I Giorni [Import]

Track Listings

1. Melodia Africana I

2. I Due Fiumi

3. In Un Altra Vita

4. Melodia Africana II

5. Stella Del Mattino

6. I Giorni

7. Samba

8. Melodia Africana III

9. La Nascita Delle Cose Segrete

10. Quel Che Resta

11. Inizio

12. Limbo

13. Bella Notte

14. Canzone Africana IV

Editorial Reviews
Album Description
2001 release from the world renowned symphonic composer. The inspiration for Ludovico Einaudi's 'I Giorni' was a 12th-century folk song from Mali about a hippopotamus who was cherished by the residents of a nearby village but killed by a hunter. 'The song,' writes Einaudi in his succinct liner note, 'is sung as a lament for the death of a king or a great person or for the loss of a loved one.' The result is a tender & introspective set of 14 piano pieces. This work was written after hearing the kora playing of Toumani Diabate whilst traveling in Mali. Recorded in 24-bit/96 kHz. Ricordi.

Tracks:

I Giorni/Melodia Africana 1
I Giorni/I Due Fiumi
I Giorni/In un'altra Vita
I Giorni/Melodia Africana 2
I Giorni/Stella del Mattino
I Giorni/I Giorni
I Giorni/Samba
I Giorni/Melodia Africana 3
I Giorni/La Nascita Delle Cose Segrete
I Giorni/Quel Che Resta
I Giorni/Inizio
I Giorni/Limbo
I Giorni/Bella Notte
I Giorni/Canzone Africana 4

Album Description

2001 release from the world renowned symphonic composer. The inspiration for Ludovico Einaudi's 'I Giorni' was a 12th-century folk song from Mali about a hippopotamus who was cherished by the residents of a nearby village but killed by a hunter. 'The song,' writes Einaudi in his succinct liner note, 'is sung as a lament for the death of a king or a great person or for the loss of a loved one.' The result is a tender & introspective set of 14 piano pieces. This work was written after hearing the kora playing of Toumani Diabate whilst traveling in Mali. Recorded in 24-bit/96 kHz. Ricordi.

Customer Reviews:

The contemporary, expressive style.......2006-04-12

Ludovico is a quintessential example of a proponent of the neo-classical style of music, the natural development of late romantic efforts of Erik Satie and his peers. Ludovico's music is often musically fairly simplistic and technically not difficult in many cases, but this is by no means a comment on his talent. For me as an appreciator of this genre the true beauty of his work lies in the vivid self expression and freedom that the player is allowed. I am quite an unskilled pianist, but in playing his work i find a quite unique form of personal expression that is only possible in such free-flowing, emotional music. Many people would describe this music as ambient, but personally I find it to be engaging to the emotions. The warmth and clear love of playing present in his style serves to make the album beautiful from an artistic point of view, and his graceful treatment of the piano I welcome over many of the more brash works of artists such as Chopin or Satie.
As for the comparison with Nyman, This is certainly valid. Nyman also evokes the emotions marvellously is some of his pieces; I particularly recommend 'The Scent of Love' and 'The Beach' which is a variation on a similar theme arranged as a concerto. Nyman, however, I find to be less consistent, because his interests in jazz music have clearly influenced him and this is not to my personal taste. Anyone who is a fan of saxophone and piano concertos should clearly look to Nyman's 'Where the Bee Dances' before considering Einaudi's work.
On the other hand, any fan of raw happiness and contentment expressed through the symbiosis of artist with instrument should definetly listen to this album. If you subsequently find that you like it, I would also recommend Eden Roc as it shows Einaudi in his progressive stage, as he experiments with different techniques and instruments, and therefore provides an interesting change from his typical style.

Simply Beautiful.......2004-04-09

I heard the title song 'I Giorni' on the radio and thought it was excellent so I looked up the CD on the internet and after listening to a few clips, decided I would buy it.
It really is a wonderful CD with beautiful pieces that have really encouraged me to look into classical music more.
The flowing melodies are very relaxing and not dissimilar to Nyman's 'The Piano', so if you like this style of music, I would highly recommend buying it.

Average customer rating:

The Complete Caruso

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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The Complete Recordings, 1902-1920 (Box Set)
Sibelius: The 7 Symphonies; Finlandia; Kullervo; etc.
Rachmaninov: His Complete Recordings
Beethoven - Fidelio
Wagner - Lohengrin

ASIN: B0001TSWQO
Release Date: 2004-11-09

The Complete Recordings, 1902-1920 (Box Set)

Average customer rating:

Get It While You Can
Essential edition for opera lovers

The Complete Recordings, 1902-1920 (Box Set)

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Bach: Cantatas, Vol. 22
Caruso 2000
The Complete Caruso
Wagner: Götterdämmerung
Classic Puccini Recordings

ASIN: B00030B92K
Release Date: 2004-11-23

Album Description

The Complete Caruso: Volumes 1 - 12

The Italian tenor Enrico Caruso holds a unique place in musical history, as the first operatic singer whose recordings sold in millions, and who created an international reputation on the strength of these. Caruso's robust tone and musical sincerity made him both an ideal stage and recording artist, whose voice the primitive acoustic recording technology of the early twentieth century was able to reproduce with startling fidelity. The Naxos Historical Caruso edition constitutes the complete cycle of all Caruso's recordings issued in chronological order. In addition, the transfers have been immaculately undertaken by top sound engineer Ward Marston, unrivalled for his knowledge of the specialized world of acoustic opera recordings, and his rare ability to retrieve all of the music lying in the grooves of the original recordings. Naxos Historical's incredible price (12 CD'S FOR THE PRICE OF 10) puts this unique legacy of great singing within the reach of all music-lovers. This! complete cycle of recordings represents a major document in the history of sound recording, and one which no collector and enthusiast of great singing will wish to be without. "There is no series of vocal records that have a greater documentary value, that meant more to the development of the phonograph record, or that are as consistently capable of providing pleasure to lovers of great singing. ...One of the most significant recording industry events of the decade." Fanfare

Customer Reviews:

Get It While You Can.......2006-10-13

This may not be easy to get in the USA for very long.....don't miss it.

Essential edition for opera lovers.......2005-02-01

This set gives you the opportunity to follow the entire recording career of one of the greatest singers in Operatic History. Enrico Caruso was the first superstar of the 20th century -- and this without the benefit of mass media. His person and his records were his greatest publicity.

The set begins with Caruso's Italian made recordings. They show a great raw talent. The artistry is lacking with many sobs, over acting and mistaken cues. The 1902 and 1903 clearly show a tenor with a lot to learn. But learn it he did. His 1904 sessions show a mature artist on par with any heard since. His voice matures before your very ears and by 1910, you wonder if you will ever listen to any other tenor the same way again.

The engineering used for this set is wonderful. There is no attempt at all to use the soundstream process of computer sound enhancement as heard on the RCA issued sets. These are near perfect mint conditioned discs copied by engineer extraordinary Ward Marston. They sound like natural 78s, they way Caruso himself must have heard the playbacks at the (RCA) Victor studios.

Also included are outtakes and extra takes. There is a "Celeste Aida" from 1908, complete with a broken high note, previously released by RCA in a 1973 set commemorating the tenor's centenary birthday. But there are new treasures here as well, including extra takes of two of Caruso's greatest recordings, the Italian song "L'Alba separa dalla l'uce ombra" and an aria from Rubinestine's Nerone. Listening to them, one wonders what Caruso could have possible thought inadquate in those long lost altenative takes.

Finally, there is the simple joy of hearing so many things so well sung. Caruso was the pinnacle of the tenor art. He can be compared to no other single tenor since ... he has the brilliant ring of Bjorling, the passion of Gigli, the beauty of Gedda, the youthful enthusiasm of Lanza, the warm tonal quality of Tucker, the pure strength of Corelli, the charasma of Pavarotti and the artestry of Domingo.

Whether you are an opera fan, a voice fan or just a music lover. This set is worth every penny.

Todd Kosovich

Average customer rating:

A Worthy Trovatore
Strangely fascinating!

Verdi: Il Trovatore

Manufacturer: Decca
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Cilea: Adriana Lecouvreur
Verdi: La Forza del Destino
Mascagni: Cavalleria Rusticana
Puccini: La fanciulla del West
Puccini: La Bohème (Tebaldi, Prandelli, Erede)

ASIN: B00006LENP
Release Date: 2003-02-11

Tracks:

All'erta! All'erta! - Giorgio Tozzi
Di Due Figli Vivea Padre Beato - Giorgio Tozzi
Che Piu T'arresti?
Tacea La Notte Placida E Bella In Ciel Sereno
Di Tale Amor, Che Dirsi Mal Puo Dalla Parola
Tace La Notte! ... Il Trovator! - Ugo Savarese
Deserto Sulla Terra ... Anima Mia!
Infida!...- Qual Voce! ... Di Geloso Amor Sprezzato ... Un Istante Almen Dia Loco il Tuo Sdegno Alla Ragione
Vedi! Le Fosche Notturne Spoglie ... Chi Del Gitano I Giorni Abbella? (Anvil Chorus) - Coro Del Maggio Musicale Fiorentino
Stride La Vampa! ... Mesta E La Tua Canzon - Mario Del Monaco
Soli Or Siamo; Deh, Narra Quella Storia Funesta ... Condotta Ell'era In Ceppi - Mario Del Monaco
Non Son Tuo Figlio? - Mario Del Monaco
Mal Reggendo All'aspro Assalto ... L'usato Messo Ruiz Invia! - Mario Del Monaco
Perigliarti Ancor Languente Per Cammin Selvaggio Ed Ermo! - Mario Del Monaco
Tutto E Deserto - Giorgio Tozzi
Il Balen Del Suo Sorriso ... Quel Suono! ... Ardir!... Andiam ... Per Me, Ora Fatale, I Tuoi Momenti Affretta - Giorgio Tozzi
Ah!... Se L'erro T'ingombra, O Figlia D'Eva, I Rai ... Perche Piangete?
E Deggio... E Posso Crederlo? ... Urgel Viva!

Tracks:

Or Co' Dadi, Ma Fra Poco Giocherem Ben Altro Gioco - Giorgio Tozzi
Squilli, Echeggi La Tromba Guerriera - Giorgio Tozzi
In Braccio Al Mio Rival! ... Che Fu? ... Innanzi, O Strega - Giulietta Simionato
Giorni Poveri Vivea ... Tu Vedi Chi L'infame, Orribil Opra Commettea ... Deh, Rallentate, O Barbari, Le Acerbe Mie Ritorte - Giulietta Simionato
Quale D'armi Fragor Poc'anzi Intesi?
Ah! Si, Ben Mio; Coll'essere Io Tuo, Tu Mia Consorte - Mario Del Monaco
L'onda De' Suoni Mistici ... La Zingara, Vieni, Tra Ceppi Mira
Di Quella Pira L'orrendo Foco ... All'armi! All'armi!
Siam Giunti: Ecco La Torre
D'amor Sull'ali Rosee Vanne, Sospir Dolente
Miserere ... Quel Suon, Quelle Preci Solenni ... Ah, Che La Morte Ognora E Tarda Nel Venir
Tu Vedrai Che Amore In Terra Mai Del Mio Non Fu Piu Forte
Udiste? Come Albeggi, La Scure Al Figlio, Ed Alla Madre Il Rogo - Ugo Savarese
A Te Davanti. - Qual Voce!
Mira, Di Acerbe Lagrime Spargo Al Tuo Piede Un Rio
(Vivra!... Contende Il Giubilo I Detti A Me, Signore...)
Madre?... Non Dormi? ... Vedi?... Le Sue Fosche Impronte - Mario Del Monaco
Si; La Stanchezza M'opprime, O Figlio - Mario Del Monaco
Che!... Non M'inganna Quel Fioco Lume?
Parlar Non Vuoi?
Ti Scosta... - Non Respingermi
Prima Che D'altri Vivere... Io Volli Tua Morir! ... Sia Tratto Al Ceppo!

Customer Reviews:

A Worthy Trovatore.......2006-05-13

I decided to buy a used copy of this half century old Trovatore on the strength of the earlier review posting. I'm certainly glad I did.

First, there is the pleasure of hearing Tebaldi in a role that wasn't central to her repertory. Having heard her Violetta on an early '50s Decca recording of Traviata I was not expecting much in the way of florid singing. I was pleasantly surprised. True, some of the runs are sketchy and the tone isn't always ideally equalized when she goes for the high notes, but Tebaldi isn't far behind the fabled Milanov, a favorite in this role. Tebaldi's italianate timbre is a decided plus. A few days ago I played the first act aria and cabaletta for some friends without any identification. After some puzzled looks, someone commented that whoever it was, she was great and though she sounded like Tebaldi, the florid singing was too good for it to be her. Needless to say, they were all pleasantly surprised.

I think Simionato is simply the finest Azucena on disc - whether here or in the legendary Salzburg broadcast of a few years later.

Del Monaco isn't an intellectual tenor by any stretch of the imagination, but this is elemental, viscerally exciting singing. I'll give up the subtle nuances for a vital, heroic Manrico like this.

Savarese is a competant Di Luna. He's certainly not offensive, but there's not much here to convince the listener he belongs in the company of the great exponents of the role. I have to admit that I think the role's showpiece, "Il balen" is a problem for any interpreter. I think organ grinder every time I hear it.

It's always a pleasure to hear the young Tozzi's richly overtoned voice as Ferrando.

Erede is no Karajan (or Mehta) but he gives us a well routined reading of the score. Finally, the sonics of this 1956 recording are very impressive early vintage stereo. Despite its occasional flaws, I quickly have become very attached to this venerable Trovatore.

Strangely fascinating!.......2004-01-01

This old Trovatore recording has aspects that would normally make one avoid it. However, I find myself listening to it more and more and actually enjoying it more than other, more popular recordings of this opera.

Mario Del Monaco is, as expected, a heroic Manrico. He rarely sings piano and knows little about elegant phrasing but the sheer vigour and ring of his voice strikes in magnificiently! Only F. Corelli equals Mario in force and exciting high notes. Musically, Corelli is certainly more creative but I've always found Del Monaco's voice more handsome. Tastes differ, though. Del Monaco is particularly thrilling in "mal reggendo, all'aspro assalto", "ah! Si, ben mio" and "Di quella pira" even if he could hold the last note longer in the cabaletta.

The casting of Renata Tebaldi as Leonora is for most opera fans controversial. She is a spinto with little agilty; it's interesting to see what such a voice can offer. Indeed, she barely manages the florid parts and the highest notes sound effortfull. In this part she's nowhere near Caballe, Milanov, Callas or even Price. However, there are other moments that no other soprano in my experience has ever sung so idiomatically. In "mira, di acerbe lagrime" for example, the way she sings those long phrases using her glorious spinto instrument is unique. She firmly grasps each note and the result is intoxicating! Same with Miserere and the proceeding Manrico - Leonora encounter. Dramatically her outbreaks are few. However, Tebaldi was THE FIRST who made me realise that Leonora is a woman in love!

If one can argue about the performances of Tebaldi and Del Monaco, little can be said about Simionato's Acuzena. Along with Barbieri and Cossotto she's one of the best interpreters of this wonderful role, probably Verdi's greatest mezzo part. The weakest link of the cast is Ugo Savarese's routine Conte di Luna. If only Bastianini had joined this recording instead. Tozzi does an OK job as Ferrando. Erede conducts well but nothing really memorable. Decca's early stereo sound certainly impresses; pity that EMI and RCA didn't adopt stereo so early as well.

Tracks:

Also Hatt Gott Die Welt Geliebt BWV 68: My Faithful Heart - Joan Sutherland/Andre Navarra
Soirees Musicales No.IV: The Orgy - Joan Sutherland/Ernest Lush
The Loreley
Soirees Musicales No.I: The Promise
Soirees Musicales No.VII: The Gondola Ride
Soirees Musicales No.VI: The Alpine Shepherdess
Regret
Le Rossignol
Les Filles De Cadix
Speak
Tre Giorni Son Che Nina
Una Cosa Rara: Dolce Mi Parve Un Di
Il Fantastico Per La Musica: Che Dici
Samson: With Plaintive Note
When Daisies Died
My Mother Bids Me Bind My Hair
She Never Told Her Love
Zemira And Azor: Rose Softly Blooming
Cherry Ripe
Bergerette

Customer Reviews:

What a steal!.......2004-06-23

This recording of Sutherland's earliest records is absolutely brilliant!!! She soars through Arne and Handel as if it were the easiest music ever written. Whether you love Joan Sutherland, great singing or both: BUY THIS!

Good Early Sutherland Concert Fare.......2004-03-27

This CD is 67:52 in length and provides 20 songs and arias from three live BBC radio broadcasts, as follows: 2 from the Dec. 1958 broadcast, 8 from the Dec. 1960 broadcast, and 10 from the Dec. 1961 broadcast. None are well-known operatic arias; none have orchestral accompaniment; all but the first two are accompanied by her husband (and teacher/coach/conductor) Richard Bonynge at the keyboard. (The 1961 broadcast is devoted to eighteenth century music and is accompanied by Bonynge on harpsichord.)

The selections are relatively unconventional and unfamiliar--evidently a point with the concert choices made by Sutherland and Bonynge--which will be welcome and refreshing to many. As the notes point out, "This group is typical of the creative programs Sutherland and Bonynge would present for next 30 years. They created 15 different programs and appeared together 129 times in recital. . . . [They] loved to rediscover music and made a specialty of reintroducing the world to many forgotten bonbons, such as these." Dame Joan is in fresh, youthful voice (her international career began with her Covent Garden Lucia in 1959, and she was 32 to 35 when these recitals were broadcast) and sings handsomely throughout, often displaying an attractive mezzo-like fullness and warmth of tone. But Sutherland opera fans may be somewhat disappointed, not in the singing, but in the material here, which calls for little of the full-throated excitement, dazzling pyrotechnics, and brilliant high notes of her best opera recordings; this is more modest fare, and it is, appropriately, more modestly sung. The sound is decent, clean, eminently listenable monaural, no doubt from airchecks, but has this small annoyance: it is afflicted throughout with a residual level of pre-echo and post-echo that is clearly audible on a high-resolution playback system.

The indispensable Sutherland collections (apart from her complete opera recordings) are The Art of the Prima Donna (2 CDs, all 1960 recordings) and La Stupenda (2 CDs, recordings from 1959 to 1988); these should be owned by anyone interested in Sutherland, coloratura soprano singing, or simply great singing. This recital, while enjoyable, is certainly not of comparable importance. But if you are a Sutherland fan and would like to supplement her meatier operatic endeavors with engagingly sung concert fare from the early years of her international career, this is a good choice.

sensational!.......2000-08-10

this are sensational. what singing, what a voice. A MUST HAVE!

Bravissima!.......1998-11-30

Anyone who question Sutherland as the greatest coloratura soprano of all time should listen to this CD. She sings with complete control in all the arias. I think that Mozart had her in mind for the Constanza aria. Sutherland before 1975 as a dramatic coloratura soprano is simply without peer in this and any other century. A must have!

The Pavarotti Edition (includes bonus disc with previously unreleased 1964 debut Decca recording session)

Average customer rating:

Beyond all description...
An Absolute Must-Have for Any Pavarotti Fan
Wonderful!!!!

The Pavarotti Edition (includes bonus disc with previously unreleased 1964 debut Decca recording session)

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Borat - Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (Widescreen Edition)

ASIN: B00005O841
Release Date: 2001-11-13

Album Description

Disc 1: Donizetti Arias from L'elisir d'amore, Maria Stuarda, Lucia di Lammermoor, La Fille du Regiment, Linda di Chamounix, La Favorita, and Don Paquale

Disc 2: Bellini/Donizetti/Verdi Includes arias from I Capuleti e i Montecchi, Norma, La Sonnambula (1976 Duet Recording), I Beatrice di Tenda, I Puritani, Don Sebastien, Il Duca d'Alba, I Lombardi, I due Foscari, Ernani, and Attila

Disc 3: Verdi 1 Includes arias from Macbeth, Luisa Miller, Rigoletto, Il Trovatore, La Traviata, and Les Vepres Siciliennes

Disc 4: Verdi 2 Includes arias from Un Ballo in Maschera, La Forza del Destino, Don Carlos, Aida, Otello, and Requiem

Disc 5: Puccini Includes arias from La Boheme, Madama Butterfly, and Turandot

Disc 6: Puccini and Verismo Includes arias from Cavalleria Rusticana, Manon Lescaut, Pagliacci, Andrea Chenier, and Tosca

Disc 7: Arias 1 Includes arias from La Griselda, Atalanta, Orfeo ed Euridice, Don Giovanni, Cosi fan Tutte, Guillaume Tell, and more. Includes Unreleased Material.

Disc 8: Arias 2 Includes arias from Martha, Mefistofele, La Giocanda, Adriana Lecouvreur, Rosenkavalier, Fedora, Werther, Faust, Carmen, and more

Disc 9: Italian Songs Includes: In questa tomba oscura, Me voglio fa'na casa, Non t'amo piu, Pace non trovo, and more

Disc 10: Neapolitan and Italian Popular Songs Includes: O sloe mio, Torna a Surriento, Core 'ngrato, Funiculi Funicula, Non ti scordar di me, Mamma and more

Bonus CD: The 1964 EP (previously unreleased) "Che Gelida Manina," "E lucevan le stelle," "Questo o quella," "La Donna e mobile," and "Parmi veder" with Orchestra of the Royal Opera House, Covent Garden, Edward Downes conducting

Customer Reviews:

Beyond all description..........2006-09-19

As a boy, I heard so many hyperbolic references to the legendary Enrico Caruso that I chose to purchase a remastered copy of his "Greatest Hits" when I first began to acquire recordings as a young man. Soon after, I discovered Pavarotti and my life was changed by his music. Caruso ended up in the Goodwill Store. I am convinced that in 500 years, should the earth cool again and the Muslim hoards abate, the civilized world will still tell tales of the greatest tenor. I have often found myself grumpy when searching for recordings of Pavarotti because of the inconsistent fidelity of the recordings. That search for the definitive Pavarotti recordings, regarding both content and fidelity, has ended with the release of this extraordinary collection. Worth it's weight in gold, the Puccinni Volume (#5) alone is enough to send someone like me into hyperspace. I am astounded by the beauty and power of these performances. I will always remember the day, not long ago, when a NPR commentator glibly mentioned between the weather and the night's playlist the terrible words, "Luciano Pavarotti has announced that he is retiring from Opera." I felt as if something indescribably beautiful was fading from the world. Of course, beauty in all of its earthly forms is fleeting at best, but these discs contain a reflection of it that will surely bolster any soul.

An Absolute Must-Have for Any Pavarotti Fan.......2004-01-09

...and that certainly goes without saying. My one tiny little problem with it is that his recordings of "Santa Lucia" and "Caruso" are not on this incredible box-set. Even though I have those recordings on other CDs, I still think those are very important pieces to include on this set (assuming that this set of Pavi hits would be the only compilation that that any fan of this phenomenal tenor would have). He is probably my biggest idol, and he deserves to have been one of the biggest opera stars in history.

Wonderful!!!!.......2002-11-07

This Pavarotti set; The Pavarotti Edition; is a wonderful collection of Arias and songs that cover Luciano's great career. Pavarotti is THE Voice of the 20th Century and this set does him justice. It includes 10 CDs with over 750 minutes of music; Includes Music from All of His roles; has a beautiful 76 page full color booklet; Has a wonderful write up; and includes a bonus CD of Pavarotti's fist album, a 45, from 1964, which has never been released on CD before this set. Every Song is hear, This SET is a must have for every Pavarotti Fan.

Average customer rating:

Beautiful early opera

Il Zazzerino: Music of Jacopo Peri
Jacopo Peri , Ellen L. Hargis , Paul O'Dette , Andrew Lawrence-King , and Hille Perl
Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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ASIN: B000026D4Z
Release Date: 1999-10-12

Tracks:

il Zazzerino: Hor che gli augelli
il Zazzerino: Lungi dal vostro lume
il Zazzerino: Ballo (instrumental suite)
il Zazzerino: Tra le lagrime e i sospiri
il Zazzerino: Uccidimi, dolore
il Zazzerino: Ricercar del primo tuono del Zazzerino
il Zazzerino: Se tu parti da me
il Zazzerino: Tu dormi, e 'l dolce sonno
il Zazzerino: Caro dolce ben mio
il Zazzerino: Tra le donne onde s'onora
il Zazzerino: Lasso, ch'i' ardo
il Zazzerino: Bellissima regina
il Zazzerino: Occhi, fonti del core, occhi piangete
il Zazzerino: O miei giorni
il Zazzerino: Torna, deh torna
il Zazzerino: Tutto 'l di piango
il Zazzerino: Al fonte, al prato

Customer Reviews:

Beautiful early opera.......2000-10-09

Il Zazzerino (with works spanning 1577 to 1609) is mostly from the early music era "La Nuove Musiche" or the New Music, by Italian composer and tenor, Jacopo Peri, who wrote the first operas, Dafne (1598) and Euridice (1600). The music is luscious and warm, and Andrew Lawrence-King's harp is a beautiful counterpart to Ellen Hargis, who unfurls a sensitive but powerful expressive voice for each piece. Fans of early opera will be pleased by the recording.

Tracks:

Griselda: 'Per La Gloria D'adorarvi'
'Nina'
'Gia Il Sole Dal Gange'
'La Promessa'
'Vaga Luna'
'Me Foglio Fa Una Casa'
La Traviata: Act II, Scene 1: 'Lunga Da Lei...'/'Dei Miei Bollenti Spiriti'...
'Nevicata'
'Pioggia'
'Nebbie'
I Lombardi: Act II: 'Mortal Di Me Piu Lieto...'/'La Mia Letizia Infondere'/'Come Potave Un Angelo'
'A Vucchella'
'L'ultima Canzone'
'L'alba Separa'
Tosca: 'Recondita Armonia'
La Forza Del Destino: 'Morir!...Tremenda Cosa!'
La Forza Del Destino: 'Urna Fatale'
Pagliacci: 'Si Puo'
Rigoletto: 'Cortigiani, Vil Razza'
Turandot: 'Nessun Dorma'
Rigoletto: 'La Donna E Mobile'

Average customer rating:

By and Large -- Terrific

The Caruso Edition, Volume 4 1916-1921

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Ladino | Languages | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Latin Music | Styles | Music
ASIN: B000000WLU
Release Date: 1993-11-23

Tracks:

Sancta Maria - Enrico Caruso/Rosario Bourdon
Tiempo Antico
Folk Song: Santa Lucia
Mey, After Heine: Pourquoi?
Eugene Onegin, Act II: Pour Moi Ce Jour Est Tout Mystere
Chanson De Juin
Andrea Chenier, Act IV: Come Un Bel Di Di Maggio
Samson Et Dalila, Act III: Vols Ma Misere, Helas - Enrico Caruso/Josef Pasternack
Les Pecheurs De Perles, Act I: Je Crois Entendre Encore
Les Pecheurs De Perles, Act II: De Mon Amie, Fleur Endormie - Enrico Caruso/Francis Lapitino
Rigoletto, Act IV: Qt. Bella Figlia Dell'amore - Enrico Caruso/Amelita Galli-Curci/Flora Perini/Giuseppe De Luca
Rigoletto, Act IV: Qt. Bella Figlia Dell'amore (Unpublished Alternate Take Up To Mezzo Entrance Only
Lucia Di Lammermoor, Act II: Sextet. Chi Mi Frena In Tal Momento - Enrico Caruso/Amelita Galli-Curci/Minnie Egener/Angelo Bada/Giuseppe De Luca/Marcel Journet
Lucia Di Lammermoor, Act II: Sextet. Chi Mi Frena In Tal Momento (Unpublished Take)
Martha, Act III: M'appari Tutt 'Amor
Musica Proibita
Uocchie Celeste - Enrico Caruso/Francis Lapitino
L'Alba Separa Dalla Luce L'ombra
L'Alba Separa Dalla Luce L'ombra (Unpublished Take)
Neron, Act II: Oh! Lumiere Du Jour - Enrico Caruso/Francis Lapitino
Neron, Act II: Oh! Lumiere Du Jour (Unpublished Take)

Tracks:

A La Luz De La Luna - Enrico Caruso/Emilio De Gogorza
Sei Morta Ne La Vita Mia - Enrico Caruso/Vincenzo Bellezza
La Partida
La Forza Del Destino, Act III: Ne Gustare M'e Dato; Sleale! Il Segreto Fu Dunque Violato? - Enrico Caruso/Giuseppe De Luca
Over There
Pieta, Signore
A Granada
Campane A Sera
Inno De Garibaldi
La Campana Di San Giusto
Le Regiment De Sambre Et Meuse
Sultanto A Te
Samson Et Dalila, Act I: Je Viens Celebrer La Victoire
L'Elisir D'Amore, Act II: Venti Scudi!
A Vucchella
Italian Folk Song: Vieni Sul Mar
Tu, Ca Nun Chiagne
Addio A Napoli

Tracks:

Nina
Premiere Caresse
Senza Nisciuno
Salvator Rosa, Act I: Mia Piccirella
Ser
Scordame
Love Me Or Not
Ombra Mai Fu - Enrico Caruso/Francis Lapitino
Noche Feliz
La Juive, Act IV: Rachel, Quand Du Seigneur
L' M'arricordo 'E Napule
Vaghissima Sembianza
L'Africana, Act III: Deh, Ch'io Ritorni
Amadis De Gaule, Act II: Bois Epais
A Dream
Domine Deus
Crucifixus

Customer Reviews:

By and Large -- Terrific.......2005-04-26

There is a touch of World War I boosterism and commercialism evident during this period. But the negative effect is minimal.

This finale of the four volume Pearl set is every bit as thorough as the prior three. Again, the remastering shows thoughtful trade-off between reducing noise from the 78 rpm masters, and preserving the man's amazing voice.

A must for opera lovers.

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Yodelling Radio Joe [Import]

Drew's 30 Greatest Disco Songs

Divine Healing Meditation

Forbidden Fruit

Finger Eleven

Delete Yourself

Endless Summer [Gold CD]

Blue Spirits [Import]

E O Show [Import]

Detroit Dog Shit [Explicit Lyrics]

Explosive: The Best of Bond

And His Orchestra/Flies Again

1. Melodia Africana I
2. I Due Fiumi
3. In Un Altra Vita
4. Melodia Africana II
5. Stella Del Mattino
6. I Giorni
7. Samba
8. Melodia Africana III
9. La Nascita Delle Cose Segrete
10. Quel Che Resta
11. Inizio
12. Limbo
13. Bella Notte
14. Canzone Africana IV