. Marsalis' spectacular albums.

Tracks:

Two Pieces: Almand
Two Pieces: Gaillard
Toccata 'Athalanta'
Brass Suite: Intrade
Brass Suite: Sarabande
Brass Suite: Intrade
Brass Suite: Sarabande
Brass Suite: Bal
Brass Suite: Courente
Brass Suite: Bal
Brass Suite: Sarabande
Brass Suite: Gigue
Providebam Dominum
Three Sonatas: Sonate No. 21
Three Sonatas: Sonate No. 24
Three Sonatas: Sonate No. 22
Renaissance Suite: The Marie-Golde
Renaissance Suite: Night Watch
Renaissance Suite: Patiencia
Renaissance Suite: The Choise
Renaissance Suite: Honie-Suckle
Renaissance Suite: Last Will And Testament
Renaissance Suite: The New-Yeres Gift
Three Pieces: The Prince Of Denmark's March
Three Pieces: Interlude
Three Pieces: King William's March
Two Ayres: Awake The Trumpet's Lofty Sound
Two Ayres: A Trumpet Voluntary From 'Ode For St. Cecilia's Day '
Two Pieces: Trumpet Tune
Two Pieces: Voluntary For Organ And Trumpets
Six Diverse Pieces: Fanfare
Six Diverse Pieces: Trumpet Tune 'Bonduca'
Six Diverse Pieces: Ayre For Organ
Six Diverse Pieces: Trumpet Tune 'Martial Air'
Six Diverse Pieces: Trumpet 'Tune Cebell'
Six Diverse Pieces: Voluntary In C Major
Overture From 'Der Gutreue Musikmeister'
Heldenmusik (Heroic Music): Honor
Heldenmusik (Heroic Music): Charm
Heldenmusik (Heroic Music): Bravery
Heldenmusik (Heroic Music): Quietness
Heldenmusik (Heroic Music): Vigor
Heldenmusik (Heroic Music): Love
Heldenmusik (Heroic Music): Vigilance
Heldenmusik (Heroic Music): Playfulness
Heldenmusik (Heroic Music): Gentleness
Heldenmusik (Heroic Music): Generosity
Heldenmusik (Heroic Music): Hope
Heldenmusik (Heroic Music): Joy

Customer Reviews:

Philadephia Brass BAD. New England Brass GOOD........2004-01-17

This CD is a combination of two recording sessions. The 1966 recording of the Philadelphia Brass rates maybe two stars. Not only does the recording itself have a dry, studio sound to it, but the performance of the Philadelphia Brass cannot be recommended. They stomp their way through the loud parts; and the expressive parts are done in a perfunctory manner. It all has a real mechanical, connect-the-dots feel to it. There is a significant amount of imprecision in the attacks. Without checking the original scores I can't say for sure, but I'm thinking that some pieces were transposed into more comfortable keys.

The 1962 recording of the New England Brass is vastly superior. It's a good recording technically (considering the year -- certainly better than the 1966 recording) and a good performance that I'll rate four stars; so the whole CD averages out to three stars. The New England Brass deliver elegant high notes, spirit, and artistic expressiveness that are missing in the Philadelphia boys. This might explain why they are featured second on the CD: Save the best for last! If you are a real stickler for accuracy in Historically Informed Performance (based on whatever definition happens to be in style these days), you might find a few things to criticize. But hey! This was 1962. Cut 'em a little slack and enjoy the show.

Since this is a budget price, I would suggest you look at it this way: You're paying a budget price, so you can ignore in good economic conscience the mediocre part of the CD done by the Philadelphia group and enjoy the part done by the New England group without feeling like you wasted any money.

A fine, clean performance.......1999-12-08

I bought this CD for track 13. Providebam Dominum by Lassus, and, while that track is a bit of a letdown, the rest of the CD is superb.

This CD offers a range of brass music composed in the Renaissance and Baroque periods. The performance is very clean as far as intonation as well as phrasing and dynamics.

This is a remastering of a 1960's performance, although you can't tell that just by lsitening, as it is free from noise, pops, and hiss. The liner notes weren't updated since the original recording (they attribute the Trumpet Tune to Purcell and not Clark, as it has been discovered recently), but that's not much of a concern, as the recording pretty much speaks for itself.

I was very happy to find a brass recording of Providebam Dominum, but I was a little disappointed by the recording on this CD. Overall, the song is played beautifully and gracefully. However, toward the end of the song there are accented notes that I feel are unnecessarily harsh. The three or four blatted notes in this track is the only blemish on this otherwise great CD.

The rest of the tracks, however, are played very nicely and without any unusually harsh notes. The Purcell/Clark Trumpet Tunes are played especially well, and the addition of the organ for a few tracks is a nice touch.

Customer Reviews:

Outstanding music and great value!!.......2006-04-02

Narciso Yepes is my favorite classical guitarist. I was delighted to hear a couple guitar concertos I had never heard before. Ohana, Bacarisse, and Ruiz-Pipo were great discoveries. Again, Yepes is the BEST. Strongly recommended.

Excellent.......2005-08-22

The late Narciso Yepes is perhaps my favorite guitarist- Spanish or otherwse. With each of his recordings there is the sense of a madman, master, and poet at one with his instrument. I recently purchased "Guitarra espagnola" and have found endless enjoyment listening critically and as background while I work. This is the perfect "not background music" background music to play when you have guests. You and your guests will find yourself withdrawing from lively conversations to enjoy a poignant, sweet, or sinister moment with the music. This is a compilation of recordings from the past 20 to 30 years. The compositions span from the 17th to 20th century. The quality of the recordings is very good but at times varied. The availability of the compilation is very limited. Get it while you can! I also recommend Alirio Diaz and John Williams.

Very Highly Recommended.......2004-05-08

I cannot recommend this retrospective of just a small amount of Yepes's work highly enough.

No matter what popular and lay opinions may be about Williams, Bream, Segovia, and others, the greatest classical guitarist of the 20th century was Narciso Yepes. It is a pity and a shame that the fear of the older generation of guitarists and their associates made Yepes a marginal figure.

He was a consummate technician and a knowledgeable interpreter of all musical idioms from the Middle Ages through to the height of the 20th Century avant-garde. His playing was characterized by intelligence, sensibility, clarity, power, majesty, poetry, and a devilish ability to separate and sustain contrapuntal lines.

In this box of 5 CDs you will find the definitive performance of Rodrigo's now famous "Aranjuez" concerto, which, incidentally, was first recorded and made famous by Yepes. There are also 2 CDs with rare concertos by Salvador Bacarisse, Antonio Ruiz-Pipo, and Maurice Ohana.

The other 3 CD's contain generally the best performances of the canon of solo guitar works that you are likely to find. The composers include Sanz, Mudarra, Narvaez, Soler, Sor, Albeniz, Granados, Tarrega, De Falla, Turina, Bacarisse, Rodrigo, Llobet, Pujol, Moreno Torroba, Montsalvatge, Ohana, and Ruiz-Pipo.

Every guitarist and every lover of the instrument should own this set. If it is not available, also refer to a similar box set with the ASIN number B00006L6RN or another B000026ZRL.

Average customer rating:

Completely enthralled
Okay CD
Stunning new talent
Just beautiful

Bella Terra

Manufacturer: Alia Vox Spain
ProductGroup: Music
Binding: Audio CD

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Lux Feminae
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Ninna Nanna: Lullabies (1500-2002)
Orient - Occident
Homenatge al Misteri d'Elx - La Vespra

ASIN: B0000U1EHI
Release Date: 2004-01-13

Tracks:

L'Amor
Yo M'enamori D'Un Aire
Dona'M La Ma
Mester D'Amor
El Mariner
El Viaja
Els Ulls
Apreciemos El Instante
Yo So De Mi Amado
Aquest Cami Tan Fi
Per A Ser Cantada En la Meva Nit
Hi Ha Un Remoli

Customer Reviews:

Completely enthralled.......2005-03-08

This is a delightful disc. If you appreciate the technique of Jordi Savall, and the siren sweet voice of Montserrat Figueras, you will be instantly captivated by their daughter.

In what appears to me to be a very personal project based upon moving poems authored by Miguel Marti i Pol (dedication appears untranslated in Catalan), Ms. Savall is invoking a song tradition of harp playing accompanied by the singer which was long ago lost in all but a couple of cultures. It thrives in the rich cultural Catalan region, as is evidenced by Ms. Savall's own compositions.

You too will submit to her enthralling spell.

Okay CD.......2005-01-19

This CD is okay, but once you have heard one song you have heard them all. The music gets a little repetitive, and Arianna has a bit of heaviness in her voice that I do not personally like. It is a nice CD, but not one that I would listen to over and over again.

Stunning new talent.......2004-09-25

Whilst the classical training shines through, her composition often surprises with its contemporary feel (although she nods to her Catlan roots).

Lovers of harp, and young soprano voice need look no further. The lady has some pair of lungs.

Musically this is ocassionally reminiscent of Andreas Vollenwieder although far more minimalist.. but then she starts singing...and quite simply...WOW!

She's so perfectly in control of her vocal instrument, and she's so pitched. How she manages this but still sounds so relaxed, I will never know. I could go on about her technically, but that would diminish her voice, a thing of great beauty.

Worth the entry for "Bella Terra" alone. I look forward to more of this young woman's work.

Just beautiful.......2004-04-13

Arianna Savall proves herself to be quite an accomplished singer, composer, and harpist in this new collection of mainly her own compositions. This is not my typical type of music, but I still listen to it constantly, and I bought it as soon as it was available in America. I'm glad that it is once again available, as it was out of stock for a very long time. Savall's pure straight-tone may not appeal to some classical vocal buffs, but as part of the Catalan early music scene ruled by her parents, Jordi Savall and Montserrat Figueras, straight tone comes natural to her. Her voice is clearer than her mother's and, if somewhat less emotional, it is also more ethereal and her technique is solid. The songs themselves run from Middle Eastern influenced to Catalan folk songs.

Average customer rating:

Authentic music of the period
To sum it up: YUCK

How the World Wags

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000JLKP
Release Date: 1999-07-13

Customer Reviews:

Authentic music of the period.......2003-05-19

I've listened to this cd many times. I am still not tired of it. Yes, in a sense the music is coarse, but that's the kind of music it is - lusty, bawdy, and expressive of an era of high spirits. And that's the way these songs are sung. These are essentially 17th century tavern songs and are sung by people who obviously know what they're singing. These songs should be enjoyed with a flask of beer or a jug of wine.

To sum it up: YUCK.......2000-07-03

Who could complain about the fabulous tunes published by Playford... wonderful melodies and truly timeless. Unfortunately, here they are performed in a coarse and unmusical way. This "City Waites" ensemble is NOT the same one that recorded the wonderful "Pills to purge melancholy" of Thomas D'Urfey. The singing here is harsh and badly out of tune. There is scant use of instruments to make up for it or cover it up. Of my set of uncounted CDs, this is one of about 3 that I have listened to only a few times- I literally can't sit through it.

Average customer rating:

Another great trip down the MFU memory lane
The best of the three Double CDs ORIGINAL soundtrack release

The Man From U.N.C.L.E., Vol. 2

Manufacturer: Film Score Monthly
ProductGroup: Music
Binding: Audio CD

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ASIN: B0006SSQ7U
Release Date: 2005-01-04

Tracks:

First Season End Title
Vulcan Affair (Suite No. 2)
Iowa-Scuba Affair
Shark Affair
Deadly Games Affair (Suite No. 2)
Meet Mr. Solo
Giuoco Piano Affair
King of Knaves Affair: Suite No. 2
First Season Main Title [Revised]
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Spy With My Face
Second Season Main Title
Alexander the Greater Affair
Ultimate Computer Affair
Very Important Zombie Affair
Dippy Blonde Affair
Seadly Goddess Afair
Moonglow Affair

Tracks:

One of Our Spies Is Missing
Third Season Main Title
Sort of Do-It-Youself Dreadful Affair
Galatea Affair
Pop Art Affair
Come With Me to the Casbah Affair
Off-Broadway Affair
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Seven Wonders of the World Affair

Customer Reviews:

Another great trip down the MFU memory lane.......2005-10-19

Volume 2 (comprised of 2 CDs) is another first rate compilation of the series' original music and not to be missed by U.N.C.L.E. fans. The liner notes are wonderful and add a lot to ones appreciation of the music.

My only problem is that THE CDs ARE COPY PROTECTED! Considerable work is needed to get the music onto your iPod, if you really want the music in your mp3 collection. This is a major hassle and a surprise, since the first set in the series was not copy protected.

The best of the three Double CDs ORIGINAL soundtrack release.......2005-07-12

Many of us have always thought The Man From UNCLE had the best music for a TV series ever, and this three double CD release confirms this. Wow! I'd be just happy with one CD, but having SIX (three double CDs packages) is absolutely out of this world, I mean, a lifetime wait come true.

Indeed, this is an unbelievable collection of three double CDs packages with the complete series soundtrack, and I mean the complete music, not a tune is missing.

And this is the ORIGINAL Man From Uncle music. Let me stress the point: this is the four years ORIGINAL soundtrack with the original recordings as they were heard throughout the series, not a no-name orchestra doing personal versions of the stuff. The audio transfer is very, very good, the music from late episodes is even in stereo.

Each individual CD carries over 70 minutes of music. All in all there you have the four TV seasons main titles and all, absolutely all of TMFU unforgetable music.

This is not a chronological release, meaning, all CDs have a mix of music from all four TV seasons. Volume 1 is heavier on early TV seasons stuff, fans of Jerry Goldsmith will love it. Those of us who prefer what Gerald Fried and later Richard Shores did with TMFU music, then volume 2 is mandatory. If you are a fan, you can't miss any of these six CDs. However if buying all three double packages is too much for you, you must go with Volume 2, no questions asked. Volume three is the weakest of them as it brings "suites" and a whole CD with "The Girl From Uncle" soundtrack, but you have a bonus "Open Channel D" beeper.

Each package is gorgeous, each with a glossy color booklet with extensive liner notes with details on how each tune was written to a specific TV series episode and how it was used onwards. You have bios on the composers, on how the recordings were made, even an overview on how many instruments were available in each of the years the music was recorded.

So, throw away your Hugo Montenegro Man From Uncle CD, this is the REAL thing.

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