Schubert: Die Schöne Müllerin, 3 Lieder / Fritz Wunderlich

Editorial Reviews
Amazon.com
Despite his premature death at age 35, Fritz Wunderlich was one of the great lyric tenors of the century, equally at home with Mozart's Magic Flute and Mahler's Das Lied von der Erde. Why, then, does Schubert's great song cycle about disappointed love so often elude him? Though he brings his usual vocal splendor and gratifying lyricism to the music in ways that few tenors can dream of, both Wunderlich and his accompanist have a strangely club-footed sense of rhythm. What should often be an intimate expression is extroverted and even labored. --David Patrick Stearns

Schubert: Die Schöne Müllerin, 3 Lieder / Fritz Wunderlich, Music, Schubert, Wunderlich, Giesen, Classical, Classical Composers, Classical Music
Schubert: Die Schöne Müllerin, 3 Lieder / Fritz Wunderlich
Average customer rating: 4.5 out of 5 stars
  • Simple and direct singing, great voice
  • Highly-captivating singing, if not the greatest interpretation.
  • Fritz and "Die schoene Muellerin"
  • Wonderful interpretation of these songs
  • Great? Not Really....
 Schubert: Die Schöne Müllerin, 3 Lieder / Fritz Wunderlich

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Schumann: Dichterliebe / Wunderlich, Giesen
  2. Fritz Wunderlich: Great German Tenor
  3. Very Best of
  4. The Magic of Wunderlich [Includes Bonus DVD]
  5. The Art of Fritz Wunderlich

ASIN: B000001GR2
Release Date: 1996-09-17

Tracks:

  1. Die schone Mullerin: Das Wandern
  2. Die schone Mullerin: Wohin?
  3. Die schone Mullerin: Halt!
  4. Die schone Mullerin: Danksagung an den Bach
  5. Die schone Mullerin: Am Feierabend
  6. Die schone Mullerin: Der Neugierige
  7. Die schone Mullerin: Ungeduld
  8. Die schone Mullerin: Morgengruss
  9. Die schone Mullerin: Des M Blumen
  10. Die schone Mullerin: Trnregen
  11. Die schone Mullerin: Mein!
  12. Die schone Mullerin: Pause
  13. Die schone Mullerin: Mit dem grautenbande
  14. Die schone Mullerin: Der Jr
  15. Die schone Mullerin: Eifersucht und Stolz
  16. Die schone Mullerin: Die liebe Farbe
  17. Die schone Mullerin: Die bFarbe
  18. Die schone Mullerin: Trockne Blumen
  19. Die schone Mullerin: Der Mund der Bach
  20. Die schone Mullerin: Des Baches Wiegenlied
  21. Die Forelle D 550: The Trout
  22. Fruhlingsglaube D 686: Springtime Credo
  23. Heidenroslein: Wild Rose

Amazon.com

Despite his premature death at age 35, Fritz Wunderlich was one of the great lyric tenors of the century, equally at home with Mozart's Magic Flute and Mahler's Das Lied von der Erde. Why, then, does Schubert's great song cycle about disappointed love so often elude him? Though he brings his usual vocal splendor and gratifying lyricism to the music in ways that few tenors can dream of, both Wunderlich and his accompanist have a strangely club-footed sense of rhythm. What should often be an intimate expression is extroverted and even labored. --David Patrick Stearns

Customer Reviews:

5 out of 5 stars Simple and direct singing, great voice.......2007-06-18

Wunderlich had one of the great voices and he is in fine form here. His approach is simple and direct. That is wrong in Schubert? Maybe not quite up to the Fischer-Dieskau/Moore set but a great recording.

4 out of 5 stars Highly-captivating singing, if not the greatest interpretation........2007-03-06

Fritz Wunderlich left the classical world young - barely 36.
He owned a lyrical tenor voice that the world still strives to find since his death over 40 years ago.
Having said that, I think Fritz's best performances lie in operas rather than lieder.
He is a first-rate song interpretor, no doubt, but if compared to his opera I think he is more of a dramatic type than reflective type, and for lieder singing, this is not an all-out advantageous trait.
Schubert's song cycles are inevitably melancholy to certain extents. The emotions depicted are often diverse. While Wunderlich maintained beauty of tone to the utmost in all the songs, the emotional side is less diverse than would be preferred.
Even so, the recording is still very high in singing standard, and even one who has never heard of Schubert, never heard of Wunderlich, never known opera, would be captivated by the sheer musicality displayed in this recording.
It's amazing.

4 out of 5 stars Fritz and "Die schoene Muellerin".......2007-02-28

Fritz was the greatest lyric tenor of all time, however, this recording lacks the feeling of impetuous youth, anger, jealousy,naivitee, etc.. There is a recording of this work that is also interesting from the point of youthful impetuousness and is to be found at the University of North Texas with protagonists, David Sundquist and Harold Heiberg, made in 1993.

5 out of 5 stars Wonderful interpretation of these songs.......2006-11-10

It's too bad that so few people have been introduced to the art of Fritz Wunderlich, because he was one of the best singers of Lieder I've ever heard, including Fischer-Dieskau. He interprets each song in a uniquely appropriate way, adding a totally new dimension to each one.

Most of us have heard this song cycle before, but if you haven't heard Wunderlich do it, you should buy this CD anyway.

2 out of 5 stars Great? Not Really...........2006-01-29


Wunderlich was a great lieder singer, and he did record a brilliant version of Die Schone Mullerin. But this isn't it.

This version is loud and course. The recording is boom-y when it should be intimate. The pianist takes everything too slowly, loses the driving force and the musical thread, and inserts a disruptive ritardando just about every other phrase.

The great recording of this cycle by Wunderlich used to be on Nonesuch. The pianist was Kurt Heinz Stolze. And it's a wonder of musicianship and drama. The rhythms are driving without being pounding. The sound is intimate and lyrical. Everything moves forward. Subtle changes in speed and volume help tell the story. The accompaniment makes both a springboard and a fabric which supports Wunderlich as he embroiders it--to mix metaphors.

God only knows where that other recording got to. Probably something about the distribution rights has it mired in a legal limbo. I've seen the CD advertised--on Amazon, even--but I've never seen it in the flesh.

Given DG's enormous industrial power, they, of course, have been able to put over the idea that this recording is the standard bearer.

Don't believe the hype.

This is the phony.
Erlkönig: The Art of the Lied
Average customer rating: 5 out of 5 stars
  • The Leading Singers Of Lieder
  • Fabulous Recording, Tremendous Student Resource!
  • Almost Perfect
  • Gorgeous Performances of Great Music -- and More
 Erlkönig: The Art of the Lied

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B00003ZA65
Release Date: 2000-08-08

Tracks:

  1. Erlkonig D 328 - Dietrich Fischer-Dieskau, Baritone
  2. Horch, horch, die Lerch': Standchen D 889 - Dietrich Fischer-Dieskau, Baritone
  3. Geheimes D 719 - Dietrich Fischer-Dieskau, Baritone
  4. Uber allen Gipfeln: Warnders Nachtlied II D 768 - Dietrich Fischer-Dieskau, Baritone
  5. Heidenroslein D 257 - Fritz Wunderlich, Tenor
  6. An die Musik D 547 - Fritz Wunderlich, Tenor
  7. Die schone Mullerlin: 1. Das Wandern - Fritz Wunderlich, Tenor
  8. Die schone Mullerlin: 7. Ungeduld - Fritz Wunderlich, Tenor
  9. Die Forelle D 550 - Fritz Wunderlich, Tenor
  10. Gretchen am Spinnrade D 118 - Christa Ludwig
  11. Der Tod und das Madchen - Christa Ludwig
  12. Lachen und Weinen - Christa Ludwig
  13. Fruhlingsglaube - Christa Ludwig
  14. Des Knaben Wunderhorn: Liederalbum fur die Jugend op. 70: 14. Marienwurmchen - Christoph Eschenbach
  15. Myrten op. 25: 3. Der Nussbaum - Christoph Eschenbach
  16. Myrten op. 25: 7. Die Lotosblume - Christoph Eschenbach
  17. Myrten op. 25: 24. Du bist wie eine Blume - Christoph Eschenbach
  18. Liederkreis op. 39: 5. Mondnacht - Christoph Eschenbach
  19. Liederkreis op. 39: 12. Fruhlingsnacht - Christoph Eschenbach
  20. Dichterliebe op. 48: 1. Im wunderschoen Monat Mai - Fritz Wunderlich
  21. Dichterliebe op. 48: 2. Aus meinen Tranen spriessen - Fritz Wunderlich
  22. Dichterliebe op. 48: 7. Ich grolle nicht - Fritz Wunderlich
  23. Liebestreu op 3 Nr. 1 - Daniel Barenboim
  24. Der Schmied op. 19 Nr. 4 - Daniel Barenboim
  25. Des Liebsten Schwur op. 69 Mr. 4 - Daniel Barenboim
  26. Sapphische Ode op. 94 Mr. 4 - Daniel Barenboim
  27. Therese op. 86 Mr. 1 - Johannes Brahms
  28. Vergebliches Standchen op 84 Nr. 4 - Daniel Barenboim

Amazon.com

This record is a jewel box: wherever you open it, you find precious gems and pearls. The program includes the greatest songs in the literature; although they are familiar, you cannot hear them often enough. Four singers who not only possess some of the most beautiful voices of our time, but also are among the foremost interpreters of this repertoire, perform these songs. The recordings, originally made between the 1960s and 1980s, capture the singers at their incomparable peak; the differences between their vocal and interpretive styles add greatly to the disc's fascination. Dietrich Fischer-Dieskau's technique and breath control are incredible; he can brighten and darken his voice; his pianissimo floats, his climaxes ring. Always famous for his intellectual approach and for giving equal attention to poetry and music, Fischer-Dieskau sings here unusually spontaneously and free of "word-painting." Fritz Wunderlich's voice has a uniquely melting, yearning lyricism and a radiant, soaring top; his expression is simple and direct. He subtly changes tempo and vocal color for contrast in the strophic Schubert songs, and makes Schumann's "Ich grolle nicht" sound unrelentingly angry--contradicting the text, but following the musical feeling. Christa Ludwig brings out the character and mood of each song, and sings with great inwardness and intensity; her voice is dark, warm, and variable, her pacing perfect. Jessye Norman's diction is no less admirable than the German singers', and her voice is simply glorious. She knows exactly how to use its infinite color and variation--its thrilling, luminous glow, and intense expressiveness--as an interpretive tool, and makes it converse, caress, demand, exult, smile, and laugh. The pianists, two of whom are eminent conductors, are absolutely marvelous. --Edith Eisler

Customer Reviews:

5 out of 5 stars The Leading Singers Of Lieder.......2005-10-26

This is THE album to own if you are a huge fan of German Lieder. It is a lengthy compilation of the most renowed Lieder that is still sung in recital today. The featured artists are the world's greastest German Lieder singers. The title refers to the Schubert song about the dreaded Elf King who manages to take a young boy's life as he hallucinates on a horse ride and dies in his father's arms. Other songs are taken from Goethe poems and others are about nature and aspects of love. It is remarkable set and you should praise God that this album is still in print.

German Lieder or "art song" was a musical innovation in the 19th century. It was invented by Franz Schubert and continued in the works of Brahms and Mahler. This recording is a box set that is pretty pricy but worth every cent. It features four leading exponents of German art song- baritone Dietrich Fischer Dieskau, tenor Fritz Wunderlich, mezzo soprano Christa Ludwig and soprano Jessye Norman. Dieskau is still hailed as the most versatile and most intellectual baritone of his time- the 60's. He sang a variety of roles in opera- Scarpia, Don Giovanni, etc. His voice is dramatic, flexible, powerful and moving. He can color his voice in Lieder to emphasize the dramatic texts. In Die Erlkoning he is both the voice of the anguished father and the dying, hallucinating, fragile boy. He darkens his voice to sound like the father, softens his voice to sound like the child and makes an eerie nearly falsetto voice for the evil Elf King. In other songs, he oozes elegance, masculinity and romance. He phrases each line with orutund, rich, vigorous, a tad meldoramatic but integral, effective tones to capture the spirit of each Lied. He is forever the Wanderer, the Fisherman in Die Forelle and the voice that even Schubert must have envisioned. Dieskau is unfortunately, mostly famous for these songs and his operatic roles are not very well-received. This was quite a shame because he was excellent in both Lied and opera.

Fritz Wunderlich, next to the darker, heftier voice of Dieskau, sounds like a prince. He has a beautiful ring to his voice, and his pianissimi are to die for. His is a charming voice and this is the point of singing Lieder to sound charming and to seduce the listener into a world of color and vocal painting. Wunderlich darkens his voice at times to potray anger. Opposite his tenor voice is the sultry, generously endowed mezzo soprano Christa Ludwig. Hers is a voice of pure spirituality. She makes the songs sound like sacred pieces. Ludwig enjoyed a fine career in opera - Adalgisa, Brangane in Tristan and Isolde,the witch in Hansel and Gretel, operetta, and the bigger roles like a superb Leonore in Fidelio. Equally spiritual but far more dramatic is Jessye Norman's huge, soaring voice. She accomplished a recital career long before taking on big opera roles like Carmen, Leonore in Fidelio, Salome, Ariadne of Naxos and others. She sings great Gospel and sacred music. Her command of the German tongue is commendable. She produces big but beautiful sounds. She can convey many emotions and she knows this music and loves this music. Kudos for the record label that issued this album.

5 out of 5 stars Fabulous Recording, Tremendous Student Resource!.......2003-02-07

"Erlkonig - The Art of the Lied" is a fabulous compilation of perhaps the best recordings ever made of the most famous lied ever written. Dietrich Fischer-Diskau, Fritz Wunderlich, and Jessye Norman offer impeccable interpretations of their selected songs. I must differ, however, with another reviewer on the quality of Jessye Norman's singing represented on this CD: it is splendid! It is the tracks recorded by Christa Ludwig which can be hooty and pitch-approximate, especially "Gretchen am Spinnrade." But, all-in-all, the CD is still 5-star. Apart from purchasing Fischer-Diskau's complete recordings of Schubert's lied (which can cost hundreds of dollars!), this is the best representation of German Lied out there.
But, there's more! This special CD, "CD-pluscore", if played on a PC displays the songs as the artists sing them. This is a tremendous tool for the student of singing. The artist's musical interpretation can be studied. Passages can be repeated to aid more rapid learning. The music is actually seen to help improve musical literacy, even if only rhythmically as the piece scrolls through. Just check it out!
"Erlkonig - The Art of the Lied" stands among the best as a top-flight recording. In addition, it offers its listeners a deeper and possibly more rewarding experience with its "CD-pluscore" feature. I give it my highest recommendation! I have visited the Deutsche Grammaphon website and they list 12 "CD-pluscore" recordings. I would suspect they are all of the same quality as Erlkonig. I have just ordered two of them through Amazon.

4 out of 5 stars Almost Perfect.......2002-01-23

This is indeed an excellent collection of German Lieder, featuring three astounding interpreters of the repertoire. However, the fourth interpreter, the sometimes-great Jessye Norman leaves a bit to be desired. She does have an excellent sound and good delivery, but some of her trademark barking shows up in a couple of Brahms characteristically mellow pieces (one cannot sing Brahms as if it is Shoenberg). That is really my only complaint.

But that is no reason not to buy this CD. Fritz Wunderlich's extremely uptempo interpretation of the crowd-pleasing "Ich grolle nicht" alone is worth half the price of the CD, and the other half is more than compensated for by Dietrich Fischer-Dieskau's incomparable performance of Schubert's "Erlkonig", the disc's namesake. Other highlights from these two singers are Wunderlich's subtle, sublime "An die Musik," and Fischer-Dieskau's playful "Marienwurmchen"

Christa Ludwig's beautiful soprano soars in her interpretations of Schubert, particularly "Gretchen am spinnrade" and "Lachen und Weinen." Her delivery is nearly flawless, and even my mother (who hates sopranos for some reason or another) enjoys listening to her singing.

I would HIGHLY suggest buying this CD if you are studying voice. If you are, you will undoubtedly be studying several of the pieces featured here, and the immaculate renditions presented on this disc will undoubtedly be of great use to you.

5 out of 5 stars Gorgeous Performances of Great Music -- and More.......2000-12-07

This compilation of 19th-century art songs from Germany -- Lieder to the initiate -- would be a treasure even if all it contained were the marvelous performances of these little gems taken from the DG back-catalog, with great artists like Fischer-Dieskau and Jessye Norman present. But besides that, it is also a CD-ROM (at least MY copy is) containing editable sheet music for these selections, translations and notes on the composers, and interactive features that will be especially useful to students and singers. This new feature, called CD-pluscore, may also appeal to ordinary listeners who'd like to go just a bit deeper in their understanding of this music.
Gluck: Iphigenie auf Tauris
Average customer rating: Not rated
    		Gluck: Iphigenie auf Tauris

    Manufacturer: Myto Records Italy
    ProductGroup: Music
    Binding: Audio CD

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    GermanGerman | Languages | Opera & Vocal | Styles | Music
    ASIN: B000001MIQ
    Release Date: 1992-09-04

    Tracks:

    1. Erster Aufzug: Ihr Gotter, Besanftigt Euch Wider! - Sena Jurinac/Chor Und SO Des Bayerischen Rundfunks
    2. Erster Aufzug: Ich Sah In Dieser Nacht - Sena Jurinac
    3. Erster Aufzug: Grausame Nacht, - Sena Jurinac/Chor Und SO Des Bayerischen Rundfunks
    4. Erster Aufzug: O Du, Die Mir Das Leben Gab, - Sena Jurinac
    5. Erster Aufzug: Lasst Denn Der Himmel Nimmermehr - Chor Und SO Des Bayerischen Rundfunks
    6. Erster Aufzug: Auf Jeden Schritt Folgt Mir - Kieth Engen/Sena Jurinac
    7. Erster Aufzug: Wie Bittre Ahnung Mir - Kieth Engen
    8. Erster Aufzug: Besanftigt Ist Der Gotter Wut, - Kieth Engen/Sena Jurinac/Karl Kreille/Chor Und SO Des Bayerischen Rundfunks
    9. Erster Aufzug: Ballet - Ballet
    10. Erster Aufzug: Elende, Welch Geschick Hat Euch - Kieth Engen/Fritz Wunderlich/Hermann Prey/Chor Und SO Des Bayerischen Rundfunks
    11. Zweiter Aufzug: Wie Schaurig Still Ist Hier! - Froitz Wunderlich/Hermann Prey
    12. Zweiter Aufzug: Ihr, Die Ihr Mich Verfolgt, - Hermann Prey
    13. Zweiter Aufzug: Warum Beleidigst Du Den Freund - Hermann Prey
    14. Zweiter Aufzug: Nur Einen Wunsch, Nur Ein Verlangen - Hermann Prey
    15. Zweiter Aufzug: Elende Fremdlinge, Getrennet - Aufseher/Fritz Wunderlich/Hermann Pray
    16. Zweiter Aufzug: Der Frieden Kehret In Mein Herz! - Hermann Prey
    17. Zweiter Aufzug: Pantomome, Chor Und Tanz - Chor Und Tanz
    18. Zweiter Aufzug: Lasst Die Natur Uns Rachen - Hermann Prey/Chor Und SO Des Bayerischen Rundfunks
    19. Zweiter Aufzug: Dich Sehen, Schrecken Muss Dir - Sena Jurinac/Hermann Prey/Chor Und SO Des Bayerischen Rundfunks
    20. Zweiter Aufzug: O Lasst Mich Tiefgebeugte Weinen! - Sena Jurinac/Chor Und SO Des Bayerischen Rundfunks
    21. Dritter Aufzug: Es Sei So, Wie Ihr Wollt. - Sena Jurinac
    22. Dritter Aufzug: O Sein Bild, Zu Fest Gebunden - Sena Jurinac
    23. Dritter Aufzug: Hier Siehst Du Sie, Die Elenden. - Marjorie Heistermann/Erika Ruggeberg/Sena Jurinac/Hermann Prey/Fritz Wunderlich
    24. Dritter Aufzug: Jedoch Des Thoas Wut - Sena Jurinac/Fritz Wunderlich/Hermann Prey
    25. Dritter Aufzug: Doch Zwingt Mich Harte Pflicht - Sena Jurinac/Fritz Wunderlich/Hermann Prey
    26. Dritter Aufzug: Erweich, O Gott, Sein Herz, - Hermann Prey/Fritz Wunderlich
    27. Dritter Aufzug: Wie? Diese Grausamkeit, - Hermann Prey/Fritz Wunderlich

    Tracks:

    1. Dritter Aufzug: O Mein Orest, Hab Mitleid - Fritz Wunderlich/Hermann Prey
    2. Dritter Aufzug: Trotz Deiner Grausamkeit - Fritz Wunderlich/Hermann Prey/Sena Jurinac
    3. Dritter Aufzug: Wie? Immer Bist Du Taub - Hermann Prey/Sena Jurinac
    4. Dritter Aufzug: Weil Nun Der Himmel - Sena Jurinac/Fritz Wunderlich
    5. Dritter Aufzug: O Gottheit! Du, Den Edlen Teuer, - Fritz Wunderlich
    6. Vierter Aufzug: Nein, Die Brabar'sche Pflicht - Sena Jurinac
    7. Vierter Aufzug: O Siehe, Gottin, Unsre Tranen, - Chor Und SO Des Bayerischen Rundfunks
    8. Vierter Aufzug: Mir Schwindet Alle Kraft! - Sena Jurinac/Hermann Prey
    9. Vierter Aufzug: Keusche Tochter Der Latone, - Chor Und SO Des Bayerischen Rundfunks
    10. Vierter Aufzug: Welch Ein Augenblick! - Sena Jurinac/Hermann Prey/Chor Und SO Des Bayerischen Rundfunks
    11. Vierter Aufzug: Ha, Deine List, - Kieth Engen/Sena Jurinac/Hermann Prey/Fritz Wunderlich/Antonia Fahberg
    12. Vierter Aufzug: Sie Deine Schwester, Freund? - Fritz Wunderlich/Hermann Prey
    13. Vierter Aufzug: Versagt War Lang Uns Das Gluck, - Chor Und SO Des Bayerischen Rundfunks
    14. Dichterliebe Op.48: Im Wunderschonen Monat Mai - Fritz Wunderlich
    15. Dichterliebe Op.48: Aus Meinen Tranen Spriessen - Fritz Wunderlich
    16. Dichterliebe Op.48: Die Rose, Die Lilie, Die Taube, - Fritz Wunderlich
    17. Dichterliebe Op.48: Wenn Ich Deine Augen Seh' - Fritz Wunderlich
    18. Dichterliebe Op.48: Ich Will Meine Seele Tauchen - Fritz Wunderlich
    19. Dichterliebe Op.48: Im Rhein, Im Helligen Strome, - Fritz Wunderlich
    20. Dichterliebe Op.48: Ich Grolle Nicht, - Fritz Wunderlich
    21. Dichterliebe Op.48: Und Wussten's Die Blumen - Fritz Wunderlich
    22. Dichterliebe Op.48: Das Ist Ein Floten Und Geigen, - Fritz Wunderlich
    23. Dichterliebe Op.48: Hor Ich Das Liedchen Klingen, - Fritz Wunderlich
    24. Dichterliebe Op.48: Ein Jungling Liebt Ein Madchen, - Fritz Wunderlich
    25. Dichterliebe Op.48: Am Leuchtenden Sonnenmorgen - Fritz Wunderlich
    26. Dichterliebe Op.48: Ich Hab' Im Traum Geweinet, - Fritz Wunderlich
    27. Dichterliebe Op.48: Allnachtlich Im Traume Seh' Ich Dich, - Fritz Wunderlich
    28. Dichterliebe Op.48: Aus Alten Marchen Winkt Es - Fritz Wunderlich
    29. Dichterliebe Op.48: Die Alten, Bosen Lieder, - Fritz Wunderlich
    30. Nachtstuck Op.36 No.2 - Fritz Wunderlich
    31. An Die Laute Op.81 No.2 - Fritz Wunderlich
    32. Lied Eines Schiffers An Die Dioskuren Op.65 No.1 - Fritz Wunderlich
    33. An Silvia Op.106 No.4 - Fritz Wunderlich
    34. Der Musensohn Op.92 No.1 - Fritz Wunderlich
    35. Ungeduld Op.25 No.7 - Fritz Wunderlich

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