Schubert for Two
Editorial Reviews
Amazon.com
This CD's main attraction for many will be Gil Shaham's velvety violin in gorgeous, largely off-beat music. Others will relish these Schubert works in arrangements that replace the piano with the expert guitar of Göran Söllscher, enhancing the impression of hearing Schubert's music in the intimate domestic setting for which it was written. Most of the works are short, melodically rich dance-based gems on which Shaham and Söllscher lavish a Romantic tonal fullness and freedom rarely heard these days. Sometimes that's a bit too much of a good thing, as works like the Violin Sonata in D veer close to the sentimental. But more often the players' flexible approach makes it hard not to keep repeating items like the melting Serenade from Schwanengesang, the sprightly Moment musical in Kreisler's arrangement, the German Dance, and a truckload of other delights. Shaham isn't afraid to linger over attractive melodies or to use portamento and other weapons of the Romantic violin's arsenal, helping to make this disc so compelling. --Dan Davis
Schubert for Two, Music, Franz Schubert, Göran Söllscher, Gil Shaham, Chamber, Chamber Music & Recitals, Classical, Classical Artists, Classical Music, Folk Dance for Keyboard, Keyboard, Moment Musical for Keyboard, Romantic Music for Voice and Keyboard, Violin with Keyboard, Vocal, Waltz for Keyboard
Average customer rating:
- Grandmother's Review
- great cd!
- Absolutely Love It!!!
- My daughter loved this before she was born
- enjoyable
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UltraSound - Music for the Unborn Child
Manufacturer: RCA
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Similar Items:
- Mozart for Mothers-To-Be: Tender Lullabies for Mother and Child
- Build Your Baby's Brain
- Beethoven for Babies
- The Mozart Effect: Music For Moms and Moms-To-Be
- Tune Your Brain: Pregnancy and Childbirth
ASIN: B00000IIUP
Release Date: 1999-04-13 |
Tracks:
- Reverie
- Suite No. 3: Air On The G String
- Kinderszene-Traumerei
- Thais-Meditation
- Sonata For Two Pianos, K.448-II: Andante
- Lullaby: Cradle Song
- Nocturne For Harp
- The Nutcracker: Dance Of The Sugar-Plum Fairy
- Concerto, Op. 8, No. 4 'Winter': II. Largo
- Clair e lune
- Eine kleine Nachtmusik-II. Romanze: Andante
- Berceuse
- Russian Lullaby
- Orfeo ed Euridice: Dance Of The Blessed Spirits
- Lyric Pieces, Op. 68, No. 5: Cradle Song
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Amazon.com
While many hospitals across the country send new mums and babes home equipped with discs of classical music to soothe and gently stimulate babies' tender minds, Ultrasound brings together a delightfully well-rounded set specifically chosen for those still in the womb. Expectant moms will appreciate the effects of the mellow strains of Bach's Suite No. 3, the delicate playfulness of Tchaikovsky's "Dance of the Sugar-Plum Fairy," and Mozart's proven-to-make-you-smart Sonata for Two Pianos featuring André Previn. Debussy's "Clair de lune" is especially lovely as conducted and fluted by James Galway, and Leontyne Price is a warm blanket of comfort giving voice to Schubert's "Ave Maria." Indeed, these songs are aural balm to both parent and child long after birth. --Paige La Grone
Customer Reviews:
Grandmother's Review.......2007-05-21
I purchased this product for my expectant daughter, and she says that it is the best gift she has ever received. She, herself, finds the music very soothing and relaxing, and she is certain that it is wonderful for her child.
great cd!.......2007-05-14
This is a fantastic product! I bought it to play for my unborn daughter and I started it when I was around five mos. pregnant. She moves all over the place when I put the headphones on my belly and I can even tell by her movements that she likes some songs more than others. I have done a lot of research into playing music for unborn babies, including the helpfulness as far as birthing positions when the music is played regularly. This cd fits the bill for all of the research I've done. It is completely worth the money!
Absolutely Love It!!!.......2007-04-02
I have a 6 month old daughter. I first purchased this CD when I was pregnant and would place my earphones on my belly for her to listen. I now use it in her room at bedtime and I absolutely love it. I have a collection of other CD's, but honestly this is my favorite. It is a very nice blend of songs. It is soothing for baby and parents. If you only buy one CD I would recommend you make it this one.
My daughter loved this before she was born.......2006-12-15
When I was about 18 weeks pregnant I bought this and two other CDs of gentle classical music and played one of them for her every 2nd or 3rd night, putting headphones on my belly. I was actually skeptical about this being "music for the unborn" but she really did react to this one much more than anything else I ever played for her. If she hadn't been very active that day I could always lay down in the evening with the headphones and play her music, and she's wriggle around. She especially liked #5 and #10. :)
She didn't seem to have much connection to it after she arrived, but she does enjoy music in general. (She's currently almost 11 mo old.)
enjoyable.......2006-08-03
I have enjoyed this cd thus far. If you have the money to spend, this is relaxing and enjoyable, however you can get similar music for free on your local classical station. So if you would rather save your money...just tune in on your radio dial. I am glad I bought the cd for the familiarity of the songs, but I also love just plain old classical radio.
Average customer rating:
- Selection is not good
- Baby Einstein: Traveling Melodies
- Saved My Sanity
- A Very Pleasant CD for Little Ones in the Car
|
Baby Einstein: Traveling Melodies
Manufacturer: Buena Vista
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ASIN: B0009AJK3O
Release Date: 2005-05-10 |
Tracks:
- Orchestra Tune-Up
- Bartered Bride Overture
- Symphony 5, 1st Movement
- The Four Seasons, Autumn, RV293, 1st Movement
- Divertimento In F, K.138, 1st Movement
- March Militaire
- Symphony 5, 4th Movement
- Annen Polka
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- The Four Seasons, Spring, RV269, 1st Movement
- Serenade For Strings, Waltz
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- Symphony 100, 'Military' 2nd Movement
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- Lullaby
Customer Reviews:
Selection is not good.......2006-07-27
This tape is short and the melodies are not engaging for kids. It was waste of money.
Baby Einstein: Traveling Melodies .......2006-02-23
Hello everyone,
This CD is great!
My son has ADD & when we are out & he gets Anxious I put this CD in his portibale CD player.
It seems to help him calm down & better cope with things.
I think that every parent should have this CD that has a special needs child.
Thanks so much for putting it online for people to buy.
Thanks Again,
A Greatfull Mom
Saved My Sanity.......2005-11-03
My husband and I are musicians so I inwardly groaned when we were given this CD as a gift--I'd rather play the originals rather than some synthesized kiddie version. However, on a recent road trip we got desperate when our colicky son would not stop screaming. We popped this in the CD player and it calmed him down immediately. I swear, it's like aural crack for babies. We now play it at bedtime to help calm him down and it still works. You may not love this CD, but your baby will.
A Very Pleasant CD for Little Ones in the Car.......2005-11-01
I picked this up for driving around music and was very pleasantly surprised. Quite enjoyable (and my son seems to like it too!) and perfect for exactly what it says--traveling around. Easy listening and could possibly make your child smarter, great!
Average customer rating:
- A Hidden Gem Worth Taking Without Hesitation!
- first CD best
- A great way to buy Schubert's chamber music
- Good, but too "intellectualized"
- One Schubert CD YOU Should Get
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Franz Schubert: Complete Trios
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Schumann: Complete Piano Trios
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ASIN: B00000417B
Release Date: 1994-01-18 |
Tracks:
- String Trio In B Flat, D.581: I. Allegro moderato
- String Trio In B Flat, D.581: II. Andante
- String Trio In B Flat, D.581: III. Menuetto (Allegretto)
- String Trio In B Flat, D.581: IV. Rondo (Allegretto)
- String Trio In B Flat, D. 471--Allegro
- Piano Trio In B Flat, D.898: I. Allegro moderato
- Piano Trio In B Flat, D.898: II. Andante un poco mosso
- Piano Trio In B Flat, D.898: III. Scherzo (Allegro)
- Piano Trio In B Flat, D.898: IV. Rondo (Allegro vivace)
Tracks:
- Piano Trio In E Flat, C.929: I. Allegro
- Piano Trio In E Flat, C.929: II. Andante con moto
- Piano Trio In E Flat, C.929: III. Scherzo (Allegro moderato)
- Piano Trio In E Flat, C.929: IV. Allegro moderato
- Piano Trio In One Movement In B Flat, D.28: Allegro
- Adagio In E Flat, D.897
Amazon.com
Schubert's two piano trios are the products of his last years when, knowing that he was ill and dying, he still managed to produce dozens of songs and chamber music masterpieces, as well as pursue counterpoint studies and make plans for further orchestral and stage works. Add to this the earlier String Trio and a couple of miscellaneous single movements, and his output in "trio" form is complete. Both of the piano trios are typically large works, generously stuffed with first-rate tunes, some of which you may recognize without knowing exactly where they came from. These excellent performances at a "twofer" price offer the most convenient and cost effective way to get to know this marvelous music. --David Hurwitz
Customer Reviews:
A Hidden Gem Worth Taking Without Hesitation!.......2005-10-21
The Grumiaux Trio and the Beaux Arts trio are highly respected groups in the domain of chamber music and rank as highly as groups such as the Guarneri Quartet. These earlier performances of Schubert are exquisite in their execution and the only defect here is perhaps a slightly reduced sound quality than your typical contemporary performances due to its age. This is barely noticeable however and this CD is really a steal for the price.
The trios of Schubert are a good way of exploring various periods of his life in which he composed drastically different arrangements. His Piano Trio D. 28 is a good example of his foundations in Mozart and early Beethoven until you reach his Piano Trio D. 929 (performed often in Kurbrick's 'Barry Lyndon') where Schubert explores much more on impressionistic themes than romantic ones. Such themes were only pursued later by composers such as Brahms and Schumann. Liszt's romanticism was also stongly influenced by both Beethoven and Schubert. Of the performances I really have nothing to say as they are simply flawless and there are few I could compare. The sound has some disadvantages but not really significant ones.
This is really a magnificent performance giving you Schubert's complete trios on two CDs. For the quality of performance you get it's a bargain. I am glad I got it as it was worth every dollar.
first CD best.......2005-10-03
I enjoyed the string trios and first piano trio far more than the piano trios on the second CD. Those pieces seemed to stretch Schubert's tendency to repeat sections with slow development to the limit of my toleration. The recordings here are somewhat distant at times but the individual instruments are easy to discern. My comment above about the compositions reflects personal taste -- reasons I generally prefer Beethoven to Schubert. If the pace of his development is to your liking you might very well consider this a "5 star" recording. Recommended with some reservations.
A great way to buy Schubert's chamber music.......2005-08-03
A wonderful 2 CD set of Schubert's trios played by excellent musicians. I particularly like the Beaux Arts Trio and their playing of the piano trios. A great way to consolidate your collection.
Good, but too "intellectualized".......2002-08-20
This is an excellent CD to have; the Beaux Arts Trio is excellent, but sometimes their interpretation is too intellectual and doesn't care enough for the beauty of Schubert's melodies. For example, in the second movement of Schubert E flat Piano trio, the gorgeous solo, the accompaniment to the gorgeous cello solo, then piano solo, is staccato, which takes much of the beauty out of this gorgeous section. I could picture the three guys sitting there and saying, "The melody line is long, so we should make the accompaniment short." When this melody recurs in the fourth movement, it's played much much much too quickly, again taking the beauty, the melancholy out of it. It's clear in those gorgeous waterfall-like descending chords on the piano that Pressler is racing and shouldn't be. After the solo in the second movement, the violin gets too staccato and makes part of the piece unbearably corny, particularly during the fortissimo parts. The B flat in particular tends to race. However, the playing is still very expressive; Pressler in particular and Greenhouse next. I reccomend this CD very highly.
One Schubert CD YOU Should Get.......2001-04-23
There just doesn't seem to be quite the equal for their interpretations of the classical repertoire, but even among the numerous remarkable recordings the Beaux Arts Trio has produced, this gorgeous rendering of Schubert decisively stands out.
Trio No.1 in B flat Major is my favourite pick, with all of its very expansive movements (length-wise, rather than musically, which often make the piece sound boring in lesser hands) treated with extremely delicate and tasteful pacings. One more thing that is very noticeable is the lyricism of the cello tone that almost resembles that of a human voice; it is so light and transparent, as perfectly exhibited in the second movement of the Trio No.1, that at times it could be mistaken for violin.
This is one Schubert recording you should not miss, and I actually think I like this more than the overplayed (although very much deservedly) Trout Quintet. Enjoy!
Average customer rating:
- Classic(al)
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Mozart: Sonata for 2 Pianos in D Major, K. 448; Schubert: Fantasia for Piano, 4 Hands in F Minor, D 940
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Similar Items:
- Mozart: Concertos for Two and Three Pianos
- Schubert: Impromptus D 899 & D 935 / Radu Lupu
- Mozart: Concertos for Two & Three Pianos
- Schubert: Impromptus For Piano
- Brahms: Two Rhapsodies, Op. 79; Piano Pieces, Opp. 117-119
ASIN: B0000CF330
Release Date: 2003-09-30 |
Tracks:
- I. Allegro Con Spirito
- II. Andante
- III. Allegro Molto
- Allegro Molto Moderato-Largo-Allegro Vivace-Con Delicatezza
- I. Allegro Ritenuto
- II. Andante
- III. Allegro Ritenuto
- Andante
- Variation I
- Variation II
- Variation III
- Variation IV
- Variation V
Customer Reviews:
Classic(al).......2007-05-09
Fabulous music performed by fabulous musicians. Mozart is one of my favorite composers. His music is genius. And Murray Perahia and Radu Lupu are two of the greatest pianists of our time.
The Full Keyboard - More Mozart and Schubert!.......2006-07-14
The credentials of both of the two soloists here - Murray Perahia and Radu Lupu - are impeccable as individual interpreters of the works of both Mozart and Schubert and so it should come as no surprise that as they sit at the same keyboard the result is nothing less than satisfying.
For this listener the highlight of this recording is the splendid composition by Schubert - the 'Fantasia for piano, 4 hands in F minor', D. 94. The work contains some of his most haunting melodies in his oeuvre and Perahia and Lupu find that degree of harmony that makes the piece truly sing.
The Mozart works (Sonata for 2 Pianos in D Major, K 375), the Fantasia for mechanical organ in F minor, K. 608 and Variations on an original theme for piano, 4 hands in G major, K. 501) are of interest not only because they are rarely heard, but also because of the intelligent music making Perahia and Lupu bring to their interpretations. Without a score in hand it is difficult to know which exposed parts are being played by which soloist and that is as it should be. The two pianists mirror each other and respect the performances in a way that is a welcome unified sound.
Works for extended piano keyboard, whether that be on the same keyboard or on two pianos, are too infrequently performed for obvious reasons. But here we have two of our finest pianists on a CD that is available at the press of a button. Highly Recommended. Grady Harp, July 06
Highly rated.......2005-07-22
A superb collaboration of two great pianists recently remastered for better sound quality. Masterful music but perhaps a divergent coupling. This performance was given high marks by major reviewers (Gramophone). See original CD issue for more reviews on Amazon.
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Ludwig van Beethoven
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Classical piano doesn't get any better than this
- F leisher's triumphant return.
- Superb... a real blockbuster!
- Without Equal
- Five Stars and a Laurel Wreath
|
Two Hands
Manufacturer: Artemis Classics
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Similar Items:
- The Journey
- Leon Fleisher Plays Brahms
- Leon Fleisher Recital - Bach/Brahms, Scriabin, Saint-Saens
- Richard Goode Performs Mozart
- Mozart: Piano Concertos #9 & 18 - Leif Ove Andsnes
ASIN: B0002IQHHK
Release Date: 2004-08-24 |
Tracks:
- Jesu, Joy Of Man's Desiring
- Sheep May Safely Graze
- Sonata In E Major K.380
- Mazurka In C Sharp Minor, Op.50, #3
- Nocturne In D Flat Major
- Claire De Lune
- Molto Moderato
- Andante Sostenuto
- Allegro Vivace Con Delicatezza
- Allegro Ma Non Troppo
Amazon.com
In pianist Leon Fleisher's return to playing with both hands, an indomitable spirit has triumphed over physical adversity. Not that he has been absent from music since losing the use of his right hand to focal dystonia in 1965: in addition to forging a successful career as teacher and conductor, he performed the left-hand literature with peerless mastery, enlarging it with new commissions. However, he persisted in searching for a cure, and his determination has now borne fruit: this is his first record of the two-hand repertoire in 40 years. It is altogether extraordinary. Always a great pianist and musician, Fleisher has lost none of his powerful, consummate technique (not surprisingly, his left hand is enormously strong), his rhythmic and tonal control, his expressive projection. His sound is ravishingly beautiful, rich, full, singing, delicate, capable of infinite variations of dynamics, color and nuance; his intellectual and emotional concentration are riveting. The program features familiar short pieces and Schubert's great last sonata. Two Bach transcriptions, one by Myra Hess, one by Egon Petri, are overloaded and artificial, but played with reverential simplicity; a Scarlatti Sonata is scintillating without being fast; a Chopin Mazurka and Nocturne and Debussy's "Clair de lune" are frankly sentimental, very poetic, free, slow and dreamy. They invite the listener to focus on the playing rather than the music. The Schubert is monumental. Fleisher's vitality and exuberance belie his 75 years, though his impetuosity sometimes leads to jerkiness (in the Scherzo), and rushed tempi (in the Finale). His dynamics can be wayward, but the texture, even at its richest, is always crystal clear; every line stands out, indeed some seem newly discovered. There is plenty of time for reposeful rests, poised transitions, changes of harmony, color and mood; the sense of depth, breadth, coherence and continuity never falters. --Edith Eisler
Customer Reviews:
Classical piano doesn't get any better than this.......2007-04-15
This is a beautifully produced album by a master of the piano. Listening to the piano transcription of Sheep May Safely Graze is worth the price of admission alone. The Schubert D flat major sonata is moving and powerful. The Chopin delightful and full of feeling. You waited your whole life to hear the piano played this well with such a delightful choice of pieces.
Highly recommended.
F leisher's triumphant return........2007-01-11
It is thrilling and soul-satisfying to hear Leon Fleisher's superb and sensitive playing of Bach, Scarlatti, Chopin, Debussy and Schubert after dystonia had prevented two-handed performances for more than 35 years.
The Fleisher tapes of Beethoven's piano concertos with George Szell and the Cleveland Orchestra, before his disability, are treasures, and "Two Hands" shows that maturity has made his touch even more magical. His playing of Schubert's great Sonata in B flat Major rivals that of Leif Ove Andsnes, whom I have heard in person. For me, that is the ultimate accolade. Art Wild, Long Beach CA, 1/10/07
Superb... a real blockbuster!.......2006-12-08
This is a great album in every respect. The choice of music is excellent and execution is suberb. As one reviewer points out below, the interpretations are reminiscent of Rubenstein. However, these are digital recordings and with respect to technique, I would say that Fleisher has an edge.
There is something ineffable and sublime present here that makes this a rare and valuable recording. I was very moved the first time I heard this album, particularly the Chopin Nocturne. I also particularly liked the Bach interpretations and Debussy.
Everything on this album is tastefully done and Fleisher can certainly do a great job of interpreting each of the composers on this album. There is not a bad track on the whole album and being a piano player myself I hold artist's to a tough standard.
Without Equal.......2006-11-28
I am currently learning to play Chopin's Nocturne 27.2 so I decided to buy this CD. I have many different recordings of Chopin's nocturnes--Maria Pires, Maria Tipo, Ivan Moravic, Vladimir Ashkenazy, Arthur Rubenstein, and now Leon Fleisher.
I have listened to Rubenstein for a long time (who hasn't). He plays with such control, such technical virtuosity, such subtle movement and gentle shadings it is quite impossible to describe. Rubenstein is so perfectly graceful, when the music stops, you are left to ponder how anything--or anyone (Rubenstein or Chopin)--could be so ethereal.
Maria Tipo's rubato is too eccentric for me.
Maria Pires is beautiful, but something is missing--although I still listen to her quite regularly.
Vladimir leaves me the most disappointed of all the artists. His Nocturnes are flat, completely devoid of emotion. I listened to them two or three times and put them away.
Ivan Moravic plays beautifully as well--but I don't like his left hand rubato. His bass, however, is unbelievably deep and emotional.
Finally, Leon Fleisher
I have listened to the piano all my life. I even play the piano every day for about an hour. All of the above recordings (even Rubenstein's) left me wanting something, but I never knew what it was--until I heard Leon play...
No one I have ever heard--in ANY piece of music--compares to Leon's interpretation of Chopin's 27.2. He says it was his mother's favorite piece, and it shows. He must have loved her greatly.
Others, who possibly do not actually play the piano may have their quibbles, but as pianist, his recording is sublime; his emotion is full; his control is without equal.
Listen carefully to his left hand; it is simply astonishing. The graceful shadings of his left hand are impossible to describe adequately. For the first time in my life, I "heard" the LH melody that only Leon and Chopin knew was there. Finally, I am convinced, THAT is how Chopin played. I imagine few have ever mastered the piano as Leon has. This CD is a MUST have for the serious pianist, or anyone else, who wants to have their eyes (and ears) opened to as to how exquisitely beautiful the piano can, and should, be.
Five Stars and a Laurel Wreath.......2005-11-16
Whether you elect to acquire this recording as a treasure of a modern day hero who overcame enormous obstacles that would have destroyed a lesser human being, or whether you simply want some definitive performances of some of the most beloved works in the piano literature, this recording by Leon Fleisher is one of the most rewarding CDs to be released in a long time.
Everyone knows the sad tragedy of Fleisher's disappearance from the concert stage due to the challenge of the loss of his right hand. That he persisted in becoming a phenomenal success in the left hand alone repertoire instead of accepting defeat is truly amazing. Now that he is able to return to the keyboard with both hands as facile and full of passion and intelligence as before he plays with more than artistry: he plays with alchemy. From the Bach transcriptions that call for extreme sensitivity from every digit, to the romance and vivre of Chopin, the elegance of Scarlatti E major Sonata to the wonder of the closing Schubert sonata which challenges every pianist, Fleisher performs with authority and beauty of tone and spirit.
This is a recording that belongs in every music lover's library and is the perfect gift for those special friends who understand what this special CD is all about. Highly recommended. Grady Harp, November 05
Average customer rating:
- Wonderful
- Thanks you Decca
- Exquisite music for the soul
- Indeed a joy forever!
- Exquisite collection & performances, unbelievable value!!!
|
Violin Adagios
Manufacturer: Decca
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Binding: Audio CD
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ASIN: B000058BGY
Release Date: 2001-03-20 |
Tracks:
- Thais: Meditation - Nigel Kennedy
- Vn Con No.1 in g, Op.26: Adagio - Kyung Wha Chung
- Con No.4 in f, RV 297 'Winter': Largo - Alan Loveday
- Con in d, BWV 1043: Largo, Ma Non Tanto - Henryk Szeryng/Maurice Hasson
- Adagio in E, K.261 - Henryk Szeryng
- Vocalise, Op.34 No.14 - Akiko Suwanai/Philip Moll
- Vn Con in D, Op.77: Adagio - Joshua Bell
- Vn Con: Andante - Joshua Bell
- Melodie - Arthur Grumiaux/Istvan Hajdu
- Vn Son No.5 in F, Op.24 'Spring': Adagio Molto Espressivo - Itzhak Perlman/Vladimir Ashkenazy
- Vn Con in D, Op.35: Canzonetta: Andante - Leila Josefowicz
- Songs My Mother Taught Me, Op.55 No.4 - Arthur Grumiaux/Istvan Hajdu
- None But The Lonely Heart - Josef Sakonov
- The Gadfly: Romance - Alexander Kerr
Tracks:
- Romance No.2 in F, Op.50 - Arthur Grumiaux
- Vn Con in E, BWV 1042: Adagio - Midori
- Salut D'amour - Kyung Wha Chung/Philip Moll
- Ave Maria, D.839 - Arthur Grumiaux/Istvan Hajdu
- Con in a, RV 522: Larghetto - Midori/Pinchas Zukerman
- Son in D, Op.1 No.13: Larghetto - Iona Brown
- Vn Con No.3 in G, K.216: Adagio - Arthur Grumiaux
- Liebesleid - Joshua Bell/Paul Coker
- Vn Con in e, Op.64: Andante - Kyung Wha Chung
- Souvenir D'un Lieu Cher, Op.42: Melodie - Akiko Suwanai/Philip Moll
- Vn Con in d, Op.47: Adagio Di Molto - Kyung Wha Chung
- Vn Con in D, Op.35: Romance: Andante - Chantal Juillet
- Standchen, D.957 No.4 - Arthur Grumiaux/Istvan Hajdu
- Estrellita - Arthur Grumiaux/Istvan Hajdu
- Orchestral Ste No.3 in D, BWV 1068: Air ('Air On A G String') - ASMF/Neville Marriner
Customer Reviews:
Wonderful.......2005-11-07
An excellent compilation of folk tunes and violin concerto adagios, played masterfully by some of the world's most revered musicians. Features modern pieces (Korngold, Barber), which are a personal favorite of mine.
Thanks you Decca.......2005-01-23
My daughter is a violin student of 7 years and she has played 3 or 4 of these pieces for recitals. I bought the CD's so she could become familiar with the pieces as she was learning to play them. Now I find myself listening to the CD's almost every night when I go for my end of the day drive to relax. My favorites are the Mozart Concerto in G, the Mendelssohn Concerto in E minor and Beethoven's Romance in F on disc 2, but all the songs are exquisitely beautiful. I highly recommend it.
Exquisite music for the soul.......2004-06-14
These CDs have the most incredible selections of music on them. Listening to the violins has enabled me to complete papers for my doctoral level classes without the usual neck aches. This is soothing, exquistie music for the soul! Lovely!!
Indeed a joy forever!.......2003-05-22
Before buying this 2 CD set,I've read Reviews by Chicagodreamer,
who rated it as "Highly, highly recommended." His laudatory recommentation, I must say, is found "well justified."
Exquisite collection & performances, unbelievable value!!!.......2002-01-15
"Over 2 l/2 hours of the world's most beautiful music." These words on the cover are very close to true. What an incredible value this collection is!! So many of these compilations of this sort are cheaply produced, and those "greatest hits" collections are one trite piece after another -- after a while one runs screaming to the stereo to shut it off. However, this collection is top-notch, and the performers they chose are masterful musicians at the top of their game. Every selection is lovely, each one unfolding after the other in a sublime slide show of exquisite compositions performed by legends. This is TWO CDs of sparkling performances composed and performed by masters. There is not a bad selection or a piece of inferior quality in the entire lot.
The violin is an extraordinary instrument that, when played correctly, can pluck the heartstrings and stir the soul. It is played perfectly by each puppetmaster on each one of these wonderful pieces, and the experience of listening to this collection is an exquisite journey for the heart and spirit. Looking for a fantastic collection of exquisite pieces written and performed by genius? It's here. Highly, highly recommended!!
Average customer rating:
- One of my favorite recordings ever
- wonderful
- Truthful & Sincere Singing
- Beautiful
- More than just a pretty voice ...
|
Elly Ameling ~ Schubert · Schumann - Songs
Franz Schubert , Robert Schumann , Elly Ameling , Jörg Demus , and Hans Deinzer
Manufacturer: RCA
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Similar Items:
- Artistry of Elly Ameling (Coll)
- Ave Maria--Lieder
- Schubert: Quintet in C D. 956; The Shepherd on the Rock
- Susan Graham - La Belle Époque (The Songs of Reynaldo Hahn)
- Schubert: 24 Lieder
ASIN: B000001TWU
Release Date: 1991-11-05 |
Tracks:
- Der Hirt Auf Dem Felsen
- Seligkeit
- Gretchen Am Spinnrad
- Du Liebst Mich Nicht
- Heimliches Lieben
- Im Fruehling
- Die Vogel
- De Jungling An Der Quelle
- Der Musensohn
- Widmung
- Auftrage
- Sehnsucht
- Frage
- Mein Schonster Stern
- Schneeglockchen
- Erstes Grun
- Er Ist's
- Die Sennin
- Sehnsucht Nach Der Waldgegend
- Jasminenstrauch
- Schmetterling
- Der Nussbaum
- Marienwurmchen
- Kauzlein
- Waldesesprach
- Loreley
- Die Meerfee
- Der Sandmann
Customer Reviews:
One of my favorite recordings ever.......2007-06-08
Elly Ameling is in glorious voice, and Demus's instrument here is fortepiano, which suits the music exquisitely. Der Hirt auf dem Felsen alone is worth the price, but all the Schubert and Schumann songs are well chosen. I'm so happy that this 1965 performance is available on CD.
wonderful.......2007-03-21
I also owned this on vinyl and have wonderful memories of this perfect blend of voice, clarinet and piano. Truly haunting melodies and the greatest musical integrity. Can't wait to get this one next month!
Truthful & Sincere Singing.......2006-11-25
Ameling's reading of Schumann and Schubert Lieder is sincere and noble, at times even awe-inspiring. There's always something genuinely beautiful, a sense of respect for music itself, when she sings with her etherial yet warm voice.
The sublimity of "Mein schonster Stern" only makes this CD worth purchasing. Her Schumann recordings are so scarce now that it is joy to find 19 Schumann Lieder both well known and obscure gems on this disc. Accompanied by an original master piano of Schubert's days. Recorded in 1965/67.
Beautiful.......2006-11-11
What a gorgeous voice! It's a true delight to listen to this set.
More than just a pretty voice ..........2006-09-17
It is tempting to dismiss Ameling as a "pretty voice" and reach for Elisabeth Schwarzkopf instead, as a previous reviewer suggests. Ameling's interpretations place a premium on simplicity and directness - two traits that are often undervalued. To my ears, however, Ameling's self-effacing approach is ideally suited to lieder performance. Schwarzkopf's recording with Edwin Fischer on EMI, while admirable in its own way, is too fussy for my tastes. Take, for example, the rendition of "Im Fruehling" by each singer: where others find Schwarzkopf to be intense and dramatic, I find her to be mannered and melodramatic. Ameling's version strikes closer to the heart and shows greater insight and intellect, in my view. Note: on this CD, Ameling's ravishing voice is at its peak.
Average customer rating:
- Those who criticize the sound quality ...
- Performed with real gusto!
- PURE MUSIC MAGIC
|
Schubert: The Piano Trios
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Schubert: String Quintet in C, D. 956
- Mendelssohn: Piano Trios Op. 49 & Op. 66
- Franz Schubert: Complete Trios
- Beethoven: Piano Trios, Vol. 2; Itzhak Perlman; Vladimir Ashkenazy; Lynn Harrell
- Beethoven: Piano Trios, Vol. 1; Itzhak Perlman; Vladimir Ashkenazy; Lynn Harrell
ASIN: B0000042HH
Release Date: 1997-11-11 |
Tracks:
- Trio In B Flat Major For Piano, Violin And Cello, Op. 99, D898: I. Allegro moderato
- Trio In B Flat Major For Piano, Violin And Cello, Op. 99, D898: II. Andante un poco mosso
- Trio In B Flat Major For Piano, Violin And Cello, Op. 99, D898: III. Scherzo: Allegro - Trio
- Trio In B Flat Major For Piano, Violin And Cello, Op. 99, D898: IV. Rondo: Allegro vivace - Presto
Tracks:
- Trio In E Flat Major For Piano, Violin And Cello, Op. 100, D898: I. Allegro
- Trio In E Flat Major For Piano, Violin And Cello, Op. 100, D898: II. Andante con moto
- Trio In E Flat Major For Piano, Violin And Cello, Op. 100, D898: III. Scherzandro: Allegro moderato - Trio
- Trio In E Flat Major For Piano, Violin And Cello, Op. 100, D898: IV. Allegro moderato
Customer Reviews:
Those who criticize the sound quality ..........2004-12-26
clearly have wax in their ears/speakers. Through a high fidelity system of any reasonable quality, these recordings sound warm, glorious, superb. And, of course, these compositions are performed in a manner that matches their quality. Among Schubert's best works, in my opinion.
Enjoy!
Performed with real gusto!.......2004-05-16
This recording of Schubert's two piano trios (the only two he wrote) is a real joy. Three masters of the trade provide a classy, lively, lyrical performance that is just full of enthusiasm and gusto (especially the B flat D898).
I admit that I have not heard the two higher-priced recordings recommended by Gramophone, but I'd be very surprised if anyone could top this performance. This is one of my most frequently played CD sets -- for good reason. [I say much the same about the Mozart Piano Quartets recording on Naxos, for the same reasons.]
PURE MUSIC MAGIC.......2002-10-31
THESE TWO PIANO TRIOS ARE THE BEST EVER COMPOSED FOR THE VIOLIN, CELLO, AND PIANO. SCHUBERTS MELODIC GENIUS IS ON DISPLAY IN THESE WORKS. ASHKENAZYS KEYBOARD TEMPO IS PERFECT AND ZUKERMANS PLAYING IS WARM AND BRILLIANT. HARRELLS CELLO SOUNDS RICH AND FULL. FANS OF STANLEY KUBRICKS FILM BARRY LYNDON WILL RECALL HIS USE OF THE SECOND MOVEMENT OF THE E FLAT MAJOR IN THE DELIBERATELY PACED DRAWING ROOM SCENES. THE MUSIC FIT PERFECTLY. THE SLOW MOVEMENT THEME RETURNS IN THE FINAL MOVEMENT TO CONTRAST WITH A ROCKING, LIVELY ALLEGRO. THE B FLAT MAJOR OPENS WITH A BEETHOVEN LIKE HEROIC THEME AND IS FOLLOWED BY ONE OF SCHUBERTS MOST EXPRESSIVE MELODIES. A BOUNCY SCHERZO IS THEN FOLLOWED BY A WELL CONSTRUCTED RONDO THAT IS A FINE ENDING TO A GREAT PIECE OF MUSIC. BUYING THESE TOGETHER IN THIS TWO CD CASE IS BEST. THEY WERE ALWAYS SPLIT UP TILL NOW. SCHUBERT ROCKS!!
Average customer rating:
- Mill. Classical review
- classical music for the unitiated
- Some little gems there that I had forgotten!
- A very helpful collection
- Excellent!
|
Classical Masterpieces of the Millennium [20 CD Set]
Manufacturer: Delta
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Similar Items:
- Rhapsody in Blue - Ultimate Piano Collection [20 CD Set]
- Masters of Classical Music (Box Set)
- Little Night Music - Ultimate Mozart Collection [20 CD Set]
- Passion - Most Famous Orchestral Spectaculars [20 CD Set]
- Rendezvous of Angels - Concert Collection [20 CD Set]
ASIN: B00000K1C9
Release Date: 1999-08-24 |
Tracks:
- Brandenbutg Concerto No.3 In G First Movement
- Overture No.3 In D Second Movement
- Violin Concerto In E First Movement
- Prelude In C minor
- Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
- Overture No.2 In B minor Minuet And Badinerie
- Oboe Concerto In D minor Second Movement
- Brandenburg Concerto No.4 In G Third Movement
- Musical Offering - Fuga canonica
- Easter Oratorio - Overture
- Minuet In D minor
- Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
- Brandenburg Concerto No.1 In F Second Movement
- Art Of The Fugue - Contrapunctus 9
- Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
- Overture No.4 In D - Réjouissance
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Water Music - Alla Hornpipe
- Xerxes - Ombra Mai Fu (Largo)
- Messiah - And The Glory Of The Lord
- Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
- Organ Concerto In F, Op. 4, No. 4 Allegro
- Water Music - Air
- Messiah - For Unto Us A Child Is Born
- Concerto Grosso In B flat, Op. 3, No. 2 - Largo
- Salomon - Sinfonia, Act 3
- The Choice Of Hercules - While For Thy Arms
- Water Music - Allegro (Suite No. 1)
- Suite No. 5 In E - Air With Variations
- Jephtha - How Dark, O Lord
- Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
- Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
- Water Music - Andante Allegro Da Capo
- Concerto for Trumpet & Orchestra in E-flat: First Movement
- Symphony No. 94 in G: Surprise Symphony-second movement
- Concerto for Violin No. 2 in D: Third Movement
- Flute Trio No. 31 in G: Second Movement
- Symphony No. 31 in D: Hornsignal-First Movement
- String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
- Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
- Concerto for 2 Horns & Orchestra in E-flat: Second Movement
- Symphony No. 88 in G: Fourth Movement
- String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
- Notturno No. 1 in C: Second Movement
- Symphony No. 98 in B: Londoner No. 4-Fourth Movement
- Eine Kleine Nachtmusik - first movement
- Piano Concerto in A - second movement
- Flute Concerto in D - Rondeau
- Serenade - Minuet
- Violin Concerto - first movement
- Symphony No. 40 in G minor - first movement
- Clarinet Concerto - second movement
- Turkish March
- Divertimento - Minuet
- Horn Concerto No. 3 in E-flat - first movement
- Symphony No. 5 in C minor, Op. 67-First Movement
- Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
- Overture
- O welche Lust (Prisoners' Chorus)
- Ha, welch ein Augenblick (Pizarros's Aria)
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
- Concerto for Violin and Orchestra in D, Op. 61: Third Movement
- Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
- Sympony No. 6 in F, Op. 68: Pastorale-First Movement
- Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
- German Dance No. 1 In C
- Impromptu Op. 90, No. 3 In G-Flat
- Heidenroslein
- Ave Maria
- Der Lindenbaum
- Quintet In A 'Trout Quintet' - Andante
- Mass No. 6 In E-Flat - Kyrie
- Die Schone Mullerin Des Mullers Blumen
- German Dance No. 2 In G
- Piano Sonata In B-Flat
- Nachtgesang Im Walde
- Winterreise - No. 15: Die Krahe
- German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
- Symphony No. 8 In B Minor 'Unfinished' - Second Movement
- Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
- Nocturne in E-flat, Op. 9, no. 2
- Etude in G-flat, Op. 10, no. 5
- Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
- Mazurka in D minor, Op. 33, no. 2
- Prelude in D-flat, Op. 28, no. 15 Raindrop
- Etude in C, Op. 10, no. 1
- Nocturne in D-flat, Op. 27, no. 2
- Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
- Scherzo in B minor, Op. 20
- Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
- Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
- Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
- Violin Concerto - second movement
- The Sleeping Beauty - Waltz
- Capriccio Italien, Op. 45
- Swan Lake - Waltz
- Eugene Onegin - Polonaise
- The Nutcracker - Waltz of the Flowers
- Orchestral Suite No. 4 - Mozartiana - Third Movement
- Swan Lake - Dance of the Swans
- Symphony No. 6 in B minor - Pathétique - Third Movement
- Hungarian Dance No.5
- Lullaby
- Symphony No.1 in C minor, Op. 68 - Third Movement
- Intermezzo in E-flat, Op.117, no. 1
- Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
- Waltz, Op. 39, no. 15
- Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
- String Quintet in G, Op. 111 - Second Movement
- Symphony No.4 in E minor, Op. 98 - Third Movement
- Intermezzo in A minor, Op. 76, no. 7
- Hungarian Dance No.1 in G minor
- German Requiem Selig sind die Toten (Final Chorus)
- Die Fledermaus - Overture
- Kaiser Waltz, Op.437
- Thunder And Lightning Polka, Op. 324
- Roses From The South Waltz, Op. 388
- AnnenPolka, Op. 117
- Vienna Blood Waltz, Op. 354
- Eljen A Magyar Polka, Op. 332
- Wine, Women and Song Waltz, Op. 333
- On The Beautiful Blue Danube Waltz, Op. 134
- Die Meistersinger Von Nurnberg - Overture
- Tannhauser - Die Pilger sind's (Pilgims' Chorus)
- Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
- Lohengrin - Act 3 Prelude and Bridal Chorus
- The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
- The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
- Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
- Die Walkure - Ride of the Valkyries
- Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
- Tristan und Isolde - Liebestod
- Thus sprach Zarathustra, Op. 30 (excerpt)
- Don Juan, Op. 20
- Eine Alpensinfonie, Op. 64, I.Nacht
- Don Quixote, Op.35, first movement: Introduction
- Salome, Op. 54, Dance Of The Seven Veils
- Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
- Piano Concerto 2 In C minor, Op. 18 - First Movement
- Vocalise, Op.34, No. 14
- Prelude In G Sharp minor, Op. 32, No. 12
- Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
- Symphony No. 2 In E minor, Op. 27 - Third Movement
- Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
- Rhapsody, Op. 43 On A Theme By Paganini
- Hungarian Rhapsody No.2
- Liebestraum No.3 in A-flat
- Piano Concerto No.1 in E-flat - third movement
- Angelus
- Mephisto Waltz No.1 (Dance in a Village Tavern)
- Prelude and Fugue on B-A-C-H
- Dante Symphony - Finale. - Purgatorio - Magnificat
- Les Préludes
- Boléro
- Daphnis et Chloé first movement: Nocturne
- Rhapsodie Espagnole
- Shéhérazade - first movement: Asie
- Ma Mère l'Oye - fourth movement: La Belle et la Bête
- Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
- La Valse
- Slavic Dance No. 1 in C, Op. 46, no.1
- Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
- Humoresque, Op. 101
- Slavic Dance No. 8 in G minor, Op. 46, no. 8
- Serenade for String Orchestra, Op. 22 - second movement
- Romance for Violin and Orchestra In F minor, Op. 11
- Symphony No. 7 in D minor - third movement
- Melodie (Songs My Mother Taught Me)
- Carneval Overture, Op. 92
- Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
- Symphony No.4 In A, Op. 90. Italian - First Movement
- Frühlingslied In A, Op. 62, No. 6
- Wedding March (From A Midsummer Night's Dream, Op.61)
- Duetto In F, Op.30, No.6 (From Songs Without Words)
- String Symphony No.9 In C. Schweitzer Symphony - Third Movement
- Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
- Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
- Notturno (From A Midsumment Night's Dream, Op. 61)
- Rondo Capriccioso, Op.14
- String Symphony No. 12 In G minor - First Movement
- Venetian Gondola Song In F Sharp minor, Op.30, No.6
- Scherzo (From A Midsumment Night's Dream, Op. 61)
- Violin Concerto In E minor, Op.64 - Third Movement
- Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
- Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
- Holberg Suite, Op. 40 - IV. Air. Andante religioso
- Arietta, Op. 12, no. 1
- Homage March from Sigurd Jorsalfar, Op. 56
- Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
- Wedding Day at Troldhauen, Op. 65, no. 6
- The Last Spring, Op. 34, no. 2
- Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
- Nordic Melody Op. 63
- Notturno, Op. 54, no. 4
- Elegie, Op. 47, no. 5
- Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
- Piano Concerto in A minor, Op. 16 - Allegro
- Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
- Traumerai (from Kinderszenen, Op. 15)
- Mondnacht (from Eichendorff-Liederkreis, Op. 39)
- Aufschwung (from Fantasietucke, Op. 12)
- Triolett, Op. 114, no. 2
- Tanzlied (No. 1 from Duets, Op. 78)
- Symphony No. 4 in D minor, Op. 120 - second movement
- Frühlingsgruss
- Abschied (from Waldszenen Op. 82)
- Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
- Manfred Overture, Op. 115
- Romance in F sharp, Op. 28, no. 2
- Die Rose stand im Tau
- Liebesgarten (from Four Duets, Op. 34)
- Warum? (from Fantasiestucke, Op. 12)
- Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
- Von fremden Landern und Menschen (from Kinderszenen, Op. 15)
Album Description
An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.
Customer Reviews:
Mill. Classical review.......2007-05-13
This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.
classical music for the unitiated.......2007-04-01
This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.
Some little gems there that I had forgotten!.......2007-03-30
Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.
I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.
It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!
Classical Masterpieces of the Millennium [20 CD Set]
A very helpful collection.......2007-03-24
I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.
Excellent!.......2007-03-08
A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.
Music Review:
- Schubert: The Symphonies
- Schumann: Piano Concerto; Tchaikovsky: Piano Concerto No. 1
- Schwanengesang; Vier Ernste Gesange
- Scriabin Etudes Complete
- Shostakovich: String Quartet No. 8 in C minor
- Shostakovitch: Symphonies Nos. 5 & 6 / Barshai
- Sir William Walton's Film Music, Vol. 3
- Stephanie Blythe - Handel & Bach Arias / David Daniels · Ensemble Orchestral de Paris · John Nelson
- Tavener: Ikon of Eros
- Tchaikovsky: Symphony No. 4
Music Review
music review
Music Review
Bumpa
Symphonic Variations
The Romantic Viola
Levity
Too Lost in You, Pt. 2 [CD-single] [Import]
The Nature of Things
"Spicy Rhythm"
The Dissociatives
Teenbeat / He's a Drummer [Import]
Schumann: Complete Piano Trios
Rip It Up
Reggaeton Underground [Explicit Lyrics]
Sentimental Y Salvaje
Cecile Chaminade: Piano Works
The Best of the Dukes of Dixieland