Music from the Thin Blue Line [Import] [Soundtrack]
Track Listings
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1. Adam’s Theme
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2. Thin Blue Line
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3. Help Me
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4. Houston Skyline
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5. Looking
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6. Boston Blackie
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7. Comets and Vegas
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8. Deception
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9. The Whole Truth
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10. Remembering
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11. Adam’s nightmare
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12. Hypnotic Time
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13. Harris’ Story
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14. Randall
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15. Strange and Abstract
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16. Lies
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17. Strange Welcome
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18. Miller’s theme
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19. Emily
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Editorial Reviews
Album Description
In 1988 Philip Glass scored Errol Morris extraordinary documentary film entitled "The Thin Blue Line". This film helped exonerate a man named Randall Adams who was serving a life sentence for the murder of a police officer that he didnt commit. It was also responsible for exposing the actual murderer. Mr. Morris repetitive, obsessive storytelling style is perfectly supported by Philip Glass hypnotic score and the overall effect is so engaging and irresistible, that it is impossible not to be drawn into this true-life drama. That same year Nonesuch Records released a CD of the films soundtrack that interestingly included the narration and interviews from the film and it tells the entire story. In continuing with Orange Mountain Music's mission to expose prime material from the Philip Glass archive of recordings, we have decided to release the original score without the voice-over so it can be experienced thoroughly. We have also included the extra material that was written and recorded for the film but was never used.
The Munkasci/Riesman team produced the original recordings and the ensemble includes strings, flutes, trumpets, French horns and percussion. The music is dark and moody, full of tension appropriately for such a chilling film. You can expect to be captivated by this masterful score.
Music from the Thin Blue Line, Music, Chris Finckel, Philip Glass, Michael Riesman, Barbara Wilson, Judith Mendenhall, Michael Parloff, Ronald Sell, Sharon Moe, Tony Miranda, Brian Koonin, Gordon Gottlieb, Stephen Burns, Wilmer Wise, Karl Bargen, Sergiu Schwartz, Timothy Baker, Chamber Music & Recitals, Classical, Film, Film Music, Soundtrack, V/A Compilations
Average customer rating:
- This is just awful - I was suckered by the excellence Reich Remixed
- a huge letdown...
- The Ever Recyclable Glass
- Pop music with only a hint of Philip Glass
- Sound Effects
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Glasscuts, Philip Glass Remixed
Manufacturer: Orange Mountain Music
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Symphony No. 6, Plutonian Ode
- Philip Glass : Orion
- Roving Mars
- Philip Glass : Symphony No. 8
- Philip Glass : Les Enfants Terribles
ASIN: B0009Y8I0G
Release Date: 2005-09-13 |
Tracks:
- Another Look at Harmony
- Piano Etude No.2
- Saxophone Concerto
- Tirol Concerto for Piano and Orchestra
- Etude No.1
- Houston Skyline
- Dance from Act II, Scene III of Akhnaten
- Etude No.5
- Channels and Winds
- Why Are We Here?
- Thin Blue Line
- Saxophone Concerto
- 2nd Perception of Light, Moon, Mist and Rainbow
Album Description
It has been said that Philip Glass is the `Godfather of Trance' and evidence of that is found in the remixes that a number of young producers/musicians began sending to Orange Mountain Music as early as 2002. These unsolicitated mixes became the genesis for Glasscuts, Philip Glass Remixed (release date Sept 2005). This CD presents a very diverse program without any one dominant style. The artists are Androoval from Uruguay, Robert Bell from Australia, Brian Bender from the US, Hector Castillo from Venezuela, Taylor Dupree from the US, Sebastian Escofet from Argentina, impLOG, from the US, Woody McBride DJ ESP from the US, Marcos Romero from Uruguay, Kate Simko from the US, Dietrich Schoenemann from the US, Luciano Supervielle from Uruguay and Dave Wesley from the US.
We invite you to immerse yourself in Glasscuts, Philip Glass Remixed with open ears to experience a Glass that is reminiscent of the past, but with an adventurous contemporary twist.
Customer Reviews:
This is just awful - I was suckered by the excellence Reich Remixed.......2006-07-23
I just assumed that this would be as equally wonderful, and that Glass' music would be even more translatable into the "trance" genre, or whatever the kids are calling it nowadays.
Sadly, it seems that this was done by junior high kids with a computer and Acid Foundry or whatever that cheap software is.
No creativity, and, oddly enough, not even any real sense of Glass' music still being in the "remix".
I am a huge fan of Glass; I am not a fan of this kind of music, but since I am also a fan of Reich and since, to my total surprise, I am quite enthralled by the Reich Remixed CD, I figured I really needed to give this CD a shot.
What a waste. This is totally amateur, but without the occasional genius that some amateur can manage. Strictly, totally, and banal amateur yuckiness.
a huge letdown..........2005-12-21
Yeah, it's fun and easy to beat up on remix albums since there are so many mediocre and terrible ones out there... but, wait: here's a great idea... let's give the pioneering, repetitive, trance-like minimalist music of Philip Glass the remix treatment... after all, Reich: Remixed was fabulous... surely the same kind of creativity can be unleashed in this project... But alas, something went terribly wrong here... these are mostly unbearably monotonous, grating, overlong, amateurish productions by remixers who don't seem to even GET (or enjoy?) Glass' music. A real missed opportunity and a huge letdown... ick...
The Ever Recyclable Glass .......2005-11-20
This is just another insipid release from the Orange Mountain label, which keeps putting out anything with the Philip Glass
name on it - even if it is flagrant garbage. Several releases have been issued which about 90% have the same old songs, just performed by different people. In fact, Philip Glass has become more banal and bovine in the last few years because he knows anything with his name on it will sell to the trendy modernistic music crowd. Overall, I believe it is time to stop
recycling Glass.
Pop music with only a hint of Philip Glass.......2005-10-28
This music should be categorized under the "popular music" category, not "classical". All the pieces have an incessant drum beat typical of popular music. This is unlike any other Philip Glass CD that I have and I have about a dozen of them. Where can I get rid of this?
Sound Effects.......2005-09-24
When this album was announced, I was quite looking forward to it; before hearing anything, I compared it to the wonderful work done on "Reich Remixed" which takes some daring approaches to Reich's music and does an excellent job (with a few exceptions) of being new and exciting. Unfortunately, Glass Remixed isn't as daring or as good.
Much of the music is overshadowed with Glass's music and themes. It's as if someone was playing the original music in the background and sound effects were added to it. Throughout listening to Remixed, these sound effects got in the way of the music and I ended up digging out the original pieces and listening to them. However, there are some excellent pieces of interpretation contained within: Etude #2, the Tirol Concerto, and the Saxophone Concerto stand out (especially the Saxophone Concerto since I don't care for the original piece).
The other mark against this effort is all the work had to come from the Orange Mountain Music catalog due to ownership complications. This is not to say there aren't outstanding pieces in the catalog, but this restriction limits most of Glass's seminal works from being considered.
As a huge Glass fan, I was mildly disappointed, but I applaud the effort and the concept behind it.
Average customer rating:
- THE THIN BLUE LINE soundtrack with music only is a quest fulfilled!
- THANK GOODNESS--the music w/o the words
- Worth buying as complement to the old CD issue
- Off the Beaten Path!!
- Very Haunting Film and Score
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Philip Glass : Music from the Thin Blue Line
Manufacturer: Orange Mountain
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Similar Items:
- Philip Glass : The Fog of War
- The Illusionist
- The Thin Blue Line: An Errol Morris Film
- Philip Glass : Orion
- Philip Glass : A Descent into the Maelstrom
ASIN: B00008R102
Release Date: 2003-04-04 |
Tracks:
- Adams Theme
- Thin Blue Line
- Help Me
- Houston Skyline
- Looking
- Boston Blackie
- Comets and Vegas
- Deception
- The Whole Truth
- Remembering
- Adams nightmare
- Hypnotic Time
- Harris Story
- Randall
- Strange and Abstract
- Lies
- Strange Welcome
- Millers theme
- Emily
Album Description
In 1988 Philip Glass scored Errol Morris' extraordinary documentary film entitled "The Thin Blue Line". This film helped exonerate a man named Randall Adams who was serving a life sentence for the murder of a police officer that he didn't commit. It was also responsible for exposing the actual murderer. Mr. Morris' repetitive, obsessive storytelling style is perfectly supported by Philip Glass' hypnotic score and the overall effect is so engaging and irresistible, that it is impossible not to be drawn into this true-life drama.
That same year Nonesuch Records released a CD of the film's soundtrack that interestingly included the narration and interviews from the film and it tells the entire story. In continuing with Orange Mountain Music's mission to expose prime material from the Philip Glass archive of recordings, we have decided to release the original score without the voice-over so it can be experienced thoroughly. We have also included the extra material that was written and recorded for the film but was never used.
The Munkasci/Riesman team produced the original recordings and the ensemble includes strings, flutes, trumpets, French horns and percussion. The music is dark and moody, full of tension appropriately for such a chilling film. You can expect to be captivated by this masterful score.
Album Description
Orange Mountain Music reissue of the acclaimed composer's masterful score to the 1988 film (minus the voice-over that appears on the Nonesuch edition). Also includes extra material that was written & recorded for the film but was never used.
Customer Reviews:
THE THIN BLUE LINE soundtrack with music only is a quest fulfilled!.......2006-10-27
Finally, THE THIN BLUE LINE soundtrack by Philip Glass has been released with the beautiful music only (i.e. without the dialogue tracks). Those of you who have seen this gripping documentary by Errol Morris and enjoyed Philip Glass's hypnotic compositions probably bought the original CD release which included dialogue excerpts from the movie. You were probably disappointed because, although the dialogue version sends an important message about the ever-present risk of gross miscarriage of justice and the potential to send innocent men to death row, you were nonetheless deprived of enjoying this incredible, soul-stirring music. This is truly one of Philip Glass's best soundtracks along with KOYAANISQATSI and POWAQQATSI.
Now is your chance to buy this musical masterpiece without the distraction of dialogue. If you are like me, you might have yearned for a music-only release for years and years. Finally, your quest can be fulfilled!
P.S. To the "geniuses" in the soundtrack music industry,
Please do us all a huge favour by sparing us from any more soundtrack releases that have dialogue superimposed over the music (CASABLANCA, BLADE RUNNER, MORE MUSIC FROM TITANIC, MORE MUSIC FROM GLADIATOR, etc.)! If we wanted to hear the dialogue, we would either just watch the movie or burn a copy of the dialogue onto a CD by ourselves. So do us all a favour and open those music vaults to release complete soundtracks in their entirety without cheating with dialogue tracks! Thank you.
THANK GOODNESS--the music w/o the words.......2006-07-09
I was enthralled by the soundrack of "The Thin Blue Line." The movie was also interesting, but the music was memorable. There was something so captivating about the track itself wihtout regards to the content. Usually I associate a soundtrack with the images of the movie. (Like in Nothing But Trouble, I always see the scene with Chevy Chase going down the conveyor belt when I hear Bone Crusher.)
I eagerly went out and purchased the soundtrack to the movie, and was quite disappointed because it was the movie w/o the picture. All the dialog was on the disc (WHY????) So thank goodness someone reworked the score using a symphonic orchestra. They were very close to the original, but some of the instrument choices were a bit "generic," that's why I could only give it 4 stars. A verbatim track from the movie w/o any dialog as a TOTALLY original Philip Glass score would be a 5 star deal, all the way.
PS--w/o means "without." Sorry for the shorthand.
Worth buying as complement to the old CD issue.......2005-10-15
I own a copy of the old CD issue (including film monologs), but was pleasantly surprised by the release of this re-issue. This release strips the spoken word from the soundtrack to reveal the true beauty of the music. The effect is remarkable! Of course, this is also partly due to the vastly improved sound quality of the recording. As an added bonus, there're also tracks included that didn't make it to the final soundtrack of the film (and therefore were not included on the previous CD). This release complements the old one in various ways and makes it very worthwhile.
Off the Beaten Path!!.......2004-01-19
As with most of Philip Glass's soundtrack's the music to The Thin Blue Line is amazing (in a suprisingly subtle way). So why in the world was this soundtrack released in 1989 with DIALOGUE ON TOP OF IT?! What's more, to the dismay of all of us diehards', the dialogue was quite out front, with the music off in the background. What were they thinking?
Well, I can't complain anymore - and I'll gladly stop. This soundtrack - without any dialogue, thank you - is available for our enjoyment and it has been making regular rounds on my CD player ever since. For those whove not heard the soundtrack before, but have some familiarity with Glass, this music probably sounds most (loosely) akin to "Dancepieces". The instrumentation is sparse, the pieces are inventive while maintaining an openness and accessibility, and the chord changes have a tendency to give you chills (well, they do to me anyway).
There are plenty of highlights: really the first five tracks are all brilliant (the third being rearranged as Glass's solo piano piece 'metamorphisis 1'). I also really liked tracks 9, 10 and 11 (which are all extremely short peices exploiting the same chordal theme). Also, track 19 (a longer peice for strings that I don't think made it into the film or the other soundtrack) has a calm but mighty sound that I've only heard Glass be able to pull off.
There are, to be sure, a few...well...bizarre tracks that almost sound more like a Michael Nyman experiment than something Glass would do. Two tracks use jazz brushes on a snare, playing a soft swing underneath strings that are playing in straight syncopation. A mismatch, in my opinion. Another two tracks (one of them track 20 - the 'hidden' track) use a surf-sounding guitar and a peppy - almost poppy - feel akin to Michael Nyman. Besides that, track 20 uses more studio effects than I've ever heard Philip Glass use. Very bizarre indeed (but you may well like it, and at any rate, it is very different)!!
Long and short, this album is a gem, even if some of the tracks are a bit eclectic. Glass is to be commended for creating a soundtrack that is a.) this compelling, b.) this diverse from track to track, and c.) simply put, this beautiful!
Very Haunting Film and Score.......2003-11-25
Several years ago I watched the film The Thin Blue Line. The film is stylistically terrific, haunting, and twisted. I loved it AND the music. I wanted the soundtrack, but it included the dialogue from the film (I nevertheless bought the soundtrack). Now Orange Mountain Music has released the soundtrack without the dialogue. Once again, Glass has created a masterful score. The music is appropriate as a filmscore, or it can stand on its own. The music is haunting, wonderful, beautiful. I can't praise this album enough. Buy this one!
Average customer rating:
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Late in the 20th Century, Vol. 2
Manufacturer: Elektra / Wea
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ASIN: B000005IZT
Release Date: 1992-05-27 |
Tracks:
- Different Trains - Electric Counterpoint: Different Trains (excerpt)
- Le Mystere Des Voix Bulgares, Vol. II: Stani, Mi Maytcho
- The Gospel At Colonus Original Cast Album: How Shall I See You Through My Tears - The Gospel At Colonus
- J. S Bach: The Well - Tempered Clavier, Book II: Prelude in E major
- The Thin Blue Line - Original Soundtrack: Interrogation, Part One
- Guitarra Portuguesa: Cancao Verdes Anos
- The Rakes Progress: No Word From Tom
- Winter Was Hard: Fratres
- The President: Bring Yr Camera: Philip (excerpt)
- Different Trains - Electric Counterpoint: Electric Counterpoint (3rd Movement) excerpt
- World Saophone Quartet: Rhythm & Blues: For the Love of Money
- Spy Vs Spy: John Zorn Plays Music Of Ornette Coleman: Good Old Days
- AKIKO YANO: Highland
- Before We Were Born
- Gypsy Kings: Un Amor
Average customer rating:
- SEVERELY ALTERED "Belle et la Bete"
- Reviewers are not looking at this correctly
- A re-approach
- The Worst of Phil?
- More of the same
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Philip on Film
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Illusionist
ASIN: B00005O1EU
Release Date: 2001-10-02 |
Tracks:
- Koyaanisqatsi - The Western Wind Vocal Ensemble
- Organic - The Western Wind Vocal Ensemble
- Cloudscape - The Western Wind Vocal Ensemble
- Resource - The Western Wind Vocal Ensemble
- Vessels - The Western Wind Vocal Ensemble
- Pruit Igoe - The Western Wind Vocal Ensemble
- The Grid - The Western Wind Vocal Ensemble
- Prophecies - The Western Wind Vocal Ensemble
Tracks:
- Serra Pelado - Joe Passaro
- The Title - Joe Passaro
- Anthem - Part 1 - Joe Passaro
- That Place - Joe Passaro
- Anthem - Part 2 - Joe Passaro
- Mosque And Temple - Joe Passaro
- Anthem - Part 3 - Joe Passaro
- Train To Sao Paulo - Joe Passaro
- Video Dream - Joe Passaro
- New Cities In Ancient Lands, China - Joe Passaro
- New Cities In Ancient Lands, Africa - Joe Passaro
- New Cities In Ancient Lands, India - Joe Passaro
- The Unutterable - Joe Passaro
- Caught! - Joe Passaro
- Mr. Suso #1 - Joe Passaro
- From Egypt - Joe Passaro
- Mr. Suso #2 With Reflection - Joe Passaro
- Powaqqatsi - Joe Passaro
Tracks:
- Dracula - Kronos Quartet
- Journey To The Inn - Kronos Quartet
- The Inn - Kronos Quartet
- The Crypt - Kronos Quartet
- Carriage Without A Driver - Kronos Quartet
- The Castle - Kronos Quartet
- The Drawing Room - Kronos Quartet
- 'Excellent, Mr. Renfield' - Kronos Quartet
- The Three Consorts Of Dracula - Kronos Quartet
- The Storm - Kronos Quartet
- Horrible Tragedy - Kronos Quartet
- London Fog - Kronos Quartet
- In The Theatre - Kronos Quartet
- Lucy's Bitten - Kronos Quartet
- Seward Sanatorium - Kronos Quartet
- Renfield - Kronos Quartet
- In His Cell - Kronos Quartet
- When The Dream Comes - Kronos Quartet
- Dracula Enters - Kronos Quartet
- Or A Wolf - Kronos Quartet
- Women In White - Kronos Quartet
- Renfield In The Drawing Room - Kronos Quartet
- Dr. Van Helsing And Dracula - Kronos Quartet
- Mina On The Terrace - Kronos Quartet
- Mina's Bedroom/The Abbey - Kronos Quartet
- The End Of Dracula - Kronos Quartet
Tracks:
- Ouverture - Gregory Purnhagen
- Les Soeurs - Gregory Purnhagen
- Le Damande En Mariage D'Avenant - Gregory Purnhagen
- Le Voyage Du Pere - Gregory Purnhagen
- Le Domaine De La Bete - Gregory Purnhagen
- Le Retour Du Pere - Gregory Purnhagen
- La Belle Va Au Chateau - Gregory Purnhagen
- Le Diner - Gregory Purnhagen
- Les Tourments De La Bete - Gregory Purnhagen
- Promenade Dans Le Jardin - Gregory Purnhagen
- Le Saisie Des Meubles - Gregory Purnhagen
- La Confiance De La Bete En La Belle - Gregory Purnhagen
- Belle Retourne Chez Son Pere - Gregory Purnhagen
- Belle Raconte Son Histoire - Gregory Purnhagen
- Le Plan - Gregory Purnhagen
- La Passion D'Avenant - Gregory Purnhagen
- La Magnifique Apparait - Gregory Purnhagen
- Le Miroir - Gregory Purnhagen
- La Pavillon - Gregory Purnhagen
- Le Metamorphose - Gregory Purnhagen
Tracks:
- The Beginning - Michael Riesman
- Perpetual Motion - Michael Riesman
- The Witness - Michael Riesman
- Sand Mandala - Gyuto Monks, Monks Of The Drukpa Order
- Projector - Gyuto Monks, Monks Of The Drukpa Order
- Escape To India - Gyuto Monks, Monks Of The Drukpa Order
- Mishima/Opening - Kronos Quartet
- Osamu's Theme: Kyoko's House - Kronos Quartet
- November 25: Ichigaya - Kronos Quartet
- Mishima/Closing - Kronos Quartet
- Secret Agent - The English Chamber Orchestra
- The First Meridian - The English Chamber Orchestra
- Trust - The English Chamber Orchestra
- End Credits - Michael Riesman
- The Man In The Bath - The Philip Glass Ensemble
- Facades - The Philip Glass Ensemble
- Diaspora - The Philip Glass Ensemble
Amazon.com
The best-known soundtracks of composer Philip Glass have stood the test of time extremely well. Today, we associate Koyaanisqatsi as much with Glass's vast soundscape as we do with director Godfrey Reggio's haunting images. Philip on Film gathers three complete Glass scores--Koyaanisqatsi, Powaqqatsi, and Dracula, along with selections from La Belle et la Bête, Anima Mundi, Kundun, Mishima, The Secret Agent, The Thin Blue Line, and a handful of short films.
The Glass trademarks--those machinelike arpeggios; that familiar, if odd, electronic keyboard sound; the influence of non-Western vocal techniques--are all here. Glass has forged his own unmistakable style of epic-sounding minimalism, but it never gets stale. A few unreleased tracks on Philip on Film will serve hardcore Glass fans (who probably already own most of these works), including "Facades" from Godfrey Reggio's Evidence and a track each from Atom Egoyan's Diaspora and Peter Greenaway's The Man in the Bath. --Jason Verlinde
Customer Reviews:
SEVERELY ALTERED "Belle et la Bete".......2005-12-22
...which is uncalled for. IT IS SPED UP from its original recording, making some of the high notes hit by the female singers truly chipmunk-like. I can't believe they would release this...let's speed it up to fit it on ONE disk! What a GOOD idea. No. Not a good idea.
Reviewers are not looking at this correctly.......2003-04-03
John Adams and Steve Reich were first introduced to me in detail through their respective Nonesuch 10-disc re-releases of previous material. These box sets were never intended to be some new experience for the seasoned Adams and Reich fans, but were instead created either to introduce these artists to those of us who hadn't previously heard their works or to serve as a nicely packaged collector's item.
Like both of the aforementioned box sets, the Philip on Film box set contains complete selections of a few recordings, some new material, and some other works stripped down (either by editing the tracks or by including a few complete tracks from each work). While this package could have easily been ten discs long, evidently Nonesuch was only interested in including those recordings which were featured on the Philip on Film Tour.
I encourage any new Glass listener to purchase this great set: it served as a superb intro to his works for me, as did the Adams and Reich sets.
A re-approach.......2001-12-10
Everyone who thinks of this as purely a repackaged box set doesn't fully understand the nature of this set. In the introduction, Philip Glass mentions that most of the works represented is from a series of concerts where the music is interpreted live while the movie is presented on a screen behind the performers. I personally attented these performances in Austin, TX and was very pleased with the results. The first night consisted of the Shorts, or the 5th disc of this set. The Man in the Bath, Passages, Evidence (Facades with synth), Diaspora, and Anima Mundi where all performed live by The Philip Glass ensemble with the movie itself in the background. The following 4 performances where of Powaqqasti, Le Belle et La Bete, Dracula, and Koyaanisqatsi. Seeing these films with the music has shed a new light on these scores for me, because I had previously heard almost all of them, but to the recording at hand.
This set of discs is something you might pick up at a live concert of your favorite local band, representing what they played that night in studio recording. This set of discs was released to accompany Philip's current world tour of Philip On Film. Although almost all of it has been released previously, this isn't just a way to make a "quick buck". This is a great way to get most of the music played at these performances and, most of all, is a bargin way to get a lot of his best music to date. I also don't personally agree with the "highlights" idea with Belle and Mundi, but to a person wanting post-Einstein Glass, this is a good way to start. Also, I would think that anyone who believes that Glass has written the same music since Einstein needs to listen more and generalize less because there is a wealth of music out there that you may not realize exists.
The Worst of Phil?.......2001-10-30
Anyone who thinks that Powaqqatsi is "the worst of Phil" needs to have his head examined.
More of the same.......2001-10-17
Okay, I give up! The world (or at least the music industry) wants to keep Philip Glass's star in ascendance, with new commissions, and new recordings, or expensive repackagings of previously issued recordings. Glass hasn't had a new idea since 1976, when his "Einstein on the Beach" was the freshest new sound imaginable. Basically, all he's done is re-write that work over and over (and over!) again ever since. While there are cool parts to some of these scores, most of this is the same arpeggiated chords he's been using for the last 25 years! Somebody wake me up when this guy gets a new idea!
Music Review:
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