Bach: Sonatas and Partitas, Vol. 1
Track Listings
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1. Son No.1 in g, BWV 1001: Adagio
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2. Son No.1 in g, BWV 1001: Fuga
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3. Son No.1 in g, BWV 1001: Siciliano
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4. Son No.1 in g, BWV 1001: Presto
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5. Partita No.1 in b, BWV 1002: Allemanda
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6. Partita No.1 in b, BWV 1002: Double
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7. Partita No.1 in b, BWV 1002: Corrente
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8. Partita No.1 in b, BWV 1002: Double
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9. Partita No.1 in b, BWV 1002: Sarabande
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10. Partita No.1 in b, BWV 1002: Double
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11. Partita No.1 in b, BWV 1002: Tempo Di Bourree
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12. Partita No.1 in b, BWV 1002: Double
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13. Partita No.2 in d, BWV 1004: Allemanda
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14. Partita No.1 in b, BWV 1002: Corrente
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15. Partita No.1 in b, BWV 1002: Sarabanda
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16. Partita No.1 in b, BWV 1002: Giga
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17. Partita No.1 in b, BWV 1002: Ciaccona
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Editorial Reviews
Amazon.com Essential Recording
Raid a Bach lover's CD collection and you're sure to find at least one copy of the Cello Suites (and probably six or more if it's a real Bach lover). Like his other works for unaccompanied string instruments, the Sonatas and Partitas Bach composed for solo violin were long misunderstood as mere pedagogical exercises. Romantic composers attempted to "rescue" them with transcriptions for piano and the like (the vast, labyrinthine Chaconne from the Partita No. 2 still holds a place in the piano repertoire). But, as with Casals and the Cello Suites, the amazing eloquence of interpreters such as Arthur Grumiaux helped establish the significance of this music for solo violin as among the composer's exalted masterpieces. In her highly acclaimed account using a baroque violin with gut strings (from 1739, by the Genoan maker Pesarinius), English violinist Rachel Podger joins the top rank of Bach interpreters. She employs the latest insights of authentic-performance research but remains at the furthest remove from musicological stuffiness, expressing instead a living, breathing musicality that will stir you to the marrow. It takes very little for modern ears fattened on gushy vibrato and sentimental excess to adjust to Podger's beautifully restrained delivery--rather like the first minutes spent adjusting to Shakespearean English in a stage production of the bard. After that, the Baroque idiom sounds quite natural indeed. Podger wrings a fresh brand of opulence: in the engaging imagination of her ornamentations and in her rich sense of lines coming together and diverging, she spins a marvelous sonic fabric. Listen to the channels and currents she makes of that celebrated Chaconne in the Partita No. 2 and you won't need to hear it on the keyboard again. This is one of the most significant Bach interpretations available today--and you won't want to miss Podgers's follow-up second volume. --Thomas May
Bach: Sonatas and Partitas, Vol. 1, Music, Johann Sebastian Bach, Rachel Podger, Chamber, Classical, Classical Artists, Classical Music, Orchestral & Symphonic, Violin Solo
Average customer rating:
- Great balance of scholarship and art.
- GOLDEN SOUND AND PERFORMANCE
- Definitive Version
- inspired
- a recording one doesn't tire of hearing
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Bach: Sonatas and Partitas, Vol. 1
Manufacturer: Channel Classics Nl
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
Classical
| Imports
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Similar Items:
- Bach: Sonatas & Partitas Vol 2 / Rachel Podger
- Bach: Complete Sonatas for Violin and Obbligato Harpsichord / Pinnock, Podger
- Mozart: Complete Sonatas for Keyboard & Violin, Vol. 1 [Hybrid SACD]
- Mozart: Complete Sonatas for Keyboard and Violin, Vol. 2 [Hybrid SACD]
- Mozart: Complete Sonatas for Keyboard & Violin, Vol. 3 [Hybrid SACD]
ASIN: B00000J7YS
Release Date: 1999-06-08 |
Tracks:
- Son No.1 in g, BWV 1001: Adagio
- Son No.1 in g, BWV 1001: Fuga
- Son No.1 in g, BWV 1001: Siciliano
- Son No.1 in g, BWV 1001: Presto
- Partita No.1 in b, BWV 1002: Allemanda
- Partita No.1 in b, BWV 1002: Double
- Partita No.1 in b, BWV 1002: Corrente
- Partita No.1 in b, BWV 1002: Double
- Partita No.1 in b, BWV 1002: Sarabande
- Partita No.1 in b, BWV 1002: Double
- Partita No.1 in b, BWV 1002: Tempo Di Bourree
- Partita No.1 in b, BWV 1002: Double
- Partita No.2 in d, BWV 1004: Allemanda
- Partita No.2 in b, BWV 1002: Corrente
- Partita No.2 in b, BWV 1002: Sarabanda
- Partita No.2 in b, BWV 1002: Giga
- Partita No.2 in b, BWV 1002: Ciaccona
Amazon.com Essential Recording
Raid a Bach lover's CD collection and you're sure to find at least one copy of the Cello Suites (and probably six or more if it's a real Bach lover). Like his other works for unaccompanied string instruments, the Sonatas and Partitas Bach composed for solo violin were long misunderstood as mere pedagogical exercises. Romantic composers attempted to "rescue" them with transcriptions for piano and the like (the vast, labyrinthine Chaconne from the Partita No. 2 still holds a place in the piano repertoire). But, as with Casals and the Cello Suites, the amazing eloquence of interpreters such as Arthur Grumiaux helped establish the significance of this music for solo violin as among the composer's exalted masterpieces. In her highly acclaimed account using a baroque violin with gut strings (from 1739, by the Genoan maker Pesarinius), English violinist Rachel Podger joins the top rank of Bach interpreters. She employs the latest insights of authentic-performance research but remains at the furthest remove from musicological stuffiness, expressing instead a living, breathing musicality that will stir you to the marrow.
It takes very little for modern ears fattened on gushy vibrato and sentimental excess to adjust to Podger's beautifully restrained delivery--rather like the first minutes spent adjusting to Shakespearean English in a stage production of the bard. After that, the Baroque idiom sounds quite natural indeed. Podger wrings a fresh brand of opulence: in the engaging imagination of her ornamentations and in her rich sense of lines coming together and diverging, she spins a marvelous sonic fabric. Listen to the channels and currents she makes of that celebrated Chaconne in the Partita No. 2 and you won't need to hear it on the keyboard again. This is one of the most significant Bach interpretations available today--and you won't want to miss Podgers's follow-up second volume. --Thomas May
Customer Reviews:
Great balance of scholarship and art........2001-12-04
Podger's performance manages to be emotionally involved and historically informed at the same time, a neat feat rarely pulled off in baroque music performance these days. (Only Jordi Savall seems to to do it consistently.) These are warm, friendly performances -- nothing forbidding or pedantic going on here at all. As an introduction to this great music, I can't think of how anyone could do better.
Excellent sound and a nice companion project to Peter Wispelwey's winning performances of the J.S. Bach solo cello suites on the same label.
GOLDEN SOUND AND PERFORMANCE.......2001-11-04
I have long been searching for the "perfect" performance of J.S. Bach's SONATAS & PARTITAS for violin solo. They are absolutely gorgeous pieces of music and, for some reason, there is not really a first class, definitive recording of them. Certainly the first that I owned with Jascha Heifetz was not to my liking: the sound was muddy which made the famous violinist appear to have no technique whatsoever. The sound is alot better on the set played by Itzhak Perlman and until I heard this new recording with Rachel Podger, the Perlman was my recording of choice.
Podger's name is brand new to me; I had not heard of her until I read some of her reviews in a few British classical music magazines. They raved about her flawless technique and sweet sound. I bought both volumes of the SONATAS AND PARTITAS and they are, indeed, very special. Firstly, Podger plays on a baroque violin made in Genoa in 1739. The sound is really quite different from what we are used to in a concert hall or in recordings. I'll leave the precise description to other, better qualified listeners/reviewers, but to my ears it is a beautiful, full, rich sound made crystal clear in the recording by Channel Classics.
The music, of course, is spirited and emotional, riviting, calming, joyful and contemplative. It is Bach at his purest. And this is a recording to treasure. HIGHLY RECOMMENDED.
Definitive Version.......2001-05-10
There are many versions of these works on the market, but this has to be the "definitive" version recorded in recent years. Other virtuoso violinists seem to play these works in a slower tempo and in a "romantic era" style. Also, the violins used are usually strung in the modern way with steel strings. Miss Podger plays on a baroque violin with gut strings which gives these works an authentic sound. As well, she plays with energy and depth and seems to attack each note, making these works seem more alive than on other recordings. Miss Podger obviously has a love and affinity for Bach, and it truly shows in her playing. Anyone who seriously appreciates Bach's music should do themselves a favor and listen to her. Both volumes are excellent, but I would especially recommend Vol. 1
inspired.......2001-01-06
I don't know about the traffic noises someone was mentioning -- my equipment is pretty good (a good step up from bose) and I've played this loudly and a million times and never heard it ...
As for the playing itself, I generally like very modern "classical" music or very early music (baroque or pre-baroque). I'm not an expert about classical music by any means (as some of the other reviewers seem to be). But I've never been so obsessed with a classical music disc -- I think I played it and only it for about a week straight. There are a few times when I have seen or heard performances so stunning that I think, I would love to inhabit the body of this person when he/she is performing, and I think I would feel like I had a line straight to god if I could inhabit RP's body when she plays some of the pieces on this disc. Off to buy volume II ...
a recording one doesn't tire of hearing.......2001-01-06
The baroque sound of this violinist is hauntingly beautiful. The variety and pace of this collection of Bach remains a constant of my growing collection which I continue to play and do not tire of hearing and enjoying.
Average customer rating:
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Bach: Violin Sonatas and Partitas, BWV 1001-03, Vol. 1
Manufacturer: Amadis
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
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4-for-3 Classical
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Similar Items:
- Bach: Violin Sonatas and Partitas, Vol. 2 (BWV 1004-06)
- Haydn: Symphonies No. 94 "Surprise"; No. 100 "Military"; No. 101 "The Clock"
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ASIN: B00005YAL9
Release Date: 2000-10-07 |
Customer Reviews:
Brilliant!.......2004-06-23
Don't let the budget status (or lack of picture) deter you from this one! Edinger plays these works as though her life depends on them. The Fuga from the Sonata in G minor is incredible, while the B minor Allemanda with its majestic chords and complicated rhythms sounds almost like a lullaby. While the CDs by Milstein, Perlman (or, well, Perlman and Engineers) and others are widely lauded, Edinger could be the best kept secret in the recordings of these pieces. Her style, unlike Rachel Podger, is hard, biting, and occassionally even violent. Her B minor Bouree is incredible, and such is her playing that on some occassions her chords actually sound like whole chords, as opposed to the rolls that are in reality necessary to play chords on the violin. At $3, this is one incredible bargain!
Average customer rating:
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Bach:Sonatas and Partitas for Solo Violin, Vol. 1
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Symphonies
| Classical
| Styles
| Music
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| Classical
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| Music
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| Chamber Music
| Classical
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Similar Items:
- Sonatas and Partitas for Solo Violin, Vol.2
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- Bach: Complete Sonatas & Partitas for Violin Solo
ASIN: B00000J8XV
Release Date: 1999-06-22 |
Tracks:
- Son No.1 in g, BWV1001: Adagio
- Son No.1 in g, BWV1001: Fuga: Allegro
- Son No.1 in g, BWV1001: Siciliana
- Son No.1 in g, BWV1001: Presto
- Partita No.1 in b, BWV1002: Allemanda
- Partita No.1 in b, BWV1002: Double
- Partita No.1 in b, BWV1002: Correnta
- Partita No.1 in b, BWV1002: Double
- Partita No.1 in b, BWV1002: Sarabande
- Partita No.1 in b, BWV1002: Double
- Partita No.1 in b, BWV1002: Tempo Di Borea
- Partita No.1 in b, BWV1002: Double
- Son No.2 in a, BWV1003: Grave
- Son No.2 in a, BWV1003: Fuga
- Son No.2 in a, BWV1003: Andante
- Son No.2 in a, BWV1003: Allegro
Customer Reviews:
Bach as music.......2006-02-17
This is the most sheerly musical recording of these pieces I've ever heard. By contrast, the great violinists who have recorded them can sound (by turns) mechanical, pedestrian or perfunctory. Van Dael's playing has an improvisatory quality alien to the usual suspects in this music. Her phrasing, even compared to a Milstein, is vastly superior. Only occasional intrusive breatihng noises prevent this recording from being perfection.
Average customer rating:
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Bach: The Complete Sonatas & Partitas for Solo Violin Vol. 1
Manufacturer: Gandeamus
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
ASIN: B000KLO6TK
Release Date: 2007-02-27 |
Tracks:
- I. Adagio
- II. Fuga - Allegro
- III. Siciliana
- IV. Presto
- I. Allemanda
- II. Double
- III. Correnta
- IV. Double
- V. Sarabande
- VI. Double
- VII. Tempo Di Borea
- VII. Double
- I. Grave
- II. Fuga
- III. Andante
- IV. Allegro
Average customer rating:
- What playing! What a price! Magnificent!!!
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Bach: Sonatas and Partitas for Solo Violin, Vol. 1
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
CDs Under $7
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
CDs $7 - $10
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Classical General
| Classical
| Today's Deals in Music
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- Sonatas and Partitas for Solo Violin, Vol.2
- Bach: Sonatas & Partitas for Solo Violin
ASIN: B0000013U3
Release Date: 1994-02-15 |
Tracks:
- Son No.1 in g, BWV.1001: Adagio
- Son No.1 in g, BWV.1001: Fuga: Allegro
- Son No.1 in g, BWV.1001: Siciliana
- Son No.1 in g, BWV.1001: Presto
- Partita No.1 in b, BWV.1002: Allemanda
- Partita No.1 in b, BWV.1002: Double
- Partita No.1 in b, BWV.1002: Correnta
- Partita No.1 in b, BWV.1002: Double
- Partita No.1 in b, BWV.1002: Sarabande
- Partita No.1 in b, BWV.1002: Double
- Partita No.1 in b, BWV.1002: Tempo Di Borea
- Partita No.1 in b, BWV.1002: Double
- Son No.2 in a, BWV.1003: Grave
- Son No.2 in a, BWV.1003: Fuga
- Son No.2 in a, BWV.1003: Andante
- Son No.2 in a, BWV.1003: Allegro
Customer Reviews:
What playing! What a price! Magnificent!!!.......2003-07-24
I am in shock and awe that few people seem to be aware of this recording. ( I draw this conclusion from the fact I'm the first to review this cd)
I suppose players like the wunderkid Hilary Hahn or Lara St. John are more popular... but my introduction to Bach's works for solo violin began with Ms. Edinger. She plays with an intensity and passion that is unmatched and has a flawless technique. Each and every note is heard in perfect clarity.
Furthermore, the recording quality is excellent- no backround noise or audio hiss.
J.S. Bach was a romantic at heart, and Ms. Edingers exquisite playing is testament to this fact.This is the recording to own. And at this price....what are you waiting for?
Average customer rating:
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Bach: Sonatas & Partitas for Solo Violin, Vol. 1
Manufacturer: Arts Music
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
ASIN: B00005LKD9
Release Date: 2003-08-26 |
Average customer rating:
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Bach: Original & Transcription - sonatas and partitas after J. A. Reincken (Edition Bachakademie Vol 110) /Hill
Manufacturer: Haenssler
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Fugues
| Forms & Genres
| Classical
| Styles
| Music
Sonatinas
| Sonatas
| Forms & Genres
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
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Lute
| Instruments
| Early Music
| Historical Periods
| Classical
| Styles
| Music
Lute
| Strings
| Instruments
| Classical
| Styles
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| Styles
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| Classical
| Styles
| Music
General
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| Classical
| Styles
| Music
ASIN: B00004SR63
Release Date: 1999-01-01 |
Average customer rating:
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Bach: Sonatas & Partitas for Unaccompanied Violin, Vol. 1
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
ASIN: B000009J5G
Release Date: 1992-02-25 |
Average customer rating:
- Desert-island Bach
- Disappointing (for North's performance).
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Bach on the Lute, Vol. 1: Sonatas and Partitas
Manufacturer: Linn Records
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
ASIN: B00000399D
Release Date: 1997-03-11 |
Tracks:
- Son in g, BWV 1001: Adagio
- Son in g, BWV 1001: Fuga-Allegro
- Son in g, BWV 1001: Siciliana
- Son in g, BWV 1001: Presto
- Partita in a, BWV 1002: Allemanda-Double
- Partita in a, BWV 1002: Corrente-Double (Presto)
- Partita in a, BWV 1002: Sarabande-Double
- Partita in a, BWV 1002: Tempo Di Borea-Double
- Partita in d, BWV 1004: Allemanda
- Partita in d, BWV 1004: Corrente
- Partita in d, BWV 1004: Sarabanda
- Partita in d, BWV 1004: Giga
- Partita in d, BWV 1004: Ciaconna
Customer Reviews:
Desert-island Bach.......2003-08-27
(This review applies to all four volumes of this series:)
... so, several years ago I was listening to some Bach lute music and wondering if anyone had recorded these transcriptions complete - the six solo violin sonatas and partitas and six cello suites. I posed the question on the Internet and found this set which I promptly popped for immediately (at that time it was not available on Amazon.com). And it's one of my favorite recordings.
I can't say that this set is definitive - there are too many other lute players that have recorded Bach that I haven't heard. But I have not heard anyone that has combined the Nigel North's warmth and technique with the great sound I hear on this set. Highlights include the Fugue from the g minor sonata, the Chaconne from the d minor partita, and the cello suite #3 in G. This is the sort of playing that makes you want to put on headphones and turn it up to catch every nuance. Recommended unconditionally, especially for those who like Bach on classical guitar; the difference between lute and guitar adds a whole dimension to this music.
Disappointing (for North's performance)........2000-06-16
I must admit this recording is by no means bad, but a player like North could have performed much better (as in his early recording on Bach's lute works).
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