Bach: Suites (6) for Violoncello Solo
Editorial Reviews
Amazon.com
Anner Bylsma, who plays a Baroque cello in original condition, has written a whole book about the variety of bow strokes needed for this music. Fancying the use of the bow as an analogue to the use of a foil in a duel, he calls Bach a "fencing master," a term that implies intense training, physical coordination used with spontaneity, and a readiness to change the approach instantly as each successive, fast-moving challenge demands. His playing makes the music fresh and new with a flexibility and vitality that illustrates the thesis of his book. --Joe McLellan
Bach: Suites (6) for Violoncello Solo, Music, Anner Bylsma, Johann Sebastian Bach, Cello Solo, Chamber, Classical, Classical Composers, Classical Music
Average customer rating:
- Play some Bach
- Just Beautiful
- Fantastic quality cello suites
- Re-release?
- What more can one say?
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Bach: The 6 Unaccompanied Cello Suites
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Similar Items:
- Vivaldi's Cello
- Simply Baroque
- Appassionato
- Bach: The Art of Fugue
- Bach: Cello Suites Nos. 1-6
ASIN: B000F6YW3K
Release Date: 2006-06-06 |
Tracks:
- Unaccompanied Cello Suite No. 1 in G Major, BWV 1007; Prde
- Unaccompanied Cello Suite No. 1 in G Major, BWV 1007; Allemande
- Unaccompanied Cello Suite No. 1 in G Major, BWV 1007; Courante
- Unaccompanied Cello Suite No. 1 in G Major, BWV 1007; Sarabande
- Unaccompanied Cello Suite No. 1 in G Major, BWV 1007; Menuett
- Unaccompanied Cello Suite No. 1 in G Major, BWV 1007; Gigue
- Unaccompanied Cello Suite No. 4 in E-flat Major, BWV 1010; Prde
- Unaccompanied Cello Suite No. 4 in E-flat Major, BWV 1010; Allemande
- Unaccompanied Cello Suite No. 4 in E-flat Major, BWV 1010; Courante
- Unaccompanied Cello Suite No. 4 in E-flat Major, BWV 1010; Sarabande
- Unaccompanied Cello Suite No. 4 in E-flat Major, BWV 1010; Bourr
- Unaccompanied Cello Suite No. 4 in E-flat Major, BWV 1010; Gigue
- Unaccompanied Cello Suite No. 5 in C minor, BWV 1011; Prde
- Unaccompanied Cello Suite No. 5 in C minor, BWV 1011; Allemande
- Unaccompanied Cello Suite No. 5 in C minor, BWV 1011; Courante
- Unaccompanied Cello Suite No. 5 in C minor, BWV 1011; Sarabande
- Unaccompanied Cello Suite No. 5 in C minor, BWV 1011; Gavotte
- Unaccompanied Cello Suite No. 5 in C minor, BWV 1011; Gigue
Tracks:
- Unaccompanied Cello Suite No. 2 in D minor, BWV 1008; Prde
- Unaccompanied Cello Suite No. 2 in D minor, BWV 1008; Allemande
- Unaccompanied Cello Suite No. 2 in D minor, BWV 1008; Courante
- Unaccompanied Cello Suite No. 2 in D minor, BWV 1008; Sarabande
- Unaccompanied Cello Suite No. 2 in D minor, BWV 1008; Menuett
- Unaccompanied Cello Suite No. 2 in D minor, BWV 1008; Gigue
- Unaccompanied Cello Suite No. 3 in C Major, BWV 1009; Prde
- Unaccompanied Cello Suite No. 3 in C Major, BWV 1009; Allemande
- Unaccompanied Cello Suite No. 3 in C Major, BWV 1009; Courante
- Unaccompanied Cello Suite No. 3 in C Major, BWV 1009; Sarabande
- Unaccompanied Cello Suite No. 3 in C Major, BWV 1009; Bourr
- Unaccompanied Cello Suite No. 3 in C Major, BWV 1009; Gigue
- Unaccompanied Cello Suite No. 6 in D Major, BWV 1012; Prde
- Unaccompanied Cello Suite No. 6 in D Major, BWV 1012; Allemande
- Unaccompanied Cello Suite No. 6 in D Major, BWV 1012; Courante
- Unaccompanied Cello Suite No. 6 in D Major, BWV 1012; Sarabande
- Unaccompanied Cello Suite No. 6 in D Major, BWV 1012; Gavotte
- Unaccompanied Cello Suite No. 6 in D Major, BWV 1012; Gigue
Customer Reviews:
Play some Bach.......2007-04-05
You've probably heard the prelude to Bach's Cello Suite #1 in G, whether you know the title or not; it's been in featured in many movies and advertisements. Suite #1 is absolutely gorgeous and full of emotion, and absolutely worth your time to listen to - and Yo-Yo Ma plays not just the first but all six suites wonderfully on this two-disc album. Turn it up loud or put on some headphones, and let yourself fly away on the sound of the strings as they carry you through a pure and rich soundscape that's elegantly simple yet so full of meaning as to move men to tears.
Just Beautiful.......2007-03-29
This CD brings two of my greatest musical loves together: Bach and the cello. The fact that the cello is unaccompanied, and played exquisitely by Yo Yo Ma, makes listening such pure joy. It satisfies on all levels.
Fantastic quality cello suites.......2007-03-13
This Cd with Bachs cello suites is the ultimate in cello music. Thoroughly recommended. Marc van Gerwen
Re-release? .......2007-02-20
From the cover, this certainly looks like a re-release of the 1990 album. Ma also recorded the 6 suites again in 1998, aka the White album. I have both, and both are excellent as you might expect. I prefer the white album as the pieces are played in a more livley and dance-like manner.
What more can one say?.......2007-01-19
Bach is always aesthetically satisfying, especially to mathematically inclined minds. However, when performed by such an artist as Yo-Yo Ma, the experience transcends the mundane.
Average customer rating:
- Best Music Ever for Home Wedding
- Excellent resource for wedding planners
- Great item!
- Preview your wedding day
- 25 WEDDING FAVORITES
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25 Wedding Favorites
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ASIN: B00004Y6T1
Release Date: 2000-09-05 |
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Customer Reviews:
Best Music Ever for Home Wedding.......2007-07-20
The tape consists of 25 traditional wedding songs played by big orchestras; the music was beautiful and made a small ceremony into a special, unforgettable ceremony.
Excellent resource for wedding planners.......2007-04-05
I work regularly with people planning church weddings who want the service to be dignified, traditional and formal. Often they have "ear memory" of music they've heard in other weddings, but no idea about its composer or title. This CD is the best compilation I've found of music that fits those requirements. Selections include great music and performances make it easy to imagine how they would sound in a particular church or other setting. Includes works by Protestant, Catholic and secular composers.
Great item!.......2007-03-29
Great CD! Perfect when planning your wedding music. There are a variety of songs from various composers.
Preview your wedding day.......2006-08-14
This CD was inexpensive, and provided a great way to preview songs for my wedding. The CD had a good song selection. My fiance and I were able to get a better idea of how the songs would be at our wedding. Definitely an inexpensive tool that is worthwhile.
25 WEDDING FAVORITES.......2006-07-20
My daughter had to move her wedding 3 weeks before the event and the music she had arranged could not be there. I purchased this CD and we were thrilled with the price, the selections on the cd and how quickly it arrived. Thanks for providing the music for a beautiful wedding.
Average customer rating:
- Dullsville!
- Bach Cello Suites No.1~6 by Rostropovich
- Deeply satisfying
- The Best
- Exemplary Performances!
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Bach: Cello Suites Nos. 1-6
Manufacturer: EMI Classics
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Similar Items:
- Dvorák: Cello Concerto; Tchaikovsky / Karajan, Rostropovich,
- Shostakovich: Cello Concerto No1, Op107; Violin Concerto No1 (revised), Op99
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ASIN: B000002RUY
Release Date: 1995-06-13 |
Tracks:
- suite nr.1 (BWV 1007) In G Major: I: prelude
- suite nr.1 (BWV 1007) In G Major: II: allemande
- suite nr.1 (BWV 1007) In G Major: III: courante
- suite nr.1 (BWV 1007) In G Major: IV: sarabande
- suite nr.1 (BWV 1007) In G Major: V: menuet I -
- suite nr.1 (BWV 1007) In G Major: menuet II - menuet I
- suite nr.1 (BWV 1007) In G Major: VI: gigue
- suite nr.4 (BWV 1010) In F Flat Major: I: prelude
- suite nr.4 (BWV 1010) In F Flat Major: II: allemande
- suite nr.4 (BWV 1010) In F Flat Major: III: courante
- suite nr.4 (BWV 1010) In F Flat Major: IV: sarabande
- suite nr.4 (BWV 1010) In F Flat Major: V: bourree I -
- suite nr.4 (BWV 1010) In F Flat Major: bourree II - bourree I
- suite nr.4 (BWV 1010) In F Flat Major: VI: gigue
- suite nr.5 (BWV 1011) In C Minor: I: prelude
- suite nr.5 (BWV 1011) In C Minor: II: allemande
- suite nr.5 (BWV 1011) In C Minor: III: courante
- suite nr.5 (BWV 1011) In C Minor: IV: sarabande
- suite nr.5 (BWV 1011) In C Minor: V: gavotte I -
- suite nr.5 (BWV 1011) In C Minor: gavotte II - gavotte I
- suite nr.5 (BWV 1011) In C Minor: VI: gigue
Tracks:
- suite nr. 2 (BWV 1008) In D Minor: I: prelude
- suite nr. 2 (BWV 1008) In D Minor: II: allemande
- suite nr. 2 (BWV 1008) In D Minor: III: courante
- suite nr. 2 (BWV 1008) In D Minor: IV: sarabande
- suite nr. 2 (BWV 1008) In D Minor: V: menuet I -
- suite nr. 2 (BWV 1008) In D Minor: menuet II - menuet I
- suite nr. 2 (BWV 1008) In D Minor: VI: gigue
- suite nr. 3 (BWV 1009) In C Major: I: prelude
- suite nr. 3 (BWV 1009) In C Major: II: allemande
- suite nr. 3 (BWV 1009) In C Major: III: courante
- suite nr. 3 (BWV 1009) In C Major: IV: sarabande
- suite nr. 3 (BWV 1009) In C Major: V: bourree I -
- suite nr. 3 (BWV 1009) In C Major: bourree II - bourree I
- suite nr. 3 (BWV 1009) In C Major: VI: gigue
- suite nr. 6 (BWV 1012) In D Major: I: prelude
- suite nr. 6 (BWV 1012) In D Major: II: allemande
- suite nr. 6 (BWV 1012) In D Major: III: courante
- suite nr. 6 (BWV 1012) In D Major: IV: sarabande
- suite nr. 6 (BWV 1012) In D Major: V: gavotte I -
- suite nr. 6 (BWV 1012) In D Major: gavotte II - gavotte I
- suite nr. 6 (BWV 1012) In D Major: VI: gigue
Amazon.com
Mstislav Rostropovich is one of the few musicians who can create a larger-than-life experience through the combined forces of exceptional music, a beautiful instrument, and uncommonly facile communicative skills. In his performances of Bach's transcendent masterpieces for solo cello, Rostropovich finds a perfect balance between a romantic, rhapsodic interpretation and one that emphasizes the purely formal "aridity" of Bach's structures. Although it's nearly impossible to isolate one or two highlights, the Sarabande and Prelude from Suite No. 5 are among the most profoundly moving cello performances you will ever hear--the closest we probably will ever come to experiencing through music the soul of both Rostropovich and Bach. Not everyone will immediately appreciate the very resonant sound that emphasizes the cello's lower register. But after a few minutes your ears adjust, the music takes over, and nothing else seems important. --David Vernier
Customer Reviews:
Dullsville!.......2007-06-01
I love the cover of this record, though. Reminds me of Don Quixote trying to play the cello standing up, like Woody Allen in a marching band! Slow and flat, with no dance or swing to it. Obviously there's a reason he never recorded them till he was past it (just as there's a reason they weren't played for 150 years). The suites are obscure and intimate, and there was little use for them before recording. Casals played them daily, to "consecrate the house" and found the special music in them. Some good Rostropovich is the Beethoven cello sonatas with Richter, but for Bach you should get Casals (1), Fournier (2), (or Starker or the earlier Ma if you find them on sale.)
Bach Cello Suites No.1~6 by Rostropovich.......2007-05-13
I meant to listen to Bach suites and I finally purchased. Unfortunatelly Rostropovich passing on. I am taking cello lesson and I can say that this CD is true classic and true cellist of dreams.
Deeply satisfying.......2005-12-01
When I heard these recordings for the first time, I almost wept. I don't know if this makes any sense, but the only way of saying how I felt was that it was like coming home. Rostropovich plays so simply and directly that one feels all pretense peel away. If art is an imitation of the glory that is nature, and performance an imitation of the art, then this is probably as close as you can come to removing the imitation and having a direct physical, emotional, and spiritual communion. Superlatives fail me and seem trite, so I think I should make this short. Bach's cello music is some of the most beautiful art ever created, and it has such remarkable power to heal the soul. Every human being who appreciates music deserves the priviledge of hearing this music. As I mentioned, the performance is superb, like an improvisation but so carefuly though out and so deeply felt. The recording quality is excellent too, capturing the meltingly beautiful sounds of Rostropovich's cello. Please listen to this; I hope you will be as moved as I was. If I can make a suggestion relevant to the time I'm writing this (Nov. 30th), make a present of this to someone you love for the holidays, the time of peace, as this is one of the great musical expressions of peace and boundless love.
The Best.......2005-10-26
Many people will argue that classical music is to be heard from a large symphony. I disagree. The ability of a single cello to convey an unlimited range of emotion and to personify the music is astounding. This performance of the Bach Cello suites is no exception, Rostropovich lacks the technical perfection of Yo Yo Ma, a good thing in my opinion, because it gives the music a certain personality and warmth. This is, and has been, my favorite collection of music, and to hear it played by Rostropovich justifys anyones love of it. It is simply the best cello collection on CD.
Exemplary Performances!.......2005-10-20
Mstislav Rostropovich has always been a world reknown cellist and one can definitely understand why when hearing these magnificent pieces being played by him. With also a great sound quality, it is truly a great album worth buying!
The Baroque period was one in which the science of musical interpretation was still growing. Many pieces of that period were generally unfriendly to a director or musician in terms of interpreting the meter: most notations were rather bare in that regard. A composer's meaning of 'adagio' could mean something very different to a stranger conducing the piece: how slow? Bach's cello sonatas are a perfect example which is even more respect to Rostropovich's interpretation and performance. A truly outsanding musician is demonstrated here in this recording. Rostropovich has a passionate and delicate interpretation that is neither overly rigid or romantic: they remain austere pieces but also have a spiritual quality to them that is most endearing.
This is a great set of albums for a complete set of Bach's cello suites. Rostropovich remains a highly respected performer and one will understand why when hearing these majestic pieces. A great buy!
Average customer rating:
- Build Baby's Brain through Classics Vol 1
- Wonderful stimulating music for baby
- The greatest CD!!
- Forget baby, it's mine?
- Love this CD--why all the complaints?
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Build Your Baby's Brain
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Similar Items:
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ASIN: B00000AE72
Release Date: 1998-08-25 |
Tracks:
- Eine kleine Nachtmusik: Allegro - Philadelphia Orch; Ormandy, E.
- Fse
- Arrival of the Queen of Sheba from "Solomon"
- Alla Turca
- Quintet in a Major for Piano and Strings, Op. 114 "Trout"
- Concerto No. 1 in E Major, RV. 269 "Spring" (From the Four Seasons)
- "Jesu Joy of Man's Desiring" from Cantata No. 147
- Canon in D
- Quintet in a Major for Piano and Strings, Op. 114 "Trout"
- Air ("On the G String") From Orchestral Suite No. 3, BWV 1068
- Sheep May Safely Graze from Cantata No. 208
- Water Music, HWV 348-350 (Wassermusik)
- Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan"
- Serenade No. 13 in G Major, K. 525 "Eine Kleine Nachtmusik"
- "Dove Sono" from le Nozze Di Figaro, K. 492
- "Li Darem la Mano" from Don Giovanni, K. 527
- Bist du Bei Mir, BWV 508
Amazon.com
Hundreds of compilation recordings have been thrust on the market in recent years on the theory that classical music makes a nice, non-threatening accompaniment to everything from working out to making love. And here we have one compilation promising to make your baby smarter. It's offensive enough that the music featured on these compilations is spliced up so that the most you hear of any work is a single movement; what's really annoying is the poor quality of so many of the featured performances. So it is some consolation that the artists here include such 20th-century legends as the Cleveland Orchestra under Szell and the Budapest String Quartet with Mieczyslaw Horszowski. Of course if these folks were alive, one can imagine their violent objection to this presentation of their work. --Gwendolyn Freed
Customer Reviews:
Build Baby's Brain through Classics Vol 1.......2006-07-25
I am a true fan of Classical music and this was purchased as a gift for a co-worker who is adopting a child from China. Therefore I did not open it nor listen to it. The recipient is now overseas picking up their daughter so I know they haven't had the opportunity to listen to it. I think it's a great idea, though, and purchased a used set for my Grandson.
Wonderful stimulating music for baby.......2006-06-23
I am sorry for the previous review who said that intelligence is hereditary. If that is true, all mankind would have been doomed from the start.
Intelligence is not hereditary, but rather a result of stimulation during infancy and birth. Sure, it isn't a guarantee that your child *will* become a genius if you attempt to educate them from birth, but there is no doubt that real educational stimulation of a young mind is a powerful indicator that the child will be more advanced than the average child.
Music is not just notes played. Music--real music--is everything. Though the music of today will fade, classical music will always be around because it is classic. It fits no matter what era you place it in. There is always a home for it. The artists are timeless just as the beautiful melodies are.
I certainly believe that babies who listen to music will become more familiar with and more easily understand music and instruments. Therefore, they will be quicker of mind. It is just a fact that people who play instruments are usually of higher intelligence.
I don't think that people are destined to be stupid or geniuses. I believe it is a question of environment. I feel I'm a great mother but I haven't done everything I could have been doing to help my son's mind expand as an infant. Now that he is a toddler (18 months) I am teaching him to read and exposing him to the magic of classical music in hopes that it will help mold him and set him apart from the rest.
Minds are trainable. You just have to work at it. This CD compiled of beautiful pieces composed by instrumental geniuses will help you do just that.
The greatest CD!!.......2006-01-17
I received this CD free when I had my first baby and it instantly became my fav cd of all time. I have it on my computer and I had another copy made because I just can not imagine not having it.
And as for the comment that the music has nothing to do with intellingence, you stand alone on that front. Besides, what does it hurt? It's great, soothing music and the babies enjoy it.
Forget baby, it's mine?.......2005-09-01
I love my child, but the first time I heard this CD, It immediately went from her recorder to mine. I take it practically everywhere I go. I know it's technically "Her" CD, but the selections are so soothing; and you need that type of comfort when stuck in traffic. Honestly, we both enjoy it - and I'm glad someone thought enough to give it as a gift.
Love this CD--why all the complaints?.......2004-08-30
I'm not sure what people were expecting when they purchased this. For one thing it tells you exactly what is on the CD. Its not a mystery!! If you buy it on amazon it has listed every title on it so I"m not sure about the people who said they were dissapointed because they already own those titles. Obviously you should glance at the list of titles on this CD if you have a large classical collection already. However if you don't already have a classical collection this is by far excellent .I'll be honest and admit I listen to one of the volumes daily regardless of who is in the room. It's marketed for babies but it is really for anyone. There are SO many classical pieces out there. What they have done is to take the best of the best and also the ones that are known to appeal to babies. For some reason many reviewers thing they just took a random sampling of classical music. In reality they have put together those that appeal most to children. I can tell you that my 1 year old daughter actually dances to these. She really likes them a lot. I consider the whole collection a must have for any household.
Average customer rating:
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Bach: The Cello Suites
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD
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| Bach, Johann Sebastian
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ASIN: B000OQDV1U
Release Date: 2007-06-12 |
Tracks:
- Prelude (Suite #1 in G major)
- Allemande
- Courante
- Sarabande
- Menuet I - Menuet II
- Gigue
- Prelude (Suite # 2 in D minor)
- Allemande
- Courante
- Sarabande
- Menuet I - Menuet II
- Gigue
- Prelude (Suite # 3 in C major)
- Allemande
- Courante
- Sarabande
- Bouree I - Bouree II
- Gigue
- Prelude (Suite # 4 in E flat major)
- Allemande
- Courante
- Sarabande
- Bourree I - Bourree II
- Gigue
Tracks:
- Prelude (Suite # 5 in C minor)
- Allemande
- Courante
- Sarabande
- Gavotte I - Gavotte II
- Gigue
- Prelude (Suite # 6 in D major)
- Allemande
- Courante
- Sarabande
- Gavotte I - Gavotte II
- Gigue
- The Song of the Birds (Catalan folksong- arranged by Sally Beamish
- Prelude from Suite # 1 (from Anna Magdalena manuscript)
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Amazon.com
The Bach Cello Suites must have been recorded by virtually every great cellist past and present, beginning with Pablo Casals. This new recording by Steven Isserlis must rank among the best, technically and musically. His approach to the Suites is based on a careful analysis of the sources, a study of historical and recent research, and his own instinctive feeling. He explains all this in scholarly liner notes leavened with humor and personal comments. Isserlis describes the Suites as a succession of dances introduced by Preludes to set their mood and tonality. He feels, though, that Bach greatly transcended their dance character, especially in the Sarabandes which, through their depth and expressiveness, form the core of the Suites. Moreover, contemporary scholarship and the Suites' cumulative structural complexity and emotional intensity lead him to believe that, like the violin Sonatas and Partitas, they are connected to specific Church festivals celebrating certain aspects of the Passion story. He especially points to the tragic, oppressive character of No. 5 (the Crucifixion) and the triumphant radiance of No. 6 (the Resurrection), conceived for a five-stringed instrument.
The remarkable thing is that Isserlis brings all this out in his playing. His tone, with sparing vibrato, is warm and austere, dark in the two sorrowful minor-mode Suites, bright in the others. His phrasing is as natural as speech; with perfectly controlled rhythm, the dances really dance. Voices stand out like threads in a tapestry. Bach's own manuscript having been lost, Isserlis adds three versions of the first Prelude taken from the earliest copies, and honors Casals with "The Song of the Birds," a Catalan folksong closely associated with him. Lovers of Bach and great cello playing must not miss this recording. --Edith Eisler
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- The Marrow of Life in Sound
- Bach Cello Suites - Pablo Casals
- Cello in your living room
- Remastered EMI or the Japanese Opus Kura?
- A must - have!
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Bach: Cello Suites
Manufacturer: EMI Classics
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Similar Items:
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- Bach: Suites for Solo Cello
ASIN: B0000CG8EF
Release Date: 2003-10-07 |
Tracks:
- I: Prelude
- II: Allemande
- III: Courante
- IV: Sarabande
- V: Menuet I & II
- VI: Gigue
- I: Prelude
- II: Allemande
- III: Courante
- IV: Sarabande
- V: Menuet I & II
- VI: Gigue
- I: Prelude
- II: Allemande
- III: Courante
- IV: Sarabande
- V: Bourree I & II
- VI: Gigue
Tracks:
- I: Prelude
- II: Allemande
- III: Courante
- IV: Sarabande
- V: Bourree I & II
- VI: Gigue
- I: Prelude
- II: Allemande
- III: Courante
- IV: Sarabande
- V: Gavotte I & II
- VI: Gigue
- I: Prelude
- II: Allemande
- III: Courante
- IV: Sarabande
- V: Gavotte I & II
- VI: Gigue
Customer Reviews:
The Marrow of Life in Sound.......2007-05-28
This music breathes, lives . . . is creation! Whatever recording one chooses of the Casals, by all means, acquire one. Not to disappoint the experts and perfectionists, I'm fine with this one, the EMI, occasionally hissing backdrops and all. Whenever I find myself in the slough of total despair, too dizzy to get off the mat, I spin the Casals, and listen: that's life talking!
Bach Cello Suites - Pablo Casals.......2007-05-14
Recently, I vacationed in San Juan, Puerto Rico. The place Pablo Casals made his permanent home from 1956 to his death in 1973. In my hotel, his recording of the Bach Cello Suites was played endlessly. The entire week I was there only this recording of Pablo Casals' Bach Cello Suites was ever heard in all the public areas of the hotel El Convento. I never tired of it. I am a violinist by profession and also have the Lynn Harrell recordings but not the YoYo Ma. When I came home I knew that I need to buy the Casals recording. It may be because they were recorded in 1935 and the methods of recording were so different from today. The more I listened the more I heard , I could even hear small errors when his bow didn't quite contact with the string on string changes. I loved this because it was done like a live recording - not done over and over for total perfection. It is human. Tempos, dynamics and ornaments were all to my liking. His playing comforts my soul. I also recommend reading Pablo Casals book, "Joys and Sorrows" written in 1970. This book is no longer in print but used copies are available through Amazon. Casals was one of the worlds greatest musicians and a great humanitarian. He was also one of the late Mstislav Rostropovich's teachers.
Cello in your living room.......2007-01-11
Intimate surroundings or just by yourself listening on headphones is the way to go. I enjoy this record and have played it numerous times over and over.
Remastered EMI or the Japanese Opus Kura?.......2006-11-12
I won't discuss the merits of Pablo Casals' version of Bach's Suites for Solo Cello, other reviewers have already done that. I will note that he ranks in the very top tier out of all the 12 versions I own. My other top tier favorites are Navarra, Fournier, Starker and Thedeen.
I do not own Ma's latest version nor Rostropovich's version, but I have heard them both. I find Ma to be too slick for his own good - he is indeed so technically correct that he plays the notes a bit too perfectly and in doing so somehow loses the essence of the music... if that makes any sense? Ultimately I do not find Ma convincing, a computer could be programmed to do the same thing. Rostropovich, however, is just the opposite, too sloppy (or some would say too romantic) - he just doesn't sound like Bach to me. I do like a few of his interpretations, but overall I think he misses the mark more than he finds it. I do not mean to suggest that both Ma and Rostropovich do not have their moments or that others have not found them satisfying, but overall there are other performers that just do a better job for me in terms of what I find important. My favorites are not going to be the same as yours all the time. But, at least now you know where I am coming from and where my biases are.
For Casals, the main issue is the sound quality of the various versions that are available. There is the older EMI version, the Remastered EMI, Naxos, Pearl, Opus Kura and Classica D'oro. Out of these choices, which one has the best trade off between noise reduction and the music? These are all sourced from old 78's recorded in the late 1930's, but each uses a different approach to noise reduction. I started off as most of you probably have by listening to the internet MP3 sound bites of all of the various versions - MP3s are not exactly the best way to make a judgment call on sound quality, but I did find that the two versions on CD that I did eventually purchase actually sound very much like the MP3s - there were no surprises in that regard.
So, from that listening perspective (MP3) I can tell you that I was not impressed by the Naxos version nor the Classica D'oro version. Naxos sounded hollow, boxed in and constricted and the Classica D'oro just sounded very processed. I realize that many reviewers praise the Naxos version, but I found the MP3 sound bite to be very constricted - again, this is only the MP3 sound bite, so take it for what it is worth. The MP3 of Opus Kura had a lot of hiss, the most of all these versions, but it also had a very full sound. The Remastered EMI MP3 also had a full sound, but with only moderate hiss. The Pearl sounded decent as well, but perhaps not quite as good as the Opus Kura or Remastered EMI. The Pearl was done somewhat earlier than all the others. So, I passed on the Naxos and the Classica D'oro for quality reasons. I also passed on the Pearl and instead purchased both the Opus Kura and the Remastered EMI versions, as those were also the ones done most recently and hopefully with the latest technology. The Japanese Opus Kura label also has a very solid reputation of valuing musical integrity over all else.
A quick comment on the two EMI versions. Most critics did not like the older EMI version because of overdone noise reduction. I have not heard that version, nor do I ever want to considering the many negative reviews I have seen! However, EMI remastered these performances in 2003 and this has apparently resulted in a much improved product.
O.K. now on to the comparisons; for hiss levels, both the Opus Kura and the Remastered EMI had quite a bit of hiss and surface noise. The Remastered EMI wins with less overall hiss noise and somewhat lower surface noise as well. The Opus Kura clearly has more hiss. It's not always a whole lot more, but it is more and it is more noticeable on some tracks versus others. But, note that the hiss levels can always be adjusted very easily with a graphic equalizer or more preferably with a noise gate. I did make an experimental CD-R copy of the Opus Kura on a CD-R with a noise gate (using Nero) and the result was very good and comparable to the Remastered EMI version in terms of hiss. Even so, if hiss is your major concern and you don't want to mess with a noise gate then just get the Remastered EMI version.
However, if you ignore hiss as a factor, which version sounds better in the living room? And by the way I have an audiophile quality sound system. Here Opus Kura wins hands down. There is no comparison. Opus Kura has all the room ambiance and lower bass tone, overtones and frequency range that the Remastered EMI version has filtered out. The Remastered EMI has no low bass where all the overtones reside - it's just not there and as a result the mid bass stands out more. I must admit that this approach has it's own appeal as it gives the illusion that the recording is both sharper and tighter sounding than it really is and it does bring out more of the mid bass, but the reality is that you are not getting all of the music as originally recorded. Still, it does not sound "bad" and perhaps this is a good trade off. The Opus Kura, on the other hand, fills the room with all the music, including all the lower bass overtones and makes it seem like Pablo is in the room. If you turn the Opus Kura up loud and go into the next room you would think Casals is actually in there playing live. The Remastered EMI in the same test sounds cleaner, but without the deepest overtones it sounds less like a real cello and more like just a deep toned viola - this is a solo cello we are talking about and you don't just EQ out the tonal quality of the instrument (and the room ambience) without losing some of the realism. That being said, it really comes down to personal choice. After listening for a few minutes the ear adjusts to either version. If you did not have the more natural sounding Opus Kura to compare to you would never know what you are missing with the Remastered EMI version. On the other hand, some listeners will actually appreciate the different tonal emphasis on the mid bass that the Remastered EMI offers. I did an A-B blind test with a friend who noted immediately the lack of bass in the Remastered EMI, yet still enjoyed listening to that one as much as the Opus Kura. She did not have a particular preference for one over the other, but they sound so different from each other that at first she thought these were entirely difference performances from different artists! Obviously, some of you will only care about getting rid of "all the hiss", while others want "all of the music." You know who you are. The Opus Kura version strives to keep all the music regardless while the Remastered EMI compromises a bit to lower the noise levels.
A few comments on listening in the car; I really cannot tolerate much hiss in a small confined environment like the car where it can really drown out the music. So, I made my own CD-R recording of the Opus Kura with the NERO noise gate set at 62db for the level and 30db for reduction. This works very well in cutting the hiss down to size and still retaining the music. The only problem with noise gates is that people tend to overuse it - just a little is enough! I did the same with the Remastered EMI at a slightly higher level (70db) and 30db and this also gave a fine result in terms of acceptable hiss levels. Because the three-dimensionality and room ambiance is not as much of an issue in the car environment, I would say that either version (the Opus Kura or the Remastered EMI) would work fine in the car - and if you happen to also have a graphic equalizer the right adjustments might also help make a difference.
Here's the bottom line. For the best sound in your living room, my personal choice is the Opus Kura with the full range of sound, but with more hiss and more surface noise. The Remastered EMI, however, is a fair enough alternative with lower hiss levels and hardly any surface noise (most of the time) and an emphasis (rightly or wrongly) on the just the mid bass. For the car, I think either version works out o.k., but only if you do some remastering yourself with a noise gate to make your own personalized CD-R version that cuts down the hiss.
I hope this helps.
A must - have!.......2006-10-31
Among the annals of the definitive performances of the XX Century, these performances still stand out as an incandescent and refulgent star in the musical firmament. Casals devoted almost his entire life to get the supreme perfection at the moment to play these suites. And believe me, he followed his bliss and inscribed his name in the Pantheon of the Immortals.
An absolute must for any serious and dedicated listener.
Average customer rating:
- So many insights
- realy, really fast
- Controversial, yet unsurpassed
- Worth Owning
- Excellent!
|
French Suites - 70th Anniversary Edition
Glenn Gould , and Bach
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Art of the Fugue - 70th Anniversary Edition
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ASIN: B00006FI81
Release Date: 2002-09-03 |
Customer Reviews:
So many insights.......2007-07-11
Of all the many French Suite recordings I've heard, in spite of its eccentricities, this is the recording I return to, because every time I hear it, I hear something new and fresh. It has everything - and no other recorded-performer comes anywhere near such understanding, enthusiasm and dancing-qualities.
realy, really fast.......2007-02-09
Glenn Gould bach is really irregular. I love the three goldbergs (1954, 1981, an live recording in Salzburg), but these French suites are really, very fast, in the first minutes the music sound lively, and pretty, but almost an hour of staccato fast music, It's really like a ta ta ta ta ta ta ta sound.
I much more prefer gould playing bach's fugues, he use to be more slow
Controversial, yet unsurpassed.......2006-08-03
Gould was a character, in every sense of the word. Reading his numerous articles, one is inspired and challenged by his complex and elegant thought... His music, especially his Bach interpretations, have been criticized and praised alike, by people who know eons more about Music Theory than I do.
I can, however, share with you my intense appreciation of these suites. This is absolutely the work of a genius. His rendering of Bach's music for keyboard is utterly original, superbly balanced, deliciously nuanced, and stand alone as an untouched benchmark.
Listen carefully to his wise melancholy in the First Suite, especially the 2 menuettos. This is an interpretation which would astonish Bach himself, I am sure. No other performer will give you what you will hear in (at least) these specific two movements: such living beauty, such exquisite heartbreak... vibrant and fragile, an absolute joy.
Worth Owning.......2005-11-15
I listen to this CD all the time. There is a simplicity and clarity to it that just puts my mind at ease. At times a bit frenetic, but always precise and of an even temper. Very much recommended.
Excellent!.......2005-05-18
I am becoming a huge Glenn Gould fan. I first heard him about 15 years ago from a recording from my father. Listening to the Bach "French Suites" is an amazing experience. It is interesting to do some googling to learn more about Gould the man as well.
Average customer rating:
- CD set is misnamed
- Do not Buy
- Classical Music for People Who Hate Classical Music
- Seek better versions
- It Is What It Is
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Classical Music for People Who Hate Classical Music
Manufacturer: Compendia
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Similar Items:
- Best of the Millennium: Top 40 Classical Hits
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- The Most Relaxing Classical Album in the World...Ever!
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ASIN: B000003QWH
Release Date: 1994-06-09 |
Tracks:
- Canon In D
- 'Brandenburg' Concerto No. 3: Allegro
- The Four Seasons - The Winter: Largo And Allegro
- Fanfare ('Masterpiece Theatre' Theme)
- Camerata Romana: Air For The 'G' String
- 'Eine kleine Nachtmusik': Allegro
- Piano Concerto No. 21 ('Elvira Madigan' Theme): Andante
- Introduction To Symphony No. 5
- 'William Tell' Overture: Finale
- 'Aida': Triumphal March
- On The Beautiful, Blue Danube Waltz
- 'The Nutcracker': Waltz Of The Flowers
- '1812' Overture: Finale
Tracks:
- Sabre Dance
- 'Light Cavalry' Overture: Finale
- Carmen: The Toreadors
- ' Midsummer Night's Dream': Wedding March
- Radetzky March
- Symphony No. 9, 'Choral': Finale
- 'Prince Igor': Polovstian Dance No. 17
- Jesu, Joy Of Man's Desiring
- Peer Gynt: Solveig's Song
- Sleepers, Wake
- Water Music: Hornpipe
- Symphony No. 9, 'From The New World': Largo
- Emperor Waltz
- 'Emperor' Quartet: St. Anthony's Chorale
- 'The Tales Of Hoffman': Barcarolle
- L'Arlesienne: Farandole
- 'The Nutcracker': Dance Of The Mirlitons
- 'The Nutcracker': Dance Of The Sugar-Plum Fairy
- 'Rhapsody In Blue': Highlight
- 'Orpheus In The Underworld': Can-Can
Tracks:
- Introduction To 'Also sprach Zarathustra'
- Symphony No. 4, 'Italian': Saltarello: Presto
- Piano Concerto No. 20: Romance
- 'The Valkyrie': Ride Of The Valkyries
- 'The Four Seasons' - The Spring: Allegro
- Toccata and Fugue
- Trumpet Voluntary
- 'Royal Fireworks Music': la rejouissance: Allegro
- 'Moonlight' Sonata: Adagio Sostenuto
- London Festival Orchestra: Overture To 'The Barber Of Seville'
- Piano Concerto No. 2: Adagio Sostenuto
Tracks:
- Carmina Burana: Introduction To 'Carmina Burana'
- Peer Gynt: Dawn From 'Peer Gynt'
- Lohengrin: Prelude To 'Lohengrin'
- 'Lieutenant Kije': Troika From 'Lieutenant Kije'
- Adiago For Strings
- 'Carmen': Habanera From 'Carmen'
- 'Double' Concerto: Allegro From 'Double' Concerto
- The Marriage Of Figaro: Overture To 'The Marriage Of Figaro'
- (Rondo) Alla Turca
- Xerxes: Largo From 'Xerxes'
- Symphony No. 5: Allegro vivace From Symphony No. 5
- 'Swan Lake': Scene: Enchanted Lake From 'Swan Lake'
- Clair De Lune
- Bolero
Customer Reviews:
CD set is misnamed.......2007-06-08
They should have titled this "classical music for people who love classical music" because most of the selections are typical classical music. The title suggests it would be lively selections of "light classical" music that is more upbeat, i.e. Sabre Dance, etc. I really don't hate classical music at all and have many classical CDs in my collection but I really wanted to hear more exciting selections. I won't be purchasing any more of this set but if you like traditional classical music these are good one.
Do not Buy.......2007-02-21
I do know it says classical music for people who hate it, but serioulsly you would have better luck never listening to classical music again. The recordings are awfull and do not do justice to any of the composers. Buy something else.
Classical Music for People Who Hate Classical Music.......2007-01-30
We love this set of CD's. I just got a new copy because my kids keeping taking our first copy with them so that they can listen at work or in their bedrooms but then I can never find them.
Seek better versions.......2006-12-09
If you are fairly new to classical purchases then compilation CD's can be useful for deciding what to buy next. Sometimes you only need a small taste of a piece to inspire you to buy a release with the whole performance on. The problem with this compilation however is that most of the versions are poor in performance or recording quality (or both) when compared to the best versions and the fact that the conductors aren't even credited on the track listing made me suspect that this would be the case. One of my favorite classical pieces is Tchaikovsky's 1812 festival overture but if the first CD version I had heard had been the finale excerpt that is on this compilation I may not have gone on to buy the whole thing. Luckily I heard Adrian Leaper's version first and Adrian's version is rather good.
My classical CD buying experience is limited to only a couple of dozen discs but I have found that the Naxos and Deutshe Grammophon releases are fairly safe. Avoid any release which does not name the conductors on the track listing or sleeve notes.
It Is What It Is.......2006-10-27
It's fitting that this page is fraught with the same kind of silly snobbery that turns people off from classical music (and necessitates collections like this) in the first place.
Any criticism of this compilation, which focuses on the quality of the performances or the fact that many tracks are excerpts, misses the point. This is not a collection for people who consider such things, nor does it purport to be. The idea is to package as many ultra-famous classical melodies as possible in one affordable collection and market it to people who have never purchased a classical recording. As such, top-tier performances are likely too expensive to be sold so cheaply and are unnecessary anyway. Those of us who already know and love a piece or two can forgive the compilers the inclusion of sub-par recordings, when we are exposed to so many other beautiful pieces for the first time.
It probably comes as a shock for some to hear that most people are not familiar with these classics. We may hear snippets on TV or movies, but are left with no idea as to the composer or historical context. With that in mind, it is extremely intimidating to begin buying classical. I suppose those among us, who so thoroughly dismissed the very notion of a boxed set like this, would have us begin by buying full albums by reputable interpreters. Surprisingly enough though, the majority of people would consider that a tad cost-prohibitive.
To conclude, this is a STARTER collection. It will either affirm a listener's feelings about classical music or lead to an interest in purchasing better recordings. Ideally, I suppose the interpretations would be better, but, for reasons mentioned above, that just isn't in the cards for a collection of this nature. If you're familiar with 50 different recordings of "The Ring" series, or have season tickets to the New York Philharmonic, then this probably isn't for you. For us cretins with limited foreknowledge of classical music though, it serves as a succinct introduction with little to complain about.
Average customer rating:
- No, Yo Yo ....
- Inspired by Ma!
- A must-have recording!
- Bravo Yo Yo !
- Very good
|
Bach: The Cello Suites Inspired By Bach, From The Six-Part Film Series / Yo-Yo Ma
Manufacturer: Sony
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Similar Items:
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ASIN: B0000029YB
Release Date: 1998-02-17 |
Tracks:
- Suite No. 1 In G Major: Prelude - J. S. Bach
- Suite No. 1 In G Major: Allemande - J. S. Bach
- Suite No. 1 In G Major: Courante - J. S. Bach
- Suite No. 1 In G Major: Sarabande - J. S. Bach
- Suite No. 1 In G Major: Menuett 1 - 2 - J. S. Bach
- Suite No. 1 In G Major: Gigue - J. S. Bach
- Suite No. 2 in D minor: Prelude - J. S. Bach
- Suite No. 2 in D minor: Allemande - J. S. Bach
- Suite No. 2 in D minor: Courante - J. S. Bach
- Suite No. 2 in D minor: Sarabande - J. S. Bach
- Suite No. 2 in D minor: Menuett I 1 - 2 - J. S. Bach
- Suite No. 2 in D minor: Gigue - J. S. Bach
- Suite No. 3 In C Major: Prelude - J. S. Bach
- Suite No. 3 In C Major: Allemande - J. S. Bach
- Suite No. 3 In C Major: Courante - J. S. Bach
- Suite No. 3 In C Major: Sarabande - J. S. Bach
- Suite No. 3 In C Major: Bourree 1 - 2 - J. S. Bach
- Suite No. 3 In C Major: Gigue - J. S. Bach
- Suite No. 4 In E-Flat Major: Prelude - J. S. Bach
- Suite No. 4 In E-Flat Major: Allemande - J. S. Bach
- Suite No. 4 In E-Flat Major: Courante - J. S. Bach
Tracks:
- Suite 4 in E flat Major: Sarabande - J.S.Bach
- Suite 4 in E flat Major: Bouree 1- 2 - J.S.Bach
- Suite 4 in E flat Major: Gigue - J.S.Bach
- Suite 5 in C Minor: Prelude - J.S.Bach
- Suite 5 in C Minor: Allemande - J.S.Bach
- Suite 5 in C Minor: Courante - J.S.Bach
- Suite 5 in C Minor: Sarabande - J.S.Bach
- Suite 5 in C Minor: Gavotte 1 - 2 - J.S.Bach
- Suite 5 in C Minor: Gigue - J.S.Bach
- Suite 6 in D Major: Prelude - J.S.Bach
- Suite 6 in D Major: Allemande - J.S.Bach
- Suite 6 in D Major: Courante - J.S.Bach
- Suite 6 in D Major: Sarabande - J.S.Bach
- Suite 6 in D Major: Gavotte 1 - 2 - J.S.Bach
- Suite 6 in D Major: Gigue - J.S.Bach
Amazon.com essential recording
Though they were long misunderstood as mere technical hurdles, Bach's six suites for unaccompanied cello are among those rare works of music that offer inexhaustible rewards for performer and listener alike. Yo-Yo Ma gave a pathbreaking account of the suites back in the '80s (Suites for Unaccompanied Cello ) but returns to them here impelled by a unique and interdisciplinary approach. For this project, Ma engaged the talents of artists in different fields--ranging from a landscape artist to a Kabuki actor and figure skaters--to produce six short films as a visual correlative for the highly distinctive character of each suite. While the success of the films in illuminating Bach's creativity is decidedly uneven, Ma brings the music itself to life with a searing, quasi-vocal eloquence. His interpretations are probing, characterized by imaginative bowing and attention to the spacious architecture of Bach's score. This is especially clear in Ma's preference for broad, expansive tempos and patient spinning of filigreed detail. True, the generally Romantic cast of his conception can seem overdone and exaggerated in statement, as if Ma is more intent on overlaying his own personality on the discipline of the music. But the prayerful, meditative concentration he brings to the Sarabandes--listen to the single-lined, anguished tone painting in Suite 5--is utterly convincing. There is a sense of profound introspection here, while in the Sarabande of Suite 6 Ma's phrasing suggests we are in the same spiritual terrain as Beethoven's late quartets. Yet there is no lack of blistering energy and extroverted high spirits in some of the more overtly dance-oriented movements. While purists may complain of distortion in these accounts, Ma once again proves he has something vital to say with this music. --Thomas May
Customer Reviews:
No, Yo Yo ...........2007-03-11
A sub-standard, glossy, and sometimes sentimental interpretation of the Suites. Skip this one and go for the Rostropovich - always intelligent and inspired - never sentimental.
Inspired by Ma!.......2006-01-20
The music on this second recording of Yo-Yo Ma's is fantastic. Admittedly, the packaging is a little confusing (the title itself is a little misleading-- as if it were not comprised of Bach compositions). But the only real complaint is that the fourth suite is split in half on the two CDs. This would be easily solved by by putting 1, 3 & 5 on one CD & 2, 4 & 6 on the other.
But the important thing is the MUSIC & I'll nevertheless give this CD set 5 stars-- this is essential listening!
I think of Bach's cello suites like the Dao De Jing-- it is open to so many endless possibilities in translation. But what I find so appealing in this recording is Ma's fine sense of balance between a 'classical' & 'romantic' approach to the cello suites. Ma is certainly not metronomically rigid with his reading, but neither is it too free. I think he strikes just the right balance in these recordings.
The famous Prelude of the first suite is at a surprisingly fast tempo (so I thought) but it flows-- it is not hurried-- one almost gets the impression of movement but stillness at the same time.
Though for a solo instrument, Bach's cello suites often sound like two, sometimes even three instruments playing at once! And what is amazing is Ma takes on the different 'voices' like an actor playing out all the parts-- the different implied musical lines of this virtual polyphony are brought out by Ma's playing by differences in bowing, volume & character.
The recording itself is so amazingly warm-- you can really feel the wood in the recording. Yo-Yo Ma's cello dances, leaps, sings & soars here.
The sixth suite is my personal favourite, especially the gavotte. It was listening to the sample here on Amazon that convinced me that I needed to own this recording. It is one of the most beautiful things Bach ever wrote I think.
I have three other recordings of the cello suites, but I confess that this is by far the most human & the most warm. Bach's cello suites are perhaps some of the greatest music EVER written & Ma simply channel's the music so exquisitely here.
You have not lived if you haven't listened to Bach's suites for cello! Do yourself a favour & get this recording-- you won't be sorry! I will cherish this recording always...
A must-have recording!.......2005-08-25
OK... I'm very late to weigh in on this CD as I see there are already so many reviews about it but I've been enjoying this CD so much that I just had to share my thoughts with you.
The fluidity of Yo-Yo Ma's playing is incredible. What I've come to appreciate more and more is his willingness - eagerness to have fun and take risks. From his recordings with Bobby McFerrin to his Obrigado Brazil recordings to simply Baroque all these recordings show a man who is so totally comfortable in any style or setting in which he might choose to play.
My congratulations to the recording staff "behind the scenes" as they most certainly had to have been inspired, judging by the quality recording they have produced. Too many times, really great performances can fail to convey the sense of presence that this recording has captured. They have given us a gift no matter what price you've paid for this CD; he's in your room, complete with the sense of ambiance and room boundaries that he was recorded in.
Don't bother with all the surround sound settings! Throw that all away and simply listen in two-channel stereo.
When people have written about what nice background music this makes I can only grin inside. Yes, it's charming. Yes, it's easy to live around but it also can compel you to sit and listen. How often does that happen?
This is a lovely recording of a masterful performance by one heck of a talented musician.
Bravo Yo Yo !.......2005-06-28
Comparé à sa version de 1983, Yo Yo Ma semble ici plus intériorisé(version 1994). Son approche est plus réfléchie
avec des aspects plus méditatifs, quoiqu'un peu «pathos» à certains moments.
Bonne version si vous cherchez autre chose que l'accent baroque.
Merci d'avoir lu mon humble avis. R.R
Very good.......2005-03-24
This set could possibly be the best you can get for the complete Bach Cello Suites. The people who write bad reviews for Yo-Yo Ma's recordings probably think, as I myself used to, that he is overrated and not very professional. However, I have come to realize that Yo-Yo Ma is a very professional musician, and really is one of the best cellists alive. I have seen him play concerts on TV, and every gesture and sound he makes seems deeply inspired and it truly seems like he understands the music. This recording is no exception. Each cello suite is marvelously performed (and from what I hear, even better than the older recording he made), and the sound quality is extraordinary. Highly recommended.
Average customer rating:
- A great introduction to Baroque music...
- Good "best of" CD, but nothing more.
- Phenomenal Collection of Music
- Phenomenal Collection of Music
- DEFINES "CLASSIC"
|
Pachelbel Canon and Other Baroque Hits
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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Bach, Johann Sebastian
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| Classical Music Blowout
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