Chopin, Volume 1

Editorial Reviews
Amazon.com essential recording
Yevgeny Kissin is one of the most successful pianists of his generation. This disc, recorded live at a Carnegie Hall concert, demonstrates why. Kissin is one of the best Chopin players alive. His playing of the big Fantasy is among the best performances I've heard, catching each mood of the music and playing with flexible rhythms that never deteriorate into anarchy. The Nocturnes sound like very private meditations, while the Scherzo is a big public statement. All of these fine interpretations are delivered with gorgeous piano tone, very well conveyed by the recording. You cannot hear better Chopin playing today. --Leslie Gerber

Chopin, Volume 1, Music, Fryderyk Chopin, Evgeny Kissin, Classical, Classical Artists, Classical Music, Coll. of Character/Single-Movement/Misc. Works for Keyb., Fantasy/Fantasia for Keyboard, Keyboard, Nocturne for Keyboard, Polonaise for Keyboard, Scherzo for Keyboard, Waltz for Keyboard
The Most Relaxing Classical Album In the World Ever, Volume II
Average customer rating: 3.5 out of 5 stars
  • The Most Relaxing Classical Album In the World Eveer, Volume II
  • Great music listein to while you read in bed
  • A must buy for the non-snobbish classical music fan.
  • A bliss of spirit.
  • Boring
The Most Relaxing Classical Album In the World Ever, Volume II
Gabriel Faure , Frederic Chopin , Antonio Vivaldi , Gustav Mahler , Claude Debussy , Sir Neville Marriner , Maris Jansons , Lorin Maazel , Sir Adrian Boult , Miklos Rozsa , Riccardo Muti , Stephen Cleobury , Sir John Barbirolli , New Philharmonia Orchestra , Philharmonia Orchestra & Chorus , Academy of St. Martin in the Fields , and Berlin Philharmonic
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

PavanesPavanes | Ballets & Dances | Classical | Styles | Music
All Works by AllegriAll Works by Allegri | Allegri, Gregorio | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
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All Works by ChopinAll Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Duruflé, Maurice | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
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GeneralGeneral | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
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Ravel, MauriceRavel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
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ConcertinosConcertinos | Concertos | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
PreludesPreludes | Forms & Genres | Classical | Styles | Music
DivertimentosDivertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music
NocturnesNocturnes | Short Forms | Forms & Genres | Classical | Styles | Music
SonatinasSonatinas | Sonatas | Forms & Genres | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
RomanticRomantic | Symphonies | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music | Cantatas | Romances
RequiemsRequiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music
GeneralGeneral | Vaughan Williams, Ralph | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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NoelsNoels | Vocal Non-Opera | Opera & Vocal | Styles | Music
PsalmsPsalms | Vocal Non-Opera | Opera & Vocal | Styles | Music
RequiemsRequiems | Vocal Non-Opera | Opera & Vocal | Styles | Music
Movie ScoresMovie Scores | Soundtracks | Styles | Music
Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
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ASIN: B00002439O
Release Date: 2003-03-11

Tracks:

  1. Sheep May Safely Graze - Sir Neville Marriner
  2. Serenade In G 'Eine Kleine Nachtmusik' - Sir Neville Marriner
  3. Violin Concerto No.1 In G Minor, Op.26 - II. Adagio - Yedudi Menuhin
  4. Nocturne No.2 In E Flat Op.9 No.2 - John Ogdon
  5. Miserere Mei, Deus - Stephen Cleobury
  6. Schindler's List - Tasmin Little
  7. Traumerei - Dame Moura Lympany
  8. Dance Of The Sylphs - Sir Neville Marriner
  9. Water Music - Berlin Philharmonic Orchestra
  10. Symphony No.9: II. Largo - Oslo Philharmonic Orchestra
  11. Jean De Florette - Toots Thielemans
  12. Concerto For Lute And Two Violins - II. Largo - Anthony Bailes
  13. Cello Concerto In E Minor Op.85 - III. Adagio - Jacqueline De Pre
  14. Waltz No.15 In A Flat - Dame Moura Lympany
  15. Romance - Piers Lane
  16. Pavane - Maurice Handford
  17. Woodbrook - Micheal O Suilleabhain
  18. Time To Say Goodbye - Orchestra

Tracks:

  1. The Four Seasons - Concerto No.1 In E 'Spring' - Yehundi Menuhin
  2. Dance Of The Blessed Spirits - New Philharmonia Orchestra
  3. Double Violin Concerto In D Minor - II. Largo Ma Non Tanto - Yehudi Menuhin
  4. Prelude No.7 In A Op.28 No.7 - Tzimon Barto
  5. Cantique De Jean Racine - MONKS AND CHOIRBOYS OF DOWNSIDE ABBEY
  6. The Lark Ascending - Hugh Bean
  7. 'Pathetique Sonata Op.13 - II. Adagio Cantabile - Leonard Pennario
  8. Pie Jesu - Choir Of King's College, Cambridge
  9. Salut D'Amour - Richard Hickox
  10. La Fille Aux Cheveux De Lin (The Girl With Flaxen Hair) - Dame Moura Lympany
  11. The Coventry Carol - Medeval Babes
  12. Pavane For A Dead Princess - New Philharmonia Orchestra
  13. Liebestraum No.3 In A Flat - John Ogdon
  14. Panis Angelicus - Elisabeth Schwarzkopf
  15. Piano Concerto No.2 In F Op.102 - II. Andante - Dmitri Alexeev
  16. Agnus Dei - Peter Barley
  17. Symphony No.5 In C Sharp Minor - IV. Adagietto - New Philharmonia Orchestra
  18. My Heart Will Go On - Orchestra

Customer Reviews:

1 out of 5 stars The Most Relaxing Classical Album In the World Eveer, Volume II.......2006-08-28

Good selection of music, poorly performed and badly arranged. Good album for a tag sale. Same comment applies for Volume I.

5 out of 5 stars Great music listein to while you read in bed.......2005-08-21

I have listened to this CD for the last several years before going to sleep at night. I love classical music, and this is great music to help make my soul feel at peace and unwind after a taxing day.

5 out of 5 stars A must buy for the non-snobbish classical music fan........2004-10-22

I bought Vol. 1 of this series and was quite satisfied, but I have to say I'm more than satisfied with this one. If you can just mellow out and enjoy some great pieces, you'll love this CD. #15 on Disc 2 is almost worth the price alone!

5 out of 5 stars A bliss of spirit........2004-09-18

That's disc will open You a wonderful, beautiful world of sounds, their harmony & emotion : you'll feel your heart full of
Joy, Tears, Love.
Good LUCK!

2 out of 5 stars Boring.......2004-05-11

Yes this CD will put you to sleep in minutes. Its the most boring uninspiring classical music. The first CD was very good but this Vol. 2 is like most movie sequels....AWFUL !
Best Classics 100 Volume 1
Average customer rating: 3 out of 5 stars
  • Good compilation- of bits and pieces
  • Good and inexpensive collection
Best Classics 100 Volume 1

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

SarabandeSarabande | Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music
WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
All Works by AlbinoniAll Works by Albinoni | Albinoni, Tomaso | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
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Canteloube, JosephCanteloube, Joseph | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ChopinAll Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
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GeneralGeneral | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
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Grieg, EdvardGrieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
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Strauss Jr., JohannStrauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
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All Works by VerdiAll Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by RossiniAll Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by RachmaninovAll Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
ConcertinosConcertinos | Concertos | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
Character PiecesCharacter Pieces | Short Forms | Forms & Genres | Classical | Styles | Music
SonatinasSonatinas | Sonatas | Forms & Genres | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
RomanticRomantic | Symphonies | Forms & Genres | Classical | Styles | Music
Incidental MusicIncidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
MarchesMarches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
OverturesOvertures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
Tone PoemsTone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
VariationsVariations | Forms & Genres | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
RequiemsRequiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music
Ballets & DancesBallets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Vaughan Williams, Ralph | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Ballets & DancesBallets & Dances | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Theatrical, Incidental & Program MusicTheatrical, Incidental & Program Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
French HornFrench Horn | Brass | Instruments | Classical | Styles | Music
TrumpetTrumpet | Brass | Instruments | Classical | Styles | Music
GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
OrganOrgan | Keyboard | Instruments | Classical | Styles | Music
PianoPiano | Keyboard | Instruments | Classical | Styles | Music
ClarinetClarinet | Reeds & Winds | Instruments | Classical | Styles | Music
GuitarGuitar | Strings | Instruments | Classical | Styles | Music
ViolinViolin | Strings | Instruments | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Sacred & Religious | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
Baroque (c.1600-1750)Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music
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OperettasOperettas | Opera & Vocal | Styles | Music
OratoriosOratorios | Opera & Vocal | Styles | Music
AnthemsAnthems | Vocal Non-Opera | Opera & Vocal | Styles | Music
CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
ChorusesChoruses | Vocal Non-Opera | Opera & Vocal | Styles | Music
MotetsMotets | Vocal Non-Opera | Opera & Vocal | Styles | Music
OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
PsalmsPsalms | Vocal Non-Opera | Opera & Vocal | Styles | Music
RequiemsRequiems | Vocal Non-Opera | Opera & Vocal | Styles | Music
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Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
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ASIN: B000GPIPQA
Release Date: 2006-08-29

Tracks:

  1. The Arrival Of The Queen Of Sheba - Sir Neville Marriner
  2. I. Allegro - Yehudi Menuhin
  3. Toccata In D Minor BWV565 - Wayne Marshall
  4. III. Rondo (Allegro Vivace) - Barry Tuckwell
  5. I. Allegro Con Brio - Philharmonia Orchestra
  6. 1812 Overture - Oslo Philharmonic Orchestra
  7. Symphony No.9 In D Minor Choral Op.125 - The Westminster Choir
  8. I. Allegro Molto Moderato - Cecile Ousset
  9. Alla Marcia - Halle Orchestra
  10. Jupiter, The Bringer Of Jollity - Philharmonia Orchestra
  11. I. Allegro Non Troppo E Molto Maestoso - Horacio Gutierrez
  12. Symphonic Poem, Op.26 - Halle Orchestra
  13. Gloria All'egitto - Chorus Of The Royal Opera House, Covent Garden
  14. Montagues And Capulets - The Philadelphia Orchestra
  15. Radetzky March - Willi Boskovsky
  16. Pomp And Circumstance March No.1 - Royal Choral Society
  17. I. Allegro Ma Non Tanto - Mikhail Rudy
  18. Symphony No.3 In C Minor Organ Op.78 - Mathias Eisenberg

Tracks:

  1. Air On The G String - Sir Neville Marriner
  2. Dance Of The Blessed Spirits - New Philharmonia Orchestra
  3. Canon In D - Sir Neville Marriner
  4. II. Adagio - Sabine Meyer
  5. Aria - Julia
  6. Adagio In G Minor - Sir Neville Marriner
  7. I. Adagio Sostenuto - Dame Moura Lympany
  8. II. Andantino - James Galway
  9. II. Andante - Yehudi Menuhin
  10. II. Andante - Stephen Hough
  11. II. Largo - Oslo Philharmonic Orchestra
  12. II. Adagio - Yehudi Menuhin
  13. Nimrod - London Symphony Orchestra
  14. II. Adagio - Julian Bream
  15. The Lark Ascending - Migel Kennedy
  16. IV. Adagietto - New Philharmonia Orchestra
  17. Variation 18 - Cecile Ousset

Tracks:

  1. Au Fond Du Temple Saint - Nicolai Gedda
  2. Song To The Moon - Lucia Popp
  3. Dome Epais - Mady Mesple
  4. La Fleur Que Tu M'avais Jetee - Nicolai Gedda
  5. Che Faro Senza Euridice - Agnes Balsta
  6. Casta Diva - Maria Callas
  7. Che Gelida Manina - Roberto Alagna
  8. O Mio Babbino Caro - Angela Gheorghiu
  9. Bailero: Chants D'Auvergne - Victoria De Los Angeles
  10. Vogliatemi Bene - Carlo Bergonzi
  11. Va, Pensiero - Chorus Of The Royal Opera House, Covent Garden
  12. Es Lebt' Eine Vilja - Elisabeth Schwarzkopf
  13. Ombra Mai Fu - Richard Lewis
  14. Ave Maria - Gerald Moore
  15. Minuit, Chretiens - Roberto Alagna
  16. Nessun Dorma - Jose Carreras

Tracks:

  1. Overture - Royal Philharmonic Orchestra
  2. Jesus Bleibet Meine Freude - Sir Neville Marriner
  3. I. Allegro - Emil Gilels
  4. Trumpet Voluntary - Maurice Andre
  5. Judex - Halle Orchestra
  6. Overture - Polish Chamber Orchestra
  7. Sarabande - Academy Of St. Martin In The Fields
  8. Waltz Of The Flowers - Andre Previn
  9. Troika - London Philharmonic Orchestra
  10. Fantasia On Greensleeves - Sir John Barbirolli
  11. Clair De Lune - Dame Moura Lympany
  12. Scene Act II, No.10 - Andre Previn
  13. Cavatina - Manuel Barrueco
  14. II. Romance (Larghetto) - Garrick Ohlsson
  15. My Heart Will Go On - Orchestra
  16. Time To Say Goodbye - Orchestra
  17. Walzer, Op.314 - Berliner Philharmoniker

Tracks:

  1. Cavaleria Rusticana - Philharmonia Orchestra
  2. II. Adagio Sostenuto (Opening) - Cecile Ousset
  3. Morning - Sir Neville Marriner
  4. Romance - Piers Lane
  5. Adagio For Strings - Philadelphia Orchestra
  6. The Story Of The Kalender Prince - Philadelphia Orchestra
  7. Meditation - Anne-Sophie Mutter
  8. Prince Igor - Beecham Choral Society
  9. Adagio Of Spartacus And Phrygia - Royal Philharmonic Orchestra
  10. Fantasy Overture - Oslo Philharmonic Orchestra
  11. II. Allegretto - Philharmonia Orchestra
  12. II. Largo Ma Non Tanto - Yehudi Menuhin
  13. Schindler's List Theme - Tasmin Little
  14. Dance Of The Reed Flutes - Andre Previn
  15. V. Allegretto - The Philadelphia Orchestra

Tracks:

  1. Zadok The Priest - Royal Choral Society
  2. Zion Hort Die Wachter - Suddeutscher Madrigalchor
  3. Miserere Mei, Deus - Stephen Cleobury
  4. Sanctus - Chor der St. Hedwigs-Kathedrale
  5. Panis Angelicus - Halle Choir
  6. L'Enfance Du Christ - Choeurs Rene Duclos
  7. Sanctus - Heinz Hoppe
  8. In Paradisum - Peter Barley
  9. Laudate Dominum - Edda Moser
  10. Cantique De Jean Racine - MONKS AND CHOIRBOYS OF DOWNSIDE ABBEY
  11. Ingemisco - Luciano Pavarotti
  12. Ave Verum Corpus K618 - Choir Of King's College, Cambridge
  13. I Know That My Redeemer Liveth - Elizabeth Harwood
  14. The Heavens Are Telling - John Shirley-Quirk
  15. Pie Jesu - Victoria De Los Angeles
  16. Lacrimosa - David Bell
  17. Hallelujah Chorus - Ambrosian Singers

Customer Reviews:

2 out of 5 stars Good compilation- of bits and pieces.......2007-07-02

I was excited to see such a great collection of classics, but I was really disappointed to listen and discover that many tracks are shortened dramatically. A fraction of Rhapsody in Blue- a ridiculously short fragment of Bethoveen Ninth Symphony- "Ode to Joy" a tiny part of the first movement of Rachmoninov's Piano Concerto no.3.

I'd rather have fewer tracks and the complete movements.

4 out of 5 stars Good and inexpensive collection.......2007-03-17

EMI's Best Classics 100 provides six CDs with seven hours of selected classical music. The cover does a poor job of portraying who does the selecting and who performs the piece -- information inside however does detail the symphonies being recorded. Recordings from the Polish Chamber, Berlin Symphonies, Royal Philharmonic etc are mentioned. The recording quality is good and the price is low, representing a good purchase for a general collection.
Marc-André Hamelin Live at Wigmore Hall
Average customer rating: 4.5 out of 5 stars
  • Dissapointing!
  • Marc-Andre Hamelin Hyperion CD
  • This is it
  • this recording is very great
  • Fantastic
Marc-André Hamelin Live at Wigmore Hall

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Alkan: Symphony for solo piano
  2. Alkan: Grande sonate 'Les quatre âges', Sonatine, Le festin d'Esope
  3. Godowsky: Sonata; Passacaglia
  4. Medtner: Complete Piano Sonatas, Forgotten Melodies / Hamelin
  5. Marc-André Hamelin plays Liszt

ASIN: B000002ZVE
Release Date: 1995-01-24

Tracks:

  1. First movement from Piano Concerto No.3
  2. Romanza for Piano Concerto No.1- Romanza; Larghetto
  3. Trois Grandes Etudes, Op.76: Trois Grandes Etudes, Op.76 for the hands separately and reunited- Fantasie in A flat major (left hand)
  4. Trois Grandes Etudes, Op.76: Trois Grandes Etudes, Op.76 - Introduction, Variation and finale in D major (right hand)
  5. Trois Grandes Etudes, Op.76: Trois Grandes Etudes, Op.76 - Moument semblable et perpetuel [Rondo-Toccata in C minor] (hands reunited)
  6. Sonatina No. 6: Sonatina No. 6; Kammer-Fantasie uber Carmen, BV284 , after Bizet
  7. Danza festiva , Op. 38, No.3: Danza festiva , Op. 38, No.3( Forgotten Melodies, Vol.1)

Amazon.com

The Canadian pianist Marc-André Hamelin is quickly becoming a favorite with piano connoisseurs, particularly in late Romantic music. In this live recital, Hamelin concentrates mainly on unusual arrangements: a Beethoven movement as recomposed by Alkan, a Balakirev reduction of a Chopin concertos movement for solo piano, Busoni's Sonatina which uses themes from Bizet's Carmen. You have to be pretty far involved in the late Romantic ethos to appreciate these obscure tidbits, but if you are, Hamelin's virtuosic and colorful performances will prove extremely attractive. The live performance atmosphere comes across vividly in this recording, as does Hamelin's tone. --Leslie Gerber

Customer Reviews:

2 out of 5 stars Dissapointing!.......2007-07-12

I have listened this recital, because of praises which written in this page. Very dissapointing. Actually Hamelin will stand among secondary rank in great pianists ad infinitum. He always shows that he "can play" this instrument. But nothing exciting or meditative or lyric...Just pure, superficial technic. My only favorite Hameline is the third part of the second concerto of Shostakovich. That was not bad. I think he is good as concert performer for one enjoyable night. But I can't believe that he can play Bach or late Beethoven or Brahms, adequately. He can only plays his eccentricities. Ofcourse one should also praise him for his "Alkan or Busoni effort"
You may want to hear just for Alkan's interesting transcription.

5 out of 5 stars Marc-Andre Hamelin Hyperion CD.......2007-04-10

This is a wonderful CD full of out of the way pieces most of us do not know exsist. I loved the Chopin/Balakirev transcription of the Piano Concerto #1. Also try two other Hyperion CD's of Nikoli Kapustin, One played by Hamelin and the other by Steve Osborne. This is jazz in a classical format and it will wow your shirt off.

5 out of 5 stars This is it.......2007-02-26

Hamelin is probably one of the greatest pianists ever, and his courage in championing such unusual and technically demanding material as Godowsky's Études turns him into one of the most interesting musicians today. As for this particular recording, it's needless to say that his playing is superb, as usual, and his technique is unassailable and immaculate. His choice of material is bold, to say the least. He starts off with a wonderful reading of Beethoven's third piano concerto and then goes on to overwhelm the listener with effortless and sublime renditions of works by Chopin, Medtner, Busoni and - oh my! - Alkan. I never thought I would ever come to like Alkan's works, but Hamelin's rendition of the Études are so effective and engaging that I began to take some interest in it. It's by far the best live recording I've ever heard and it certainly helped me redefine my ideas about what's possible for a human being to do on the piano.

5 out of 5 stars this recording is very great.......2007-01-29

This recording was for me entree Marc Andre Hamelin. I think then he must is most amazing of technic since Liszt. No I did ever to hear Liszt, but I am pupil of Kremova, and she tell all pupil word of Mme Ida Nagy "et bene audet" of maestro. Of this recording not only is there all notes (Kremova required us learn Alkan op 76 naught if ever we may dare of playing recital!) but Mr Hamelin his of playing so confident and of "fun" and of warm! This recording is the very great. Did M Hamelin in real there play Alkan Beethoven No 3 cadenza! I would fainted were I present real there Wigmore Hall! Here it is on this recording! I would fainted! Is true.
I say here so will not so wounding, M Hamelin not is good play our Rachmaninov and Scriabin. So will not so harsh be Rachmaninov and Scriabin of his other recording difficult for artist such as M Hamelin are not the technic but the music sensiblite. M Hamelin a youth.
So! A great youth artist! Let he perform now youth accord a his greatness!

5 out of 5 stars Fantastic.......2004-09-18

Hyperion recorded this CD from a series of live recitals given in June 1994, at Wigmore Hall. It is one of my favorite live albums. Hamelin performs Alkan's transcription of Beethoven's 3rd concerto, the Trois Grandes Etudes Op. 76, as well as Medtner, Busoni and a Balakirev transcription of Chopin.

Hamelin's performance of Alkan's Beethoven 3rd is a remarkable feat of the recording age. Most pianists would never even touch the work with it's brilliant 6 minute cadenza that echoes the finale of Beethoven's 5th symphony. To perform it live is quite another matter. It is uncertain whether the great Busoni played the work himself in a recital he gave in Berlin in 1906. Hamelin's is the only recording of Alkan's transcription I'm aware of, but it's probably the only one needed.

Balakirev's transcription of the Romanza of Chopin's first piano concerto is a loyal one. However, this is probably my least favorite track on the album. While pretty and thoughtful, it seems out of place in this energetic collection. Hamelin's interpretation is a bit too clean and cold for my liking. His technique is suitable to play tranquil pieces wonderfully, but here it just doesn't seem to work.

Alkan's Trois Grandes Etudes op 76. are some of the most technically challenging compositions in the entire piano repertoire. In Hamelin, Alkan has a faithful performer that is able to create the effects of a full-scale orchestra on the piano using a mere five fingers. Not only does Hamelin perform this work live, he does so flawlessly. The first is the 'Fantasie' for left hand alone, the second 'Introduction, Variations and Finale' for right hand alone. The final 'Rondo Toccata' is a dizzying piece, reminiscent of the final movement of Chopin's Funeral Sonata. The 30-minute performance of this work leads one to admire both Hamelin's pianism, as well as his physical endurance!

The Carmen Fantasy by Busoni is essentially a whirlwind tour of Bizet with the flair of Busoni. Hamelin could have let loose with this piece, but instead decides to let the work speak for itself. The result is a reflective piece that is filled more with the contrast of emotions than excitement. Hamelin's performance is good, but it would also be great to hear this piece played with more energy.

The final piece on this album is Medtner's Danza festiva No. 3. It's whimsical that brings the album to a joyful close. This time, Hamelin's dynamics are perfect and bring out the color and energy in the piece.

All in all, 'Live at Wigmore Hall' is a remarkable achievement that is well worth adding to your collection. Hyperion has done remarkably well in putting together this album. The sound quality is crystal clear, and the audience's rapturous applause really adds to the enjoyment.
Vladimir Horowitz, The Complete Masterworks Recordings 1962-1973, Volume VII: Early Romantics
Average customer rating: 5 out of 5 stars
  • The Schumann Kreisleriana is worth everything, and the Chopin is magical
  • Chopin + Schumann + Horowitz = Unforgettable Playing
  • Classic Chopin
Vladimir Horowitz, The Complete Masterworks Recordings 1962-1973, Volume VII: Early Romantics

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000290G
Release Date: 1994-07-19

Tracks:

  1. Mazurka in A minor, Op. 17 No. 4: Lento, ma non troppo
  2. Etude in G-flat major, Op. 10 No. 5: Vivace
  3. Introduction & Rondo in E-flat major, Op. 16
  4. Waltz in A minor, Op. 34 No. 2: Lento
  5. Polonaise in A-flat Major, Op. 53: Maestoso
  6. Mazurka in F-sharp minor, Op. 59 No. 3: Vivace
  7. Mazurka in C-sharp minor, Op. 50 No. 3: Moderato
  8. Mazurka in D-flat major, Op. 30 No. 3: Allegro non troppo
  9. Mazurka in E minor, Op. 41 No. 2: Andantino
  10. Mazurka in D major, Op. 33 No. 2: Vivace
  11. Etude in C-sharp minor, Op. 10 No. 4: Presto
  12. Etude in E major, Op. 10 No. 3: Lento, ma non troppo
  13. Etude in C minor, Op. 10 No. 12: Allegro con fuoco
  14. Prelude in B minor, Op. 28 No. 6: Lento assai

Tracks:

  1. Posonaise in A major, Op. 40 No. 1: Allegro con brio
  2. Prelude in D-flat major, Op. 28 No. 15: Sostenuto
  3. Etude in E-flat minor, Op. 10 No. 6: Andante
  4. Etude No. 2 in A-flat major from 'Trois Nouvelles Etudes': Allegretto
  5. Mazurka in F minor, Op. 7 No. 3
  6. Waltz in C-sharp minor, Op. 64 No. 2: Tempo giusto
  7. Variations on a Theme by Clara Wieck from Sonata No. 3 in F minor, Op. 14: Andantino
  8. Kreisleriana, Op. 16: I. Auberst bewegt
  9. Kreisleriana, Op. 16: II. Sehr innig
  10. Kreisleriana, Op. 16: III. Sehr aufgeregt
  11. Kreisleriana, Op. 16: IV. Sehr langsam
  12. Kreisleriana, Op. 16: V. Sehr lebhaft
  13. Kreisleriana, Op. 16: VI. Sehr langsam
  14. Kreisleriana, Op. 16: VII. Sehr rasch
  15. Kreisleriana, Op. 16: VIII. Schnell und spielend

Amazon.com essential recording

Schumann and Chopin were staples of Horowitz's repertory, and this late 1960s-early 1970s collection finds him at his mature peak, playing with elan and imaginative fantasy. The Kreisleriana is one of his greatest recordings, trumping rivals with its spectacular pianism and complete identification with the composer. The Chopin set typifies Horowitz's approach--big and bold, with personalized editorial emendations and an energy that shatters the conventional salon approach. But he also sings Chopin's touching melodies as few others can, making the lovely Op. 10 No. 3 Etude an achingly touching poem. --Dan Davis

Customer Reviews:

5 out of 5 stars The Schumann Kreisleriana is worth everything, and the Chopin is magical.......2005-12-20

This is a must have dual CD set of one of the great pianists of all time playing some of his favorite music. Later in life Horowitz made a TV show that became a best selling VHS tape entitled "Horowitz: The Last Romantic". If you ever heard him play, you know that title is appropriate and what the grand piano style was all about.

I have often referred to recordings of music as photographs of music. And just as photographs of people a wonderfully valuable, they are not the real person and do not capture the real person. Even a movie or documentary distorts the reality of the person. Still, we treasure our home movies, photos, and recordings. And we should. We just need to remember what they really are and that they are representations of reality (or of fictions if that is what they are) rather than real life.

It was my good fortune to hear Horowitz in recital three times; twice here in Ann Arbor and once in East Lansing. While I have heard dozens of great pianists, and hundreds of very fine quality, Horowitz (and Rubenstein) had a special charisma that was totally involving. His playing had special qualities that were unique to him. He played more quietly and yet was able to send that whisper of sound to the farthest rows in Hill Auditorium. I believe the secret of his power was that he had so many shades of pianissimo. While we clearly here a great dynamic range in these recordings, the compressed nature of recordings cannot capture the full range of what we heard in live performance.

The other thing he had was the ability to not only keep the voices clear in the music he was playing, but to give each voice its own character and sound. The recording of Schumann's fabulous Opus 16, Kreisleriana included here captures this ability to a stunning degree. This recording should be in your collection and studied carefully. While these phantasies are full of contrasts that make listening to them seemingly easy, there is so much quality and interesting music that they will reward as much close listening and study as you can lavish on them.

The other Schumann work included is the "Variations on a theme by Clara Wieck" (who became Schumann's wife and was a superb and important pianist).

The Chopin pieces included here are a wonderful collection of etudes, mazurkas, the two famous polonaises, preludes, waltzes, and the wonderful but not often heard "Introduction and Rondo in E-flat major Op 16". These are all full of magic and will hold your imagination closely. I find myself saying, "Oh, I LOVE this piece" and then the next one comes on, and I say the same thing again and then again for the next one. They are all pieces I have learned to play or want to learn (like the Intro & Rondo).

Get a hold of these disks if you can. Just a number of wonderful listening experiences.

5 out of 5 stars Chopin + Schumann + Horowitz = Unforgettable Playing.......2003-04-12

Volume Seven of Sony's Horowitz reissue contains very convincing performances of Chopin and Schumann, Romantic composers whose music was sympathetic to the pianist's interpretive style.

It was not uncommon for Horowitz to bring to light a rarely played work by a well known composer, which is the case with Chopin's Introduction & Rondo in E-flat. This early composition (probably written for Chopin's most advanced pupils) abounds with glittery passagework and technical configurations similar to his Concertos (which Horowitz never recorded). Under Horowitz's hands, the work exceeds the boundaries of mere salon piece and emerges as a virtuoso tour de force.

Horowitz (who had a Polish grandmother and was fond of pointing out that he was "half as much a Pole as Chopin") considered the Mazurkas to be Chopin's greatest works, and often stated that there was more music in the shortest Chopin Mazurka than in the longest Mahler Symphony. The pianist treated the Mazurkas less as dance pieces than as "dance-fantasies" and his playing of the works was freer than the more straightforward Rubinstein. Highlights of this set include a seductive F-sharp Minor, Op. 59 No. 3.

Horowitz made several recordings of the ever popular A-flat Polonaise, and this one adheres most closely to Chopin's text. The introduction is very sparsely pedalled (as if Horowitz were saying "Look! I can play the tricky introduction without using the pedal to cover up insufficient fingerwork. Take THAT, Rubinstein!"). The remainder of the piece goes with gusto and flair (too fast to be a Maestoso), but he somehow misses the grandeur which Rubinstein brought to the piece--and which Horowitz himself would attain in his last years. The A-major Polonaise is also taken at a fast clip, but this somehow seems more appropriate to this work, and one is reminded of Chopin's remark that if he were able to play the piece the way he meant it to be played, the piano would lay in ruins afterward.

If anyone thought Horowitz, then approaching 70, had lost any of his fire, their worries were quickly dispelled with the Etudes included here. The C-sharp Minor goes at a rapid clip, but unlike many pianists, there is no loss of clarity. The famous Revolutionary Etude is given a more outwardly virtuosic performance then the pianist's 1963 recording, yet somehow the piece has less impact here.

The ubiquitous C-sharp Minor Waltz is from the Boston concert of April 7, 1968. Three days previously, the Reverend Martin Luther King had been murdered in Memphis. At the beginning of this concert, Horowitz came onstage with an African-American minister, and played Chopin's Funeral March in memory of Dr. King.

Horowitz learned Shumann's Kreisleriana in the 1930s, but did not play it in public until 1968. Several attempts to record the work in concert were not successful, and Horowitz came to the conclusion that he needed the peace and quiet of a recording studio to achieve the concentration for a performance suitable for posterity. Horowitz recorded the work at one inspired session on December 1, 1969, and this may well be the most successful Kreisleriana ever recorded. Ironically, Horowitz, who often had trouble holding together a Beethoven Sonata, makes this structurally splintered work emerge as one piece. This is one Kriesleriana which is never rambling or boring. There is virtuosity here, but never for its own sake, and there is poetry in plenty. This stands alongside the 1932 Liszt Sonata and 1951 Rachmaninoff Third Concerto as one of Horowitz's greatest recordings. However, it should be pointed out that this reissue of Kriesleriana uses a few alternate takes, which are markedly different from the original LP and an earlier CD issue (MK42409). Although the performance is basically similar, there are several differences in detail.

Schumann's Variations on a Theme by Clara Wieck, originally included as a filler for the Kriesleriana record, is given a straightforward reading here. It a lovely little work, but it is even more beautiful in its original context: as the third movement from the composer's Sonata in F Minor, another rarely played work Horowitz would bring to light in 1975.

The sound is more than acceptable here, and especially fine in the Schumann works.

5 out of 5 stars Classic Chopin.......2000-11-23

Volume Seven of Vladimir Horowitz's "Complete Masterworks Recordings" ("Early Romantics") compiles almost two discs worth of classic Chopin performances. There's a little bit of everything here -- Polonaises, Etudes, Mazurkas and Preludes, but sadly no Nocturnes. The Chopin renditions here are as good as, if not better than, anything available -- Rubinstein, Kissin, Pollini and Cliburn included. And just when you thought the highlight of this collection was the Chopin material, on come two amazing pieces by Schumann, "Variations on a Theme by Clara Wreck" and "Kreislerania." The latter piece is a particular favorite of mine -- a wild and turbulent, and at times poetic and lovely, masterpiece which Horowitz captures in all its brilliance. In all, "Early Romantics" is a thoroughly enjoyable couple of discs that anyone should love.
The Segovia Collection, Volume 9: The Romantic Guitar
Average customer rating: 4.5 out of 5 stars
  • My Personal Favorite
  • The Greatest Classical Guitarist who ever lived!
  • An expressive Genius
The Segovia Collection, Volume 9: The Romantic Guitar

Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD

WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
QuartetsQuartets | Chamber Music | Classical | Styles | Music
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Scriabin, AlexanderScriabin, Alexander | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
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Segovia, AndrésSegovia, Andrés | ( S ) | Featured Performers, A-Z | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
AirsAirs | Vocal Non-Opera | Opera & Vocal | Styles | Music
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  4. Andrés Segovia: 1927 - 1939 Recordings, Volume 1
  5. The Segovia Collection, Vol. 2

ASIN: B000002OGJ
Release Date: 1991-06-04

Tracks:

  1. Op. 62, No.2: Chant du Paysan, Op. 62, No.2
  2. Op. 12, No. 2: Waltz, Op. 12, No. 2
  3. Op. 30, No. 3: Song Without Words, Op. 30, No. 3
  4. Canzonetta
  5. Op. 19, No. 6: Song Without Words Op. 19, No. 6
  6. Menuetto
  7. Largo assai
  8. Romanza
  9. Andantino Variato
  10. Op. 39, No. 2: Waltz, Op. 39, No. 2
  11. Prelude in A
  12. Romanza
  13. Melodie
  14. Preludio
  15. Allegretto
  16. Sonata
  17. Homenaje, Pour Le Tombeau De Debussy
  18. Prelude
  19. Prelude: La Fille Aux Cheveux De Lin

Amazon.com

Of all the discs in MCA's fine Segovia collection, this is the least successful, though fans of the great guitarist will naturally want this collection of transcriptions of piano works by various Romantic composers, including Grieg, Mendelssohn, Brahms, and Debussy. The problem does not lie with Segovia's performances, which are excellent, but with the music itself, some of which resists being performed on the guitar rather more than the Spanish pieces that are the "meat and potatoes" of the classical repertoire. If this one reservation doesn't trouble you, then by all means buy. --David Hurwitz

Customer Reviews:

4 out of 5 stars My Personal Favorite.......2004-06-12

While Segovia's forte is Spanish music and his mastery of the Bach sonatas and partitas which were transcribed from the violin to the guitar, I keep finding myself listening to this CD on an almost daily basis. As a classical guitarist myself, hearing pieces like Grieg's piano works and Mendlesohns' string quartets played to perfection on his 1947 Herman Hauser II with such strength, clarity and authority makes me realize this man understood more about the music that went onto this one CD than most "musicians" past and present could ever hope to understand in a lifetime. His guitar sings like a human voice and when he plays it truly sounds like a choral ensemble being played through one instrument. Sweet!

5 out of 5 stars The Greatest Classical Guitarist who ever lived!.......2000-09-22

Every classical Guitarist today owes a debt of gratitiude to Andres Segovia. He was not only an amazingly unique talent but an innovator as well. When he rediscovered the guitar it was a forgotten instrument that shared little respect from the musical community. He literally invented the technique that all classical guitarists use today. In addition he sought out and compiled thousands of lost pieces for the instrument. He also made many transcriptions of pieces written for other instruments such as the piano and translated them brilliantly into the language of the guitar. Out of the entire Segovia collection, this CD is my personal favorite for the diversity and choice of material. The waltzes are charming. My favorite cuts are Canzonetta and Song Without Words OP 19.no 6, both but Felix Mendelssohn. If you only buy one CD out of this collection it should be this one.

4 out of 5 stars An expressive Genius.......1999-02-17

Segovia truly shows his expressive genius on this album. Many of these pieces were written for the piano but arranged for the the guitar by Segovia. These titles express much of what is moving about the romantic period in classical music and Segovia captures this in his masterful way. This is a must have for Segovia fans. If not for some noisy recordings, I would have given this album 5 stars.
Chopin, Volume 1
Average customer rating: 5 out of 5 stars
  • Shattering pianism from a young genius
  • Surreal renditions of truly great works.
  • JUST EXCELLENT!! IF I COULD HAVE GIVE 10 STARS I 'D DO IT !
  • Must Own Chopin Recital
  • great performance from a great pianist
Chopin, Volume 1

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

PolonaisesPolonaises | Ballets & Dances | Classical | Styles | Music
WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
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ScherzoScherzo | Forms & Genres | Classical | Styles | Music
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Similar Items:
  1. Chopin: Volume 2 (Sonata No. 3/Mazurkas)
  2. Chopin: 24 Preludes, Op. 28; Sonata for Piano No. 2, Op. 35; Polonaise, Op. 53
  3. Chopin: The Four Ballades, Berceuse, Barcarolle, Scherzo No. 4
  4. Evgeny Kissin Plays Brahms
  5. Rachmaninoff: Concerto No. 2; Etudes-Tableaux

ASIN: B000003F0R
Release Date: 1994-02-15

Tracks:

  1. Fantaisie, Op. 49 In F Minor
  2. Grande valse, Op. 42 In A-Flat
  3. Grande valse brillante, Op. 34, No. 2 In A Minor
  4. Grande valse brillante, Op. 34, No. 1 In A-Flat
  5. Polonaise, Op. 44 In F-Sharp
  6. Nocturne, Op. 32, No. 2 In A-Flat
  7. Nocturne, Op. 27, No. 1 In C-Sharp
  8. Nocturne, Op. 27, No. 2 In D-Flat
  9. Scherzo No. 2, Op. 31 In B-Flat

Amazon.com essential recording

Yevgeny Kissin is one of the most successful pianists of his generation. This disc, recorded live at a Carnegie Hall concert, demonstrates why. Kissin is one of the best Chopin players alive. His playing of the big Fantasy is among the best performances I've heard, catching each mood of the music and playing with flexible rhythms that never deteriorate into anarchy. The Nocturnes sound like very private meditations, while the Scherzo is a big public statement. All of these fine interpretations are delivered with gorgeous piano tone, very well conveyed by the recording. You cannot hear better Chopin playing today. --Leslie Gerber

Customer Reviews:

5 out of 5 stars Shattering pianism from a young genius.......2006-03-18

This CD is so commanding in its musicality that one can hardly imagine being able to sit still for the live recital itself, given in Carnegie Hall in Feb. 1993. Kissin had already made the debut of a lifetime, also recorded by RCA, but this Chopin recital and its compansion from the same event exhibit a towering mastery. The famous showpieces--the F minor Fantasy, Grande Valse Brillante, F-sharp minor Polonaise, Scherzo #2--eclipse all rivals unless you go back to Rachmaninov, and the audience knew it. Their applause is a roar of ecstatic approval.

Yet behind the shattering virtuosity works a sensitive musical mind, and so it's sad to think that 13 years later, Kissin seems to have coarsened that imaginaiton by relying too much on his bravura technique.

5 out of 5 stars Surreal renditions of truly great works........2003-04-17

I thought Rubenstein was the gold standard for Chopin. However, after listening to this CD I must confess that I have *never* heard better versions of the Nocturnes (A & C) or the Fantasy. Evgeny Kissin is definitely at his best here.
I am at a loss for words to express how beautifully the music has been rendered. The sound quality is very good. Superb. Absolutely a must have CD.

5 out of 5 stars JUST EXCELLENT!! IF I COULD HAVE GIVE 10 STARS I 'D DO IT !.......2003-01-02

This is for sure the most impressing CD I have so far listened about Chopin at all! Actually it's simply the best piece of music I have listened ever.
The initial Fantasia Op.49 it's simply great and Kissin shows all his wonderful talent(I saw him in life concert in London at Royal Hall and I was deeply admired of his genius).The Nocturnes are really touchy and incredibly smoothly played. The Great Walzer are also played with extreme sensibility that I was almost moved by them. But in my opinion the best piece of music I have ever listened about composition and performance is The Polonaise Op.44. In fact it had so deeply touched me when I listend at it the first time, that I will always remember the atmosphere created from this music in a small room of a Residence in London with 2 Japanise friends of mine drinking wine and eating chease....while this music was plaing at candel-light...was impressing the feeling created by this music! You will listen at the end of this performance a large clapping hands from the audience (the CD is life recorded at Carnegie Hall in New York). You want a suggestion from me? Buy this CD and you will have forever a piano masterpiece with you for all the best moment of your life. I really mean it.
Bye from Italy.
Your faithfull Luca (greetings to all my friends around the world)

5 out of 5 stars Must Own Chopin Recital.......2001-07-02

Evgeny Kissin first made his mark on the world by performing both Chopin piano concertos in one sitting...at the tender age of 12. Though he says that Bach is his favourite composer, I would say from listening to his performances that he has the best understanding of Chopin. To me, all of Kissin's Chopin performances are definitive. As a pianist, his recording are the ones I find most useful in shaping my own interpretation of pieces - because they are so beautiful. Chopin's performance on this CD, recorded live at Carnegie Hall, is astounding.

He commences with a tremendous work, the Fantasy in F minor (a piece I have performed publicly as well). His performance is amazing. The subtle dynamics and virtuosic technique create a lovely interpretation.

Next is a set of 3 Waltzes. Though I feel Kissin's interpretation of the A flat major Grand Waltz Brilliante (op. 34) could be slowed down a hair, it is unquestionably rousing, and his performances of the other two waltzes are fabulous, particularly Grand Waltz (not brilliante) in A flat major.

The Polonaise in F sharp is a fantastically difficult piece. When I first bought this recording and heard this performance, all I could say was wow. I brought it to my piano instructor, because at the time I was studying the piece, and all he could say was, "That's beautiful." It is by far the best performance of this piece that I have ever heard. It is the only performance of this piece in which I have ever felt a more beautiful voice emerge.

Following the polonaise, Kissin chose to perform 3 nocturnes. Chopin's nocturnes are known for their soaring voices, and Kissin chose 3 of the best known, particularly the 2 from Op. 27, which are considered the best. His performances here are equally exemplarly, and it is to his credit that despite the fact that he concludes with a nocturne marked Largo (forgive me if it is addagio... I haven't looked at the D flat nocturne in some time) he still gets thunderous applause.

Finally Kissin chose to conclude with Chopin's Scherzo #2 in B flat. Scherzo #2 is not all that musically significant, but, it does have a really catchy melody. In the hands of a virtuoso, it's triplets will always delight the crowd. I've heard this piece performed both live and in recordings by several greats, among them Argerich, Rubenestein, and Ashkenazy. None of them create such a, dare I say, catchy piece out of one of Chopin's works. I walk away from listening to this performance invariably humming the main theme...and judging from the crowds response, who could not wait till the last note rang out to stand on their feet and shout "Bravo!" this performance will do the same to almost anyone.

I fervently recommend this recital recording to anyone who loves Chopin, even if they have every piece on this CD already well recorded. Each piece played is played fantastically well. I can not express more how wonderful this CD is. It is a must buy.

5 out of 5 stars great performance from a great pianist.......2001-05-24

im a pianist myself and Evgeny Kissin is my favorite pianist of all time. hes the one i feel closest to. in my opinion hes the greatest pianist ever. my favorites from this cd are the Fantaisie, Waltzes, Polonaise, and the Scherzo. the Nocturnes are great too. thru out the entire cd Evgeny Kissin's technique is very impressive. buy this cd now.
Chopin: Volume 2 (Sonata No. 3/Mazurkas)
Average customer rating: 4 out of 5 stars
  • This set may be the greatest we will get from Kissin
  • Kissin misses the mark but there is hope...
  • Technically proficient, but emotionally immature
  • The Second of a must own set, but less compelling
  • Oracular
Chopin: Volume 2 (Sonata No. 3/Mazurkas)

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

MazurkasMazurkas | Ballets & Dances | Classical | Styles | Music
All Works by ChopinAll Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
SonatinasSonatinas | Sonatas | Forms & Genres | Classical | Styles | Music
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Similar Items:
  1. Chopin, Volume 1
  2. Chopin: The Four Ballades, Berceuse, Barcarolle, Scherzo No. 4
  3. Chopin: 24 Preludes, Op. 28; Sonata for Piano No. 2, Op. 35; Polonaise, Op. 53
  4. Rachmaninoff: Concerto No. 2; Etudes-Tableaux
  5. Evgeny Kissin Plays Brahms

ASIN: B000003FOU
Release Date: 1994-11-08

Tracks:

  1. Sonata No. 3 In B Minor, Op. 58: Allegro maestoso
  2. Sonata No. 3 In B Minor, Op. 58: Scherzo
  3. Sonata No. 3 In B Minor, Op. 58: Largo
  4. Sonata No. 3 In B Minor, Op. 58: Finale: Presto, non tanto
  5. Mazurka, Op. 63, No. 2 In F Minor
  6. Mazurka, Op. 56, No. 2 In C
  7. Mazurka, Op. 63, No. 3 In C-Sharp Minor
  8. Mazurka, Op. 30, No. 3 In D-Flat
  9. Mazurka, Op. 68, No. 4 In F Minor
  10. Mazurka, Op. 50, No. 1 In G
  11. Mazurka, Op. 50, No. 3 In C-Sharp
  12. Mazurka, Op. 33, No. 2 In D
  13. Mazurka, Op. 24, No. 4 In B-Flat
  14. Mazurka, Op. 59, No. 3 In F-Sharp Minor
  15. Mazurka, Op. 17, No. 4 In A Minor
  16. Mazurka, Op. 63, No. 1In B

Customer Reviews:

5 out of 5 stars This set may be the greatest we will get from Kissin.......2005-09-19

The phenomenal prodigy that was the young Kissin doesn't seem to be growing, not as of now. This recital contains the most virtuosic Chopin playing imaginablecombined with a deep feeling for this composer that can't be taught. However, given some pretty off-putting recent recordings, it may be that this CD, along with eight or ten others also from his early years, will prove the height of is legacy. Le'ts hope not; he is sitll relatively young.

3 out of 5 stars Kissin misses the mark but there is hope..........2005-07-16

Chopin Sonata No.3 in B minor Op.58 is a maturity work both from the composer and the soloist viewpoints. Unfortunately in this recording, I find Kissin fails to deliver on that account and, like many, tries to mask this lack of depth by tempo changes and flashy virtuosic effects.
For that piece I would recommend the recent release by Russian born pianist Svetlana Ponomareva available on amazon.ca, the Canadian site of Amazon.
On her news webpage (http://www.ponomarevapianist.com/news.htm), the soundtrack sample is the Scherzo of the Sonata. As opposed to Kissin interpretation, the constant tempo written by Chopin is respected but the touch and sensitivity of the pianist allows the dramaturgy to evolve as she draws the listener into her world.

As an aside, she also studied at the Gnessins Academy in Moscow...

3 out of 5 stars Technically proficient, but emotionally immature.......2002-07-22

Kissin is still a youngster in the world of Chopin; as much as people like to put him on the pantheon of great pianists already, the truth is that his ideas of dramatic structure are vague, his phrasing is narrow and confined, and he has virtually nothing new or visionary to bring to the music. While he is technically proficient - almost perfect - so is Pletnev, or Volodos, or any one of many who have recorded the same pieces. I would recommend Cortot, Harasiewicz, Horowitz, Ohlsson or Pletnev for any Chopin fan who isn't swayed by the sensationalist hype surrounding Kissin. Give him 20 years, then see what he produces.

4 out of 5 stars The Second of a must own set, but less compelling.......2001-09-03

Though I would still buy this CD, I like it a good deal less that I like Chopin, volume one. However, there is one thing about this CD which causes me to say you must own it: the finale of Sonata no. 3. Though Kissin performs all of the Sonata well, I find most of Argerich's performance of the Sonata far more fun. However, she fails in the last movement, playing it, as she often does, far too fast. Kissin's finale is positively majestic in it's churning, off-beat rhythm. It is truly wonderful.

Many of the Mazurkas played here are played absolutely sublimely. On the other hand, a few of them are less than absolutely wonderful. The last one on the CD, however, is an absolute treasure. I would say this is an essential CD, but, if you are on a limited budget, by Chopin Volume 1 first.

5 out of 5 stars Oracular.......2000-04-16

I must concur with my neighbor. This CD is possibly my favorite of all which I own. Kissin's technical prowess rivals that of pianists twice his age, yet it is neither age nor technique that sets him apart from his peers, but his unmatched sensitivity and insight. This is musicianship of the very highest caliber. Kissin has a special affinity for Chopin. His very natural touch and "declamation" sound like what one must imagine Chopin, himself, must have played. "Natural" is really the best word for Kissin's pianism--his sincerity is almost disarming. I would say that the slow movement of the sonata--itself an unjustly underperformed work--is one of the most beautiful pieces of music ever written, and in Kissin's hands it is absolutely breathtaking. Mr. Del Dotto is right, though. The Mazurka in Am (op.17, no.4) is painfully beautiful. The final barely audible return of the original theme is absolutely haunting. It is true that this is nothing like the Chopin you might be familiar with. Kissin's interpretations are absolutely unique, which may be a turnoff to some. But this is not merely different, it is BETTER. There is nothing in the world like Kissin playing Chopin. Do not hesitate--buy this record.
The Romantic Piano Concerto, Volume 1
Average customer rating: 5 out of 5 stars
  • Spectacular
  • There are several gems in this album!
  • A SCORCHING PERFORMANCE OF A TRULY GREAT CONCERTO
The Romantic Piano Concerto, Volume 1

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

All Works by ChopinAll Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
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ASIN: B000001K3C
Release Date: 1992-11-04

Tracks:

  1. Allegro Patetico - Michael Ponti
  2. Larghetto - Michael Ponti
  3. Allegro Agitato - Michael Ponti
  4. Konzerstuck For Piano And Orchestra, Op. 113 - Jerome Rose
  5. Allegro De Concert In A Major, Op. 46 - Michael Ponti

Tracks:

  1. I. Allegro Maestoso - Hans Kann
  2. II. Adagio Di Molto - Hans Kann
  3. III. Rondo Vivace - Hans Kann
  4. I. Allegro Pomposo E Spirituoso - Hans Kann
  5. II. Andante Con Moto - Hans Kann
  6. III. Rondo: Allegro Moderato Ma Con Brio - Hans Kann

Customer Reviews:

5 out of 5 stars Spectacular.......2005-02-07

I ordered this CD via a Gift Certificate from my daughter for my 60th birthday. I have been a fan of the Romantic era piano concertos/works since I was 8 years old and this CD introduced me to composers and artists that I had not listened to before. This is an absolute must have to anyone who loves classical music.

5 out of 5 stars There are several gems in this album!.......2004-07-31

Von Henselt piano concert is the peak of the crown . Absolutely agree . This work , despite its countless difficulties that demands from the player is surrounded of a romantic majesty and aristos presence .
But think in Chopin's Allegro de Concerto : Chopin was planning to compose a third Piano Concert in 1849 but he only could finish the first movement . So this work literally was frozen for players . Nadia Reisenberg (vynil Westminster in the fifties) and Claudio Arrau (in the sixties) recorded this work and played for solo piano . But Michael Ponti aceppted the challenge and this was the world premiere recording with orchestra) The result is a fifteen minutes piece complete by itself with a mature Chopin loaded with new proposals and a revitalized concept of his beloved Poland . You notice inmediatly that the important 1848 revolution , permeated the soul of Frederick .
Hiller ' s piano concert is a bravura work . The notes fall incisively on the listener , and suddenly the mood is made : its introspective moods and fevered lyricism will steal your mind .
Acquire as soon as you can this weird album .Ponti reveals himself not only as a superb pianist , but also as an untired searcher of the unknown pieces of the XIX century , happily for us .
Thanks for Ponti , Earl Wild , and Raymond Lewenthal , extraordinary pianists inmersed in the purest romantic tradition.

5 out of 5 stars A SCORCHING PERFORMANCE OF A TRULY GREAT CONCERTO.......1999-09-27

The brilliant Michael Ponti (One of the best pianists out there. Why is he not better known?!) gives a spectacular performance of Adolf von Henselt's superb f minor concerto. A work of terrifying difficulties (no less than Anton Rubinstein abandoned work on the piece because he considered it too difficult) it was once quite popular (Both Liszt and Clara Schumann championed the work). Ponti plays the fire out of it. The Henselt alone makes this a worthy aquisition, and the CD set contains other treasures as well. By all means pick this up. At this price it is a "no-brainer".
The Blumental Collection Volume 1 - Chopin: Waltzes
Average customer rating: Not rated
    The Blumental Collection Volume 1 - Chopin: Waltzes

    Manufacturer: Brana Records
    ProductGroup: Music
    Binding: Audio CD

    WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
    All Works by ChopinAll Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
    PianoPiano | Keyboard | Instruments | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    ClassicalClassical | Indie Music | Stores | Music
    ASIN: B000280UNC
    Release Date: 2004-05-22

    Tracks:

    1. Waltz in E flat major, Op.18
    2. Waltz No. 1 in A flat major, Op.34
    3. Waltz No. 2 in A minor, Op.34
    4. Waltz No. 3 in F major, Op.34
    5. Waltz in A flat major, Op. 42
    6. Waltz No. 1 in D flat major, Op.64 ("Minute")
    7. Waltz No. 2 in C sharp minor, Op.64
    8. Waltz No. 3 in A flat major, Op.64
    9. Waltz No. 1 in A flat major, Op. 69 ("L'adieu")
    10. Waltz No. 2 in B minor, Op.69
    11. Waltz No. 1 in G flat major, Op.70
    12. Waltz No. 2 in F minor, Op.70
    13. Waltz No. 3 in D flat major, Op.70
    14. Waltz in E minor (posth.)
    15. Waltz in E major (posth.)
    16. Waltz in A flat major (posth.)
    17. Waltz in E flat major (posth.)

    Album Description

    Pianists worldwide are attracted to Chopin's Waltzes. They incorporate a range of moods from melancholy to effervescent but retain an air of sophistication deemed for aristocratic salons. Chopin composed in this genre throughout his lifetime and was highly praised for his pianistic developments. He dedicated his life to the piano, establishing it as a solo instrument and freeing it from orchestral and choral influences. Here is a fine collection of his waltzes, some of his most famous and others less known.
    The Blumental Collection Volume 2 - Chopin: Mazurkas, Nocturnes and Polonaises
    Average customer rating: Not rated
      The Blumental Collection Volume 2 - Chopin: Mazurkas, Nocturnes and Polonaises

      Manufacturer: Brana Records
      ProductGroup: Music
      Binding: Audio CD

      MazurkasMazurkas | Ballets & Dances | Classical | Styles | Music
      PolonaisesPolonaises | Ballets & Dances | Classical | Styles | Music
      All Works by ChopinAll Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
      NocturnesNocturnes | Short Forms | Forms & Genres | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      ClassicalClassical | Indie Music | Stores | Music
      ASIN: B000280UNM
      Release Date: 2004-05-22

      Tracks:

      1. Mazurka in F sharp minor Op. 6, No. 1
      2. Mazurka in F minor Op. 7, No. 3
      3. Mazurka in C sharp minor Op. 30, No. 4
      4. Mazurka in D major Op. 33, No. 2
      5. Mazurka in E minor Op. 41, No. 2
      6. Mazurka in F minor Op. 63, No. 2
      7. Mazurka in C sharp minor Op. 63, No. 3
      8. Mazurka in A minor (posth.) Notre temps No. 2
      9. Nocturne in B flat minor Op. 9, No. 1
      10. Nocturne in F major Op. 15, No. 1
      11. Nocturne in B major Op. 32, No. 1
      12. Nocturne in G minor Op. 37, No. 1
      13. Nocturne in E minor Op. 72, No. 1
      14. Polonaise in C sharp minor Op. 26, No. 1
      15. Polonaise in E flat minor Op. 26, No. 2
      16. Polonaise in C minor Op. 40, No. 2
      17. Polonaise in A flat major, Op. 53 (Heroic)

      Album Description

      The mazurka is in fact both a French title and a translation of Poland's native dance called a Mazurk. It is in triple time, either 3/8 or 3/4, (Chopin's mazurkas were written in the latter) and often used church modes as a source of harmony. The original folk mazurka is a combination of three dances, but is flexible to allow an improvisational section for new parts. For many of his compositions, Chopin turned to Polish folk music for inspiration. One of his favoured (and specialised) techniques is rubato and here it is ideal to convey the feeling of improvisation. Dotted rhythms and irregular accents are also characteristic of mazurkas and Chopin wrote with this particularly in mind. He combined these traditions with major and minor modes and extended this common dance to become a higher musical form and at the same time, captured the true spirit of the Mazurk. Chopin composed over 50 throughout his lifetime.

      A `Nocturne' usually means an evening song that is soft in character, but Chopin developed this genre to incorporate a variety of moods with a more poetic and expressive nature, while adopting an A-B-A form. Section `A' usually consisted of a dreamy bel-canto style and section `B,' a more dramatic passage (a particular example of this is Op. 15, No 1).

      Here Chopin again turns to another dance form of his native land, Poland and takes its title from the peasant processional dances, Polski. As with the mazurka, it is in triple time, although Chopin adopts slower tempos and a more majestic quality. Chopin composed polonaises and waltzes throughout his lifetime. His first polonaise was composed at the age of 7 (Polonaise in G minor) and the last was Polonaise-Fantasie in A flat major Op. 61 dated in 1846. He applied many ideas to his polonaises, extending the boundaries of the `A-B-A' form. He composed introductions, experimented with codas and polyphonic textures and developed themes and bridges.

      Like his Mazurkas, the Polonaises inspire a certain respect of the Polish spirit while demanding an accomplished piano technique. The interpretation and in particular, understanding of these two dances are key to a true performance of Chopin's works. Here Felicja Blumental has the benefit of her Polish background to accompany her technical agility and artistic intuition.

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