Mozart: Piano Concerto Nos. 20/21
Editorial Reviews
Amazon.com essential recording
Mozart's greatest piano concertos bring together so many elements identified with his style that they offer an ideal introduction to their composer's uniqueness. This is especially the case with the well-loved pair Nos. 20 and 21, which were produced in one fertile outburst in 1785. Here you will find both the dramatic flair and the comic high spirits of Mozart's tragic and comic operas, the last symphonies' breadth and polyphonic ingenuity (especially in the lengthy first movement of No. 21), and the conversational intimacy of the chamber music. This recording is one of several collaborations between conductor Jeffrey Tate and Mitsuko Uchida. In the wake of such legendary interpreters as Clifford Curzon, the Japanese pianist established a reputation in the '80s as one of the finest contemporary Mozarteans for her combination of poetic sensitivity and thoughtful involvement. Uchida plays with characteristic poise and never settles for superficial prettiness of sound (notice, for example, the sense of suspense she brings to the extended trill left hovering shortly into the soloist's entrance in No. 21). The restless, tragic momentum of No. 20 glows with inner fire, while Uchida's singing grace of line conveys an almost vocal warmth. There is sympathetic balance of soloist against orchestra (which features superb contributions from the winds), as well as a sure grasp of Mozart's larger structural symmetries. As an alternative to the extremes of period-instrument orthodoxy and romantic excess, this disc belongs in the collection of any lover of Mozart. --Thomas May
Mozart: Piano Concerto Nos. 20/21, Music, Wolfgang Amadeus Mozart, Jeffrey Tate, English Chamber Orchestra, Mitsuko Uchida, Classical, Classical Composers, Classical Music, Concerto, Piano Concerto
Average customer rating:
- CD set is misnamed
- Do not Buy
- Classical Music for People Who Hate Classical Music
- Seek better versions
- It Is What It Is
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Classical Music for People Who Hate Classical Music
Manufacturer: Compendia
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Binding: Audio CD
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Release Date: 1994-06-09 |
Tracks:
- Canon In D
- 'Brandenburg' Concerto No. 3: Allegro
- The Four Seasons - The Winter: Largo And Allegro
- Fanfare ('Masterpiece Theatre' Theme)
- Camerata Romana: Air For The 'G' String
- 'Eine kleine Nachtmusik': Allegro
- Piano Concerto No. 21 ('Elvira Madigan' Theme): Andante
- Introduction To Symphony No. 5
- 'William Tell' Overture: Finale
- 'Aida': Triumphal March
- On The Beautiful, Blue Danube Waltz
- 'The Nutcracker': Waltz Of The Flowers
- '1812' Overture: Finale
Tracks:
- Sabre Dance
- 'Light Cavalry' Overture: Finale
- Carmen: The Toreadors
- ' Midsummer Night's Dream': Wedding March
- Radetzky March
- Symphony No. 9, 'Choral': Finale
- 'Prince Igor': Polovstian Dance No. 17
- Jesu, Joy Of Man's Desiring
- Peer Gynt: Solveig's Song
- Sleepers, Wake
- Water Music: Hornpipe
- Symphony No. 9, 'From The New World': Largo
- Emperor Waltz
- 'Emperor' Quartet: St. Anthony's Chorale
- 'The Tales Of Hoffman': Barcarolle
- L'Arlesienne: Farandole
- 'The Nutcracker': Dance Of The Mirlitons
- 'The Nutcracker': Dance Of The Sugar-Plum Fairy
- 'Rhapsody In Blue': Highlight
- 'Orpheus In The Underworld': Can-Can
Tracks:
- Introduction To 'Also sprach Zarathustra'
- Symphony No. 4, 'Italian': Saltarello: Presto
- Piano Concerto No. 20: Romance
- 'The Valkyrie': Ride Of The Valkyries
- 'The Four Seasons' - The Spring: Allegro
- Toccata and Fugue
- Trumpet Voluntary
- 'Royal Fireworks Music': la rejouissance: Allegro
- 'Moonlight' Sonata: Adagio Sostenuto
- London Festival Orchestra: Overture To 'The Barber Of Seville'
- Piano Concerto No. 2: Adagio Sostenuto
Tracks:
- Carmina Burana: Introduction To 'Carmina Burana'
- Peer Gynt: Dawn From 'Peer Gynt'
- Lohengrin: Prelude To 'Lohengrin'
- 'Lieutenant Kije': Troika From 'Lieutenant Kije'
- Adiago For Strings
- 'Carmen': Habanera From 'Carmen'
- 'Double' Concerto: Allegro From 'Double' Concerto
- The Marriage Of Figaro: Overture To 'The Marriage Of Figaro'
- (Rondo) Alla Turca
- Xerxes: Largo From 'Xerxes'
- Symphony No. 5: Allegro vivace From Symphony No. 5
- 'Swan Lake': Scene: Enchanted Lake From 'Swan Lake'
- Clair De Lune
- Bolero
Customer Reviews:
CD set is misnamed.......2007-06-08
They should have titled this "classical music for people who love classical music" because most of the selections are typical classical music. The title suggests it would be lively selections of "light classical" music that is more upbeat, i.e. Sabre Dance, etc. I really don't hate classical music at all and have many classical CDs in my collection but I really wanted to hear more exciting selections. I won't be purchasing any more of this set but if you like traditional classical music these are good one.
Do not Buy.......2007-02-21
I do know it says classical music for people who hate it, but serioulsly you would have better luck never listening to classical music again. The recordings are awfull and do not do justice to any of the composers. Buy something else.
Classical Music for People Who Hate Classical Music.......2007-01-30
We love this set of CD's. I just got a new copy because my kids keeping taking our first copy with them so that they can listen at work or in their bedrooms but then I can never find them.
Seek better versions.......2006-12-09
If you are fairly new to classical purchases then compilation CD's can be useful for deciding what to buy next. Sometimes you only need a small taste of a piece to inspire you to buy a release with the whole performance on. The problem with this compilation however is that most of the versions are poor in performance or recording quality (or both) when compared to the best versions and the fact that the conductors aren't even credited on the track listing made me suspect that this would be the case. One of my favorite classical pieces is Tchaikovsky's 1812 festival overture but if the first CD version I had heard had been the finale excerpt that is on this compilation I may not have gone on to buy the whole thing. Luckily I heard Adrian Leaper's version first and Adrian's version is rather good.
My classical CD buying experience is limited to only a couple of dozen discs but I have found that the Naxos and Deutshe Grammophon releases are fairly safe. Avoid any release which does not name the conductors on the track listing or sleeve notes.
It Is What It Is.......2006-10-27
It's fitting that this page is fraught with the same kind of silly snobbery that turns people off from classical music (and necessitates collections like this) in the first place.
Any criticism of this compilation, which focuses on the quality of the performances or the fact that many tracks are excerpts, misses the point. This is not a collection for people who consider such things, nor does it purport to be. The idea is to package as many ultra-famous classical melodies as possible in one affordable collection and market it to people who have never purchased a classical recording. As such, top-tier performances are likely too expensive to be sold so cheaply and are unnecessary anyway. Those of us who already know and love a piece or two can forgive the compilers the inclusion of sub-par recordings, when we are exposed to so many other beautiful pieces for the first time.
It probably comes as a shock for some to hear that most people are not familiar with these classics. We may hear snippets on TV or movies, but are left with no idea as to the composer or historical context. With that in mind, it is extremely intimidating to begin buying classical. I suppose those among us, who so thoroughly dismissed the very notion of a boxed set like this, would have us begin by buying full albums by reputable interpreters. Surprisingly enough though, the majority of people would consider that a tad cost-prohibitive.
To conclude, this is a STARTER collection. It will either affirm a listener's feelings about classical music or lead to an interest in purchasing better recordings. Ideally, I suppose the interpretations would be better, but, for reasons mentioned above, that just isn't in the cards for a collection of this nature. If you're familiar with 50 different recordings of "The Ring" series, or have season tickets to the New York Philharmonic, then this probably isn't for you. For us cretins with limited foreknowledge of classical music though, it serves as a succinct introduction with little to complain about.
Average customer rating:
- Mill. Classical review
- classical music for the unitiated
- Some little gems there that I had forgotten!
- A very helpful collection
- Excellent!
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Classical Masterpieces of the Millennium [20 CD Set]
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000K1C9
Release Date: 1999-08-24 |
Tracks:
- Brandenbutg Concerto No.3 In G First Movement
- Overture No.3 In D Second Movement
- Violin Concerto In E First Movement
- Prelude In C minor
- Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
- Overture No.2 In B minor Minuet And Badinerie
- Oboe Concerto In D minor Second Movement
- Brandenburg Concerto No.4 In G Third Movement
- Musical Offering - Fuga canonica
- Easter Oratorio - Overture
- Minuet In D minor
- Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
- Brandenburg Concerto No.1 In F Second Movement
- Art Of The Fugue - Contrapunctus 9
- Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
- Overture No.4 In D - Réjouissance
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Water Music - Alla Hornpipe
- Xerxes - Ombra Mai Fu (Largo)
- Messiah - And The Glory Of The Lord
- Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
- Organ Concerto In F, Op. 4, No. 4 Allegro
- Water Music - Air
- Messiah - For Unto Us A Child Is Born
- Concerto Grosso In B flat, Op. 3, No. 2 - Largo
- Salomon - Sinfonia, Act 3
- The Choice Of Hercules - While For Thy Arms
- Water Music - Allegro (Suite No. 1)
- Suite No. 5 In E - Air With Variations
- Jephtha - How Dark, O Lord
- Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
- Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
- Water Music - Andante Allegro Da Capo
- Concerto for Trumpet & Orchestra in E-flat: First Movement
- Symphony No. 94 in G: Surprise Symphony-second movement
- Concerto for Violin No. 2 in D: Third Movement
- Flute Trio No. 31 in G: Second Movement
- Symphony No. 31 in D: Hornsignal-First Movement
- String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
- Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
- Concerto for 2 Horns & Orchestra in E-flat: Second Movement
- Symphony No. 88 in G: Fourth Movement
- String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
- Notturno No. 1 in C: Second Movement
- Symphony No. 98 in B: Londoner No. 4-Fourth Movement
- Eine Kleine Nachtmusik - first movement
- Piano Concerto in A - second movement
- Flute Concerto in D - Rondeau
- Serenade - Minuet
- Violin Concerto - first movement
- Symphony No. 40 in G minor - first movement
- Clarinet Concerto - second movement
- Turkish March
- Divertimento - Minuet
- Horn Concerto No. 3 in E-flat - first movement
- Symphony No. 5 in C minor, Op. 67-First Movement
- Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
- Overture
- O welche Lust (Prisoners' Chorus)
- Ha, welch ein Augenblick (Pizarros's Aria)
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
- Concerto for Violin and Orchestra in D, Op. 61: Third Movement
- Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
- Sympony No. 6 in F, Op. 68: Pastorale-First Movement
- Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
- German Dance No. 1 In C
- Impromptu Op. 90, No. 3 In G-Flat
- Heidenroslein
- Ave Maria
- Der Lindenbaum
- Quintet In A 'Trout Quintet' - Andante
- Mass No. 6 In E-Flat - Kyrie
- Die Schone Mullerin Des Mullers Blumen
- German Dance No. 2 In G
- Piano Sonata In B-Flat
- Nachtgesang Im Walde
- Winterreise - No. 15: Die Krahe
- German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
- Symphony No. 8 In B Minor 'Unfinished' - Second Movement
- Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
- Nocturne in E-flat, Op. 9, no. 2
- Etude in G-flat, Op. 10, no. 5
- Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
- Mazurka in D minor, Op. 33, no. 2
- Prelude in D-flat, Op. 28, no. 15 Raindrop
- Etude in C, Op. 10, no. 1
- Nocturne in D-flat, Op. 27, no. 2
- Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
- Scherzo in B minor, Op. 20
- Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
- Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
- Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
- Violin Concerto - second movement
- The Sleeping Beauty - Waltz
- Capriccio Italien, Op. 45
- Swan Lake - Waltz
- Eugene Onegin - Polonaise
- The Nutcracker - Waltz of the Flowers
- Orchestral Suite No. 4 - Mozartiana - Third Movement
- Swan Lake - Dance of the Swans
- Symphony No. 6 in B minor - Pathétique - Third Movement
- Hungarian Dance No.5
- Lullaby
- Symphony No.1 in C minor, Op. 68 - Third Movement
- Intermezzo in E-flat, Op.117, no. 1
- Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
- Waltz, Op. 39, no. 15
- Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
- String Quintet in G, Op. 111 - Second Movement
- Symphony No.4 in E minor, Op. 98 - Third Movement
- Intermezzo in A minor, Op. 76, no. 7
- Hungarian Dance No.1 in G minor
- German Requiem Selig sind die Toten (Final Chorus)
- Die Fledermaus - Overture
- Kaiser Waltz, Op.437
- Thunder And Lightning Polka, Op. 324
- Roses From The South Waltz, Op. 388
- AnnenPolka, Op. 117
- Vienna Blood Waltz, Op. 354
- Eljen A Magyar Polka, Op. 332
- Wine, Women and Song Waltz, Op. 333
- On The Beautiful Blue Danube Waltz, Op. 134
- Die Meistersinger Von Nurnberg - Overture
- Tannhauser - Die Pilger sind's (Pilgims' Chorus)
- Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
- Lohengrin - Act 3 Prelude and Bridal Chorus
- The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
- The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
- Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
- Die Walkure - Ride of the Valkyries
- Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
- Tristan und Isolde - Liebestod
- Thus sprach Zarathustra, Op. 30 (excerpt)
- Don Juan, Op. 20
- Eine Alpensinfonie, Op. 64, I.Nacht
- Don Quixote, Op.35, first movement: Introduction
- Salome, Op. 54, Dance Of The Seven Veils
- Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
- Piano Concerto 2 In C minor, Op. 18 - First Movement
- Vocalise, Op.34, No. 14
- Prelude In G Sharp minor, Op. 32, No. 12
- Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
- Symphony No. 2 In E minor, Op. 27 - Third Movement
- Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
- Rhapsody, Op. 43 On A Theme By Paganini
- Hungarian Rhapsody No.2
- Liebestraum No.3 in A-flat
- Piano Concerto No.1 in E-flat - third movement
- Angelus
- Mephisto Waltz No.1 (Dance in a Village Tavern)
- Prelude and Fugue on B-A-C-H
- Dante Symphony - Finale. - Purgatorio - Magnificat
- Les Préludes
- Boléro
- Daphnis et Chloé first movement: Nocturne
- Rhapsodie Espagnole
- Shéhérazade - first movement: Asie
- Ma Mère l'Oye - fourth movement: La Belle et la Bête
- Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
- La Valse
- Slavic Dance No. 1 in C, Op. 46, no.1
- Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
- Humoresque, Op. 101
- Slavic Dance No. 8 in G minor, Op. 46, no. 8
- Serenade for String Orchestra, Op. 22 - second movement
- Romance for Violin and Orchestra In F minor, Op. 11
- Symphony No. 7 in D minor - third movement
- Melodie (Songs My Mother Taught Me)
- Carneval Overture, Op. 92
- Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
- Symphony No.4 In A, Op. 90. Italian - First Movement
- Frühlingslied In A, Op. 62, No. 6
- Wedding March (From A Midsummer Night's Dream, Op.61)
- Duetto In F, Op.30, No.6 (From Songs Without Words)
- String Symphony No.9 In C. Schweitzer Symphony - Third Movement
- Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
- Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
- Notturno (From A Midsumment Night's Dream, Op. 61)
- Rondo Capriccioso, Op.14
- String Symphony No. 12 In G minor - First Movement
- Venetian Gondola Song In F Sharp minor, Op.30, No.6
- Scherzo (From A Midsumment Night's Dream, Op. 61)
- Violin Concerto In E minor, Op.64 - Third Movement
- Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
- Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
- Holberg Suite, Op. 40 - IV. Air. Andante religioso
- Arietta, Op. 12, no. 1
- Homage March from Sigurd Jorsalfar, Op. 56
- Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
- Wedding Day at Troldhauen, Op. 65, no. 6
- The Last Spring, Op. 34, no. 2
- Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
- Nordic Melody Op. 63
- Notturno, Op. 54, no. 4
- Elegie, Op. 47, no. 5
- Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
- Piano Concerto in A minor, Op. 16 - Allegro
- Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
- Traumerai (from Kinderszenen, Op. 15)
- Mondnacht (from Eichendorff-Liederkreis, Op. 39)
- Aufschwung (from Fantasietucke, Op. 12)
- Triolett, Op. 114, no. 2
- Tanzlied (No. 1 from Duets, Op. 78)
- Symphony No. 4 in D minor, Op. 120 - second movement
- Frühlingsgruss
- Abschied (from Waldszenen Op. 82)
- Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
- Manfred Overture, Op. 115
- Romance in F sharp, Op. 28, no. 2
- Die Rose stand im Tau
- Liebesgarten (from Four Duets, Op. 34)
- Warum? (from Fantasiestucke, Op. 12)
- Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
- Von fremden Landern und Menschen (from Kinderszenen, Op. 15)
Album Description
An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.
Customer Reviews:
Mill. Classical review.......2007-05-13
This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.
classical music for the unitiated.......2007-04-01
This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.
Some little gems there that I had forgotten!.......2007-03-30
Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.
I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.
It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!
Classical Masterpieces of the Millennium [20 CD Set]
A very helpful collection.......2007-03-24
I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.
Excellent!.......2007-03-08
A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.
Average customer rating:
- The best Concerto No.20 (K466) available
- Mozart: Piano Concertos Nos. 20 & 21
- Wonderful!
- Yummy, some delicious moments
- Genial
|
Mozart: Piano Concertos Nos. 20 & 21
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Mozart: Piano Concertos Nos. 22 & 23
- Mozart: Piano Concertos Nos. 26 & 27
- Mozart: Piano Concertos Nos. 24 & 25
- Mozart: Symphonies Nos. 35-41
- Beethoven: Symphonien Nos. 5 & 7 / Kleiber, Vienna Philharmonic Orchestra
ASIN: B0000040XU
Release Date: 1990-10-25 |
Tracks:
- Piano Concerto No. 20 In D Minor: 1. Allegro
- Piano Concerto No. 20 In D Minor: 2. Romance
- Piano Concerto No. 20 In D Minor: 3. Allegro Assai
- Concerto No. 21 In C, KV 467: 1. Allegro
- Concerto No. 21 In C, KV 467: 2. Andante
- Concerto No. 21 In C, KV 467: 3. Allegro Vivace Assai
Amazon.com essential recording
Mozart's greatest piano concertos bring together so many elements identified with his style that they offer an ideal introduction to their composer's uniqueness. This is especially the case with the well-loved pair Nos. 20 and 21, which were produced in one fertile outburst in 1785. Here you will find both the dramatic flair and the comic high spirits of Mozart's tragic and comic operas, the last symphonies' breadth and polyphonic ingenuity (especially in the lengthy first movement of No. 21), and the conversational intimacy of the chamber music. This recording is one of several collaborations between conductor Jeffrey Tate and Mitsuko Uchida. In the wake of such legendary interpreters as Clifford Curzon, the Japanese pianist established a reputation in the '80s as one of the finest contemporary Mozarteans for her combination of poetic sensitivity and thoughtful involvement. Uchida plays with characteristic poise and never settles for superficial prettiness of sound (notice, for example, the sense of suspense she brings to the extended trill left hovering shortly into the soloist's entrance in No. 21). The restless, tragic momentum of No. 20 glows with inner fire, while Uchida's singing grace of line conveys an almost vocal warmth. There is sympathetic balance of soloist against orchestra (which features superb contributions from the winds), as well as a sure grasp of Mozart's larger structural symmetries. As an alternative to the extremes of period-instrument orthodoxy and romantic excess, this disc belongs in the collection of any lover of Mozart. --Thomas May
Customer Reviews:
The best Concerto No.20 (K466) available.......2007-05-03
I've listened to interpretations from Brendel, Anda, Barenboim, Arrau, and countless others, and I have to say after careful considerations that this version with Uchida and Tate is simply the best. I've noticed that the others all take the 2nd movement too fast, whereas the true beauty is fully revealed when played slower, as it is done here.
Mozart: Piano Concertos Nos. 20 & 21.......2006-11-12
Mozart: Piano Concertos Nos. 20 & 21~ Wolfgang Amadeus Mozart is a brilliant recording and Uchida does such a fine job playing the piano the Mozart himself would have been pleased. Jeffrey Tate also does a bang up job and one most give him praise for his fine work on this recording. Mozart's music is so accomplished and refined that only three other composers can even said to come close to his talent and skill (Beethoven, Bach and Wagner). Mozart has the ability to make his music sound very simple and easy to play but if one examines a score for a piece written by Mozart then one realizes the complexity and nuances that Mozart is able to put into his "simple" sounding music. This recording per se is a stroke of true brilliance and I definitely give it 5 out of 5 stars without any reservations whatsoever.
Wonderful!.......2004-05-29
Mozart was one of a kind! Truly beautiful piano work.
JM
Yummy, some delicious moments.......2003-01-12
As the saying goes, "Mozart is Music" and Uchida is Mozart! On this recording, you have two of the most popular Mozart piano concertos in modern performance(that is, played on a very big grand piano--not a fortepiano as they would've been in Mozart's day).
Uchida is crisp and technically correct, though perhaps, as some other reviewers have noted,lacking the passion of other artists' recordings. In the familiar No. 21 ("Elvira Madigan") the cadenzas are Uchidas. In No. 20 the cadenzas are Beethovens--thrilling!
The recording sounds as if it was done in a marble hall of a very grand Chateau, although it was probably done in Waltham Town Hall, London, with some discrete manipulation of the sound. The result is rich and resonant.
I'd personally recommend this for a classical music enthusiast who wanted just one CD of Mozart concertos. But perhaps its even better as a slightly obscure recording to give to a friend who already has a CD by another pianist. It's worth it for the track 3 cadenza alone.
Genial.......2002-01-26
I'm okay with Samantha's comments about the conjuntion betwen orchestra and solo (Uchida). They are in occasions at different intensity or dinamic. Orchestra was a little short. I recommend so the Geza Anda's version of the 21 concerto (sublime).
Average customer rating:
- Greatest Collection of Classical I have.
- This is not a good digital recording
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ASIN: B000003QWF
Release Date: 1994-10-18 |
Tracks:
- Canon In D Major - CLASSICS FOR LOVERS
- Piano Concerto No.21 'Elvira Madigan': Andante - CLASSICS FOR LOVERS
- Pagliacci: Vesti la giubba - CLASSICS FOR LOVERS
- Madame Butterfly: Un bel di - CLASSICS FOR LOVERS
- Romeo And Juliet: Fantasy Overture - CLASSICS FOR LOVERS
- Polovstian Dances 8 And 17: Prince Igor - CLASSICS FOR LOVERS
- Tristan And Isolde: Overture - CLASSICS FOR LOVERS
- Symphony No.3, 'Organ': Poco adagio - CLASSICS FOR LOVERS
Tracks:
- Air For The 'G' String - Royal Philharmonic Orchestra
- Moonlight Sonata: Adagio sostenuto - Dubravka Tomsic
- Swan Lake: Suite - Scene: Enchanted Lake - London Festival Orchestra
- Piano Concerto No.2: Adagio sostenuto - Garrison Kent
- Clair de lune - Anna Lelkes
- Aida: Celeste, Aida - Jose Perez
- La Boheme: Che gelida manina - Jose Perez
- Symphony No.9, 'From The World': Largo - Berlin Symphony Orchestra
- Martha: Ach, so Fromm - Jose Perez
- The Planets, Op.32: Venus (The Bringer Of Peace) - Dallas Symphony Orchestra
- Bolero - Radio Symphony Orchestra
Tracks:
- 'Peer Gynt' Suite: Morning Song - Slavonic Philharmonic Orchestra
- Xerxes: Largo - London Festival Orchestra
- Piano Concerto No.20: Romance - Svetlana Stanceva
- The Nutcracker Suite: Arabian Dance - Berlin Festival Orchestra
- Pavan - London Festival Orchestra
- The Afternoon Of A Faun: Prelude - London Festival Orchestra
- Giselle: Adagio: Waltz - Philharmonia Orchestra Of London
- The Carnival Of The Animals: The Swan - London Festival Orchestra
- Eine kleine Nachtmusik: Romanze: Andante - Camerata Academica
- The Tales Of Hoffman: Barcarolle - Royal Philharmonic Orchestra
- Cavalleria Rusticana: Intermezzo - London Festival Orchestra
- Daphnis And Chloe - Slavonic Philharmonic Orchestra
Tracks:
- The Sleeping Beauty Suite: Pas d'action: Andante - CLASSICS FOR LOVERS
- Scheherazade: The Young Prince And Young Princess - CLASSICS FOR LOVERS
- Clarinet Concerto In A Major: Adagio - CLASSICS FOR LOVERS
- On The Beautiful, Blue Danube - CLASSICS FOR LOVERS
- Dawn Until Noon On The Sea: La Mer - CLASSICS FOR LOVERS
- Carmen: Intermezzo - CLASSICS FOR LOVERS
- Carmen: Seguidilla - CLASSICS FOR LOVERS
- Carmen: Habanera - CLASSICS FOR LOVERS
- Carmen: Nocturne - CLASSICS FOR LOVERS
- Carmina Buraba: Omnia sol temperat - CLASSICS FOR LOVERS
- Carmina Buraba: Amor volat undique - CLASSICS FOR LOVERS
- Carmina Buraba: Dies, nox et omnia - CLASSICS FOR LOVERS
- Symphony No.6, 'Pathetique': Adagio lamentoso: Andante - CLASSICS FOR LOVERS
Customer Reviews:
Greatest Collection of Classical I have........2006-12-14
I don't care much for compilation CDs. Usually they are someone else's favorite set of songs from that genre or composer. I usually like the songs, but when I get into listening to the other songs in the genre or by the same composer I find songs that I'm more fond of.
This collection is different.
I try not to be too generous with my top ratings in iTunes for songs, I don't give out a four or five stars to just anything, but many of the songs from this collection make up a good chunk of my top rated songs. I just love this collection.
This is not a good digital recording.......1999-07-27
There is a 'record player' hum in the background when you try to listen to various tracks on these CDs. The compilation is wonderful. The Quality of the recording is very disappointing. The outside of the album cover reads DDD which I thought to mean clean and clear all digital recording. Don't be deceived by the cover.
Average customer rating:
|
50 Ultimate Classical Favorites
Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD
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ASIN: B000AAF22Q
Release Date: 2005-08-02 |
Average customer rating:
|
Mozart: Piano Concertos Nos. 20 & 21
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
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ASIN: B00005NPJI
Release Date: 2002-08-13 |
Tracks:
- Pno Con No.20 in d, K.466: I. Allegro
- Pno Con No.20 in d, K.466: II. Romanze
- Pno Con No.20 in d, K.466: III. Rondo (Allegro Assai)
- Pno Con No.21 in C, K.467: I. Allegro Maestoso
- Pno Con No.21 in C, K.467: II. Andante
- Pno Con No.21 in C, K.467: III. Allegro Vivace Assai
Average customer rating:
|
First Steps in Classical Music: Keeping the Beat
Manufacturer: Gia Publications
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Similar Items:
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ASIN: B00005A0A1
Release Date: 2001-03-06 |
Tracks:
- Con No.10 in C: Allegro
- Con No.11 in B flat: Allemanda, Allegro
- Con No.12 in F: Allegro
- Con in F: Giga, Allegro
- Gloria in D, RV 589: Domine Fili
- Ste And Dances: Premiere Et Deuxieme Contredanse
- Ste No.3 in D, BWV 1068
- Ste No.4 in D, BWV 1069
- Ste No.4 in D, BWV 1069
- Ste No.2 in B, BWV 1067: Bouree I And II
- Ste No.2 in b, BWV 1067: Menuet
- Ste No.2 in b, BWV 1067: Badinerie
- Magnificant: Et Exsultavit
- Water Music: Allegro (Gigue)
- Fireworks Music: Menuet II
- Water Music: Menuet
- Con Grosso in D, Op.1, No.5: Allegro
- Con Grosso in D, Op.1, No.9: Allegro
- Eine Kleine Nachtmusik, K 525: Allegro
- Eine Kleine Nachtmusik, K 525: Rondo, Allegro
- Sym No.40 in g, K 550: Allegro Assai
- Ballet Music: Allegretto
- Gaite Parisienne: Ov
- Gaite Parisienne: Quadrille And Allegro
- Gaite Parisienne: Allegro And Allegro
- Hungarian Dances: No.18
- Swan Lake: Spanish Dance
- The Nutcracker: Ov
- Ancient Airs And Dances, Ste No.1: Baletto Detto 'Il Conte Orlando'
- Ancient Airs And Dances, Ste No.2: Laura Soave
- Hary Janos Ste: Viennese Musical Clock
- Pulcinella Ste: Allegro
- Sym No.1 in D: Gavotte: Non Troppo Allegro
- Rodeo: Hoe-Down
- Romeo And Juliet: Preparation For The Ball
- The Comedians: Epilogue
Average customer rating:
- sounds like Beethoven but still wonderful
- Magnificent Mozart by Barenboim and the Berlin Philharmonic
- A near perfect Classical listening experience.
|
Mozart: Piano Concertos Nos. 20-23
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
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Piano
| Keyboard
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Barenboim, Daniel
| ( B )
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Berlin Philharmonic Orchestra
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ASIN: B000006CRU
Release Date: 1998-03-17 |
Tracks:
- Piano Concerto No. 20, K. 466 In D Minor: Allegro
- Piano Concerto No. 20, K. 466 In D Minor: Romance
- Piano Concerto No. 20, K. 466 In D Minor: Allegro assai
- Piano Concerto No. 21, K. 467 In C Major: (Allegro maestoso)
- Piano Concerto No. 21, K. 467 In C Major: Andante
- Piano Concerto No. 21, K. 467 In C Major: Allegro vivace assai
Tracks:
- Piano Concerto No. 22, K. 482 In E Flat Major: Allegro
- Piano Concerto No. 22, K. 482 In E Flat Major: Andante
- Piano Concerto No. 22, K. 482 In E Flat Major: Allegro-Andante cantabile-Tempo primo
- Piano Concerto No. 23, K. 488 In A Major: Allegro
- Piano Concerto No. 23, K. 488 In A Major: Adagio
- Piano Concerto No. 23, K. 488 In A Major: Allegro assai
Customer Reviews:
sounds like Beethoven but still wonderful.......2006-02-02
Barenboim's tone is firm and has a good edge around it. It reminds me piano's sound comes from a hammer hitting a string - even when he plays softly. More punch and clarity compared to any other version. His interpretation is romantic and virtuosic.
Berlin Phil's sound is rich and grand - exactly opposite of the historically informed performance practice. A little pompous but still top-notch.
Perahia and Brendel both offer more intimate renditions. Especially Perahia's playing has everything you ever want for Mozart - lyrical, lively, tender, bittersweet......simply heart-stopping. If the recording quality was above average, his recordings would be undoubtedly my first choice. Brendel's playing is insightful and full of beautiful moments. But he tends to be too deliberate to create peculiar tones he wants and to deliver more legato.
If you think you will enjoy a very well-played and extremely well-recorded Mozart's concertos with a slight hint of Beethoven, Barenboim is your guy.
Magnificent Mozart by Barenboim and the Berlin Philharmonic.......2004-03-28
The Mozart piano concertos are some of the most exraordinary pieces from the Viennese Classical period written by a composer who was a master of both keyboard and orchestral writing. The Concertos Nos. 20 through 23 represent the height of his achievements in this genre and include the D minor, k466; C major k467 (Elvira Madigan), E-flat major k482; and A major, k 488.
Written at age 30, in these four works Mozart goes above and beyond using the concerto for simple entertainment and dazzling keyboard virtuosity. Each is a carefully crafted piece and different from the rest. The D minor (No. 20) is one of only two concertos Mozart wrote in the minor mode: its first movement features an ominously mysterious opening and many sudden dynamics; the second movement 'romance' has a fast section in the middle; and the last movement has a triumphant coda in D major. The opening to the C major (No. 21) is march-like with sparkling trills in the wind parts; its second movement is probably the most famous movement of any of the concertos with the aching duple vs. triple theme--the piano plays a melody in eighth notes while the strings strum their chords in triplets). And I could go on talking ab