A Window in Time

Editorial Reviews
Amazon.com
This collection of Rachmaninoff's solo piano performances relies on a mix of old and new technologies. Between 1919 and 1929, Rachmaninoff cut these 19 performances to piano rolls, which would then be played back through reproducing pianos capable of accurately re-creating the original performances through pneumatic devices that animated the rolls with living nuances and shades--a facet that differentiated the classier reproduction keyboards from the more common "player pianos." This set updates the technology with electronic devices--transparently, though expertly, replacing the pneumatics. Played back on a Bösendorfer Reproducing Piano, this collection sounds astounding, full of Rachmaninoff's lickety-quick motion and his punching intensity when striking the keys. There are 18 Rachmaninoff selections--some of them collaborations--and one gem, "The Star-Spangled Banner," taken to new places in this 1919 reading. --Andrew Bartlett

Tracks:

Oklahoma!: Oh, What A Beautiful Mornin' - John Raitt/Franz Allers
On The Town: New York, New York - Michael Kermoyan/Adolph Green/John Reardon/Cris Alexander & Chorus/Leonard Bernstein
Annie Get Your Gun: I Got The Sun In The Morning - Doris Day/Franz Allers
Fiddler On The Roof: If I Were A Rich Man - Topol/Gareth Davies
West Side Story: Tonight - Larry Kert/Carol Lawrence/Max Goberman
The Sound Of Music: The Sound Of Music - Mary Martin/Frederick Dvonch
My Fair Lady: On The Street Where You Live - Jerry Lanning/Theodore Saidenberg
Annie: Tomorrow - Andrea McArdle/Peter Howard
The Music Man: Seventy-Six Trombones - The Boston Pops Orchestra/John Williams
Anything Goes: You're The Top - Eileen Rodgers/Hal Linden/Julian Stein
Bye Bye Birdie: Put On A Happy Face - Dick Van Dyke/Elliot Lawrence
Mame: Open A New Window - Angela Lansbury & Cast/Don Pippin
Strike Up The Band: Strike Up The Band - The Chestnut Brass Co.
Sweet Charity: Hey, Big Spender - Helen Gallagher/Thelma Oliver/Fan-Dango Girls/Fred Werner
Bells Are Ringing: Just In Time - Judy Holliday/Sydney Chaplin/Milton Rosenstock
Gypst: Together, Wherever We Go - Ethel Merman/Jack Klugman/Sandra Church/Milton Rosenstock
Cabaret: Cabaret - Jill Haworth/Harold Hastings
Phantom Of The Opera: The Music Of The Night - The Boston Pops Orchestra/John Williams
Show Boat: Ol' Man River - William Warfield/Franz Allers
A Chorus Line: What I Did For Love - Priscilla Lopez & Cast/Don Pippin
A Little Night Music: Send In The Clowns - Glynis Johns/Harold Hastings

Customer Reviews:

Great to Hear All those great Voices from the Past.......2007-07-05

I just wanted to confirm what the first reviewer had to say about this CD. To hear Ethyl Merman, Mary Martin, Andrea McCardle etc. singing their trademark songs brought a lot of memories from the mid-centry musical theater back again. The last song by Glynis Johns is especially poignant.
You certainly can't beat the price!

A Good One!.......2006-11-10

This is a very good CD, mostly because it's the original artists. I've had some that were re-recorded by no name artists that were ghastly. This one is a really good one--including the sound quality. If I had one wish, I would wish it were longer!

Average customer rating:

A beautiful voice - wasted
only 3 good song
Beautiful and Perfect
Emotional Voice
Style departure

The Other Side Of Time
Mary Fahl
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:

October Project
Falling Farther In
different eyes
Eventide
Gods & Generals

ASIN: B00008S2VE
Release Date: 2003-05-27

Tracks:

The Great Unknown
Going Home
Want To
Ben Aindi Habibi
Redemption
Paolo
Una Furtiva Lagrima
The Other Side Of Time
Raging Child
Annie, Roll Down Your Window
The Station
Kindness Can Be Cruel
Dream Of You
The Dawning Of The Day

Customer Reviews:

A beautiful voice - wasted.......2007-07-10

I was introduced to Mary Fahl via October Project. I had never heard anything like them before or since and Fahl's voice is nearly beyond compare with anyone else, though as an earlier reviewer said, Annie Lennox and Carly Simon come close. I just don't think they have Fahl's range.
So, you can imagine after October Project's demise, I was looking forward to hearing more of Fahl. After-all, a voice like that just can't be silenced.
Too bad it wasn't - at least for the garbage on this album. Redemption is probably the only song that shows what she can do with her voice. The rest is just a waste of her talents. God, I certainly hope she does not go down the same road that Karen Carpenter did and make everything she sings sound like a funneral dirge. She's trying very hard with the muck written for this album to do just that. The writing credits alone should have been enough to give it away right there. HOW many people does it take to write ONE song? Apparently as many as want to have a say in it for this disaster. Listen, if you start getting more than two people tossing in their two cents worth on any one song, you had better consider not writing it, much less trying to sing it. It is going to sound like a collage of miss-matched ideas and influences. Gee - just like most of the music (if you can call it that) on this album! I certainly hope that Mary Fahl will be able to find another record label willing to take her on when her current one dumps her for this waste of money and resources - with the priviso of course that all she does is sing the songs a talented songwriter creates for her.

only 3 good song.......2007-01-11

still, october proyect is the best and her voice is the best, but this cd is not the greates but think about if you like her and then buy it.

Beautiful and Perfect.......2007-01-09

The more I listen to this cd the more I am entranced with it. I have enjoyed Mary Fahl's voice since October Project. I am eagerly awaiting some more new material. She has a very powerful and touching voice. I gain something new each time I listen to her voice, music and lyrics. Thank you Mary!

Emotional Voice.......2006-06-09

Since when the founder October Project came to an end, Mary's voice was already one one of the highlights of the band. And this is proved here. A very good debut album!

Style departure.......2005-08-14

Like previous reviewers, I too was sceptical about this CD."The
Great Unknown" seems to be an October Project track right off, billowing, inspiring and lush, you would never know the difference. It is my favorite. The rest of the songs really take a departure in style from what I am used to hearing from Mary. Though enjoyable, she seems to be searching for an audience. I hope she continues to put out sounds which can inspire and provoke thought in their writing without getting too sentimental. Pretty girl, great voice, don't let them change your style.

Dowland - The Collected Works / The Consort of Musicke, Rooley

Average customer rating:

A musical treasure-box
a beautiful journey into melancholy

Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Dowland: Complete Lute Works, Vol.1-5
William Byrd: Consort Songs
Bach: The Landowska Recordings
Britten Conducts Britten
Janácek: Operas

ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

First Booke Of Songes: I. Unquiet Thoughts
First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
First Booke Of Songes: IV. If My Complaints Could Passions Move
First Booke Of Songes: V. Can She Excuse My Wrongs
First Booke Of Songes: VI. Now, O Now, I Needs Must Part
First Booke Of Songes: VII. Dear, If You Change
First Booke Of Songes: VIII. Burst Fourth My Tears
First Booke Of Songes: IX. Go Crystal Tears
First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
First Booke Of Songes: XI. Come Away, Come Sweet Love
First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
First Booke Of Songes: XIII. Sleep, Wayward Thoughts
First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
First Booke Of Songes: XVI. Would My Conceit
First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
First Booke Of Songes: XVIII. His Golden Locks
First Booke Of Songes: XIX. Awake, Sweet Love
First Booke Of Songes: XX. Come, Heavy Sleep
First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

Second Booke Of Songs: I. I Saw My Lady Weep
Second Booke Of Songs: II. Flow My Tears
Second Booke Of Songs: III. Sorrow, Stay
Second Booke Of Songs: IV. Die Not Before Thy Day
Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
Second Booke Of Songs: VI. Time's Eldest Son
Second Booke Of Songs: VII. Then Sit Thee Down
Second Booke Of Songs: VIII. When Others Sing Venite
Second Booke Of Songs: IX. Praise Blindness Eyes
Second Booke Of Songs: X. O Sweet Woods
Second Booke Of Songs: XI. If Floods Of Tears
Second Booke Of Songs: XII. Fine Knacks For Ladies
Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
Second Booke Of Songs: XV. White As Lilies Was Her Face
Second Booke Of Songs: XVI. Woeful Heart
Second Booke Of Songs: XVII. A Shepherd In A Shade
Second Booke Of Songs: XVIII. Faction That Ever Dwells
Second Booke Of Songs: XIX. Shall I Sue
Second Booke Of Songs: XX. Toss Not My Soul
Second Booke Of Songs: XXI. Clear Or Cloudy
Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

Third Booke Of Songs 1603: I. Farewell, Too Fair
Third Booke Of Songs 1603: II. Time Stands Still
Third Booke Of Songs 1603: III. Behold A Wonder Here
Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
Third Booke Of Songs 1603: V. Me, Me, And None But Me
Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
Third Booke Of Songs 1603: IX. What If I Never Speed?
Third Booke Of Songs 1603: X. Love Stood Amazed
Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
Third Booke Of Songs 1603: XIII. O What Hath Overwrought
Third Booke Of Songs 1603: XIV. Farewell, Unkind
Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
Third Booke Of Songs 1603: XVI. Fie On This Feigning!
Third Booke Of Songs 1603: XVII. I Must Complain
Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

A Pilgrimes Solace: I. Disdain Me Still
A Pilgrimes Solace: II. Sweet Stay Awhile
A Pilgrimes Solace: III. To Ask For All Thy Love
A Pilgrimes Solace: IV. Love, Those Beams That Breed
A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
A Pilgrimes Solace: VI. Were Every Thought An Eye
A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
A Pilgrimes Solace: VIII. Tell Me, True Love
A Pilgrimes Solace: IX. Go Nightly Cares
A Pilgrimes Solace: X. From Silent Night
A Pilgrimes Solace: XI. Lasso vita mia
A Pilgrimes Solace: XII. In This Trembling Shadow Cast
A Pilgrimes Solace: XIII. If That A Sinner's Sights
A Pilgrimes Solace: XIV. Thou Mighty God
A Pilgrimes Solace: XV. When David's Life
A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

A Pilgrimes Solace: XVII. Where Sin Sore Wounding
A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
A Pilgrimes Solace: XIX. Up Merry Mates
A Pilgrimes Solace: XX. Welcome Black Night
A Pilgrimes Solace: XXI. Cease, Cease These False Sports
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
Mr. Henry Noell Lamentations: II. Domine ne in furore
Mr. Henry Noell Lamentations: III. Miserere mei Deus
Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
Mr. Henry Noell Lamentations: VI. De profundis
Mr. Henry Noell Lamentations: VII. Domine exaudi
Lachrimae: Lachrimae Antiquae
Lachrimae: Lachrimae Antiquae Novae
Lachrimae: Lachrimae Gementes
Lachrimae: Lachrimae Tristes
Lachrimae: Lachrimae Coactae
Lachrimae: Lachrimae Amantis
Lachrimae: Lachrimae Verae
Lachrimae: Mr. John Langton's Pavan
Lachrimae: Mr. Nicholas Gryffith His Galiard
Lachrimae: Sir John Souch His Galiard
Lachrimae: Semper Dowland Semper Dolens
Lachrimae: Mr. Giles Hobies Galiard
Lachrimae: The King Of Denmark's Galiard
Lachrimae: Sir Henry Umpton's Funerall
Lachrimae: Mr. Henry Noell His Galiard
Lachrimae: The Earl Of Essex Galiard
Lachrimae: Mr. Bucton His Galiard
Lachrimae: Mr. George Whitehead His Almand
Lachrimae: Captain Digorie Piper His Galiard
Lachrimae: Mr. Thomas Collier His Galiard
Lachrimae: Mrs. Nichols Almand

Tracks:

Sacred Songs: Sorrow, Come!
Sacred Songs: I Shame At Mine Unworthiness
Sacred Songs: An Heart That's Broken And Contrite
Psalms: Psalm 100: All People That On Earth Do Dwell
Psalms: Psalm 38: Put Me Not To Rebuke O Lord
Psalms: Psalm 130: Lord To Thee I Make My Moan
Psalms: Psalm 104: My Soul Praise The Lord
Psalms: Psalm 100: All People That On Earth Do Dwell
Psalms: Psalm 134: Behold And Have Regard
A Prayer For The Queen's Most Excellent Majesty
Instrumental Music: Solus cum sola pavan
Instrumental Music: Lachrimae
Instrumental Music: Galliard
Instrumental Music: Pipers Pavan
Instrumental Music: Lachrimae
Instrumental Music: Lady Rich Galliard
Instrumental Music: Earl Of Essex Galliard
Instrumental Music: If My Complaints
Instrumental Music: Lachrimae Doolande
Instrumental Music: Lord Willoughbie's Welcome Home
Instrumental Music: My Lord Chamberlaine His Galliard
Instrumental Music: Comagain
Instrumental Music: Pavan Lachrymae
Instrumental Music: Sorrow Stay

Tracks:

Lute Music: Preludium
Lute Music: Lachrimae
Lute Music: Can She Excuse
Lute Music: Dr. Case's Pavan
Lute Music: Melancholy Galliard
Lute Music: Sir John Smith, His Almain
Lute Music: Fantasia
Lute Music: A Dream
Lute Music: Almain
Lute Music: The Queen's Galliard
Lute Music: Coranto
Lute Music: Resolution
Lute Music: Mrs. Vaux Galliard
Lute Music: Almain
Lute Music: Mr. Dowland's MIdnight
Lute Music: Fantasia
Lute Music: Loth To Depart
Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
Lute Music: The Earl Of Essex, His Galliard
Lute Music: Pavan
Lute Music: John Dowland's Galliard
Lute Music: Aloe
Lute Music: The Lady Clifton's Spirit
Lute Music: What If A Day
Lute Music: Mr. Giles Hobie's Galliard
Lute Music: Come Away (Song arrangement)
Lute Music: Galliard
Lute Music: Fancy (Fantasia)

Tracks:

Lute Music: Lachrimae (Basic Version)
Lute Music: Galliard To Lachrimae
Lute Music: [Jig]
Lute Music: Galliard On 'Wasingham'
Lute Music: Complaint (Ballad Setting)
Lute Music: Mignarda (Galliard)
Lute Music: Semper Dowland Semper Dolens (Pavan)
Lute Music: The Frog Galliard
Lute Music: A Fancy (Fantasia)
Lute Music: Fancy (Fantasia)
Lute Music: Piper's Pavan
Lute Music: Captain Digorie Piper's Galliard
Lute Music: Lady Laiton's Almain
Lute Music: Dowland's Galliard
Lute Music: Dowland's First Galliard
Lute Music: Tarleton's Jig
Lute Music: Walsingham (ballad Setting)
Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
Lute Music: Sir Henry Guilforde, His Almain
Lute Music: Pavan (Related To 'Lachrimae')
Lute Music: Mr. Langton's Galliard
Lute Music: Mrs. Clifton's Almain
Lute Music: Galliard
Lute Music: Lady Hunsdon's Puffe (Almain)
Lute Music: Galliard
Lute Music: Go From My Window (Ballad Setting)
Lute Music: Fancy (Fantasia)

Tracks:

Lute Music: Pavana Johan Douland
Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
Lute Music: La mia Barbara
Lute Music: Sir Henry Umpton's Funeral (Pavan)
Lute Music: Lachrimae
Lute Music: Farewell Fancy (Chromatic Fantasia)
Lute Music: Farewell (On The 'In Nomine' Theme)
Lute Music: The King of Denmark's Galliard
Lute Music: Mrs. Vaux's Jig
Lute Music: Mrs. Nichol's Almain
Lute Music: Galliard
Lute Music: Lord Strang's March
Lute Music: Mrs. Winter's Jump
Lute Music: Can She Excuse (Galliard)
Lute Music: The Shoemaker's Wife, A Toy
Lute Music: Mrs. Norrish's Delight
Lute Music: Galliard
Lute Music: Mrs. White's Thing (Almain)
Lute Music: Mrs. White's Nothing
Lute Music: The Frog Galliard
Lute Music: Solus cum sola
Lute Music: The Lord Viscount Lisle, His Galliard
Lute Music: Orlando Sleepeth (Ballad Setting)
Lute Music: Robin (Ballad Setting)
Lute Music: Galliard (On A Galliard By Daniel Bacheler)
Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

Lute Music: The Lady Russell's Pavan
Lute Music: Fancy (Fantasia)
Lute Music: Sir John Langton's Pavan
Lute Music: Earl Of Derby, His Galliard
Lute Music: A Coy Toy
Lute Music: Fortune My Foe
Lute Music: [Almain]
Lute Music: Mr. Knight's Galliard
Lute Music: Sir John Souch His Galliard
Lute Music: Tarletone's Riserrectione
Lute Music: The Lady Rich, Her Galliard
Consort Music: Lachrimae Pavan
Consort Music: Can She Excuse Galliard
Consort Music: Captain Piper's Pavan And Galliard
Consort Music: The Frog Galliard
Consort Music: Round Battell Galliard
Consort Music: Fortune My Foe
Consort Music: Dowland's First Galliard
Consort Music: Katherine Darcie's Galliard
Consort Music: Tarleton's Jigge
Consort Music: Almain a 2
Consort Music: Mistress Nichols Almain a 2
Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
Opusculum: Mr. John Langton Pavan And Galliard
Opusculum: La mia Barbara Pavan and Galliard
Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

Consort Music: Mistress NIchols Almain
Consort Music: Volta a 4 ('Ioh. Douland')
Consort Music: Were Every Thought an Eye
Consort Music: Lady If You So Spite Me
Consort Music: Pavan a 4
A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
A Musicall Banquet: VIII. Far From Triumphing Court
A Musicall Banquet: IX. Lady, If You So Spite Me
A Musicall Banquet: X. In Darkness Let Me Dwell
A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Tracks:

Prelude In C-Sharp Minor, Op. 3, No. 2
Lilacs, Op. 21, No. 5
The Flight Of The Bumblebee
Elegie, Op. 3, No. 1
Barcarolle, Op. 10, No. 3
Liebesfreud
Liebesleid
Melodie, Op. 3, No. 3
Etude-Tableau In B Minor, Op. 39, No. 4
Wohin?
Polichinelle, Op. 3, No. 4
Polka De V.R.
Prelude In G Minor, Op. 23, No. 5
Serenade, Op. 3, No. 5
Minuet
Hopak
Etude-Tableau In A Minor, Op. 39, No. 6
Humoresque Op. 10, No. 5
The Star-Spangled Banner

Amazon.com

This collection of Rachmaninoff's solo piano performances relies on a mix of old and new technologies. Between 1919 and 1929, Rachmaninoff cut these 19 performances to piano rolls, which would then be played back through reproducing pianos capable of accurately re-creating the original performances through pneumatic devices that animated the rolls with living nuances and shades--a facet that differentiated the classier reproduction keyboards from the more common "player pianos." This set updates the technology with electronic devices--transparently, though expertly, replacing the pneumatics. Played back on a Bösendorfer Reproducing Piano, this collection sounds astounding, full of Rachmaninoff's lickety-quick motion and his punching intensity when striking the keys. There are 18 Rachmaninoff selections--some of them collaborations--and one gem, "The Star-Spangled Banner," taken to new places in this 1919 reading. --Andrew Bartlett

Customer Reviews:

Rachmaninoff is in the house!.......2007-02-08

Superb sound quality! This is not a remastered recording made back in the '50's. This is actually Rachmaninoff performing via a special, pressure-sensitive type player piano. It truly sounds like he was recorded live with our current technology. The accompanying booklet explains everything very clearly.

Rachmaninoff was not only an exceptional composer, he was also an exceptional (if that is a strong enough term) performer. This CD allows you to experience his performing abilities as though you were sitting with him today. Great CD for every collection, even if you only casually listen to classical music on a rare occasion.

Rachmaninoff Rocks!

Wonderful!!!.......2006-07-15

No, I'm not a kid. But I am quite the Rachmaninoff ethusiast;I own all his recordings, both acoustic/electric and piano roll. Before buying these discs (i.e. the two volumes of A Window In Time), I read the reviews here, and was a bit reluctant in purchasing them after having read the negative ones. They claim that "there is no music" in these cds, that the "performances" are uncharacteristic of Mr. Rachmaninoff. But after comparing these performances with those recorded centuries ago, they do indeed seem to be accurate. Though they were digitally transferred, the authenticity is still there. I actually wonder if the naysayers only bash this collection because of the fact that these rolls were converted in such a way, and because of this formed a harsh bias. The alternative to these recordings on Decca are nice sounding though the tempi are a bit off, as proven by the recordings of the master himself playing. This is especially evident in the G minor Prelude; the Decca version is simply too slow and simply unlike Rachmaninoff. The version here, however, sounds very much like his playing. Despite my praises, there are two flaws I find in AWIT.The first is the use of a Boesendorfer that at times sounds awkward,like in the ending of Elegy; personally I would have loved for these to have been somehow transferred onto a Steinway, and Rachmaninoff would agree with me, as he performed exclusively on Steinways. The second flaw is that, yes, that little bit of sponteneity found in the acoustic/electric recordings is missing, but of course neither anyone nor anything can reproduce Rachmaninoff's pianism in a flawless but Rachmaninoff himself. I strongly reccommend both volumes of "A Window in Time". Try not to let the negative reviewers sway you, decide for yourself.

Where Does This Take us to?.......2005-10-13

Wonderful music most brilliantly played, with no coughings or whatever. Many of them are celebrated pieces too. But I won't for a moment suggest any serious piano music lover to really compare it with Rachmaninov's RCA recordings even if you have the heavy hissings of the latter on the other side of the balance. You will probaly more fun if you could just concentrate on what this technology could achieve.

The dead come alive.......2005-01-14

This is the best reconstruction of historic playing you'll ever hear, in part because while Rachmaninoff is playing it's as if he were installed on a big Boesendorfer in your living room. Finally we hear why in his time R. was if anything a bigger name as performer than as composer. Wonderful music, with rich recorded sound, and the always-exquisite sound of the Boesendorfer.

Truly Magnificent!.......2004-07-19

I just got this CD and with some trepidations sat back and listened intently from start to finish. WOW!! I was hoping that the negative reviews about mechanical and robotic playing would not be too accurate. Well those reviews were utterly absurd, these are MAGNIFICENT recordings! To paraphrase the liner notes, we can thank our lucky stars that we live in a time that technology can bring us this close to the great Rachmaninoff! From some of the reviews one could think this is some sort of computer generated music, robotic and lifeless. Nothing could be further from the truth. The humanity, soul and beauty of the playing leaps out at you. We owe Mr. Stahnke a debt of gratitude for this labor of love. This is art restoration of a high order, not technological interference. To fault this incredible "remastering" of the orginal rolls is like faulting the new digital transfers of old analog tape. It is not "interfering" with original recordings, it is restoration. Purist debates and Bose versus Stein arguments are meaningless when hearing Rachmaninoff play with this level of clarity and beauty of sound. Just like digital transfer of classic films or "cleaning" of masterpiece paintings, this is technology being used to increase our experience of the original intent, not to alter it. I have ordered the second one as well and will purchase every single issue of old piano roll masters that is restored like this. Don't hesitate, these are truly magnificent recordings that will not disappoint. Five stars without reservation!

Average customer rating:

A New Kind of Ensemble
Soothing, Energizing and Great Sounding Album

Gibbons: Consorts for Viols /Phantasm

Manufacturer: Avie
ProductGroup: Music
Binding: Audio CD

Pavanes | Ballets & Dances | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Imports | Stores | Music
Similar Items:

Four Temperaments (Byrd * Ferrabosco * Parsons * Tallis) /Phantasm
J Jenkins: Six-Part Consorts /Phantasm
In Nomine: 16th Century English Music for Viols Including the Complete Consort Music of Thomas Tallis - Fretwork
William Lawes: Consorts in Four and Five Parts
String Quartets 1 & 3

ASIN: B0001CLZUQ
Release Date: 2004-06-29

Customer Reviews:

A New Kind of Ensemble.......2005-04-09

The CD, Consorts for Viols was put out on the Avie label and made possible by Magnatune. The performers are the viol quartet Phantasm and two guest artists, Susanna Pell and Asako Morikawa.

The viol, in its nature, is a chamber instrument. It is not unlike the cello, yet its differences are pronounced when one takes a close look at the two instruments.

The viol has a rounder shape than the cello and has six strings instead of four. The playing techniques of the instruments are different. One of the most pronounced differences is in the way the bow is held. On a cello the bow is held with the strings facing downwards and the player's hand is at the very end of the bow. The viol's bow strings, on the other hand, face upwards and the player's hand is positioned somewhere near the end but closer to the middle.
Because of its internal makeup, the viol has been considered only suitable for chamber music. Phantasm is definitely such an ensemble; yet the way their instruments are projected on the recording, the listener is forced to think of the viol as capable of something more.

Phantasm, on their recent release Consorts for Viols, play a wide variety of music by the English composer Orlando Gibbons. They begin with the Fantasias. A fantasy, or fantasia, is an work with an improvisational quality that is spun out of a theme or motive. The first fantasia that Phantasm plays is Fantasia V. It has a quick, lively beginning then slows down to sober, sliding notes and returns again to a mood like the beginning one. Fantasia VI features solo entries in all the viols and then a dialogue- like section between the tenor and bass.

Fantasia III is especially noted for the interweaving counterpoint in its middle. This characteristic can be seen to a certain degree in all of the music on this recording and definitely proves Gibbons's outstanding ability in choral music in which one can hear counterpoints of all kinds interwoven in the vocal parts. All six fantasias are played as well as the four fantasies that are heard later on the CD.

The fantasies are very fugal in character. The fugue was rather a new, innovative genre during Gibbons's time. A fugue features a subject stated solo followed by the subject restated in all of the other voices whilst each voice, after it states the subject, continues on with free material.

The subject of Gibbons's Fantasy I is composed of long, repeated notes. A second theme seems to appear in the middle of the work that is characterized by upwards rising notes. This is similar to the ricercar, a kind of fugue that would have been popular during Gibbon's day; it was used mainly for liturgical purposes and featured more than one subject. Fantasy III's theme is so characteristic of the rhythmic tendency during the Renaissance with its short-long beat. Fantasy IV has a rather regal theme stated solo in the tenor, and the middle of this piece features falling arpeggio's.
After the Fantasies, come two anthems originally written for chorus but which Phantasm plays on viols. The second, Hosanna to the Son of David has upwards scales in it. These were probably meant as word painting for the text "Hosanna in the highest". Phantasm does a good job of evoking the mood of an organ and singers that would have normally been used for these anthems.

Two popular tunes used as a ground bass for variations are Go from my Window and Peascod Time, originally written as virginal music. Gibbons's writing in these two pieces can be technically challenging, but the violists of Phantasm tackle it with great clarity and distinctness of line. Both tunes have a country sound reflecting their ground basses.

Special mention must be made about the Salisbury Pavan. This pavan was originally written by Gibbons's for the virginal, and in it he placed one note that went just a little too low for that instrument.(The note was AA; virginals generally went to C.) This song incited the expansion of the range of the virginal. Since that time, the range of the keyboard has continued to be expanded through adventuresome composers taking - as we may think of it - the lead from Orlando Gibbons.

In the booklet notes, Laurence Dreyfus, the director, specifically mentions that this work and its "excruciatingly expressive" dissonances are "so beloved of Glenn Gould". This is not the only time he mentions the Canadian pianist. Again, he writes of Gould's praise of Gibbons's anthems and how he wore out three recordings of those works. He states that viol players and Glenn Gould do have something in common.

The clarity with which the performer's of Phantasm bring out the complex lines of Gibbons's music is exemplary. They are able to create a structural sense of rhythm without having a clear meter, especially in the Fantasias and Fantasies. Technically they keep a clean sound, and musically they bring out the lines of the phrase structures.

This CD won the 2004 Gramophone Early Music award, and a bonus track is available at www.magnatune.com.

The words for The Silver Swan, a part-written song for voices conditioned by Phantasm for viols and played on this CD are:

The silver swan, who living had no note,
When death approach'd, unlock'd her silent throat;
Leaning her breast against the reedy shore,
Thus sung her first and last, and sung no more.
Farewell, all joys; O Death, come close mine eyes;
More geese than swans now live, more fools than wise.

-Contrapunctus

Soothing, Energizing and Great Sounding Album.......2004-11-12

I do not have a deep understanding of classical music. I usually tend to buy albums that intuitively appeal to me on the first listen. I first listened to this on British Airways' inflight classical music selection.

Needless to say I can't give you a "classical" interpration of this CD. The rich sound of the viols is very relaxing and energizing at the same time. The album is very well recorded and mastered -- just a glorious soundstage and you can pin point every single move of the string on every single viol. If you are an audiophile, this is a must buy just to see how well your system can reproduce the rich sounds of the different viols.

I am glad I bought this album! Highly Recommended!

Average customer rating:

These songs must have been written for Amaize

Pora! Russian Romances
Alexander Borodin , Modest Mussorgsky , Sergey Rachmaninov , Nikolay Andreyevich Rimsky-Korsakov , Pyotr Il'yich Tchaikovsky , and Odekhiren Amaize
Manufacturer: Msr Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Customer Reviews:

These songs must have been written for Amaize.......2004-04-07

My gripe with most recordings of "art songs" is that the performances are boring, as if the music has been fed through a vocal processor, technique overrides heart. This is never the case with Odekhiren Amaize, who makes each song his own. For my money, there is no voice or heart more perfectly suited to interpret these deep, rich Russian songs than his deep, rich Bass-Baritone...the combination of Rakhmaninov and Amaize is nothing short of amazing, and I was moved to tears on more than one occasion even though (not speaking Russian and not first having read the English translations) I didn't have a clue what the text was about. Absolutely stunning!

Average customer rating:

Wonderful!!!
A Window in Time ~Johann Sebastian Bach
Dull and lifeless
Not to be missed!
mechanical echoes

A Window in Time

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Scherzo | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Barcarolles | Vocal Non-Opera | Opera & Vocal | Styles | Music
Similar Items:

A Window in Time: Rachmaninoff Performs His Solo Piano Works
Rachmaninov Plays Rachmaninov--Ampico Recordings (1919-29)
Rachmaninoff Plays Chopin
Rachmaninoff plays Rachmaninoff
Rachmaninoff Plays Rachmaninoff

ASIN: B00000IJVD
Release Date: 1999-03-23

Tracks:

Were I A Bird, Op. 2, No. 6
Barcarolle No. 5, Op. 93, No. 7
Melodie
Troika
Spinning Song, Op. 67, No. 34
Waltz In E-Flat Major, Op. 18 ('Grande Valse Brilliante')
Waltz, Op. 40, No. 8
The Maiden's Wish
Waltz, Op. 34, No. 3 ('Valse Brilliante')
Das Wandern
Sarabande
Nocturne, Op. 15, No. 1
Minuet, Op. 14, No. 1
Turkish March
Impromptu, Op. 90, No. 4
Scherzo In B-Flat Minor, Op. 31

Customer Reviews:

Wonderful!!!.......2006-07-27

No, I'm not a kid. But I am quite the Rachmaninoff enthusiast;I own all his recordings, both acoustic/electric and piano roll. Before buying these discs (i.e. the two volumes of A Window In Time), I read the reviews here, and was a bit reluctant in purchasing them after having read the negative ones. They claim that "there is no music" in these cds, that the "performances" are uncharacteristic of Mr. Rachmaninoff. But after comparing these performances with those recorded years ago, they do indeed seem to be accurate. Though they were digitally transferred, the authenticity is still there. I actually wonder if the naysayers only bash this collection because of the fact that these rolls were converted in such a way, and because of this formed a harsh bias. The alternative to these recordings on Decca are nice sounding though the tempi are a bit off, as proven by the recordings of the master himself playing. This is especially evident in the G minor Prelude; the Decca version is simply too slow and simply unlike Rachmaninoff. The version here, however, sounds very much like his playing. Despite my praises, there are two flaws I find in AWIT.The first is the use of a Boesendorfer that at times sounds awkward,like in the ending of Elegy; personally I would have loved for these to have been somehow transferred onto a Steinway, and Rachmaninoff would agree with me, as he performed exclusively on Steinways. The second flaw is that, yes, that little bit of sponteneity found in the acoustic/electric recordings is missing, but of course neither anyone nor anything can reproduce Rachmaninoff's pianism flawlessly but Rachmaninoff himself. I strongly reccommend both volumes of "A Window in Time". Try not to let the negative reviewers sway you, decide for yourself.

A Window in Time ~Johann Sebastian Bach.......2005-10-04

This is a wonderful CD. The sound is as if Rachmaninoff had recorded it yesterday. The marvelous technology allows us to reach into the past and recover glories that we had thought forever lost.

Dull and lifeless.......2004-11-24

I was very disappointed to hear this recording, after hearing Rachmaninov live on the two Naxos recordings and also hearing the recordings of the Ampico rolls on Decca.

Something seems to have happened during all of the manipulation; the playing seems to have been homogenized. The rythm and tempo are no longer dynamic, and the highs and lows have been smoothed off. This is not the case with the recordings of the Ampico rolls, played back on an Ampico-equipped machine, on the Decca CD which are very dynamic and lively.

The sound on this CD is beautiful, but I'm afraid I'll only use it as background noise.

Not to be missed!.......2003-11-14

Despite what the naysayers have been nay-saying about this disc, I think it would be very hard to be disappointed by them, from any standpoint. If they are somehow the contrived product of some deranged producer's imagination, then I could only hope that other pianists would begin to "contrive" their own playing to match what I've heard on these discs. If the piano sounds flat, un-natural and limited in dynamic range, then I hope manufacturers of pianos begin to aim for these qualities in their instruments.

Ok, maybe that's a little blunt - and I do have to admit that I enjoyed these discs more when I had a nicer sound system. Since I've stepped down to something much smaller and cheaper, these discs have lost some of their sparkle - more than some of the other discs in my collection. Even now, though, I love them and listen to them frequently. For me, every note is filled with the awesome sensitivity and mind-blowing technic of a great pianist. The tempos are steady, clear and straightforward - and I think this is not evidence of a contrived medium, but of Rachmaninoff's no-nonsense playing style. As an amateur pianist, teacher and long-time lover of piano music, I think there is a great deal to admire in this approach.

If you're suspicious about these recordings, then listen before you buy, but don't pass on the opportunity to discover the great playing of Rachmaninoff, without the crack and pop of a 78-rpm recording.

mechanical echoes.......2003-04-17

As a classical music buff and an amateur pianist, I eagerly purchased both volumes of "A Window in Time". Unfortunately, I found both albums disappointing. There is little range in touch and dynamics; for example, the virtual performer seems incapable of legato. The technical problem lies in the recording of the piano rolls. Although the rolls are "digital" in nature, they do not have the capability to capture nuances. What is left is some sense of Rachmaninoff's timing, but even that is suspect - in the liner notes, Stahnke mentions the problems he experienced with determining what speed at which to play the rolls. That "impressive speed" you hear may be artificially sped up.

Average customer rating:

Shakespeare's Songbook, Vols. 1 & 2

Manufacturer: Azica
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

General | Classical | Styles | Music
Similar Items:

Shakespeare's Songbook
Songs and Dances from Shakespeare
Shakespeare Songs
Shakespeare's Musick (Songs & Dances from Shakespeare's Plays) / Pickett, Musicians of the Globe
William Shakespeare's Hamlet (Two-Disc Special Edition)

ASIN: B0002IQL08
Release Date: 2004-07-06

Tracks:

Ah Robin (Round)
And Let Me The Cannikin Clink
And Will He Not Come Again
Be Merry, Be Merry
Black Spirits
Blow, Blow Thou Winter Wind
Bonny Sweet Robin
But Shall I Go Mourn
Can'st Thou Not Hit It
Come Away
Come Away, Hecate
Come Live With Me
Come O'er The Burn
Come Thou Monarch (Version 2)(Round)
Come Unto These Yellow Sands
A Cup Of Wine
Farewell, Dear Heart
Fathers That Wear Rags
Fear No More
Fie On Sinful Fantasy
Fill The Cup (Round)
Flout 'Em And Cout 'Em (Round)
Fools Had Ne'er Less Grace
For I'll Cut My Green Coat
The Friar And The Nun
Full Fathom Five
The George Alow (Version 1)
Get You Hence
The God Of Love
Hark, Hark The Lark
Have I Caught My Heavenly Jewel
Heart's Ease
Hold Thy Peace (Version 2)(Round)
Honor, Riches
I Am Gone Sir
I Loathe The I Did Love
It Was A Lover And His Lass
Jepha
Jog On
Jolly Shepherd (Round)
King Stephen Was A Worthy Peer
Lawn As White
Love, Love, Nothing But Love (Version 2)
The Master, The Swabber (Version 2)
No More Dams
An Old Hare Hoar (Version 1)
O Mistress Mine (Version 1)
Orpheus With His Lute
O Sweet Oliver
Pardon Goddess Of The Night
Roses Their Sharp Spines
Sigh No More, Ladies
Some Men For Sudden Joy (Version 1)
Take, O Take Those Lips
Tell Me, Where Is Fancy Bred
That Sir Which Serves
There Dwelt A Man In Babylon (Version 1)
There Was Three Fools
Three Merry Men (Round)
Tomorrow Is St. Valentine's Day
Under The Greenwood Tree
Up And Down (Round)
Urns And Odours Bring Away
Walsingham
Was This Fair Face
Wedding Is Great Juno's Crown
What Shall He Have (Round)
When Arthur First In Court
When Daffodils Begin To Peer
When Daisies Pied
When Griping Grief
When Icicles Hang By The Wall
When That I Was And A Little Tyne Boy
Where The Bee Sucks
While You Here Do Snoring Lie
Who Is Silvia
Why Let The Strucken Deer
Willow, Willow (Version 1)
Will You Buy Any Tape
The Woosel Cock
You Spotted Snakes

Tracks:

Awake, Awake
Battle Of Agincourt
Bride's Goodmorrow
Broom
Callino
Carmen's Whitle
Chi Passa
Come Kiss Me, Kate (Round)
Come Thou Monarch (Version 1)
Cup Of Wine (Version 1)
Damon
Daphne
Diana (2 Versions)
Dulcina
Eglamore
Eighty-Eight
Fortune My Foe
George Alow (Version 2)
Glass Doth Run
Goddesses
Go From My Window
Greensleeves (2 Versions)
Guy Of Warwick
Hem Boys (2 Versions)
Hey Ho for A Husband (2 Versions)
Hobbyhorse
Hold Thy Peace (Versions 1 & 3)
Hunt's Up
I Cannot Come Every Day (2 Versions)
In Crete
In Peascod Time
Jack Boy (Round)
King Cophetua
King Lear
King Solomon
Light O Love
Loath To Depart (2 Versions)
Love, Love (Version 1)
Master, Swabber (Version 1)
Mounsier Mingo
Mounsieur's Almaine
My Mind To Me
Nutmegs (Of All The Birds)
Nutmegs (Wooing Of The Baker's Daughter)
O Death (2 Versions)
Old Hare Hoar (Version 2)
O Mistress Mine (Version 2)
O' The Twelfth Day Of December
Oyster Pie
Peg A Ramsey (2 Versions)
Phillida (3 Versions)
Please One
Pyramus
Queen Dido (2 Versions)
Ratcatcher
Rich Jew
Robin Goodfellow
Robin Hood
Rogero
Rowland
Sellenger's Round
Shore's Wife (2 Versions)
Sick, Sick (3 Vesions)
Some Men For Sudden Joy (Round)
There Dwelt A Man (Version 2)
Titus Andronicus
Tom A Bedlam (2 Versions)
Troilus
Troy Town
Wellady
Whenas We Sat In Babylon
Where Is The Life
Whoop
Why Let The Strucken (If Care Do Cause)
Willow, Willow (Version 2)
Will Ye Buy A Fine Dog
With A Fading

Subways Are for Sleeping / Do I Hear a Waltz

Average customer rating:

"Broadway Shows from the 1960's ~ Percy Faith"

Subways Are for Sleeping / Do I Hear a Waltz
Percy Faith
Manufacturer: Collectables
ProductGroup: Music
Binding: Audio CD

General | Easy Listening | Pop | Styles | Music

Orchestral Pop | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

Traditional & Vocal Pop | Pop | Indie Music | Stores | Music

Easy Listening | Pop | Indie Music | Stores | Music
Similar Items:

Lil Abner/Broadway Bouquet
Porgy & Bess / Most Happy Fella
Born Free/Windmills of Your Mind
Kismet/Music From Hollywood
Great Folk Themes: American Serenade

ASIN: B000066JEB
Release Date: 2002-05-21

Tracks:

Ride Through The Night
I'm Just Taking My Time
When You Help A Friend Out
Who Knows What Might Have Been?
I Just Can't Wait
Getting Married
Be A Santa
How Can You Describe A Face?
Comes Once In A Lifetime
Now I Have Someone
I Said It And I'm Glad
What Is This Feeling In The Air?
Do I Hear A Waltz?
Here We Are Again
Moon In My Window
This Week Americans
Someone Like You
We're Gonna Be All Right
No Understand
Take The Moment
Thinking
A Perfectly Lovely Couple
Stay
Thank You So Much

Customer Reviews:

"Broadway Shows from the 1960's ~ Percy Faith".......2004-02-23

Percy Faith blends two award winning Broadway Shows together "Subways Are For Sleeping" (originally released on Columbia Records CS 8533 in 1961) and "Do I Hear A Waltz?" (originally released on Columbia Records CS 9117 in 1965), following the formula of previous albums from the vault of rare finds ~ two more winners are under the baton of the Maestro.

First twelve tracks "Subways Are For Sleeping", featuring the songs of Betty Comden, Adolph Green and Jule Styne with outstanding arrangements on very catchy tunes ~ like "BE A SANTA", "COMES ONCE IN A LIFETIME", "GETTING MARRIED", "HOW CAN YOU DESCRIBE A FACE?", "I JUST CAN'T WAIT", "I SAID IT AND I'M GLAD", "I'M JUST TAKING MY TIME", "NOW I HAVE SOMEONE", "RIDE THROUGH THE NIGHT", "WHAT IS THIS FEELING IN THE AIR?", "WHEN YOU HELP A FRIEND OUT" and "WHO KNOWS WHAT MIGHT HAVE BEEN?", all have the hallmark sound and the authentic "Percy Faith Touch" on every selections.

Second twelve tracks ~ "Do I Hear A Waltz", featuring the tunes of Richard Rodgers and Stephen Soundheim enhanced by the performances of arranger/conductor Percy Faith and his Orchestra ~ "A PERFECTLY LOVELY COUPLE", "DO I HEAR A WALTZ?", "HERE WE ARE AGAIN", "MOON IN MY WINDOW", "NO UNDERSTAND", "SOMEONE LIKE YOU", "STAY", "TAKE THE MOMENT", "THANK YOU SO MUCH", "THINKING", "THIS WEEK AMERICANS" and "WE'RE GONNA BE ALL RIGHT", enamored to the luxurious sound of Faith's string arrangements ~ you're immediately hooked on these tracks ~ marvelous performances enthralling listener's for some fifty years.

The people at Collectables should be commended for bringing back some of Maestro Faith's best works on compact disc ~ there is so much more in the vast vaults, hopefully there will be more to follow...gotta love it!

Total Time: 68:19 on 24 Tracks ~ Collectables 7480 ~ (5/21/2002)

Finney: Chamber Music - Songs
Average customer rating:
Finney: Chamber Music - Songs

Manufacturer: Master Musicians Col
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music
ASIN: B000004AFX
Release Date: 1995-12-13