Pulcinella

Editorial Reviews
Amazon.com
This is an excellent Stravinsky collection on all counts. Claudio Abbado's recordings with the London Symphony Orchestra represent the high-water mark of his career, and DG captured the partnership in generally fine sound. This recording of the complete Pulcinella, with the songs included, set an entirely new standard for the work, and its excellence has worn very well in the couple of decades since its initial release. The performance of Jeu de Cartes (Card Game) also should win many new friends for this entertaining late work. As to the Big Three ballets, all of them were among the most recommendable versions when they first came out, and they still are. --David Hurwitz

Stravinsky: Le Sacre du printemps/L'Oiseau de feu/Jeu de cartes/Petrouchka/Pulcinella, Music, Igor Stravinsky, Claudio Abbado, London Symphony Orchestra, 20th/21st Century Ballet, Ballet, Classical, Classical Composers, Classical Music, Orchestral, Suite for Orchestra

Average customer rating:

Abbado's Stravinsky from his LSO period is very fine

Phenomenal Firebird

Practically Perfect

Wonderful

Great Interpretations of Stravinsky From Abbado

Stravinsky: Le Sacre du printemps/L'Oiseau de feu/Jeu de cartes/Petrouchka/Pulcinella

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B000001GYI
Release Date: 1997-07-15

Tracks:

L'Adoration de la terre: Introduction
L'Adoration de la terre: Les Augures printaniers - Danses des adolescents
L'Adoration de la terre: Jeu du rapt - Game of Abduction
L'Adoration de la terre: Rondes printanieres - Spring Round Dances
L'Adoration de la terre: Jeux des cites rivales - Games of the Rival Tribes
L'Adoration de la terre: Danse de la terre - Dance of the Earth /Le Sacrifice - The Sacrifice
Le Sacrifice: Introduction
Le Sacrifice: Cercles mysterieux des adolescentes - Mystical Circles of the Young Girls
Le Sacrifice: Glorification de l'Elue - Glorification of the Chosen Victim
Le Sacrifice: Action rituelle des ancetres - Ritual of the Elders
Le Sacrifice: Danse sacrale (L'Elue) - Sacrificial Dance (The Chosen Victim)
L'Oiseau De Feu: Introduction
L'Oiseau De Feu: Variation de l'Oiseau de feu - Variation of the Firebird
L'Oiseau De Feu: Ronde des Princesses - The Princesses' Round
L'Oiseau De Feu: Danse infernale du roi Kachtchei - Infernal Dance of King Kahchei
L'Oiseau De Feu: Berceuse - Lullaby
L'Oiseau De Feu: Final - Finale
Jeu de cartes: Premiere donne
Jeu de cartes: Deuxieme donne
Jeu de cartes: Troisieme donne

Tracks:

Petrouchka: Fete populaire de la semaine grasse - The Shrovetide Fair
Petrouchka: Danse russe - Russian Dance
Petrouchka: CHez Petrouchka - Petruschka's Room
Petrouchka: CHez la Maure - The Moor's Room
Petrouchka: Valse: La Ballerine et le Maure - Waltz: The Ballerina and the Moor
Petrouchka: Fete populaire de la semaine grasse - The Shrovetide Fair (towards evening)
Petrouchka: Danse des nounous - Dance of the Nursemaids
Petrouchka: L'ours et un paysan - The Bear and the Peasant
Petrouchka: Un marchand fetard avec deux tziganes - The Jovial Merchant with Two Gypsy Girls
Petrouchka: Danse des cochers et des palefreniers - Dance of the Coachmen and Grooms
Petrouchka: The Masqueraders
Petrouchka: La rixe: Le Maure et Petrouchka - The Fight: The Moor and Petrushka
Petrouchka: Mort de Petrouchka - Death of Petrushka
Petrouchka: La police et le charlatan - The Police and the Showman
Petrouchka: Apparition du double de Petrouchka - Apparation of Petrushka
Pulcinella: Ouverture: Allegro mederato
Pulcinella: Serenata: Larghetto
Pulcinella: Scherzino: Allegro
Flaminio, Act III, Checca's Canzona: Poco piu vivo
Pulcinella: Allegro
Pulcinella: Andantino
Pulcinella: Allegro
Pulcinella: Allegretto
Pulcinella: Allegretto assai
Pulcinella: Allegro
Pulcinella: Largo (Trio), Allegro, Presto
Pulcinella: Allegro - alla breve
Pulcinella: Tarantella
Pulcinella: Andantino
Pulcinella: Allegro
Pulcinella: Gavotta con due variazioni
Pulcinella: Vivo
Pulcinella: Tempo di minuetto
Pulcinella: Allegro assai

Amazon.com

This is an excellent Stravinsky collection on all counts. Claudio Abbado's recordings with the London Symphony Orchestra represent the high-water mark of his career, and DG captured the partnership in generally fine sound. This recording of the complete Pulcinella, with the songs included, set an entirely new standard for the work, and its excellence has worn very well in the couple of decades since its initial release. The performance of Jeu de Cartes (Card Game) also should win many new friends for this entertaining late work. As to the Big Three ballets, all of them were among the most recommendable versions when they first came out, and they still are. --David Hurwitz

Customer Reviews:

Abbado's Stravinsky from his LSO period is very fine.......2006-09-22

Abbado thrived in London in the Seventies and early Eighties with the LSO, and their collaboration produced some of his most vigorous performances. These Stravinsky ballets are among them. (I can't agree with David Hurwitz that Abbado never got better--he became an unparalleled maestro in his last years with the berlin Phil.) DG's bargain two-fer features dynamic, in-your-face sonics, especially in Le Sacre. Admittdly, there are passing moments when Abbado, as was his wont, turns a bit tame and cautious, but the overall impression is of a brash, propulsive Le Sacre. The Firebird Suite is the only item, however, that's seriously underplayed.

Petrushka gets another vivid recording and lots of commitment from the LSo; it also finds Abbado at his most involved. But the main attraction here isn't the most familiar works but Abbado's complete Pulcinella and the Balanchine-commissioned Jeu de Carte (Hurwitz mistakenly calls it a late work. with Stravinsky, late means the 1950-71, not 1937, when this ballet was premiered). Abbado's approach is classical and balanced, but there's a good deal of inner life, which Stravinsky's 'white' ballet music desperately needs if it's to connect with a concert audience.

I especially like the Pulcinella, which is an oddly difficult work to bring off. Abbado plays it lightly, with refined textures and attacks that aren't as dry and sharp as we usually expect, articularly from the composer himself. Purists may find Abbado too mellifluous, but he's never rough and vulgar. He's lucky in his prestige vocalists (Berganza, Shirley-Quirk, and Davies), who struggle just a bit in songs that often defeat lessert singers.

All in all, there's stiff competition in these pieces, but Abbado gives ue the best omnium gatherum of all five.

Phenomenal Firebird.......2006-09-14

This is a great Firebird. Abbado, among many othe things to dmire, has the strings playing sul ponto in the last section rght before the french horn solo. He gets all these overtones from the violins: it sounds like a some ghostkt chorus on top of the orchestra. Amazing performance

Practically Perfect.......2006-03-15

This recording of The Firebird makes me weep every time I hear it...there is a beautifully sophisticated, subtle touch to this recording that ignites the spirit of inpsiration without going crazy; it is still art in it's fullest, noblest sense. The skilled Abbado lets Stravinsky work his magic. Practically perfect.

Wonderful.......2005-03-18

I love these CDs because they have the most important Stravinsky ballets, complete, all on 2 CDs, and they are all great performances. Also, this recording is with the LSO, an amazing orchestra that has both overwhelming power and overwhelming beauty, under the baton of the great Claudio Abbado. Sound quality is very good. Highly recommended.

Great Interpretations of Stravinsky From Abbado.......2002-03-27

This magnificient two CD set contains some of Abbado's finest recordings with the London Symphony Orchestra. His great interpretations of Stravinsky's scores can easily hold their own against those from the likes of Bernstein, Boulez, Haitink, and more recent interpreters such as Gergiev. His "Le Scare du printemps" is one of the most dramatic recordings I've heard, replete with tense, vibrant playing from the London Symphony Orchestra. It is a visceral, emotionally raw account pulsating with energy. Equally noteworthy is his splendid interpretation of "L'Oiseau de feu", which is a brisk, dramatic performance. Both "Jeu de cartes" and the entire score of "Pulcinella" are very pleasant surprises too. My only slight criticism is Abbado's interpretation of "Petrouchka" which doesn't sound as dramatic as Haitink's with the London Philharmonic. The sound quality on these image bit digitally remastered CDs is absolutely stunning; it sounds as good as contemporary recordings.

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