An English Ladymass
Editorial Reviews
Amazon.com essential recording
In the six years since this female quartet astonished the music world with its clear- voiced, impeccably sung renditions of medieval chant and polyphonic music, chant rose from the dark and dusty corners of classical music to enjoy a phenomenal run at center stage. New and reissued chant recordings achieved sales figures normally reserved for popular music. This is the recording that started it all (that Spanish monks disc came later), winning awards and earning near- permanent resident status on the national charts. Spiritually moving and vocally revelatory, this program re-creates a kind of mass sung in English churches during the 13th and 14th centuries. With their warm tone and perfect intonation, these four singers achieve an expressiveness that is rare among chant interpreters, most effective in the seductive, highly ornamented "Kyrie." The sound is exemplary--although a studio recording, it perfectly conveys the atmosphere of an English cathedral. --David Vernier
An English Ladymass, Music, Anonymous, Marsha Genensky, Anonymous 4, Choral, Classical, Classical Artists, Classical Music, Mass, Orchestral & Symphonic
Average customer rating:
- An English Ladymass: Medieval Chant and Polyphony
- The Secret of Success
- Other worldly bliss
- Angelic Purity
- Stunning and uplifting
|
An English Ladymass: Medieval Chant and Polyphony
Anonymous , Marsha Genensky , and Anonymous 4
Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD
Anonymous 4
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- 1000: A Mass for the End of Time / Anonymous 4
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- The Origin of Fire: Music and Visions of Hildegard von Bingen
- La Bele Marie: Songs to the Virgin from 13th-Century France
ASIN: B0000007DL
Release Date: 1993-03-08 |
Tracks:
- An English Ladymass: Prosa: Gaude virgo salutata (chant)
- An English Ladymass: Polyphonic song: Edi beo thu hevene quene
- An English Ladymass: Introit: Salve mater redemptoris Salve lux langentium Salve sine spina Salve sancta parens
- An English Ladymass: Motet: Lux polis refulgens Lux et gloria
- An English Ladymass: Kyrie: Kyria christifera
- An English Ladymass: Gloria
- An English Ladymass: Motet: Spiritus et alme Gaude virgo salutata
- An English Ladymass: Song: Miro genere
- An English Ladymass: Gradual: Benedicta et venerabilis
- An English Ladymass: Alleluia: Alme iam ad gaudia - Alme matris dei - Alleluya per te dei
- An English Ladymass: Sequence: Missus Gabriel del celis
- An English Ladymass: Prosa: Gaude virgo gratiosa (chant)
- An English Ladymass: Polyphonic song: Salve virgo virginum
- An English Ladymass: Offertory: Felix namque (chant)
- An English Ladymass: Sanctus & Benedictus
- An English Ladymass: Sequence - Song: Jesu Cristes milde moder
- An English Ladymass: Agnus dei: Virtute numinis
- An English Ladymass: Communion: Beata viscera (chant & song)
- An English Ladymass: Rondellus: Flos regalis
- An English Ladymass: Chant Setting: Ite missa est
- An English Ladymass: Hymn: Ave maris stella
Amazon.com essential recording
In the six years since this female quartet astonished the music world with its clear- voiced, impeccably sung renditions of medieval chant and polyphonic music, chant rose from the dark and dusty corners of classical music to enjoy a phenomenal run at center stage. New and reissued chant recordings achieved sales figures normally reserved for popular music. This is the recording that started it all (that Spanish monks disc came later), winning awards and earning near- permanent resident status on the national charts. Spiritually moving and vocally revelatory, this program re-creates a kind of mass sung in English churches during the 13th and 14th centuries. With their warm tone and perfect intonation, these four singers achieve an expressiveness that is rare among chant interpreters, most effective in the seductive, highly ornamented "Kyrie." The sound is exemplary--although a studio recording, it perfectly conveys the atmosphere of an English cathedral. --David Vernier
Customer Reviews:
An English Ladymass: Medieval Chant and Polyphony.......2007-06-14
Beautiful and lyrical and very satisfying to listen to while working or mediating. It's everything I hoped it would be!!
The Secret of Success.......2006-04-26
An English Ladymass. 13th and 14th Century Chant and Polyphony in Honor of the Virgin Mary. Performed by Anonymous 4 (Ruth Cunningham, Martha Genensky, Susan Hellauer and Johanna Rose).
Recorded in October, 1991, at Skywalker Sound, Nicasio, California.
Harmonia Mundi HMU 907080. Total time: 59’01”.
Musically, this is one of those rare, very special discs that not only sells well and then disappears into oblivion but that sells well and then stays relevant for many, many years. While re-listening to it, I asked myself again and again what the secret of its success was. A number of answers suggested themselves, none of them completely satisfactory, but all together providing something of a key. First, of course, there are the pure, vibrato-less soprano voices, combining in what some reviewers have, quite correctly I feel, termed “angelic” harmony. The booklet, unfortunately, does not give much information about the performers, but I seemed to hear here one very high soprano voice, what in English Renaissance music would be called a “mean”, plus two “normal” sopranos and an alto. The excitement of the high “mean” soprano and the narrow harmonies of the other voices can truly send shivers of delight down your spine. This is an effect that one usually only hears on discs of choral music (for example, on some of Harry Christophers’s recordings of the masses of John Taverner for Hyperion), and it is guaranteed to uplift the soul and impress with the beauty of the human voice. But added to this here are the medieval melodies, which, although often very strange to our ears, seem to reflect our common past and appear, in a certain way, to be familiar, perhaps as an echo of the joint human memory of those centuries of sacred music – or perhaps just as an individual memory of liturgical song heard in childhood. And of course, the music itself has an intensely “spiritual” flavour, with the excellent recording technique, the absolute stillness of the background and the ensemble’s decision to do without any instrumental accompaniment amounting to an invitation to meditation and devotion.
Perhaps it is indicative, however, of our post-modern age that none of my fellow Amazon reviewers appears to have reflected on the texts which Anonymous 4 have here put together (the result of painstaking musicological research, I should add). Despite all my enthusiasm for the sound and the music of this disc, I have to add that as an evangelical Christian (and as a child of the Enlightenment) I find the unabashed, sensuous Mariolatry of these medieval texts to be profoundly disturbing and, from a Protestant standpoint, utterly heretical. You don’t have to be a Catholic to enjoy the wonderful singing on this disc, but if you study the texts (which are printed in full with translations), you may, like me, become very grateful for what Martin Luther, John Calvin and their followers did for the Church.
As a footnote I should, perhaps, add that if you have enjoyed Anonymous 4's music-making, you might also like to try that of the Italian female ensemble La Reverdie, whose discs for the French label Arcana, although very different, also have some of the qualities that made Anonymous 4 so successful.
Other worldly bliss.......2006-03-25
The American Angels fly again from their permanent perch in heaven, inviting us all to accept this bliss. And they did this
recording many years ago. Timeless perfection and beauty.
Kim Thomas Hartman
Angelic Purity.......2006-01-20
It seems pointless to add another 5-star review to the list, but I have to. This CD is simply one of the most beautiful recordings ever made, and it touches your soul with every listening. If you are content, it will bolster and reinforce your tranquil mind. If you are sad or depressed, it will force tears from your eyes and rip sobs from your breast, setting you on the healing path. If you are happy, it will make you prance about your flat like a gleeful child.
It is wonderful as background music, and yet engaging enough for attentive listening. If you don't own this CD, you should buy it today.
Stunning and uplifting.......2005-10-11
The Ladymass is a special votive mass dedicated to the Blessed Virgin Mary - most major cathedrals would have a daily mass in the Lady chapel (a smaller worship space within the cathedral), and some churches would have special masses in honour of the Virgin on Saturdays. According to Hellauer, 'Of the English polyphony preserved from this time, almost all of which is sacred, roughly two-thirds is in honour of the Virgin.' The work here does not occur in one set piece as it might have back in the medieval times, for no complete records of this sort have survived. The Anonymous 4 have pieced together elements including chants, motets, and other mass elements to complete the task.
The voices of the Anonymous 4 are markedly different from men-and-boys choirs or monks that are typically the recording artists of this kind of music. It is often forgotten that such music was sung by women and monastic communities of nuns in the medieval time, too. One critic remarked, 'There is a captivating simplicity and directness about their performance, which naturally avoids many of the pitfalls of an overstretched attempt at reconstruction.' This is certainly true in this recording, which is wonderful in tone.
There is a spirit to the music. It is remarkable that a group with three sopranos and an alto could give such breadth and depth to the music, but it certainly is true of their performances. This particular recording is the first of theirs done for Harmonia Mundi.
-- Liner Notes --
This text accompaniment to this disc is very full, so much so that the booklet is not contained within the jewel case, but rather within a slipcover in which both the CD/jewel case and the booklet reside. The liner notes include a description of the work, a brief piece about the quartet, and the lyrics of the songs both in Latin and in translation - all repeated in English, German, and French sections.
-- Anonymous 4 --
Contrary to the implication of their name, the Anonymous 4 are not anonymous. This is a vocal quartet made up of Ruth Cunningham, Marsha Genensky, Susan Hellauer, and Johanna Rose at the time of this recording (Ruth Cunningham will later go on to a solo career early, and another member will join - Jacqueline Horner). They came together as a formal group in 1986, and have been ensemble-in-residence at St. Michael's Church in New York City, giving concert series in New York as well as throughout North America. They have been featured a number of times on national media in North America as well as Germany. They then went on to yet more success, eventually performing more that 1000 concerts worldwide.
Their specialty is working with chant, monophonic and polyphonic music, and working with medieval texts. According to one source, 'The group takes its name from an anonymous music theorist of the late 13th century, Anonymous IV, who is the principal source on the two famous composers of the Notre Dame school, Léonin and Pérotin.'
The group ended a touring career of nearly two decades in 2004.
Average customer rating:
- An aural treat for lovers of vocal music
- Enchanting
- If Angels Ever Recorded A CD
- another exquisite performance
- Anonymous, but in no way generic
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A Portrait Of Anonymous 4
Anonymous , Hildegard of Bingen , and Anonymous 4
Manufacturer: Harmonia Mundi Fr.
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ASIN: B0000007HW
Release Date: 1997-04-10 |
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- Miracles Of Sant'Iago: Music From The Codex Calixtinus: Venite omnes cristicole
- Miracles Of Sant'Iago: Music From The Codex Calixtinus: Ad superni regis decus
- Miracles Of Sant'Iago: Music From The Codex Calixtinus: Portum in ultimo
- The Lily & The Lamb: Chant & Polyphony From Medieval England: O Maria stella maris
- The Lily & The Lamb: Chant & Polyphony From Medieval England: Stabat iuxta Christi crucem
- The Lily & The Lamb: Chant & Polyphony From Medieval England: Stillat in stellam radium
- A Star In The East: Medieval Hungarian Christmas Music: Primo tempore alleviata
- A Star In The East: Medieval Hungarian Christmas Music: Speciosus forma
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- Love's Illusion: Music From The Montpellier Codex: Ne sai, que je die - Iohanne
- Love's Illusion: Music From The Montpellier Codex: Amor potest conqueri - Ad amorem sequitur
- Love's Illusion: Music From The Montpellier Codex: Quant yver la bise ameine - In Seculum
- Love's Illusion: Music From The Montpellier Codex: On doit fin(e) Amor - La Biaute - In Seculum
- An English Ladymass: Medieval Chant & Polyphony: Edi beo thu hevene quene
- An English Ladymass: Medieval Chant & Polyphony: Ave maris stella
- An English Ladymass: Medieval Chant & Polyphony: Salve virgo virginum
- On Yoolis Night: Medieval Carols & Motets: Ther Is No Rose Of swych vertu
- On Yoolis Night: Medieval Carols & Motets: Prolis eterne genitor - psallat mater gracie
- On Yoolis Night: Medieval Carols & Motets: Ecce quod natura
- Spiritui sancto
Amazon.com
This sampler album of excerpts from seven other Anonymous 4 releases is a good introduction for anyone who is unacquainted with the A4's startlingly pure singing and virtually celestial blend. But if you fall under the spell of this outstanding a capella quartet, the present disc will become extraneous because you'll want to own the complete recordings from which it's drawn. If you prefer complete works to samplers, try taking the plunge with "An English Ladymass" or "On Yoolis Night." --Sarah Bryan Miller
Customer Reviews:
An aural treat for lovers of vocal music.......2007-04-14
If you love vocal music these gals are fabulous! This is a best of album, which is always good as an introduction to a new artist. It gives you a taste of their various albums, so you can go ahead and pursue the ones you like. Enjoy!
Enchanting.......2007-01-10
If you enjoy music that takes you to a different time and place, you will get lost in time with this beautiful work.
If Angels Ever Recorded A CD.......2006-03-16
Four female voices have never blended together so perfectly and beautifully as do those of the 'Anonymous 4.' Their CD titled, 'Portrait' contains a selection of tracks from seven other previous CD's, kind of a "Best Of" you might say.
If angels ever came down from heaven to record a CD this is what they would sound like.
Harmonious, Celestial, Purifying and Eternal.
another exquisite performance.......2006-02-27
This amazing quartette is so talented. The Christmas cd reminds me of Christmas 50 years ago in rural England where I grew up. It contains the only rendition of The Holly and the Ivy I have heard that actually does the carol justice.
Anonymous, but in no way generic.......2001-02-04
I learned about this quartet though a review in Stereophile magazine. Although they don't publish a lot of reviews, I've had exceptionally good luck with their past picks and have been able to branch out successfully in new musical directions as a result.
These four women are virtuoso female vocalists, hauntingly pure of voice. They perform music from centuries ago in the same type of setting that it was originally performed in, with stunning results. I'm generally not one for "religious" material (this is the first recording of this nature I've ever bought), but this music goes so far back in time that it sounds more primal than Christian overall.
A refreshing change when you're in the right mood, and something that can relax even you type A personalities out there (and you *know* who you are :) , I can suggest this one without reserve. You'll be adding a nice, quiet corner to your collection, and you'll probably wind up visiting it more than you ever imagined.
Average customer rating:
- A special mass for Mary
- English Ladymass at its best
- Medieval chants in honour of Our Lady
- Sounds Good but all in all it lacks points of interest
- Simply beautiful
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Lammas Ladymass - 13th and 14th Century English Chant and Polyphony
Plainchant , English Anonymous , Sarum Chant , and Anonymous 4
Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD
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- 1000: A Mass for the End of Time / Anonymous 4
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- Miracles of Sant'iago: Music from the Codex Calistinus
ASIN: B00000C29Z
Release Date: 1998-09-01 |
Tracks:
- Antiphon: Que est ista
- Hymn: O quam glorica
- Conductus: Ave tuos benedic
- Motet: In odore
- Conductus: Salve mater salvatoris
- Introit: Salve sancta parens
- Kyrie
- Gloria
- Gradual: Benedicta et venerabilis
- Conductus: Ave gloriosa mater
- Alleluia: Virga ferax aaron
- Sequence: O Maria stella maris
- Sequence: O ceteris preamabilis
- Motet: O quam glorifica - O quam felix feminal
- Offertory: Recordare virgo mater
- Sanctus
- Agnus Dei
- Communion: Alma dei genitrix
- Conductus: Salve mater salvatoris
- Conductus: Paradisi porta
- Dismissal: Ite missa est
- Sequence: Pangat melos grex devotus
Amazon.com essential recording
The huge success of Anonymous 4--four women who sing nothing but chant and polyphony from the Middle Ages--is one of the remarkable musical phenomena of the '90s. What this ensemble has proved is that, when it comes to music, time is insignificant and arbitrary. Art, and certainly that which is spiritual, is timeless and transcendent. Humans relate to the elemental forces of music the same today as they did last year or last millenium. This latest release is a return to the musical sources featured on the group's first, sensational recording, An English Ladymass. Here are chants and polyphonic pieces from 13th- and 14th-century England, selected and arranged to "create a Ladymass for the summer portion of the church year, as it might have been sung around the feast of Mary's Assumption in August." It's beautiful; it's sublime; it's otherworldly; and it's timeless. --David Vernier
Customer Reviews:
A special mass for Mary.......2005-10-30
'a Lammas Ladymass' performed by Anonymous 4 is a special mass celebrating the ascencion of the Virgin Mary, typically celebrated, especially in medieval England, in early August.
This recording has all the usual sections of the Mass such as the Kyria, the Gloria, the Sanctus, and the Agnus dei, plus eighteen other parts I am less familiar with.
I am a very big fan of this group and I can listen to this for hours on end, and often do, but I suspect this particular recording is best bought if you are especially fond of the medieval mass, as it is just a bit less interesting than their works on secular motets and carols.
Nonetheless, this is a great recording, up to all the standards I hear in all their other recordings.
English Ladymass at its best.......2005-10-14
The music on this disc comes from the tradition of special masses done in honour of the Blessed Virgin Mary, a very popular figure in medieval Europe - in some languages, more than half the music that survives from this period was written dedicated to her. The Ladymass was often performed weekly, and in larger communities and cathedrals, daily, in the Lady Chapels.
The Anonymous 4 have arranged this disc around a mass sequence, using a Kyrie, Gloria, Sanctus and Agnus dei. They have also incorporated other pieces - motets, an Alleluia setting, and other pieces such as the conductus (several voices declaiming the same text together), are incorporated to fill out the programme. These would not have been performed in this kind of sequence and number in a proper worship service, but most would have been appropriate in worship settings during a Ladymass.
For this disc, these pieces of polyphony and chant come from the English tradition. Thus, many things that on the continent might have been in polyphonic setting, the Anonymous 4 have simplified and set in conductus style, which was often the case in English churches.
The music here is beautiful, in full flower of the spirit of the composition, the subject, and the power of the Anonymous 4 to bring such music to life.
-- Liner Notes --
This text accompaniment to this disc is very full, so much so that the booklet is not contained within the jewel case, but rather within a slipcover in which both the CD/jewel case and the booklet reside. The liner notes include a description of the work, a brief piece about the quartet, and the lyrics of the songs both in original language and in translation - all repeated in English, German, and French sections. The cover art comes from 'Coronation of the Virgin' from a Book of Hours, from France and Belgium, circa 1480. There are other details from this book and from other manuscripts found in the Bodleian Library, Oxford, throughout this booklet.
-- Anonymous 4 --
Contrary to the implication of their name, the Anonymous 4 are not anonymous. This is a vocal quartet made up of Ruth Cunningham, Marsha Genensky, Susan Hellauer, and Johanna Rose at the time of this recording (Ruth Cunningham will later go on to a solo career early, and another member will join - Jacqueline Horner). They came together as a formal group in 1986, and have been ensemble-in-residence at St. Michael's Church in New York City, giving concert series in New York as well as throughout North America. They have been featured a number of times on national media in North America as well as Germany. They then went on to yet more success, eventually performing more that 1000 concerts worldwide.
Their specialty is working with chant, monophonic and polyphonic music, and working with medieval texts. According to one source, 'The group takes its name from an anonymous music theorist of the late 13th century, Anonymous IV, who is the principal source on the two famous composers of the Notre Dame school, Léonin and Pérotin.'
The group ended a touring career of nearly two decades in 2004.
Medieval chants in honour of Our Lady.......2001-04-07
This compilation of english chants from the 13th and 14th centuries in honour of Our Lady is really sublime, depicting an hipotethical Mass similar to those that could be sung in praise of God's Mother, in the afore-mentioned period.
Anonymous 4 sing beautifully, and where the male medieval chant is determined, decided, firm and strong in the affirmation of religious faith, the female chant, like this one I am reviewing now, is subtle, kind, sweet and tender, almost angelical, but without lose any efectiveness in the expression of that same religious faith.
It is an enormous pleasure to listen such a record, an authentic rest to the soul, and I obviously must recommend it.
Finally, a last word to eulogize the visual presentation of the record made by Harmonia Mundi: the booklet, as usual on that label, is wonderfully illustrated.
Sounds Good but all in all it lacks points of interest.......2000-05-08
This CD is pretty good, I don't understand a single word of the language it is being sung in and I still like the sound of it quite a bit. But it just starts to wear on me after awhile there's nothing all that stirring or powerful at any point in it. The Voices of Light album that was done for the Passion of Joan of Arc video seems to have a lot more power and emotion in it. Still I have to admire any group that can awaken such a renewed look at such old music and can truly make people realize how good this music was. The album definitely is excellent at times it just seems to get old quickly.
Simply beautiful.......1999-04-19
I don't understand a word of the lyrics but then music is so universal and this is no exception. I just love listening to it especially in the evening after a hard day's work and need to unwind. Very relaxing and with a good sound system puts you in another dimension.
Average customer rating:
- Excellent, but What Are the Words?
- outstanding collection
- Awesome
- 7.5 hours of superb music at a most reasonable price.
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Les tres riches heures du Moyen Age: A Medieval Journey
Manufacturer: Harmonia Mundi Fr.
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Binding: Audio CD
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ASIN: B00000074R
Release Date: 1995-11-21 |
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- 1. By Way Of A Preamble: Byzantine Chant: Alleluia - Tropaire de la venue de l'epoux (Lundi Saint) - MEDIEVAL JOURNEY
- 1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint: Version arabe - MEDIEVAL JOURNEY
- 1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint: Version grecque - MEDIEVAL JOURNEY
- 1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint - Version arabe - MEDIEVAL JOURNEY
- 1. By Way Of A Preamble: Chants sacres Melchites (IV siecle): Hymne a la Vierge (Liturgie grecque de saint Jean Chrysostome) - MEDIEVAL JOURNEY
- 1. By Way Of A Preamble: Chants sacres Melchites (IV siecle): Office de la Nativite de la Mere de Dieu (Grand Canon de saint Jean Damascene) - MEDIEVAL JOURNEY
- 2. Monody Before Gregorian Chant: Chants de l'Eglise de Milanaise: Psaume: 'Tecum principium in die virtutis tue'' - MEDIEVAL JOURNEY
- 2. Monody Before Gregorian Chant: Chants de l'Eglise de Milanaise: Responsorium: 'Congratulamini mihi omnes qui diligitis Dominum'' - MEDIEVAL JOURNEY
- 2. Monody Before Gregorian Chant: Le Chant Beneventain: Communio: 'Qui manducaverit' - MEDIEVAL JOURNEY
- 2. Monody Before Gregorian Chant: Les Chants de l'Eglise de Rome (VII-VIII siecles): Introit 'Resurrexi' - MEDIEVAL JOURNEY
- 2. Monody Before Gregorian Chant: Les Chants de l'Eglise de Rome (VII-VIII siecles): Office de l'Adoration de la Croix; Improperes: 'Agios o Theos, Sanctus Deus' - MEDIEVAL JOURNEY
- 2. Monody Before Gregorian Chant: Le Chant Mozarabe: Cathedrale de Tolded: Sacrificium 'Vox clamantis' - MEDIEVAL JOURNEY
Tracks:
- 1. Gallican Chant: Versus de l'eveque Theodulfe d'Orleans: 'Gloria laus' - Deller Consort
- 1. Gallican Chant: Semaine Sainte: repons du 7 mode: 'Tenebrae factae sunt' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Introit: 'Requiem aeternam' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Kyrie eleison - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Graduel 'Requiem aeternam' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Trait: 'Absolve, Domine' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Sequence: 'Dies irae' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Offertoire: 'Domine Jesu Christe' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Sanctus - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Agnus Dei - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Communion: 'Lux aeterna' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Repons: 'Libera me' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Antienne: 'In paradisum' - Deller Consort
- 2. An Immense Corpus: Planctus Hugonis Abbatis: 'Hug dulce nomen' pour la mort d'Hugues, fils de Charlemagne, en 844 - Deller Consort
- 3. The Aquitaine Tradition, Or The Problem Of Notation: Antiphona ad processionem: 'O beata infantia' - Schola Hungarica
- 3. The Aquitaine Tradition, Or The Problem Of Notation: Introitus cum tropis: 'Quam queritis in praesepe - Puer natus est' - Schola Hungarica
- 3. The Aquitaine Tradition, Or The Problem Of Notation: Alleluja 'Dies sanctificatus' - Schola Hungarica
- 3. The Aquitaine Tradition, Or The Problem Of Notation: Communio cum tropis: 'Desinat esse dolor - Viderunt Omnes' - Schola Hungarica
- 3. The Aquitaine Tradition, Or The Problem Of Notation: Alleluia cum tropis in octava - Schola Hungarica
- 3. The Aquitaine Tradition, Or The Problem Of Notation: Cantio ad laudem cantoris: 'Annus novus in gaudio' - Schola Hungarica
- 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: Virtute multa - Ensemble Organum
- 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: In timore Dei - Ensemble Organum
- 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: 'Testamentum eternum' - Ensemble Organum
- 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: 'Dedit Dominus confessionem sancto suo' - Ensemble Organum
Tracks:
- The Art Of The Troubadours: A l'entrada del temps clar - MEDIEVAL JOURNEY
- The Art Of The Troubadours: Vida - MEDIEVAL JOURNEY
- The Art Of The Troubadours: Quand vei la laudeta mover - MEDIEVAL JOURNEY
- The Art Of The Troubadours: Vida - MEDIEVAL JOURNEY
- The Art Of The Troubadours: Sitot me soi - MEDIEVAL JOURNEY
- Cantigas de Santa Maria: Cantiga 77 (Flute a bec et percussion) - MEDIEVAL JOURNEY
- Cantigas de Santa Maria: Prologue: 'Porque Trobar' - MEDIEVAL JOURNEY
- Cantigas de Santa Maria: Cantiga 37 (Flute de berger et zarb) - MEDIEVAL JOURNEY
- Cantigas de Santa Maria: Cantiga 7: 'Santa Maria leva' - MEDIEVAL JOURNEY
- Cantigas de Santa Maria: Cantiga 100: 'Santa Maria, strela do dia' - MEDIEVAL JOURNEY
- Carmina Burana (XIII siecle): 'Bacche, bene venies' (CB 200) - MEDIEVAL JOURNEY
- Carmina Burana (XIII siecle): 'In taberna quando sumus' (CB 196) - MEDIEVAL JOURNEY
- Carmina Burana (XIII siecle): 'Axe Phebus aureo' (CB 71) - MEDIEVAL JOURNEY
- Carmina Burana (XIII siecle): 'Deduc Syon, uberrimas' (CB 34) - MEDIEVAL JOURNEY
- Carmina Burana (XIII siecle): 'Flete flenda' (CB 5) - MEDIEVAL JOURNEY
- Les Minnesanger: 'Sinc an, guldin huon!' - MEDIEVAL JOURNEY
- Les Minnesanger: Ich lobe ein wip (Instr.) - MEDIEVAL JOURNEY
- Les Minnesanger: 'Owe dirre not' - MEDIEVAL JOURNEY
- Les Minnesanger: Wol auff, gesell (Instr.) - MEDIEVAL JOURNEY
Tracks:
- 1. 12th Century Polyphony In Aquitaine: 'Domine labia mea aperies' - 'Deus in adjutorium meum' (Choeur) - Ensemble Organum
- 1. 12th Century Polyphony In Aquitaine: Versus: 'O primus homo coruit' (a 2 voix) - Ensemble Organum
- 1. 12th Century Polyphony In Aquitaine: Versus: 'Veri solis radium' (a 2 voix) - Ensemble Organum
- 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Introit trope: 'Puer natus est' - Ensemble Organum
- 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Kyrie - Ensemble Organum
- 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Graduel: 'Viderunt omnes' - Ensemble Organum
- 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Sanctus (organum) - Ensemble Organum
- 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Agnus Dei - Ensemble Organum
- 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Ite missa est - Deo Gratias - Ensemble Organum
- 3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Kyrie 'Orbis factor' - Ensemble Organum
- 3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Credo in unum Deum - Ensemble Organum
- 3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Sequence: 'Res est admirabilis' - Ensemble Organum
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Plus bele que flor - Quant revient - L'autrier joer - Flos Filius - Anonymous 4
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Puisque bele dame m'eime - Flos Filius - Anonymous 4
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Celui en qui - La bele estoile - La bele, en qui - Iohanne - Anonymous 4
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Amor potest - Ad amorem sequitur - Anonymous 4
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: S'on me regarde - Prennes i garde - He, mi enfant - Anonymous 4
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Qui d'amour se plaint - Lux Magna - Anonymous 4
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: On doit fin(e) Amor - La biaute - In Seculum - Anonymous 4
- 5. An English Ladymass In Salisbury Cathedral (13th Century): Kyrie: 'Kyria christifera' - Anonymous 4
- 5. An English Ladymass In Salisbury Cathedral (13th Century): Gloria - Anonymous 4
- 5. An English Ladymass In Salisbury Cathedral (13th Century): Sanctus - Benedictus - Anonymous 4
- 5. An English Ladymass In Salisbury Cathedral (13th Century): Agnus Dei: 'Virtute numinis' - Anonymous 4
Tracks:
- 1. Le Roman de Fauvel (1310-1316): In mari miserie - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Vers 149 a 168 - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Ad solitum vomitum - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Porchier miex estre. Vers 250 a 280 - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): J'ai fait nouveletement - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Quoniam secta latronum - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Vers 5905-5926 - Mario, virgo viginum - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Vers 6023-6050 - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Quare fremuerunt - Clemencic Consort
- 2. La Messe de Tournai (c.1330-40) - Excerpts: Kyrie - Ensemble Organum
- 2. La Messe de Tournai (c.1330-40) - Excerpts: Gloria in excelsis Deo - Ensemble Organum
- 2. La Messe de Tournai (c.1330-40) - Excerpts: Sanctus - Ensemble Organum
- 2. La Messe de Tournai (c.1330-40) - Excerpts: Agnus Dei - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: 'De toutes flours' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: 'Honte, paour, doubtance' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: 'Honte, paour, doubtance', version instrumentale - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: 'Che pena e quest'al cor' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: 'Imperiale sendendo fra pi stelle' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: Rondeau-canon 'Tout par compas' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: Rondeau 'Belle, bonne, sage' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: Rondeau 'Fumeux fume par fumee' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: Ballade 'On voit tout' - Ensemble Organum
- Sacred Music In 14th Century England: 'Campanis cum cymbalis - Honoremus Dominam' - The Hilliard Ensemble
- Sacred Music In 14th Century England: 'Mater ora filium' - The Hilliard Ensemble
- Sacred Music In 14th Century England: 'Edi be thu' - The Hilliard Ensemble
- Sacred Music In 14th Century England: 'Gabriel From Heven-King' - The Hilliard Ensemble
- Sacred Music In 14th Century England: 'Gaude virgo Mater Christi' - The Hilliard Ensemble
Tracks:
- Johannes Ciconia (c. 1335-1414): 'Ligiadra donna' pour vielles - The Newberry Consort
- 1. 15th Century English Music: Les Carols: Alleluya: 'A Nywe werke' - Anonymous 4
- 1. 15th Century English Music: Les Carols: 'Ecce quod natura' - Anonymous 4
- 1. 15th Century English Music: Les Carols: Nowel: 'Owt Of Your Slepe Aryse' - Anonymous 4
- 1. 15th Century English Music: Les Carols: 'Anna Mater Matris Christi' - The Hilliard Ensemble
- 1. 15th Century English Music: Les Carols: 'Tota pulcra es, amica mea' - The Hilliard Ensemble
- 1. 15th Century English Music: 15th Century Marial Polyphony: Conduit 'O Maria stella maris' - Anonymous 4
- 1. 15th Century English Music: 15th Century Marial Polyphony: Sequence 'Salve virgo singularis' - Anonymous 4
- 1. 15th Century English Music: 15th Century Marial Polyphony: Motet 'Veni mater gracie - Dou Way, Robin' - Anonymous 4
- 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'Propinan de Melyor' - The Newberry Consort
- 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: --sans titre - The Newberry Consort
- 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'La Spagna' - The Newberry Consort
- 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'La Spagna' - The Newberry Consort
- 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Introit. 'Requiem eternam dona eis Domine' - Ensemble Organum
- 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Kyrie - Ensemble Organum
- 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Tractus: 'Sicut servus desideral ad fontes aquarum' - Ensemble Organum
- 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Sanctus - Ensemble Organum
- Lute Music: Ricercar 'L'autre jour' - Paul O'Dette
- Lute Music: 'Nous bergiers' - Paul O'Dette
- Lute Music: Ricercar No. 33 - Paul O'Dette
- Lute Music: 'Il est bel et bon' - Paul O'Dette
Customer Reviews:
Excellent, but What Are the Words?.......2006-07-04
This is a wonderful collection of music spanning many centuries, some of which you are unlikely to encounter anywhere else. The performances are beautiful, too. The one drawback is that the liner notes contain very few song text translations, a big problem for a large CD set with music that is primarily vocal.
outstanding collection.......2002-09-27
I have quite a number of CDs with Medieval Age polyphony, byzantine chant and renaissance music, but this collection goes beyond what could usually be expected from such boxsets. I'd highly recommend it to all.
Awesome.......2001-09-20
This is the best collection of medieval music I have ever heard. The performances are top-notch, and all of the songs are well done. I highly reccomend this collection not only for fans of medieval music, but for any music lover.
7.5 hours of superb music at a most reasonable price........1999-12-24
There isn't a clunker in this set. All the performers are top drawer and the recordings are good. The notes are a little brief and a bit scholarly, but can be ignored easily.
You will get an idea of the different kinds of medieval music as well as the top groups and soloists working currently in the field.
When I got this set, my mother and I listened to all 7+ hours straight through. We then started buying CDs from the different performers we had to hear more from.
At twice the price, this would still be an excellent addition to any classical or medieval music collection, as well as the best introduction to medieval music around.
Average customer rating:
- Excellence in Ancient Sacred Music
|
Ancient Voices: Vox Sacra
Manufacturer: Harmonia Mundi
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ASIN: B00000074Q
Release Date: 1995-07-18 |
Tracks:
- I. Stabat Iuxta Christ Crucem (Medieval England) - Anonymous 4
- II. Dame, Que Je N'os Noumer - Anonymous 4
- III. Qui D'amours Se Plaint - Anonymous 4
- IV. Ecce Quod Natura (15th C.) - Anonymous 4
- V. 'An English Ladymass': Agnus Dei - Anonymous 4
- VI. Offertory - Anonymous 4
- I. Introit - Ensemble Organum
- II. Kyrie - Ensemble Organum
- III. Gloria - Ensemble Organum
- IV. Dominica Palmarum - Ensemble Organum
- V. Antiphon: Otin To Stauron/O Quando In Cruce (7th C.) - Ensemble Organum
- I. To the Blessed Virgin - Sister Marie Keyrouz
- II. Hallel/Qadish Qadish/Mshiho Dabyaldeh - Sister Marie Keyrouz
- III. Ya Umma-I-Iah - Sister Marie Keyrouz
- IV. Excerpt From The Office Of The Paraklisis - Sister Marie Keyrouz
Customer Reviews:
Excellence in Ancient Sacred Music.......1999-01-11
I am new to Ancient Sacred music, and therefore was reluctant to purchase this CD, being afraid it would be monotonous. I am absolutely delighted with Ancient Voices! Anonymous 4 are their typcial excellent selves, Ensemble Organum and Soeur Marie Keyrouz are just as wonderful. I listen to it often and do not seem to tire from it as I do with other ancient music CDs. I recommend it.
Average customer rating:
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Musica Humana -- Anthologie des Rencontres Internationales de Musique Médiévale du Thoronet
Manufacturer: l'empreinte digitale
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ASIN: B000005WBX
Release Date: 2006-11-20 |
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