Essential Purcell

Editorial Reviews
Amazon.com essential recording
The "Essential" Purcell? Well, you could get a bunch of critics to argue about that for a few days, but in the meantime, here is a sampler of highlights from the King's Consort's three admirable Purcell series: the Complete Odes and Welcome Songs, Complete Anthems and Services, and Complete Secular Solo Songs. There are, of course, some of Purcell's most-performed pieces (which probably are "essential"): Dido's Lament from Dido and Aeneas, "Sound the trumpet" from Come, ye sons of Art, Rejoice in the Lord alway (the "Bell Anthem," named for the string figure at the opening that sounds like pealing bells), the gently patriotic "Fairest isle, all isles excelling" (sung by a miscast James Bowman), and a selection from the funeral music for Queen Mary. There are also some delightful surprises--particularly among the little-known secular songs and church music. The plaintive "O fair Cedaria" gets a lovely performance by Barbara Bonney (a singer not usually associated with Purcell); tenor Rogers Covey-Crump (possibly the ideal high tenor for Purcell) sings the enchanting "If music be the food of love"; the church anthems "Let mine eyes run down with tears" and "Remember not, O Lord, our offences" have some startling harmonies as daring as any Monteverdi ever wrote. If you're unfamiliar with Purcell, this reasonably priced disc is a good place to start exploring without a big initial investment. --Matthew Westphal

Tracks:

Complete Odes And Welcome Songs Vol. 5: Welcome, Welcome Glorious Morn. Symphony And Opening Chorus
Complete Odes And Welcome Songs Vol. 3: Be Welcome Then, Great Sir
Complete Secular Solo Songs Vol.1: Oh, Fair Cedaria
The Choir Of The King's Consort: Hear My Prayer, O Lord
Great Baroque Arias: When I Am Laid In Earth ('Dido's Lament')
Complete Anthems And Services Vol.1: Let Mine Eyes Run Down With Tears (Part 1)
Complete Odes And Welcome Songs Vol.4: The Sparrow And The Gentle Dove
Complete Secular Solo Songs Vol.1: If Music Be The Food Of Love (First Setting)
Complete Anthems And Services Vol.5: Rejoice In The Lord Always ('The Bell Anthem')
Complete Anthems And Services Vol.3: Hosanna To The Highest
Complete Anthems And Services Vol.7: Thou Knowest, Lord, The Secrets Of Our Hearts
Mr. Henry Purcell's Most Admirable Composures: Fairest Isle, All Isles Excelling
Complete Odes And Welcome Songs Vol.6: Mark, How Readily Each Pliant String
Complete Odes And Welcome Songs Vol.8: Sound The Trumpet
Complete Secular Solo Songs Vol.3: She Loves And She Confesses Too
Complete Odes And Welcome Songs Vol.8: O How Blest Is The Isle
Complete Anthems And Services Vol.3: Remember Not, Lord, Our Offences
Complete Anthems And Services Vol. 11: An Evening Hymn
Complete Church Music Vol.2: Vouchsafe, O Lord, To Keep Us This Day
Complete Odes And Welcome Songs Vol.2: With Rapture Of Delight... Hail Bright Cecilia

Amazon.com essential recording

The "Essential" Purcell? Well, you could get a bunch of critics to argue about that for a few days, but in the meantime, here is a sampler of highlights from the King's Consort's three admirable Purcell series: the Complete Odes and Welcome Songs, Complete Anthems and Services, and Complete Secular Solo Songs. There are, of course, some of Purcell's most-performed pieces (which probably are "essential"): Dido's Lament from Dido and Aeneas, "Sound the trumpet" from Come, ye sons of Art, Rejoice in the Lord alway (the "Bell Anthem," named for the string figure at the opening that sounds like pealing bells), the gently patriotic "Fairest isle, all isles excelling" (sung by a miscast James Bowman), and a selection from the funeral music for Queen Mary. There are also some delightful surprises--particularly among the little-known secular songs and church music. The plaintive "O fair Cedaria" gets a lovely performance by Barbara Bonney (a singer not usually associated with Purcell); tenor Rogers Covey-Crump (possibly the ideal high tenor for Purcell) sings the enchanting "If music be the food of love"; the church anthems "Let mine eyes run down with tears" and "Remember not, O Lord, our offences" have some startling harmonies as daring as any Monteverdi ever wrote. If you're unfamiliar with Purcell, this reasonably priced disc is a good place to start exploring without a big initial investment. --Matthew Westphal

Customer Reviews:

Mad about Baroque.......2007-02-12

This is a terrific CD. The music is breathtaking. Just buy IT !!!!!

The beauty of the songs brings tears to my eyes.......2002-08-21

Absolutely beautiful baroque music! The arrangament, singing and instrumentation is superb. It is too bad that Henry Purcell is not as widely known as Bach, because he should be recognized equally well."The Sparrow and the Gentle dove" is alone worth the price of the album! I can not stop playing it!

Brilliant.......2001-10-31

Like in his renditions of Handel's oratorios, Robert King manages to bring a freshness and strenght to Purcell's music that I had seldom heard before. This CD also features some of the best performers of early music in the world. My favourite tracks are Oh, Fair Cedaria, sung by the multi-talented Barbara Bonney; Dido's Lament from Dido and Aeneas, sung by Gillian Fisher; She Loves and she Confesses too, sung by the wonderful Susan Gritton; and Welcome, Welcome Glorious Morn, sung by Rogers Covey-Crump. The only track I didn't find absolutely wonderful is Fairest Isle, sung here by James Bowman. Don't get me wrong, I generally love Mr Bowman, I think that his performance in Mr Purcell's Most Admirable Composures (also conducted by Robert King) makes it another essential Purcell recording; but I find that Fairest Isle was much better done elsewhere, particularly by Christopher Hogwood and Barbara Bonney.

These songs aren't only beautiful, they're also poignant, sweet and unpretentious. I think that it will be very clear to anyone who listens to this recording that Mr Purcell was one of the finest composers that ever lived.

Be Welcome then, great Sirs (and Mesdames)........2001-10-20

If anyone has benefitted from the reversion in the last three or so decades to period instruments and historical reconstruction, it is Henry Purcell. Before, he was merely great, the peerless word-setter in the English language, a virtuoso of boundless range, a professional composer whose offical commissions were always imbued with personality and invention. But period instrumentation has added to this a greater depth, an other-worldly texture of sound. With his intricate, multi-part vocal writing, his preference for low, rumbling instruments such as the bass viol and the strange and remarkable theorbo, as well as his often sombre and low-key subject matter and treatment, Purcell creates a round, glowing, humming sound as pregnantly full as dub reggae.

This has an extraordinary effect on the listener. Whereas Bach, with his mathematical abstractions, sounds universal and timeless, Purcell's music takes the listener back 300 years, back to different ways of thinking about, feeling about and addressing things we still think etc. about today - death, love, friendship. The emotion is timeless, but the music's beauty is alien, THEIRS, hence its preciousness.

A lot of intelligence has gone into the unity of this compilation, beginning with two Welcomes (to the dawn and to the listener, in this case a King), and ending with thoughts of evening, death and a Baroque 'Thank you for the music'. These are bright, fanfare-like works, but the predominant mood is slow, ruminative, quiet. The selection covers the wide range of Purcell's oeuvre, from opera and funeral marches to secular songs and odes, and includes his most famous vocal works - Dido's Lament from Dido and Aeneas, sung by Gillian Fisher, and never more evocative of pagan loss and death; the massive 'Bell Anthem', with its ingenious opening symphony and joyful antiphon; and a miraculously serene 'Evening Hymn', Dido's opposite, death indicating hope, the treble voice swirling over the heavy ground bass like the soul released from the inert body.

it might seem quixotic to choose highlights from an exemplary collection of highlights, but the entry of the strings washing over the serene repetition of 'Be Welcome then, great Sir' always makes my heart stop still, while the musical picture of 'Bold Honour', the 'noisy Nothing, stalking shade', blocking the poet's amorous intentions in 'She loves and confesses too', adds a chilling hint of life's transience to a bouyantly bawdy song.

Brilliant Purcell Disc .......2000-11-30

With this album director and Purcell expert Robert King provides the listener with an excellent introduction to the composer's vocal works. The pieces presented here were taken from Mr. King's recordings of 'The Complete Odes and Welcome Songs', 'The Complete Anthems and Services', 'The Complete Secular Solo Songs' and diverse anthology discs. King, his wonderful soloists and musicians do the brilliance of Purcell's music fully justice. Whether he was commissioned by royalty, the church or theatre, Purcell shone in all areas. This disc certainly demonstrates the variety and originality of his craft, not to speak of his uncanny ability of setting words to music.

An outstanding Purcell offering. With a beautiful perfomance by Barbara Bonney of 'Oh, fair Cedaria'. Susan Gritton is equally captivating in 'She loves and she confesses too'. Gillian Fisher's rendition of the famous 'Dido's Lament' is haunting and poignant. Further an intelligent and brilliant 'Hosanna to the highest' by Michael George. James Bowman and Michael Chance sparkle in the countertenor duet 'Sound the trumpet' (from 'Come Ye sons of Art away'). And I should not forget to mention the joyous, luminous performance of the beautiful 'Bell Anthem'. To name but a few favourites, only James Bowman's 'Fairest Isle' was a disappointment.

Those who are familiar with Purcell's music will get an excellent disc with some of his most beloved works. If you are new to Purcell, this is, as already said a great introduction. Which might be the incentive to further explorations of Purcell.

by stardustraven

The Essential Hyperion (Label Highlight Compilation)

Average customer rating:

A MUST BUY!!!
Great music, Excellent Value!
This truly is essential!

The Essential Hyperion (Label Highlight Compilation)
Henry Purcell , Charles Villiers Stanford , Sheppard, John , Haydn, Joseph , Satie, Erik , Schumann, Robert , and Shostakovich, Dmitri
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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Essential Purcell

ASIN: B000002ZDX
Release Date: 1995-02-13

Tracks:

Concerto For Two Trumpets, 1687: Allegro
Abdelazer: Rondeau
Who Can From Joy Refrain?: A Prince Of Glorious Race
The Morning: The Glitt'ring Sun
The Ephesian Matron, Or The Widow's Tears: Vaudeville
Magnificat In G
Libera Nos
Cantigas de amigo: My Love's Coming Home
My Lady, You Do Great Wrong
Locus iste
Symphony No 14 In A: Tempo di Minuetto
Symphony No 94 In G (The 'Surprise' Symphony): Finale
Gymnopedie No. 1: Gymnopedie No. 1 (Orchestrated By Debussy)
Liederkreis op. 39: Waldesgesprach
Album Leaf In Waltz Form
Prelude And Fugue In A, Op. 87, No. 7
Phil The Fluter's Ball
Piano Concerto In C Sharp Minor, Op. 30: Allegro
O salutaris hostia
Da quel sembiante, D. 688, No. 3
Sonata In G Minor, Op. 5, No. 5: Vivace
Clarinet Quartet No 1 In E Flat, Op. 2: Rondo
String Sextet In A, Op. 48: Furiant
Sherzo In A minor, Op. 81, No. 2
Come You, Mary, Op. 21, No. 2
Chorale Prelude 'Nun freut euch, lieben Christen g' mein'
Deus in adiutorium
Sortie In E Flat

Customer Reviews:

A MUST BUY!!!.......2001-03-03

If I had to choose one CD to spend a month locked in isolation with, this would be the one. Its varied but it flows well together. It's restive and soothing. The quality is beyond excellent!!! At the price, anyone is a fool not to own it, and give it lavishly as gifts. Its gorgeous, lush and fabulous! Everyone that hears it in our home, falls in love with it!

Great music, Excellent Value!.......2000-07-26

Rarely can one buy so much good music for so little. This compilation features almost 80 minutes of high quality music.

This truly is essential!.......1999-10-23

What a brilliant idea from one of our leading record companies! On this disc, they have assembled a programme of highlights from their vast collection of choral, vocal, orchestral, and solo instrumental music that is very satisfying. As with most CDs of this sort, it is a case of some tracks not appealing as much as others- I for instance am a lover of choral music so the gorgeous renditions of Stanford's "Magnificat" by St. Paul's Cathedral Choir or John Sheppard's divine motet "Libera Nos" by the Sixteen are obvious preferences of mine. However, whether you seek dyed-in-the-wool orchestral classics as Haydn's "Surprise" Symphony, less familiar works performed by period artists (such as "'E irei Madr'a Vigo" by ancient Spanish composer Martin Codax), or snippets of breathtaking instrumental solos (such as the rousing performance of Lefebure-Wely's "Sortie in E flat" which is sadly only an excerpt), this disc is bound to have something on it for you. And all of it is finely recorded.

The Essential Jessye Norman [Includes DVD: Jessye Norman Sings Carmen]

Average customer rating:

wonderful
Favorite Soprano: Gorgeous Dramatic Voice
Amazing.... if you get it somewhere else
A MUST HAVE...
Amazing Voice

The Essential Jessye Norman [Includes DVD: Jessye Norman Sings Carmen]

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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ASIN: B00067GKEM
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Tracks:

Quand Je Vous Aimerai? L'amour Est Un Oiseau Rebelle (Habanera)
Pres Des Ramparts De Seville (Seguidilla)
Porgi, Amor, Qualche Ristoro
E Susanna Non Vien! ... Dove Sono I Bei Momenti
Regina Coeli Laetare ... Inneggiamo, Il Signor Non E Morto (Easter Hymn)
Thy Hand Belinda ... When I Am Laid In Earth
Cacilie, Op. 27 No. 2
Wiegenlied
Villanelle (No. 1)
Standchen
Ave Maria
Amazing Grace
Somewhere
With A Song In My Heart
O Holy Night
Panis Angelicus
Mild Und Leise (Isoldes Liebestod)

Customer Reviews:

wonderful.......2007-04-04

This record is wonderful; simply Jessye Norman. What else can I say: loved it!

Favorite Soprano: Gorgeous Dramatic Voice.......2006-11-05

The first time I ever heard Jessye Norman sing was a recording of Dich Teure Halle from Wagner's Tannhauser, and I was immediately enchanted. She has a gorgeous ringing tone and powerful voice. However, she can also bring her voice to a delicate sweetness that other dramatic sopranos find difficult. This album is put together particularly well. I love her Carmen and Isolde here, but I cannot stop listening to the other songs either, the non-operatic ones included. This my favorite CD, and I would definitely reccomend it to anyone considering the purchase.

Amazing.... if you get it somewhere else.......2006-05-28

I got it for HKD $69 in HKV in Hong Kong (which is around 8.70USD)

A MUST HAVE..........2006-02-09

The American soprano Jessye Norman was born in Augusta, Georgia (the segregated South) on September 15, 1945 in a family of amateur musicians; her mother a pianist, her father a singer in a local choir.

Norman received a scholarship to Howard University (a historically black university in Washington, D.C.) -NOT INDIANA-, graduating in 1967 with a degree in music. The following year, she won the ARD International Music Competition in Munich. She made her operatic debut in 1969 as Elisabeth in Richard Wagner's Tannhäuser at the Berlin State Opera, and in subsequent years performed with various German and Italian opera companies. She returned to the US to make her professional concert debut at Lincoln Center in 1973.

Amazing Voice.......2005-07-06

Jessye Norman has possibly the greatest voice I have ever heard. Being a bass/baritone, I usually shy away from higher voices (especially tenors), but I find this soprano to be flooring. For being a classicaly trained vocalist (she attended Indiana University) Ms. Norman has an incredibly versatile voice. In this album alone, she sings broad French arias, light Mozart, spirituals, and Broadway. Each is done superbly. Out of every track, her rendition of "Ave Maria" is my favorite. She sings it so tenderly and intimately, it is like she is singing it directly in front of you. You will be moved, certainly.

I suggest this CD to everyone, a fan of classical music or not. It is important for everyone to have these songs to relax, calm down, or to just listen to. You would not regret it.

Average customer rating:

Gorgeous virtuosity!

The Essential Emma Kirkby

Manufacturer: Virgin Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

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Odes | Vocal Non-Opera | Opera & Vocal | Styles | Music

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ASIN: B000059QF0
Release Date: 2001-06-05

Tracks:

There Were Three Ravens
The Eighth Book Of Madrigals: Lamento Della Ninfa: Amor, Dicea
The Muses Garden For Delights: Might I Redeem Mine Errors
The 1589 Florentine Intermedi: The Harmony Of The Spheres: Dalle Piu Alte Sfere
The First Booke Of Songes Or Ayres: Can She Excuse My Wrongs?
The Eighth Book Of Madrigals: Dolcissimo Uscignolo
Vespro Della Beata Vergine: Con 'Pulchra Es'
Christmas Story SWV 435: The Angels To The Shepherds
Hail! Bright Ceclilia: Thou Tun'st This World Below
Armida Abbandonata, Cantata: Recitativo: Dietro L'orme Fugaci
Armida Abbandonata, Cantata: Aria: Ah! Crudele
Armida Abbandonata, Cantata: Recitativo: Per Te Mi Struggo/Recitativo Accompagnato: O Voi, Dell'inconst
Armida Abbandonata, Cantata: Aria: Venti, Fermate
Armida Abbandonata, Cantata: Recitaiivo: Ma Che Parlo, Che Dico?
Armida Abbandonata, Cantata: Siciliana: In Tanti Affanni Miei
Messiah: Rejoice Greatly
Messiah: I Know That My Redeemer Liveth
Ascension Oratorio BWV 11: Jesu, Deine Gnadenblicke

Customer Reviews:

Gorgeous virtuosity!.......2003-07-03

I have been a fan of Emma Kirkby's for several years, and I believe this collection of early music contains some of her best work. Included are pieces in English, Italian, Latin and German by Handel, Purcell, Bach, Monteverdi, Schutz, et al. Monteverdi's "Lamento della ninfa" is simply lovely. Kirkby easily tackles the gorgeous and complex ornamentation of "The Harmony of the Spheres." The pure drama of Handel's "Armida abbandonata; Venti, fermate" is touching and tragic:

"Winds, cease blowing,
no, do not drown him;
true, he has betrayed me,
yet still I adore him."

How many women have had similar thoughts?

Tracks:

Otello: Act IV: Era piu calmo?
Otello: Act IV: Mia madre aveva una povera ancella (Willow Song - Lied von der Weide - Romance du saule)
Otello: Act IV: Ave Maria
Fidelio Act I:: Abscheulicher!
Senza mamma, o bimbo, tu sei morto!
Carmen: Act 1: L'amour est un oiseau rebelle (Habanera)
La traviata: Act 1: E strano, e strano!
La traviata: Act 1: Ah, fors'e lui
La traviata: Act 1: Sempre libera
Le nozze di Figaro: Act 1: E Susanna non vien!
Le nozze di Figaro: Act 1: Dove sono
Die agyptische Helena: Act II: Arie der Helena - Awakening Scene - Scene de reveil
La rondine: Act 1: Ore dolci e divine
Salome: Finale - Final Scene - Scene finale

Tracks:

Eugene Onegin: Act II Letter Scene - Briefszene - Scene de la lettre: Puskai pogibnu ya
Eugene Onegin: Act II Letter Scene - Briefszene - Scene de la lettre: Ya k vam pishu
Eugene Onegin: Act II Letter Scene - Briefszene - Scene de la lettre: Net, nikomu na svete
Eugene Onegin: Act II Letter Scene - Briefszene - Scene de la lettre: No tak i byt'!
La rondine: Act I: Chi il bel sogno di Doretta
Vanessa: Act I: He Has Come, He Has Come!
Vanessa: Act I: Do Not Utter A Word
Carmen: Act 1: Pres des remparts de Seville
Manon: Act II: Allons! il le faut!
Manon: Act II: Adieu, norte petite table
Macbeth: Act IV Sleepwalking Scene - Schlafwandlerszene - Scene di Somnambulisme: Vegliammo invan due notti
Macbeth: Act IV Sleepwalking Scene - Schlafwandlerszene - Scene di Somnambulisme: Una macchia e qui tuttora
La Boheme: Act III: Addio Donde leita usci (Mimi's Addio)
Die Frau ohne Schatten: Act II: Erwachensszene der Kaiserin - Empress's Awakening Scene - Reveil de l'Imperatrice
Dido And Aeneas: Act III: Thy Hand, Belinda
Dido And Aeneas: Act III: When I Am Laid In Earth
Don Carlo: Act V: Tu che le vanita conoscesti del mondo

Amazon.com

This is the desert island two-CD set, if you're looking for Leontyne. The selection is astounding: Highlights are the astonishing Awakening Scene from R. Strauss's Die Ägyptische Helena, an absolute object lesson in Straussian line, arching up to and over a gorgeous high D-flat; a Traviata "Sempre Libera" with amazing agility (and top notes, again) for such a big voice; a "Senza mamma" which is heartbreakingly lovely; and still--after thirty years--the benchmark "Sogno di Doretta" from Puccini's La Rondine. The occasional minus--breathiness, a hollow lower register, lack of interest and intellect, and a truly disgusting Carmen--are to be forgiven. Price never sang any of these roles onstage and may not have been suited for them--but in a way, this is what she was all about. --Robert Levine

Customer Reviews:

fantastic.......2002-09-21

leontyne price is to me the greatest diva of all time

fantastic.......2002-09-21

leontyne price is to me the greatest diva of all time

Music Review: