Tiomkin: Red River [Soundtrack]

Track Listings

1. Main Title

2. Dunson Heads South

3. Red River Camp

4. Red Menace Strikes

5. Lone Survivor

6. Birth of Red River D

7. Mexican Burial

8. Growth of the Dunson Empire

9. Roundup

10. Suspense at Dawn

11. On to Missouri

12. Drive Moves North

13. Brazos Trail

14. Stampede

15. Missing Cowboy

16. Latimer Burial

17. Thunder on the Trail

18. Red River Ahead

19. Red River Crossing

20. Cottonwood Justice

See all 37 tracks on this disc

Tracks:

Main Title
Dunson Heads South
Red River Camp
The Red Menace Strikes
The Lone Survivor
Birth Of Red River D
Mexican Burial
Growth Of The Dunson Empire
Roundup
Suspense At Dawn
On To Missouri
The Drive Moves North
The Brazos Trail
Stampede
The Missing Cowboy
Latimer Burial
Thunder On The Trail
Red River Ahead
Red River Crossing
Cottonwood Justice
Dunson Swears Vengeance
Comanche Arrows
In Wait
Fight For Life
Vigil In The Night
Foggy Night Surrender
In Spectre Takes Form
Interlude
Out Of The Past
Memory Of Love
A Joyous Meeting
Approach To Abilene
A Big Day Of Abilene
The Spectre Closes In
A Message For Matt
The Challenge
The New Brand

Customer Reviews:

A note about RED RIVER's notes.......2006-01-07

Writing the notes to this epic rerecording of the score to RED RIVER by Dimitri Tiomkin was one of the great experiences of my life. Bill Stromberg and John Morgan made this great music live again.

Sadly, this American release features only the biographical and background notes for the score. The detailed cue by cue breakdowns and commentary was available only in a limited European release, now out of print.

Jack Smith
former filmusic critic, Films in Review

The Complete Classic Score for a Classic Film--Dynamite!.......2005-12-05

Another musical masterpiece from the premiere team for classic film score restoration and presentation, Messrs. John Morgan and William Stromberg! Like all their meticulous and most-welcomed endeavors, the CD is the first complete modern recording of the score for a film classic. This time out it's the 1948 film RED RIVER (RR). The CD is a re-release at "popular prices" of the original which is on the Marco Polo label (Naxos and Marco Polo are sister labels). To be up front about things, RR is not a film favorite nor is the film music of the composer, Dimitri Tiomkin, my cup of tea. However, if you are a film music enthusiast, anything and everything created by Morgan and Stromberg commands (if not demands) your serious attention. This CD is no exception. Every cue that Tiomkin composed for RR is reproduced in the recording. There are 37 tracks! None is over five minute long, but inter-track transitions are seamless creating a de facto RR concert. And quite a concert it is. The balance between individual instruments and orchestra sections is very good--no instrument is trampled in the musical dust. However, the choir becomes overbearing now and then. Other than that, the conducting is first rate. Dynamic and exciting. Orchestra performance strongly suggests that a fair amount of pre-recording rehearsal effort transpired. The CD booklet is interesting, but not particularly. Jack Smith wrote the film-focused text which he periodically punctuated with quotations from a few of the film's principals and some of the film's critics. Clever, but no cigar. No track-by-track analysis and no photographs either. More fitting for, say, a DVD than a CD. Fortunately, the booklet also contains John Morgan's "Red River Music Notes," a much more worthwhile read. The composer's score was tightly coupled to (and often buried by) what was happening on screen. Mr. Morgan's description of how the score was rendered capable of becoming a stand-alone musical entry is fascinating.

William Flanigan, Ph.D.

Not quite a soundtrack.......2005-11-16

First of all, this is mislabled as a soundtrack album and it clearly is not, being recorded in stereo. the original soundtrack album would not be recorded in stereo as it was recorded in 1948 long before the invention of stereo.
still, it does contain the major themes of this great western classic, one of the best ever.
By this time, Tiomkin was established as a western composer and a fine one as later scores would testify.
But it is with Red River he and actor John Wayne came of age. Whoever said John Wayne couldn't act only needs to watch this, and several later movies, such as Island in the Sky and The High and the Mighty, to find this out.
Still, it will do until a real soundtrack album can be produced. Are you reading this, Film Score Monthly?

Too much of a good thing become tedious.......2005-04-18

I concur with the previous reviewer who said that less of this would have been more -- there simply is not enough thematic material to sustain 64 minutes of music. If you already own "The Western World of Dimitri Tiomkin" (a great CD now out of print), you don't need this disk, as that one contains all the key themes and is sonically superior. If not, you may find this worth having. I suggest you burn some of the key tracks to your own CD and listen to that instead, as this CD is not really designed for listening pleasure. The program notes have some good information about Tiomkin's approach to scoring, but they're sparse on specific track information, particularly in that a few tracks seem to have been deleted from the final film. NAXOS deserves some kudos for keeping the Film Music Classics series alive. However, I hope in the future, they'll make CDs for listening first and for reference purposes second.

A bit more than we need..........2005-03-28

John Morgan does an admirable job of reconstructing the 1948 film score to this John Wayne epic. However so much is unnecessary in the first place. This release features 37 tracks, over an hour long.
Much is over dressed snipets of improvised folk songs neatly diguised by Tiomkin's orchestrations. The most successful original theme of the "Main title" reoccurs a couple times throughout, but it is not enough to carry the score. For lovers of action music this disc is for you! Was it really necessary to use three sets of timpani to illustrate a "Stampede", what we get in sound is a muddled mess. The recording suffers a little like other releases from this series in dynamic range. Some of the more tranquil tracks come off better. Most of the cues are so short, that other than knowing "Red River" is a western score there is little continuity. I think this score would of worked better as a suite with some fat cut out, coupled with other suites from the prolific Dimitri Tiomkin.

The Alamo: The Essential Film Music Collection

Average customer rating:

More expensive than the other Essential but worth it.
Excellent compilation of an important composer.
"film composer Dimitri Tiomkin gave his all and then some"

The Alamo: The Essential Film Music Collection
Dimitri Tiomkin
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Tiomkin: Red River
The Essential Elmer Bernstein Film Music Collection
Way Out West: The Essential Western Film Music Collection, Vol. 2
The Wild West: The Essential Western Film Music Collection
Giant

ASIN: B00022MBNK
Release Date: 2004-07-13

Tracks:

Night Passage
Tension At Table Rock
High Noon
The War Wagon
The Wild Wild West: Main Theme
The Wild Wild West: The Ballad Of Jim West
Gunfight At The O.K. Coral
Rio Bravo
Rawhide
Red River
The Unforgiven: Across The Texas Panhandle
The Unforgiven: The Need For Love
The Unforgiven: Horse Ballet
The Young Land
Duel In The Sun

Tracks:

The Fall Of The Roman Empire: Overture
The Fall Of The Roman Empire: The Fall Of Love
The Fall Of The Roman Empire: Pax Romana
55 Days Peking
Land Of The Pharaohs
Circus World (The Magnificent Showman)
Dial M For Murder
Strangers On A Train
Giant: Main Title
Giant: Love Theme
Giant: The Jett Rink Theme
The High And The Mighty
Wild Is The Wind
The Guns Of Navarone

Tracks:

Cyrano De Bergerac
The Well
Friendly Persuasion
Town Without Pity
It's A Wonderful Life
Tarzan And The Mermaids
The Thing From Another World
The Alamo: Overture/Prologue
The Alamo: Davy Crockett
The Alamo: Tennessee Babe
The Alamo: The Battle Of The Alamo
The Alamo: The Green Leaves Of Summer
The Alamo: Finale

Tracks:

Giant: This Then Is Texas
Rawhide: Rawhide
High Noon: Do Not Forsake Me
Night Passage: Follow The River
Giant: The Ballad Of Jett Rink
Friendly Persuasion: Thee I Love
It's A Wonderful Life
Wild Is The Wind
The High And The Mighty
The War Wagon: The Ballad Of The War Wagon
Rio Braco
The Young Land: Strange Are The Ways Of Love
The Wild Wild West: The Ballad Of Jim West
The Wild Wild West: The Wild Wild West

Amazon.com

Dimitri Tiomkin was one of the most prominent composers of Hollywood's Golden Age and beyond, his career spanning a half-century and some of America's most classic films. This sprawling, four-disc anthology (its title a marketing nod to the modern remake of one of Tiomkin's notable collaborations with John Wayne) features new digital recordings of full-bodied performances by the City of Prague Orchestra and Festival Chorus, the most ambitious and comprehensive tribute to the composer yet attempted. There's something here for film score buffs (rarities like a suite from his sci-fi genre-defining Thing From Another World and the "Main Theme" for the pilot of TV's Wild, Wild West) and novice alike; indeed one could scarcely ask for a more complete overview of Tiomkin's robust orchestral oeuvre. Divided into four chapters, disc one chronicles how the Ukrainian immigrant concocted a rich Western film heritage (including such genre landmarks as Red River, High Noon, Gunfight at the O.K. Corral and Rio Bravo) from largely European traditions, while the next two CD's cover his rousing work for epics and thrillers of every stripe, and collaborations with Hitchcock, Wayne, Capra, Stevens and more. The concluding disc pays homage to Tiomkin the unlikely pop tunesmith, via his hit vocal themes to Rawhide, Wild is the Wind and High Noon's "Do Not Forsake Me." --Jerry McCulley

Customer Reviews:

More expensive than the other Essential but worth it........2007-04-22

This is an excellent set of music of Dimitri Tiomkin's music! The 4th disc is short (at just over 30 minutes), but thats because it is just the vocal versions of tracks which appeared in instrumental form throughout the first 3 discs. Whenever you buy a silva screen compilation, the first thing you ask yourself is 'when were these recordings made' and 'do I have these tracks on other compilations? Thankfully, this set has TONS of new recordings, but there is some recycled stuff and they are as follows:

Dial M For Murder is from the 1993 History of Hitchcock Vol. I, while Strangers on a Train is from 1995's History of Hitchcock Vol. II.

Three tracks originate from 1994's "Music From the Films Of John Wayne". They are "The High and the Mighty", "The Alamo - Overture" and "The Alamo - Green Leaves of Summer".

Red River is from 1996's "How The West Was Won: Classic Western Film Scores Vol. One".

The Thing From Another World suite is from the excelllent 1998 set "Alien Invasion: Space And Beyond II"

Many tracks first appeared on "Way Out West: The Essential Western Film Music Collection Vol. Two". They are: "Duel In The Sun", "The Alamo (Davy Crockett)", "Friendly Persuasion", "Giant (Main Theme)", "Gunfight at the OK Corral", "High Noon", "Rio Bravo", and "The Unforgiven (The Need For Love)".

The rest of the tracks are brand spankin new, and most are not available on other discs, so snag this one up in a hurry!

Excellent compilation of an important composer........2004-07-16

This long overdue collection of Tiomkin standards and rarities is a must for any fan of symphonic music; albeit, for film or concert hall. As the liner notes clarify; these recordings are a real labor of love for James Fitzpatrick and the Silva Screen team. Tiomkin is; undoubtedly, one of the most difficult of composers to replicate. This recording comes extremely close to "hitting the nail on the head" particularly with tracks such as: "Across the Texas Panhandle" from the Unforgiven, The Entr'acte from Duel in the Sun, The Guns of Navarone, The War Wagon, and the main title and Jett Rink theme from Giant. This recording is a bargain, particularly for collectors who have sought after many of Tiomkin's composer conducted soundtracks (which are getting harder and harder to obtain). Listeners who enjoy this set should consider seeking out previous cd releases of the soundtracks to "The Guns of Navarone" (SONY, Varese Sarabande), "The Fall of the Roman Empire" (Varese Sarabande, PEG), "55 Days at Peking" (Varese Sarabande), and "The Alamo" :original soundtrack (still available on SONY-Legacy).

"film composer Dimitri Tiomkin gave his all and then some".......2004-07-13

Silva America presents the ultimate in film music during the illustrious career of an icon and legendary composer of film scores ~ "Alamo:Dimitri Tiomkin Essential Film Collection/O.S.T", featuring some long forgotten 53 cues that sent chills and thrills into the pulses of world events ~ selections from a limited collectors edition that would make any "film-score-buff" green with envy.

Tiomkin was born in Ukraine, Russia [1894-1979] attended and graduated from St. Petersburg Academy[studied under the famed composer Glazunov] ~ had a degree in music as well as law ~ came to America in 1925, shown great interest for Native American music early in his film career.

Great fondness for "The Western" ~ "DUEL IN THE SUN" (1946) (Gregory Peck, Jennifer Jones, Joseph Cotton, Lionel Barrymore, Lilian Gish and Charles Bickford - one of biggest and successful epic Westerns ever, score & photography was simply breathtaking), "RED RIVER" (1948) (John Wayne, Monty Cliff and Walter Brennan - the Duke should have won an Oscar for his performance as the aging cantankerous cattle baron)"HIGH NOON" (1952)(classic film with Gary Cooper in his Oscar winning performance of Will Kane), "TENSION AT TABLE ROCK" (1956), "GUNFIGHT AT THE OK CORRAL" (1957)(Burt Lancaster as Wyatt Earp & Kirk Douglas as Doc Holliday pulled this off with the help of the Main Theme), "NIGHT PASSAGE" (1957), "RIO BRAVO" (1959) (top box office leaders John Wayne, Dean Martin, Walter Brennan and Ricky Nelson), "THE YOUNG LAND" (1959) (young Dennis Hopper), "RAWHIDE" (TV Series) (1959-66) (Eric Fleming as trail boss Gil Favor & Clint Eastwood as Rowdy Yates), "THE UNFORGIVEN" (1960) (Burt Lancaster, Audie Murphy and Audrey Hepburn), "THE WILD, WILD WEST" (TV Series) (1965-69)(Tiomkin's music never saw the light of day), "WAR WAGON" (1967) (John Wayne & Kirk Douglas starred) (beautifully melodic) ~ it's easy to see why Tiomkin loved Western lore.

Second disc contains The Epics ~ "LAND OF THE PHARAOHS" (1955) (Jack Hawkins as Pharaoh Cheops and a beautiful Joan Collins as his scheming wife), "55 DAYS AT PEKING" (1963) (Charlton Heston, David Niven and Ava Gardner is the all star cast), "THE FALL OF THE ROMAN EMPIRE" (1964) (featuring Alec Guinness as emperor Marcus Aurelius), "CIRCUS WORLD" (1964) (John Wayne, Claudia Cardinale and Rita Hayworth under the big top) ~ next we Hitchcock Thrillers with "STRANGERS ON A TRAIN" (1951) (a masterpiece film featuring Robert Walker and Farley Granger are both very convincing as we learn, never talked to strangers on a train or anywhere), "DIAL M FOR MURDER" (1954) (tense moments come from Grace Kelly, Ray Milland and Robert Cummings - they don't get any better than this) ~ finally Drama and High Adventure with "HIGH AND MIGHTY" (1954) (another outstanding performance by John Wayne, as the co-pilot of an airline whistling the haunting theme), "GIANT" (1956)(another big epic film with Rock Hudson, Elizabeth Taylor, James Dean and Chill Wills show us what it's like to be a Texan, with oil and money), "WILD IS THE WIND" (1957) (Anthony Quinn, Anna Magnani and Anthony Franciosa), "THE GUNS OF NAVARONE" (1961) (World War II film featuring Gregory Peck, Anthony Quinn, David Niven and Stanley Baker on a small Greek Island trying to outwit the Germans and a very big gun) ~ some of Tiomkin's most inspiring themes rise to the surface.

On disc three ~ as we continue with Drama and High Adventures "IT'S A WONDERFUL LIFE" (1946) (James Stewart, Donna Reed, Thomas Mitchell, Lionel Barrymore and Ward Bond with wholesome warm and endearing themes from our favorite composer), "TARZAN AND THE MERMAIDS" (1948) (in his 12th film as Tarzan, Johnny Weissmuller still had what it takes to swim and defeat the man-god Balu - Weissmuller and Tiomkin the perfect combination for this Tarzan adventure), "CYRANO DE BERGERAC" (1950) (Jose Ferrer stars as Edmond Rostand's famous swordsman with a even more famous nose), "THE WELL" (1951) (intense cues give the film musical triumphs in final scenes), "THE THING FROM ANOTHER WORLD" (1951) (exciting Howard Hawks film with a score to match), "FRIENDLY PERSUASION" (1956) (director William Wyler shows the life and times of a Quaker family played by Gary Cooper, Dorothy Mcguire and Anthony Perkins during the American Civil War, very touching), "THE ALAMO" (1960) (big budget epic western with Big John Wayne it's producer, director and star as Davy Crockett with a haunting and never to be forgotten "The Green Leaves of Summer"), "TOWN WITHOUT PITY" (1961) (Kirk Douglas in a post-war Germany story, blends jazz themes with Tiomkin signature arrangements) ~ Tiomkin always made the difference when it came to scoring a film.

The last and final disc four ~ The Tiomkin Vocal Songbook featuring "This Then is Texas" (Giant), "Rawhide" (Rawhide), "Do Not Forsake Me" (High Noon), "Follow the River" (Night Passage), "The Ballad of Jett Rink" (Giant), "Thee I Love" (Friendly Percuasion), "It's A Wonderful Life", "Wild Is The Wind", "The High and the Mighty", The Ballad of the War Wagon" (The War Wagon), "Rio Bravo", "Strange are the Ways of Love" (The Young Land), "The Ballad of Jim West" (The Wild Wild West), "The Wild Wild West" (The Wild Wild West) ~ many were hit makers of the day and in the top ten.

Outstanding performances by The City of Prague Philharmonic Orchestra (Nic Raine, Paul Bateman, Mario Klemens - are the conductors), Crouch End Festival Chorus (David Temple - choir master), featuring vocals by Jason Howard and Keith Ferreira ~ hats off to James Fitzpatrick (producer), Reynold da Silva (executive producer), Olilvia Tiomkin Douglas, John Waxman, Rick Clark and Gareth Williams (associate producers) ~ all film producers and directors welcomed the legendary composer with open arms for their forthcoming projects ~ the "film-score-buff" collectors are ecstatic about this four disc release on the essential film music collection of DIMITRI TIOMKIN, the arrangements and performances are top notch inclusive of HDCD/Dolby Surround.

When listening to the music of a film, you had the feeling of the storyline, characters and convictions of the whole picture, they'll never be another to come this way again ~ Silva America has outdone themselves on this one, it is definitely a five star film score box set...gotta love it!

Tracks:

Robin Hood And His Merry Men (The Adventures Of Robin Hood - 1938)
Cantata For Mezzo-Soprano, Chorus, And Orchestra: Song About Alexander Nevsky (Alexander Nevsky - 1938)
Title Theme (Laura - 1944)
Conquest (Captain From Castile - 1947)
Film Suite For Orchestra: Morning on the Ranch (The Red Pony - 1949)
A Place In The Sun: Suite (A Place In The Sun - 1951)
Theme (High Noon - 1952)
'Andante (With Dignity) - Presto barbaro' (Symphonic Suite) (On The Waterfront - 1954)
Prelude (East Of Eden - 1955)
Working On The Bridge (The Bridge OnThe River Kwai - 1957)
Parade Of Charioteers (Ben-Hur - 1959)
Theme (The Magnificent Seven - 1960)
Prelude (Vertigo - 1958)
The Murder (Psycho - 1960) - Psycho
La passerella di addio (8.5 - 1963)
Main Title (The Lion In Winter - 1968)
Main Theme (Star Wars - 1977)
The Imperial March (The Empire Strikes Back - 1980)
The John Dunbar Theme (Dances With Wolves - 1990)
Leaving Port (Titanic - 1997)

Amazon.com

Good film music should be seen and not heard--that is, it's usually there for background, to reinforce what you're seeing, not to draw attention to itself. So why listen to it? Often that's a mystery, but the items in this collection seem to have been selected because they are interesting music (Prokofiev, Copland, Bernstein) or because they are so familiar that they bring back memories of favorite movies (Laura, High Noon, Star Wars). Like much movie music, a lot of these items are sentimental and overblown, even the more famous ones. (Those famous screaming strings in Psycho can sound silly without the onscreen action.) But if you want one movie-music CD in your collection, this may be the one to have. --Leslie Gerber

Customer Reviews:

Worth it for "Conquest" alone.......2005-09-12

The stirring martial music from the movie "Captain from Castille" ("Conquest") is on this album and so far as I know it's the only CD you'll find it on. But other tracks are great also, including the "Parade of the Charioteers" from "Ben Hur," the theme from "The Magnificent Seven," and "The Imperial March" from Star Wars.

A GREAT COMPILATION!.......2005-06-05

I've come to appreciate soundtracks more and more. This compilation progresses chronologically through 60 years of film music, starting with 1939's "The Merry Adventures of Robin Hood", and ending with "Titanic". It encompasses a huge range of styles. Along with the usual suspects - music from "Ben-Hur", "The Magnificent 7", "Star Wars", et al, there are a few real sleepers, like John Barry's medieval-flavored theme to "The Lion in Winter", or Leonard Roseman's lyrical "East of Eden". Blessedly, most of the tracks are original recordings, conducted by the composers, among them Leonard Bernstein and Aaron Copland. Only those of us burned by tinny, tacky, sacriligiously rearranged retreads on obscure labels can appreciate this.

There are a few notable omissions. The prolific Randy Newman isn't represented, though Uncle Alfred is. And NO Ennio Morricone? - incredible! Presumably, this has more to do with Sony's current copyrights and contracts than the relative merits of the composers. And it's fine to have John Williams included twice, but why two pieces from "Star Wars"? Why not the theme from "Jaws", for instance? Or "Sugarland Express", for a really unexpected treat? But these are minor quibbles. And for whatever it's lacking, there's no fluff substituted. This is real music from fine craftsmen, which sometimes attains art. A great intro to the form, and wonderful just to listen to. I bought it used - one of my best deals ever!

So So Compilation.......2002-01-14

My major interest in this CD was in the selection entitled "Robin Hood And His Merry Men" (duration: 4 min, 28 sec), conducted by John Williams, and performed by the London Symphony Orchestra. It turns out that this is a re-issue of the track from Sony Classical SK 62788, 1997. Surprisingly, this performance is poky, ponderous, and prodding. The conducting is, well, somnambulistic. Miking/mixing/processing yields a sonic brick deficient in instrumental nuances while sounding like way too many musicians were shoe horned into the recording studio. As for the rest of the tracks, it's hard to believe, but Silva America offers better compilations! Best to skip this one.

Deserves more than five stars.......2000-06-23

I have several discs of film music, and this one if by far the best. As one of the previous reviewers noted, there are many peices absent that could have been included here, but I don't see how anyone could be completely satisfied with any compilation that fit on just one disc.

The performances here are crisp and clear, and include a good selection of both old and new, ranging from traditional film favorites like the Star Wars theme, to less common selections like the screeching strings from Psycho (at least, I think they're less common, but I could be wrong). And I could listen to the Magnificent Seven theme over and over.

Anyway, this is a great disc for almost anyone. If you're looking for one thing in particular, find that film's soundtrack, but otherwise, this is a fantastic disc, and one of my favorites!

Music In Film (NPR Milestones of the Millennium.......2000-05-02

Great CD;the music is crystal clear with an excellent variety demonstrating the wide variety of musical talents in Hollywood. Liner notes are also most interesting, explaining some of the history behind the cuts and pointing out differences in the composers styles...as with John Barry. His style ranges from "the Lion in Winter" bold dramatic soundtrack to the exquisitley tender "Dances with Wolves" theme music. A CD to enjoy over and over

Average customer rating:

Screen Music Masterpieces: The Westerns

Manufacturer: Jvc / Xrcd
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music

General | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Vocal Pop | Pop | Styles | Music
ASIN: B0000E32YQ
Release Date: 2003-10-21

Tracks:

River Of No Return: River Of No Return
She Wore A Yellow Ribbon: She Wore A Yellow Ribbon
How The West Was Won: Greensleeves
High Noon: High Noon
The Proud Ones: The Proud Ones
Rawhide: Rawhide
Shane: The Call Of The Faraway Hills
Gunfight At The O.K. Corral: Gunfight At The O.K. Corral
The Big Counry: Another Day, Another Sunset
The Alamo: The Green Leaves Of Summer
Fistful Of Dollars: Per Un Pugno Di Dollari: Titori
Adios Gringo: Adios Gringo
Massacre Time: Massacre Time
The Hills Run Red: The Hills Run Red
Arizona Colt: Arizona Colt
Johnny Yuma: Johnny Yuma
One Silver Dollar: One Silver Dollar
For A Few Dollars More: Per Qualche Dollaro In Piu
The Magnificent Seven: The Magnificent Seven
Django: Django
Per Il Gusto Di Uccidere: Per Il Gusto Di Uccidere
Rio Bravo: De Guello

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1. Main Title
2. Dunson Heads South
3. Red River Camp
4. Red Menace Strikes
5. Lone Survivor
6. Birth of Red River D
7. Mexican Burial
8. Growth of the Dunson Empire
9. Roundup
10. Suspense at Dawn
11. On to Missouri
12. Drive Moves North
13. Brazos Trail
14. Stampede
15. Missing Cowboy
16. Latimer Burial
17. Thunder on the Trail
18. Red River Ahead
19. Red River Crossing
20. Cottonwood Justice