Romance D'Amour

Track Listings

1. Cantigas De Santa Maria

2. Malaguena

3. Petenera Para Guitarra

4. Andaluza

5. Madronos Para Guitarra

6. Sonata

7. Cancion De Cuna

8. Ei Abejorro

9. Filla Del Marxant

10. Tema Con Variaciones, Op.9

11. Habanera

12. Danza Espanola No.5

13. Hommage Au Tombeau De Debussy

14. Danza Del Molinero

15. Cancion Danza No.1

16. Jeux Interdits

Tracks:

Sheep May Safely Graze - Sir Neville Marriner
Serenade In G 'Eine Kleine Nachtmusik' - Sir Neville Marriner
Violin Concerto No.1 In G Minor, Op.26 - II. Adagio - Yedudi Menuhin
Nocturne No.2 In E Flat Op.9 No.2 - John Ogdon
Miserere Mei, Deus - Stephen Cleobury
Schindler's List - Tasmin Little
Traumerei - Dame Moura Lympany
Dance Of The Sylphs - Sir Neville Marriner
Water Music - Berlin Philharmonic Orchestra
Symphony No.9: II. Largo - Oslo Philharmonic Orchestra
Jean De Florette - Toots Thielemans
Concerto For Lute And Two Violins - II. Largo - Anthony Bailes
Cello Concerto In E Minor Op.85 - III. Adagio - Jacqueline De Pre
Waltz No.15 In A Flat - Dame Moura Lympany
Romance - Piers Lane
Pavane - Maurice Handford
Woodbrook - Micheal O Suilleabhain
Time To Say Goodbye - Orchestra

Tracks:

The Four Seasons - Concerto No.1 In E 'Spring' - Yehundi Menuhin
Dance Of The Blessed Spirits - New Philharmonia Orchestra
Double Violin Concerto In D Minor - II. Largo Ma Non Tanto - Yehudi Menuhin
Prelude No.7 In A Op.28 No.7 - Tzimon Barto
Cantique De Jean Racine - MONKS AND CHOIRBOYS OF DOWNSIDE ABBEY
The Lark Ascending - Hugh Bean
'Pathetique Sonata Op.13 - II. Adagio Cantabile - Leonard Pennario
Pie Jesu - Choir Of King's College, Cambridge
Salut D'Amour - Richard Hickox
La Fille Aux Cheveux De Lin (The Girl With Flaxen Hair) - Dame Moura Lympany
The Coventry Carol - Medeval Babes
Pavane For A Dead Princess - New Philharmonia Orchestra
Liebestraum No.3 In A Flat - John Ogdon
Panis Angelicus - Elisabeth Schwarzkopf
Piano Concerto No.2 In F Op.102 - II. Andante - Dmitri Alexeev
Agnus Dei - Peter Barley
Symphony No.5 In C Sharp Minor - IV. Adagietto - New Philharmonia Orchestra
My Heart Will Go On - Orchestra

Customer Reviews:

The Most Relaxing Classical Album In the World Eveer, Volume II.......2006-08-28

Good selection of music, poorly performed and badly arranged. Good album for a tag sale. Same comment applies for Volume I.

Great music listein to while you read in bed.......2005-08-21

I have listened to this CD for the last several years before going to sleep at night. I love classical music, and this is great music to help make my soul feel at peace and unwind after a taxing day.

A must buy for the non-snobbish classical music fan........2004-10-22

I bought Vol. 1 of this series and was quite satisfied, but I have to say I'm more than satisfied with this one. If you can just mellow out and enjoy some great pieces, you'll love this CD. #15 on Disc 2 is almost worth the price alone!

A bliss of spirit........2004-09-18

That's disc will open You a wonderful, beautiful world of sounds, their harmony & emotion : you'll feel your heart full of
Joy, Tears, Love.
Good LUCK!

Boring.......2004-05-11

Yes this CD will put you to sleep in minutes. Its the most boring uninspiring classical music. The first CD was very good but this Vol. 2 is like most movie sequels....AWFUL !

Average customer rating:

Music to your ears...
Very relaxing to listen to
Outstanding program
Andre Rieu's Tuscany
"Tuscany" is one of Andre Rieu's best shows! Excellent CD!

Tuscany
Andre Rieu
Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD

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Live In Dublin
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ASIN: B0002SXIQ8
Release Date: 2004-09-21

Tracks:

Romance Anonyme - Jeux Interdits
I Love You
Italiana
Barcarolle
La Paloma
Lagune Waltz
Intermezzo From Cavalleria Rusticana
Roses From Tyrol
Chanson d'Amour
O Mio Babbino Caro From Madame Butterfly
William Tell Overture
Opera Medley
Italian National Anthem
Light Cavalry
Ode To Joy From Symphony No. 9

Customer Reviews:

Music to your ears..........2007-04-05

I can't say enough about this musician. The music will sooth your soul. A must have for your car CD player, it will help you through the traffic :}

Very relaxing to listen to .......2007-03-07

I'm a new fan to Andre Rieu. I didn't start getting into his music until I caught his Christmas special on my local PBS station last year. I found his performances highly energetic and playful which is rare in this often serious musical genre. After catching a repeat performance of "Tuscany", I decided to make the cd version my next Andre Rieu purchase. Whenever I listen to "Tuscany", I can easily see Andre Rieu performing with his orchestra. His skills as a violinist is exquisite. He is very subtle and is never out of tune. "Tuscany" begins with three of the most beautiful classical numbers I have ever heard. The beautiful orchestral melodies puts me at ease. I wished that the cd included "The Rose" (the Bette Midler tune) that can be seen on the dvd. I loved the operatic version. It would have been a nice addition to the cd. Of all the operatic numbers my favorite has to be "Ode to Joy". I have to admit though the singers have a terrible tendency to caterwaul on the songs which can be quite disconcerting for these ears. On the other hand the same can be said about a lot of opera singers as well as modern pop singers. There wasn't a single song on the cd that I didn't enjoy listening to. Andre Rieu's love for music really does shine through his music here. I hope some day I will have the opportunity to see him perform live. I don't think nothing can compare to seeing this talented artist live. Until then his cds will do nicely.

Outstanding program.......2007-02-10

What wouldn't I give to have been enjoying this magnificent program in that beautiful square in Italy? Fantastic performance of unbelievabe quality and program choices. I wouldn't trade this DVD for anything.

Andre Rieu's Tuscany.......2007-01-10

Haunting melodies taking you to the hills of Tuscany where this concert was originally held. Plays well while travelling as well as at home.

"Tuscany" is one of Andre Rieu's best shows! Excellent CD!.......2007-01-10

I'm an Andre Rieu fan and can definitely review this CD as one of his best! It was well-recorded with good sound quality, and you can hear the excitement of that evening in Tuscany as you listen to this CD. I would also recommend the DVD/Video of that performance.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Suite Espanola, Op.47: Asturias (Leyenda)
Cavatina From The Deer Hunter
Lute Suite No.4 In E Major, BWV 1006a: Prelude
Triangular Situations
Recuerdos De La Alhambra
Romance
Dance From La Vida Breve
Sonata In E Major, K 380
Como Llora Una Estrella (Valse-Cancion)
The Mission
El Colibri
Gymnopedie No.3
Courante
La Catedral
El Condor Pasa
Salut D'Amour
Malinke Guitars
Concerto For Lute (Guitar), Two Violins (Strings) And Basso Continuo In D Major, R.93: I. Allegro Giusto
The Entertainer

Tracks:

Concierto De Aranjuez: II. Adagio
El Diablo Suelto (Valse)
Preludio En Do Menor (In C Minor)
Suite Espanola, Op.47: Sevilla (Sevillanas)
Gnossienne No.1
Cueca
Schindler's List
Lute Suite No.4 In E Major, BWV 1006a: Gavotte
Nkosi Sikelel'i Afrika
Pavane
Trio For Violin, Lute (Guitar) And Basso Continuo In C Major, R.82: III. Allegro
Sunburst
The Godfather
Scherzino Mexicano
Aeolian Suite For Guitar And Small Orchestra: I. Aeolian Chant
3 Blues For Classic Guitar: Spanish Guitar Blues
3 Blues For Classic Guitar: Blues For Felix
3 Blues For Classic Guitar: Swing 59
The Black Decameron: The Flight Of The Lovers Through The Valley Of The Echoes
Una Limosna Por El Amor De Dios
Saltarello
12 Piezas Caracteristicas, Op.92: No.12 Torre Bermeja (Serenato)

Customer Reviews:

The Best Compilation of the Man on 2 Discs! Great Sound Quality Too!.......2006-04-21

The title very aptly describes this great classical guitar album showcasing some of the best ever works of John Williams on 2 discs. The track selections are great as they span the centuries from the Baroque greats of Bach and Vivaldi to the modern day composers such as Stanley Myers and York. John even flirts with Blues and Jazz-style pieces and they actually sound very good. In addition, they did a much better mastering job on this version than on the single disc, "Classic John Williams" album that was released a few years earlier and so the sound quality is much better. John Williams' playing is without peer and his technique is superior to the vast majority of the exponents of classical guitar that are out there. I've heard recordings of many others who have tried to play "Cavatina" for example and they have never come close to the natural and flowing version that John plays. If you are a fan of this type of music or of John Williams' work, this is the best compilation that you can get that's out there. Highly recommended!

Relaxing and Enticing to the Ear.......2006-01-26

The first song on this set is why I bought the whole album. It blows you away listening to the precise picking and the gorgeous way it is done. Not robotic like some freaks out there. This is true beautiful music. Runs together like a long summer drive in the country. It is just a perfect album to listen to at home or on the go.

A little something for everybody.......2005-06-15

First, this is gorgeous guitar playing by someone who knows what he's doing. John Williams (not to be confused by the film score composer of the same name) is a superb classical guitarist. Many of these pieces are *classical* in nature, while a few are more *popular*. Many are solo, the rest in small chamber groups. Some will get your toes tapping, some will start you daydreaming, and some will make you cry with their beauty. All of it is magnificent.

Average customer rating:

Wonderful
Thanks you Decca
Exquisite music for the soul
Indeed a joy forever!
Exquisite collection & performances, unbelievable value!!!

Violin Adagios

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000058BGY
Release Date: 2001-03-20

Tracks:

Thais: Meditation - Nigel Kennedy
Vn Con No.1 in g, Op.26: Adagio - Kyung Wha Chung
Con No.4 in f, RV 297 'Winter': Largo - Alan Loveday
Con in d, BWV 1043: Largo, Ma Non Tanto - Henryk Szeryng/Maurice Hasson
Adagio in E, K.261 - Henryk Szeryng
Vocalise, Op.34 No.14 - Akiko Suwanai/Philip Moll
Vn Con in D, Op.77: Adagio - Joshua Bell
Vn Con: Andante - Joshua Bell
Melodie - Arthur Grumiaux/Istvan Hajdu
Vn Son No.5 in F, Op.24 'Spring': Adagio Molto Espressivo - Itzhak Perlman/Vladimir Ashkenazy
Vn Con in D, Op.35: Canzonetta: Andante - Leila Josefowicz
Songs My Mother Taught Me, Op.55 No.4 - Arthur Grumiaux/Istvan Hajdu
None But The Lonely Heart - Josef Sakonov
The Gadfly: Romance - Alexander Kerr

Tracks:

Romance No.2 in F, Op.50 - Arthur Grumiaux
Vn Con in E, BWV 1042: Adagio - Midori
Salut D'amour - Kyung Wha Chung/Philip Moll
Ave Maria, D.839 - Arthur Grumiaux/Istvan Hajdu
Con in a, RV 522: Larghetto - Midori/Pinchas Zukerman
Son in D, Op.1 No.13: Larghetto - Iona Brown
Vn Con No.3 in G, K.216: Adagio - Arthur Grumiaux
Liebesleid - Joshua Bell/Paul Coker
Vn Con in e, Op.64: Andante - Kyung Wha Chung
Souvenir D'un Lieu Cher, Op.42: Melodie - Akiko Suwanai/Philip Moll
Vn Con in d, Op.47: Adagio Di Molto - Kyung Wha Chung
Vn Con in D, Op.35: Romance: Andante - Chantal Juillet
Standchen, D.957 No.4 - Arthur Grumiaux/Istvan Hajdu
Estrellita - Arthur Grumiaux/Istvan Hajdu
Orchestral Ste No.3 in D, BWV 1068: Air ('Air On A G String') - ASMF/Neville Marriner

Customer Reviews:

Wonderful.......2005-11-07

An excellent compilation of folk tunes and violin concerto adagios, played masterfully by some of the world's most revered musicians. Features modern pieces (Korngold, Barber), which are a personal favorite of mine.

Thanks you Decca.......2005-01-23

My daughter is a violin student of 7 years and she has played 3 or 4 of these pieces for recitals. I bought the CD's so she could become familiar with the pieces as she was learning to play them. Now I find myself listening to the CD's almost every night when I go for my end of the day drive to relax. My favorites are the Mozart Concerto in G, the Mendelssohn Concerto in E minor and Beethoven's Romance in F on disc 2, but all the songs are exquisitely beautiful. I highly recommend it.

Exquisite music for the soul.......2004-06-14

These CDs have the most incredible selections of music on them. Listening to the violins has enabled me to complete papers for my doctoral level classes without the usual neck aches. This is soothing, exquistie music for the soul! Lovely!!

Indeed a joy forever!.......2003-05-22

Before buying this 2 CD set,I've read Reviews by Chicagodreamer,
who rated it as "Highly, highly recommended." His laudatory recommentation, I must say, is found "well justified."

Exquisite collection & performances, unbelievable value!!!.......2002-01-15

"Over 2 l/2 hours of the world's most beautiful music." These words on the cover are very close to true. What an incredible value this collection is!! So many of these compilations of this sort are cheaply produced, and those "greatest hits" collections are one trite piece after another -- after a while one runs screaming to the stereo to shut it off. However, this collection is top-notch, and the performers they chose are masterful musicians at the top of their game. Every selection is lovely, each one unfolding after the other in a sublime slide show of exquisite compositions performed by legends. This is TWO CDs of sparkling performances composed and performed by masters. There is not a bad selection or a piece of inferior quality in the entire lot.

Tracks:

Carnival Of The Animals - Bruno Canino
Vocalise, Op.34 No.14 - Lynn Harrell
Thais - Julian Lloyd Webber
Adagio - Janos Starker
Apres Un Reve - Bruno Canino
Adagio - Julian Lloyd Webber
Ave Maria - Julian Lloyd Webber
Adagio - Julian Lloyd Webber
Traumerei (Dreaming) - Bruno Canino
Notturno: Andante - Julian Lloyd Webber
Sicilienne - Bruno Canino
An Die Musik, D547 - Bruno Canino
Reverie - Julian Lloyd Webber
Prayer - Bruno Canino
Ebben? Ne Andro Lontana - Bruno Canino
Salut D'amour, Op.12 - Bruno Canino
Valse Sentimentale, Op.15 No.6 - Samuel Sanders
Kol Nidrei, Op.47 - Julian Lloyd Webber

Tracks:

Air (Air On A G String) - Julian Lloyd Webber
Clair De Lune - Julian Lloyd Webber
Elegie, Op.24 - Jullian Lloyd Webber
Andante - Heinrich Schiff
Romance In D Minor, Op.62 - Julian Lloyd Webber
Beau Soir - Bruno Canino
Sicilienne, Op.78 - Bruno Canino
Panis Angelicus - Julian Lloyd Webber
Nocturne In E Flat Major, Op.9 No.2 - Julian Lloyd Webber
Cantabile - Samuel Sanders
Liebesleid - Samuel Sanders
Adagio Ma Non Troppo - Janos Starker
Bereuse - Julian Lloyd Webber
Cantilena - Julian Lloyd Webber
Melodie, Op.20 No.1 - Julian Lloyd Webber

Customer Reviews:

really like it.......2007-03-05

This is the first classical cd I have ever bought. The two-disc album was a great price. I really love the performance of Lynn Harrell. I like the collection of Adagios because they are perfect to fall asleep to or study to.

Average customer rating:

Perfect
Outstanding

Masters of the Bow

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B000060O2V
Release Date: 2002-03-19

Tracks:

Introduction And Rondo Capriccioso For Violin And Orchestra - Itzhak Perlman
Violin Concerto No.2 In D Minor, Op.22: Romance (Andante) - Gil Shaham
Zigeunerweisen, Op.20 - Ruggiero Ricci
Violin Concerto No.2 In B Minor, Op.7: Rondo A La Clochete 'La Campanella' - Salvatore Accardo
Thais: Meditation - Joshua Bell
Partita No.3 In E, BWV 1006: Preludio - Nathan Milstein
Partita No.3 In E, BWV 1006: Gavote And Rondo - Gidon Kremer
The Four Seasons: Concerto No.2 In G Minor, RV 269 'Summer': Presto - Pinchas Zukerman
Sonata No.4 In G Minor, Op.1 'The Devil's Trill' - Gil Shaham
Violin Sonata No.3 In D, Op.9 No.3: Tambourin (Presto) - Henryk Szeryng
Minuet In G, WoO 10 No.2 - Arthur Grumiaux
Songs Without Words: Spring Song, Op.62 No.6 - Christian Ferras
24 Caprices For Solo Violin: Caprice No.9 In E Major - Shlomo Mintz
24 Caprices For Solo Violin: Caprice No.17 In E-Flat Major - Ruggiero Ricci
24 Caprices For Solo Violin: Caprice No.24 In A Minor 'Tema Quas' - Salvatore Accardo

Tracks:

Violin Concerto In D, Op.35: Canzonetta (Andante) - Nathan Milstein
Polonaise No.1 In D, Op.4 - Leila Josefowicz
Ave Maria, D 839 - Christian Ferras
Hungarian Dance No.1 In G Minor - Samuel Sanders
Humoresque, Op.101 No.7 - Arthur Grumiaux
The Legend Of Tsar Saltan: Flight Of The Bumblebee - Henryk Szeryng
Hebrew Melody, Op.33 - Ruggiero Ricci
Salut D'amour, Op.12 - Phillip Moll
Waltz 'La Plus Que Lente' - Henryk Szeryng
Three Old Viennese Dances: Liebesfreud - Joshua Bell
Three Old Viennese Dances: Liebesleid - Phillip Moll
Baal Shem: Nigun - Arthur Grumiaux
Berceuse, Op.16 - Anne-Sophie Mutter
Tzigane - Concert Rhapsody For Violin And Piano - Gerhard Oppitz
Danzas Espanola, Op.37: Andaluza (Dance No.5) - Arthur Grumiaux
Hora Staccato - Christian Ferras
Six Romanian Folk Dances, Op.Sz 56 - Henryk Szeryng

Customer Reviews:

Perfect.......2005-02-15

I love classical music but I dont own very much of it, so I thought I would start my collection with Masters of the Bow. What a beautiful selection it was. I just love the sound of a Violin, Joshua Bell is my favorite,I would love to hear more from him. This collection really helps you get to know the masters. Lovely Lovely!

Outstanding.......2004-08-17

I love the violin and this collection is one of my favorites. A great choice for someone like me who doesn't know enough about music and never knows what to buy. It has introduced me to some artists and pieces that I knew nothing about and will help me know what to look for in violin music in the future. This is my favorite but I would also recommend The Cello and Voice CDs in the "Masters of" series. I can't wait for more in this series.

Average customer rating:

A regular listener's impression
VIOLIN
Everything remembered and wanted on strings
Absolutely Wonderful

Violin for Relaxation

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004SSEC
Release Date: 2000-05-16

Tracks:

Meditation - Philharmonia Orchestra
Vocalise
Violin Concerto No.5 In A, K.219 II: Adagio
Nana
The Lark Ascending - Philharmonia Orchestra
En Bateau
Aka-Tonbo
Violin Concerto In E Minor, Op.64 II. Andante
Double Concerto In D Minor, BWV 1043 II: Largo ma non tanto
Sicilienne
Salut d'amour, Op.12
Praise To The Immortality Of Jesus

Customer Reviews:

A regular listener's impression.......2006-03-24

I am not an expert in classical music, but have always loved the string instruments. I bought this CD for relaxation (as the title implies) and to help me focus on writing a thesis. I was torn between this CD and the Cello for Relaxation. I am pleased with my choice. My favorites are track #2 and #10 (listen to the samples through Amazon) - I usually play these two on repeat. My least favorite is track #7 because it sounds like a piano dominated movie soundtrack.
Although I wish I could have exchanged some of the tracks for others, I think this CD was worth the money and is a nice mix for those of us who don't know specific composers by name or who want a good sampling.

VIOLIN.......2005-09-10

The selection of music was a good mix and pleasant in listening to them.

The choice of orchestras and conductors are also very well selected offering very good variety in the similar music mood.

My two long time favourites "Meditation" and "Salut d'amour" were very well played in the right tempo and instrumental arrangement.

The recording quality is good offering both clarity and defination in the recording.

Everything remembered and wanted on strings.......2003-10-16

To me, it is an extraordinary combination demonstarting the old world beauty and timeless artistry of the violin.

It will take you back to everything good remembered, and forward to everything good ahead of us.

Absolutely Wonderful.......2000-06-16

The music on this cd is so beautiful. It is perfect to listen to when you want to relax.

Average customer rating:

Great Guitars
A good mix
Great music CD collection for guitar music listeners
This is a really good choice for your morning music CD
Great music played by great musicians

Mad About Guitars

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

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ASIN: B000001GKH
Release Date: 1993-07-13

Tracks:

Cavatina
Granada
Spanish Dance No. 5
Romance D'Amour
Fantasia For A Gentleman: Adagio
Fantasia For A Gentleman: Danza de las hachas
Malaguena
La Filla Del Marxant
The Three Cornered Hat: The Miller's Dance
Recuerdos de la Alhambra: Andante
Sonata: Presto
Concierto de Aranjuez: Adagio
Concierto de Aranjuez: Allegro gentile
Portrait
Sonata, K. 322: Allegro
Greensleeves
Georgia On My Mind
Fugue In G Minor - Bach

Customer Reviews:

Great Guitars.......2007-03-28

A really spectacular show of top guitarists in famous works
I enjoy it often and it inspires me when I write my columns

Leo Blok
(Journalist from the Netherlands)

A good mix.......2006-11-11

A good collection for someone fairly new to classical guitar. I have over 300 guitar recordings, but I still enjoyed this CD - a good one on the road, for example. Nice pieces and performances.

Great music CD collection for guitar music listeners.......2002-03-15

I really understand that there's no music CD could fulfill our satisfaction of music. But it does. I can find most of my favorite guitar classical songs here, and it's very nice listening them: Cavatina (from the Deer Hunter), Romance D'Amour, Recuerdos de la Alhambra, etc. I have several favorites not included in this album: Capricho Arabe-Lagrima-Adelita, and lucky me I have them on my other CDs. Go get this CD!! By buying this 1 CD, you'll have more than half of classical guitars you've ever wanted!

This is a really good choice for your morning music CD.......2001-11-08

There is something about classical guitar that is just so appropriate to background morning music as "Mad About Guitars" will quickly prove to you. Like most people, I am not overly familiar with classical guitar pieces; once you get past "Granada" I certainly could not name another work that I would expect to hear on such an album. The only other familiar pieces are "Greensleeves" and "Georgia on My Mind," and, yes, now that I think of it "Greensleeves" is a guitar piece, but then this album concludes with Bach's Fugue in G. So this collection is certainly going to broaden your horizons in terms of classical guitar. You will also come away with a great appreciation for Giran Sillscher, who plays the guitar on two-thirds of the selections. In fact, "Portrait," was written for Sillscher by Stanley Myers, which is certainly a nice testimonial to his skill. If you have a CD player in your alarm clock, this is an excellent choice for finding a happy home therein.

Great music played by great musicians.......2000-03-20

I think this CD is the best compilation of classical guitar music that's out there. Deutsche Grammophon has done a great job of picking the best pieces and the best players. Buy this CD!

Susan Graham ~ Berlioz - Les nuits d'été

Average customer rating:

At its best as pure singing, but a little short emotionally
A concerto for voice. Bravo!
Prime Berlioz from two most gifted advocates
A Berlioz singer to treasure
The greatest "Nuits d'Ete" on record!

Susan Graham ~ Berlioz - Les nuits d'été
Hector Berlioz , John Nelson , Susan Graham , and Orchestra of the Royal Opera House
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
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ASIN: B0000029U0
Release Date: 1997-07-15

Tracks:

Les nuits d', Op. 7: I. villanelle
Les nuits d', Op. 7: II. le spectre de la rose
Les nuits d', Op. 7: III. sur les lagunes: lamento
Les nuits d', Op. 7: IV. Absence
Les nuits d', Op. 7: V. au cimeti re : clair de lune
Les nuits d', Op. 7: VI. l'ile inconnue
La Damnation De Faust, Op. 24: (d'amour l'ardente flamme) (Romance)
Benvenuto Cellini: (mais qu'ai-je donc?) (Air)
Les Troyens: (Ah ! Ah ! je vais mourir) (Monologue)
Les Troyens: (adieu, fiere cite) (Air)
Brice et Bdict: (dieu! que viens-je d'entendre?) (Air)

Amazon.com

On casual listen, Graham can seem like yet another pretty voice. And it is extremely pretty. But there's an intelligence and learnedness that can only make her more interesting as time goes on. As is, her performances are slightly undercooked, though there are some moments during Les Nuits d'été as passionate and committed as one could want. The arias added to fill out the disc aren't heard in optimal performances, but show what riches lie in Berlioz's neglected operatic output, namely Ascanio's lighthearted aria from Benvenuto Cellini and the long soliloquy from Beatrice and Benedict. --David Patrick Stearns

Customer Reviews:

At its best as pure singing, but a little short emotionally.......2007-02-15

Generally I take David Hurwitz to be more a comedian than a critic, but he's on to something about mezzo Susan Graham's interpretations being "undercooked," if by that he means emotionally cool. Her Nuits d'Ete is impeccably sung--one can hardly imagine anyone else who possesses such perfect vocal technique in this music--but I wasn't very moved. Perhaps it's John Nelson's bland conducting, but the two of them move gracefully over the surface without penetrating into Berlioz's deeper feelings. The lesser-known inner songs, which are consistently melancholy, come off best; Graham really seems to give us the poetry with a full heart. If anyone strongly disagrees, I am happy to concede how wonderful Graham is, but I've always been touched by these songs as sung by de los Angeles, Janet Baker, Leontyne Price, and ohters. Not here. No matter how well you control your tone and phrasing, Berlioz needs passionate outbursts and real spontaneity. (For what it's worth, I had the same impression recently hearing Graham sing the cycle with Tilson Thomas and the San Francisco Sym., where she displayed, if anything, greater control and beauty of voice than even on this CD.)

At just over 60 min., this isn't the most generous recital, but the fillers are very well done. Nelson remains careful and bland, which doesn't help, D'amour l'ardente flamme needs more poignancy from all concerned, but Graham has lots of stage experience with Beatrice and Benedict, so that aria comes off well. It's not reasonable to say that anything here doesn't, but when Dido sings her death aria, I don't hear any dramatic stretch--Graham is applying the same middle-of-the-road pathos that gets applied almost everywhere else.

A concerto for voice. Bravo!.......2006-05-16

Berlioz' 'Les Nuit's D'ete' and other pieces for the soprano voice, performed by Susan Graham, is one of my favorite CD's of female operatic / chamber song pieces, even though Ms. Graham is not as familiar to me as Renee Fleming or Anne Sophie von Otter.

Ms. Graham's collaboration with John Nelson directing the Orchestra of the Royal Opera House on the six songs based on poems by Theophile Gautier seem almost to be a concerto for soprano and orchestra, so well does Ms. Graham's voice fit into the orchesteral accompanyment.

The four pieces rounding out the 61 minutes on the disk are arias from four of Berlioz' operas, which seamlessly blend in with the title sextet of songs.

My French is weak, so there is little of the actual lyrics I understand without the translation, but you don't really need it to appreciate the musical talent on display here.

While I have not heard many other versions of this Berlioz song cycle, Graham's rendition is certainly the best in my experience.

Very enjoyable.

Prime Berlioz from two most gifted advocates.......2005-07-09

Berlioz' song-cycle Les nuits d'ete has been deservedly fortunate in its representation on CD. With recordings by Crespin, Veronique Gens, Susan Graham, and Anne Sophie von Otter all top-flight musically and well-recorded, choice will be a matter of personal taste. I find Graham and Gens jostling most gracefully for my own affections. I have seen a criticism of Graham's disc to the effect that the voice tends to blanket the orchestra and obscure detail. I disagree. The balance is convincing and the sonics exceptional in their revelation of Berlioz' intoxicating orchestration. Moreover, in John Nelson Graham has, in my estimation, a successor to Monteux and Munch as monarch among Berlioz conductors. (Nelson's recording of Benvenuto Cellini, for instance, represents a huge advance over the pioneering Philips version.) Graham amazes not only with the beauty of her sound but with her uncanny empathy with the French esthetic, a rarity among American singers. I'm sorry but it's true; hard trying just won't do it. The disc includes arias from Berlioz' Faust, Cellini, Beatrice, and Troyens, all splendid. Particularly moving is Didon's farewell to Carthage from Les Troyens ("Adieu, fiere cite"); sampling that should let you know if this disc is for you. Since the Gens disc is completed by yet other Berlioz, three songs plus La mort de Cleopatre, you have a ready excuse for duplicating Les nuits, if your shelves can stand it.

-Frank W. Barham

A Berlioz singer to treasure.......2003-10-12

I have taken a long time to get round to obtaining this recording. I noticed the other day that Graham is listed to sing her first Didon in the next couple of years. Not her first staged Berlioz, but probably the biggest single challenge for a soloist in this particular repertoire. It was for the opera arias, rather than the songs, that I wished to have this record.

But the song cycle is truly a knockout. These songs have long been a favourite, and just about every singer I can think of has had a go at them. Recent stand-out performances include Cecilia Bartoli, Ann Murray and, on record, Veronique Gens. The beauty of Berlioz is that the range and orchestration he uses, as well as the sheer potential for interpreting the lines, allows many different kinds of singer to tackle his work. Graham has perhaps the ideal Berlioz voice these days - a soprano-ish mezzo, with dark, brooding tone that can bloom into bright, sunny lines without strain. She is a really intelligent, thinking singer who uses words to colour the sound. Her partnership here with John Nelson is highly fruitful, and makes for a modern classic (to puit on the shelf with Norman, Gorr and Crespin, naturally).

No disappointments in the opera numbers either. Anyone who has heard her work in operetta (some lovely records out just recently, in fact) will recognise the sexy, teasing quality she brings to Benedict and to the Cellini number. Back on the tragic side of the coin, her Marguerite is suitably overwrought and the sense of regret she brings to the number is palpable. Dido is the pick of the bunch - rightly - and the combination of robust, furious tone and serene rememberance of her "nuit d'ivresse" is heart-stopping.

So - time to record Les Troyens with Graham, I believe. Not very sure who else would feature on this "Fantasy Recording" - answers on a postcard, please!

The greatest "Nuits d'Ete" on record!.......2002-09-01

I have been listening to Berlioz' song cycle for nearly thirty years, and have heard most of the famous recordings: Teyte, Danco, de los Angeles, Steber, Janet Baker, Jessye Norman et al. Formerly, it was only Baker who penetrated the poetry of the lyrics...the "old" French style was to simply sing in a straightforward manner with no particular inflection, a style that Teyte and Danco worked to perfection. But the advent of such "chanson" singers as Gerard Souzay, Regine Crespin and Gabriel Bacquier changed all that, their approach was more specifically poetic. That is the approach that Graham uses here, and I find that it works beautifully.

Only in "Villannelle" does one hear the simple, straightforward style of Teyte or Danco. Almost immediately, in "Le Spectre de la Rose," one is hit with the meaning and feeling of Gautier's poetry...and one is literally swept away in the passionate performance of Graham and her conductor, John Nelson. I agree with the reviewer who said that the orchestra is somewhat recessed in sound, but Nelson brings out so many felicitous details that it inevitably doesn't matter....and, unlike Baker, Graham is a mezzo-soprano who can sing "Nuits d'Ete" in the original key, adding a soprano luster and sweep to her performances....and the opera arias are equally well sung. Highly recommended!!

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