Haydn: The London Symphonies, Vol. 1

Editorial Reviews
Amazon.com
Someone once commented on the "sulphurous devilishness" of Haydn's surprises in the London symphonies. But it should come as no surprise that one of the best recordings of these works is from Sir Colin Davis, whose accounts with the Concertgebouw Orchestra stand among the most exalted phonographic accomplishments of recent years. There is a Beechamesque quality to these readings, and when it comes to Haydn, that is praise indeed. They are exceptionally personable, characterful, likable interpretations, with wit, warmth, and life in every measure. All 12 symphonies are wonderfully played and very well recorded. At full price, these recordings would be a top choice; as midprice offerings, three symphonies to a disc (averaging more than 75 minutes of music each), they're a steal. --Ted Libbey

Haydn: The London Symphonies, Vol. 1, Music, Franz Joseph Haydn, Sir Colin Davis, Concertgebouw Orchestra Amsterdam, Classical, Classical Composers, Classical Music, Classical Period Symphony, Symphonic

Average customer rating:

Comparison - Jochum's Set vs. Colin Davis'

Haydn's London Symphonies

Excellent, but beware of Davis' groaning

GOOD, BUT!

Grand, Warm, Rich, Mature Symphony

Haydn: The London Symphonies, Vol. 2

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

All Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
Classical | Symphonies | Forms & Genres | Classical | Styles | Music
General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
General | Symphonies | Classical | Styles | Music
General | Classical | Styles | Music
Similar Items:

Haydn: The London Symphonies, Vol. 1

Haydn: Paris Symphonies

Haydn: Symphonies Nos. 88 - 92

Haydn: String Quartets Op. 76, Nos. 1-3

Mendelssohn: 5 Symphonies; 7 Overtures

ASIN: B0000041AR
Release Date: 1994-10-11

Tracks:

Symphony In D: Adagio - Allegro assai - Joseph Haydn
Symphony In D: Largo cantabile - Joseph Haydn
Symphony In D: Menuetto. Allegro - Joseph Haydn
Symphony In D: Finale. Presto ma non troppo - Joseph Haydn
Symphony In E Flat: Adagio -- Vivace assai - Joseph Haydn
Symphony In E Flat: Adagio - Joseph Haydn
Symphony In E Flat: Menuetto. Allegretto - Joseph Haydn
Symphony In E Flat: Finale. Vivace - Joseph Haydn
Symphony In G: Adagio - Joseph Haydn
Symphony In G: Andante - Joseph Haydn
Symphony In G: Menuetto - Joseph Haydn
Symphony In G: Finale - Joseph Haydn

Tracks:

Symphony In G: 1. Adagio - J. Haydn
Symphony In G: 2. Andante - J. Haydn
Symphony In G: 3. Menuetto - J. Haydn
Symphony In G: 4. Finale - J. Haydn
Symphony In C: 1. Adagio - Vivace - J. Haydn
Symphony In C: 2. Adagio ma non troppo - J. Haydn
Symphony In C: 3. Menuetto. Allegretto - J. Haydn
Symphony In C: 4. Finale. Presto assai - J. Haydn
Symphony In D: 1. Adagio - J. Haydn
Symphony In D: 2. Andante - J. Haydn
Symphony In D: 3. Menuetto - J. Haydn
Symphony In D: 4. Finale - J. Haydn

Amazon.com

Someone once commented on the "sulphurous devilishness" of Haydn's surprises in the London symphonies. But it should come as no surprise that one of the best recordings of these works is from Sir Colin Davis, whose accounts with the Concertgebouw Orchestra stand among the most exalted phonographic accomplishments of recent years. There is a Beechamesque quality to these readings, and when it comes to Haydn, that is praise indeed. They are exceptionally personable, characterful, likable interpretations, with wit, warmth, and life in every measure. All 12 symphonies are wonderfully played and very well recorded. At full price, these recordings would be a top choice; as midprice offerings, three symphonies to a disc (averaging more than 75 minutes of music each), they're a steal. --Ted Libbey

Customer Reviews:

Comparison - Jochum's Set vs. Colin Davis'.......2006-02-23

Jochum and London Phil deliver the highest level of Haydn playing just like Colin Davis and Concertgebow do. I own both and tried to compare between two.

Jochum adds plenty of personal touches that decidedly grab your attention. You hear poignant romanticism or Beethoven-like roar in many places. Colin Davis, by comparison, lets the music flow naturally and makes it sound more balanced. Colin Davis sure gets a lot of help from the gorgeous Concertgebow band - silky but vivacious strings, show-stopping woodwinds, bright brass section, etc. In his set, you hear more of the orchestra than Colin Davis. I think it's the other way around in Jochum set. Concergebow's sound is more transparent and charmingly light-footed while London Phil sounds fuller and creamier without losing crispness. You get more agility and refinement from Davis set. You get more expressiveness and warmth from Jochum's.
Let me emphasize that all of the good qualities I attributed to either of the sets actually exist in both (they are inherently in Haydn's writing). It's just that some qualities are more apparent in one than the other.
As to the recording, Colin Davis set has more sparkle and vividness. It sounds more modern. Jochum's has a typical old-fashioned analogue sound in a very good way. It has plenty of natural ambience but doesn't sound muddy.
I recommend you buy both of these delightful and affordable sets. I never regretted doing so :-)

Haydn's London Symphonies.......2005-12-21

I have been listening to many of Haydn's earlier symphonies on the ongoing cycle of the complete series on Naxos. But for the final set of twelve, Haydn's masterpieces in the form, I wanted Sir Colin Davis conducting the Royal Concertgebouw Orchestra. Davis has recorded the twelve London symphonies on two mid-priced Phillips "duo" CDs. The performances are outstanding and filled with ebullience. They will make a good introduction to Haydn for those new to his music and will delight long-term lovers of Haydn.

Beginning when he was about 25, Haydn composed for the wealthy and music-loving Esterhazy family. His fame gradually spread throughout Europe and, with the "Paris" symphonies, Haydn began to write works for a public broader than his aristocratic patron. With the death of Nicholas Esterhazy in 1790, Haydn received an invitation to visit London. He visited twice, in 1791-1792 and again from 1794-1795. His twelve "London" symphonies are the result. These are full-scaled symphonic creations showing the consummate mastery Haydn had acquired over the years. The works are joyous and lively and were immediately welcomed by Haydn's London audiences. They are also highly sophisticated and endlessly creative works of art which will reward careful listening and study. For those listeners wanting a more detailed, yet non-technical overview of the twelve London symphonies than that found on liner notes, I suggest consulting their treatment in Michael Steinberg's valuable work, "The Symphony: A Listener's Guide."

This two-CD set includes six of the London symphonies: nos. 93, 94, 97, 99, 100, and 101. Let me mention a few features of each.

Haydn's most famous symphony is probably the 94th in G major, the "Surprise". The theme of the second movement, with the large "bang" at the end of the repetition of the opening phrase is one of the best-known moments of music, familiar to children. This remains an excellent work to introduce young people to music. The "surprise" movement proceeds with a lovely set of variations, and there is much to get to know, including more surprises, in the remaining three movements as well.

Symphony no. 100 is also in G major and is known as the "Military" for the martial tone of the second movement, replete with drums, cymbals, and triangle. In addition to the "Military" movement, this symphony features a vicacious finale replete with timpani, a contrapuntal section, and some soft moments of reflection hidden within the lively theme.

The "Clock" symphony, no 101 in D major is named for the tick-tock accompaniment figure in the second movement which is forever endearing. This movement gradually rises to a moment of passion as it develops. The work also features a lively opening movement, a lengthy minuet, and an outstanding finale that works from an inocuous opening to complex counterpoint.

The symphonies with nicknames are the easiest way to introduce the London set, but the symphonies without these names are on the same high plane. The first of the London set is symphony no. 93, also in D major. A memorable moment of this work is the opening of the second movement, which Haydn scores for a string quartet. The movement becomes rather introspective as it proceeds, but Haydn brings it back to earth with a toot on the bassoon at the close. The symphony opens with a slow. detailed introduction followed by an opening movement that develops two lively and lyrical themes.

The 97th symphony is the last of twenty Haydn symphonies in C major, a key he used for regal, ceremonial effect. The work opens with a surprisingly quiet slow introduction followed by an opening movement that develops broadly from many repetitions of the basic chord of C major.

The 99th symphony in E-flat major is the first in which Haydn used clarinets and, from the opening chord, clarinets play a major role in the texture of this work. This is one of the more complex symphonies of the London set, with a harmonically adventurous slow introduction followed by a movement that emphasizes the second of its two major themes. The slow movement is deeply intense and also stresses the second of the two primary themes on which it is based. After a lyrical, restrained opening, the movement turns to the minor key in a dramatic section before returning to the opening material, substantially embellished. The minuet combines elements of both courtliness and earthiness while the finale is rapid and culminates in a fugal passage. The 99th is one of the finest symphonies of an outstanding series.

This set, and its companion recording of the remaining six London symphonies, make a wonderful introduction to a great composer.

Robin Friedman

Excellent, but beware of Davis' groaning.......2005-02-23

Excellent recordings in general, as pointed out by others.

But Davis' groaning is very audible and ANNOYING in places. He does the same on most of his more recent LSO recordings.

Why do conductors groan/grunt away and spoil their recordings so often?

Jochum/DG is another great set of the London symphonies, and doesn't have conductor noises!

GOOD, BUT!.......2004-07-15

This set is good of course, but if you are looking for great performances for EACH of Haydn's 12 London symphony, you may want to buy individual discs. Here is my collection of the 12 'London' Masterpieces.
Symphony 93: Goodman/Hanover Band (Hyperion 66532)
Symphony 94: Monteux/Vienna Phil (Decca 452893-2)
Symphony 95: Britten/ECO (BBC 8008)
Symphony 96: Harnoncourt/Concg. Orchestra (Teldec/Warner 21337-2)
Symphony 97: Szell/Cleveland (Sony 67175)
Symphony 98: Jochum/LPO (DG 437 201-2)
Symphony 99: Davis/Concg. Orchestra (Phillips 442 614-2)
Symphony 100: Walter/Columbia (Sony 64485)
Symphony 101: Mackerras/St. Luke's (Telarc)
Symphony 102: Dorati/Philharmonia Hungarica (Decca 452 259-2)
Symphony 103: Kuijken/La Petite Bande (DHM 77362)
Symphony 104: Hickox/Collegium Musicum 90 (Chandos 0655)

Grand, Warm, Rich, Mature Symphony.......2003-05-07

Culmination of a marvelous life in composition are these London Symphonies.

Here, in one of the highest rated collections Sir Colin Davis leads the Royalo Concertgebouw Orchestra in over 150 minutes of some of the premier symphonic sounds of all times. There is style and substance in their treatment and the crisp, clean recording is marvelous at any price, but even better at this mid-range bargain.

I especially have fond of No. 93 and of course, No. 102 with its melodic richness and inventive harmony. His element of surpirse is always robust and mysterious, as here the third note spells departure.

How good can one set at this price be? Supremely good and satisfying Hadyn!

Haydn: The London Symphonies, Vol. 1
Average customer rating:

Comparison - Jochum's Set vs. Colin Davis'

Haydn's London Symphonies

This is a good bargain but I don't recommend the performance

GOOD, BUT!

Thrill of Playing/Listening to Great Symphonic Composure

Haydn: The London Symphonies, Vol. 1

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

All Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
Classical | Symphonies | Forms & Genres | Classical | Styles | Music
General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
General | Symphonies | Classical | Styles | Music
General | Classical | Styles | Music
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Haydn: The London Symphonies, Vol. 2

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ASIN: B0000041AQ
Release Date: 1994-10-11

Tracks:

Symphony In C Minor, Hob. I:95: 1. Allegro moderato
Symphony In C Minor, Hob. I:95: 2. Andante
Symphony In C Minor, Hob. I:95: 3. Menuetto
Symphony In C Minor, Hob. I:95: 4. Finale. Vivace
Symphony In B Flat, Hob. I:98: 1. Adagio - Allegro
Symphony In B Flat, Hob. I:98: 2. Adagio
Symphony In B Flat, Hob. I:98: 3. Menuetto. Allegro
Symphony In B Flat, Hob. I:98: 4. Finale. Presto
Symphony In D, Hob. I:104: 1. Adagio - Allegro
Symphony In D, Hob. I:104: 2. Andante
Symphony In D, Hob. I:104: 3. Menuetto. Allegro
Symphony In D, Hob. I:104: 4. Finale. Spiritoso

Tracks:

Symphony In D, Hob. I:96: 1. Adagio - Allegro
Symphony In D, Hob. I:96: 2. Andante
Symphony In D, Hob. I:96: 3. Menuetto. Allegretto
Symphony In D, Hob. I:96: 4. Finale. Vivace assai
Symphony In B Flat, Hob. I:102: 1. Largo - Vivace
Symphony In B Flat, Hob. I:102: 2. Adagio
Symphony In B Flat, Hob. I:102: 3. Menuetto, Allegro
Symphony In B Flat, Hob. I:102: 4. Finale, Presto
Symphony In E Flat, Hob. I:103: 1. Adagio - Allegro con sirito
Symphony In E Flat, Hob. I:103: 2. Andante piu tosto allegretto
Symphony In E Flat, Hob. I:103: 3. Menuetto
Symphony In E Flat, Hob. I:103: 4. Finale, Allegro con spirito

Amazon.com

Customer Reviews:

Comparison - Jochum's Set vs. Colin Davis'.......2006-05-03

Haydn's London Symphonies.......2006-01-28

Haydn's twelve London Symphonies represent the culmination of Haydn's long and slow development as a symphonist. They remain among the greatest most varied set of symphonies ever written. Haydn composed them in two sets of six, for two lengthy trips to London in 1791 --1792 and 1794 -- 1795. The symphonies have been recorded in their entirety by many conductors, including Beecham, Scherchen,Bernstein, Jochum, and Van Karajan, but the set by Sir Colin Davis conducting the Royal Concertgebouw Orchestra is justly renowned. Davis's readings are available on two two-CD sets from Phillips, each of which sell at a modest price. There is no better way for the newcomer to get to know Haydn's masterworks. The first of the Phillips volumes, which I discuss here includes three of the earlier symphonies of the group, nos. 95,96, and 98, together with the magisterial final three symphonies, nos 102, 103, and 104.

Haydn's music speaks to the beginner in music (Remember the slow movement of the "surprise" symphony, known to every child.) as well as to the most demanding listener. The London audience for which he wrote them consisted both of people who knew little of music together with highly knowledgeable and sophisticated music lovers. Haydn had the ability to please both. The London symphonies are full of memorable and simple tunes, concertante solos for many instruments, jokes, and gimmicks. But they also include great musical variety, highly original slow introductions which become deeply integrated with the body of the work, deep slow movements, great development of material, creative orchestration, and extensive use of counterpoint. The symphonies have best been described as exemplifying a "sense of grandeur". They are large-scale, serious compositions, full of ease and mastery. They are also very much products of the Enlightenment as they move from their slow and mysterious openings through to their lively, positive, and triumphant conclusions.

The earliest of the London symphonies is the Symphony no. 96 in D major sometimes called the "Miracle". This is a simpler work than most of its companions. It opens with a fanfare slow introduction followed by a lively theme. Moments to listen for include the oboe solos at the end of the introduction and in the trio of the third movement, the counterpoint in the minor key in the slow movement, and the solos for flute and violin near the end of the slow movement.

The symphony no 95 in C minor is the only one of the London symphonies in a minor key and the only one without a slow introduction. It juxtaposes major and minor key elements coming to a major, triumphal close in the first movement. The first movement consists of an angular, angry minor key opening theme, followed by a long, lyrical theme in a major key. The second movement is a theme and variation while the minuet returns to the minor. The solo cello has large roles in the two middle movement. The finale is in the major with a great deal of fugal writing.

The symphony no 98 in B flat major is together with the following symphony no. 99, on of my favorites of the first nine of these symphonies. The slow introduction is, unusually, in the minor key and it is followed by a movement of great lightness with much counterpoint. The slow movement is one of Haydn's most sublime, probably written to commemorate the death of Mozart, with echoes of the slow movement of Mozart's "Jupiter" symphony. The minuet includes a trio for wind soloists while the swirling, humorous finale includes solo passages for the violin and, at the end, for the piano. (Haydn accompanied from the keyboard during the initial performances of these works.)

The final three symphonies of the "London" set are large-scaled masterpieces, the summit of the series. They were written for performance at the Opera Hall; and Haydn took full advantage of the orchestra and accoustics available to him to say his last word in symphonic form. There is much to hear and rehear in these symphonies.

The sympnony no. 102 in B flat major opens with a slow, largo introduction for the strings followed by a fast movement with two contrasting themes and a large-scaled development. The second movement is probably Haydn's best, as it glows with feeling and romance. The finale is a perpetuum mobile, developed canonically, with a theme that is tossed continually among the various instruments of the orchestra.

The "Drum-roll" symphony no. 103, opens with the instrument for which it is named followed by a growling introduction in the lower strings. In many ways, this symphony is similar to Haydn's Oratorio, "The Creation", composed subsequent to the London symphonies, with its movement from darkness to light. Unusually, the opening introductory material returns at the conclusion of the first movement. In the minuet of this symphony, Haydn moves from some simple, rustic writing for woodwinds to an immediately following theme for the violins of great urbanity. Haydn develops his final movement from some simple material, which he uses contrapuntally and with variety.

With its combination of depth, sophistication,wit,and highest mastery, the London symphony, in D major, No. 104, is my favorite of the set. It is a large work which begins with a minor-key and solemn introduction followed by an unusually lively and triumphant opening allegro. The slow movement is song-like with a darker middle section in the minor key. The minuet again features solos for winds in the trio, but the highlight of this symphony is its finale. Over a continuous drone, the orchestra articulates a theme, possibly derived from an English street tune, and develops it thoroughly from wit to grandeur. It is an apt conclusion to Haydn's symphonic career.

This is a set that can be heard many times, with increasing pleasure and discovery. Haydn's London Symphonies are among music's lasting joys. They are beautifully performed by Sir Colin Davis and the Amsterdam Concertgebouw.

Robin Friedman

This is a good bargain but I don't recommend the performance.......2004-11-17

One of my favorite conductors, Colin Davis, is not at his best here. The Dorati and Bruggen sets are both preferable.

GOOD, BUT!.......2004-07-15

Symphony 93: Goodman/Hanover Band (Hyperion 66532)
Symphony 94: Monteux/Vienna Phil (Decca 452893-2)
Symphony 95: Britten/ECO (BBC 8008)
Symphony 96: Harnoncourt/Concg. Orchestra (Teldec/Warner 21337-2)
Symphony 97: Szell/Cleveland (Sony 67175)
Symphony 98: Jochum/LPO (DG 437 201-2)
Symphony 99: Davis/Concg. Orchestra (Phillips 442 614-2)
Symphony 100: Walter/Columbia (Sony 64485)
Symphony 101: Mackerras/St. Luke's (Telarc)
Symphony 102: Dorati/Philharmonia Hungarica (Decca 452 259-2)
Symphony 103: Kuijken/La Petite Bande (DHM 77362)
Symphony 104: Hickox/Collegium Musicum 90 (Chandos 0655)

Thrill of Playing/Listening to Great Symphonic Composure.......2003-05-17

Imagine the thrill of Haydn finally hearing his work played the outstanding orchestra of Salomon in London, and for these musicians?

What a result for us to inherit these magnificent works performed by Sir Davis and the Royal Concertgebouw recorded at such an outstanding value by Philips.

I especially love the cello part in the Minuet of Sym.95 as well as the Adiago from the 98th. How hard is it to pick and choose though from this magnificent sounds? I find myself conducting as I listen as in Sandy Bottom Orchestra with the dairy manager.

Tracks:

Sym No.103 in E-flat 'Drum Roll': Adagio; Allegro Con Spirito
Sym No.103 in E-flat 'Drum Roll': Andante Piu Tosto Allegretto
Sym No.103 in E-flat 'Drum Roll': Menuet;Trio
Sym No.103 in E-flat 'Drum Roll': Finale: Allegro Con Spirito
Sym No.96 in D 'Miracle': Adagio; Allegro - Hugh Bean/Nicolas Whiting
Sym No.96 in D 'Miracle': Andante - Hugh Bean/Nicolas Whiting
Sym No.96 in D 'Miracle': Menuetto: Allegro-Trio-Menuetto: Allegretto - John Anderson
Sym No.96 in D 'Miracle': Finale: Vivace (Assai)
Sym No.102 in B-Flat: Largo; Allegro vivace - Matthias Feile
Sym No.102 in B-Flat: Adagio - Matthias Feile
Sym No.102 in B-Flat: Menuetto: Allegro-Trio-Menuetto Da Capo
Sym No.102 in B-Flat: Finale: Presto

Average customer rating:

Fun Interpretations

Haydn: London Symphonies Vol. 1

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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ASIN: B00004TD4Y
Release Date: 2000-07-25

Customer Reviews:

Fun Interpretations.......2001-08-29

Hickox and his musicians are equally fine in this first volume and the second volume. Here the introductory percussive fanfare in "Drumroll" sets the stage for an energetic performance. "London" shines throughout with the same energy. And the cello solo in No. 95 really has an authentic presence. These performances have a real punch to them: part of it has to do with the sound the original instruments make together. Christopher Hogwood's "Surprise" is my all-time favorite Haydn performance. These are very close. Hickox inspires his performers, and the acoustics capture the inspiration. Altogether it's a pleasing homage to the jovial spirit and sweet purity of Haydn's music.

Average customer rating:

Fine Performances of Great Music

Haydn: London Symphonies, Vol. 2

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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Haydn: London Symphonies Vol. 1

ASIN: B000050432
Release Date: 2001-01-23

Tracks:

Sym No.101 in D 'The Clock': I. Adagio - Presto
Sym No.101 in D 'The Clock': II. Andante
Sym No.101 in D 'The Clock': III. Menuet & Trio: Allegretto
Sym No.101 in D 'The Clock': IV. Finale: Vivace
Sym No.94 in G 'Surprise': I. Adagio - Vivace Assai
Sym No.94 in G 'Surprise': II. Andante
Sym No.94 in G 'Surprise': III. Menuet & Trio: Allegro Molto
Sym No.94 in G 'Surprise': IV. Finale: Allegro Di Molto
Sym No.102 in B flat: I. Largo
Sym No.102 in B flat: II. Adagio
Sym No.102 in B flat: III. Menuet & Trio: Allegro
Sym No.102 in B flat: IV. Finale: Presto

Amazon.com

It's surely no coincidence that Haydn's nicknamed symphonies are the most regularly played and recorded. Haydn the showman delighted in playing tricks on his audience, nowhere more so than in the "Clock" and the "Surprise" symphonies. But beyond the charming gimmicks, these works are masterpieces of form and melody and, along with Mozart's later symphonies, represent the apogee of the Classical symphony before Beethoven and the stormy Romantics began rocking the boat. The ticking motif of the "Clock" seems to encapsulate the rational Age of Enlightenment; the unexpected crescendos of the "Surprise" affectionately mock it. The third work on this disc, Symphony No. 102, lacks both a nickname and a gimmick, but all three share a sublime slow movement flanked by outer movements of great vivacity and life-affirming joy. This second volume of "London" symphonies from Richard Hickox and his period-instrument band, Collegium Musicum 90, displays the same estimable qualities as the the first: a sure grasp of nuance, crisp tempos, and, above all, marvelously unfussy readings. Here, the emphasis is simply on Haydn's music, and neither conductor nor orchestra indulges in anything to draw undue attention to themselves. Take the surprise in the "Surprise" symphony, for example, which is neither underplayed nor overdramatic. Or the brisk opening "Presto" of the "Clock," whose inherent joyfulness is projected entirely without affectation. Impeccable Chandos engineering guarantees that these much-loved, oft-recorded works have rarely sounded fresher. --Mark Walker

Customer Reviews:

Fine Performances of Great Music.......2001-02-03

First of all, the amazon.com reviewer really should try to avoid using terms like "not drawing undue attention to themselves" as terms of praise! Music doesn't really exist until it's performed, and performers who don't draw attention to themselves are usually performers who aren't doing anything at all--and that's no good.

Luckily, Hickox is not that kind of musician, though he's clearly more conservative, less flamboyant than Frans Bruggen or Nikolaus Harnoncourt. His performances of Haydn are graceful and generally lighthearted, though unlike some conductors he doesn't underplay Haydn's dynamic contrasts or the drama in movements like the minuet of symphony no. 102. His tempi are sensibly chosen, a bit faster than usual in opening movements and a bit slower than usual in finales, and with the help of his excellent period orchestra and the superb Chandos sound, brings out all sorts of wonderful details of harmony and orchestration, though some might wish that the drums were more prominently recorded.

Tracks:

Adagio - Allegro Assai
Largo Cantabile
Menuetto E Trio: Allegro
Finale: Presto Ma Non Troppo
Adagio - Vivace Assai
Andante
Menuetto E Trio: Allegr Molto
Finale: Allegro Di Molto
Adagio - Presto
Andante
Menuetto E Trio: Allegretto
Finale: Vivace

Average customer rating:

The Best Symphonies, Vol.3

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Average customer rating:

Symphonies: The Greatest Hits, Vol. 1-10

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Binding: Audio CD

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ASIN: B00000JR0S
Release Date: 1999-08-10

The Good Life: The Greatest Classical Symphonies of All Time, Vol. 3

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The Good Life: The Greatest Classical Symphonies of All Time, Vol. 3

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Binding: Audio CD