Dvorák: Tone Poems

Editorial Reviews
Amazon.com
By 1896, Dvorák had written some of his greatest works, including nine symphonies. Back from America, he was at the height of both his fame and his compositional power. Perhaps seeking a path less traveled, he wrote these four "orchestral ballads," as he called them, in quick succession, turning from his strict symphonic style to a more narrative, operatic form. However, his choice of literary inspiration can only be explained by his ardent patriotism: the poetry of Karel Jaromir Erben, an iconic Czech national poet. Archivist of Prague and collector of folk songs, he must have had a wild, perhaps folklore-influenced imagination. The poems are relentlessly gruesome and blood-thirsty, describing cruelty, mutilation, murder, suicide, and vengeance. That these horrors were alien to the warm-hearted composer is proved by his music. Although it illustrates character, atmosphere and every mood from drama and lamentation to exuberance, it is ravishingly beautiful. Its ardent, caressing lyricism, soaring melodies, inspired harmonies, daring modulations and ecstatic climaxes are literally breath-taking. Why these towering masterpieces are so rarely heard is a mystery; it is easy to ignore the grim literary content and surrender to the music, and the masterly, colorful orchestration must make them wonderful to play as well. Recorded live, the performance is superb: grand and sweeping yet sensitive to every timbral and expressive nuance, but the extreme, often sudden dynamic contrasts require a finger on the volume control. --Edith Eisler

Tracks:

The Moldau (Vitava): The Moldau (Vltava)
From Bohemia's Meadows And Forests
Slavonic Dances Op.46: No. 1 in C Major: Presto
Slavonic Dances Op.46: No. 2 In E Minor: Allegretto Schezando
Slavonic Dances Op.46: No. 3 In A Flat Major: Poco Allegro
Slavonic Dances Op.46: No. 4 In F Major: Tempo di Minuetto
Slavonic Dances Op.46: No.6 In D Major: Allegretto Scherzando
Slavonic Dances Op.46: No.7 In C Minor: Alegro assai
Slavonic Dances Op.72: No.2 in E minor: Allegretto Grazioso
Slavonic Dances Op.72: No.8 In A Flat Mijor: Grazioso e lento, ma non troppo, quasi Tempo di Valse

Customer Reviews:

Obra-prima.......2007-05-13

Smetana não é muito difundido, mas "O Moldávia", parte integrante do poema sinfônico "Minha Pátria", é uma obra-prima da música clássica. Ao que parece, Rafael Kubelik, tanto no comando da sinfônica de Boston, quanto da orquestra sinfônica da rádio Bávara, dão um show de interpretação e lirismo. A gravação, como era esperado, não é boa, pois é muito antiga, mas artisticamenté a composição e execução são piramidais. Existem vários cds com esta obra com Rafael Kubelik, variando muito a técnica de gravação, mas a música em si é difícil de esquecer, eu mesmo fico com a melodia na minha cabeça todos os dias. Tem um cd da Mercury que nem estéreo é, contendo o poema completo, é magnífico, mesmo com chiados. Imperdível todos eles.

Magical.......2003-10-12

While listening to this CD, I had the undeniable feeling that I was outside breathing in the fresh air, relaxing in the sunshine listening to the sounds of a babbling brook and this glorious music!

I enjoyed it........2001-12-17

I enjoyed it, that's about all I can say. Couldn't fault it.

Beautiful..........2000-07-08

I love "The Moldau". It is one of the most prettiest works by Smetna. I still get chills from repeated listening.

Passion - Most Famous Orchestral Spectaculars [20 CD Set]

Average customer rating:

A good gift for novice

Passion - Most Famous Orchestral Spectaculars [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

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ASIN: B00012QLTQ
Release Date: 2003-12-09

Album Description

Music can be both calming and relaxing, or invigorating and passionate...this phenomenal 20-CD set is definitely the latter. This amazing collection brings together for the first time the most passionate music of all time, from Ravel's Bolero, Tchaikovsky's Swan Lake, Wagner's Magic Fire Music to Ravel's La Valse, Orff 's Carmina Burana and Stravinsky's Rite of Spring. This is a must have collection for every passionate music lover.

Customer Reviews:

A good gift for novice.......2007-05-12

This was a good gift for somebody learning about Classical music in Japan.

Classical Masterpieces of the Millennium [20 CD Set]

Average customer rating:

Mill. Classical review
classical music for the unitiated
Some little gems there that I had forgotten!
A very helpful collection
Excellent!

Classical Masterpieces of the Millennium [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Mazurkas | Ballets & Dances | Classical | Styles | Music

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Polkas | Ballets & Dances | Classical | Styles | Music

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ASIN: B00000K1C9
Release Date: 1999-08-24

Tracks:

Brandenbutg Concerto No.3 In G First Movement
Overture No.3 In D Second Movement
Violin Concerto In E First Movement
Prelude In C minor
Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
Overture No.2 In B minor Minuet And Badinerie
Oboe Concerto In D minor Second Movement
Brandenburg Concerto No.4 In G Third Movement
Musical Offering - Fuga canonica
Easter Oratorio - Overture
Minuet In D minor
Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
Brandenburg Concerto No.1 In F Second Movement
Art Of The Fugue - Contrapunctus 9
Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
Overture No.4 In D - Réjouissance
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Water Music - Alla Hornpipe
Xerxes - Ombra Mai Fu (Largo)
Messiah - And The Glory Of The Lord
Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
Organ Concerto In F, Op. 4, No. 4 Allegro
Water Music - Air
Messiah - For Unto Us A Child Is Born
Concerto Grosso In B flat, Op. 3, No. 2 - Largo
Salomon - Sinfonia, Act 3
The Choice Of Hercules - While For Thy Arms
Water Music - Allegro (Suite No. 1)
Suite No. 5 In E - Air With Variations
Jephtha - How Dark, O Lord
Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
Water Music - Andante Allegro Da Capo
Concerto for Trumpet & Orchestra in E-flat: First Movement
Symphony No. 94 in G: Surprise Symphony-second movement
Concerto for Violin No. 2 in D: Third Movement
Flute Trio No. 31 in G: Second Movement
Symphony No. 31 in D: Hornsignal-First Movement
String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
Concerto for 2 Horns & Orchestra in E-flat: Second Movement
Symphony No. 88 in G: Fourth Movement
String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
Notturno No. 1 in C: Second Movement
Symphony No. 98 in B: Londoner No. 4-Fourth Movement
Eine Kleine Nachtmusik - first movement
Piano Concerto in A - second movement
Flute Concerto in D - Rondeau
Serenade - Minuet
Violin Concerto - first movement
Symphony No. 40 in G minor - first movement
Clarinet Concerto - second movement
Turkish March
Divertimento - Minuet
Horn Concerto No. 3 in E-flat - first movement
Symphony No. 5 in C minor, Op. 67-First Movement
Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
Overture
O welche Lust (Prisoners' Chorus)
Ha, welch ein Augenblick (Pizarros's Aria)
Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
Concerto for Violin and Orchestra in D, Op. 61: Third Movement
Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
Sympony No. 6 in F, Op. 68: Pastorale-First Movement
Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
German Dance No. 1 In C
Impromptu Op. 90, No. 3 In G-Flat
Heidenroslein
Ave Maria
Der Lindenbaum
Quintet In A 'Trout Quintet' - Andante
Mass No. 6 In E-Flat - Kyrie
Die Schone Mullerin Des Mullers Blumen
German Dance No. 2 In G
Piano Sonata In B-Flat
Nachtgesang Im Walde
Winterreise - No. 15: Die Krahe
German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
Symphony No. 8 In B Minor 'Unfinished' - Second Movement
Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
Nocturne in E-flat, Op. 9, no. 2
Etude in G-flat, Op. 10, no. 5
Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
Mazurka in D minor, Op. 33, no. 2
Prelude in D-flat, Op. 28, no. 15 Raindrop
Etude in C, Op. 10, no. 1
Nocturne in D-flat, Op. 27, no. 2
Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
Scherzo in B minor, Op. 20
Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
Violin Concerto - second movement
The Sleeping Beauty - Waltz
Capriccio Italien, Op. 45
Swan Lake - Waltz
Eugene Onegin - Polonaise
The Nutcracker - Waltz of the Flowers
Orchestral Suite No. 4 - Mozartiana - Third Movement
Swan Lake - Dance of the Swans
Symphony No. 6 in B minor - Pathétique - Third Movement
Hungarian Dance No.5
Lullaby
Symphony No.1 in C minor, Op. 68 - Third Movement
Intermezzo in E-flat, Op.117, no. 1
Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
Waltz, Op. 39, no. 15
Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
String Quintet in G, Op. 111 - Second Movement
Symphony No.4 in E minor, Op. 98 - Third Movement
Intermezzo in A minor, Op. 76, no. 7
Hungarian Dance No.1 in G minor
German Requiem Selig sind die Toten (Final Chorus)
Die Fledermaus - Overture
Kaiser Waltz, Op.437
Thunder And Lightning Polka, Op. 324
Roses From The South Waltz, Op. 388
AnnenPolka, Op. 117
Vienna Blood Waltz, Op. 354
Eljen A Magyar Polka, Op. 332
Wine, Women and Song Waltz, Op. 333
On The Beautiful Blue Danube Waltz, Op. 134
Die Meistersinger Von Nurnberg - Overture
Tannhauser - Die Pilger sind's (Pilgims' Chorus)
Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
Lohengrin - Act 3 Prelude and Bridal Chorus
The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
Die Walkure - Ride of the Valkyries
Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
Tristan und Isolde - Liebestod
Thus sprach Zarathustra, Op. 30 (excerpt)
Don Juan, Op. 20
Eine Alpensinfonie, Op. 64, I.Nacht
Don Quixote, Op.35, first movement: Introduction
Salome, Op. 54, Dance Of The Seven Veils
Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
Piano Concerto 2 In C minor, Op. 18 - First Movement
Vocalise, Op.34, No. 14
Prelude In G Sharp minor, Op. 32, No. 12
Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
Symphony No. 2 In E minor, Op. 27 - Third Movement
Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
Rhapsody, Op. 43 On A Theme By Paganini
Hungarian Rhapsody No.2
Liebestraum No.3 in A-flat
Piano Concerto No.1 in E-flat - third movement
Angelus
Mephisto Waltz No.1 (Dance in a Village Tavern)
Prelude and Fugue on B-A-C-H
Dante Symphony - Finale. - Purgatorio - Magnificat
Les Préludes
Boléro
Daphnis et Chloé first movement: Nocturne
Rhapsodie Espagnole
Shéhérazade - first movement: Asie
Ma Mère l'Oye - fourth movement: La Belle et la Bête
Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
La Valse
Slavic Dance No. 1 in C, Op. 46, no.1
Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
Humoresque, Op. 101
Slavic Dance No. 8 in G minor, Op. 46, no. 8
Serenade for String Orchestra, Op. 22 - second movement
Romance for Violin and Orchestra In F minor, Op. 11
Symphony No. 7 in D minor - third movement
Melodie (Songs My Mother Taught Me)
Carneval Overture, Op. 92
Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
Symphony No.4 In A, Op. 90. Italian - First Movement
Frühlingslied In A, Op. 62, No. 6
Wedding March (From A Midsummer Night's Dream, Op.61)
Duetto In F, Op.30, No.6 (From Songs Without Words)
String Symphony No.9 In C. Schweitzer Symphony - Third Movement
Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
Notturno (From A Midsumment Night's Dream, Op. 61)
Rondo Capriccioso, Op.14
String Symphony No. 12 In G minor - First Movement
Venetian Gondola Song In F Sharp minor, Op.30, No.6
Scherzo (From A Midsumment Night's Dream, Op. 61)
Violin Concerto In E minor, Op.64 - Third Movement
Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
Holberg Suite, Op. 40 - IV. Air. Andante religioso
Arietta, Op. 12, no. 1
Homage March from Sigurd Jorsalfar, Op. 56
Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
Wedding Day at Troldhauen, Op. 65, no. 6
The Last Spring, Op. 34, no. 2
Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
Nordic Melody Op. 63
Notturno, Op. 54, no. 4
Elegie, Op. 47, no. 5
Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
Piano Concerto in A minor, Op. 16 - Allegro
Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
Traumerai (from Kinderszenen, Op. 15)
Mondnacht (from Eichendorff-Liederkreis, Op. 39)
Aufschwung (from Fantasietucke, Op. 12)
Triolett, Op. 114, no. 2
Tanzlied (No. 1 from Duets, Op. 78)
Symphony No. 4 in D minor, Op. 120 - second movement
Frühlingsgruss
Abschied (from Waldszenen Op. 82)
Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
Manfred Overture, Op. 115
Romance in F sharp, Op. 28, no. 2
Die Rose stand im Tau
Liebesgarten (from Four Duets, Op. 34)
Warum? (from Fantasiestucke, Op. 12)
Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
Von fremden Landern und Menschen (from Kinderszenen, Op. 15)

Album Description

An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.

Customer Reviews:

Mill. Classical review.......2007-05-13

This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.

classical music for the unitiated.......2007-04-01

This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.

Some little gems there that I had forgotten!.......2007-03-30

Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.

I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.

It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!

Classical Masterpieces of the Millennium [20 CD Set]

A very helpful collection.......2007-03-24

I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.

Excellent!.......2007-03-08

A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.

Average customer rating:

Maybe it is time to rethink these works
Arguably the Definitive Set of Dvorak Symphonic Poems
Fantastic performances
Jarvi and the RSNO do Dvorak's glitter and gore proud!

Dvorak: Symphonic Poems

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
Similar Items:

Dvorák: The String Quartets
Dvorák: The Symphonies
Dvorák: Legends
Dvorak: Slavonic Dances
Tchaikovsky Symphonic Poems / Manfred Symphony

ASIN: B00000IM6P
Release Date: 1999-04-13

Tracks:

Overture: My Home, Op. 62 - Dvorak
The Water Goblin, Op.107 - Dvorak
The Golden Spinning Wheel, Op.109 - Dvorak

Tracks:

The Noon Witch, Op. 108 - A. Dvorak
The Wood Dove. Op. 110 - A. Dvorak
The Hero's Song, Op. 111 - A. Dvorak

Customer Reviews:

Maybe it is time to rethink these works.......2006-07-30

Antonin Dvorak's (1841-1904) most popular composition is his Symphony No. 9 ("From the New World"). Written in America, it was Dvorak's last symphony, and his greatest orchestral work. Or, at least that is what everyone thinks.

As it turns out, Dvorak returned to his home in Bohemia after the completion of the New World Symphony and set out to compose a series of symphonic poems based on tales from "The Garland," which contains a collection of Czech folk ballads. Four of Dvorak's symphonic poems are directly based on the grisly tales from this collection, while the final and fifth symphonic poem, "The Hero's Song" (Dvorak's final orchestral work) is based on Dvorak's general ideas about an adventurer setting out in the world.

First things first, this is some of greatest music of the Romantic tradition available. Each of these pieces contains the best elements of Dvorak's music: the orchestration is colorful, the tunes are distinctive, and the codas are some of the most exciting in classical music. Dvorak was clearly at his creative height when the symphonic poems were composed. What makes these pieces truly spectacular is Dvorak's vivid portrayal of the macabre stories from "The Garland." And the word "macabre" isn't used lightly here. These stories involve decapitations, murders, witches and goblins.

The first symphonic poem "The Water Goblin" concerns a goblin who forces a girl, who has fallen into a lake, to live with him in the watery depths. The girl's only consolation is her half-goblin baby. Eventually, the girl escapes, but the goblin finds her and kills the baby. Not really a happy story, but Dvorak's depiction of all of these events is masterful. The goblin theme is menacing, the girl's lament is lovely, and the gruesome events concluding the story are depicted in dramatic fashion by the orchestra. The CD notes by Gerald Larner are extremely detailed and explain the stories much better than I have with "The Water Goblin" above. Further the notes reconcile Dvorak's musical ideas to the story in a manner which anyone can understand.

I won't try to describe the remaining symphonic poems, as the stories are far too detailed and I probably couldn't do the music justice. Suffice it to say, the remaining pieces are fabulous. And despite the long length of these works ("The Golden Spinning Wheel" is 27 minutes long) there is not a dull moment. As a side note, the earlier "My Home" overture opens the program and is included primarily as a filler. Nevertheless, the performance of that work is also great.

Given that Dvorak worked on these pieces simultaneously (they are labeled with contiguous opus numbers) and that they were based on stories from the same source, one could argue that the symphonic poems could be viewed as a single multi-movement work, perhaps a proramme symphony based on nationalistic elements. In such a work, "The Wood Dove" would constitute the adagio; "The Noon Witch" would probably be the scherzo; while "The Hero's Song" would serve as the finale, bringing the whole thing to a triumphant (emphasized) close. Of course, such an idea conflicts with the romantic idea that Dvorak wrote nine symphonies, with his dark and dramatic ninth being is crowning achievement.

All of that is hypothetical though. You just need to know that this release is a must classical music lovers. These works should be far better known and can stand as equals along side the best moments within Dvorak's symphonies. Get this disc, you won't be disappointed.

Highest recommendation!!

CD 1: 57:14
CD 2: 53:57

Arguably the Definitive Set of Dvorak Symphonic Poems.......2005-01-08

This 2-CD set of Dvorak's complete symphonic poems should arguably be considered the definitive choice for anyone who wants a complete recording of these pieces. Although the two great Dvorak interpreters, Kertesz and Kubelik, have made recordings of these pieces, Jarvi's set should arguably be considered a more appealing and engaging interpreter of these underrated gems. Jarvi's interpretations tend to be more vivid than his illustrious predecessors and the Scottish National Orchestra players respond well to his inspired direction and to this rarely-heard Dvorak repertoire, with the atmospheric and reverberant Chandos recording allowing the listener to immerse himself in the grisly and grutesque fairy-tale world of the Erben ballads that inspired these four works. Jarvi highlights many nuances in the four poems, from the drama of The Noonday Witch to the exotic surroundings of the Water Goblin, from the frightful incidents in The Golden Spinning-Wheel to the misleadingly pastoral Wood Dove, and the vividness of his interpretations make you wonder why people don't consider these pieces as durable as the New World Symphony. Jarvi's set is the only complete set of Dvorak symphonic poems to include the rarely-heard Hero's Song, with its bold, swaggering character and a forward drive the typefies some of the Mahler symphonies. This is as well-played as the Erbenesque poems and the My Home Overture, which makes a fitting fill-up to this set with its homage to a Czech playwright. An added bonus is the superb and lucid booklet notes by Gerald Larner, featuring all the details of the symphonic poems to guide the listener along. This set is now doubly attractive at a superb bargain price. All-in-all, a must-have for any Dvorak lover.

Fantastic performances.......2004-03-28

Although one would not expect the Royal Scottish Orchestra under Neeme Jarvi to produce the best recordings of the rarely performed Dvorak symphonic poems, Jarvi has created electrifying performances of the four poems and the rarely heard Hero's Song.
I have Kubelik's version on DG as well as these recordings. Although Kubelik does some very interesting things with the poems, bringing out nuances of the scores and delightful orchestral effects, he does not have the convection that Jarvi has. Rather, it sounds as if Kubelik is treating these works as inferior; he is not convinced by them. Jarvi, on the other hand, has totally immersed himself in the music of the Bohemian master, producing a complete traversal of the symphonies with the orchestra. And his love of Dvorak is evident here. Jarvi is completely aware of the charm and beauty of these works, as well as their musical importance. He performs these works smashingly, especially the Water Goblin, which he champions. The sound of the orchestra is warmer and smoother than Kubelik's performances. My only complaint would be that the orchestra does sound a bit distant in these recordings - the acoustics are not top notch. However, Jarvi's energy and belief in these works make this CD a must for any Dvorak lover.

Jarvi and the RSNO do Dvorak's glitter and gore proud!.......2000-10-19

This 2-CD compilation is one of Chandos's generous reissues of "fillers" that accompanied Jarvi's performances of Dvorak's symphonies, but as other critics have noted, these tone poems are much more than a few extra minutes of music pinned to end of a CD. Instead these beguilingly childlike but often rather grisly works are models of late-Romantic music-making writ large. Except for the 1894 opus 62 and the opus 111, Dvorak's last orchestral piece, the music in this set is based on some folk ballads written by Dvorak's compatriot Karl Jaromir Erben, a sometime poet. The fairy tales each tell a chilling story often interspersed with gore (I'll let you find out the details, which Gerald Larner's lucid liner-notes handle beautifully), but Dvorak is hardly put off by the subject matter and paints a gorgeous program in sound for each one, filling all with one heart-easing (or heart-rending, when necessary) melody after another. Highlights include the lovely lullaby for the half-goblin baby in the center section of The Water Goblin, the King's warmly grand tune and the Janacek-like obsessing string-figures for the three gruesome exchanges in The Golden Spinning Wheel, and the poignant conclusion to The Wood Dove. So what of Jarvi's performances of these fascinating works? I looked at the playing time of some of these pieces (27:02 for the Spinning Wheel alone) and thought I might get bored by a certain symphonic sameness, which can often be the case with lesser-known Dvorak conducted and played without even the last ounce of concern, but this was never the case here. Jarvi and his Scots play every note with interest and loving conviction, so that the tales engross and entertain, as Dvorak knew they could. The sound is vintage Chandos, reverberant as many recordings are from this source and venue (Henry Wood Hall) but sonically spectacular: the engineers handle the fortissimo marching figures at the opening of the Spinning Wheel with the same attention as the breathless entry of the Noon Witch in that tone poem. All-in-all, an unusual bargain and an absolute must!

Dvorak: Symphonies Nos. 8 & 9; Smetana: The Moldau

Average customer rating:

Wonderful Set For Lovers of Czech Repertoire

Dvorak: Symphonies Nos. 8 & 9; Smetana: The Moldau

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Scherzo | Forms & Genres | Classical | Styles | Music

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Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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Karajan Conducts Grieg & Sibelius
Famous Overtures
Ravel, Debussy, Saint-Saëns: Orchestral Works
R. Strauss: Zarathustra; Don Juan; 4 Last Songs, etc.
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ASIN: B00008CLNR
Release Date: 2003-04-08

Customer Reviews:

Wonderful Set For Lovers of Czech Repertoire.......2005-08-24

Dvorak's last two symphonies and Smetena's The Moldau were among favorite works of Karajan's wide repertoire.He recorded these works several times...No.8:in 1979 with BP for EMI,in 1985 with WP for DG...No.9:in 1964 with BP,in 1985 with WP for DG and in 1977 with BP for EMI...The Moldau:in 1967 and 1980's with BP,in 1985 with WP for DG,in 1970's with BP for EMI.This two CD consists of his DG recordings:No.8(1985-with WP),No.9(1964-with BP),selected parts from Slavonic Dances(1959-BP),The Moldau(1967-BP),Vysehrad and etc...I have almost all important recordings of these works(Kubelik,Giulini,Munch,Keilberth,great Klemperer & B.Walter,A.Fiedler,Szell,Solti,Ormandy,Kertesz,Maazel,Mackerras, Neumann,Sawallisch,Ancerl,Bernstein,Kondrashin,Dohnanyi,Jansons).Especially No.8 is my favorite interpretation and recording by far.Well- balanced rythmic figures,powerful string parts and blazing trumpets.No conductor(except Giulini)recorded this work such wonderful.No.9(1964)is good (particularly Largo).If you are lover of 'From the New World',this is a must for your collection,if not,you can find better recordings.My favorites for all times:Karajan-1977,BP and 1985,WP;Giulini's Chicago(1970's) and Concertgebouw(1992)recordings;Keilberth-1960's with Bamberg;Arthur Fiedler with Boston for BMG/RCA and Kubelik-1972 with BP.Some listeners don't like Karajan's performings because of more powerful than usual readings.They says:'Dvorak is not Bruckner or Wagner'.This may be true but not exactly.Dvorak's works(particularly Nos.7,8,9) includes structural and orchestral inspirations from Wagner and Bruckner.In short Karajan is always true conductor for Dvorak and Smetana lovers.All his performings in this set are powerful,authoritative,essential and undoubtly romantic!Very good price for two CD.Do not miss.

Average customer rating:

Late Masterpieces

Dvorák: Symphonic Poems

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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4-for-3 Classical | 4-for-3 Music | Stores | Music

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Mendelssohn: Piano Trios Nos. 1 & 2

ASIN: B0000013UJ
Release Date: 1994-02-15

Tracks:

The Noon Witch, Op. 108
The Golden Spinning-Wheel, Op. 109
The Wild Dove, Op. 110

Amazon.com

These three Dvorák tone poems are late, major works, still basically unknown to the general music public. For a few bucks, you can introduce yourself to nearly an hour of prime Dvorák, all written after the "New World" Symphony. The lovely Czech idiom and typical sense of melody that distinguish Dvorák are here, but so is a dramatic urgency that we don't always associate with this most genial of composers. The American conductor and his Polish orchestra have collaborated on powerful, effective performances, perhaps not quite so intense as the classic Václav Talich mono versions (on mid-priced Supraphon) but certainly better recorded. This disc is an outstanding bargain. --Leslie Gerber

Customer Reviews:

Late Masterpieces.......2000-06-12

I've heard numerous versions of Dvorak's symphonic poems, but this one, the cheapest, is always the one that stands out. I have a deep affection for these late masterpieces, as you can sense Dvorak's delight in depicting the dark, fantastic world of Czech folklore. From the broad sweep of "The Golden Spinning Wheel," to the palpable horror of "The Noon Witch," all three pieces beautifully exploit the late Romantic orchestra and are unmistakably--but not typically--Dvorak. If you only know Dvorak from his last three symphonies, and the cello concerto, give these a try...it's an exciting new look at an all too familiar composer. This version, played with gusto by the brilliant Polish National Symphony, is simply the best. You have to give Naxos credit for going beyond the tried and true and unearthing some real gems. If you're looking to add these brilliant works to your collection, I would highly recommend this version (it's much cheaper than Jarvi's!) 5 stars.

Smetana: Má Vlast; The Bartered Bride - Hakon Jarl; Dvorák: Czech Suite; Prague Waltzes

Average customer rating:

A very enjoyable album
Glorious "Ma Vlast"
Nice Czech Collection

Smetana: Má Vlast; The Bartered Bride - Hakon Jarl; Dvorák: Czech Suite; Prague Waltzes

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Czech | Languages | Opera & Vocal | Styles | Music

The Decca Records Store | Specialty Stores | Music
ASIN: B000004238
Release Date: 1995-03-14

Tracks:

Ma vlast (My Fatherland): Vysehrad - Bedrich Smetana
Ma vlast (My Fatherland): Vltava - Bedrich Smetana
Ma vlast (My Fatherland): Sarka - Bedrich Smetana
Ma vlast (My Fatherland): Z ceskych luhu a haju (From Bohemia's Meadows And Groves) - Bedrich Smetana
Ma vlast (My Fatherland): Tabor - Bedrich Smetana
Ma vlast (My Fatherland): Blanik - Bedrich Smetana

Tracks:

The Bartered Bride: Overture - Smetana/Dvorak
The Bartered Bride: Polka - Smetana/Dvorak
The Bartered Bride: Furiant - Smetana/Dvorak
Hakon Jarl, op.16 - Smetana/Dvorak
Prague Waltzes, B99 - Smetana/Dvorak
Nocturne, op.40 B47 - Smetana/Dvorak
Czech Suite, op.39 B93: l Preludium (Pastorale) - Smetana/Dvorak
Czech Suite, op.39 B93: ll Polka - Smetana/Dvorak
Czech Suite, op.39 B93: lll Sousedska (Minuetto) - Smetana/Dvorak
Czech Suite, op.39 B93: lV Romance - Smetana/Dvorak
Czech Suite, op.39 B93: V Finale (Furiant) - Smetana/Dvorak

Customer Reviews:

A very enjoyable album.......2004-11-07

There are plenty of great recordings of Ma Vlast. Actually, this one (Walter Weller conducting the Israel Philharmonic) is my favorite, even though Kubelik is a close second and Levine is good too. And there's also a choice I'm almost sure you haven't thought of, the superb performance by Igor Ardasev and Renata Ardaseva as a piano duet!

When you get this version, not only do you have an unforgettable Ma Vlast, you get a second CD that includes Antal Dorati conducting the Detroit Symphony in Dvorak's Czech Suite, Nokturno, and Prague Waltzes. Plus, there's Istvan Kertesz conducting the Israeli Philharmonic in some more works by Smetana (Hakon Jarl and the Overture, Polka and Furiant from the Bartered Bride). Of these, the Prague Waltzes and the Czech Suite are my favorites.

I heartily recommend this album.

Glorious "Ma Vlast".......2004-06-28

This is a very good czech collection includes Smetana's best known works and Dvorak's less known but all-worth-listening works.

CD 1 includes Smetana's complete symphonic poem cycle "Ma Vlast" (My Fatherland). This cycle based on six movements which, the second is ever-famous "Moldau". This cycle (as in name) tells about Czechoslovakia's historic lands and legends. As you know, Moldau is the famous river.
The other movements are:
1. Vysherad is the castle which protect the capital Prague in 13th century.

3. Sarka is the woman-hero who was lived in 13th century. She was fighted with Frenchs and but their general was fall in love to Sarka. So, she (with her charm) was deceived and then she invited the some of Frenchs for drink wine. Then, all of them (except Sarka) gets drunk and Sarka, secretly was added a poison which make them sleepy. So, all of them sleeps, and then Sarka calls her Czech army with her horn. And gradullay they comes, and all of them kills Frenchs (with their general), while they're sleeping!

5. Tabor is the army of the country and then 6. Blanik is the contiuation of Tabor. Blanik is the mountain which, the army's shelter, while they're waiting the "war alarm". But, this movement ends with a triumphal finale, which includes the main "Vysherad" and "God's Warriors" chorale. This work is very succesful example of patriotic music and it is to affect nationalism.

The performance of this work is very good. This is may be one of the best recordings of Walter Weller and Israel P O, too. They played this programme with emotion.

CD 2 starts with the overture and polka of Smetana's best known opera "The Bartered Bride". Especially, polka is a very beautiful example of this kind. The performances by Israel P O again, but conductor is Istvan Kertesz, who always a champion in perform Czech music. And then, there is a less known tone poem, Hakon Jarl, based on a Norwegian warrior legend. Conductor is again Walter Weller.

And at last, Dvorak and his beautiful Czech Suite which includes Furiant, Polka, Minuetto and like these dances. And there is a gentle work "Prague Waltzes" and a romantic "Notturno". All of these are digital recording and performed by Detroi S O, conducted by another legendary conductor, Antal Dorati.

This is a very good collection and highly recommended.

Nice Czech Collection.......2003-11-14

This two-disc set from the "Double Decker" series is a very good, if not definitive, collection of famous and lesser-known Czech orchestral works. Smetana's "Ma Vlast," a work virtually owned by conductors Kubelik and Ancerl (see my review of the latter), is performed well by Walter Weller and the Israel Philharmonic, who return for an encore on disc two with Smetana's "Hakon Jarl." Selections from Smetana's "The Bartered Bride" are done again with the IPO, but this time they are led by one of my favorite conductors, Istvan Kertesz. As much as I enjoy Kertesz, the highlights of this collection for me are the lesser-known pieces by Dvorak. Antal Dorati (another one of my favs) and the Detroit Symphony Orchestra offer us early digital recordings of the Prague Waltzes, Nocturne and Czech Suite. In all, this is a collection that will appeal to the casual fan and serious collector alike.

Average customer rating:

Price and quality
Lyrical, youthful and exciting.

Dvorák: Symphonic Poems; Overtures

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Brilliant Classics | Amazon.com Label Stores | Stores | Music
ASIN: B0007OP14O
Release Date: 2005-03-01

Customer Reviews:

Price and quality.......2007-02-05

This is indeed a fabulous set of recordings. Kuchar is underrated but continually well represented on Cd. I agree with the previous reviewer,the Janacek Philharmonic may not be Vienna,Berlin or Philadelphia but they're a lot more exciting to listen to than those more well regarded bands. Nearly everyone of these performances is first rate and they seem to have been recorded at a very high level. This sometimes makes the performances sound a bit frenetic and noisy at times(Carnival Overture especially)but for the asking price of these three disks,you'd be a fool to pay more. Pretty boys like the overrated Rattle can't hold a baton to Kuchar in this or any other repetoire. Buy it before Brillaint Classics decides to raise the price.

Lyrical, youthful and exciting........2005-06-24

I've listened to this recording so many times in the past 2 months. I learned the symphonic poems and overtures on the old 4-LP box set released in the U.S. as Legend (LGDD 101). Conducted variously by Chalabala (op. 107-110); Ancerl (op. 62, 67, 91-93); Neumann (op. 78); and Klima (op. 111) it was a place to start, but not wholly satisfying. Then came the Kubelik recordings on Deutsche Grammophon LP: I never felt that he got to the heart of Dvorak like Kertesz did. Next, for me was the Jarvi set. Better. Good clean readings. Good tempos and dynamics. I tried the Harnoncourt readings with the Concergebouw: made me think of Kubelik. Way too smooth and Brahmsian. The discs "in hand" with Theodore Kuchar and the Janacek Philharmonic Orchestra are really fabulous. I get the sonic impression that this is a "young" orchestra. There is a delight and fire in their playing that is truly infectious. The "line" is fluid. They know where they're going. This is music making at its finest. Not just technique and notes but a complete concept of the entire work. Like standing at the far end of a gallery and taking in a big painting. It's about the big work, not just the details. This is available at a great price and I strongly recommend these performances. There is joy and passion in Dvorak. Kuchar and the Janacek Phil. players know this and they deliver. Enjoy!

Smetana: Má Vlast; Dvorák: Czech Suite; Symphony No. 4

Average customer rating:

Unvaluable Ma Vlast, good Dvorak's recording
Worth it for the Dvorak
Superb Recordings and Performances, Unbeatable Price
4.99 stars for this CD...

Smetana: Má Vlast; Dvorák: Czech Suite; Symphony No. 4

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Tracks:

Ma Vlast: II. Visehrad
Ma Vlast: II. Vltava - Die Moldau - La Moldau
Ma Vlast: III. Sarka
Ma Vlast: IV. From Bohemia's Meadows And Groves
Ma Vlast: Tabor
Ma Vlast: Blanik

Tracks:

Domov Muj
Czech Suite: I. Allegro Moderato
Czech Suite: II. Allegro Grazioso
Czech Suite: III. Allegro Giusto
Czech Suite: IV. Andante Con Moto
Czech Suite: V. Presto
Symphony No. 4: I. Allegro
Symphony No. 4: II. Andante Sostenuto E Molto Cantabile
Symphony No. 4: III. Scherzo: Allegro Feroce
Symphony No. 4: IV. Finale: Allegro Con Brio

Customer Reviews:

Unvaluable Ma Vlast, good Dvorak's recording.......2004-07-24

For the first (Smetana) disc, I must very agree with mr. Evan Wilson. I tried to ask maestro Pesek, what went wrong in the time of recording (illnesses of key orchestra player, pressure from Virgin, or something like this), but friend of me, whose far uncle mr. Pesek is, hasn't been in contact with him up to now.
I wanted this recording very much, but major disappointment came over me after couple of listenings of Smetana's disc. The most critical problem is orchestra's performance during Allegro (or faster) tempos of all the compositions - especially in Vysehrad and Vlava, orchestra seems very hasty a unsychronized, the same could be said about Presto at the end of "Z ceskych luhu a haju", which is completely lacking details, loosing notes and is very shoddy (makeshift). The other problem is the brass section ; in Sarka, they play very well and is apparent, that they are excellent players, but - sometimes, and it is no rare, they falter and no one knows, why. In the other words, performance of brass section is very unsatisfied.
The second disc is contrary ; all pieces are performed very well, the sound of recording is much clearer than the Liverpool RPO one, and also the orchestra seems more concentrated to its playing.
I am giving three stars, because first disc is below-average and the second one above-average. For the price, it is good buy, if you wouldn't listen to performance of "Ma Vlast". Go for rare but perfect Smetacek / Czech PO from 1980 if you can, or for some of top Kubelik's recordings. This one will only harm you love for "Ma Vlast", if there's any.

Worth it for the Dvorak.......2003-04-17

Had this two-CD set cost the price of most similar sets (say [$$]) I would have had a hard time recommending it because the Smetana is a dreadfully dull performance. The English orchestra doesn't seem to have any feel for the idiom, and Maestro Pesek sounds bored with a piece that requires fiery leadership to carry it through some occasionally dry longeurs. If you're looking for a great "Ma Vlast" stick with Ancerl, Talich or Kubelik (try the mid-priced DG recording) even if the older sound on those recordings can't match Virgin's recording.

This disc gets 4 stars from me, however, because it only costs [$$] and it contains the single most lovely recording of Dvorak's sorely neglected, rather Wagnerian 4th symphony. Pesek doesn't quite match Kertesz's fire in this symphony, but here the difference in sound easily makes up the difference. Just listen to the constantly weaving melodies of the slow movement and try not to be seduced. Or wallow when the second theme of the finale arrives.

Getting the Czech Suite and My Home overture are a substantial bonus and both performances are solid and feature more of Virgin's incredible sound. If you don't know Dvorak's 4th, here's a mid-priced way to acquaint yourself with a wonderfully rich and beautiful piece. And because of the price, you don't have to feel guilty if you want to give away the Smetana.

Superb Recordings and Performances, Unbeatable Price.......2001-04-23

It's unusual to find an inexpensive release that fills two CDs with impeccably matched classics that are as beautifully recorded as they are performed. The Royal Liverpool Philharmonic and the Czech Philharmonic, both under the baton of Libor Pesek, play superbly here, rendering the pieces with an energy and precision that is deeply moving and always appropriate. The recordings are digital, done in 1989 and 1995; the sound is clear, balanced, and dynamic, capturing the ambience of the concert halls without muddiness. Only aficionados of older analog recordings should pass this one up. An excellent buy.

4.99 stars for this CD..........2000-11-30

The deduction of 0.01 stars only for the somewhat boring interpretation of the prelude in the Czech Suite (CD2/track 2). All other pieces on both CD's are simply outstanding and can hardly be done better. In particular the Romance (Andante con moto; CD2/track 5) deserves special attention: listen and you can't help gently swaying along with the tender rythm. What a difference vs. Antal Dorati's previous reading with the Detroit Symphony Orchestra where this piece sounded rather sad whilst this here seems to be floating in the air... Excellent sound quality and clarity add to the listening pleasure, and last but not least the price is more than competitive.

Rafael Kubelik conducts Dvorák, Smetana, Mussorgsky, Bartók, Hindemith, Schoenberg

Average customer rating:

The Mussorgsky is a Delight
A nice collection of performances, but mixed sonics from 50 years ago
Kubelik's Classic MLP Recordings Are Back!

Rafael Kubelik conducts Dvorák, Smetana, Mussorgsky, Bartók, Hindemith, Schoenberg

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
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Tchaikovsky: Symphonies Nos. 1-6
Bartok: Orchestral Works; Bluebeard's Castle
Paul Paray Conducts French Orchestral Music

ASIN: B000A5DLPQ
Release Date: 2005-09-13

Tracks:

I. Adagio-Allegro
II. Andante
III. Presto
I. Adagio-Allegro Molto
II. Largo
III. Scherzo: Molto Vivace
IV. Allegro Con Fuoco

Tracks:

The High Castle
The Moldau
Sarka
From Bohemia's Meadows And Forests
Tabor
Blanik

Tracks:

Promenade
Gnomus
Promenade
Il Vecchio Castello
Promenade
Tuileries
Bydlo
Promenade
Ballet Des Poussins Dans Leurs Coques
Samuel Goldenberg Und Schmuyle
Limoges-Le Marche
Catacombae (Sepulchrum Romanum)
Cum Mortuis In Lingua Mortua
La Cabane Sur Des Pattes De Poule
La Grande Porte De Kiev
I. Andante Tranquillo - Irwin Fischer
II. Allegro - Irwin Fischer
III. Adagio - Irwin Fischer
IV. Allegro Molto - Irwin Fischer

Tracks:

I. Allegro
II. Turandot: Scherzo
III. Andantino
IV. Marsch
I. Premonitions
II. Yesteryears
III. Summer Morning By A Lake
IV. Peripetia
V. The Obbligato Recitative
Variations On A Hungarian Folksong 'The Peacock' - Antal Dorati
Suite From 'The Miraculous Mandarin' - Antal Dorati

Customer Reviews:

The Mussorgsky is a Delight .......2006-10-26

I am not an "audio expert", but I do know what I like. And I love this CD. I heard this recording of Mussorgksy's "Pictures From an Exhibition" on an NPR program from The Chicago Symphony. I was very taken with the clarity of sound. I searched for the recording through Amazon and I am absolutely delighted. It is a four dsic set, but I haven't gone on to the other recordings (yet) becasue I keep re-playing this lovely piece. I hope you enjoy it.

A nice collection of performances, but mixed sonics from 50 years ago.......2006-06-01

Audiophiles adore the Mercury Living Presence series issued throughout the early Fifties and Sixties, but for those of us who aren't specialty collectors, it's pretty clear that not evreything on MLP is a gem. This valuable colleciton (mono only) from the doomed tenure of Rafael Kubelik with the Chicago Sym.--he lasted only a few years before the local critic's stinging rebukes sent Kubelik packing in favor of Fritz Reiner--deserves detailed appraisal.

CD 1: Kubelik was a lively, stylish Mozartean, and this 1953 Sym. #38 is quite lovely. It's more streamlined than Walter's recordings of the "Prague," but cut form the same affectionate cloth. The recording, however, is thin and shrill. I found it uncomfortable to listen to except at low volume.

Kubelik recorded Dvorak's "New World" musltiple times; this Chicago reading dates from 1951 and is caught in sharp mono sonics with a bit too much stinging treble for my ears. Even so, there are those who think this lively, rather lean performance is one of Kubelik's best. I'm not sure that it's so special that one should do without stereo, but the choice is personal. The CSO plays superbly, and the general contour of the interpretation is straightforward.

CD 2 is entirely given over to Smetana's Ma Vlast, another Kubelik specialty that he recorded multiple times. This 1952 recording sounds identical to the Dvorak on CD 1--a deep soundstage with lots of dynamic range. The interpretation is essentially moderate and unexaggerated. It's certainly stylish and has real sweep, too. In terms of dramatic impact CD 2 is far ahead of CD 1.

CD 3: Curiously, there are audiophile purists who insist that the Golden Age of 50's mono produced better sound than any current digital recording. If that's a viable position (few outside the cult agree), the works on this CD are prime evidence. Kubelik's Pictures at an Exhibition and Bartok Music for Strings, Percussion, and Celesta were recorded in the spring of 1951. They are vivid and colorful, with tangy wind choirs and plenty of dynamic impact. Kubelik proves a restless, almost nervous interpreter of the Mussorgsky, which refreshes this warhose. Neither the recording nor the CSO's playing really matches the later, legendary RCA performance under Reiner, but Kubelik's reading has more sinew and rhythmic spring to it. He brings the same qualities to the Bartok, which gets a wiry "modernist" interpretation that's very appealing, less offical-sounding than the famous Reiner account.

CD 4: At the start of this CD we are back to the thin sound of CD 1 (both were recorded in 1953 with the same Telefunken 201 micropone). For some reason, however, this disc can be played at louder volume without treble sting. Kubelik's Hindemith Symphonic Meatmorphoses is lean and propulsive. This is a refreshing take, but without gorgeous stereo sound the coloristic aspects of this showpiece can't be fully apreciated.

Being too much of a modernist was a prime factor in getting Kubelik fired, which is all the more unfair because his Schoenberg Five Pieces for Orchestra is a standout, almost the performance of a lifetime. I hope somebody in the conservative Chicago audience appreciated how seductive and witty this performance was; if Schoenerg's masterpiece has ever sounded more like Daphnis and Chloe, I don't know when.

The last two works were recorded in 1954, at the tail end of Kubelik's stay, and the sound remains a bit shrieky. But his itnerpretations of Kodaly's Peacock Variations and Bartok's Miraculous Mandarin Suite are excellent, full of energy and fierceness in the Bartok, making it as scary as the composer intended. Playing the shrill mono recording at full volume is impossibly masochistic on the ears, but the reading is terrific.

Chicago was lucky--they exchanged a near-great conductor for a great one. Mercury, however, lost the best conductor it would ever have, moving on to Dorati and Paray and even more audiophile cult delights.

Kubelik's Classic MLP Recordings Are Back!.......2005-09-14

Those familiar with my reviews on Amazon know of my great love for the Mercury Living Presence series. Equally great is my disgust that so many of these brilliant recordings have been deleted in the last few years! Thankfully, some of these legendary performances are resurfacing, and while the single disc titles are unfortunately listed at full-price, it is wonderful to see the various multi-disc sets basically being sold at budget line. With this 4CD reissue, Rafael Kubelik's legendary recordings with the Chicago Symphony are restored to the catalog, as only his 1952 rendition of Smetana's "Ma Vlast" was currently in print. (Please note that the performances of Kodaly's "Peacock Variations" and Bartok's "Miraculous Mandarin" Suite are with Antal Dorati leading the same orchestra.) To illustrate how prized these recordings are by collectors, the extremely rare original CD issue coupling the Moussorgsky/Ravel "Pictures at an Exhibition" with Bartok's "Music for Strings, Percussion and Celesta" has been known to fetch twice the price of this new set in the Amazon Marketplace! Buying this collection for the Pictures performance alone is worthwhile, as it was the recording that led a critic to coin the phrase "Living Presence," from which the Mercury named its series. Of course getting memorable accounts of Dvorak's 9th and Mozart's 38th Symphonies, Hindemith's "Symphonic Metamorphosis" and Schoenberg's Five Pieces, Op. 16 is just icing on the cake. Once again, Mercury Living Presence lives!

Music Review:

Music Review

music review

Music Review

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