Editorial Reviews
Amazon.com
Sublime is the only word for it. We're talking about the voice of countertenor Andreas Scholl--and you will be talking about it too, between many repeat plays of this outstanding disc, which deserves to win whatever awards are given this year for vocal performance. Although this magnificent program of German Baroque cantatas for solo voice and various accompaniments (including viols, lute, and harpsichord) has much to offer purely on the strength of its astonishingly beautiful music, it's the voice of Scholl, served by faultless musical instincts and unequalled technical facility, that elevates these mortal scores to the most rarefied realm of high art. Scholl's voice--which has no discernible register break--and his interpretive delivery have been accurately described as "seductive," "alluring," and "potent." You'll certainly find your own descriptive terms, but one thing is certain to be shared by all who listen to this disc: your CD library will grow in direct proportion to the number of Scholl discs in the catalog. --David Vernier
Andreas Scholl - Kantate, Music, Heinrich Schutz, Dietrich Buxtehude, Johann Christoph Bach, Franz Tunder, Giovanni Legrenzi, Giovanni Rovetta, Philipp Heinrich Erlebach, Ignazio Albertini, Andreas Scholl, Brian Franklin, Friederike Heumann, Markus Markl, Stephanie Pfister, Brigitte Gasser, Karl-Ernst Schroder, Pablo Valetti, Baroque Motet, Cantata, Choral, Classical, Classical Artists, Classical Music, Miscellaneous, Miscellaneous Music, Orchestral & Symphonic, Vocal, Vocal Concerto
Average customer rating:
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Andreas Scholl - Kantate
Heinrich Schutz , Dietrich Buxtehude , Johann Christoph Bach , Franz Tunder , Giovanni Legrenzi , Giovanni Rovetta , Philipp Heinrich Erlebach , Ignazio Albertini , Andreas Scholl , Brian Franklin , Friederike Heumann , Markus Markl , Stephanie Pfister , Brigitte Gasser , Karl-Ernst Schroder , and Pablo Valetti Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000DLVN Release Date: 1998-11-10 |
Tracks:
Amazon.com
Sublime is the only word for it. We're talking about the voice of countertenor Andreas Scholl--and you will be talking about it too, between many repeat plays of this outstanding disc, which deserves to win whatever awards are given this year for vocal performance. Although this magnificent program of German Baroque cantatas for solo voice and various accompaniments (including viols, lute, and harpsichord) has much to offer purely on the strength of its astonishingly beautiful music, it's the voice of Scholl, served by faultless musical instincts and unequalled technical facility, that elevates these mortal scores to the most rarefied realm of high art. Scholl's voice--which has no discernible register break--and his interpretive delivery have been accurately described as "seductive," "alluring," and "potent." You'll certainly find your own descriptive terms, but one thing is certain to be shared by all who listen to this disc: your CD library will grow in direct proportion to the number of Scholl discs in the catalog. --David VernierCustomer Reviews:
simply wonderful.......2000-12-21
Hypnotizing.......2000-08-29
Sublime truly is the word........2000-07-06
Sold out in the shops.......1998-12-28
Most of the tracks are well known and oft recorded, notably by Scholl's teacher Rene Jacobs. Schutz features three times (SWV307,308,348), Buxtehude twice (BuxWV76, Jubilate), along with two standards of the genre: JC Bach's Ach dass ich Wasser's g'nug, and Tunder's Ach Herr lass deine lieben Engelein. The only discoveries are Philipp Heinrich Erlebach 1657-1714: Wer sich dem Himmel ubergehen, and a protestant reworking of Rovetta's Salve Regina into Salve mi Jesu. The disc also features two short instrumental pieces by Legrenzi and Albertini.
The only weak point of the package is exactly that - the packaging. The CD comes in a transparent plastic sleeve and then has a trendy (Made in Italy) 3-leave card case with the booklet (as illustrated above.. the cover has Herr Scholl looking dapper in a white tie) hidden in an envelope at the back. Novelty apart this is no improvement on the usual CD case. Also the sleeve and booklet err in getting Rovetta (original composer of Salve mi Jesu) and Tunder (as above) mixed up.
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