Stravinsky: The Firebird (Complete Ballet); Fireworks; Song of the Nightingale

Editorial Reviews
Amazon.com
Antal Dorati was a veteran ballet conductor and a personal friend of Stravinsky. His recording of The Firebird was a legend in its own time, and its reappearance on CD, sounding better than ever, immediately reestablished its supremacy. All of Stravinsky's complete ballets--as opposed to the suites-- have "dead spots," moments when the music sort of stops and lurches about, illustrating something happening onstage. That's why the composer made the suites in the first place. However, many of his most fascinating orchestral ideas occur precisely in these "dead spots," which is why many conductors and audiences prefer the works complete. Trust Dorati: he's the most reliable guide to this music, and his orchestra gives him a virtuoso response. --David Hurwitz

Stravinsky: The Firebird (Complete Ballet); Fireworks; Song of the Nightingale, Music, Igor Stravinsky, Antal Dorati, Harold Lawrence, London Symphony Orchestra, 20th/21st Century Ballet, 20th/21st Century Tone Poem/Symphonic Poem, Ballet, Chamber, Classical, Classical Composers, Classical Music, Mixed Chamber Ensemble of Ten or More Players, Orchestral, Scherzo for Orchestra
Stravinsky: The Rite of Spring; The Firebird Suite (1919)
Average customer rating: 4.5 out of 5 stars
  • Three Le Sacres from Bernstein
  • WOW.
  • Commonplace "Rite"... and a TERRIFIC "Firebird"
Stravinsky: The Rite of Spring; The Firebird Suite (1919)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Mussorgsky: Pictures at an Exhibition; Night on Bald Mountain
  2. Bernstein Century - Copland: Appalachian Spring, Rodeo, etc / Bernstein, New York PO
  3. The Rite of Spring in Full Score
  4. Stravinsky: Rite Of Spring, Fireworks, Petrouchka / Ozawa, Tilson Thomas, Chicago Symphony
  5. Shostakovich: Symphonies Nos. 5 & 9

ASIN: B0001ENYLM
Release Date: 2004-02-24

Tracks:

  1. Introduction. Lento - London Symphony Orchestra
  2. The Spring Divinations - Dances Of The Young Girls - London Symphony Orchestra
  3. Mock Abduction - London Symphony Orchestra
  4. Spring Round Dances - London Symphony Orchestra
  5. Games Of The Rival Tribes - London Symphony Orchestra
  6. Procession Of The Wise Elder - London Symphony Orchestra
  7. Dance Of The Earth - London Symphony Orchestra
  8. Introduction. Largo - London Symphony Orchestra
  9. Mystical Circles Of The Young Girls - London Symphony Orchestra
  10. Glorification Of The Chosen Victim - London Symphony Orchestra
  11. Summoning Of The Ancestors - London Symphony Orchestra
  12. Ritual Of The Ancestors - London Symphony Orchestra
  13. Sacrificial Dance (The Chosen Victim) - London Symphony Orchestra
  14. Introduction - Leonard Bernstein
  15. The Firebird And Its Dance - Leonard Bernstein
  16. Variation Of The Firebird - Leonard Bernstein
  17. The Princesses' Round - Leonard Bernstein
  18. Infernal Dance Of King Kashchei - Leonard Bernstein
  19. Lullaby - Leonard Bernstein
  20. Finale - Leonard Bernstein
  21. I. Adoration Of Veles And Ala - Leonard Bernstein
  22. II. The Enemy God And The Dance Of The Black Spirits - Leonard Bernstein
  23. III. Night - Leonard Bernstein
  24. IV. The Glorious Departure Of Lolli And The Procession Of The Sun - Leonard Bernstein

Amazon.com

Considering that Stravinsky's Rite of Spring has been around for nearly a century, it's surprising that even today, conductors literally get lost while attempting to beat through it--and that goes for some of the biggest names. Difficult as the piece is, conductors have no excuse for major lapses, now that this recording is available for study. Bernstein not only keeps complete control of the complex rhythms and constantly-switching meters throughout the work but he also interprets it with fire and sweep and emotional versatility. The Firebird is equally breathtaking. It's priceless, too, for the fabulous horn solo played by the New York Philharmonic's legendary James Chambers. --Gwendolyn Freed

Customer Reviews:

5 out of 5 stars Three Le Sacres from Bernstein.......2005-10-01

In the Royal Edition of Bernstein's recordings with the NY Phil., there was a hair-raising Le Sacre dating from 1958 in vivid sound with lots of impact and incredibly virtuosic playing. This was followed by a surround-sound remake with the London Sym. in 1972 as the fflagship for Columbia's attempt to promote "quadraphoonic sound," which never cuaght on.

The first recording occasioned a "wow" from Stravinsky in one of his memoirs (no doubt in part being ironic). The second recordingt is just as splashy and extroverted, although I prefer the 1958 version as the more flexible and less blatant. Both are wonderful and show off Bernstein's exuberance at its best.

This is the second reading from 1972, now in stereo, the 1958 being out of print. The Israel Phil. version made for DG in the Eighties--I don't have the exact date since I threw away the CD--is a parody of the young Bernstein by the old one, and the orchestra is far from being able to master the score.

5 out of 5 stars WOW........2005-09-13

This recording really is something. Considering how old this rendition is, the depth at which bernstein controls the LSO is remarkable. There are moments when he lets the LSO loose, like letting the animals come out of their cages. He knows exactly how and exactly when to create, what I can only describe as "chaos". Bernstein's love for this arresting piece shines through the second half.
I only complain of the sound quality and the firebird. It is NOT A GOOD FIREBIRD.

BUY IT

4 out of 5 stars Commonplace "Rite"... and a TERRIFIC "Firebird".......2005-07-26

It's a pity for me for this album to put the 70s recording Lenny did with the LSO on Stravinsky's revolutionary "Rite of Spring" instead of the performance he did with the NYPO about a decade earlier.
The 60s recording (which sadly may be only available in the "Royal Edition" series) remains on of my favorite performance of the "Rite" (along with the "Fast and the Furious" Ozawa's with the CSO on RCA), because it has more brashness in the music, more savagery, more tension. His interpretation is far more extraordinary compared to this recording in this album. The extra "ornaments" Lenny added to further exxagerate the wildness and primitiveness in the 60s recording has competely disappeared in this performance, making a more commonplace, even tamed, performance. Same goes with the 80s performance on DG with the Isreal Phil.

Lenny's performance "Firebird" Suite, on the other hand... is an electrifying 5 Star performance... THE main attraction of the album, not the 70s "Rite". This recording was done in the 60s with the NYPO, so there is more youthness and vigor in the performance. While the sound quality is not at its best, the performace is as hot as it can get. You will especially love the climax of the "Infernal Dance" and the "Finale". The only other recording I equally love is Claudio Abbado's performance with the LSO on DG, powerful in its own way... and more crystal-clear).

Proikofiev's "Scythian Suite" (the Bonus tracks) is another plus in this album. The "Dance of the Dark Spirits" is especially thrilling, as Lenny actually takes the tempo a bit faster compared to most other performances, including Abbado on DG and Jarvi on Chandos.

P.S. - Do you notice the "Jaws" theme hidden under the movment?
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
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Manufacturer: Naxos
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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. What to Listen for in Music
  3. Study of Orchestration, Third Edition
  4. The Life and Works of Ludwig van Beethoven
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Fantasia 2000: An Original Walt Disney Records Soundtrack
Average customer rating: 5 out of 5 stars
  • Great for kids with Autism!
  • Fantasia 2000
  • Great pieces of classical music!
  • Fantastic!
  • One song along would make this worth buying
Fantasia 2000: An Original Walt Disney Records Soundtrack

Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD

All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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Similar Items:
  1. Walt Disney's Fantasia: Remastered Original Soundtrack Edition
  2. Fantasia 2000
  3. Fantasia (60th Anniversary Special Edition)
  4. Toy Story 2: An Original Walt Disney Records Soundtrack
  5. Atlantis: The Lost Empire

ASIN: B000038ICW
Release Date: 1999-11-30

Tracks:

  1. Symphony No.5
  2. Pines Of Rome
  3. Rhapsody In Blue
  4. Piano Concerto No.2, Allegro
  5. Carnival Of The Animals
  6. The Sorcerer's Apprentice
  7. Pomp And Circumstance Marches
  8. Firebird Suite-1919 Version

Amazon.com

Without the gorgeous visuals, the soundtrack to Fantasia/2000 is nothing more than a collection of some of classical music's greatest moments. But what moments they are! Conductor James Levine and the Chicago Symphony Orchestra provide new (though hardly groundbreaking) arrangements for these classical music warhorses. Piano virtuoso Yefim Bronfman joins in to record the Allegro section of Shostakovich's Piano Concerto No. 2 (if you like this track, check out Bronfman playing the entire piece on his 1999 disc with the Los Angeles Philharmonic), and soprano Kathleen Battle lends a high note to the climax of Elgar's Pomp and Circumstance. We also get the classic Sorcerer's Apprentice from the original (and now out-of-print) Fantasia soundtrack. Performed by Philharmonia Orchestra, the Paul Dukas composition still steals the show. The original movie may have been a flop, but with any luck Fantasia/2000 will turn some young minds on to classical music, especially with such inspired choices as Respighi's Pines of Rome. Like what you hear? Remember, these are just excerpts and you really owe it to yourself to hear the works in their entirety--slow movements and all. That said, whether you're a Disney fan, an IMAX aficionado, or just a classical-lover-to-be, you can't go wrong with this disc. --Jason Verlinde

Customer Reviews:

5 out of 5 stars Great for kids with Autism!.......2007-04-10

As a parent of profoundly autistic twin boys, this CD is so calming and I never tire of listening to it in the car. This CD on their Walkman helps get them through loud basketball games or sensory overload events at school. They LOVE "Rhapsody in Blue!"

4 out of 5 stars Fantasia 2000.......2006-12-30

I have most of these pieces on other CD's, and I mostly got this one for 'Rhapsody in Blue'. If you don't own 'Firebird' and don't feel like owning the entire thing, then get this--it's got the highlights. Overall the selection is varied. You have probably forgotten that 'Pomp and Circumstance' is a real piece, and not just a graduation death march--this CD will remind you, with its very wise summary of the very extensive five marches by Elgar. This is certainly a lot more interesting than most classical highlights CD's.

5 out of 5 stars Great pieces of classical music!.......2005-11-16

This is a really lovely collection of exhilarating and intriguing music pieces. Fantasia helped spawn my interest in classical music. The animation is beautiful in the movie but it's the music which makes it happen.

5 out of 5 stars Fantastic! .......2005-07-18

My favorite piece of music ever is "Rhapsody in Blue" and I've managed to collect quite a few versions of it over the years. This is the absolute best recording of "Rhapsody in Blue" I have ever heard! I'm listening to it on a constant loop tonight. The entire record is great as is the other soundtrack from "Fantasia." The movie is a wonderful way to get kids exposed to classical music without them even realizing it! Worked on me when I was a kid. Once again, the Mouse works his magic!

5 out of 5 stars One song along would make this worth buying.......2004-11-21

In my opinion, this CD is worth it just for "Rhapsody in Blue," but there are seven other great tracks, as well. Music like this spans generations; it's essentially timeless in its beauty and ability to put a smile on your face. Great stuff. Yes, there may only be eight tracks on this disc, but four of them are nine minutes or longer, so you're not being cheated out of anything. I'm not a steadfast Disney fan, but they really know how to pick classical music for their masterpiece.
Stravinsky Conducts Stravinsky: Firebird-Complete/Scherzo/Firework
Average customer rating: 5 out of 5 stars
  • The Definitive "Firebird"!!
  • Essential Stravinsky Conducts Stravinsky
Stravinsky Conducts Stravinsky: Firebird-Complete/Scherzo/Firework
I. Stravinsky , and Columbia Symphony Orchestra
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Stravinsky Conducts Stravinsky: Petrouchka/ Le Sacre du Printemps
  2. Stravinsky Conducts Stravinsky: Symphony of Psalms/Symphony in 3 Movements
  3. Stravinsky: Three Greek Ballets (Apollo, Agon, Orpheus)
  4. The Firebird in Full Score (Original 1910 Version)
  5. Stravinsky: Rite Of Spring, Fireworks, Petrouchka / Ozawa, Tilson Thomas, Chicago Symphony

ASIN: B0000026GI
Release Date: 1990-10-25

Customer Reviews:

5 out of 5 stars The Definitive "Firebird"!!.......2004-06-28

There are numerous recordings available of Igor Stravinsky's ballet masterwork "The Firebird" however, the 1961 "Stravinsky Conducts Stravinsky" recording available on this disc is one that eclipses all other versions. The recording was performed by The Columbia Symphony and is presented in its complete length of nearly 43-minutes (most other recordings present "The Firebird" in a suite lasting only 25-minutes). The performance under Stravinsky's baton is nothing short of breathtaking. The piece's dynamics, shifting rhythms and unprecidented beauty are all clearly defined and wonderfully executed.
Also included on the disc are two Scherzo pieces ("Scherzo a la Russe" and "Scherzo Fantastique Op.3") along with a recording of "Fireworks", a piece composed for the wedding of the daughter of Stravinsky's friend and teacher Nicolai Rimsky-Korsakov. These three shorter works also include Stravinsky's signature rhythms and dynamic orchestrations (especially in the "Scherzo Fantastique" which echoes "The Firebird" in some spots).
This is a fantastic CD of some of Stravinsky's finest work conducted by the composer himself. Hearing Stravinsky conduct his own work brings a certain authenticity to the music. You hear exactly the way the composer wishes the music to be executed.
If you enjoy this, pick the other two discs in the "Stravinsky Conducts Stravinsky" series ("Petrushka/The Rite Of Spring" and "Symphony of Psalms/Symphony in C/Symphony in Three Movements"). These recordings are just as refreshing and exciting as "The Firebird".

5 out of 5 stars Essential Stravinsky Conducts Stravinsky.......2003-07-28

Unfortunately, we will never get to hear Bach play the organ, or Mozart the piano, or Beethoven conduct the 5th Symphony. But thanks to the advent of recording technology, we have been able to hear the great composers of the 20th Century play and conduct their own work. Sadly, recordings of the likes of Elgar, Strauss and Rachmaninov are all in early mono, but there are several brilliant stereo recordings available by Copland and Stravinsky. These recordings of "Stravinsky Conducts Stravinsky" were made for CBS in the early 1960s, and along with two other discs (featuring the Rite of Spring with Petrushka, and the other one the Symphonies), are absolutely essential for serious fans of classical music. Often composers were not the best conductors of their own work (their expertise was first and foremost in composing), but they are nonetheless a vital document of their creative and versatile talents. For serious Stravinsky fans I would recommend getting both the Decca Stravinsky Box Set conducted by Ernest Ansermet (see my review), and the three CBS Masterworks titles of "Stravinsky Conducts Stravinsky." That way you can compare and contrast, and determine for yourself whether Stravinsky himself was truly the best conductor of Stravinsky.
Igor Stravinsky: The Firebird (Complete Ballet, 1910) / Alexander Scriabin: Prometheus - The Poem of Fire - Valery Gergiev / Kirov Orchestra, St. Petersburg / Alexander Toradze
Average customer rating: 4.5 out of 5 stars
  • Maybe a bit too fussily detailed
  • An excellent choice
  • Electrifying
  • Incandescent!
  • The only Firebird Ballet I would want...
Igor Stravinsky: The Firebird (Complete Ballet, 1910) / Alexander Scriabin: Prometheus - The Poem of Fire - Valery Gergiev / Kirov Orchestra, St. Petersburg / Alexander Toradze
Alexander Scriabin , Igor Stravinsky , Valery Gergiev , Kirov Orchestra - St.Petersburg , and Alexander Toradze
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

BalletsBallets | Ballets & Dances | Classical | Styles | Music
Scriabin, AlexanderScriabin, Alexander | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
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Similar Items:
  1. Ravel: Bolero; Debussy, Mussorgsky / Karajan, Berlin Philharmonic Orchestra
  2. Panorama: George Gershwin
  3. Children's Classics - Prokofiev: Peter & The Wolf/ Saint-Saens: Carnival of the Animals/ Britten: Young Person's Guide to the Orchestra
  4. Igor Stravinsky: The Rite of Spring / Alexander Scriabin: The Poem of Ecstasy - Valery Gergiev / Kirov Orchestra
  5. Classical Music 101: A Complete Guide to Learning and Loving Classical Music

ASIN: B00000DBUS
Release Date: 1998-10-20

Tracks:

  1. L'oiseau de feu: Introduction
  2. L'oiseau de feu: Kaschei's Enchanted Garden
  3. L'oiseau de feu: Appearance Of The Firebird Pursued By Ivan Tsarevich
  4. L'oiseau de feu: Dance Of The Firebird
  5. L'oiseau de feu: Ivan Tsarevich Captures The Firebird
  6. L'oiseau de feu: Supplications Of The Firebird
  7. L'oiseau de feu: Game Of The Princesses With The Golden Apples
  8. L'oiseau de feu: Sudden Appearance Of Ivan Tsarevich
  9. L'oiseau de feu: Round Dance Of The princesses
  10. L'oiseau de feu: Daybreak
  11. L'oiseau de feu: Magic Carillon, Appearance Of Kastchei's Guardian Monsters And Capture Of Ivan Tsarevich
  12. L'oiseau de feu: Dance Of Kashchei's Retinue Under The Spell Of The Firebird
  13. L'oiseau de feu: Infernal Dance Of All Kashchei's Subjects
  14. L'oiseau de feu: Lullaby Of The Firebird
  15. L'oiseau de feu: Collapse Of Kashshei's Palace And Dissolution Of All Enchantments - Reanimation Of The Petrified Prisoners - General Rejoicing
  16. Prometheus - The Poem Of Fire

Amazon.com essential recording

For raw, pagan splendor and over-the-top excitement, it's impossible to beat Gergiev's account of the complete 1910 Firebird. His Kirov charges attack the piece as if the notes were still fresh on the page, yet play it with smashing virtuosity-- clearly, the score's exorbitant demands pose absolutely no challenge to these musicians. This is not an unrefined reading of the piece, but it is not overly refined either. It is, in short, a Russian Firebird rather than a French one. The Philips recording, made in 1995 in the Great Hall of the St. Petersburg Philharmonic, is sumptuous and amazingly potent. The coupling with Scriabin's megalomaniacal tone poem is inspired, and makes this disc impossible to resist. --Ted Libbey

Amazon.com

One seldom hears Stravinsky's original, complete, 1910 score to Diaghilev's ballet, The Firebird. Here Valery Gergiev leads the Kirov Orchestra in a muscular, well-defined rendering of the work in full. His is a decidedly controlled interpretation. Stretched out in spots to bring out clarity and significance of line, it's pushed along in others to convey urgency and melodic direction. The microphones sound very close, which only heightens the vitality of the overall texture of this interpretation. Though the group is not always precisely together and a few spots are marred by faulty intonation, the spirit and strength of conviction behind this gripping performance more than carry it off. --Gwendolyn Freed

Customer Reviews:

4 out of 5 stars Maybe a bit too fussily detailed.......2005-09-19

Hearing the whole Firebird without seeing any aciton on stage is a long haul--there are evocative stretches that contain little forward motion. Gergiev and the recording engineers sustain attention by illuminating every small orchestral detail, and that works--up to a point. I began to feel that I was immersed in shimmering sound at the expense of drama. Maybe something a bit more gutsy? Or maybe I will stick with the suite, which has no dead spots.

4 out of 5 stars An excellent choice.......2002-07-18

No one needs debate the merits of Firebird; it is one of the great ballets of all time and a worthwhile addition to any collection. I don't like Prometheus as much, but this is a reflection on Scriabin's composing, not on Kirov's playing, Gergiev's conducting, or the engineering on this disc.

In fact, the engineering on this CD is excellent, and the complete Firebird ballet is played expertly throughout. The famous Danse Infernale is driving, and the Finale is soaring and triumphant.

However, this disc does not receive a full five stars because in my mind it lacks a certain "je ne sais quoi." I really enjoy it, but I sense Gergiev and Kirov hold back a little; I sense that they could have taken it to the next level of excitement but didn't. Don't get me wrong; this CD is great, but I just expected more. And one more thing; in the microsecond of silence just before the crescendo of the last note of Firebird, there is a small scratch on the recording. I can't determine if it came on the tape they used to record the performance or from a rustle of paper or a percussionist picking up something in the concert hall, but it just barely mars the most essential moment of the entire piece. I try to overlook it, but it's something small that stands out in a big way, sort of like a splinter or a tiny pebble stuck in your shoe.

Otherwise, this is a great disc which deserves nearly all of the kudos it receives, and I don't know of a better performance to recommend instead.

5 out of 5 stars Electrifying.......2002-04-17

Both pieces on this recording show why Gergiev is one of the most acclaimed conductors in the world in this repertoire. The excitement of this recording was confirmed when I heard Gergiev and the Kirov live, performing the complete "Firebird" at Carnegie Hall. No question, there are many good versions of this extraordinary piece, but this one certainly ranks among the best.

In terms of sheer, visceral excitement, this is hard to beat, and it is coupled with an equally breathless performance of the Scriabin "Prometheus." The final few measures, and the final chord, make as thrilling an ending as I have heard in classical music.

5 out of 5 stars Incandescent!.......2001-06-26

As we are treated to more of Valery Gergiev's interpretations in recordings his gifts as a conductor and energizer of orchestras become more and more obvious. This FIREBIRD soars like a mltiheaded hydra out of the always electrical fire Gerviev smolders in his baseplate of trembling sonics. This is a spectacular reading of an exciting score, played in the way only the Russians can play. The accompanying PROMETHEUS on the disc finally comes to life after many bombastic attempts under other conductor's hands. Toradze is well tempered and the cause for Scriabin interest in this century is well served by all. This recording is one of incandescent fire!

5 out of 5 stars The only Firebird Ballet I would want..........2000-12-12

I wish I could write something here that would persuade people that this recording of Stravinksy's Firebird Ballet, well coupled with Scriabin's Prometheus is very much worth having, but frankly I don't think I know where to begin or how to go about it. Firebird, nevertheless, is not just Brass! Brass! Brass! as another reviewer may have been suggesting, however important that element may be, because all the elements that go into it matter, and they're all here in this recording, incredibly beautifully played. As far as I am concerned this is absolutely the only Firebird to have (I have more than this one, including Michael Tilson Thomas' Firebird Ballet and Bernstein's Firbird Suite). I'd give Gergiev's and the Kirov ten stars but I can't!
Stravinsky: The Firebird (Complete Ballet); Fireworks; Song of the Nightingale
Average customer rating: 4.5 out of 5 stars
  • One of the most towering Firebird ever recorded!
  • Unsurpassed.
  • Extraordinary performance
  • Superb Stravinsky
  • Firebird
Stravinsky: The Firebird (Complete Ballet); Fireworks; Song of the Nightingale

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

BalletsBallets | Ballets & Dances | Classical | Styles | Music
All Works by StravinskyAll Works by Stravinsky | Stravinsky, Igor | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
Tone PoemsTone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
ScherzoScherzo | Forms & Genres | Classical | Styles | Music
Ballets & DancesBallets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
Similar Items:
  1. Moussorgsky: Picture at an Exhibition/Chopin: Etude in F major/Waltz in A minor
  2. Liszt & Enesco Rhapsodies No. 1
  3. Bizet: Carmen Suite; Arlésienne Suites Nos. 1 & 2; Thomas: Mignon & Raymond Overtures
  4. Ibert: Escales; Ravel: Rapsodie, etc
  5. Tchaikovsky: 1812 Overture/Capriccio Italien/Beethoven: Wellington's Victory

ASIN: B0000057KU
Release Date: 1991-02-08

Tracks:

  1. Fireworks: Fantasy For Orchestra
  2. Firebird: Introduction
  3. Firebird: The Enchanted Garden of Kastchei
  4. Firebird: Appearance of the Firebird, Pursued by Prince Ivan
  5. Firebird: Dance Of The Firebird
  6. Firebird: Capture Of The Firebird By Prince Ivan
  7. Firebird: Supplication Of The Firebird
  8. Firebird: Appearance Of The Enchanted Princesses
  9. Firebird: The Princesses' Game With The Golden Apples'
  10. Firebird: Sudden Appearance Of Prince Ivan
  11. Firebird: Khorovod Of The Princesses
  12. Firebird: Daybreak
  13. Firebird: Magic Carillon, Appearance Of Kastchei's Monster Guardians, And Capture Of Prince Ivan
  14. Firebird: Arrival Of Kastchei The Immortal
  15. Firebird: Dialogue Of Kastchei And Prince Ivan
  16. Firebird: Intercession Of The Princesses
  17. Firebird: Appearance Of The Firebird
  18. Firebird: Dance Of Kastchei's Retinue, Enchanted By The Firebird
  19. Firebird: Infernal Dance Of All Kastchei's Subjects
  20. Firebird: Lullaby
  21. Firebird: Kastchei's Awakening
  22. Firebird: Kastchei's Death, Profound Darkness
  23. Firebird: Disappearance Of Kastchei's Palace, General Rejoicing
  24. Tango
  25. Scherzo a la Russe
  26. The Song Of The Nightingale: Introduction
  27. The Song Of The Nightingale: Chinese March
  28. The Song Of The Nightingale: Song Of The Nightingale
  29. The Mechanical Nightingale's Game

Amazon.com

Antal Dorati was a veteran ballet conductor and a personal friend of Stravinsky. His recording of The Firebird was a legend in its own time, and its reappearance on CD, sounding better than ever, immediately reestablished its supremacy. All of Stravinsky's complete ballets--as opposed to the suites-- have "dead spots," moments when the music sort of stops and lurches about, illustrating something happening onstage. That's why the composer made the suites in the first place. However, many of his most fascinating orchestral ideas occur precisely in these "dead spots," which is why many conductors and audiences prefer the works complete. Trust Dorati: he's the most reliable guide to this music, and his orchestra gives him a virtuoso response. --David Hurwitz

Customer Reviews:

5 out of 5 stars One of the most towering Firebird ever recorded!.......2004-08-13

The market proposes you a lot of worthable versions , but in in my personal view , there are three really overwhelming . And this is one of them . The other two are a superb version of Fricsay from the fifties and the another is Ansermet Suisse Romande of the fifties too .
This recording has a fierce and such span sense unique . The Minneapolis percussionists are ADMIRABLE .
Dorati made a glorious tour de force and the strings play with such level of vitality , magnetism and comittment as you will be surprised with such intensity level .

5 out of 5 stars Unsurpassed........2002-10-26

There is only one word to describe Dorati's recording of The Firebird, definitive. No one before or since has managed to combine the delicate almost impressionist passages of the score with the violence of the infernal dance to such tremendous effect. Stravinsky's ground breaking score is treated with all the sensitivity and respect that it demands, yet Dorati never seems overwhelmed by it as many other interpreters seem to be, the conductors grip on the music is palpable, but this never prevents the music from breathing freely. Much has been made of the sound quality of the CD issue, for me this was never a problem. I listened to this CD on my Musical Fidelity CD Player fed through Conrad-Johnson amplifcation to Sonus Faber Speakers or Grado headphones. This system is very revealing of poor sound quality and I honestly felt that the Performance venue (Walthamstow Town Hall outside London) was very well captured, although their was some hardness to the upper midrange, compared to my original SR-1 Mercury LP pressing (Played on a Linn LP12), that is to be expected with CD's, it's a fault of the format rather than Bob Fine's recording or Wilma Cosart Fine's remastering. I'm just left to wonder what an SACD version would sound like. Over to you Wilma :)

5 out of 5 stars Extraordinary performance.......2002-10-12

This one is a must-have !! Dorati signed here an all-times classic ! For those who don't like Stravinsky, I can only recommend to rediscover his music with this CD. The famed transparency of Stravinsky's music appears here in Cinemascope. And all the pieces are a pleasure to listen to. A treasurable recording.

And contrarily to the bashing done below, this remastering, directly from the original Ampex tape recorder, through the original Wetrex amps, without any compression (probably the "terrible mixing" the guy talks about), sounds INCREDIBLY dynamic and transparent (although there is some tape hiss at the beginning). Probably this guy doesn't know that the dynamics of the original tape is far superior to the 96 dB of a CD. In this remastering, the engineers decided not to use any compression, and the result is nothing short of exceptionnal in naturalness and dynamics. But to benefit from the high quality of this sound, one must own excellent hifi components. In fact, it's one of my test discs for hifi component's evaluation.

5 out of 5 stars Superb Stravinsky.......2002-06-02

These performances, all with the LSO, are classics and deservedly so. This very dynamic performance of the complete Firebird ballet emphasizes sharpness of accent, rhythmic drive and a dazzling clarity of texture without slighting the sensuous colors of the music. In doing so, Dorati links the Firebird with the more overtly modernistic music of Petrushka and the Rite of Spring that followed in its wake, as opposed to emphasizing either its Debussy or Rimski-Korsakov like aspects. As for the suite from the Song of the Nightingale, Dorati's performance is somewhat less stately and majestic sounding than Reiner's classic account on RCA (which the composer himself specifically praised), emphasizing instead the music's wit and humor. The shorter pieces are delectable tidbits. A required purchase for lovers of 20th century music.

1 out of 5 stars Firebird.......2001-07-29

Well conducted and well played, the recording/mixing quality is terrible. Sounds amaturish and poorly balanced. Lots of tape hiss from original recording.
Time Life Presents: Classical Thunder
Average customer rating: 4.5 out of 5 stars
  • Good job
  • Masterful!
  • Great CD of Classical music's power pieces!
Time Life Presents: Classical Thunder

Manufacturer: Time Life Records
ProductGroup: Music
Binding: Audio CD

All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BerliozAll Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by CoplandAll Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by FallaAll Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
Grieg, EdvardGrieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by HolstAll Works by Holst | Holst, Gustav | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
Janácek, LeosJanácek, Leos | ( J ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by KhachaturianAll Works by Khachaturian | Khachaturian, Aram | ( K ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MussorgskyAll Works by Mussorgsky | Mussorgsky, Modest | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by OrffAll Works by Orff | Orff, Carl | ( O ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by RespighiAll Works by Respighi | Respighi, Ottorino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by RossiniAll Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by SibeliusAll Works by Sibelius | Sibelius, Jean | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by StraussAll Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by StravinskyAll Works by Stravinsky | Stravinsky, Igor | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by TchaikovskyAll Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VerdiAll Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by WagnerAll Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ProkofievAll Works by Prokofiev | Prokofiev, Sergei | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
RomanticRomantic | Symphonies | Forms & Genres | Classical | Styles | Music
SinfoniaSinfonia | Symphonies | Forms & Genres | Classical | Styles | Music
MarchesMarches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
OverturesOvertures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
Tone PoemsTone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
RequiemsRequiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music
Ballets & DancesBallets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
CompilationsCompilations | Classical | Styles | Music
CantatasCantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
FrenchFrench | Languages | Opera & Vocal | Styles | Music
GermanGerman | Languages | Opera & Vocal | Styles | Music
CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
RequiemsRequiems | Vocal Non-Opera | Opera & Vocal | Styles | Music
Movie ScoresMovie Scores | Soundtracks | Styles | Music
Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
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  1. Thunderous Classics
  2. Thunder & Lightning
  3. 25 Thunderous Classics
  4. Classical Thunder II: Time Life Library of Classical Favorites
  5. Simply the Best Classical Anthems

ASIN: B00081U6XC
Release Date: 2005-04-26

Tracks:

  1. Introduction
  2. Ride Of The Valkyries
  3. Mars, The Bringer Of War
  4. Montagues And Capulets
  5. Sabre Dance
  6. William Tell Overture (Conclusion)
  7. In The Hall Of The Mountain King
  8. The Hut On Fowl's Legs
  9. The Great Gate At Kiev
  10. Fanfare For The Common Man
  11. Allegro Con Brio
  12. Marche Au Supplice (March To The Scaffold)
  13. Sacrificial Dance (The Chosen One)
  14. Circus Maximus
  15. Les Toreadors
  16. Finlandia, Op.26
  17. 1812 Overture, Op.49 (Conclusion)

Tracks:

  1. Procession Of The Nobles
  2. Rakoczy March
  3. Ritual Fire Dance
  4. The Hero's Battlefield
  5. Pines Of The Appian Way
  6. Dies Irae
  7. Allegro Con Brio
  8. Allegretto
  9. Air Et Danse Bacchanale
  10. Farandole
  11. Infernal Dance Of King Kastchei
  12. O Fortuna
  13. The Wedding Of Kije
  14. Hurricane
  15. Marche Slave, Op.31

Customer Reviews:

5 out of 5 stars Good job.......2005-08-26

I remember when I was little, I had this cd, but i lost it. I bought a similiar type of one through TIme Life and decided to try the Classical Thunder one. I have like it so far.

5 out of 5 stars Masterful!.......2005-06-15

This two CD set is magnificent. I got the set in the early 1990's when it was advertised on television, along with other releases in Time Life's set. I was struck by the interpretations of the conductors. Whenever I hear these pieces now, I judge them against this recording. Amazing selection as well. There are staples of orchestra repetoire, like Beethoven symphonies, but also gems that are not heard very often, like the Rimsky-Korsakov "Procession of the Nobles." A very impressive recording.

4 out of 5 stars Great CD of Classical music's power pieces!.......2005-06-07

I got this CD when I was around 16 because I loved a lot of the music on this double CD set. As a student pursuing a Music Education major, it has been a great asset for my musically, and just great for listening to. I will drive on short trips and take this with me and blast it louder than the guy in the next car blasting rap music. I also take it skiing as it sets a great tempo down the mountain. This is a great CD for anyone that loves music.
Most Frightening Music in the Universe
Average customer rating: 5 out of 5 stars
  • Great Classic Themes
  • Simply Wonderful!
  • Simply Wonderful!
  • Halloween!!!!!!
Most Frightening Music in the Universe

Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD

BalletsBallets | Ballets & Dances | Classical | Styles | Music
All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BerliozAll Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by HerrmannAll Works by Herrmann | Herrmann, Bernard | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by HolstAll Works by Holst | Holst, Gustav | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MussorgskyAll Works by Mussorgsky | Mussorgsky, Modest | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by StraussAll Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by StravinskyAll Works by Stravinsky | Stravinsky, Igor | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ShostakovichAll Works by Shostakovich | Shostakovich, Dmitri | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by WagnerAll Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ProkofievAll Works by Prokofiev | Prokofiev, Sergei | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
Tone PoemsTone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
ScherzoScherzo | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
Ballets & DancesBallets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
SymphoniesSymphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
OrganOrgan | Keyboard | Instruments | Classical | Styles | Music
PercussionPercussion | Instruments | Classical | Styles | Music
ViolinViolin | Strings | Instruments | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
Modern & 20th CenturyModern & 20th Century | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
CompilationsCompilations | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
GermanGerman | Languages | Opera & Vocal | Styles | Music
Movie ScoresMovie Scores | Soundtracks | Styles | Music
Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
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  4. More Of The Most Relaxing Classical Music In The Universe
  5. The Most Relaxing Classical Music in the Universe

ASIN: B0002W4V0G
Release Date: 2004-09-21

Tracks:

  1. Bach - Toccata and Fugue in D Minor
  2. Hermann - Suite From "Psycho": I. Prelude / II. The City / III. The Swamp / IV. The Murder / V. The Cellar / VI. Discovery
  3. Wagner - Flying Dutchman Overture
  4. Mussorgsky - Pictures At An Exhibition: Gnomus / Catacombs / Babi-Yar's Hut On Chicken's Legs
  5. Berlioz - Symphony Fantastique: IV. March To The Scaffold / V. Dream Of The Witches Sabbath
  6. Stravinsky - Firebird, IV. Infernal Dance Of The King Kashchei
  7. Shostakovich - Cemetary (from The film "Five Days And Five Nights")
  8. Holst - The Planets, Mars Bringer Of War

Tracks:

  1. Strauss - Also Sprach Zarathrusta: I. Sehr Breit (Theme From 2001: A Space Odyssey) / IX. The Song Of The Night Wanderer
  2. Mussorgsky - Night on Bald Mountain
  3. Prokofiev - Romeo & Juliet, The Montagues and the Capulets
  4. Xenakis - The Pleiades, First Movement
  5. Vivaldi - Four Seasons, Summer, III, Presto, Tempo Impetuoso D'Estate
  6. Bernstein - The Grifters
  7. Stravinsky - The Rite Of Spring: III. Mock Abduction / XIII. Sacrificial Dance
  8. Shostakovich - Symphony No 5, IV. Allegro Non Troppo
  9. Dukas - The Sorcerer's Apprentice (From Fantasia)
  10. Bernstein - Ghostbusters

Customer Reviews:

4 out of 5 stars Great Classic Themes.......2006-09-11

This is an awesome collection of unsettling melodies from the masters, not just some horror movie themes (though it does have some Psyco). You will end up playing a round of "Where have I heard that score before?" because these melodies are very iconic.
The only complaint is that the track listing is somewhat occult. One has to use amazon.com's track listings and fill in the numbers.
Still, this is a great buy!!

5 out of 5 stars Simply Wonderful!.......2006-05-18

I would like to begin my review of this wonderful CD by stating that I am not a "kid." (unless you consider a 14-year-old to still be a child) I am, however, too lazy too start a new Amazon.com account before typing about this great CD.

Now then... In my eyes, this CD recieved 5 stars because of (what else!) the music. The quality of the music to be more specific. The sound of it was great and the selection of the pieces was pure genius. My personal favorite would have to be a three-way tie between Bach's Toccata and Fugue, Dukas' Sorceror's Apprentice, and Stravinsky's The Right of Spring.

I will leave you tonight with one final thought... Is it just me, or are most of the pieces from "Fantasia"? At least 7 (!) of the pieces are from that age-old classic. I think it's funny that they are on a collection such as "The Most Frightening Music in the Universe". And could the cover art be any worse?!

All in all it is a great CD to add to any collection. (and cheap!) Thanks!

-Smith

5 out of 5 stars Simply Wonderful!.......2006-05-18

I would like to begin my review of this wonderful CD by stating that I am not a "kid." (unless you consider a 14-year-old to still be a child) I am, however, too lazy too start a new Amazon.com account before typing about this great CD.

Now then... In my eyes, this CD recieved 5 stars because of (what else!) the music. The quality of the music to be more specific. The sound of it was great and the selection of the pieces was pure genius. My personal favorite would have to be a three-way tie between Bach's Toccata and Fugue, Dukas' Sorceror's Apprentice, and Stravinsky's The Right of Spring.

I will leave you tonight with one final thought... Is it just me, or are most of the pieces from "Fantasia"? At least 7 (!) of the pieces are from that age-old classic. I think it's funny that they are on a collection such as "The Most Frightening Music in the Universe". And could the cover art be any worse?!

All in all it is a great CD to add to any collection. (and cheap!) Thanks!

-Smith

5 out of 5 stars Halloween!!!!!!.......2006-04-02

This Is Great i love Classical and halloween is my favorite holiday its great!! great collection
Mad about The Classics
Average customer rating: 5 out of 5 stars
  • Love It!
  • Best of the Best
  • GREAT compilation!!!
  • Very well organized
  • The greatest parts from all your favorites
Mad about The Classics

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

QuartetsQuartets | Chamber Music | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BorodinAll Works by Borodin | Borodin, Alexander | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BrahmsAll Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
Grieg, EdvardGrieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MascagniAll Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by OffenbachAll Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by OrffAll Works by Orff | Orff, Carl | ( O ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by PachelbelAll Works by Pachelbel | Pachelbel, Johann | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by StraussAll Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by StravinskyAll Works by Stravinsky | Stravinsky, Igor | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by TchaikovskyAll Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by WagnerAll Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by RossiniAll Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
DivertimentosDivertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
RomanticRomantic | Symphonies | Forms & Genres | Classical | Styles | Music
Incidental MusicIncidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
OverturesOvertures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
Tone PoemsTone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Theatrical, Incidental & Program MusicTheatrical, Incidental & Program Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
ViolinViolin | Strings | Instruments | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
Paris Symphony OrchestraParis Symphony Orchestra | ( P ) | Featured Performers, A-Z | Classical | Styles | Music
CompilationsCompilations | Classical | Styles | Music
CantatasCantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
FrenchFrench | Languages | Opera & Vocal | Styles | Music
GermanGerman | Languages | Opera & Vocal | Styles | Music
ItalianItalian | Languages | Opera & Vocal | Styles | Music
RussianRussian | Languages | Opera & Vocal | Styles | Music
OperettasOperettas | Opera & Vocal | Styles | Music
CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
CDs $7 - $10CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music
All Bargain TitlesAll Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music
Deutsche Grammophon: MusicDeutsche Grammophon: Music | Specialty Stores | Music
Similar Items:
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  2. Mad about Piano
  3. Mad About Mad About
  4. Mad About Baroque
  5. Mad About Guitars

ASIN: B000001GKR
Release Date: 1993-08-10

Tracks:

  1. Thus Spake Zarathustra: Sunrise
  2. Carmina Burana: O Fortuna
  3. Carmen Suite: March Of The Toreadors
  4. Cavalleria Rusticana: Intermezzo
  5. Orpheus In The Underworld: Can Can
  6. Peer Gynt (Suite No. 1): Morning Mood
  7. William Tell Overture: Finale
  8. Symphony No. 9 ('From The New World'): Largo (Theme)
  9. Die Walkure: Ride Of The Valkyries
  10. Prince Igor: Flowing Dance Of The Polovtsian Maidens-Men's Dance
  11. Hungarian Dance No. 6
  12. The Carnival Of The Animals: The Swan
  13. The Four Seasons: 'Spring' - Allegro
  14. Jesu, Joy Of The Man's Desiring - Bach
  15. Canon In D
  16. Eine kleine Nachtmusik: Allegro
  17. Symphony No. 5: Allegro con brio
  18. Peer Gynt (Suite No. 1): In The Hall Of The Mountain King
  19. The Firebird Suite: Finale
  20. 1812 Overture: Finale - Tchaikovsky

Customer Reviews:

5 out of 5 stars Love It!.......2005-08-11

I first received this CD as a Christmas present more than 6 years ago. My old copy was too scratched to play any more. I was so happy to see that Amazon carried this CD, it has all the best classics on it!

5 out of 5 stars Best of the Best.......2005-05-11

I listen to a variety of music from Cajun to classic rock, to classical---depending on my mood or the situation. This clasical ensemble truly encompasses some of the most hauntingly beautiful music ever to h