Rachmaninoff: Concerto No. 3 in D minor, Op. 30 / Tchaikovsky: Piano Concerto No. 1 in B flat minor, Op. 23

Editorial Reviews
Amazon.com essential recording
This is madness in action. Martha Argerich's Rachmaninoff Third is the fastest and most physically exciting you'll ever hear. She's recorded live, and the balances are a little strange as a result. You can also tell that Riccardo Chailly and his orchestra are having a hell of time trying to keep up with her, while anticipating what she's about to do next--but so what? This is as close as you can come to an experience of spontaneous combustion, and survive. The Tchaikovsky is, if possible, even wilder, with quite a few missed notes. But with an artist like Argerich, you simply can't judge the performance one note at a time. So go ahead: live dangerously. --David Hurwitz

Rachmaninoff: Concerto No. 3 in D minor, Op. 30 / Tchaikovsky: Piano Concerto No. 1 in B flat minor, Op. 23, Music, Sergei Rachmaninov, Berlin Radio Symphony Orchestra, Riccardo Chailly, Martha Argerich, Peter Ilyich Tchaikovsky, Kirill Kondrashin, Classical, Classical Artists, Classical Music, Concerto, Piano Concerto

Rachmaninoff: Concerto No. 3 in D minor, Op. 30 / Tchaikovsky: Piano Concerto No. 1 in B flat minor, Op. 23
Average customer rating:

WONDERFUL rendition of Rach 3

Quite simply the best Rach 3 I've heard

A mess

Absolutely fantastic CD

Martha Argerich: the only person who can make piano sing

Rachmaninoff: Concerto No. 3 in D minor, Op. 30 / Tchaikovsky: Piano Concerto No. 1 in B flat minor, Op. 23
Berlin Radio Symphony Orchestra , Riccardo Chailly , Martha Argerich , Peter Ilyich Tchaikovsky , and Kirill Kondrashin
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
General | Concertos | Forms & Genres | Classical | Styles | Music
Piano | Keyboard | Instruments | Classical | Styles | Music
Argerich, Martha | ( A ) | Featured Performers, A-Z | Classical | Styles | Music
General | Classical | Styles | Music
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ASIN: B0000041DF
Release Date: 1995-08-15

Tracks:

Piano Concerto No.3 In D Minor, Op.30: 1. Allegro ma non tanto
Piano Concerto No.3 In D Minor, Op.30: 2. Intermezzo. Adagio
Piano Concerto No.3 In D Minor, Op.30: 3. Finale. Alla breve
Piano Concerto No.1 In B Flat Minor, Op.23: 1. Allegro non troppo e molto maestoso - Allegro con spirito
Piano Concerto No.1 In B Flat Minor, Op.23: 1. Andantino simplice - Prestissimo - Tempo I
Piano Concerto No.1 In B Flat Minor, Op.23: 3. Allegro con fuoco

Amazon.com essential recording

This is madness in action. Martha Argerich's Rachmaninoff Third is the fastest and most physically exciting you'll ever hear. She's recorded live, and the balances are a little strange as a result. You can also tell that Riccardo Chailly and his orchestra are having a hell of time trying to keep up with her, while anticipating what she's about to do next--but so what? This is as close as you can come to an experience of spontaneous combustion, and survive. The Tchaikovsky is, if possible, even wilder, with quite a few missed notes. But with an artist like Argerich, you simply can't judge the performance one note at a time. So go ahead: live dangerously. --David Hurwitz

Customer Reviews:

WONDERFUL rendition of Rach 3.......2007-06-03

I haven't listened to all, as I so love Rachmaninov that its all I can do to get beyond him. Her rendition sounds so soulful and right on, the timing perfect or as close to as possible, its absolute heaven, and hell, as his music seems to be, to listen to it. I love it, always have, and was not at all disappointed by this cd. Highly Recommended.

Quite simply the best Rach 3 I've heard.......2007-03-29

Blindingly fast - I can only imagine the hand cramps she had afterwards! Simply amazing.

A mess.......2007-03-17

I have the utmost respect for Argerich both as a pianist and as an artist. As talented and gifted as she is, it's her sense of engagement and commitment that never fails to elicit admiration and awe in me. Her readings are so overwhelming and passionate that one often gets the impression that her life is dependent on whatever she happens to be playing. On the right day, she's able to draw the most riveting and powerful sounds from the piano and conjure up the deepest and strongest feelings that one can experience by listening to a piece of music. More often than not, however, haste and anxiety get the best of her and what was intended to be an engaging performance ends up being a chaotic and incomprehensible gathering of notes. Therein lies the main problem with her rendition of Rachmaninov's third piano concerto: it lacks structural integrity and the blurred articulation often results in missing, indistinct or simply wrong notes. She fares better in Tchaikovsky's first piano concerto, though not so much so as to avoid the aforementioned shortcomings. Definitely not a good buy. Hyperion has recently released a wonderful live performance by Stephen Hough of the four Rachmaninov's piano concertos. The sound is pristine and the playing is top quality. This recording is to be preferred over Argerich's.

Absolutely fantastic CD.......2007-01-13

If you appreciate the piano, the performance by Martha Argerich will blow you away. The woman is absolutely amazing. This is one of my favorite CDs and I recommend it for anyone who wants to hear a master at work.

Martha Argerich: the only person who can make piano sing.......2006-09-16

At first I was disappointed. Then, listening through a pair of $99 headphones, I was totally captivated, from the start. Up close listening does make a difference! I must say that, after listening to so many of Martha's recordings and reading so many reviews (even from professionals) about her, nobody has picked up one unique trait of Martha's playing against all other great piano players' (including Horowitz, whose playing is more philosophical than musical to me), namely, Martha's reading of music is holistic, or three dimensional, or whatever you want to call it. It is as if she were an architect, an architect of tonal structures. In every pieces of music she plays (esp. solos), you sense a structure. She renders every passage with a view to the whole piece. Whereas if you listen to other pianists (including Horowitz), every passage is to be contrasted only with the one before and the one after, never the whole piece. It is as if other pianists were bound by the flow of time and could not jump beyond the constraint and see the whole picture (this is what I call two dimensional). Anyway, I alway like to tell people that Martha is the only person who can make piano sing. She is the only person who can make piano weep. And she plays as if her life depends on it.

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