Copland: Symphony No. 3; Symphony for Organ and Orchestra

Editorial Reviews
Amazon.com essential recording
Leonard Bernstein's performance of Copland's Third Symphony has had to wait a long time before finally appearing on CD. Part of the delay no doubt stemmed from the fact that DG released a second, later recording with the same orchestra, in digital sound. Comparing the two versions, both of which are very good, one prefers this first performance. Not only does the music move a bit more quickly, with sharper rhythms and a stronger sense of the dance (never far from Copland's musical thoughts), but the sonics are more naturally pleasing. The coupling is a terrific performance of the early Organ Symphony, which the composer wrote for his teacher, Nadia Boulanger. --David Hurwitz

Copland: Symphony No. 3; Symphony for Organ and Orchestra, Music, Aaron Copland, Leonard Bernstein, New York Philharmonic, E. Power Biggs, 20th/21st Century Symphony, Classical, Classical Composers, Classical Music, Symphonic
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Simply the Best Classical Anthems
Average customer rating: 4.5 out of 5 stars
  • perfect selection for commencement/ graduation
  • Great Starting Point for Classical Music Novices
  • **An Exquisite Album**
  • Samples
  • Great Sampler!
Simply the Best Classical Anthems

Manufacturer: Erato
ProductGroup: Music
Binding: Audio CD

BalletsBallets | Ballets & Dances | Classical | Styles | Music
PolkasPolkas | Ballets & Dances | Classical | Styles | Music
QuartetsQuartets | Chamber Music | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BerliozAll Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BrittenAll Works by Britten | Britten, Sir Benjamin | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by CharpentierAll Works by Charpentier | Charpentier, Marc-Antoine | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by CoplandAll Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ElgarAll Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music
Grieg, EdvardGrieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by HolstAll Works by Holst | Holst, Gustav | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by KhachaturianAll Works by Khachaturian | Khachaturian, Aram | ( K ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MussorgskyAll Works by Mussorgsky | Mussorgsky, Modest | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by OrffAll Works by Orff | Orff, Carl | ( O ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by PucciniAll Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ProkofievAll Works by Prokofiev | Prokofiev, Sergei | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by StraussAll Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by TchaikovskyAll Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VerdiAll Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by WagnerAll Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by RachmaninovAll Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
DivertimentosDivertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
ClassicalClassical | Symphonies | Forms & Genres | Classical | Styles | Music
RomanticRomantic | Symphonies | Forms & Genres | Classical | Styles | Music
MarchesMarches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
OverturesOvertures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
Tone PoemsTone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
RequiemsRequiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music
Ballets & DancesBallets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
VariationsVariations | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Ballets & DancesBallets & Dances | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
OrganOrgan | Keyboard | Instruments | Classical | Styles | Music
PianoPiano | Keyboard | Instruments | Classical | Styles | Music
ViolinViolin | Strings | Instruments | Classical | Styles | Music
Berlin Philharmonic OrchestraBerlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music
London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
National Philharmonic Orchestra LondonNational Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music
Paris Symphony OrchestraParis Symphony Orchestra | ( P ) | Featured Performers, A-Z | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
CompilationsCompilations | Classical | Styles | Music
RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
Baroque (c.1600-1750)Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music
Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
FrenchFrench | Languages | Opera & Vocal | Styles | Music
GermanGerman | Languages | Opera & Vocal | Styles | Music
ItalianItalian | Languages | Opera & Vocal | Styles | Music
RussianRussian | Languages | Opera & Vocal | Styles | Music
OratoriosOratorios | Opera & Vocal | Styles | Music
AnthemsAnthems | Vocal Non-Opera | Opera & Vocal | Styles | Music
CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
RequiemsRequiems | Vocal Non-Opera | Opera & Vocal | Styles | Music
MarchesMarches | Miscellaneous | Styles | Music
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  1. Thunderous Classics
  2. Thunder & Lightning
  3. 25 Thunderous Classics
  4. Time Life Presents: Classical Thunder
  5. Best of the Millennium: Top 40 Classical Hits

ASIN: B00004SUVI
Release Date: 2000-04-25

Tracks:

  1. Requiem: Dies Irae
  2. Carmina Burana: O Fortuna
  3. The Planets: Mars
  4. The Ride Of The Valkyries
  5. Chorus Of The Hebrew Slaves
  6. Fanfare For The Common Man
  7. Pomp And Circumstance March No. 1
  8. Aida: Grand March
  9. Summer - Four Seasons: Presto
  10. Te Deum: Prelude
  11. The Young Person's Guide To The Orchestra
  12. Toccata And Fugue In D Minor
  13. Symphony No. 5: First Movement
  14. Spartacus: Adagio
  15. Sabre Dance
  16. Symphony No. 40: First Movement
  17. Zadok The Priest
  18. Turandot: Nessun Dorma

Tracks:

  1. Also Sprach Zarathoustra
  2. Romeo And Juliet: Dance Of The Knights
  3. Requiem: Dies Irae
  4. 1812 Overture
  5. Piano Concerto
  6. Spring - Four Seasons: Allegro
  7. Messiah: Hallelujah Chorus
  8. The Royal Fireworks: La Ruissance From Music
  9. Flight Of The Bumble Bee
  10. Symphonie Fantastique: March To The Scaffold
  11. Carmen: Overture
  12. Eine Kleine Nachtmusik
  13. Jerusalem
  14. The Planets: Jupiter
  15. Symphony No 9, 'Ode To Joy'
  16. Swan Lake: Scene
  17. Enigma Variations: Nimrod
  18. Rhapsody On A Theme Of Paganini [Variation 18]
  19. Pictures At An Exibitions: Promenade
  20. Symphony For Organ No 3: Finale, Symphony For Organ No 3

Customer Reviews:

5 out of 5 stars perfect selection for commencement/ graduation.......2007-06-11

We were concerned after reading some other reviews that this version of Pomp and Circumstance wouldn't be the correct movement or the full length version. This selection has the song for graduation AND the extended length, so it gives plenty of time for processionals. If this is what you need, this is the CD to get.

4 out of 5 stars Great Starting Point for Classical Music Novices.......2004-08-13

"Simply the Best Classicial Anthems" is exactly what the title indicates. This is a collection of what the CD says are "36 of the most powerful classics on Earth". My review of this CD comes from someone who is a Classical Music Novice. I'm familiar with some of the composers, musical styles, musical periods, and some of the terminology that is key to understanding Classical Music. By no means am I an expert. I have basically popped in this two CD collection into my player and have enjoyed the sounds it produces. If you are in the same category as I am or maybe just wanting to be introduced to Classical Music - this is going to be a very good CD to have in your collection. For the more seasoned Classical Music fan, this could be either enjoyable or overkill.

The CD contains 36 songs composed by the legends of Classical Music Composers from the past. The bulk of the works come from Composers in the the 19th and 20th century, but there are works from the Romantic and Classical eras of the late 18th and early 19th century (such as Beethoven and Mozart). In general you will find most of the major names of Composers you would expect to find - names such as Tchiakovsky, Handel, Verdi, Strauss, Elgar, and Bach are all there. The only major composer who I would have expected to see on this CD that I don't see is Frederic Chopin. The composers of the late 20th century are not included on this collection - so you won't see Leonard Bernstein or John Williams on this set. While these Composers are excellent, I do think style of the tracks on this collection pre-date their style.

The recordings themselves are done by the great Orchestras around the world. For the most part, European Orchestras were used to deliver the tracks. There are a few exceptions: The Chicago Symphony Orchestra delivers "The Ride of the Valkyries"; The Toronto Symphony Orchestra delivers "Dance of the Knights"; and the Israel Philharmonic Orchestra delivers Tchaikovsky's "1812 Overture". Some of the European Orchestras that are well known include: BBC Symphony Orchestra, London Philharmonic, Bolshoi Symphony Orchestra, Choeur Philhamonique de Strasbourg, and more. Also included are performances by well known names in the Classical space such as Marie-Claire Alain (Bach's "Toccate and Fogue in D Minor" and Saint-Saens' "Symphony for Organ No 3"), Piero Toso (Vivaldi's "Allegro From Spring - Four Seasons"), and Placido Domingo appears on Puccini's "Nessun Dorma".

The 2 Disc collection contains a total of over 2 hours and 6 minutes of music. The selections that are included in the set will sound very familiar to you when you play them. You probably have both heard and seen the names of tracks such as: Oref's "O Fortuna"; Copland's "Fanfare for the Common Man"; Beethoven's "First Movement from Symphony Number 5" and "Ode To Joy"; Elgar's "Pomp and Circumstance", and Tchaikovsky's "1812 Overture". Many of the other tracks will also sound familiar, but maybe not so much by name - such as Wagner's "The Ride of the Valkyries", Strauss' Also Sprach Zarathoustra"; Grieg's "Piano Concerto", and "Dies Irae" (versions included by Mozart and Verdi - you can compare the two and judge for yourself). As for the Discs themselves, I think most of the casual fans will like the selections on Disc Two better, but Disc One is still very good. On a sidebar, the Israel Philharmonic's version of "1812 Overture" is by far the best you will hear - particularly at the end, the booming drums create almost a 3 dimensional vision of fireworks being launched into the air.

There one big negative on this collection is some of the recording quality. The clarity of the recording is there, but some of the recording levels leave a lot to be desired. On some of the softer parts, it is barely audible without significantly turning up your volume. This is very evident on "O Fortuna" where you will hear almost dead silence during from the 30 second to 1:30 mark of the track unless you crank your volume up. Same with the first few seconds of Strauss' "Also Sprach Zarathoustra" and Tchiakovsky's "1812 Overture". When the volume is cranked up you will hear them - but then the other sections will be way too loud. I'm surprised with modern technology that this couldn't be addressed better.

The liner notes are pretty thin. You do get the Composers, Performers/Orchestras, and recording dates. There isn't any more details than that and you won't learn anymore insight on the tracks than this information. Despite some of the shortcomings of the liner notes and recording volume, I still think this is an excellent place to start and do recommend this CD if you are a novice to Classical Music and are looking for a great place to start listening to what the Classics have to offer.

5 out of 5 stars **An Exquisite Album**.......2004-02-21

Simply The Best Classical Anthems

Simply The Best Classical Anthems is a compilation album of `36 of the most powerful Anthems on Earth'. But, it is also said to be something else. It is said to be a gateway. A gateway to another world. A world where our imagination can run free without being shackled down by any borders or boundaries or rules or limits. A world that we have all seen or perhaps more accurately have all heard of but for many of us a world that we have never dared to enter. Never dared to enter because of fear. The fear of being ostracised and shunned by our community.

THE MYTH
`Classical Music!', I can hear some of you cry. `That isn't another world. That's just music for the upperclass, the high-brow, and the pompous.' Surprisingly, I too felt this way for a long time until I accepted the invitation made to me by Simply The Best Classical Anthems. I always felt that Classical Music was nice to listen to as background music for a Levis ad or a Car ad but I would consider people strange if they chose to hear it on its own. However, after having listened to this album I realised how wrong I was in my assumptions.

THE TRUTH
Music as with all forms of amusement helps to take you away from where you are now. It helps to relax you when you are stressed with anger; it helps to give you strength when you are vulnerable; it helps to keep your spirits up when you have faced tragedy or loss. It helps. And, for me the type of music that best conjures up the most passionate emotions (love, hate, courage and anger) at our most testing times is Classical Music.
How? I don't know.
Why? I don't know.
I can only promise you that in my experience it does.

THE CHEST
The album, in visual terms, is very difficult to overlook amongst the plethora of records that may surround it. This is because the album has a very distinct purple sleeve cover. Not any kind of purple mind you but the Cadbury's kind of purple. The kind of purple that carries with it an invitation. An invitation that if accepted promises you a treasure inside.
And since, I have always enjoyed the treasure within the purple Cadbury's Dairy Milk wrapper, I asked myself why would an album carrying the same invitation promise to be anything different? Thus, I parted with my tuppence worth and went back home to open this purple chest of promised treasures.

THE PROMISED TREASURE
As you may have guessed, the contents of the album are somewhat different to the contents of a Cadbury's bar. When I opened the album, I was presented with two compact discs. At first glance, there did not seem to be anything special about them. They were just your average, everyday, run of the mill compact discs. To tell you the truth, I was a bit disappointed because I suppose I had hoped for something more.
However, looks can be deceptive. (Afterall, a Cadbury's Dairy Milk does not seem very appetising until you taste it!) And, also come November each year, I am always bemused and surprised at how the shabby contents of a cardboard box can both light up the sky and light up the faces of the neighbourhood. Thus, I pushed aside my assumptions and I ignited the discs (not literally of course, I just pressed the play button on the CD player). And, I let the fireworks begin.

THE KEY
From the very beginning, you will feel like you have unlocked the doorway to something special. And, after a full two hours of listening to both discs, you will feel like you have been taken out of this world and transported to another. Welcome to the world of Classical Music.

GUIDANCE
In the beginning, continue to listen to both discs in one go (i.e. one after the other). After a while, you will know which tracks you enjoy listening to the most. For those tracks you enjoyed the most make a promise to yourself that you will listen to the whole of the piece from which that track came from.
Good Luck on your quest if you choose to accept it.
Ride amongst the Valkyries, listen to the Flight of the Bumblebees, and use The Planets to keep you on the path.

I am not a good reviewer because as with all of my reviews I refuse to comment too much about what is inside the product but rather more about what effect the product has had on me. (Me, me, me. Vain & Egotistic, I know, so my friends and family keep telling me). But, I just want to cause a raucous about the product, enough not to spoil but enough of a raucous to let you experience it for yourself.

So my final words are:
Simply The Best Classical Anthems is an invitation. An invitation to the world of classical music. A world where you can begin a never-ending quest of curiosity. A curiosity that will always be rewarded with fulfilment.

Do you accept such an invitation?

Hope you found this review helpful.

3 out of 5 stars Samples.......2003-11-23

The samples are too short and the quality leaves a lot to be desired. Having said that the choices are wonderful and the price is great. If you're looking for a overview of the best of classical music then this is for you. However if it's quality you're looking for then spent the extra money and look at other choices.

5 out of 5 stars Great Sampler!.......2002-03-20

This is a good sampler, since it covers what you would want in a classical music CD. Looking at the tracks, it has the classic hits, such as "Ride of the Valkyries," "Toccata and Fugue," "Fanfare for the Common Man," "'Jupiter' from `The Planets,'" "Eine Klein Nachtmusik," and "Hallelujah Chorus."

There are also some new pieces that I have fallen in love with, such as "The Young Person's Guide to the Orchestra," "'Promenade' from Pictures at an Exhibition." The compilers did an interesting double take by including both Verdi's and Mozart's "Dies Ire." I'm not sure which is better.

This music is good for the brain and good for the soul. There is a power and passion that the blaring and glaring music that makes up most of the FM band. I'm reminded of the religious man who said that there is no music in hell. Probably because they wouldn't appreciate it there.

These CDs has a good transfer from the analogue tapes; there is no hiss or fuzziness. The packaging hearkens back to 2001: A Space Odyssey, with the black monolith. And appropriately, "Also Sprach Zarathustra" is the opening track on Disk 2.
Stars & Stripes: America's Greatest Hits
Average customer rating: 5 out of 5 stars
  • worth money
  • Great Patriotic Music
  • A good choice of tunes with good quality
  • Brilliant!!!
  • Best Patriotic Music I've Found
Stars & Stripes: America's Greatest Hits

Manufacturer: Compendia
ProductGroup: Music
Binding: Audio CD

BalletsBallets | Ballets & Dances | Classical | Styles | Music
All Works by BernsteinAll Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by CoplandAll Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Morton GouldAll Works by Morton Gould | Gould, Morton | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
Ives, CharlesIves, Charles | ( I ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by SchumanAll Works by Schuman | Schuman, William | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
Smith, John StaffordSmith, John Stafford | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by SousaAll Works by Sousa | Sousa, John Philip | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
MarchesMarches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
Ballets & DancesBallets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Ives, Charles | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
VariationsVariations | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
General ContemporaryGeneral Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
OrganOrgan | Keyboard | Instruments | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
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Similar Items:
  1. American Anthems
  2. American Jubilee
  3. Marches: The Greatest Hits
  4. God Bless America: Ult Patriotic Album
  5. The Military Band: Salute to the Services

ASIN: B000000BMS
Release Date: 1997-02-25

Tracks:

  1. The Star Spangled Banner
  2. George M. Cohan Medley: Yankee Doodle Dandy/Harrigan/Mary's A Grand Old Name/You're A Grand Old Flag
  3. American Salute
  4. The Washington Post
  5. El Capitan
  6. Armed Forces Medley: The Army Goes Rolling Along/Anchors Aweigh/Semper paratus/The U.S. Air Force...
  7. God Bless America
  8. Colonel Bogey
  9. National Emblem March
  10. Americans We
  11. Manhattan Beach
  12. Deep In The Heart Of Texas
  13. The Yellow Rose Of Texas
  14. Hoe-Down From 'Rodeo'
  15. Shaker Melody from Appalachian Spring

Tracks:

  1. Fanfare For The Common Man
  2. Overture To 'Strike Up The Band'
  3. America The Beautiful
  4. 76 Trombones
  5. Victory At Sea Suite
  6. America From 'West Side Story'
  7. Liberty Bell
  8. Variations On 'America'
  9. The Stars And Stripes Forever

Customer Reviews:

5 out of 5 stars worth money.......2007-05-24

this cd set is definately worth the money spent. i haven't heard some of the music before but was willing to give it a try.

5 out of 5 stars Great Patriotic Music.......2007-02-21

Beautiful music perfect for feeling patriotic. Received CD promptly and in great condition.

4 out of 5 stars A good choice of tunes with good quality.......2005-06-30

If you like military tunes and marches, this 2-CD is a good choice. The orchestration is good, it is well played and the quality of recording is good. If you like this kind of music, it is a good choice to buy.

5 out of 5 stars Brilliant!!!.......2003-08-11

I have the CD at home and the songs sound fabulous. I've heard the Houston Symphony's version of the Star Spangled Banner many times on TV as this anthem has been used at sign-off (when this was happening). It's as powerful a version you'll hear. Probably the finest patriotic music CD you can find out there.

5 out of 5 stars Best Patriotic Music I've Found.......2001-09-20

Loved the CD! I am buying it to use with a Musical Freestyle Ride for a Quadrille. A horse oriented endeaver. The music will be perfect to bring positive patriotism to fairs and fund raisers for NYC.
Idiot's Guide to Classical Music
Average customer rating: 4.5 out of 5 stars
  • I can name that tune in three notes
  • A Fabulous CD
  • Mega-Sampler! This really does have 99 tracks!
  • Fun Sampler
  • Useful.
Idiot's Guide to Classical Music

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
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Similar Items:
  1. Scott Joplin: Greatest Hits
  2. The Complete Idiot's Guide to Classical Music
  3. Classical Guitar, Vol. 2
  4. Classical Music for People Who Hate Classical Music
  5. Best of the Millennium: Top 40 Classical Hits

ASIN: B000003FPT
Release Date: 1995-02-14

Tracks:

  1. Adagio
  2. Air on the G String: Air on the G String, Excerpt
  3. Brandenburg Concerto: Third Movement, Excerpt
  4. Jesu, Joy of Man's Desiring: Jesu, Joy of Man's Desiring, Excerpt
  5. Tocatta & Fugue: Excerpt
  6. Adagio for Strings: Excerpt
  7. Synphony No. 5: First Movement, Excerpt
  8. Symphony No. 9: Fourth Movement, Excerpt
  9. Fse: Excerpt
  10. Turkish March: Turkish March, Excerpt
  11. Moonlight Sonata: Excerpt
  12. Symphonie Fantastique: March Ot the Scaffold, Excerpt
  13. Damnation of Faust: Excerpt
  14. Carmen - Habanera: Habanera, Excerpt
  15. Toreador Song [From Carmen]
  16. Minuet: Minuet, Excerpt
  17. Prince Igor: Polovtsian Dance No 17, Excerpt
  18. Hungarian Dance No. 5: No 5, Excerpt
  19. Lullaby: No 4, Lullaby, Excerpt
  20. "Minute" Waltz: Excerpt
  21. Grande Valse Brillante: Excerpt
  22. Marche Fune: Marche Fune
  23. Appalachian Spring: Excerpt
  24. Fanfare for the Common Man: Excerpt
  25. Clair de Lune: Excerpt
  26. Prelude to the Afternoon: Excerpt
  27. Lakm Flower Duet: Flower Duet, Excerpt
  28. Symphony No. 9 "New World": Second Movement, "Going Home" Theme, ...
  29. The Sorcerer's Apprentice: Excerpt
  30. Pomp & Circumstance: Excerpt
  31. El Amor Brujo
  32. Pavane: Excerpt
  33. Rhapsody in Blue: Excerpt
  34. American in Paris: Excerpt
  35. Funeral March of Marionette: Excerpt
  36. Piano Concerto in a Minor: Excerpt
  37. Peer Gynt Suite No. 1 - Morning: Morning, Excerpt
  38. Messiah - Hallelujah Chorus: Hallelujah Chorus, Excerpt
  39. Water Music - Hornpipe: Hornpipe, Excerpt
  40. Symphony No. 94 "Surprise": Second Movement, Excerpt
  41. The Planets - Mars: Mars, Excerpt
  42. Sabre Dance: Sabre Dance, Excerpt
  43. Pagliacci: Vesti la Giubba, Excerpt
  44. Hungarian Rhapsody
  45. Liebestraum No. 3: No 3, Excerpt
  46. Cavalleria Rusticana - Intermezzo: Intermezzo, Excerpt
  47. Midsummer Night's Dream - Wedding March: Wedding March, Excerpt
  48. Symphony No. 4 "Italian": Fourth Movement, Excerpt
  49. Rondeau: No 1, Rondeau
  50. Piano Concerto No. 21: Andante, Excerpt
  51. Eine Kleine Nachtmusik: First Movement, Excerpt
  52. The Marriage of Figaro - Overture: Overture, Excerpt
  53. Sonata in A - Rondo Alla Turca: Rondo Alla Turca, Excerpt
  54. Symphony No. 40: First Movement, Excerpt
  55. Night on Bald Mountain: Excerpt
  56. Pictures at an Exhibition - Great Cave of Kiev: Great Gate of ...
  57. Barcarolle: Barcarolle, Excerpt
  58. Orpheus in Hades - Theme II: Excerpt (Theme)
  59. Carmina Burana - O Fortuna: O Fortuna, Excerpt
  60. Canon: Canon, Excerpt
  61. Romeo & Juliet - Montagues & Capulets: Montagues & Capulets, Excerpt
  62. Lt. Kije's Wedding: Lt. Kije's Wedding, Excerpt
  63. Turandot - Nessun Dorma: Nessun Dorma, Excerpt
  64. Piano Concerto No. 2: Second Movement, Excerpt
  65. Symphony No. 2: Third Movement, Opening, Excerpt
  66. Rhapsody on a Theme: Variation 18, Excerpt
  67. Bolero
  68. Flight of the Bumblebee
  69. Concierto de Aranjuez - Adagio: Adagio, Excerpt
  70. The Barber of Seville - Overture: Excerpt
  71. The Barber of Sville - Largo Al Factotum: Largo Al Factotum, Excerpt
  72. William Tell Overture - Theme II: Excerpt
  73. Danse Macabre: Excerpt
  74. Gymnope No. 1
  75. Symphony N0. 8 "Unfinished": Excerpt
  76. Ave Maria: Excerpt
  77. Finlandia [Finale: Finale, Excerpt]
  78. Valse Triste: No 1, Valse Triste, Excerpt
  79. Stars & Stripes Forever: Excerpt
  80. Semper Fidelis: Excerpt
  81. Blue Danube Waltz: Excerpt
  82. Tales from the Vienna Woods: Excerpt
  83. Also Sprach Zarathustra: Fanfare, Excerpt
  84. Firebird - Infernal Dance & Main Theme: Infernal Dance & Main ...
  85. The Nutcracker - Waltz of the Flowers: Waltz of the Flowers, Excerpt
  86. Swan Lake - Waltz: Waltz, Excerpt
  87. Sleeping Beauty -: Waltz, Excerpt
  88. Romeo & Juliet - Theme II: Theme LL, Excerpt
  89. Piano Concerto No. 1 - Opening: Opening, Excerpt
  90. 1812 Overture - Finale: Finale, Excerpt
  91. Fantasia on "Greensleeves": Excerpt
  92. Alda - Grand March: Grand March, Excerpt
  93. Il Trovatore - Anvil Chorus: Anvil Chorus, Excerpt
  94. Requiem - Dies Irae: Dies Irae, Excerpt
  95. Rigoletto - La Donna Mobile: La Donna Mobile, Excerpt
  96. The Four Seasons "Spring" - Allegro: Allegro, Excerpt
  97. The Four Season "Winter" - Largo: Largo, Excerpt
  98. Lohengrin - Bridal Chorus: Bridal Chorus, Excerpt
  99. Die WalkRide of the Valkyries: Ride of the Valkyries, Excerpt

Customer Reviews:

5 out of 5 stars I can name that tune in three notes.......2005-02-19

My family likes to put this disc in on shuffle and play name that tune. I wish they made more discs like this, only with more obscure works.

5 out of 5 stars A Fabulous CD.......2004-10-14

The Idiot's Guide to Calssical Music is an awesome Cd for those people who want to have a tiny sample of all the great classical compositions. Track 61 and 63 are my favorite.

5 out of 5 stars Mega-Sampler! This really does have 99 tracks!.......2002-03-20

Yes, this CD really does have 99 tracks. How do they do it? Each is about a minuet long. Some are longer, some are shorter, but you get the micro-essential moments of the music.

If you like burning your own CDs, then this is a great source for intra-track fillers, along the lines of They Might Be Giants' "Apollo 18" album, which has all of those short tracks on the end. The idea is to put your CD player on shuffle, so the short tracks get mixed in with the bona fide songs. The result being a very unusual album.

The booklet gives an explanation of the track, where you heard it (i.e. the Warner Brother's Cartoons, or on famous films), and where you can get the full piece of music. So it's a mega sampler CD.

I can honestly say that this CD is a great gift for the friend who has everything.

5 out of 5 stars Fun Sampler.......2001-11-09

For the beginner. You will be surprised at how many of the 99 themes you recognize here. It is an easy introduction to classical music. Nice booklet too.

5 out of 5 stars Useful........1999-03-22

Take it for what it is, a clever and useful GUIDE to classical music. No, it is NOT an uncut rendition of Beethoven's 9th symphony. It IS a cd that will jog your memory. You have heard many of the tunes presented here, but not always knowing what the work was. This is your chance to catch up with all the great classical music you have been exposed to. Cheap too.
Copland: Symphony No3; Symphony
Average customer rating: 4.5 out of 5 stars
  • A snapshot of Copland as symphonist
  • Lenny was the perfect intermediary for Aaron
  • Symphony for Organ and Orchestra
  • Bernstein and Copland Were Made for Each Other
Copland: Symphony No3; Symphony

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

All Works by CoplandAll Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
SymphoniesSymphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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GeneralGeneral | Symphonies | Classical | Styles | Music
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GeneralGeneral | Classical | Styles | Music
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Similar Items:
  1. Copland: Music For The Theatre/Piano Concerto
  2. Bernstein Century - Copland: Appalachian Spring, Rodeo, etc / Bernstein, New York PO
  3. American Masters: Harris, Thompson, Diamond
  4. Copland the Modernist
  5. Bernstein Century - Symphony No. 1 "Jeremiah" & Symphony No. 2 "The Age of Anxiety"

ASIN: B0000029XW
Release Date: 1997-10-28

Tracks:

  1. Symphony No. 3: I. Molto moderato - with Simple Expression
  2. Symphony No. 3: II Allegro molto
  3. Symphony No. 3: III. Andantino quasi allegretto
  4. Symphony No. 3: IV. Molto deliberato
  5. Symphony For Organ And Orchestra: I. Prelude - Andante
  6. Symphony For Organ And Orchestra: II. Scherzo - Allegro molto - Moderato
  7. Symphony For Organ And Orchestra: III. Finale

Amazon.com essential recording

Leonard Bernstein's performance of Copland's Third Symphony has had to wait a long time before finally appearing on CD. Part of the delay no doubt stemmed from the fact that DG released a second, later recording with the same orchestra, in digital sound. Comparing the two versions, both of which are very good, one prefers this first performance. Not only does the music move a bit more quickly, with sharper rhythms and a stronger sense of the dance (never far from Copland's musical thoughts), but the sonics are more naturally pleasing. The coupling is a terrific performance of the early Organ Symphony, which the composer wrote for his teacher, Nadia Boulanger. --David Hurwitz

Customer Reviews:

4 out of 5 stars A snapshot of Copland as symphonist.......2007-01-08

This disc provides a snapshot of Copland as an American symphonist.

The Symphony for Organ and Orchestra (1925) was Copland's first large-scale work. It looks backward to his youthful influences--especially Stravinsky and Bartok in their "bad boy" phase--and forward to the open-sounding populist style he would develop a few years later in works such as "Appalachian Spring." There are three movements. The short prelude is quiet but unsettled. The second movement scherzo anticipates the rhythmic, percussion-heavy Western sound that Copland would adopt for scores such as "Billy the Kid" and "Rodeo," and the solo organ jazz riffs look forward to later jazz-inspired works such as the piano concerto. The finale is the most traditionally symphonic movement, with a final piling-up of themes in the closing pages reminiscent of the opening of "The Miraculous Mandarin." The young Virgil Thomson, on hearing this work, recognized that Copland would become one of the creators of a truly American style of classical music. Bernstein and Biggs capture the symphony's "shock of the new" quality better than any other recorded performance. (This is also one of the few recordings of the Aeolian-Skinner organ ripped out of Lincoln Center during the Avery Fisher Hall renovations.) The more familiar Symphony No. 3 (1946) represents Copland in his maturity. (The last movement includes a theme based on "Fanfare for the Common Man.") Bernstein's performance is justly celebrated. It's good to have the early and later works together on one disc as a snapshot of Copland as symphonist. The 1960s recorded sound is dated but serviceable enough to make this disc highly recommendable.

5 out of 5 stars Lenny was the perfect intermediary for Aaron.......2005-08-30

From William Flanagan's liner notes: "The slow movement, ANDANTINO QUASI ALLEGRETTO, is at once the most personal and the most original in structural procedure--and it is the very heart of the piece. An essentially independent introduction, which is a metamorphosed treatment of the third principal theme from the first movement, comes to a more or less complete rounding out in preparation for a delicate, undulating, sharply profiled theme introduced by the solo flute."

Flanagan was apparently so impressed by that flute motif that Flanagan himself used it in a piece he wrote called ANOTHER AUGUST. Which is another masterpiece. And I wish Bernstein had conducted it for the purpose of popularizing it.

Copland's greatest passage of music is the last 6 minutes of the 1st movement of SYMPHONY #3. After the loud brassy climax in the middle, it segues into a quiet section. It's the most achingly tender & wistful piece of music that I've ever heard. And only Copland could've written it.

4 out of 5 stars Symphony for Organ and Orchestra.......2000-07-03

Copland is my favorite American composer I know. And Bernstein is the best conductor when it comes on conducting Copland. These two were friends, and both had lived during the 20th century.

Copland's 3rd symphony was excellent, especially the 4th movement. But the real reason I bought this CD was the Symphony for Organ and Orchestra. I decided to buy this CD, because I heard an exceprt, the scherzo, from Symphony for Organ and Orchestra. The music sounded whimsical, but great: the organ, the percussion, the brass, and the rest. This was also the music that made conductor Damrosch say as a joke that Copland will be commiting murder. As a result, one newspaper article was written "Young Composer to Commit Murder!" I may not really understand it's true meaning why Damrosch said such a thing. The music sounded revolutionary, and may sound pretty much "murderous" in one meaning!

If you want to buy Copland, I assure you to buy music conducted by Leonard Bernstein, because I claim that (like I said before!) he is the best conductor when it comes on conducting Copland. This CD is one perfect example about Copland, Lenny, and the New York Philharmonic, the orchestra Lenny became it's chief conductor for several years (and also my very favorite orchestra)!

I may want to tell you this too: The Symphony for Organ and Orchestra may be part of the Halloween music. The 3rd movement sounds errie. And the 2nd movement almost sounds like a monster party!

5 out of 5 stars Bernstein and Copland Were Made for Each Other.......2000-06-14

The Copland Third Symphony reminds listeners of why Copland remains the most popular and revered American composer. He has more original musical ideas on a single page of this score than most composers have in a lifetime.

If I had the choice between a Bernstein reading of a Copland work or a performance led by the composer himself, I would always choose Bernstein -- not because Copland didn't conduct his own works well, but Bernstein is absolutely inspired.Bernstein's conducting of this symphony reminds us why he is the interpreter of Copland's work against which all other performers will always be measured.
Euphoric Classics: A Classical High
Average customer rating: 5 out of 5 stars
  • Flawless, relaxing, uplifting! It will move you!
Euphoric Classics: A Classical High

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  1. Classical Chillout
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  5. Classic Chillout Album

ASIN: B0000D9WWS
Release Date: 2004-04-06

Tracks:

  1. Sunrise (Also Sprach Zarathustra) (Opening) - David Bell
  2. Montegues And Capulets (Dance Of The Knights) - The Philadelphia Orchestra
  3. Vision - Richard Souther
  4. Toccata & Fugue In D Minor - VANESSA MAE
  5. Ode To Joy - Westminster Choir
  6. Jupiter, The Bringer Of Jolity - Philharmonia Orchestra
  7. The Mission - Ennio Morricone And His Orchestra
  8. Au Fond Du Temple Saint - Nicolai Gedda
  9. The Heart Asks Pleasure First - Michael Nyman
  10. II. Allegretto (Openin) - Royal Concertgebouw Orchestra
  11. Lacrimosa - David Bell
  12. Fantasia On A Theme By Thomas Tallis - Opening - London Philharmonic Orchestra
  13. Te Deum - Philharmonia Orchestra
  14. Adagio In G Minor (Realised Giazotto)(Extrac) - Sir Neville Marriner
  15. Song Of Our Homeland (Prince Igor) - Izzy
  16. Intermezzo (Cavalleria Rusticana) - Philharmonia Orchestra
  17. Nessun Dorma (Turandot) - Jose Carreras
  18. Celebration (Standing Stone) - Lawrence Foster

Tracks:

  1. Fanfare For The Common Man - Mexico City Philharmonic Orchestra
  2. the Ride Of The Valkyries (Die Valkyrie) - Oslo Philharmonic Orchestra
  3. Piano Concerto No. 3 In D Minor I:Allegro Ma Non Tanto (Opening) - Mikhail Rudy
  4. O Fortuna (Carmina Burana) - Franz Welser-Most
  5. Casta Diva (Norma) - Maria Callas
  6. Adagio For Strings - Eugene Ormandy
  7. The Eternal Knot - Pamela Thorby
  8. Sarabende - Academy Of St Martin In The Fields
  9. A German Requiem - Roger Norrington
  10. Nimrod ('Enigma Variations') - London Symphony Orchestra
  11. Summer (The Four Seasons) III: Presto - Riccardo Muti
  12. Facades - John Harle
  13. March And Canzona (Muisc For The Funeral Of Queen Mary) - Philip Jones Brass Ensemble
  14. Bolero (Conclusion) - Andre Previn
  15. March To The Scaffold (Symphonie Fantastique) - Andre Previn
  16. 'Unfinished' Symphony I Allegro Moderato (Opening) - Berlin Philharmonic Orchestra
  17. The Lamb - Jeremy Backhouse

Customer Reviews:

5 out of 5 stars Flawless, relaxing, uplifting! It will move you!.......2005-10-02

So far this my favorite classical CD of the year. I never tire of listening to it (over and over on my iPod). It contains some really beautiful renditions of very moving classical pieces, both modern and ancient. All in all an emotional and dramatic presentation. The overall effect is relaxing but it will definitely never bore you!
The Copland Collection: Orchestral Works, 1948-1971
Average customer rating: 5 out of 5 stars
  • Copland's conduction of GREAT CITY is better than Slatkin's
  • Another masterpiece...
The Copland Collection: Orchestral Works, 1948-1971

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. The Copland Collection: Orchestral & Ballet Works, 1936-1948
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ASIN: B0000027JC
Release Date: 1991-09-26

Tracks:

  1. The Red Pony, Film Suite For Orchestra (1948): I. Morning On The Ranch
  2. The Red Pony, Film Suite For Orchestra (1948): II. The Gift
  3. The Red Pony, Film Suite For Orchestra (1948): III. Dream March And Circus Music
  4. The Red Pony, Film Suite For Orchestra (1948): IV. Walk To The Bunkhouse
  5. The Red Pony, Film Suite For Orchestra (1948): V. Grandfather's Story
  6. The Red Pony, Film Suite For Orchestra (1948): VI. Happy Ending
  7. Preamble For A Solemn Occasion (1949): Preamble For A Solemn Occasion
  8. Orchestral Variations (1957): Theme: Grave
  9. Orchestral Variations (1957): Variation I - Varation XX
  10. Orchestral Variations (1957): Coda: Subito lento moderato
  11. Dance Panels (1959, Revised 1962) (Ballet In Seven Sections): I. Introduction: Moderato (Tempo di Valzer); Espressivo un poco rubato
  12. Dance Panels (1959, Revised 1962) (Ballet In Seven Sections): II. Allegretto con tenerezza (un poco rubato)
  13. Dance Panels (1959, Revised 1962) (Ballet In Seven Sections): III. Scherzando; Moderato
  14. Dance Panels (1959, Revised 1962) (Ballet In Seven Sections): IV. Pas de trois. Lento
  15. Dance Panels (1959, Revised 1962) (Ballet In Seven Sections): V. Con brio
  16. Dance Panels (1959, Revised 1962) (Ballet In Seven Sections): VI. Con moto
  17. Dance Panels (1959, Revised 1962) (Ballet In Seven Sections): VII. Molto ritmico; Coda; come prima; Moderato

Tracks:

  1. Connotations (1961-1962) For Orchestra
  2. Down A Country Lane (1962)
  3. Music For A Great City (1963-1964): I. Skyline
  4. Music For A Great City (1963-1964): II. Night Thoughts
  5. Music For A Great City (1963-1964): III. Subway Jam
  6. Music For A Great City (1963-1964): IV. Toward The Bridge
  7. Inscape (1967)
  8. Three Latin-American Sketches: 1. Estribillo (1971)
  9. Three Latin-American Sketches: 2. Paisaje Mexicano (1959)
  10. Three Latin-American Sketches: 3. Danza de Jalisco (1959)

Customer Reviews:

5 out of 5 stars Copland's conduction of GREAT CITY is better than Slatkin's.......2005-09-05

SKYLINE is a fun track that's based on the premise of Big City Overload. And naturally it's immediately followed by the low-key introspective NIGHT THOUGHTS.

Consider Lenny Bernstein's main theme from his MASS. I'm talking about the tune that was done klezmer-style and chorale-style. When the chorale sings it, it contains a descending 4-note phrase. Followed by a descending 5-note phrase. Okay--now listen for a certain passage in NIGHT THOUGHTS that sounds similar to Bernstein's passage. The only basic difference is that both of Copland's phrases are 5-note phrases. And let me add that Copland's NIGHT THOUGHTS was written years before Bernstein's MASS.

5 out of 5 stars Another masterpiece..........2000-06-30

The third of the Copland Collection from Sony is much like the other two: Wonderful playing, orchestration, recording, and booklet. This is my favorite of the three of the CD sets though. Music is very 'Copland' like. The Red Pony is from the movie is an excellent suite. Dance Panels is the least known of the 4 ballets by Copland. But just like Appalachian Spring and Billy the Kid, it is very Copland, very exciting, and very good. Unlike the other three you may find on the 2nd CD set of this series, this is the entire ballet not just the suites. Down A Country Lane is now one of my favorite Copland works. So soothing, it can really paint the picture of a beautiful country road on a spring day. Music for a great city is actually from a movie (booklet tells all). Each of the four movements describes the big city just as we all have known it. All the other works are nothing to look down upon either. Most works are conducted by Copland with the London Symphony (he really knocked them into shape). A couple were conducted by Bernstein which are still up to standard. Great CD collection! Buy all three.
Sunday With the Times
Average customer rating: Not rated
    Sunday With the Times

    Manufacturer: Intersound Records
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000000BIV
    Release Date: 1997-08-26

    Tracks:

    1. Four Seasons: 'The Spring': Allegro
    2. Canon In D
    3. Water Music: Alla Hornpipe
    4. Arioso
    5. 'Brandenburg' Concerto No. 3: Allegro
    6. Flute Concerto, Op. 44, No. 11: Largo
    7. Piano Concerto No. 21: Andante ('Elvira Madigan' Theme)
    8. String Quintet In E Major, Op. 13, No. 5: Minuet
    9. Impromptu In A-Flat Major
    10. 'Emperor' String Quartet, No. 3: Poco Adagio
    11. Swan Lake: Scene: Enchanted Lake
    12. On The Beautiful Blue Danube: Excerpt
    13. The Carnival Of The Animals: The Swan
    14. The Afternoon Of A Faun: Prelude
    15. Appalachian Spring: Variations On A Shaker Dance

    Tracks:

    1. 'Brandenburg' Concerto No. 5: Allegro
    2. Air For The 'G' String
    3. 'Xerxes': Largo
    4. Concerto For Two Violins And Orchestra, 'Double': Vivace
    5. Sheep May Safely Graze
    6. 'Moonlight' Sonata: Adagio sostenuto
    7. 'Eine kleine Nachtmusik': Romanze: Andante
    8. Symphony No. 6 'Pastoral': Andante molto mosso
    9. Polovstian Dance No. 17: Excerpt
    10. Symphony No. 9m 'From The New World': Largo
    11. 'Cavalleria rusticana': Intermezzo
    12. La Boheme: Musetta's Waltz
    13. Trois Gymnopedies: Lent et douloureux

    Tracks:

    1. Solomon: Arrival Of The Queen Of Sheba
    2. Orchestral Suite No. 2: Minuet And Badinerie
    3. Prelude And Fugue In C Major
    4. Adagio For Strings And Organ
    5. Violin Concerto In E Major: Allego assai
    6. Jesu, Joy Of Man's Desiring
    7. Fur Elise
    8. Clarinet Concerto: Adagio
    9. Violin Concerto: Allegro
    10. Peer Gynt: Dawn
    11. Symphony No. 4, 'Italian': Introduction
    12. Serenade For Strings: Waltz
    13. Thais: Meditation
    14. Concierto de Aranjuez: Adagio

    Tracks:

    1. Canzona per Sonare No. 2
    2. Orchestral Suite No. 3: Overture
    3. Highlights From Oboe Concerto: Adagio
    4. Highlights From Oboe Concerto: Presto
    5. Harpsichord Suite No. 5: Air And Variations ('The Harmonious Blacksmith')
    6. Symphony No. 40: Molto allegro
    7. Piano Concerto No. 20: Romance
    8. Symphony No. 1: Adagio molto; Allegro con brio
    9. Various Waltzes: No. 1, Op. 18
    10. Various Waltzes: No. 7, Op. 64
    11. Various Waltzes: No. 11, Op. 70
    12. Voices Of Spring
    13. Aida: Celeste Aida (Heavenly Aida)
    Classic Hymns
    Average customer rating: Not rated
      Classic Hymns

      Manufacturer: Summit(Classical)
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B000A2UBXO
      Release Date: 2005-08-09

      Tracks:

      1. Now Thank We All Our God
      2. A Mighty Fortress Is Our God
      3. Doxology
      4. Thine Is The Glory
      5. Be Still, My Soul
      6. O Sacred Head Now Wounded
      7. Shall We Gather At The River?
      8. O For A Thousand Tongues
      9. Lord, Speak To Me
      10. Praise To The Lord, The Almighty
      11. Glorious Things Of Thee Are Spoken
      12. Joyful, Joyful, We Adore Thee
      Classical Music 101
      Average customer rating: 2 out of 5 stars
      • It's only snippets of the music!
      Classical Music 101

      Manufacturer: RCA
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B0002XEECK
      Release Date: 2004-09-28

      Tracks:

      1. Adagio - Baroque Chamber Orchestra
      2. Air On The G String - Festival Strings Lucerne
      3. Mvmt. III - Festival Strings Lucerne
      4. Aria - Peter Serkin
      5. Jesu, Joy Of Man's Desiring - Norman Luboff Choir
      6. Toccata & Fugue In D Minor - Philadelphia Orchestra
      7. Adagio For Strings - Boston Symphony Orchestra
      8. Mvmt. I - Boston Symphony Orchestra
      9. Mvmt. IV - New York Philharmonic
      10. Fur Elise - Nellie Kokinos
      11. Turkish March - Arthur Fiedler
      12. 'Moonlight' Sonata - Jorg Demus
      13. March To The Scaffold - Boston Symphony Orchestra
      14. Rakoczy March - Arthur Fiedler
      15. Habanera/Toreador Song - Arthur Fiedler
      16. Minuet - Arthur Fiedler
      17. Polovtsian Dance No.17 - Arthur Fiedler
      18. Hungarian Dance No.5 - London Festival Orchestra
      19. Lullaby - Arthur Fiedler
      20. Minute Waltz - Geza Anda
      21. Grande Valse Brillante - Geza Anda
      22. Marche Funebre - Emanuel Ax
      23. Simple Gifts - Copland
      24. Fanfare For The Common Man - Philadelphia Orchestra
      25. Clair De Lune - Arthur Fiedler
      26. Prelude To The Afternoon Of A Faun - Philadelphia Orchestra
      27. Flower Duet - Philharmonia Virtuosi
      28. Mvmt II. Going Home Theme - Arthur Fiedler
      29. The Sorcerer's apprentice - Philadelphia Orchestra
      30. March No.1 - Arthur Fiedler
      31. Ritual Fire Dance - Arthur Fiedler
      32. Pavane - National Philharmonic
      33. Rhapsody In Blue - Arthur Fiedler
      34. An American In Paris - Arthur Fiedler
      35. Funeral March Of A Marionette - Arthur Fiedler
      36. Piano Concerto In A Minor - Kjel Baekkelund
      37. Morning - Philadelphia Orchestra
      38. Hallelujah Chorus - Royal Philharmonic Chorus
      39. Alla Hornpipe - Festival Strings Lucerne
      40. Mvmt. II - English Chamber Orchestra
      41. Mars - Philadelphia Orchestra
      42. Sabre Dance - Arthur Fiedler
      43. Vesti La Giubba - Placido Domingo
      44. Hungarian Rhapsody No.2 - Philadelphia Orchestra
      45. Liebestraum No.3 - Arthur Fiedler
      46. Intermezzo - National Philharmonic
      47. Wedding March - Philadelphia Orchestra
      48. Mvmt. IV - Boston Symphony Orchestra
      49. Rondeau - U.K. Symphony
      50. Andante - Geza Anda
      51. Mvmt. I - Boston Symphony Orchestra
      52. Overture - Bavarian Radio Symphony Orchestra
      53. Rondo Alla Turca - Walter Hautzig
      54. Mvmt. I - English Chamber Orchestra
      55. A Night On Bald Mountain - Philadelphia Orchestra
      56. Great Gate Of Kiev - Philadelphia Orchestra
      57. Barcarolle - Arthur Fiedler
      58. Theme II (Can Can) - Arthur Fiedler
      59. O Fortuna - New England Conservatory Chorus
      60. Canon - Baroque Chamber Orchestra
      61. Montagues & Capulets - Boston Symphony Orchestra
      62. Lt. Kije's Wedding - Arthur Fiedler
      63. Nessun Dorma - Jussi Bjorling
      64. Mvmt. III - Rome Opera Chorus
      65. Mvmt. III. Opening - London Symphony Orchestra
      66. Var. 18 - Leonard Pennario
      67. Bolero - Boston Symphony Orchestra
      68. Flight Of The Bumblebee - Arthur Fiedler
      69. Adagio - Julian Beam
      70. Overture/Largo Al Factotum - Metropolitan Opera Orchestra
      71. Theme II - Arthur Fiedler
      72. Danse Macabre - Philadelphia Orchestra
      73. Gymnopedie No.1 - National Philharmonic
      74. Symphony No.8 'Unfinished' - Boston Symphony Orchestra
      75. Ave Maria - Robert Shaw Chorale
      76. Finle - Morton Gould & His Orchestra
      77. Valse Triste - Finnish Radio Orchestra
      78. Stars & Stripes Forever - Arthur Fiedler
      79. Semper Fidelis - Arthur Fiedler
      80. Blue Danube Waltz - Arthur Fiedler
      81. Tales From The Vienna Woods - Arthur Fiedler
      82. Fanfare - Chicago Symphony Orchestra
      83. Infernal Dance & Main Theme - Boston Symphony Orchestra
      84. Waltz Of The Flowers - Arthur Fiedler
      85. Waltz - Philadelphia Orchestra
      86. Waltz - Philadelphia Orchestra
      87. Theme II - Philadelphia Orchestra
      88. Opening - Barry Douglas
      89. Finale - Chicago Symphony Orchestra
      90. Fantasia On Greensleeves - Philadelphia Orchestra
      91. Grand March - Arthur Fiedler
      92. Anvil Chorus - Rome Opera Chorus
      93. Libiamo (Drinking Song) - Carlo Bergonzi
      94. Die Irae - Chicago Symphony Chorus
      95. Rigoletto - Placido Domingo
      96. Allegro - Jose-Luis Garcia
      97. Largo - Jose-Luis Garcia
      98. Bridal Chorus - Robert Shaw Chorale
      99. Ride Of The Valkyries - Philadelphia Orchestra

      Customer Reviews:

      2 out of 5 stars It's only snippets of the music!.......2006-02-12

      This CD only contains 30-60 second long snippets of each of the pieces. It could be a teaching tool but is not something you can just put on to listen. It does contain reference to popular TV and Film works that contain the music.

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      10. John Tavener: Innocence

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