Bach: The Six Suites
Track Listings
Disc: 1
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1. Suite 1
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2. Suite 3
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3. Suite 5
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Disc: 2
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1. Suite 2
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2. Suite 4
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3. Suite 6
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Bach: The Six Suites, Music, Bach, Pandolfo, Chamber Music & Recitals, Classical, Classical Composers, Classical Music
Average customer rating:
- No, Yo Yo ....
- Inspired by Ma!
- A must-have recording!
- Bravo Yo Yo !
- Very good
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Bach: The Cello Suites Inspired By Bach, From The Six-Part Film Series / Yo-Yo Ma
Manufacturer: Sony
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ASIN: B0000029YB
Release Date: 1998-02-17 |
Tracks:
- Suite No. 1 In G Major: Prelude - J. S. Bach
- Suite No. 1 In G Major: Allemande - J. S. Bach
- Suite No. 1 In G Major: Courante - J. S. Bach
- Suite No. 1 In G Major: Sarabande - J. S. Bach
- Suite No. 1 In G Major: Menuett 1 - 2 - J. S. Bach
- Suite No. 1 In G Major: Gigue - J. S. Bach
- Suite No. 2 in D minor: Prelude - J. S. Bach
- Suite No. 2 in D minor: Allemande - J. S. Bach
- Suite No. 2 in D minor: Courante - J. S. Bach
- Suite No. 2 in D minor: Sarabande - J. S. Bach
- Suite No. 2 in D minor: Menuett I 1 - 2 - J. S. Bach
- Suite No. 2 in D minor: Gigue - J. S. Bach
- Suite No. 3 In C Major: Prelude - J. S. Bach
- Suite No. 3 In C Major: Allemande - J. S. Bach
- Suite No. 3 In C Major: Courante - J. S. Bach
- Suite No. 3 In C Major: Sarabande - J. S. Bach
- Suite No. 3 In C Major: Bourree 1 - 2 - J. S. Bach
- Suite No. 3 In C Major: Gigue - J. S. Bach
- Suite No. 4 In E-Flat Major: Prelude - J. S. Bach
- Suite No. 4 In E-Flat Major: Allemande - J. S. Bach
- Suite No. 4 In E-Flat Major: Courante - J. S. Bach
Tracks:
- Suite 4 in E flat Major: Sarabande - J.S.Bach
- Suite 4 in E flat Major: Bouree 1- 2 - J.S.Bach
- Suite 4 in E flat Major: Gigue - J.S.Bach
- Suite 5 in C Minor: Prelude - J.S.Bach
- Suite 5 in C Minor: Allemande - J.S.Bach
- Suite 5 in C Minor: Courante - J.S.Bach
- Suite 5 in C Minor: Sarabande - J.S.Bach
- Suite 5 in C Minor: Gavotte 1 - 2 - J.S.Bach
- Suite 5 in C Minor: Gigue - J.S.Bach
- Suite 6 in D Major: Prelude - J.S.Bach
- Suite 6 in D Major: Allemande - J.S.Bach
- Suite 6 in D Major: Courante - J.S.Bach
- Suite 6 in D Major: Sarabande - J.S.Bach
- Suite 6 in D Major: Gavotte 1 - 2 - J.S.Bach
- Suite 6 in D Major: Gigue - J.S.Bach
Amazon.com essential recording
Though they were long misunderstood as mere technical hurdles, Bach's six suites for unaccompanied cello are among those rare works of music that offer inexhaustible rewards for performer and listener alike. Yo-Yo Ma gave a pathbreaking account of the suites back in the '80s (Suites for Unaccompanied Cello ) but returns to them here impelled by a unique and interdisciplinary approach. For this project, Ma engaged the talents of artists in different fields--ranging from a landscape artist to a Kabuki actor and figure skaters--to produce six short films as a visual correlative for the highly distinctive character of each suite. While the success of the films in illuminating Bach's creativity is decidedly uneven, Ma brings the music itself to life with a searing, quasi-vocal eloquence. His interpretations are probing, characterized by imaginative bowing and attention to the spacious architecture of Bach's score. This is especially clear in Ma's preference for broad, expansive tempos and patient spinning of filigreed detail. True, the generally Romantic cast of his conception can seem overdone and exaggerated in statement, as if Ma is more intent on overlaying his own personality on the discipline of the music. But the prayerful, meditative concentration he brings to the Sarabandes--listen to the single-lined, anguished tone painting in Suite 5--is utterly convincing. There is a sense of profound introspection here, while in the Sarabande of Suite 6 Ma's phrasing suggests we are in the same spiritual terrain as Beethoven's late quartets. Yet there is no lack of blistering energy and extroverted high spirits in some of the more overtly dance-oriented movements. While purists may complain of distortion in these accounts, Ma once again proves he has something vital to say with this music. --Thomas May
Customer Reviews:
No, Yo Yo ...........2007-03-11
A sub-standard, glossy, and sometimes sentimental interpretation of the Suites. Skip this one and go for the Rostropovich - always intelligent and inspired - never sentimental.
Inspired by Ma!.......2006-01-20
The music on this second recording of Yo-Yo Ma's is fantastic. Admittedly, the packaging is a little confusing (the title itself is a little misleading-- as if it were not comprised of Bach compositions). But the only real complaint is that the fourth suite is split in half on the two CDs. This would be easily solved by by putting 1, 3 & 5 on one CD & 2, 4 & 6 on the other.
But the important thing is the MUSIC & I'll nevertheless give this CD set 5 stars-- this is essential listening!
I think of Bach's cello suites like the Dao De Jing-- it is open to so many endless possibilities in translation. But what I find so appealing in this recording is Ma's fine sense of balance between a 'classical' & 'romantic' approach to the cello suites. Ma is certainly not metronomically rigid with his reading, but neither is it too free. I think he strikes just the right balance in these recordings.
The famous Prelude of the first suite is at a surprisingly fast tempo (so I thought) but it flows-- it is not hurried-- one almost gets the impression of movement but stillness at the same time.
Though for a solo instrument, Bach's cello suites often sound like two, sometimes even three instruments playing at once! And what is amazing is Ma takes on the different 'voices' like an actor playing out all the parts-- the different implied musical lines of this virtual polyphony are brought out by Ma's playing by differences in bowing, volume & character.
The recording itself is so amazingly warm-- you can really feel the wood in the recording. Yo-Yo Ma's cello dances, leaps, sings & soars here.
The sixth suite is my personal favourite, especially the gavotte. It was listening to the sample here on Amazon that convinced me that I needed to own this recording. It is one of the most beautiful things Bach ever wrote I think.
I have three other recordings of the cello suites, but I confess that this is by far the most human & the most warm. Bach's cello suites are perhaps some of the greatest music EVER written & Ma simply channel's the music so exquisitely here.
You have not lived if you haven't listened to Bach's suites for cello! Do yourself a favour & get this recording-- you won't be sorry! I will cherish this recording always...
A must-have recording!.......2005-08-25
OK... I'm very late to weigh in on this CD as I see there are already so many reviews about it but I've been enjoying this CD so much that I just had to share my thoughts with you.
The fluidity of Yo-Yo Ma's playing is incredible. What I've come to appreciate more and more is his willingness - eagerness to have fun and take risks. From his recordings with Bobby McFerrin to his Obrigado Brazil recordings to simply Baroque all these recordings show a man who is so totally comfortable in any style or setting in which he might choose to play.
My congratulations to the recording staff "behind the scenes" as they most certainly had to have been inspired, judging by the quality recording they have produced. Too many times, really great performances can fail to convey the sense of presence that this recording has captured. They have given us a gift no matter what price you've paid for this CD; he's in your room, complete with the sense of ambiance and room boundaries that he was recorded in.
Don't bother with all the surround sound settings! Throw that all away and simply listen in two-channel stereo.
When people have written about what nice background music this makes I can only grin inside. Yes, it's charming. Yes, it's easy to live around but it also can compel you to sit and listen. How often does that happen?
This is a lovely recording of a masterful performance by one heck of a talented musician.
Bravo Yo Yo !.......2005-06-28
Comparé à sa version de 1983, Yo Yo Ma semble ici plus intériorisé(version 1994). Son approche est plus réfléchie
avec des aspects plus méditatifs, quoiqu'un peu «pathos» à certains moments.
Bonne version si vous cherchez autre chose que l'accent baroque.
Merci d'avoir lu mon humble avis. R.R
Very good.......2005-03-24
This set could possibly be the best you can get for the complete Bach Cello Suites. The people who write bad reviews for Yo-Yo Ma's recordings probably think, as I myself used to, that he is overrated and not very professional. However, I have come to realize that Yo-Yo Ma is a very professional musician, and really is one of the best cellists alive. I have seen him play concerts on TV, and every gesture and sound he makes seems deeply inspired and it truly seems like he understands the music. This recording is no exception. Each cello suite is marvelously performed (and from what I hear, even better than the older recording he made), and the sound quality is extraordinary. Highly recommended.
Average customer rating:
- A Truly Excellent Choice!
- exquisite
- Musically very pleasing, though not the best.
- Better performances available
- Music for the Heart
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Bach: Six Unaccompanied Cello Suites
Manufacturer: Sony
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- Simply Baroque
ASIN: B0000025QM
Release Date: 1990-10-25 |
Tracks:
- Suite No. 1, S. 1007 In G Major: Prelude
- Suite No. 1, S. 1007 In G Major: Allemande
- Suite No. 1, S. 1007 In G Major: Courante
- Suite No. 1, S. 1007 In G Major: Sarabande
- Suite No. 1, S. 1007 In G Major: Menuett
- Suite No. 1, S. 1007 In G Major: Gigue
- Suite No. 4, S. 1010 In E-Flat Major: Prelude
- Suite No. 4, S. 1010 In E-Flat Major: Allemande
- Suite No. 4, S. 1010 In E-Flat Major: Courante
- Suite No. 4, S. 1010 In E-Flat Major: Sarabande
- Suite No. 4, S. 1010 In E-Flat Major: Bourree
- Suite No. 4, S. 1010 In E-Flat Major: Gigue
- Suite No. 5, S. 1011 In C Minor: Prelude
- Suite No. 5, S. 1011 In C Minor: Allemande
- Suite No. 5, S. 1011 In C Minor: Courante
- Suite No. 5, S. 1011 In C Minor: Sarabande
- Suite No. 5, S. 1011 In C Minor: Gavotte
- Suite No. 5, S. 1011 In C Minor: Gigue
Tracks:
- Suite No. 2, S. 1008 In D Minor: Prelude
- Suite No. 2, S. 1008 In D Minor: Allemande
- Suite No. 2, S. 1008 In D Minor: Courante
- Suite No. 2, S. 1008 In D Minor: Sarabande
- Suite No. 2, S. 1008 In D Minor: Menuett
- Suite No. 2, S. 1008 In D Minor: Gigue
- Suite No. 3, S. 1009 In C Major: Prelude
- Suite No. 3, S. 1009 In C Major: Allemande
- Suite No. 3, S. 1009 In C Major: Courante
- Suite No. 3, S. 1009 In C Major: Sarabande
- Suite No. 3, S. 1009 In C Major: Bouree
- Suite No. 3, S. 1009 In C Major: Gigue
- Suite No. 6, S. 1012 In D Major: Prelude
- Suite No. 6, S. 1012 In D Major: Allemande
- Suite No. 6, S. 1012 In D Major: Courante
- Suite No. 6, S. 1012 In D Major: Sarabande
- Suite No. 6, S. 1012 In D Major: Gavotte
- Suite No. 6, S. 1012 In D Major: Gigue
Amazon.com
This is Yo-Yo Ma's first recording of Bach's Cello Suites, digitally recorded in 1983 and first issued on LP. He has since made a second recording of the Suites in 1998, taken from the soundtrack of a video series, so it's interesting that the earlier set remains available. If you've been lucky enough to hear Ma play this music in concert, you'll realize that neither set represents his Bach at its best. This rendition is generally quite straightforward, beautifully played and musically sound but sometimes not very emotional. The second set is more expressive but frequently seems self-conscious. Either of these recordings is a worthy representation of Bach's superb music, but neither attains the mature eloquence of Starker's final recording, a level Ma will probably reach himself in his third recording. --Leslie Gerber
Customer Reviews:
A Truly Excellent Choice!.......2007-07-20
The years that this set has remained in the catalogue attest for the level of interpretation and expertise that Yo-Yo Ma imbews here with these great "soulful" pieces. My first exposure to these works was this recorded set, and I certainly will say that I "struck it right" with this addition to my music collection. Are there better versions...? Well, there are other Interpretations, of course. But, from what I determine, Mr. Ma is playing Bach's music as written, with his own natural inflection, of course. Could you ask for more....not much! A Fine Recording Overall, Fine Interpretation, Fine Warm Ambiance (as it strikes me) as if Yo-Yo is playing these in your living room, just for the two of you. And I like this feeling a lot. Greatly Recommended. ~operabruin
~I happened to see on Amazon here, that this set has been remastered, so I would think that the new set would be pretty nice! I'll be checking it out!
exquisite.......2007-07-05
The most exquisite classical recording you will ever buy. I have owned the vinyl for years and bought the CD's for convenience - car, kitchen. Ma is the best, and the sound quality is extraordinary - you can sometimes hear him breathing!
Musically very pleasing, though not the best........2007-05-18
It would be harsh - with such great exponents of these suites recorded before him, to compare Mr. Ma's playing with other great cellists.
I agree that if you concentrate on the dances in the suites, you will find the best of Ma's interpretation. They are musical, soulful and beautiful. Elsewhere, like in Preludes, the required depth and nuance are some what missing. Listen to Rostropovich, for example, an immediate difference surfaces.
Even so, a 4 star rating is still well-deserved, bearing in mind that Mr. Ma was not yet 30 years old when he recorded this album.
Better performances available.......2007-03-27
Although some would call this performance "straightforward," it lacks the depth and richness of available recordings by Fournier, Casals, and Rostropovich. Before purchasing, take the time to listen to the Suite No. 1 Prelude of all four cellists. Whereas Fournier, Casals, and Rostropovich are movingly expressive, Yo-Yo Ma's is "on point" but lacking emotion.
I wanted to buy this CD but had no performer in mind. I first chose Yo-Yo Ma just because I'd heard of him. After a quick review of other customer comments and my own test runs, I decided to buy Fournier, Casals, AND Rostropovich, just because I was excited to hear a familiar piece played so beautifully in three different ways. Note that Yo-Yo Ma didn't make the cut.
Music for the Heart.......2006-12-25
The experience of music doesn't get better than this, and rarely as good. The Bach cello suites take you into an inner space that most folks in this culture never visit, and Ma takes you there effortlessly, with nothing to separate you from this imperishable gift that Bach gave the world. Listen to it over and over again, and you will only grow deeper into this music. Mediate with it, and if you have animals in your life, play it for them and just watch what happens.
Average customer rating:
- It is just what I ordered
- Sheer Brilliance
- A true essential
- Eh - It was alright
- A wonderful addition to any Bach lovers collection
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Six Cello Suites performed on viola
Manufacturer: Ashmont
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ASIN: B00004W4TY
Release Date: 2000-07-06 |
Tracks:
- Ste No.1 in G, BWV1007: Prld
- Ste No.1 in G, BWV1007: Allemande
- Ste No.1 in G, BWV1007: Courante
- Ste No.1 in G, BWV1007: Sarabande
- Ste No.1 in G, BWV1007: Menuet I & II
- Ste No.1 in G, BWV1007: Gigue
- Ste No.2 in d, BWV1008: Prld
- Ste No.2 in d, BWV1008: Allemande
- Ste No.2 in d, BWV1008: Courante
- Ste No.2 in d, BWV1008: Sarabande
- Ste No.2 in d, BWV1008: Menuet I & II
- Ste No.2 in d, BWV1008: Gigue
- Ste No.3 in C, BWV1009: Prld
- Ste No.3 in C, BWV1009: Allemande
- Ste No.3 in C, BWV1009: Courante
- Ste No.3 in C, BWV1009: Sarabande
- Ste No.3 in C, BWV1009: Bourree I & II
- Ste No.3 in C, BWV1009: Gigue
Tracks:
- Ste No.4 in E flat, BWV1010: Prld
- Ste No.4 in E flat, BWV1010: Allemande
- Ste No.4 in E flat, BWV1010: Courante
- Ste No.4 in E flat, BWV1010: Sarabande
- Ste No.4 in E flat, BWV1010: Bourree I & II
- Ste No.4 in E flat, BWV1010: Gigue
- Ste No.5 in c, BWV1011: Prld
- Ste No.5 in c, BWV1011: Allemande
- Ste No.5 in c, BWV1011: Courante
- Ste No.5 in c, BWV1011: Sarabande
- Ste No.5 in c, BWV1011: Gavotte I & II
- Ste No.5 in c, BWV1011: Gigue
- Ste No.6 in D, BWV1012: Prld
- Ste No.6 in D, BWV1012: Allemande
- Ste No.6 in D, BWV1012: Courante
- Ste No.6 in D, BWV1012: Sarabande
- Ste No.6 in D, BWV1012: Gavotte I & II
- Ste No.6 in D, BWV1012: Gigue
Customer Reviews:
It is just what I ordered.......2007-07-13
The CD came on time and was good quality. It was just what I heard on the online player.
Sheer Brilliance.......2007-05-14
Wonderful, inspiring, beautiful. Music like this is why I took up the Viola. The marrying of Bach, with the skill of Patricia and the acoustics of the location make this an enthralling experience. I can not recommend this highly enough.
A true essential.......2007-05-13
This recording is an essential for every Bach lover's collection. This is a phenomenal performance that only gets better the more you listen to it. Also, as a violist myself, I notice that as I study each suite, I gain even more respect for the depth and perception which Ms. McCarty displays in her playing. Each suite has a delightful and distinct character of its own. This is a grerat recording of the suites, whether on cello or viola.
Eh - It was alright.......2005-03-20
Honestly, I thought the album was well done. As a violist, I was glad to see a solo viola performer taking on the challenge of interpreting Bach's viola suites, but really, this CD has nothing on Yo Yo Ma's version on cello. McCarthy just can't match Ma's interpretive abilities; and honestly, I've heard better viola recordings as well, though I can't remember who off of the top of my head. Still, it's a decent recording, with very nice acoustics.
A wonderful addition to any Bach lovers collection.......2004-06-28
This CD really rounds out my collection of the Bach Suites. If you love Bach you shuldn't miss the rich tones and the amazing clarity of Patricia McCarty's work.
Average customer rating:
- Very Refined Yet Not Uncharming - One of Her Best Performances
- Lovely, heartfelt Bach
- It's perfect.
- Elegant Artistry
- Hewitt or Gould
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Bach: French Suites / Angela Hewitt
Johann Sebastian Bach , and Angela Hewitt
Manufacturer: Hyperion UK
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ASIN: B00000300T
Release Date: 1995-11-21 |
Tracks:
- Sonata In D Minor, BWV964: Adagio
- Sonata In D Minor, BWV964: Fuga: Allegro
- Sonata In D Minor, BWV964: Andante
- Sonata In D Minor, BWV964: Allegro
- French Suite No. 1 In D Minor, BWV812: Allemande
- French Suite No 1 In D Minor, BWV812: Courante
- French Suite No. 1 In D Minor, BWV812: Sarabande
- French Suite No. 1 In D Minor, BWV812: Menuet I And II
- French Suite No. 1 In D Minor, BWV812: Gigue
- French Suite No. 2 In C Minor, BWV813: Allemande
- French Suite No. 2 In C Minor, BWV813: Courante
- French Suite No. 2 In C Minor, BWV813: Sarabande
- French Suite No. 2 In C Minor, BWV813: Air
- French Suite No. 2 In C Minor, BWV813: Menuet I And II
- French Suite No. 2 In C Minor, BWV813: Gigue
- French Suite No. 3 In B Minor, BWV814: Allemande
- French Suite No. 3 In B Minor, BWV814: Courante
- French Suite No. 3 In B Minor, BWV814: Sarabande
- French Suite No. 3 In B Minor, BWV814: Anglaise
- French Suite No. 3 In B Minor, BWV814: Menuet And Trio
- French Suite No. 3 In B Minor, BWV814: Gigue
- Six Little Preludes: Prelude In C Major, BWV924
- Six Little Preludes: Prelude In G Minor, BWV 930
- Six Little Preludes: Prelude In D Major, BWV 925
- Six Little Preludes: Prelude In D Minor, BWV 926
- Six Little Preludes: Prelude In F Major, BWV 927
- Six Little Preludes: Prelude In F Major, BWV 928
Tracks:
- Six Little Preludes: Prelude In C Major, BWV 933
- Six Little Preludes: Prelude In C Minor, BWV 934
- Six Little Preludes: Prelude In D Minor, BWV 935
- Six Little Preludes: Prelude In D Major, BWV 936
- Six Little Preludes: Prelude In E Major, BWV 937
- Six Little Preludes: Prelude In E Minor, BWV 938
- Six Little Preludes: Prelude In C Major, BWV 939
- Six Little Preludes: Prelude In D Minor, BWV 940
- Six Little Preludes: Prelude In E Minor, BWV 941
- Six Little Preludes: Prelude In A Minor, BWV 942
- Six Little Preludes: Prelude In C Major, BWV 943
- Six Little Preludes: Prelude In C Minor, BWV 999
- French Suite No. 4 In E Flat Major, BWV815: Praeludium
- French Suite No. 4 In E Flat Major, BWV815: Allemande
- French Suite No. 4 In E Flat Majoe, BWV815: Courante
- French Suite No. 4 In E Flat Major, BWV815: Sarabande
- French Suite No. 4 In E Flat Major, BWV815: Gavotte I
- French Suite No. 4 In E Flat Major, BWV815: Gavotte II
- French Suite No. 4 In E Flat Major, BWV815: Menuet
- French Suite No. 4 In E Flat Major, BWV815: Air
- French Suite No. 4 In E Flat Major, BWV815: Gigue
- French Suite No. 5 In G Major, BWV816: Allemande
- French Suite No. 5 In G Major, BWV816: Courante
- French Suite No. 5 In G Major, BWV816: Sarabande
- French Suite No. 5 In G Major, BWV816: Gavotte
- French Suite No. 5 In G Major, BWV816: Bourree
- French Suite No. 5 In G Major, BWV816: Loure
- French Suite No. 5 In G Major, BWV816: Gigue
- French Suite No. 6 In E Major, BWV817: Allemande
- French Suite No. 6 In E Major, BWV817: Courante
- French Suite No. 6 In E Major, BWV817: Sarabande
- French Suite No. 6 In E Major, BWV817: Gavotte
- French Suite No. 6 In E Major, BWV817: Polonaise
- French Suite No. 6 In E Major, BWV817: Bourree
- French Suite No. 6 In E Major, BWV817: Menuet
- French Suite No. 6 In E Major, BWV817: Gigue
- Prelude And Fugue In A Minor, BWV894: Prelude
- Prelude And Fugue In A Minor, BWV894: Fugue
Customer Reviews:
Very Refined Yet Not Uncharming - One of Her Best Performances.......2007-03-27
Ms Hewitt has never quite swept me away, and she certainly does nothing here to suggest she is a legendary pianist. However, she is very at ease with these works, and brings to them quite a bit of charm and piquancy. She's convincing and - my most important criteria for rating any CD - relistenable. The music itself is fresh and delightful, as charming as anything in all of Bach - he could be very charming indeed: though for too many Bach is revered as serious and intellectual. Anyway, these are nice performances and perhaps it's just my personal taste, but I find Ms Hewitt's efforts here in the lighter keyboard repetoire of Bach easier to accept than most of her efforts in the French repetoire.
The great performances of Bach's French Suites remain those of long ago - Helmut Wacha on the harpsichord, but those are not currently available in America.
Lovely, heartfelt Bach.......2005-11-07
Bach's music weaves together many elements: heartfelt story-telling, intellectual fascination, inspiring technique, and joyful dance. My favorite Bach interpreters are those who can reveal the innate sensitivity of Bach's music, and Angela does that superbly. Her tone is always singing, her dance rhythms will set even Grandma to jumping and cavorting, and her emotional connection so intimate I thought it was my mother singing to me in the cradle.
I particularly like that her technique never becomes showy in itself; even the difficult final Gigue of Suite 5 is purely about dance and joy.
Her ornaments are always tasteful. Not easy to do with Bach, when you consider that ornamenting is a form of composition.. and to ornament well, one is essentially adding to Bach's composition.
Her interpretation of Bach on the piano (as opposed to the harpsichord, for which is was written) is absolutely convincing.
This is my first CD purchase of Angela's Bach, and I plan to get them all.
It's perfect........2005-09-10
Awesome CDs. You need to have this if you enjoy piano classical music. Angela performs the best french suites!
Elegant Artistry .......2005-08-14
Recorded early in Angela Hewitt's Bach cycle, the popular French Suites (along with the "Little Preludes" and other two more dynamic virtuoso pieces) take a step back from the more serious and complex fugal compositions of Bach and settle into the restrained elegance of the courtly and rustic dances of the era. Although Bach never titled these works as "French," the suites take much of their inspritation from the various "dance" forms of music in that period (French mainly) that form each suite: the processional German-inspired allemandes ... the stately French courantes ... the spicier Italian correntes ... the slow and meditative sarabandes of Spanish-origin ... the French-aristocratic minuets, gavottes and airs ... the bouncy and free-spirited bourrees ... and, to close the suite, the most musically serious French gigues (inspired by the English 'jig'). The three minor-key suites take a more introverted flavor while the three major-key suites are more extraverted and bright. Suites 5 and 6 are perhaps the most popular for their bright, major-key sounds.
Every generation has its one or two Bach legends, and for the 'boomer generation,' one of them is certainly Angela Hewitt. Her poised playing finds its natural home here and wonderfully matches the spirit of this elegant, gentle and noble music. Her decorative touches are pure artistry and always delightfully enhance the atmosphere of the music without detracting or distracting. Penguin Guide gave this set their "Recommended Recording" of all the available recordings of the French Suites. It all just sounds "right" for this type of music. Addtionally, the sound quality is clear and without extraneous noise and has a somewhat-spacious but pleasant ambiance.
The so-called "Little Preludes" were exercises for Bach's son or pupils but really are not so "little" in terms of style or substance. Most are light and delightful - with some pure charm (BWV933). Notably Hewitt makes them all sound - not as mere exercises - but as viable performances in themselves. On a more virtuostic scale are the "filler works" on this CD: the Sonata in D minor and the Prelude/Fugue in A minor - the former being transcribed from the solo violin sonata in A minor (BWV 1003) and the latter being a work Bach later encorporated into the "Triple Concerto (BWV 1044, on Hewitt's Bach Concertos Vol. I). The closing allegro of the Sonata is a highlight and is played by Hewitt with an effortless radiance. Her galloping triplets and ever-so delicate and deft shifts in dynamics and touch here create the famous Bach "echo" that gives a facinating and larger-than-life quality to the movement. All-in-all, a most pleasant, accessible and artistic recording from one of the most talented pianists playing Bach today.
If you are trying to sort out Bach's great solo keyboard music, you can characterize them like this in general: the FRENCH SUITES are overall the most refined, elegant and 'restrained' musically (French courtly style) as compared to the more dynamic preludes and dances in the ENGLISH SUITES (but also having haughtingly-beautiful sarabandes to contrast). Along with the great showpieces, CHROMATIC FANTASY & FUGUE in C minor, the PARTITAS and the TOCCATAS are certainly the most outright virtuostic of the sets - with the latter being the most free of form and the most extemporaneous sounding. The two books of Bach's "WELL-TEMPERED CLAVIER" are in a class of their own from the often-charming preludes in Book I to the most complex musical-intelligence contained in the fugues of Book II. Bach's WTC is both systematic and pedogogic but also delightfully lyrical and often deeply meditative and is essential music in any piano-loving human being. This wide range of contrasting emotional qualities (movements) is really characteristic of nearly all of Bach's keyboard music and is most marvelously showcased in the legenday 30 GOLDBERG VARIATIONS. All of Angela Hewitt's Bach recordings are excellent (no 'dogs') and are consistently rated among the top 2 or 3 choices in the field. Hard to go wrong with any really.
Hewitt or Gould.......2004-09-29
Angela Hewitt is often compared to Glenn Gould, her fellow Canadian pianist, because she also plays Bach. I won't compare them. When I listen to Gould I marvel at his genius. When I listen to Hewitt, I marvel at Bach's genius.
Average customer rating:
- One of the Best recording for classical guitar
|
Six Unaccompanied Cello Suites Arranged for Guitar Volume 1
Manufacturer: Heartdance Music
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Mel Bay Presents J.S. Bach: Six Unaccompanied Cello Suites Arranged for Guitar (Thorne Brothers Trilogy) (Thorne Brothers Trilogy)
- Bach: Guitar Transcriptions
- Agustín Barrios: Guitar Music, Vol. 2
- Barrios: Guitar Music, Vol. 1
- Leo Brouwer: Guitar Music, Vol. 1
ASIN: B000145PYQ
Release Date: 1999-06-01 |
Tracks:
- Suite No. 1 in C-major, bwv 1007 (orig. G) Prelude
- Suite No. 1 in C-major, bwv 1007 (orig. G) Allemande
- Suite No. 1 in C-major, bwv 1007 (orig. G) Courante
- Suite No. 1 in C-major, bwv 1007 (orig. G) Sarabande
- Suite No. 1 in C-major, bwv 1007 (orig. G) Menuet 1
- Suite No. 1 in C-major, bwv 1007 (orig. G) Menuet 2 (Menuet 1 da capo)
- Suite No. 1 in C-major, bwv 1007 (orig. G) Gigue
- Suite No. 2 in a-minor, bwv 1008 (orig. d) Prelude
- Suite No. 2 in a-minor, bwv 1008 (orig. d) Allemande
- Suite No. 2 in a-minor, bwv 1008 (orig. d) Courante
- Suite No. 2 in a-minor, bwv 1008 (orig. d) Sarabande
- Suite No. 2 in a-minor, bwv 1008 (orig. d) Menuet 1
- Suite No. 2 in a-minor, bwv 1008 (orig. d) Menuet 2 (Menuet 1 da capo)
- Suite No. 2 in a-minor, bwv 1008 (orig. d) Gigue
- No. 3 in G-major, bwv 1009 (orig. C) Prelude
- No. 3 in G-major, bwv 1009 (orig. C) Allemande
- No. 3 in G-major, bwv 1009 (orig. C) Courante
- No. 3 in G-major, bwv 1009 (orig. C) Sarabande
- No. 3 in G-major, bwv 1009 (orig. C) Bouree 1
- No. 3 in G-major, bwv 1009 (orig. C) Bouree 2 (Bouree 1 da capo)
- No. 3 in G-major, bwv 1009 (orig. C) Gigue
Album Description
Stanley Yates' new arrangements, representing a modern reinterpretation of the baroque style, performed by a modern musician, on a modern guitar (capo at the first fret), for a modern audience.
Customer Reviews:
One of the Best recording for classical guitar.......2007-01-11
One of the reasons I bought this record is I have the musical transcription from Mel Bay publications Stanley Yates Series and its probably one of the most important works for the classical guitar ever to be publish , I would highly recommend them both the CD and the Score for anyone who plays classical guitar and guitar aficionados.
Average customer rating:
- Bach French Suites -- Andras Schiff, Pianist
- Andras vs. Andrei
- Schiff not quite his best, but nevertheless most enjoyable
- NOT SCHIFF'S STRONG SUIT, THESE SIX FRENCH "SWEETS" OF BACH
- Interesting, delightful CD
|
Bach: The Six French Suites
Manufacturer: Decca
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Binding: Audio CD
All Works by J.S. Bach
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Similar Items:
- Bach: English Suites BWV 806-811
- Bach: Two part Inventions/Three Part Inventions
- Bach: The Well-Tempered Clavier, Book 1
- J.S. Bach: Goldberg Variations
- Bach: The Well Tempered Clavier Book II
ASIN: B0000041ZG
Release Date: 1993-08-10 |
Tracks:
- French Suite No.1 In D Minor, BWV 812: I. Allemande
- French Suite No.1 In D Minor, BWV 812: II. Courante
- French Suite No.1 In D Minor, BWV 812: III. Sarabande
- French Suite No.1 In D Minor, BWV 812: IV. Menuet I
- French Suite No.1 In D Minor, BWV 812: V. Menuet II
- French Suite No.1 In D Minor, BWV 812: VI. Gigue
- French Suite No.2 In C Minor, BWV 813: I. Allemande
- French Suite No.2 In C Minor, BWV 813: II. Courante
- French Suite No.2 In C Minor, BWV 813: III. Sarabande
- French Suite No.2 In C Minor, BWV 813: IV. Air
- French Suite No.2 In C Minor, BWV 813: V. Menuet I
- French Suite No.2 In C Minor, BWV 813: VI. Menuet II
- French Suite No.2 In C Minor, BWV 813: VII. Gigue
- French Suite No.3 In B Minor, BWV 814: I. Allemande
- French Suite No.3 In B Minor, BWV 814: II. Courante
- French Suite No.3 In B Minor, BWV 814: III. Sarabande
- French Suite No.3 In B Minor, BWV 814: IV. Anglaise
- French Suite No.3 In B Minor, BWV 814: V. Menuet - Trio
- French Suite No.3 In B Minor, BWV 814: VI. Gigue
- French Suite No.4 In E Flat Major, BWV 815: I. Allemande
- French Suite No.4 In E Flat Major, BWV 815: II. Courante
- French Suite No.4 In E Flat Major, BWV 815: III. Sarabande
- French Suite No.4 In E Flat Major, BWV 815: IV. Gavotte
- French Suite No.4 In E Flat Major, BWV 815: V. Air
- French Suite No.4 In E Flat Major, BWV 815: VI. Menuet
- French Suite No.4 In E Flat Major, BWV 815: VII. Gigue
Tracks:
- French Suite No.5 In G Major, BWV 816: I. Allemande
- French Suite No.5 In G Major, BWV 816: II. Courante
- French Suite No.5 In G Major, BWV 816: III. Sarabande
- French Suite No.5 In G Major, BWV 816: IV. Gavotte
- French Suite No.5 In G Major, BWV 816: V. Bourr
- French Suite No.5 In G Major, BWV 816: VI. Loure
- French Suite No.5 In G Major, BWV 816: VII. Gigue
- French Suite No.6 In E Major, BWV 817: I. Allemande
- French Suite No.6 In E Major, BWV 817: I. Courante
- French Suite No.6 In E Major, BWV 817: II. Sarabande
- French Suite No.6 In E Major, BWV 817: IV. Gavotte
- French Suite No.6 In E Major, BWV 817: V. Polonaise
- French Suite No.6 In E Major, BWV 817: VI. Menuet
- French Suite No.6 In E Major, BWV 817: VII. Bourr
- French Suite No.6 In E Major, BWV 817: VIII. Gigue
- Italian Concerto In F Major, BWV 971: I. (Allegro)
- Italian Concerto In F Major, BWV 971: II. Andante
- Italian Concerto In F Major, BWV 971: III. Presto
- French Overture (Partita) In B Minor, BWV 831: I. Ouverture
- French Overture (Partita) In B Minor, BWV 831: II. Courante
- French Overture (Partita) In B Minor, BWV 831: III. Gavottes I & II
- French Overture (Partita) In B Minor, BWV 831: IV. Passepieds I & II
- French Overture (Partita) In B Minor, BWV 831: V. Sarabande
- French Overture (Partita) In B Minor, BWV 831: VI. Bourr I & II
- French Overture (Partita) In B Minor, BWV 831: VII. Gigue
- French Overture (Partita) In B Minor, BWV 831: VIII. Echo
Customer Reviews:
Bach French Suites -- Andras Schiff, Pianist.......2007-01-22
The genius and humanity of J.S. Bach are nowhere on better display than his French Suites, and this recording does not dissapoint. Andras Schiff gives us his usual flawless and inspired interpration of Bach and reminds us how pleased the old master would have been to hear his works played on a modern piano. The inclusion of Bach's Italian Concerto and Partita in B flat minor are an additional treat on the CD. This is a must-own collection for anyone who claims to have more than a passing interest in baroque masterpieces and no better recording of Bach's French Suites will be found anywhere.
Andras vs. Andrei.......2001-11-20
The reason I brought this CD is mainly for my comparison with the Andrei Gavrilov on the French suite no. 5. My conclusion is: In many ways, I think Schiff seems to be trying very hard to make the piano sounds like harpsichord while playing all those baroque music. In a big contrast, Gavrilov has totally captured the very nature of piano and played the no. 5 suite so beautifully!!
Schiff not quite his best, but nevertheless most enjoyable.......2001-08-06
I must admit that despite admiring most of Schiff's version(s) of J.S. Bach's works, I don't think that he has most of these pieces as highly refined / polished as some of his other pieces. Nevertheless, despite being slightly off his peak doesn't mean that he's any less than Gould; in fact, the amount of thought put into his playing (including embellishments!) is considerably more intelligent than Gould's. This recording merits the full 5 stars, but not the special 6 stars that Schiff so obviously deserves with some of his other recordings of other works.
NOT SCHIFF'S STRONG SUIT, THESE SIX FRENCH "SWEETS" OF BACH.......2000-07-18
What a fundamentally ludicrous way to play Bach! This isn't a rendition of six individual suites... it's 82 minutes of one gigantic "French Suite," period. Schiff doesn't penetrate, doesn't differentiate. No, not at all. The light and dark hues inherent in this music he rides roughshod over completely. He contents himself with merely skittering around the keyboard, mostly, and because of this there is a "sameness" about every movement that borders on absolutely incredible tediousness. Under Schiff's fingers, Bach cannot "breathe." The pianist, in a whirlwind, allows no real ebb and flow, no real give and take. Emotion and depth just seem to elude him completely. It's a "rush job," a disservice to Bach and the French Suites, and the kind of pianism that stereotypifies what people of a non-classical bent think Bach's music is: monotonous. (One simply need listen to Wolfgang Rubsam's performances of Bach's English Suites on Naxos to realize just how Bach can sound.)
Schiff continues droning on with his homogenous renditions of the French Overture in Bm and the Italian Concerto in F, both also included on the second disc of the set. Now, ordinarily, I would rejoice at the inclusion of these exceptional works. Unfortunately, not in this case. And not at Schiff's tedious, monochromatically hectic, superficial pianism. To add insult to injury, the London sound image is typically ambient and adds yet another annoying element into the mix.
There's more here than Mr. Schiff would lead us to believe. Much, much more.
Interesting, delightful CD.......2000-01-13
András Schiff is one of the best Bach players among Gould, Rosalyn Tureck and Wanda Landowska. On Schiff's French Suites, every part from every suite has a different color and gives you different feeling. Every harmony is taken to its end with care, and dynamic balance is always delightful to listen. Articulation of the notes is excellent, full of humour, and in some places you surely start to smile and you feel very happy when you listen to Schiff. He also plays the slow parts very deeply and warmly, which is for some artists a big problem when playing Bach. There are also Italian Concerto and French Overture on the CD's, played brilliantly, so this set is really worth buying. Recommended for everyone.
Average customer rating:
- SACD has excellent sound, but where is the G minor sonata?
- Wonderful
- Magnificent - But buy the 2004 SACD release
- Epochal performance, poor remastering
- simply not very good
|
Bach: Six Suites; Sonatas in G major & D major
Manufacturer: Philips
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Similar Items:
- Dvorak: Concerto for cello in Bm; Tchaikovsky: Variations on a Rococo Theme
- Bach: Suites for Solo Cello
- Italian Cello Sonatas
- Janos Starker
- Brahms, Mendelssohn: Cello Sonatas
ASIN: B0000057L9
Release Date: 1991-11-08 |
Tracks:
- Suite No. 1 In G Major: Praeludium
- Suite No. 1 In G Major: Allemande
- Suite No. 1 In G Major: Courante
- Suite No. 1 In G Major: Sarabande
- Suite No. 1 In G Major: Menuets
- Suite No. 1 In G Major: Gigue
- Suite No. 2 in D minor: Praeludium
- Suite No. 2 in D minor: Allemande
- Suite No. 2 in D minor: Courante
- Suite No. 2 in D minor: Sarabande
- Suite No. 2 in D minor: Menuets
- Suite No. 2 in D minor: Gigue
- Suite No. 3 In C Major: Praeludium
- Allemande
- Suite No. 3 In C Major: Courante
- Suite No. 3 In C Major: Sarabande
- Suite No. 3 In C Major: Bourrees
- Suite No. 3 In C Major: Gigue
- Suite No. 4 In E-Flat Major: Praeludium
- Suite No. 4 In E-Flat Major: Allemande
- Suite No. 4 In E-Flat Major: Courante
- Suite No. 4 In E-Flat Major: Sarabande
- Suite No. 4 In E-Flat Major: Bourees
- Suite No. 4 In E-Flat Major: Gigue
Tracks:
- Suite No. 5 in C minor: Praeludinium
- Suite No. 5 in C minor: Allemande
- Suite No. 5 in C minor: Courante
- Suite No. 5 in C minor: Sarabande
- Suite No. 5 in C minor: Gavottes
- Suite No. 5 in C minor: Gigue
- Suite No. 6 In D Major: Praeludinium
- Suite No. 6 In D Major: Allemande
- Suite No. 6 In D Major: Courante
- Suite No. 6 In D Major: Sarabande
- Suite No. 6 In D Major: Gavottes
- Suite No. 6 In D Major: Gigue
- Sonata In G Major, BWV 1027: Adagio
- Sonata In G Major, BWV 1027: Allegro Ma Non Tanto
- Sonata In G Major, BWV 1027: Andante
- Sonata In G Major, BWV 1027: Allegro Moderato
- Sonata In D Major, BWV 1028: Adagio
- Sonata In D Major, BWV 1028: Allegro
- Sonata In D Major, BWV 1028: Andante
- Sonata In D Major, BWV 1028: Allegro
Amazon.com
Apparently, no music could be simpler than these suites, composed for a single, unaccompanied instrument, and each made up of a prelude followed by a series of stylized Baroque dances: allemande, courante, saraband, minuet, bourré/e or gavotte, and gigue. Yet each suite, each movement has a striking individuality and each cellist makes the series his own. It is totally objective music and, at the same time, intensely personal. János Starker's view is spare, ascetic, technically flawless, suggesting much more than it says, like a fine line drawing by an old master painter. --Joe McLellan
Customer Reviews:
SACD has excellent sound, but where is the G minor sonata?.......2006-12-02
Recently, I have been replacing my very favorite classical records with CD's. I've always loved my Mercury records of Bach Cello Suites, played by Starker, so decided to purchase the CD. I also have the record of the Cello Sonatas with Starker & Sebok, which are equally wonderful. I decided to purchase the SACD of this recoding because it also included the Sonata set, or so I thought. If I only wanted the suites I probably would have bought the RCA Victor set based on the reviews here.
Upon receiving this SACD, I decided to check the sound quality against my records, which have a wonderful warm sound. I found that the sound on the suites was almost indistinguishable between the record and SACD (the only difference being that the record played a little louder at the same volume level). On the sonatas, the records sounded a touch mushy. The SACD was crisper without loosing any of the warmth. So while there may be technical problems with the CD of this recording, in my opinion the SACD has excellent sound.
Then I noticed that the SACD only included two of the three sonatas that are on the record. The beautiful G minor sonata (which is my favorite) was not included. This recording in terms of artistry and technical quality deserves 5 stars, but because of the stupid decision to exclude the G minor sonata I take away a star.
Wonderful.......2005-07-22
OK. So I'm no musician, but for my money this is superb, beautifully played and emotionally expressive.
I am quite alarmed by the reaction of some of the other reviewers here. The sound quality really is not as bad as all that (in fact it's pretty clear compared to most) and Bach's suites are brought to life in a way that I have not heard before.
Where other lesser musicians make these sound like a cold, academic exercise, Starker invests just the right amount of feeling to make this a truly emotional and rewarding experience.
Have a listen and find out for yourself. I'm sure many will disagree with me - they're just wrong!
Magnificent - But buy the 2004 SACD release.......2005-01-08
Janos Starker has recorded the Bach cello suites five times, and when asked why he has made so many, he said it was because each time he signed with a new record company, they wanted him to do another set(!) His honest, no-nonsense personality shows through in his Bach performances as well. Some claim his approach is too dry and unemotional, but after many years of listening to and playing these suites, his clarity and sense of structure keep me engaged long after I've grown tired of more visceral, "romantic" approaches. Many say this is his best set, but if you chose it, avoid at all costs the CD for sale here and buy the hybrid SACD/CD released in 2004, also available on amazon.com, even though it costs more. The reviewers below (and others) have found this CD to have been recorded a full tone sharp (ugh!). I don't know about that since I don't have it, but the 2004 SACD/CD sounds right on pitch to me.
Epochal performance, poor remastering.......2003-12-19
The reviewer below expresses it best. Starker's Mercury set of the suites is, for most cellists, the gold standard. Technically speaking, they are flawless. Artistically speaking there is laser-beam musical understanding that arcs the entire recording. The later RCA recording is even deeper in understanding, but Starker's Bach is akin to Gould's in this regard: you want both the earlier and the later -- they are both that great.
What a shame then that shoddy remastering has put these disks into the realm of the unlistenable. Anyone who is intimate with these pieces will notice immediately (as the prior reviewer did) that they are sharp. It is so distracting that I cannot bear to put the disk in the player. A next to criminal moment in the rush to cash in on the LP to CD bonanza!
Performance: 5+ Stars; remastering: 0 Stars.
simply not very good.......2002-04-06
I saw this CD set in a used music store at $5.99, and naturally thought I was getting a great buy. Frankly, I wish I could get my money back. Of all the recordings of the suites that I've heard by big-name cellists, this is by far the weakest.
Judging purely from a standpoint of cello technique, Janos Starker was certainly once the world's greatest cellist, and this virtuosity shows in the technical passagework of the 6th suite, originally written for a 5-string instrument but played by Starker (and most cellists) on only 4. But there is far more to Bach's cello suites than technical skill. Starker's sound is very dry and often thin (and not just because of poor remastering), and his interpretation is extremely odd to say the least. He has the tendency to take time and make phrase endings in places where neither the melodic nor harmonic line call for them. He often chooses not to vibrate certain notes, seemingly arbitrarily. And he clearly has no concept of the piece as a polyphonic work, trying (and often failing) to make smooth melodic lines when there are none to be found.
For an incredible, historical look at Bach from the first half of the last century, grab the Casals recording. For a unique look at a modern interpretation of Bach, get Hanani. For excellent period instrument playing, buy Bylsma. And for a rich, romantic interpretation, buy Rostropovich. Do yourself a favor, and just stay away from this one.
Average customer rating:
- Great mix of baroque music
|
Pachelbel Canon in D and Other Baroque Favorites
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000IJSB
Release Date: 2004-01-01 |
Tracks:
- Water Music: Alla Hornpipe - Wind Ens/Budapest Strs
- Canon in D - New Leipzig Bach Collegium Musicum/Max Pommer
- Orchestral Ste No.2 in b: Menuet & Badinerie - German Bach Soloists/Helmut Winschermann
- Con Grosso, Op.3, No.11: Siciliano - Franz Liszt CO/Janos Rolla
- Con: III. Presto - Gunther Holler/Konrad Hunteler/Capella Coloniensis/Georg Fischer
- Christmas Oratorio: Pastoral Sym - Con Koln/Ralf Otto
- Dardanus Ste: Tambourin - Collegium Aureum/Reinhard Peters
- Fl Con in e: II. Andante - Eckart Haupt
- Mandoline Con in C: I. Allegro - Lajos Mayer
- Brandenburg Con No.4 in G: II. Andante - German Bach Soloists/Helmut Winschermann
- Tpt Con in D: IV. Allegro - Reinhold Friedrich
- Org Con in F, Op.4, No.5: Alla Siciliana-Presto - Gabor Lehotka
- The Four Seasons: Con No.4 in f 'Winter' (II. Largo) - Bela Banfalvi
- Vn Con in E: I. Allegro - Christian Altenburger
- Con A Cinque in d, Op.9, No.2: Adagio - Reinhold Friedrich
- Fl Con in F, Op.10, No.1 'La Tempesta Di Mare': Allegro-Largo-Presto - Eberhard Zumach
Customer Reviews:
Great mix of baroque music.......2007-07-19
Most people think of Bach and Vivaldi when the phrase Baroque music comes up, and imagine old white men in white wigs playing instrumental pieces that are mathematical than musical. I though so too until buying and listening to this CD. It does contain pieces from both Vivaldi and Bach, but only less popular pieces. It also includes works from many other Baroque composers, such as Albonini, Telemann, Buffardin, Handel and Rameau. The type of music is quite melodious and is actually closer to Classical classic music than Baroque music, with some tunes having tinges of Romanticism. The instrumentation is great as all the pieces are full orchestral scores. The sound quality is also great, and for the price, this is a great CD.
Album Description
Michael Zaretsky performes the Six Suites using the facsimile manuscript text of Anna Magdalena Bach. Recorded at historic Symphony Hall, Boston
Customer Reviews:
Materpiece!.......2004-12-28
Michael Zaretsky delivers a stunning virtuoso performance of this piece. The rendition on viola gives the bach suites a lyrical quality and Zaretsky's rendition is masterful, with an attention to the subtle nuances of every passage and every original notation from one of the earliest manuscripts. A must for the bach suite lover.
Average customer rating:
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Bach: Six Suites for Cello Solo Vol. 1
Manufacturer: Gall Music
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
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ASIN: B000009J6N
Release Date: 1995-12-12 |
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