Sallie Chisum Remembers Billy the Kid

Editorial Reviews
Amazon.com
Though American, Barbara Bonney has spent most of her career in Europe and, up until recently, never saw the need to sing in English. But this collection is entirely in English, featuring the title piece written for her by Previn--sort of a tone poem for voice, nice but not great--plus Samuel Barber's more familiar Hermit Songs, Dominick Argento's Six Elizabethan Songs and Aaron Copland's Twelve Poems of Emily Dickinson. It's one of her best recordings and a big step in the gradual evolution of an artist who began as another pretty-voiced soprano and is becoming one of the most memorable recitalists of her generation. --David Patrick Stearns

Sallie Chisum Remembers Billy the Kid, Music, Sato Knudsen, Dominick Argento, Samuel Barber, Aaron Copland, Andre Previn, André Previn, Barbara Bonney, 20th/21st Century Music for Voice and Keyboard, Classical, Classical Artists, Classical Music, Classical Vocals, Miscellaneous Vocal Music, Solo Voice(s) and Small Ensemble, Vocal
Sallie Chisum Remembers Billy the Kid
Average customer rating: 5 out of 5 stars
  • A soprano must!
  • Excellent album, with some minor quibbles
  • I like it!
  • International, and yet local
  • Bonney Changes Course
Sallie Chisum Remembers Billy the Kid

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

All Works by ArgentoAll Works by Argento | Argento, Dominick | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BarberAll Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by CoplandAll Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Previn, André | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
Barber, SamuelBarber, Samuel | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music
Copland, AaronCopland, Aaron | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
Bonney, BarbaraBonney, Barbara | Divas | Opera & Vocal | Styles | Music
The Decca Records StoreThe Decca Records Store | Specialty Stores | Music
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ASIN: B0000042H0
Release Date: 1998-01-27

Tracks:

  1. Sallie Chisum Remembers Billy The Kid
  2. Twelve Poems Of Emily Dickinson: Nature, The Gentlest Mother
  3. Twelve Poems Of Emily Dickinson: There Came A Wind Like A Bugle
  4. Twelve Poems Of Emily Dickinson: Why Do They Shut Me Out Of Heaven?
  5. Twelve Poems Of Emily Dickinson: The World Feels Dusty
  6. Twelve Poems Of Emily Dickinson: Heart, We Will Forget Him!
  7. Twelve Poems Of Emily Dickinson: Dear March, Come In!
  8. Twelve Poems Of Emily Dickinson: Sleep Is Supposed To Be
  9. Twelve Poems Of Emily Dickinson: When They Come Back
  10. Twelve Poems Of Emily Dickinson: I Felt A Funeral In My Brain
  11. Twelve Poems Of Emily Dickinson: I've Heard An Organ Talk Sometimes
  12. Twelve Poems Of Emily Dickinson: Going To Heaven!
  13. Twelve Poems Of Emily Dickinson: The Chariot
  14. Six Elizabethan Songs: Spring
  15. Six Elizabethan Songs: Sleep
  16. Six Elizabethan Songs: Winter
  17. Six Elizabethan Songs: Dirge
  18. Six Elizabethan Songs: Diapenia
  19. Six Elizabethan Songs: Hymn
  20. Hermit Songs, Op. 29: At Saint Patricks Purgatory - Samuel Barber
  21. Hermit Songs, Op. 29: Church Bell At Night - Samuel Barber
  22. Hermit Songs, Op. 29: St. Ita's Vision - Samuel Barber
  23. Hermit Songs, Op. 29: The Heavenly Banquet - Samuel Barber
  24. Hermit Songs, Op. 29: The Crucifixion - Samuel Barber
  25. Hermit Songs, Op. 29: Sea-Snatch
  26. Hermit Songs, Op. 29: Promiscuity - Samuel Barber
  27. Hermit Songs, Op. 29: The Monk And His Cat - Samuel Barber
  28. Hermit Songs, Op. 29: The Praises Of God - Samuel Barber
  29. Hermit Songs, Op. 29: The Desire For Hermitage - Samuel Barber
  30. Vocalise - Andre Previn

Amazon.com

Though American, Barbara Bonney has spent most of her career in Europe and, up until recently, never saw the need to sing in English. But this collection is entirely in English, featuring the title piece written for her by Previn--sort of a tone poem for voice, nice but not great--plus Samuel Barber's more familiar Hermit Songs, Dominick Argento's Six Elizabethan Songs and Aaron Copland's Twelve Poems of Emily Dickinson. It's one of her best recordings and a big step in the gradual evolution of an artist who began as another pretty-voiced soprano and is becoming one of the most memorable recitalists of her generation. --David Patrick Stearns

Customer Reviews:

5 out of 5 stars A soprano must!.......2007-01-08

This collection of songs is very helpful for sopranos--all of you will need to know these pieces at some point!

5 out of 5 stars Excellent album, with some minor quibbles.......2005-08-13

One of my first experiences as an accompanist was to play the Argento Elizabethan songs, and ever since I've had a special affinity for them. That alone was my reason for purchasing this particular disc, and the fact that the Barber Hermit Songs were here was a major bonus!

Bonney does a beautiful job with all the sets presented here, and Previn delivers a perfectly complimentary accompaniment to Bonney's soaring tone.

One thing I found interesting about Bonney was her frequent use of straight tone. I can't verify if she's chosen to do so for interpretive reasons, but there are occasions in all the sets (esp. the Barber and Argento) where I find that it sticks out. In general, her tone is always beautiful, and the lack of vibrancy doesn't affect the pitch or flow of the line. It's a very minor issue, but I feel compelled to mention it for those who may not be expecting this stylistic detail.

At any rate, the repertoire is amazing, and I think this disc is almost essential as the Rubinstein disc I reviewed elsewhere on Amazon. I'm not letting my issue with Bonney's vibrancy take away from the 5-star rating. :)

4 out of 5 stars I like it!.......2002-03-04

I bought this cd a while ago. The reason I bought it is because Barbara Bonney is my favourite artist. I think she sings beautifully in this cd. But for the repetoire, I think it's a litte bit too contemparory for me and I am not really into that. Still, I think she did an excellent job in this recording! It's really worth buying!

5 out of 5 stars International, and yet local.......2001-02-20

Mrs. Bonney, born in America but with several years in Europe is able to give us the best of the two worlds.

The CD is a masterpiece of fantastic singing and with heart and the freedom that Mr. Previn adds to his piano playing.

I bought the CD based in the recommendation of the Gramophone magazine, and again they are right.

Previos review gives a good overall picture of the performance

Buy it!

5 out of 5 stars Bonney Changes Course.......1999-09-13

This recording marks a new high for Bonney. While her silvery tone and lyricism have always been more than suffcient to captivate her listeners, Bonney takes risks on this disc like never before. She has a maturity and depth to her sound that makes one realize that her older recordings were more shallow in retrospect. Not only is she willing to step out of the box so many sopranos fall into: of wanting to sound "pretty" all the time; she is aggressive and surprisingly edgy in her interpretations of the Barber set, shockingly frank in the Argento, and convincingly ominous in the closing Previn vocalise. With this disc, Bonney has truly established herself as a force in vocal music, and as the definitive American singer today.
André Previn - Diversions · Songs / Fleming · Bonney · Wiener Phil. · LSO · Previn
Average customer rating: 4 out of 5 stars
  • Previn, Bonney and Fleming
André Previn - Diversions · Songs / Fleming · Bonney · Wiener Phil. · LSO · Previn
André Previn , Renée Fleming , Barbara Bonney , Wiener Philharmoniker , and London Symphony Orchestra
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Previn, André | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
Vienna Philharmonic OrchestraVienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
Deutsche Grammophon: MusicDeutsche Grammophon: Music | Specialty Stores | Music
ASIN: B00005AX5W
Release Date: 2001-07-10

Tracks:

  1. Diversions: I. Prologue - VPO/Andre Previn
  2. Diversions: II. Passacaglia (Slow) - Peter Schmidl/Franz Bartolomey/Gunter Federsel
  3. Diversions: III. (Fast) - Wolfgang Tombock Jr/Gotthard Eder
  4. Diversions: IV. (Slowly) - Michael Werba/Martin Gabriel/Meinhart Neidermayr
  5. Sallie Chisum Remembers Billy The Kid - Barbara Bonney/Moray Welsh
  6. Vocalise - Barbara Bonney/Moray Welsh
  7. The Giraffes Go To Hamburg - Renee Siebert
  8. Three Dickinson Songs: I. As Imperceptibly As Grief - Renee Fleming/Andre Previn
  9. Three Dickinson Songs: II. Will There Really Be A Morning - Renee Fleming/Andre Previn
  10. Three Dickinson Songs: III. Good Morning Midnight - Renee Fleming/Andre Previn

Amazon.com

André Previn's long and distinguished career as a conductor has overshadowed his work as a composer and pianist, but this disc of "diversions" lifts the curtain, offering a fair sampling of Previn's output. The Diversions show his flair for colorful orchestration--in both scurrying, energetic writing and bitter-sweet lyrical material. Sallie Chisum Remembers Billy the Kid, a prostitute's account of the celebrated outlaw (with a text by The English Patient author Michael Ondaatje), is sung beautifully by Barbara Bonney, who is joined by cellist Moray Welsh for the haunting Vocalise. Renée Fleming, star of Previn's opera A Streetcar Named Desire, takes the honors in The Giraffes Go to Hamburg. It's a piece on animal suffering, whose quirkiness probably requires a Fleming to bring it off. She rounds off the disc with Previn at the piano for Three Dickinson Songs, notable as much as anything else for his sure feel for instrumental color. The third song, the beautiful and atmospheric Good Morning Midnight, makes a superb end to the program. If it leaves you wanting more, perhaps the record company will be a little more generous next time than the 56 minutes it gives us on this collection. --Keith Clarke

Customer Reviews:

4 out of 5 stars Previn, Bonney and Fleming.......2001-11-12

To say that Andre Previn has had an eclectic musical career would be an understement. He has written movies scores ("Two for the Seesaw"), opera ("A Streetcar named Desire"), played jazz piano and composed symphonic music. In his "Diversions/Songs" he has written both a suite in four movements and 2 long songs: one, sung by Barbara Bonney based on Michael Ondaatje's poem about Billy the Kid and the other sung by Renee Fleming based on Isak Dinesen's "Out of Africa."
All of the music is quite beautiful and in the Suite in particular you can hear echoes of all his former musical lives: jazz, blues, etc. The Dinesen piece was written especially for Ms. Fleming and in it.. she shines. Her tone is bright yet very human and womanly....a little sexual even. Bonney also acquits herself well in the Billy the Kid piece. This is a perfect CD for those just beginning to appreciate Classical music: it's accessible on a very basic level because of it's surface beauty yet sophisticated, diverse and complicated enough to please those with a history of enjoying classical music.

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