Beethoven: Overtures

Editorial Reviews
Amazon.com
Recorded when the Berlin Philharmonic and Herbert von Karajan were in their plush phase, but under a full head of steam, these polished performances of the Beethoven overtures are a visceral delight. The sensuous, bass-heavy textures and glistening gut-strung string playing are still something to marvel at. So are the outstanding solos in the winds and the potent proclamations of the brass, which had become impressively secure at this point in Karajan's reign, even though their tuning was still problematic. At times the treatment may seem just a bit Prussian and overbearing, and premeditated in effect rather than spontaneous. But the Olympian grandeur of the conceptions and the sense of festive sweep Karajan brings to the readings make this a set one can live with. The three overtures recorded in 1965 seem just a tiny bit fierce in the treble compared with the remainder; otherwise, the venue is the same and the engineering remarkably consistent. The sound is boomy in the louder passages, but there is excellent atmosphere in the quiet ones. At mid-price, the compilation is a bargain. --Ted Libbey

Tracks:

Air 'On the G String' - Academy Of St. Martin In The Fields
Morning - Academy Of St. Martin In The Fields
Canon In D - Academy Of St. Martin In The Fields
Jesu, Joy Of Man's Desiring - Academy Of St. Martin In The Fields
Gymnopedie No.1 - City Of Birmingham Symphony Orchestra
II. Andante - Stephen Hough
Viens, Mallika - Mady Mesple
In Paradisum - Choir Of King's College, Cambridge
Clair De Lune - Dame Moura Lympany
II. Andate - Yehudi Menuhin
The Swan - Osian Ellis
II. Lento E Largo - Tranquillissimo - Zofia Kilanowicz
II. Andantino - James Galway
II. Largo - Yehudi Menuhin
Nimrod - London Symphony Orchestra
Blow the Wind - Pie Jesu - Jocelyn Pook
Variation 18 - Cecile Ousset
Pavane Op.50 - Gareth Morris

Tracks:

Zion Hort Die Wachter Singen - South German Madrigal Choir
Adagio In G Minor - Academy Of St. Martin In The Fields
Minuet - Academy Of St. Martin In The Fields
II. Largo - Andrei Gavrilov
Meditation - Hans Kalafusz
I. Adagio Sostenuto - Dame Moura Lympany
Belle Nuit, O Nuit D'amour (Barcarolle) - Elisabeth Schwarzkopf
II. Andante - Nigel North
II. Adagio - Jack Brymer
Intermezzo - Philharmonia Orchestra
I. Moderato - London Chamber Orchestra
O Mio Babbino Caro - Montserrat Caballe
Fantasia On 'Greensleeves' - Sinfonia Of London
II. Adagio Sostenuto (Opening) - Cecile Ousset
Nocturne - Academy Of St. Martin In The Fields
II. Adagio (Opening) - Julian Bream
Adagio For Strings Op.11a - The Philadelphia Orchestra
Entr'acte To Act III - Orchestre National De France

Amazon.com

You want relaxing classical music that'll soothe your soul but won't lull you into sleep? Here's a double CD for you. The Most Relaxing Classical Album in the World ... Ever! does its best to cover both well-worn classical favorites (Bach's "Air on the G String," Pachelbel's "Cannon," Debussy's "Clair de Lune") and some eclectic left-field choices (an excerpt from Górecki's Symphony No. 3, Jocelyn Pook's "Blow the Wind," and Samuel Barber's Adagio for Strings. The performances of most of these excerpts are top-notch--artists include Sir Neville Marriner, James Galway, Jacqueline du Pré and the Philadelphia Orchestra--and there's enough variety here for everyone. --Edward Garabedian

Customer Reviews:

Lives Up To The Title, Fine Variety Of Genre's........2007-02-04

This CD is a great way to enjoy a large variety of Classical Composers & many of their best known pieces. Vivaldi's "Four Seasons," is an all time favorite. There are vocals, Piano pieces, & some fine Violins. I found the latter the most enjoyable. Here you can find Rodrigo & Pachelbell. Samuel Barber's haunting Adagio will make your skin tingle. This may not be to everyones taste, but if you wish to relax? Give this a couple of listens.

Good for relaxing pregnant women.......2007-01-17

I stumbled onto this album whilst searching bit torrent websites for classical music. I don't normally listen to classical music but thought it might be relaxing for my pregnant wife. After hearing the quality of the performances, the arrangement, and the recording I decided to buy the album from amazon. All the songs you would expect from a "best album in the world" are there and they are not boring to listen to like a lot of other classical albums. I now play this album in the car constantly and the wife requested it be played at the hospital during the birth.

Too much opera.......2007-01-10

If it wasn't for the opera this would be a great CD.

Does what it set out to do, very well.......2006-11-15

So i'm a classical music veteran, someone who prefers to collect a complete work, rather than classical compilations. I probably would not have listened to this album at all if my dad didnt buy it for me as a gift. By now, i own the complete works that over half of the excepts on this disc come from. I am a purist if ever there was one.

That said, i totally adore this set because i have learned to take it on its own terms. These discs weren't meant for expert classical listeners, so a review from that sort of mindset is useless. This set was meant for pure, easy listening, and for a basic starters kit for classical newbies. Most of all, it was just meant to do what the title says, to relax the average human being. classical expert or not.

Yes, some of these pieces have been altered or shortened, like Mozart's Flute and Harp Concerto Andantino, but they have been edited for a good enough reason: the full versions would have been too long to flow with the rest of the album. And also, the full versions contain so much development that they don't become easy listening anymore. The shortened versions work in the context of the album. Most essentially, the shortened versions on the discs still convey the main flavor the composers were going for. The melodies and themes remain unchanged.

To sum up, it is true that when i want to actually listen deeply to classical music, this album would never be a choice. I would want to hear the complete works like the composers intended. But at certain times when i simply don't mind about that stuff, when i just need to loosen up and free my mind of stress with some nice melodies, this set does the job well enough.

Last but not least: being a purist and a classical buff, i am very particular about performance quality. I was very glad to find that EMI did not get lazy about this. All the artists are world-class, and all the performances are at least exceptional. Some performances are even quite excellent, like the Clair De Lune, which is one of the best i've heard. (Credit to Dame Lympany, the pianist.)

So once again, recommended for its stated purpose, to relax. I am a purist, a classical buff, and i still enjoy this disc. That says something.

TRULY The most relaxing and beautiful music ever written........2006-11-10

This album along with Volume 2 are now the two most valued albums in my music collection. I have all of the songs contained on these two albums but they are scattered through at least a dozen different albums and several are not performed by artists such as those that recorded this album and Volume 2.
SIMPLY BEAUTIFUL !!!!!!!!!!

Average customer rating:

perfect selection for commencement/ graduation
Great Starting Point for Classical Music Novices
**An Exquisite Album**
Samples
Great Sampler!

Simply the Best Classical Anthems

Manufacturer: Erato
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Polkas | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

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German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Marches | Miscellaneous | Styles | Music
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Thunderous Classics
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ASIN: B00004SUVI
Release Date: 2000-04-25

Tracks:

Requiem: Dies Irae
Carmina Burana: O Fortuna
The Planets: Mars
The Ride Of The Valkyries
Chorus Of The Hebrew Slaves
Fanfare For The Common Man
Pomp And Circumstance March No. 1
Aida: Grand March
Summer - Four Seasons: Presto
Te Deum: Prelude
The Young Person's Guide To The Orchestra
Toccata And Fugue In D Minor
Symphony No. 5: First Movement
Spartacus: Adagio
Sabre Dance
Symphony No. 40: First Movement
Zadok The Priest
Turandot: Nessun Dorma

Tracks:

Also Sprach Zarathoustra
Romeo And Juliet: Dance Of The Knights
Requiem: Dies Irae
1812 Overture
Piano Concerto
Spring - Four Seasons: Allegro
Messiah: Hallelujah Chorus
The Royal Fireworks: La Ruissance From Music
Flight Of The Bumble Bee
Symphonie Fantastique: March To The Scaffold
Carmen: Overture
Eine Kleine Nachtmusik
Jerusalem
The Planets: Jupiter
Symphony No 9, 'Ode To Joy'
Swan Lake: Scene
Enigma Variations: Nimrod
Rhapsody On A Theme Of Paganini [Variation 18]
Pictures At An Exibitions: Promenade
Symphony For Organ No 3: Finale, Symphony For Organ No 3

Customer Reviews:

perfect selection for commencement/ graduation.......2007-06-11

We were concerned after reading some other reviews that this version of Pomp and Circumstance wouldn't be the correct movement or the full length version. This selection has the song for graduation AND the extended length, so it gives plenty of time for processionals. If this is what you need, this is the CD to get.

Great Starting Point for Classical Music Novices.......2004-08-13

"Simply the Best Classicial Anthems" is exactly what the title indicates. This is a collection of what the CD says are "36 of the most powerful classics on Earth". My review of this CD comes from someone who is a Classical Music Novice. I'm familiar with some of the composers, musical styles, musical periods, and some of the terminology that is key to understanding Classical Music. By no means am I an expert. I have basically popped in this two CD collection into my player and have enjoyed the sounds it produces. If you are in the same category as I am or maybe just wanting to be introduced to Classical Music - this is going to be a very good CD to have in your collection. For the more seasoned Classical Music fan, this could be either enjoyable or overkill.

The CD contains 36 songs composed by the legends of Classical Music Composers from the past. The bulk of the works come from Composers in the the 19th and 20th century, but there are works from the Romantic and Classical eras of the late 18th and early 19th century (such as Beethoven and Mozart). In general you will find most of the major names of Composers you would expect to find - names such as Tchiakovsky, Handel, Verdi, Strauss, Elgar, and Bach are all there. The only major composer who I would have expected to see on this CD that I don't see is Frederic Chopin. The composers of the late 20th century are not included on this collection - so you won't see Leonard Bernstein or John Williams on this set. While these Composers are excellent, I do think style of the tracks on this collection pre-date their style.

The recordings themselves are done by the great Orchestras around the world. For the most part, European Orchestras were used to deliver the tracks. There are a few exceptions: The Chicago Symphony Orchestra delivers "The Ride of the Valkyries"; The Toronto Symphony Orchestra delivers "Dance of the Knights"; and the Israel Philharmonic Orchestra delivers Tchaikovsky's "1812 Overture". Some of the European Orchestras that are well known include: BBC Symphony Orchestra, London Philharmonic, Bolshoi Symphony Orchestra, Choeur Philhamonique de Strasbourg, and more. Also included are performances by well known names in the Classical space such as Marie-Claire Alain (Bach's "Toccate and Fogue in D Minor" and Saint-Saens' "Symphony for Organ No 3"), Piero Toso (Vivaldi's "Allegro From Spring - Four Seasons"), and Placido Domingo appears on Puccini's "Nessun Dorma".

The 2 Disc collection contains a total of over 2 hours and 6 minutes of music. The selections that are included in the set will sound very familiar to you when you play them. You probably have both heard and seen the names of tracks such as: Oref's "O Fortuna"; Copland's "Fanfare for the Common Man"; Beethoven's "First Movement from Symphony Number 5" and "Ode To Joy"; Elgar's "Pomp and Circumstance", and Tchaikovsky's "1812 Overture". Many of the other tracks will also sound familiar, but maybe not so much by name - such as Wagner's "The Ride of the Valkyries", Strauss' Also Sprach Zarathoustra"; Grieg's "Piano Concerto", and "Dies Irae" (versions included by Mozart and Verdi - you can compare the two and judge for yourself). As for the Discs themselves, I think most of the casual fans will like the selections on Disc Two better, but Disc One is still very good. On a sidebar, the Israel Philharmonic's version of "1812 Overture" is by far the best you will hear - particularly at the end, the booming drums create almost a 3 dimensional vision of fireworks being launched into the air.

There one big negative on this collection is some of the recording quality. The clarity of the recording is there, but some of the recording levels leave a lot to be desired. On some of the softer parts, it is barely audible without significantly turning up your volume. This is very evident on "O Fortuna" where you will hear almost dead silence during from the 30 second to 1:30 mark of the track unless you crank your volume up. Same with the first few seconds of Strauss' "Also Sprach Zarathoustra" and Tchiakovsky's "1812 Overture". When the volume is cranked up you will hear them - but then the other sections will be way too loud. I'm surprised with modern technology that this couldn't be addressed better.

The liner notes are pretty thin. You do get the Composers, Performers/Orchestras, and recording dates. There isn't any more details than that and you won't learn anymore insight on the tracks than this information. Despite some of the shortcomings of the liner notes and recording volume, I still think this is an excellent place to start and do recommend this CD if you are a novice to Classical Music and are looking for a great place to start listening to what the Classics have to offer.

**An Exquisite Album**.......2004-02-21

Simply The Best Classical Anthems

Simply The Best Classical Anthems is a compilation album of `36 of the most powerful Anthems on Earth'. But, it is also said to be something else. It is said to be a gateway. A gateway to another world. A world where our imagination can run free without being shackled down by any borders or boundaries or rules or limits. A world that we have all seen or perhaps more accurately have all heard of but for many of us a world that we have never dared to enter. Never dared to enter because of fear. The fear of being ostracised and shunned by our community.

THE MYTH
`Classical Music!', I can hear some of you cry. `That isn't another world. That's just music for the upperclass, the high-brow, and the pompous.' Surprisingly, I too felt this way for a long time until I accepted the invitation made to me by Simply The Best Classical Anthems. I always felt that Classical Music was nice to listen to as background music for a Levis ad or a Car ad but I would consider people strange if they chose to hear it on its own. However, after having listened to this album I realised how wrong I was in my assumptions.

THE TRUTH
Music as with all forms of amusement helps to take you away from where you are now. It helps to relax you when you are stressed with anger; it helps to give you strength when you are vulnerable; it helps to keep your spirits up when you have faced tragedy or loss. It helps. And, for me the type of music that best conjures up the most passionate emotions (love, hate, courage and anger) at our most testing times is Classical Music.
How? I don't know.
Why? I don't know.
I can only promise you that in my experience it does.

THE CHEST
The album, in visual terms, is very difficult to overlook amongst the plethora of records that may surround it. This is because the album has a very distinct purple sleeve cover. Not any kind of purple mind you but the Cadbury's kind of purple. The kind of purple that carries with it an invitation. An invitation that if accepted promises you a treasure inside.
And since, I have always enjoyed the treasure within the purple Cadbury's Dairy Milk wrapper, I asked myself why would an album carrying the same invitation promise to be anything different? Thus, I parted with my tuppence worth and went back home to open this purple chest of promised treasures.

THE PROMISED TREASURE
As you may have guessed, the contents of the album are somewhat different to the contents of a Cadbury's bar. When I opened the album, I was presented with two compact discs. At first glance, there did not seem to be anything special about them. They were just your average, everyday, run of the mill compact discs. To tell you the truth, I was a bit disappointed because I suppose I had hoped for something more.
However, looks can be deceptive. (Afterall, a Cadbury's Dairy Milk does not seem very appetising until you taste it!) And, also come November each year, I am always bemused and surprised at how the shabby contents of a cardboard box can both light up the sky and light up the faces of the neighbourhood. Thus, I pushed aside my assumptions and I ignited the discs (not literally of course, I just pressed the play button on the CD player). And, I let the fireworks begin.

THE KEY
From the very beginning, you will feel like you have unlocked the doorway to something special. And, after a full two hours of listening to both discs, you will feel like you have been taken out of this world and transported to another. Welcome to the world of Classical Music.

GUIDANCE
In the beginning, continue to listen to both discs in one go (i.e. one after the other). After a while, you will know which tracks you enjoy listening to the most. For those tracks you enjoyed the most make a promise to yourself that you will listen to the whole of the piece from which that track came from.
Good Luck on your quest if you choose to accept it.
Ride amongst the Valkyries, listen to the Flight of the Bumblebees, and use The Planets to keep you on the path.

I am not a good reviewer because as with all of my reviews I refuse to comment too much about what is inside the product but rather more about what effect the product has had on me. (Me, me, me. Vain & Egotistic, I know, so my friends and family keep telling me). But, I just want to cause a raucous about the product, enough not to spoil but enough of a raucous to let you experience it for yourself.

So my final words are:
Simply The Best Classical Anthems is an invitation. An invitation to the world of classical music. A world where you can begin a never-ending quest of curiosity. A curiosity that will always be rewarded with fulfilment.

Do you accept such an invitation?

Hope you found this review helpful.

Samples.......2003-11-23

The samples are too short and the quality leaves a lot to be desired. Having said that the choices are wonderful and the price is great. If you're looking for a overview of the best of classical music then this is for you. However if it's quality you're looking for then spent the extra money and look at other choices.

Great Sampler!.......2002-03-20

This is a good sampler, since it covers what you would want in a classical music CD. Looking at the tracks, it has the classic hits, such as "Ride of the Valkyries," "Toccata and Fugue," "Fanfare for the Common Man," "'Jupiter' from `The Planets,'" "Eine Klein Nachtmusik," and "Hallelujah Chorus."

There are also some new pieces that I have fallen in love with, such as "The Young Person's Guide to the Orchestra," "'Promenade' from Pictures at an Exhibition." The compilers did an interesting double take by including both Verdi's and Mozart's "Dies Ire." I'm not sure which is better.

This music is good for the brain and good for the soul. There is a power and passion that the blaring and glaring music that makes up most of the FM band. I'm reminded of the religious man who said that there is no music in hell. Probably because they wouldn't appreciate it there.

Tracks:

Light Cavalry - Suppe
Ruslan and Lyudmila - Glinka
La Traviata - Prelude, Act I - Verdi
Die Meistersinger von Nurnberg - Prelude, ACt I - Wagner
Les Francs-Juges - Berlioz
Le nozze di Figaro - Mozart
Egmont - Beethoven
Oberon - Weber
Academic Festival Overture - Brahms
Pique Dame - Suppe

Tracks:

Morning, Noon and Night in Vienna - Suppe
Il barbiere di Siviglia - Rossini
Prince Igor - Borodin
Carmen - Prelude, Act I - Bizet
Der fliegende Hollander - Wagner
Leonore No 3 - Beethoven
Hansel und Gretel - Humperdinck
Khovanshchina - Mussorgsky
Poet and Peasant - Suppe

Customer Reviews:

Fantastic.......2006-06-30

First of all anything with Sir Solti's name on is worth purchasing. Solti has such a way with interpreting music! If you like overtures this CD is for you. It has the best overtures here in one collection. With orchestras like chicago, london, and the vienna you cannot argue with the performances. There are a few "weaker" ensembles, but when compared with the other ensembles there are few that will not sound weak. Again any work Solti has done is worth purchasing!

Famous Overtures.......2005-08-16

Did not like the way these musical pieces were "interpretted".
Did not like the tempo and in one piece one of the instruments played a portion which I would say they played a flat instead of a natural note. This is based on hearing the same pieces played by someone else, it's just my opinion.

Spectacular.......2003-09-25

Not only does it include some of the most famous overtures, but they are played in such an exciting style, full of life and passion. The Suppe overtures are superior and the Wagner overtures are wonderful as well. There is not a bad point to this recording - highly recommended!

Excellent.......2002-06-11

This is an excellent collection of overtures, especially of Von Suppe's overtures. Solti truly brings out life in these pieces.

The best Overture Album !.......2000-02-28

If you like overtures, here is the album. Never have these been performed so musically and with such excitement. The orchestras involved vary in their abilities, yet the Chicago, Vienna, and London Symphony perfom with style. Solti loves this music and it shows.

Average customer rating:

Wonderfully fresh
Great -- All Around
Old (but Very Fine) Wine, New Skins--A Revelatory Listening Experience
Much-needed fresh interpretation of the overtures

Beethoven: Complete Overtures

Manufacturer: Arte Nova Classics
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

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ASIN: B0007X9TKC
Release Date: 2005-04-12

Album Description

"Of course this is what Beethoven is supposed to sound like. All the warmth, the breadth, the depth, the height, the solemnity, the hilarity, the agony, and, of course, the wild-eyed ecstasy that are in Beethoven in these performances of his complete Overtures by David Zinman leading the Tonhalle Orchestre Zurich. As Zinman proved in his cycle of the nine symphonies, he knows Beethoven, knows his music and his moods, knows when to hold back and when to let loose, when to dance and when to sing in blissful rapture. In his cycle of the 11 overtures, Zinman soars with Die Geschöpfe des Prometheus, rails with Egmont, roars with Coriolan, and laughs with König Stephen. Zinman is as heroic as Fidelio, as passionate as Leonore, and as countrapuntally intoxicated as Die Weihe des Hauses. The Tonhalle Orchestre, which showed itself an adept and powerful Beethoven orchestra in the symphonies, once again shows its colors, its strength, and its tenderness in the overtures. ! Arte Nova's sound is deep, lush, and real."-ALL MUSIC GUIDE

Customer Reviews:

Wonderfully fresh.......2007-06-06

David Zinman and his Tonhalle Orchestra of Zurich deliver what is, hands down, the best overture to the Ruins of Athens on disc. Zinman opens the work with great energy at a quick tempo - those of us familiar with Masur's slow and stately introduction will certainly feel as if they are hearing this familiar music for the first time. The oboe cadenza is delightfully zippy as Zinman plunges headlong into the allegro proper with such authoritative vitality that one almost feels foolish for not liking this work more, slight though it is on musical argument. Horns wail, strings dig, and winds bite in this marvelous traversal. This performance gave me several impressions. First, how nice it is to hear Beethoven (here and in his traversal of the symphonies) with smaller forces married to historically informed performance practices - hard mallets for the timpani, violins divided stereophonically, winds forwardly balanced. It has a tremendous amount of textual clarity which enhances the musical argument in no small part. Secondly, how impressive that even two hundred years after some of these pieces were composed they can still be played to the hilt with fresh energy and conviction. Even with the reduced string section, I would be curious if anyone could find other versions of these overtures with this much vigor. And finally, as always, its wonderful to hear a music director and his orchestra bring something new to familiar music, all the while maintaining the highest performance and musical standard. And the love both Zinman and the Tonhalle have for this music is immediately palpable.

The same level of energy Zinman brings to The Ruins of Athens runs throughout the entirety of this two-disc release. Prometheus certainly benefits from the scaled-down proportions of the orchestra, finding the perfect balance between classical grace and Beethoven's rougher energy. Coriolan is just as bit as convincing, free from the overly-romanticized patina that this work has amassed over the years. The Overture in C receives a particularly convincing interpretation. Listen to how Zinman maintains tension throughout the overly-repetitive music and certainly makes the most sense out of the often odd-sounding scales at near the end of the piece. It just goes to show that even less convincing works can sound convincing when played with this level of conviction. Fidelio is another winner, a performance of lively grace but imbued with appropriate power.

The Consecration of the House is a delight. Zinman shapes a cogent and appropriately Baroque sounding opening to the piece and, although the trumpets are a bit reticent in their fanfares, the textual clarity of it all is quite refreshing. The allegro certainly benefits from the antiphonal violin placement, a reading of uncanny transparency, culminating in a roaring conclusion. I still have the slightest preference for Masur's performance and no one can match Charles Munch's Boston Symphony reference interpretation in this work, but all in all it is simply a matter of taste and certainly Zinman offers steep competition. Zinman's reading of King Stephen is one of balanced, proportional energy befitting its classical nature but, when all is said and done, I still prefer Szell's all-or-nothing Cleveland traversal, which possesses unbelievable physicality. As for the three Lenore Overtures, Zinman's approaches are period appropriate, but it is slightly difficult to listen to Lenore No. 3 in this leaner state. I still prefer Gunter Wand's performance, one of almost excessive weight and physicality, but the excitement is unquestionable. Egmont again is wonderful, but seems slightly undernourished when compared to the competition. But preferences aside, Zinman's interpretations are as convincing as ever and offer tremendous musical nourishment.

Recorded sound is excellent throughout but the microphone placement seems to differ from work to work. In the performances where the orchestra is most distant, the horns can often sound recessed and slightly pinched (such as in Prometheus and Fidelio) or the timpani overly reverberant (Overture in C). Still, the playing is uniformly spectacular and these are small quips that in no way detract from the listening experience and become less noticeable after repeated outings.

This set is certainly a welcome addition to a field that, until now, had virtually no competition. That Masur's performances were uniformly splendid made the dearth of great Beethoven Overture compilations less frustrating, but this set, in modern sound with period performance techniques, is almost self-recommending. Comparing Masur to Zinman seems unfair as both offer so much and say such individual things that I could not imagine having one over the other. This is a welcome addition to the catalog, one that no Beethoven fan should be without.

Great -- All Around.......2006-01-16

Wonderful recordings. Great musicianship and superb sound. A real joy! Highly recommended.

Old (but Very Fine) Wine, New Skins--A Revelatory Listening Experience.......2005-11-22

Beethoven's great overtures need no special pleading, and yet David Zinman gets down so effectively to where this music lives that in some cases, it is like hearing a thrice-familiar work for the first time. Even the Zur Namensfeier Overture, easily the least distinguished of the pieces collected here, has both sparkle and bite in Zinman's reading. The similar but much finer King Stephen Overture is always a smile-inducing surprise among Beethoven's dramatically charged overtures, given its simple joviality. Here it smiles with a youthful freshness that you don't hear in every interpretation.

The most revelatory performance for me, though, is of the Coriolan Overture, a darkly brooding piece that usually seems a bit dour despite its obvious craftsmanship and the undying memorability of its poignant second melody. Zinman succeeds in bringing out the fiery drama in this piece, which seems more often to smolder than to burn outright. Zinman's is a truly captivating performance and will be the way I choose to hear this wonderful work from now on.

Another piece that can seem pedantic and overwrought, The Consecration of the House Overture, is in Zinman's hands perfectly proportioned. Here as elsewhere, Zinman is faster than a lot of conductors but without sacrificing any of the grandiosity of this very grand piece. The one place where I'd say he rushes things too much is in the slow introduction to Egmont: the "quasi allegro" at which he takes the opening fails to provide contrast to the true allegro that is to follow. A small misstep given the many, many felicities of this set. Overall, in fact, it should let you hear these tried-and-true masterworks with a new set of ears.

In writing of Zinman's Beethoven Symphonies series, some critics have complained that the Tonhalle Orchestra produces an anemic sound. I don't hear evidence of that on these discs. There is real heft in the lower strings at the start of the Zur Namensfeier and Egmont Overtures, and the consciously "big" pieces such as the Leonore 2 and 3 and The Consecration of the House Overtures have a proper Beethovenian robustness. Sometimes, I'd say, the horns sound overtaxed, but just as often they produce a blaze of glory for Zinman. So I can't find any great objection to the playing of this mostly very fine orchestra.

I also like the sound the engineers have captured in the lively Tonhalle. It provides depth as well as detail: there is sheen to the high strings; punch and heft to the brass, timpani, lower strings.

In fact, I like just about everything these discs have to offer, including their super bargain price.

Much-needed fresh interpretation of the overtures.......2005-06-12

Surprisingly, there are relatively few choices currently available when it comes to complete collections of the Beethoven overtures, long part of the standard repetoire of any respectable orchestra. The Masur/Leipzig collection has been around for about 30 years, but until Zinman's collection was released this year, it has been pretty slim pickings.

At first, I did not know quite what to think, because Zinman offers a much leaner, fast-paced interpretation of nearly every overture. On average, his tempi are over a minute faster than the more traditional tempi of Masur's, which means that the Tonhalle Orchestra is really on a brisk clip. The orchestra's sound is also considerably lighter than one might expect (unless you are dealing with Gardiner & his period instruments, who have not yet recorded the overtures as far as I know). Whether this a result of reduced personnel or careful mike placement, I don't know, but the result is a much less heavy sound than what normally hears.

Initially, I did not care for what I found to be unfamiliar, but the more I listened, the more Zinman's tempi made sense and the more accessible these overtures became. Also (unlike Masur's edition), the three Leonore overtures do not run consecutively which is to the overall benefit of the collection. There are occasional moments of weakness in the horns & the violins, but they are brief and do not particularly detract from the performances. The recording appears to be a little bass-heavy at times, but not oppressively so; most of the time the sound has a light freshness to it that is most pleasing to the ear.

It also doesn't hurt that Arte Nova has made these CDs dirt-cheap. A mediocre performance for this little money could be easily forgiven; it is made all the better that these performances are top-notch. Anyone who loves Beethoven overtures (and who doesn't?) would be mad to overlook this collection.

Average customer rating:

Orchestral Trumpet Player's Bible:
Essential Recording for Any Trumpet Player
Most Excellent
Awesome!
Excellent for aspiring trumpet players, otherwise...

Orchestral Excerpts For Trumpet

Manufacturer: Summit(Classical)
ProductGroup: Music
Binding: Audio CD

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David Hickman, Trumpet
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ASIN: B0000038JG
Release Date: 1995-02-07

Tracks:

Trumpet concerto: Brandenburg Concerto No.2 - Trumpet Concerto
Petrouchka
Pictures at an Exhibition
Leonore Nos. 3&2
Ein Heldenleben
Symphony No.5
Scheherazade
Don Juan
Fetes
Piano Concerto In G
Piano Cto. No. 1
Pines Of Rome
Concerto For Orchestra
Carmen Prelude
Firebird Suite
Parsifal Prelude
La Mer
Symphony No. 2
Symphony No. 3 (Post Horn)
Capriccio Espagnol
American In Paris
Magnificat

Customer Reviews:

Orchestral Trumpet Player's Bible:.......2003-05-08

I carry this recording around with me in my case, and listen to it before auditions, concerts, rehearsals, etc. It's simply how the excerpts (along with trumpet playing in general) should sound. Smith's virtuostic playing, coupled with his vast orchestral experience, really teach the parts. All trumpet players, top to bottom, have something to learn from this CD--and while the entire work (with orchestra) and part should be studied (Smith actually recommends this), it is still very useful to hear one of the finest players on earth performing just the trumpet part.

Essential Recording for Any Trumpet Player.......2001-05-24

If any principal orchestral trumpet player has succeeded Adolph Herseth as the "state of the art," the probable consensus among his peers would be Philip Smith of the New York Philharmonic. His virtually flawless technique, gourgeous sound, rarified musicianship and exceptional leadership make him virtually unique in his field, and his more than 20 years with the Philharmonic (plus his early years with the Chicago Symphony) have firmly established him as one of the greats in the history of orchestral brass performance.

Measured simply as a documentation of his skills, this recording would be an extraordinary document - the playing throughout is stupendous. But this is much more than that; Mr. Smith proves to be as articulate (mild "New Yoahk" accent and all) as he is talented, and his performance suggestions are truly helpful, even for those of us without his superhuman abilities. The recorded sound is superb, and overall this is a joy to listen to at every level. I recommend it without reservation for any trumpet player aspiring to a higher level of musicianship and performance - and if you play it at full volume shortly after your warmup, your neighbors will be very impressed.

Most Excellent.......1999-12-13

As a trumpet player, I must say that Phil Smith's comments during each track are immensely beneficial. His thoughts have produced profound understanding in my trumpet playing, and despite the fact that this CD is intended as a grouping of Phil Smith's insights into common Orchestral Excerpts and his following demonstration, I have countless times listened out of pure enjoyment than to gain expert insight. His tone is the most beautiful I have ever heard, and it shows on this CD. I recommend this particularly for any aspiring trumpet student.

Awesome!.......1999-10-25

The previous reviewer of this CD missed the point of the CD. Lets say your working on the Carmern Prelude or Stravinsky Pétrouchka you buy this CD, and learn how Philip Smith (one of the greatest symphonic trumpet players in the world) would interpret and play it. Thats why its entitled Orchestra Trumpet Excerpts.

Excellent for aspiring trumpet players, otherwise..........1999-05-31

This CD would be excellent for aspiring orchestral trumpeters and soloists; although Philip Smith conveys his expertise exceptionally well, this short snips of music on this CD are no substitute for the actual full-orchestra recordings.

Average customer rating:

All of Beethoven's Orchestral Overtures: A Great Collection
Great bargain, OK performances --- but there are better
One of my ten 'desert island' recordings
Glorious
Fine Collection!

Beethoven: Complete Overtures

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Dances | Ballets & Dances | Classical | Styles | Music

General | Classical | Styles | Music
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ASIN: B00000417D
Release Date: 1994-02-15

Tracks:

Overtures: Coriolano, Op.62
Overtures: Egmont, Op.84
Overtures: King Stephen, Op.117
Overtures: The Creatures of Prometheus, Op.43
Overtures: Leonore No. 1, Op.138
Overtures: Leonore No. 2, Op.72a
Overtures: Leonore No. 3, Op.72b
Overtures: The Consecration of the House, Op.124

Tracks:

Overtures: Fidelio Overture, Op.72c
Overtures: Overture in C, Op.115 (Nameday)
Overtures: (The Ruins of Athens Overture), Op.113
Twelve Minuets, WoO 7: No. 1
Twelve Minuets, WoO 7: No. 2
Twelve Minuets, WoO 7: No. 3
Twelve Minuets, WoO 7: No. 4
Twelve Minuets, WoO 7: No. 5
Twelve Minuets, WoO 7: No. 6
Twelve Minuets, WoO 7: No. 7
Twelve Minuets, WoO 7: No. 8
Twelve Minuets, WoO 7: No. 9
Twelve Minuets, WoO 7: No. 10
Twelve Minuets, WoO 7: No. 11
Twelve Minuets, WoO 7: No. 12
Twelve German Dances, WoO 8: No. 1
Twelve German Dances, WoO 8: No. 2
Twelve German Dances, WoO 8: No. 3
Twelve German Dances, WoO 8: No. 4
Twelve German Dances, WoO 8: No. 5
Twelve German Dances, WoO 8: No. 6
Twelve German Dances, WoO 8: No. 7
Twelve German Dances, WoO 8: No. 8
Twelve German Dances, WoO 8: No. 9
Twelve German Dances, WoO 8: No. 10
Twelve German Dances, WoO 8: No. 11
Twelve German Dances, WoO 8: No. 12
Twelve Contredanses, WoO 14: No. 1
Twelve Contredanses, WoO 14: No. 2
Twelve Contredanses, WoO 14: No. 3
Twelve Contredanses, WoO 14: No. 4
Twelve Contredanses, WoO 14: No. 5
Twelve Contredanses, WoO 14: No. 6
Twelve Contredanses, WoO 14: No. 7
Twelve Contredanses, WoO 14: No. 8
Twelve Contredanses, WoO 14: No. 9
Twelve Contredanses, WoO 14: No. 10
Twelve Contredanses, WoO 14: No. 11
Twelve Contredanses, WoO 14: No. 12

Customer Reviews:

All of Beethoven's Orchestral Overtures: A Great Collection.......2005-09-24

Once again, the Phillips Label has released another great collection of classical music for any devotee. This is the complete collection of Beethoven's overtures. In truth, and technically speaking, there is only one true overture on this recording- the Overtures to Leonore/Fidelio, Beethoven's only opera. The rest, while still dubbed "overtures" by musicologists, remain in the "incidental music" department. They are brilliantly performed by the expert orchestra of the Gewandhaus in Leipzig, Germany, the oldest orchestra in the world and one of the finest in Europe. The principal conductor in this 2 disc recording is Kurt Masur, though the final tracks are courtly dances- German Dances and Contredanses, in a kind of homage to Mozart, and are performed by The Academy of St. Martin-in-the-Fields conducted by the virtuoso Neville Marriner.

The Coriolan Overture is an appropriate opening track, with its compelling orchestral fortissimi and romantic style. It is followed by the Egmont Overture, and this is pure Beethovenesque romanticism. The King Stephen Overture tops off these incidental musical scores, which Beethoven had annotated with a particular story or idea. To Beethoven, music was poetry/drama, his theories foreshadowed the later Wagner who would write that "Poetry is the reason for music and drama is the reason for both." Theese are all superb pieces of music, and any true fan of Beethoven should own these along with his 9 symphonies. The other "program" overtures include Ruins of Athens, which even contains chorus, Name-Day Celebration Overture and Consecration of the House, which was a commission given to Beethoven for music for the social event of the opening of a new theater, a theater which still stands intact in Austria.

While Kurt Masur is brilliant, he finds that he has an equal in the other featured conductor Sir Neville Marriner, who just happens to be the more famous of the two. Marriner conducted his Academy of St Martin in the Fields for the soundtrack to the 1984 film Amadeus, about the life of Mozart. Marriner has long been associated with conducting Classical and Baroque repertoire, keeping faithful to the original scores. The German Dances are jubilant and a pleasure to hear as are the Contredances, both which number 12 in total. This is a great recording to add to your Beethoven collection. I highly recommend it.

Great bargain, OK performances --- but there are better.......2005-06-12

Until recently, I believe Masur's cycle has been the only commercially available collection of the overtures, so it has (by default) been the standard. A number of people would consider this to be the definitive collection, but I think serious consideration has to be given to Zinman's new release of the complete overtures with the Tonhalle Orchestra of Zurich, which takes a significantly different approach to the overtures.

Is the performance Masur and the Leipzig Gewandhaus great and definitive? Certainly the orchestra sounds typically lush throughout, but the overtures at times seem ponderous & almost soggy. The rather arch quality of the brass section can really detract from the overall performance at times, and who really can ignore the appallingly out of tune winds section in the 2nd Leonore? The performances are generally good but they only occasionally approach greatness.

Marriner & the ASMF turn in an outstanding performance, but I don't think anyone is buying this collection for the Minuets, German Dances, and Contradances, which are expertly rendered, Haydnesque tunes, but which are hardly an example of Beethoven pushing the envelope. Noone will ever mistake this for being nice, incidental music of little significance. These pieces will only matter to those collectors in search of a totally complete Beethoven collection.

Still, this is a reasonable collection for the price, and one could certainly do worse where the performances are concerned.

One of my ten 'desert island' recordings.......2005-01-13

Masur's recordings of Beethoven's overtures (complete) stand out from a crowded field. They have a drive and intensity that grab your attention and don't let go. After playing them for the first time, I had to immediately play them again. And now they are available at a bargain price. You owe it to yourself to hear them.

Glorious.......2002-07-18

Words fail me on this one. Beethoven's music always brings me to tears, and the recordings here are, well, glorious.

The world is a better place for having hosted the genius that was Ludwig van.

Fine Collection!.......2002-05-25

First of all, this CD is a rare find; normally, when we hear the Beethoven overtures, we hear a few of them in the context of larger works (ie, we get only two or three overtures in a box set of symphonies or concerti, and they are overshadowed). To have all the overtures together (especially at these top-rate perfomances) is a treat. Though a wonderful set for any serious Beethoven fan, this may also serve as a good introduction for those new to Beethoven's orchestral music, because the pieces normally clock in at only 10 minutes, give or take, but also because the overtures are always charmingly songful or fast and exciting. It is the more abrasive Beethoven at work here, and it's great fun.

The Most Relaxing Classical Album in the World...Ever!

Average customer rating:

Solid buy
Very soothing and relaxing to listen to
this will calm you down
My Fav. CD!
Excellent for Everyone!

The Most Relaxing Classical Album in the World...Ever!

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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Quartets | Chamber Music | Classical | Styles | Music

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ASIN: B000002SBF
Release Date: 1998-02-17

Tracks:

Air 'on the G string' (from Ste No. 3 in D, BWV1068) - Academy of St. Martin in the Fields/Sir Neville Marriner
Morning (from Peer Gynt Incidental Music Op. 23) - Academy of St. Martin in the Fields/Sir Neville Marriner
Canon in D - Academy of St. Martin in the Fields/Sir Neville Marriner
Jesu, Joy of Man's Desiring (from Cantata No. 147) - Choir Of King's College
Gymnopedie No. 1 - CBSO/Louis Fremaux
Pno Con No. 21 in C 'Elvira Madagan', K. 467: II. Andante - Stephen Hough
Viens, Mallika (from Lakme) - Mady Masple/Danielle Millet
In Paradisum (from Requiem Op. 48) - Choir Of King's College
Clair de lune (from Suite bergamasque) - Dame Moura Lympany
Vn Con in e, Op. 64: II. Andante - Yehudi Menubin
The Swan (fron The Carnival of the Animals) - Jacqueline du Pre/Osian Ellis
Sym No. 3 'Sym of Sorrowful Songs': II. Lento e largo - Tranquillissimo - Zofia Kilanowicz
Fl & Hpd Con in C, K. 299: II. Andantino - James Galway/Fritz Helmis
The Four Seasons (Con No. 4 in f 'Winter'): II. Largo - Yehudi Menuhin
Nimrod (from 'Enigma' Vars, Op. 36) - London SO/Sir Adrian Boult
Song to the Moon (from Rusalka) - Lucia Popp
Rhap on a Theme of Paganini - Var 18 - Cecile Ousset
Pavane, Op. 50 - Gareth Morris

Tracks:

Zion hort die Wachter singen (from Cantata No. 140) - Suddeutshe Madrigalchor
Adagio in g - Academy of St. Martin in the Fields/Sir Neville Marriner
Minuet (from Str Qnt in E, Op. 13 No. 5) - Academy of St. Martin in the Fields/Sir Neville Marriner
Kbd Con No. 5 in f, BWV1056 - Andrei Gavrilov
Meditation (from Thais) - Hans Kalafusz
Pno Son No. 14 in c# 'Moonlight', Op. 27 No. 2: I. Adagio sostenuto - Dame Moura Lympany
Belle nuit, o nuit d'amour (Barcarolle) (from Les Contes d'Hoffman) - Elisabeth Schwarzkopf/Jeannine Collard/Rene Duclos Choeurs
Prayer (from Coppelia) - Orch Du Theatre Nat De L'Opr De Paris/Jean-Baptiste Mari
Cl Con in A, K. 622: II. Adagio (opening) - Jack Brymer
Intermezzo (from Cavalleria rusticana) - Philharmonia Orch/Riccardo Muti
Str Ser, Op. 22: I. Moderato - London CO/Christopher Warren-Green
O mio babbino caro (from Gianni Schicchi) - Monstserrat Caballe
Fantasia on 'Greensleeves' (from Sir John in Love) - Sinfonia of London/Sir John Barbirolli
Pno Con No. 2 in c, Op. 18: II. Adagio sostenuto (opening) - Cecile Ousset
Noct (from Str Qt No. 2 in D#) - Academy of St. Martin in the Fields/Sir Neville Marriner
Concierto de Aranjuez: II. Adagio (opening) - Julian Bream
Adagio for Strs, Op. 11a - Philadelphia Orch/Eugene Ormandy
Entr'acte to Act III (from Carmen) - Orch Nat de France/Seiji Ozawa

Customer Reviews:

Solid buy.......2003-09-01

"Music, when soft voices die,
Vibrates in the memory-"
Percy Bysshe Shelley
Music has a great power, and classical has to be the minds elixir. I've never met a classical album I didn't like, but this is one I would suggest to anyone. The variety and selection make it stand out among others like it. In the end, there is something left to be desired, but ...'C'est la vie'.

Very soothing and relaxing to listen to.......2003-05-26

I'm not really much of a classical music fan, more like casual. Sometimes I do need a break from listening to the loud, abrasive beats of KMFDM and VNV Nation and put in something more soothing and relaxing to chill out to. Most of the music I enjoy chilling out to is in the vein of techno and ambient fused with Asian and Middle Eastern influences. Growing up, I was surrounded by a lot of classical and baroque music. Before I became addicted to new wave music of the '80s, I was into Beethoven, Bach, Mozart, and Vivaldi. I rarely buyh classical cds nowadays because I am afraid that there would be more filler and less substantial songs. I bought "The Most Relaxing Classical Album..." compilation because I was familiar with at least 85% of the songs. "The Most Relaxing Classical Album..." is a gorgeous compilation filled with some of the most exquisite songs known to mankind. Songs like Elgar's "Nimrod" and Mascagni's "Intermezzo" absolutely takes my breath away and even brings a tear to my eyes every time I listen to, especially the later because I think of the movie "Steel Magnolias" and the scenes following the passing of Julia Roberts' character. A very emotional song to say the very least. The most personal favorite song on this 2 cd set that I hold very dear to my heart is Pachelbel's "Canon". That song is just one of the most gorgeous songs I have ever heard, not just classical, but any song that I have heard over the years. Although I am no opera fan, I absolutely adore Delibes' "Flower Duet". I can never tire of hearing that song, no matter who sings it. It is rare to find a cd where the title fits the contents of the cd, and "The Most Relaxing Classical Album in the World...Ever!" is that cd. No words can describe the beauty of the music I have heard here.

this will calm you down.......2003-04-02

Hi everybody out there. Guess what. This cd is wonderful. I am a VERY discerning ear for classical music. I usually don't go for the "BEST OF" collections. But ya know what...sometimes ya just need the "overplayed" stuff to calm you down. I mean, for some of these pieces, there are better performances out there. But, that doesn't really matter when you're just wanting to relax. This is great for someone learning about classical music. It will give you a good sense of what you might like in the future. who cares if it's not the TOP performers, i am not displeased with any of the tracks. it always does the trick when i need it to. :)

My Fav. CD!.......2003-04-01

Who ever said this was an awful CD full of no big hits was not too smart. This CD is HUGE! It has only famous composers, and only the best. They are all HUGE hits! It is the best CD I have ever owned. I am a professional musician.

Excellent for Everyone!.......2002-09-05

This CD was a wonderful surprise! Unlike so many "compliation" albums, it is made up of one beautiful, quality piece of music after another, without the usual boring "fillers". My friends who are classical aficionados love it. My friends who think they "hate" classical music, love it. My children and my parents love it. Everyone who hears it playing asks, "What IS this?!It's wonderful." The only reason I didn't give it 5 stars is because I found the choral arrangements of a couple of the pieces oddly discordant, in the beautifully relaxing flow of the pure instrumental orchestration of the rest of the album

Average customer rating:

Overtures, The Greatest Hits

Manufacturer: Compendia
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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Operettas | Opera & Vocal | Styles | Music

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ASIN: B000003QWY
Release Date: 1994-04-13

Tracks:

Light Cavalry
The Barber Of Seville
The Bartered Bride
The Flying Dutchman
Egmont
The Marriage Of Figaro
Poet And Peasant
1812 Overture

Tracks:

Mastersingers Of Nuremburg
William Tell
The Italian Women In Algiers
Russlan And Ludmilla
Merry Wives Of Windsor
The Hegrides (Fingal's Cave)
Die Fledermaus
Orpheus In The Underworld

Beethoven: Overtures and Incidental Music

Average customer rating:

An oustanding collection at a similarly outstanding price
Must have Beethoven works, well recorded
A find

Beethoven: Overtures and Incidental Music

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
ASIN: B000001K44
Release Date: 1994-05-02

Tracks:

'Lenore' Overture No. 1, Op. 138 - Stanislaw Skowaczewski
'Lenore' Overture No. 2, Op. 72 - Stanislaw Skowaczewski
'Lenore' Overture No. 3, Op. 72a - Stanislaw Skowaczewski
'Fidelio' Overture Op. 72b - Stanislaw Skowaczewski
Funeral March From 'Leonore Prohaska' WoO 96 - Stanislaw Skowaczewski
Overture, Op. 124 - Phyllis Bryn-Julson
Chorus With Soprano Solo: 'Wo Sich Die Pulse,' Wo O 98 - Phyllis Bryn-Julson

Tracks:

Overture To 'Coriolan,' Op. 62
Overture To 'Egmont,' Op. 84
Overture To 'The Creatures Of Prometheus,' Op. 43
Overture, Op. 113
Turkish March, No. 113
March And Chorus 'Schmuckt Die Altare,' Op. 114
Overture To 'St. Stephen,' Op. 117
'Namensfeier' Overture, Op. 115
Minuet Of Congratulations, WoO 3
Cantata 'Calm Sea and Prosperous Voyage,' Op. 112
Triumphal March From 'Tarpeja,' WoO 2

Customer Reviews:

An oustanding collection at a similarly outstanding price.......2007-04-13

Colections of Beethoven overtures and incidental music don't come any better than what is presented here by Stanislaw Skowaczewski and the Minnesota Orchestra. Recorded around 1980 and released by Vox, this twofer contains every significant overture and incidental music entrac'te the composer penned. The performances are dynamic without objectionable personal or sytlistic affectation, done in the traditional style on modern instruments.

Best for me is the first disk whose contents are the three 'Lenore' overtures, 'Fidelio' overture, funeral march, chours and soprano solo from 'Leonore Prohaska' with Phyllis Bryn-Julson, and Beethoven's underrated "Name Day" or birthday overture.

In 35 years listening to and collecting Beethoven recordings, this is clearly the most satisfactory collection of this genre I've come across. It is miles ahead of more expensive collections by Karajan, Marriner and Zinman includes music not regularly released in "complete" overture recordings.

For the pittance asked here, you can't go wrong with this.

Must have Beethoven works, well recorded.......2000-12-19

I highly recommend these two CD's, especially at this price. Vox Box has some excellent recordings, such as this one. If you always thought there was more to Beethoven's symphonic repertoire than his symphonies and overtures, you were right. His incidental music is awesome. I LOVE the Turkish March from the Ruins of Athens, almost a symphonic equivalent of Mozart's Rondo alla turca. While my favorite recording of the Egmont overture remains Kurt Masur, these recordings are also very good, and the sound from the 1970's is still fresh.

A find.......1999-07-30

Do you want an inexpensive, exciting set of Beethoven overtures? Don't hesitate with this set! Beware, though, that the sound, which is quite listenable (ADD), is not up to snuff with the other recordings by these forces on this label.

Beethoven: Symphony Nos. 6, 7 & 8/2 Overtures

Average customer rating:

Master of the Slow and the Beautiful
You must hear this recording
Great all around
The best version of the sixth!
Best Thing I Ever Bought.

Beethoven: Symphony Nos. 6, 7 & 8/2 Overtures
Ludwig van Beethoven , Karl Böhm , Vienna Philharmonic Orchestra , and Dresden Staatskapelle
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

Beethoven: Symphonies Nos. 1, 2, 4, 5
Beethoven: Symphonies Nos. 3 & 9; Overtures
Beethoven: Symphonies Nos. 4 & 6 "Pastorale"
Beethoven: Symphony No.9 'choral', 'egmont' Overture
Furtwangler Conducts Beethoven - Beethoven: symphonies no 3,4,5, & 9, Leonore

ASIN: B000001GJF
Release Date: 1995-07-18

Tracks:

Symphonie No. 6 'Pastorale' en a majeur, Op. 68: Eveil d'impressions agreables en arrivant a la campagne: Allegro ma non troppo
Symphonie No. 6 'Pastorale' en a majeur, Op. 68: Au bord du ruisseau: Andante molto mosso
Symphonie No. 6 'Pastorale' en a majeur, Op. 68: Joyeuse assemblee de paysans: Allegro
Symphonie No. 6 'Pastorale' en a majeur, Op. 68: L'Orage et le Tonnerre: Allegro
Symphonie No. 6 'Pastorale' en a majeur, Op. 68: Chant pastoral - Remerciement a la Divinite apres l'Orage: Allegretto
Ouvertures: Leonore III, Op. 72A
Ouvertures: Fidelio, Op. 72B

Tracks:

Symphonies No. 7 en la majeur, Op. 92: Poco sostenuto - Vivace
Symphonies No. 7 en la majeur, Op. 92: Allegretto
Symphonies No. 7 en la majeur, Op. 92: Presto
Symphonies No. 7 en la majeur, Op. 92: Allegro con brio
Symphonies No. 8 en fa majeur, Op. 93: Allegro vivace e con brio
Symphonies No. 8 en fa majeur, Op. 93: Allegretto scherzando
Symphonies No. 8 en fa majeur, Op. 93: Tempo di Menuetto
Symphonies No. 8 en fa majeur, Op. 93: Allegro vivace

Amazon.com

Karl Böhm's Beethoven is, on balance, the best complete cycle available from Deutsche Grammophon. This will come as a surprise to many, given the fact that the label relentlessly promotes performances by Herbert von Karajan (three complete cycles!) and Leonard Bernstein, but for quality of playing, as well as superb sound, these versions are just about unbeatable. And at a "twofer" price, the complete set on three pairs of discs is a terrific value. --David Hurwitz

Customer Reviews:

Master of the Slow and the Beautiful.......2006-06-12

I always love Bohm's meticulous extraction of beautiful music through slow tempi. Other conductors just skip through the nice pieces far too quickly.

You must hear this recording.......2004-08-08

It's very exciting to see Bohm's Beethoven cycle, Mozart recordings and Tristan und Isolde get the praise that it deserves. For those of you who are not familiar with Bohm, take the leap and see why everyone is so excited. You may notice that many of his lower profile recordings (such as this) often have higher ratings then the classics. Bohm is not a surface conductor; many will testify that his recordings did not appeal to them the first few times they listened to them, but suddenly grew on them. If the other reviewers seem to struggle for words, it isn't surprising. Nothing is as amazing as hearing such 'plain' recordings and realizing they are better and more miraculous then the competition. For those of you that have this recording, but don't like it, keep it on the shelf and take it down every now and then and see how it works for you. I will tell you, having the whole cycle, that these three (along with the eroica) are the best of the cycle. The fifth is rather slow at times, and (sadly) it is probably not Bohm's fault, or Beethoven, but the fact that we have grown so used to hearing it that it has to be 'Kleiberized' to make it alive again. I definitely prefer his seventh over others, and as has been attested to, it is one that has to grow with you. The only other recording to recommend is Krips cycle, which unfortunately has all but disappeared from print and public eye. It's certainly not better, but it is interesting to hear a conductor who has a Beethoven sound even more transparent then Bohm's. As for the more recent digital recording of the ninth, you will notice that it has taking a heavy critical slam for its consistently slow tempos. Although I defend the recording, I have to admit this to be the case, and except for the first movement, I would have liked to have seen it taken faster. This recording definitely cannot be recommended too much, and I agree with another reviewer that it is very surprising that DG has not made a greater effort to push this cycle. I have noticed that it has stayed consistenly in print (recently reissued again) and it may be that they know there's more money to be made in selling the recordings individually. Who can say? Whatever the case, buy it!!

Great all around.......2002-11-06

Some have said that Beethoven's odd-numbered symphonies are great and his even ones are only mediocre. Well, here Bohm shows us how great the 6th and 8th symphonies are. Like many have commented, this is one of the best recordings of the 6th out on the market. The "Pastoral" symphony is rich and lush, and Vienna takes you away into the landscape that Beethoven envisioned as he wrote this wonderful work. Great attention to detail that is highly satisfying. In the 8th, Bohm doesn't let up and conducts with such precision as to create a wonderful driving energy that can be felt underlying the piece. Excellent choice of tempi and full rich sound. The 7th is not my favorite of the recordings out there but it is still well done.

The best version of the sixth!.......2001-02-27

Beethoven's sixth is often underappreciated and overlooked. This version will quickly get you to reconsider your opinion if you have dismissed the sixth as "lightweight." The entire symphony is played with exquisite sensitivity. The first two movements, in particular, reveal Beethoven's genius. Bohm gets the orchestra to revel in Beethoven's lush textures. Everying is balanced and played with great delicacy. Bohm's reading of the seventh is quite different than the famous Klieber version. Again, other reviewers have criticized Bohm for being a bit too slow (the only place this is a concern is in his rendering of the fifth). However, Bohm gets a different, though equally satisfying effect from the slower tempo, particularly in the second movement. Bohm gets much more emotional depth out of this movemement than Klieber does. The spirited eighth is every bit as great as Szell's outstanding version with the Cleveland Symphony. In short, this is a "can't miss" cycle. You can't go wrong, and you won't be dissatisfied with Bohm's versions of all nine Beethoven symphonies.

Best Thing I Ever Bought........2001-01-08

I am so utterly charmed by these recordings that it amazes me.

Right away I greatly preferred Bohm's 6th to the few others that I had heard. I wasn't surprised since it appears to be universally admired. With the seventh I was immediately struck by its classical poise vs. say Kleiber's energy and drive, and thought that I needed to quickly acquire several other versions to figure out what "most" conductors thought the approach should be. I thought Solti's digital 7th was good and definitely in the Kleiber camp. Ashkenazy was next: not a carbon-copy but still also in the energy and drive catagory. Then I discovered that if you listen to the Bohm first during the listening session it doesn't seem "too polite" anymore, it sounds utterly convincing, and the others sound impossibly driven in the III and IV, and nowhere near as impressive as a total performance. And that's without even considering aspects of recording quality or tonal balance. Maybe some will think I'm missing it, but I almost can't listen to the others anymore becauce it really sounds like Bohm nailed it. Number 8. I thought I really loved this work after hearing the '62 Karajan and the Edlinger recording from Naxos. Muti and Szell followed. Good and good. Then I heard the Bohm and it was the same thing all over again. "It's so different," I thought, "slow and almost pokey, though the recording sounds great and the balance is very warm and sweet." Then a few nights later I slip on the headphones and it hits me: this is the greatest interpretation of the most absolutely wonderful music I've ever heard. Pure pleasure, perfect, fun fun fun. Now I really can't listen to other versions anymore(and the digital Solti becomes a cruel joke). So I bought the Bohm 3&9 set and can't wait to get the 1,2,4,5 set. I think Beethoven was an entertainer, not just out to impress. Get these disks, they've got beauty and balance and power in the right places.

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