Go Down, Moses
Editorial Reviews
WBBM-AM Radio Chicago, July 26, 2001
"In sixteen tracks, this Chicago-based chorus sings of glory and hope.... their velvet harmonies cloak the songs in well-deserved resonance."
Mainely A Cappella (website)
"wonderful, boasting technical prowess tempered with expressive emotionalism....an informative and entertaining overview of the spiritual style."
Go Down, Moses
Go Down, Moses, Music, Chicago a cappella, artistic director Jonathan Miller, Choral, Choral Music, Classical, Classical Music, Classical Vocals, Gospel, Miscellaneous, Miscellaneous Music, Solo Voice(s) and Orchestra, Vocal
Average customer rating:
- spirituals lite
- Elijah Rock
- Pretenders
- It's a wow!
- Soulful and moving
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Go Down, Moses
Chicago a cappella , and artistic director Jonathan Miller
Manufacturer: The Orchard
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Wade In The Water, Vol.1:African American Spirituals:The Concert Tradition
- In Bright Mansions
- Give Me Jesus | Spirituals by Barbara Hendricks and The Moses Hogan Singers
- Great American Spirituals, Vol. 9
- Negro Spirituals - Derek Lee Ragin, Moses Hogan, Moses Hogan
ASIN: B00005B8QB
Release Date: 2001-04-17 |
Tracks:
- I couldn't hear nobody pray (arr. William Henry Smith)
- Run to Jesus (Fisk Jubilee Singers collection)
- Elijah Rock (arr. Moses Hogan)
- Steal Away (arr. Joseph Jennings)
- Go Down, Moses (arr. Peter Saltzman)
- Hush! Somebody's callin' my name (arr. Brazeal Dennard)
- In dat great gittin' up mornin' (arr. Jester Hairston)
- Go, preach my Gospel (ed. William Dargan)
- Hold on (ed. Jackson)
- Hold on (arr. Jester Hairston)
- Fix me, Jesus (arr. Hall Johnson)
- Walk toggeder childron (ed. Nathaniel Dett)
- Roll, Jordan, Roll (arr. Nashville Bluegrass Band)
- We shall walk thro the Valley (Fisk Jubilee Singers collection)
- Oh, Freedom (arr. Hall Johnson)
- Go Down, Moses (Fisk Jubilee Singers collection)
Customer Reviews:
spirituals lite.......2007-06-05
Yes, they can sing. But can they sing spirituals? Yes. But do I want to hear them sing spirituals? NO. White people singing spirituals is boring and tired.
Elijah Rock.......2007-02-03
If you like sacred acapella, you're bound to like "Go Down, Moses," performed by Chicago Acapella. This group does such a fantastic job of achieving a clean, beautiful blended sound. And frankly, I don't care if they are mostly white or if their performance is not "authentic." It sounds heavenly, and that's all that matters as far as I'm concerned.
My favorite track on this CD is "Elijah Rock." Although the composer is listed as "anonymous," the arrangement performed is actually that of the late Moses Hogan. I have yet to come across a recorded performance of Hogan's "Elijah Rock" that does as much justice to the piece as Chicago Acapella's. Their sound, blend, dynamics, pitch, rhythm- everything you need in a choral performance- is spot on here. All of the other recordings of "Elijah Rock" I've listened to do 1 of 2 things (if not both) very quickly- rush the tempo or go flat. Chicago Acapella does neither. In addition, the sound editing and engineering are as good as one could expect. By the way, this is available on iTunes for $9.99, with individual songs for sale. I only bought 2 songs on this CD: "Roll Jordan" and "Elijah Rock." Not that the other songs are bad, they're all well-performed, but these 2, especially "Elijah Rock," are the ones that I can listen to over and over again and never get tired of.
Pretenders.......2003-11-27
You wont find a picture of the singers for this cd on the cover. I was miffed when I found out they are mostly all white. You couldn't tell from the name of the group, or the politically correct use of the term African American instead of negro. I was just hoping for the kind of nuance you hear in African American church choirs. This choir mimics the Negro spiritual ok, but you can't help but wonder how much better it would be if they used actual African American singers and direction. The real thing is always better than the pretender. Nevertheless the voices are proffessional so I did get something out of it.
It's a wow!.......2001-11-17
We've all heard "Go down Moses"...at least we think we have. This NEW version brings NEW beauty to an ancient favorite. The arrangement is superb. The voices are superb. The effect is superb. An amazing and moving experience.
If you've never heard Chicago a cappella, this would be a wonderful first exposure to a group so musical, so diverse, so entertaining that you'll wish to revisit it often.
Soulful and moving.......2001-08-07
What great ensemble! Whether you love spirituals or not, this recording is sure to impress you with the amazing vocals. Each performer brings out their own personality, but also blends into a unified whole. And the arrangements are a lot of fun!
Average customer rating:
- Perfect Music From an Angelic Voice
- TRIBUTE TO A GREAT ARTIST
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Marian Anderson
Manufacturer: RCA
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Binding: Audio CD
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ASIN: B000003ES6
Release Date: 1990-10-25 |
Tracks:
- St. Matthew Passion: Erbarme dich
- Messiah: He Shall Feed His Flock
- Ave Maria
- Liebesbotschaft
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- Death And The Maiden, D. 531
- Stille Tranen (2 Gedichte, Op. 35: No. 10)
- Der Nussbaum (Myrthen, Op. 25: No.3)
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- Immer leiser wird mein Schlummer, Op. 105, No. 2
- Morgen, Op. 27, No. 4
- In The Silence Of The Secret Night, Op. 4, No. 3
- Un Ballo In Maschera: Re dell'abisso affrettati
- Go Down, Moses
- Crucifixion
- My Lord, What A Morning
Customer Reviews:
Perfect Music From an Angelic Voice.......2000-05-07
I can't add much to the superb review by lesismore26 (I give it five Stars! ) but I do have one disagreement. I LIKED the Ulrica aria. Yes, the voice is past its prime, but the artistry is very much there. In fact, the piece makes it clear that while her voice sounds perfect for her repertoire, it could have handled opera quite beautifully too. It's true that the pure, ethereal quality of her tone is DEFINITELY well suited to Baroque and Classical oratorio, and true that there simply aren't that many roles for contraltos. But it is also true that these reasons had NOTHING to do with why this particular contralto was not singing in opera houses. Another voice as dazzling as hers would have had composers creating roles tailored for them.
I wouldn't trade her spirituals and lieder, but I would have liked to hear her sing Erda, or Clytemnestra, maybe even Dalila (if you can imagine this Angelic persona in THAT role!)
TRIBUTE TO A GREAT ARTIST.......1999-12-22
Marian Anderson is remembered in too many instances for the wrong reasons: the first Afro-American artist to be engaged by the Metropolitan Opera in a leading role; the artist who sang the monumental concert at the Lincoln Memorial in 1939 after being denied the use of Constitution Hall by the Daughters of the American Revolution --- an action that sparked mass indignation and worldwide attention to the fact that the racial prejudice was alive and well in the United States; the artist who became a symbol of grace and dignity during the civil rights movement. While all of these things are true, they eclipse the simple fact that Marian Anderson's singularly individual and distinctive, and true contralto voice was one of the jewels of the musical century, and that her pursuasive powers as an interpreter of the lieder of Schubert, Schumann, Brahms, and Sibelius were the stuff of which legends are made. What is also overlooked is that the fabled voice was a long way past its prime at the time of that Metropolitan Opera debut in early 1955. The role was that of the witch Ulrica in Verdi's "Un Ballo in Maschera"--- not a leading role, but a very important and pivotal one nonetheless ---- but by that time the voice had become dry, unsteady, frequently out-of-tune, and very "old" sounding. Anderson was already around 58 years old, and while her "debut" was historic from a social standpoint ----- it opened the doors for such future legends a Leontyne Price, Martina Arroyo, Shirley Verrett, Grace Bumbry ------ it was certainly not a great vocal milestone. It was simply too late for any sort of a career at the Metropolitan Opera, and though it was the blatant racial prejudices of the times that prevented Marian Anderson from singing on the opera stage during the years of her vocal prime, it would appear, as evidenced by her work on records (even by those made in her greatest years -- the 1930's and 1940's), that her temperment and vocal demeanor was far more suited to the concert and recital platforms, and it was in this milieu that Marian Anderson lavishly demonstrated her true genius. To begin with, the excerpts on this recording from Verdi's "Un Ballo in Maschera" didn't need to be included for the reasons cited above: they were recorded immediately after the Met debut in 1955 and the voice is in the condition one would have expected. The rest of the contents were recorded during the artist's vocal prime much earlier. Virtually all of the Schubert selectionsare beautifully done, especially the "Ave Maria", which became Anderson's trademark. The "Liebesbotshaft" (from "Schwanengesang) and "Wohin" (from "Die Schone Mullerin") show the voice at its most fluid, as do all of the items by Schumann. The Brahms "Alto Rhapsody", another Anderson speciality, haunting in its desolation and feelings of isolation, helped in no small part by Anderson's deep purple contralto tones. Selections by Richard Strauss (a beautifully realized rendition of "Morgen") and Rachmaninoff round off the lieder portion of the recording. Bach's "Erbarme dich" (with orchestral accompanyment) is one of the most beautiful ever recorded, and Handel's "He Shall Feed His Flock" illustrates vividly just how how much this music needs a true contralto voice. In this age of pushed-up and pulled-down mezzo-sopranos, it is a revelation to hear what this type of voice accomplish in all of this music. If you want to become acquainted with one of the greatest vocal phenomenons of this century, this superb RCA Victor mid-priced recording is an excellent place to start.
Average customer rating:
- Historically important choral music, wonderfully performed!
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Witness: What a Mighty God - Spirituals and Gospels for Chorus
James Bohn , Michael Jorgenson , Steve Burger , Gordon Johnson , Jay Young , Michael Abels , Dale Adelmann , Harry T. (Henry) Burleigh , Brazeal W. Dennard , Adolphus Hailstork , Jester Hairston , Jack Halloran , Robert A. Harris , Moses Hogan , Sanford Moore , Robert Scholz , Richard Smallwood , William Henry Smith , Andre Thomas , Philip Brunelle , Sigrid Johnson , Joe Pulice , Robert Commodore , Charles Kemper , Yolanda Williams , Brian Link , Vocal Essence , and VocalEssence Ensemble Singers
Manufacturer: Clarion
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Binding: Audio CD
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Similar Items:
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- Trouble I'Ve Seen: Eighteen Spirituals--Moses Hogan Chorale
ASIN: B0001FVEPE
Release Date: 2004-02-10 |
Tracks:
- Witness: Jack Halloran
- Hush! Somebodys CallinMy Name: Arranged by Brazeal W. Dennard
- Death Is Gonna Lay His Cold Icy Hands on Me: Arranged by Andrhomas
- Walk Together, Children: Arranged by William Henry Smith
- Were You There?: Arranged by Robert Scholz
- Elijah Rock: Arranged by Moses Hogan
- This Train: Arranged by Sanford Moore
- Jesus, Lover of My Soul: Music by J.S. Bach; text by Charles Wesley, Arranged by Richard Smallwood
- My Lord,What a Mornin : Arranged by Harry T. Burleigh
- Go Down, Moses : Arranged by Robert A. Harris
- In Dat Great GittinUp Mornin: Arranged by Jester Hairston
- Crucifixion: Adolphus Hailstork
- Go Where I Send Thee:Arranged by Andrhomas
- Swing Low, Sweet Chariot: Arranged by Dale Adelmann
- Go,Tell It on the Mountain: Arranged by Sanford Moore
- What a Mighty God : Arranged by Michael Abels
Album Description
Stirring spirituals and rousing gospel melodies sung by the superb voices of VocalEssence conducted by the renowned conductor Philip Brunelle, joined by vocal jazz ensemble Moore by Four.
Customer Reviews:
Historically important choral music, wonderfully performed!.......2004-05-25
For over 10 years, The VocalEssence Ensemble Singers and Chorus (conducted by Philip Brunelle) has presented an enduring series of concerts showcasing the talents of trailblazing African American composers. Now this wealth of music is available outside the concert hall through a series of recordings called WITNESS.
WHAT A MIGHTY GOD presents 20th Century choral arrangements of music from the African American spiritual tradition rooted in spirituals and gospels, including Harry T. Burleigh's "My Lord, What a Mornin'" (1929), "Walk Together Children" (William Henry Smith, 1937) and more contemporary composers like Sanford Moore's "Go Tell It On The Mountain" (1993.)
There are excellent notes about the genre, however, in light of the historical significance of this music I'm surprised and disappointed to find no biographical information about the composers, not even birth and/or death dates, with this CD. I feel this is a crucial component in an "outreach" project like this, especially since most of these composers are not well known. Still I highly recommend it for the music alone.
The other three CDs are available as single titles, or in the boxed set THE WITNESS COLLECTION which includes:
WHAT A MIGHTY GOD: Spirituals and Gospels for Chorus
DANCE LIKE THE WIND: Music of Today's Black Composers
GOT THE SAINT LOUIS BLUES: Classical Music in the Jazz Age
SKYWARD MY PEOPLE ROSE: Music of William Grant Still
Average customer rating:
- What ??
- Nice Voice, but not a nice person...(read on, pls.)
- A let down
- The definitive Paul Robeson compilation
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The Essential Paul Robeson
Manufacturer: Asv Living Era
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ASIN: B00005B15R
Release Date: 2001-05-22 |
Tracks:
- Ol' Man River
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- I Still Suits Me
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Tracks:
- Sometimes I Feel Like A Motherless Child/Minstrel Man
- Git On Board, Li'l Children/Dere's No Hidin' Place
- Go Down, Moses
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Customer Reviews:
What ??.......2006-12-10
The idiot from Virginia thought it a bit strange that an American black man would give the communists a chance. Looking back from modern perspective is easier than what he had to go on in the thirtes. Gee, I wonder why a black man would do that after all that southern hospitality, segregation, and steady work you gave the "black folk". Not to mention all those nighttime campfires you had going in their honor.
While I might be from New York I certainly would not be called a bleeding heart liberal but I can certainly understand why the poor soul was looking elsewhere. You are either ignorant of history and its influences on people or you are a totally unsympathetic jackass!!
Nice Voice, but not a nice person...(read on, pls.).......2006-01-07
Paul Robeson, who was brainwashed into
beleiving Communist rhetoric (which is
strange as hell for an Amer-I-can black
man). A good singing voice but all cover
songs! Come on, Paul!
A let down.......2004-09-24
I own several Robeson recordings and purchased this one with high hopes as it has a great selection of tracks. Unfortunately given the excellent recording quality of "Songs for Free Men" and "The Paul Robeson Oddyssey", the remasters from what I assume are 78's and possibly radio are a let down and mar what could have been an excellent album.
The definitive Paul Robeson compilation.......2003-09-19
This 2 CD set of Paul Robeson is the definitive collection providing a decent overview of his work in 50 tracks all wonderfully restored from 78s as usual for ASV, with spirituals, show tunes, Shakespeare-like readings, and more done with a trademark bass voice and orchestration that backs up Paul perfectly and he would later be one of the first civil rights activists. The first disc is a reissue of the single disc "Ol' Man River-His 25 Greatest" on ASV containing "Ol' Man River," "Mighty Like a Rose," "Joshua Fit De Battle Ob Jericho," "Carry Me Back To Green Pastures," "Lazy Bones," and many more classics which is also available here at Amazon for those who only want a single disc of Paul's work and the 2nd disc contains 25 more classics including "Nobody Knows The Trouble I've Seen," "The Old Folks At Home," "My Old Kentucky Home," "Wagon Wheels," "Git On Board, Little Children," and many more. In other words, all 50 of these tracks are essential to any early pop, folk, gospel, blues, etc. music fan and this is the set to introduce yourself to his work in a convenient 2 CD package with the usual great liner notes and details on the original 78s ASV provides with each CD released in their Living Era series.
Average customer rating:
- In a class of her own
- CELEBRATE Marian Anderson's powerful, liberated voice with JOY!
- Timeless performances
- My favorite singer
- Honest Transfer of Great Material from 78s
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Prima Voce - Marian Anderson / Shaw
Manufacturer: Nimbus Records
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ASIN: B0000037L2
Release Date: 1997-01-07 |
Tracks:
- Cantata No. 81: Jesus schlaft, was soll ich hoffen
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Amazon.com
Marian Anderson's rich contralto tinged with sadness touched the hearts of many and made her one of the most-loved American singers. She's probably best known for her spirituals on recordings made in the twilight of her career. In these good transfers, she sings an ample selection of those favorites made in her prime, the late 1930s; they're no less touching and made even more compelling by the freshness of her voice, which is just as fresh in the Handel and Bach arias from the Messiah, St. Matthew Passion, and more. - -Dan Davis
Customer Reviews:
In a class of her own.......2007-07-21
Dignified,lovable and instantly recognisable Marian Anderson is much beloved first afro-american singer to achieve world-wide recognition,together with Paul Robeson she represents almost biblical royal couple from whom later generations sprung and followed.True,she certainly had to fight with unjustice,prejudice and obstacles (curiously enough,she was instantly recognised as artist of highest calibre in Europe while they troubled her back home) but all those events are far now,as I am writting this in Summer 2007 and what is the most important is her musical legacy.Contrary to liner notes on this CD where they suggest her singing might be old fashioned by todays standards,I found her singing simply stunning,serious,deeply moving and sincere.In fact,of all "Prima Voce" compilations,this is the one I believe has not aged or became museum relic,this is a pure masterpiece that can be cherished forever and time cannot erase or diminish art like this.
CELEBRATE Marian Anderson's powerful, liberated voice with JOY!.......2006-03-25
On April 9, 1939, the voice of Marian Anderson shook my whole being unforgettably. She began her concert by singing our nation's hymn, "Our Country 'Tis of Thee, Sweet Land of Liberty,"
a prayer for all to give voice to.
Two events that took place on the steps of the Lincoln Memorial in Washington, D.C., had a profound effect on my life. In a minister's family any political discussion was usually 'careful'. But when the Daughters of the American Revolution ruled that Marian Anderson could not give a concert in their Constitution Hall my parents spoke passionately about Anderson's rebuff, and then praised First Lady Eleanor Roosevelt to the skies for her immediate response which was to invite Marian Anderson to sing at the Lincoln Memorial.
What happened had charged the air with electricity. The hush was palpable. To listen we were limited to the radio, but we would see the newsreel before many days.
All this is an introduction to this CD which shows the power and range of Marian Anderson's talents. Among these offerings are several from cantatas, and some 'spirituals' - - and I mention the familiar because they make me feel as though I am truly in her presence once more: The 23rd Psalm; "He shall feed his flock like a shepherd"; "Sometimes I feel like a motherless child"; "Deep River"; and "My soul's been anchored in the Lord."
The latter could be said to describe both Marian Anderson and Martin Luther King. I have felt the unshakeable presence of each, Marian with her glorious contralto, Martin with his baritone. Noone could miss the reality of justice & faith overcoming hate & ignorance. Reviewer mcHAIKU can still feel the impact, and their influences on my life have been part of me for decades.
Timeless performances.......2005-12-08
Marian Anderson suffered from several circumstances, but always endured them, it appeared, with grace and dignity. She suffered from being black at a time when black persons were not taken seriously as classical artists, and she was simply not allowed to sing in many venues. She was forbidden the stage of the Metropolitan Opera until past her prime (1955). After she became an icon of the civil rights movement, her reputation as a singer became overshadowed. Miss Anderson's treatment by her own countrymen for much of her life was an abomination, but it had nothing to do with music. Modest as she was about all aspects of her life, I don't think she would want her artistry relegated to a footnote in social history!
This is a fine collection of Marian Anderson's singing in oratorio and spirituals. None of her wonderful opera arias or lieder are here, and those call for a separate volume. Miss Anderson stood out from many great singers in her fine understanding of the subtle differences among all of these genres. She used different tone colors and types of vocal production for each of them, as appropriate, a nicety seldom enough observed today. In other words, she was no "belter." We have singers nowadays making millions for yelling at the top of their lungs, and sometimes making multi-millions for trying to out-yell their colleagues in giant arena events closely simulating cattle-call competitions. Perhaps one needs to meditate quietly for an hour or so before attempting to share the more inward and spiritual artistry of Marian Anderson.
From the first selection here (out of over 72 minutes of music included), "Jesus schläft, was soll ich hoffen" from Bach's Cantata No. 81, one can only marvel at the tonal beauty, depth of feeling, immediacy of communication, and technical accomplishment of the great contralto. In this aria, the long-held word "schläft" is not just thrilling as a piece of vocalism, but does just what Bach meant it to: express the gentle, timeless, cosmic-yet in this case ominous-slumber of the Savior. Seldom, outside of Miss Anderson's singing, have these Bach arias so risen above the "sewing-machine" school of performance. Her style is freer and warmer in the spirituals, which no one but Paul Robeson sang as impressively. There are eleven of them here, though not her most famous, "He's got the whole world in his hands." That too must be acquired elsewhere, as is easily done. There are no cheap shots in this anthology, just great performances of great music with no playing to the grandstands.
My favorite singer.......2005-09-27
This is a great CD. Despite the obvious technical limitations at the time of original recording, the sound quality on this CD is really good. I love Marian Anderson (as a contralto myself,I strive to be like her)and I think this CD does her justice. It's great to hear the range of her vocal talent. The combination of opera and spirituals is wonderful. The songs also vary in vocal range. I was happy to hear a collection of songs that showcased the strength of her voice at its lower and upper ends. Overall, I'd say this was an excellent CD.
Honest Transfer of Great Material from 78s.......2001-03-24
There are eleven spirituals on this CD, but it opens with a stunning traversal of seven sacred selections from the Baroque era, six selections of Bach and one of Handel. Ms. Anderson's sweetness, sincerity and artistry are complemented nicely by a young Robert Shaw conducting the RCA Symphony Orchestra (you can clearly hear the later Shaw of the Bach B Minor Mass in places, and the selection from the St. Matthew Passion is a haunting reminder that Shaw was never able to commit a complete Matthew to disc for posterity, though it was his favorite work and its recording a goal in his life - but I stray). What the Baroque selections lack in the latest in musicological authenticity they more than make up for in heartfelt simplicity and directness. It's Baroque music for the ages, and it may move you to tears.
The eleven spirituals, on the other hand, are accompanied only by an unidentified pianist, one who is certainly quite accomplished and gives Ms. Anderson a superb level of support. The question will need to be asked, I suppose, "Is there perhaps more inspiration present in the singing of the spirituals than in the Baroque selections?" Not at all; the artistry in both is equal. Indeed, modern audiences, used to hyped-up versions of these spirituals, may be slightly disappointed at the plainness of these renditions. I wasn't; I was enchanted.
Average customer rating:
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Elmer Iseler Singers: Spirituals
William Levi Dawson , Thomas Kerr , Robert Missen , Lydia Adams , and Nelson Lohnes
Manufacturer: Marquis Music
ProductGroup: Music
Binding: Audio CD
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ASIN: B000003WGP
Release Date: 1993-09-18 |
Tracks:
- Ain' A that Good News
- Swing Low, Sweet Chariot
- Ol' Time Religion
- Mary Had A Baby
- Git On Board
- Do Down Moses
- Listen To De Lambs
- Ain't Got Time To Die
- Go Tell It On The Mountain
- Deep River
- Poor Man Lazrus
- Nobody Knows The Trouble I've Seen
- Same Train
- Lit'le David
- Sometimes I Feel Like A Motherless Child
- Let Me Fly
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Willard White Sings: Copland; American Spirituals; Folk Songs
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
All Works by Copland
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Ives, Charles
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- WILLARD WHITE: In Concert - RLPO - Carl Davis
- Wade In The Water, Vol.1:African American Spirituals:The Concert Tradition
ASIN: B000000AMX
Release Date: 1992-10-28 |
Tracks:
- American Spirituals: Go Down, Moses
- American Spirituals: I Couldn' Hear Nobody Pray
- American Spirituals: Were You There When They Crucified My Lord?
- American Spirituals: When I Lay My Burden Down
- American Spirituals: Steal Away To Jesus
- American Spirituals: In The Mornin'
- American Spirituals: Gospel Train
- American Spirituals: Swing Low, Sweet Chariot
- American Spirituals: Deep River
- American Spirituals: Ev'ry Time I Feel De Spirit
- Old American Songs: The Boatmen's Dance
- Old American Songs: The Dodger
- Old American Songs: Long Time Ago
- Old American Songs: Simple Gifts
- Old American Songs: I Bought Me A Cat
- Old American Songs: The Little Hourses
- Zion's Walls
- Old American Songs: The Golden Willow Tree
- Old American Songs: At The River
- Old American Songs: Ching-a-ring Chaw
- Folk-songs From Barbados And Jamaica: Linstead Market
- Folk-songs From Barbados And Jamaica: Cordelia Brown
- Folk-songs From Barbados And Jamaica: Murder In The Market
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Spirituals
Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD
Giordani, Giuseppe
| ( G )
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ASIN: B000000WM9
Release Date: 1995-10-17 |
Tracks:
- Deep River
- City Called Heaven
- Lord, I Can't Stay Away
- Were You There?
- Tramping
- My Soul's Been Anchored
- Heav'n Heav'n
- Sometimes I Feel
- Go Down, Moses
- O Wasn't Dat A Wide, Wide Ribber
- My Old Kentucky Home
- Hard Trials Into Dere's No Hidin' Place
- Let Us Break Bread Together
- Carry Me Back To Ol' Virginny
- Oh! What A Beautiful City
- I Know De Lord's Laid
- I Don't Feel In No Ways Tir'd
- Caro Mio Ben
- Paisir D'Amour
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- This is the voice of Free Men....
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Songs for Free Men 1940-1945
Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD
All Works by Blitzstein
| Blitzstein, Marc
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| Mussorgsky, Modest
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- Best of Communism: Revolutionary Songs
ASIN: B000000WRW
Release Date: 1997-05-20 |
Tracks:
- Ballad For Americans
- Spring Song
- Oh, Give Me Your Hand
- Chee La!
- Fengyang
- Chinese Soldiers Song
- Riding The Dragon
- 'Quiet FLows The Don': From Border To Border
- 'Quiet Flows The Don': Oh, How Proud Our Quiet Don
- 'No For An Answer': The Purest Kind Of Guy
- Joe Hill
- The Peat-Bog Soldiers
- The Four Insurgent Generals
- Native Land
- Song Of The Plains
- Op. 1 No. 5: Cradle Song
- Within Four Walls
- Anthem Of The USSR
- The United Nations
- By An' By
- Sometimes I Feel Like A Motherless Child
- John Henry
- Water Boy
- Go Down Moses
- Balm In Gilead
- Nobody Knows De Trouble I've Seen
- Joshua Fit De Battle Of Jericho
Customer Reviews:
This is the voice of Free Men...........2001-11-03
I've had most of these songs on vinyl and they provide me with many wonderful memories. Paul Robeson had an unusual voice: a bass with baritone colorations, huge and powerful, with what can best be described as a mellow urgency. If that description confuses, then you'll just have to get this album and hear for yourself what I mean.
Robeson championed the cause of the working man through his music. Joe Hill is one of my favorites, in which Paul sinks down to the vocal depths with an astounding ease. The Song of the Plains is a rouser, and, if I remember correctly, it's sung in two languages. The Ballad For Americans is here, and it's a classic... and, for me, it's the very definition of America and the great spirit and soul of its people and its greatness. By and By is one of my favorite spirituals, and this is the version I remember. Who sang spirituals with as much richness and depth of feeling as Paul Robeson? Maybe Marian Anderson, whose voice was unique and whose life broke through so many barriers.
This is an album for those who love freedom and the many races who seek it. God bless Paul Robeson for his incredible contribution to humanity.
Average customer rating:
- THIS IS AN IMPORTANT HISTORICAL STUDY LONG OVERDUE.
|
Foster, Gounod, Et Al... Lincoln's Favorites
Manufacturer: Amerimusic
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Binding: Audio CD
All Works by Flotow
| Flotow, Friedrich von
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Similar Items:
- Abraham Lincoln Sings On
ASIN: B00000JJSG
Release Date: 1999-06-08 |
Tracks:
- Lincoln Family Favorites: Barbara Allen
- Lincoln Family Favorites: Skip To My Lou
- Lincoln Family Favorites: Kathleen Mavourneen
- Lincoln Family Favorites: Adam And Eve's Wedding Song
- Lincoln Family Favorites: Old Sister Phoebe
- Lincoln Family Favorites: Oh! Susanna
- Presidential Requests: Twenty Years Ago
- Presidential Requests: The Ship On Fire
- Presidential Requests: Silver Bell Waltz
- Presidential Requests: Your Mission
- Presidential Requests: Dixie's Land
- Emancipation Spirituals Sung For Lincoln: Go Down Moses
- Emancipation Spirituals Sung For Lincoln: Nobody Knows The Trouble I've Seen
- Emancipation Spirituals Sung For Lincoln: Free At Last
- Selections From Favorite Operas: Martha: M'appari Tutt'amor
- Selections From Favorite Operas: Die Zauberfloete: Dies Bildniss Ist Bezaubernd Schoen
- Selections From Favorite Operas: Faust: Salut! Demeure Chaste Et Pure
- Selections From Favorite Operas: The Soldier's Chorus
- Patriotic Songs Of The Lincoln Years: Hail, Columbia
- Patriotic Songs Of The Lincoln Years: We Are Coming, Father Abraam
- Patriotic Songs Of The Lincoln Years: Columbia, The Gem Of The Ocean
- Patriotic Songs Of The Lincoln Years: Taps
Customer Reviews:
THIS IS AN IMPORTANT HISTORICAL STUDY LONG OVERDUE........1999-10-13
Kudos to Jimerson for bringing to public attention Lincoln's passion for fine music. The songs on this recording are beautifully rendered and appear to have been carefully prepared with respect to original instrumentation. As a footnote to amazon.com, the correct title of the first song is "Barbara Allen."
Music Review:
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