Dvorák: Symphony No. 7 & Other Works

Editorial Reviews
Amazon.com
This is the first release on CD of a symphony that most music lovers don't even know that Leonard Bernstein recorded! It's a marvelous performance, with a finale that positively smokes, and just one more example of the treasures that lie buried in the back catalogs of the major labels. One of the oddities of the classical music market is the fact that many of the best releases today are reissues, and not new performances. Go figure. --David Hurwitz

Tracks:

Ave Maria (new recording)
La Wally (from Time To Say Goodbye)
Winter Light (new recording)
Anytime, Anywhere (from Eden)
Alhambra (new recording)
Lascia Ch'io Pianga (from Eden)
Dans La Nuit (new recording)
Serenade/How Fair This Place (from La Luna)
O Mio Babbino Caro (new recording)
La Luna (from La Luna)
Pie Jesu (new recording)
Figlio Perduto (from La Luna)
Nessun Dorma (new recording)
Bailero (from Eden)
Time To Say Goodbye (New solo version--previously unavailable)

Amazon.com

Have some friends who still haven't discovered what the Sarah Brightman fuss is all about? You'll find the perfect introduction to make converts of them all in Classics, so they'll have no more excuses to remain clueless. Sporting a Botticelli-inspired image of the platinum-selling soprano on the cover, Classics is a classy anthology including highlights from three of Brightman's chart-topping releases along with seven new tracks. Songs personally selected by the diva as her favorite classical interpretations are culled from her previous blockbusters: Time To Say Goodbye, Eden, and La Luna. And whether you're a fan already in the fold or one in the making, the new material here shows the diva at the top of her form, in new renderings of "O Mio Babbino Caro" and "Nessun Dorma" (accompanied by the Royal Philharmonic)--fascinating displays of the operatic confidence she's developed over her career. Other new offerings include a touching version of Schubert's "Ave Maria,' "Winter Light," a fresh take on her signature song "Pie Jesu" (from Andrew Lloyd Webber's Requiem). "Alhambra" and "Dans La Nuit"--a real treat, bathing the listener in Brightman's silky, sensuous vocalism--add two original titles to her famous adaptations of classical melodies to new lyrics (using Chopin's haunting E major Etude in the latter case). All told, a lovely affirmation of the directions Brightman has boldly taken in her career to date. -Sarah Chin

Amazon.com

Sarah Brightman Photos

More from Sarah Brightman

Time to Say Goodbye
Diva: The Singles Collection
Eden

Diva: The Video Collection
Live from Las Vegas
La Luna (Live in Concert)

Customer Reviews:

Sarah's Best Easy Listening CD.......2007-03-15

Sarah Brightman's talent is limitless. Her soprano and/or alto voice is among the best and she lets it show in 'CLASSICS'. CLASSICS is a beautiful, easy listening, and peaceful CD. CLASSICS is one to listen to in tranquil or relaxing moments. "CLASICS" is a collection of great pieces of music written by great composers (Shuburt, Handel, Chopin, Puccini, and the like). I have listened to CLASSICS about 15 times now and it always puts me in a quiet and peaceful mood (I am ~50 years old).

Best Brightman CD.......2007-02-07

A classical composition which showcases the beautiful voice of Sarah Brightman. A timeless CD which will continue to be a favourite over the years.

Sarah Brightman is a Classic.......2007-01-02

Sarah Brightman is at her best in "Classics." From Dvorak's "Rusalka" (Opera B.203) to Beethoven's haunting Op 52, slow movement (Symphony #7), Brightman's voice and lyrical style are a joy. I particularly enjoy her performances of Schubert's Ave Maria and Andrew Lloyd Weber's Pie Jesu. This is a great add to my collection of serious music.

Not The Best - Not the Worst - From Sarah Brightman.......2006-12-30

After purchasing this CD for my iPod for iTunes, I must say that I'm a little bit dissapointed. 7 new recordings and 8 old ones, ones that I already happen to have. I do like the fact that they're all on one CD! Some of her new recordings, including, "Ave Maria", "Winter Light", "Alhambra", "Dans La Nuit", and the new recording of "Pie Jesu" are just too breathy for my taste. It seems as with every changing CD, Sarah's voice changes. I'm not saying that the result is bad; it actually gives the songs more of a dream like quality, but I'm used to the younger, more Andrew Lloyd-Webber integrated Sarah. Scooping continually occurs in new recordings of "O Mio Babbino Caro", and "Nessun Dorma". In some tracks from La Luna, like "Figlio Perduto", Sarah's voice is TOTALLY dominated by harmonizing recordings that sound almost mechanical.

OVERALLY - The new songs sound O.K. and the old recordings are just as good as they were back then. This album is still a great buy!

Nice Cover.......2006-12-27

I'm a heterosexual guy who's not an opera aficionado - I only mention these facts because I seem to be right in the bull's-eye of the target market for this product. Sarah B. has a nice voice and she's pretty. Both of these are featured prominently on this CD. The cover and several pages in the insert are devoted to what must have been a very long and expensive photo shoot (and Photoshop) of a semi-clad Sarah looking marvelous. (The CD also comes with a flyer so you can buy various Brightman "Classics" apparel - perhaps not for the heterosexual male).

As far as the music goes: not bad, not great. I don't claim to have the most discerning ears for this sort of music, but everything was OK by me. However, the pieces on the CD with which I'm somewhat familiar, such as "O Mio Babbino Caro," didn't sound quite as good as other versions I've heard (and that includes by Charlotte Church, not just opera stars). Also, the solo version of "Time to Say Goodbye" didn't sound nearly as good to me as the duet with Bocelli.

In sum, there were 3-4 songs I liked enough to rip to MP3s - which is enough so that I didn't feel ripped myself...

Average customer rating:

Yo-Yo Ma is a genius

The Dvorak Album

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0002VEPIU
Release Date: 2004-09-07

Tracks:

Concerto in B minor for Cello and Orchestra, Op. 104
Klid (Silent woods) for Cello and Orchestra, Op. 68, No. 5
Slavonic Dance No. 2 in E minor, Op. 72
Humoresque No. 7 in G-flat Major, Op. 101
Songs My Mother Taught Me from Gypsy Melodie, Op. 55

Amazon.com

This compilation of music by Dvorak played by Yo-Yo Ma is just beautiful. Ma seems to understand just when Dvorak wants to be super-Romantic and sappy and when he is in fact being merely his usual expressive self. The former comes into bloom with the Slavonic Dance, in which he's accompanied by Itzhak Perlman and "Songs My Mother Taught Me," with Patricia Zander at the piano. But when it comes to revealing Dvorak as one of the most insightful and truly passionate of composers, with a particular understanding of the cello, Ma's playing of the B minor Concerto (under Kurt Masur, with the New York Philharmonic), the latter description comes into play. Ma gets every nuance out of the cello, and the way in which Masur, for instance, leads the winds against the cello at the start of the 2nd movement is just gorgeous. "Klid" ("Silent Woods") is given a deeply affecting reading as well, under Seiji Ozawa. 2004 is the 100th anniversary of Dvorak's death; this CD is fine tribute. --Robert Levine

Customer Reviews:

Yo-Yo Ma is a genius .......2004-11-16

words fail me on how to describe performance in this CD.It's very good, one of the best interpretations I have heard in a very long time. I must confess that since i discovered Ma du Pre I have not been able to listen to anything else nor did I attempt to do so. But out of the blue I bumped into this CD by chance & after hearing Yo Yo Ma's phraising especially the 1st movement infact the whole of Dvorak Cello was like something new to me.Ma plays with passion,emotions & strong commitment to the music in a different way.The Ochestra is in top form & allows the solo cello to shine at the right time.I never thought there is another interpretation that could surpass M.Rostropovich(Im sorry to say this I know he is a living legend & the 1969 record with Karajan is held in high esteem). Ma is accompanied by my favourate violinist Itzhak Perlman on "Humosresque no.7 for piano" & "Slavonic Dance no.10 in E minor"- the results are so sweet as many people know Perlman is a romantic specialist his tone with Ma's cello is heavenly.With regard to the "songs my mother taught me" the cello sounds good not best for the track personally im so used to hear the song being played on violin.There's nothing wrong with the cello it's just that it 's tone is a bit too strong for the composition but it's very well interpreted by Ma. They call this transcription in musical terms. Actually Ma deserves an apology as im one of those who have accused him of lacking in emotions &"look at me now i can play anything" attitude.I think those allegations are baseless & unwarranted when u hear this CD u will know u are into something beautiful. Overall grab this very fast before many people realise Yo-Yo Ma 's greatest gift of song.

Average customer rating:

Heartfelt, passionate versions
Great Recording
Great set of music!
Kertesz or Kubelik in the Dvorak symphonies?
Amazing performances

Dvorák: The Symphonies

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Mendelssohn: 5 Symphonies; 7 Overtures
Schubert: 8 Symphonies
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Johannes Brahms: The Symphonies

ASIN: B0000041WV
Release Date: 1992-02-11

Tracks:

Symphony No. 1 In C Minor 'Zlonicke zvony': I: Allegro
Symphony No. 1 In C Minor 'Zlonicke zvony': II: Adagio molto
Symphony No. 1 In C Minor 'Zlonicke zvony': III: Allegretto
Symphony No. 1 In C Minor 'Zlonicke zvony': IV: Finale - Allegro animato
Symphony No. 2 In B Flat Major, Op. 4: Allegro con molto

Tracks:

Symphony No. 2: II: Poco adagio
Symphony No. 2: III: Scherzo: Allegro con brio
Symphony No. 2: IV: Finale: Allegro con fuoco
Symphony No. 3 In E Flat Major, Op. 10: I: Allegro moderato
Symphony No. 3 In E Flat Major, Op. 10: II: Adagio molto
Symphony No. 3 In E Flat Major, Op. 10: III: Finale: Allegro vivace

Tracks:

Symphony No. 4 In D minor, Op. 13: I. Allegro
Symphony No. 4 In D minor, Op. 13: II. Andante sostenuto e molto cantabile
Symphony No. 4 In D minor, Op. 13: III. Allegro feroce
Symphony No. 4 In D minor, Op. 13: IV. Allegro con brio
Symphony No. 5 In F Major, Op. 76 (Beginning): I. Allegro ma non troppo
Symphony No. 5 In F Major, Op. 76 (Beginning): II. Andante con moto
Symphony No. 5 In F Major, Op. 76 (Beginning): III. Scherzo: Allegro scherzando

Tracks:

Symphony No. 5 (Conclusion): IV. Finale: Allegro molto
Symphony No. 6 In D Major, Op. 60: I. Allegro non tanto
Symphony No. 6 In D Major, Op. 60: II. Adagio
Symphony No. 6 In D Major, Op. 60: III. Scherzo (Furiant): Presto
Symphony No. 6 In D Major, Op. 60: IV. Finale: Allegro con spirito
'V prirode', Op. 91: In Nature's Realm

Tracks:

Symphony No. 7 In D Minor, Op. 70: I. Allegro maestoso
Symphony No. 7 In D Minor, Op. 70: II. Poco adagio
Symphony No. 7 In D Minor, Op. 70: III. Scherzo: Vivace - poco meno mosso
Symphony No. 7 In D Minor, Op. 70: IV. Allegro
Symphony No. 8 In G Major, Op. 88: I. Allegro con brio
Symphony No. 8 In G Major, Op. 88: II. Adagio
Symphony No. 8 In G Major, Op. 88: III. Allegretto grazioso
Symphony No. 8 In G Major, Op. 88: IV. Allegro ma non troppo

Tracks:

Symphony No. 9 In E Minor, Op. 95 'Z Noveho sveta': I. Adagio - Allegro molto
Symphony No. 9 In E Minor, Op. 95 'Z Noveho sveta': II. Largo
Symphony No. 9 In E Minor, Op. 95 'Z Noveho sveta': III. Molto vivace
Symphony No. 9 In E Minor, Op. 95 'Z Noveho sveta': IV. Allegro con fuoco
'Karneval' Overture, Op. 92
Scherzo capriccioso, Op. 66
'Domov muj' Overture, Op. 62

Amazon.com essential recording

For decades, there were only three complete collections of Dvorák's symphonies: this one; Rowicki's with the same orchestra; and Kubelik's with the Berlin Philharmonic. Kertész offers the most rustic, gutsy interpretations of all. Famous for his dislike of rehearsals, he allows the London Symphony to make a much rougher sound than his colleagues tolerate, and though not the last word in polish, the results have a spontaneous charm that's pretty hard to resist. More to the point, Dvorák's early symphonies (Nos. 1 to 5) remain sadly neglected, and each one of them is full of gorgeous tunes cloaked in mellifluous orchestration. At budget price, this set now costs less than it did on LP in the 1960s. How can you do better than that? --David Hurwitz

Customer Reviews:

Heartfelt, passionate versions.......2007-06-23

The late Istvan Kertesz continues to amaze, with this spectacular reissue of his 1960s Dvorak symphonies cycle. These versions each compare well with or exceed the legendary recordings by Ancerl, Szell, Talich, et al. Sound quality is excellent, and the mix on the orchestra is almost always just right, balancing strings, brass, and percussion. Compared to some Czech recordings, the woodwinds volumes are a bit weak, which is unfortunate because woodwinds are one of Dvorak's specialties. If you have no other set of Dvorak symphonies, or have 10 copies of "From the New World" and no copies of Symphonies 1, 2 or 3, then this is a must-have set. From the opening bars of Symphony No. 1, you'll agree you're in the presence of greatness.

Great Recording.......2007-06-03

Friends and CD-guides told me this was the best. And they were right.

Great set of music!.......2007-05-24

Along with Piotr Tchaikovsky, Antonin Dvorak was probably the most prolific composer of the Romance period. He composed for just about every genre of classical music except ballet, and is known for a wide variety of works. Some of his most famous are his symphonies. He wrote 9, out of respect for Beethoven, and like the German master, the last one is the most widely recognized. But like Beethoven, all 9 symphonies are incredible pieces of music in their own right. This set has all 9 symphonies, along with several other popular orchestral works. The sound quality is good, the orchestration is great, and the choice of music is great. All the pieces are dramatic, with melodies that range from powerful to awe-inspiring to melancholy. Every piece of music in this set is purely in the Romantic style; full of emotion, and many are inspired by folk tunes from Eastern Europe. All in all, a great set, and for a great price.

Kertesz or Kubelik in the Dvorak symphonies?.......2006-05-03

Although decades old, the two analog sets of Dvorak symphonies from Kertesz and Kubelik remain the front-runnters. From the mid-Sixties onward Decca has been so satisfied with the groundbreaking Kertesz cycle, the first to bring Sym. 1-6 to the general listening public outisde Czechoslovakia, that the company has rarely re-recorded any but the last three, most famous symphonies. DG, on the other hand, didn't release Kubelik's Sym. 1-6 until the digital era (1988, I believe), keeping them in the vualts and out of competiiton with Kertesz.

Now both sets are offered at basically the same price on 6 mid-line discs, with deep discounts on the used market. The difference between the two is quite marked musically, however. Kertesz comunicates the thrill of discovery in the early symphhonies. Amazingly, he had never conducted them before, and their vibrancy and inner life lift my spirits every time I hear them. The LSO didn't know these pieces, either, but play with rousing commitment and vivacity.

By comparison, Kubelik sounds rather correct and staid. He often chooses marginally slower tempos, and his enthusiasm for letting the dance rhytyms become exciting is limited. The Berlin Phil. seems not to catch on to the Slavonic folk idiom, which gets played far too straight (Dvorak had the same problem with Greman orchestras in his lifetime and was only accepted in Vienna and Berlin at first as a kind of naive, folk-flavored Brahms). As to sonics, the Decca set holds up well, being a bit bright at times but otherwise detailed and forward. DG, unforunately, gave Kubelik's later symphonies (#7-9) harsh, glaring sound that makes his readings sound brash; there's an unpleasant sting to the sound at higher volumes. This problem seems less in the earlier symphonies (the cycle was recorded over a longer period than Kertesz's and thus has more variable sound). I do not know if the current re-issue also includes remastering.

It's regrettable that in the interest of economics Decca has cut out several of Kertesz's most interesting fillers, such as the Hussite Over., though they can be found on other CDs from him. We get the Carnival Over. on both sets, after which Kertesz gives us the "My Homeland" and "In Nature's Realm" Over., while Kubelik offers the Scerzo capriccioso and The Wild Dove tone poem, both performed by his Bavarian State Orchestra rather than the Berliners.

As msut be obvious by now, I don't feel the two sets are competitive artistically. Kubelik was a major conductor and dedicated to Dvorak, but his best work isn't here. Kertesz, though not native born to the composer as Kubelik was, found a special affinity for Dvorak, and his cycle is one of the small miracles of Sixties recording. Perhaps not so minor considering that no one has bettered him in the early symphonies for forty years.

Amazing performances.......2005-03-28

This orchestra really has a rich, powerful sound, but can still give deep emotional sounds, all of which are needed to perform Dvorak. I doubt one can find finer performances of these symphonies, and the other works included in the set are very well chosen. The performances of each symphony are incredible, the sound quality is very good, and as I said before, the orchestra is wonderful. Highly recommended.

Average customer rating:

Baby loves this music!
Baby Galileo Review

Baby Galileo

Manufacturer: Buena Vista
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000A59Z1
Release Date: 2003-07-22

Tracks:

Orchestra Tune-Up
Symphony, No. 6, (Pastorale), Op. 68, 5th Movement
Clarinet Concerto in A, K. 662, 3rd Movement
Piano Concerto, No. 21 in C, K. 467, 2nd Movement
Symphony, No. 8, (Unfinished), D. 849, 1st Movement
Clarinet Concerto in A, K. 622, 1st Movement
Sleeping Beauty Waltz, Op. 66
Serenade, No. 13 in G, (Eine Kleine Nachtmusik), K. 525
Serenade No. 13 in G, (Eine Kleine Nachtmusik), K. 525
Nocturne in Eb, No. 2, Op. 9
Symphony, No. 41, (Jupiter), K. 551
Twinkle, Twinkle
Piano Sonata, No. 14 in C#, (Moonlight), Op. 27, No. 2
Prelude No. 7 in A, (The Polish Dance), Op. 28
On the Beautiful Blue Danube, Op. 314
Variations On (Ah Vous Dirai-Je, Maman), K. 265-300e
Preludes Book II, (Clair de Lune)
Symphony, No. 9 in E (New World), 2nd Movement
Nocturne in F#, No. 2, Op. 15
Waltz, No. 15, (Lullaby)

Product Description

The Baby Galileo Concert for Little Ears music CD is an enchanting 20-track, 39:53-minute concert celebrating the wonder of your baby's day from the first light of dawn until bedtime with stars twinkling overhead. Engaging scores from classical composers like Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Dvorak and Brahms immerse you and your little one in playful musical portraits. The Baby Galileo Concert for Little Ears music CD features some of the classical scores heard in Baby Galileo Discovering the Sky video. Charming themes from master composers are re-orchestrated for little ears by the Baby Einstein Music Box Orchestra.Musical Selections:The Day Sky Suite* Orchestra tune-up* Symphony No. 6, ?Ç£Pastorale?Ç¥, Op. 68, 5th Movement, Beethoven* Clarinet Concerto in A, K.622, 3rd Movement, Mozart* Piano Concerto No. 21 in C, K.467, 2nd Movement, Mozart* Symphony No. 8, ?Ç£Unfinished?Ç¥, D.849, 1st Movement, Schubert* Clarinet Concerto in A, K.622, 1st Movement, Mozart* Sleeping Beauty, Op. 66, Waltz, Tchaikovsky* Serenade No. 13 in G, ?Ç£Eine Kleine Nachtmusik?Ç¥, K525, 1st Movement, Mozart* Serenade No. 13 in G, ?Ç£Eine Kleine Nachtmusik?Ç¥, K525, 4th Movement, Mozart* Nocturne In Eb, Op. 9, No. 2, Chopin* Symphony No. 41, ?Ç£Jupiter?Ç¥, K.551, MozartThe Night Sky Suite* Variations on ?Ç£Ah vous dirai-je, maman?Ç¥, K.265/300e, ?Ç£Twinkle, Twinkle?Ç¥, Mozart* Piano Sonata No. 14 in C#, ?Ç£Moonlight?Ç¥, Op. 27 No. 2, Beethoven* Prelude No. 7 in A, ?Ç£The Polish Dance?Ç¥, Op. 28, Chopin* On the Beautiful Blue Danube, Op. 314, Johann Strauss, Jr.* Variations on ?Ç£Ah vous dirai-je, maman?Ç¥, K.265/300e, ?Ç£Twinkle, Twinkle?Ç¥, Mozart* Preludes Book II, ?Ç£Clair de Lune?Ç¥, DebussyAge: birth +Awards:* Oppenheim Toy Portfolio Gold Award (2003)* iParenting Media Best Products for 2004 (2004)

Customer Reviews:

Baby loves this music!.......2007-02-17

Puts our 6-week old daughter to sleep... what more could you ask for!

Baby Galileo Review.......2006-03-18

I love all of the Baby Einstein DVD's, so the music CD has been just as good as the DVD's. I play it all the time when my son is in the car and it seems to calm him and keep his attention. I even listen to it in the car when my son is not with me. It is relaxing and soothing. I definitely recommend the CD's for the car.

The Most Relaxing Classical Album In the World Ever, Volume II

Average customer rating:

The Most Relaxing Classical Album In the World Eveer, Volume II
Great music listein to while you read in bed
A must buy for the non-snobbish classical music fan.
A bliss of spirit.
Boring

The Most Relaxing Classical Album In the World Ever, Volume II
Gabriel Faure , Frederic Chopin , Antonio Vivaldi , Gustav Mahler , Claude Debussy , Sir Neville Marriner , Maris Jansons , Lorin Maazel , Sir Adrian Boult , Miklos Rozsa , Riccardo Muti , Stephen Cleobury , Sir John Barbirolli , New Philharmonia Orchestra , Philharmonia Orchestra & Chorus , Academy of St. Martin in the Fields , and Berlin Philharmonic
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Best of the Millennium: Top 40 Classical Hits

ASIN: B00002439O
Release Date: 2003-03-11

Tracks:

Sheep May Safely Graze - Sir Neville Marriner
Serenade In G 'Eine Kleine Nachtmusik' - Sir Neville Marriner
Violin Concerto No.1 In G Minor, Op.26 - II. Adagio - Yedudi Menuhin
Nocturne No.2 In E Flat Op.9 No.2 - John Ogdon
Miserere Mei, Deus - Stephen Cleobury
Schindler's List - Tasmin Little
Traumerei - Dame Moura Lympany
Dance Of The Sylphs - Sir Neville Marriner
Water Music - Berlin Philharmonic Orchestra
Symphony No.9: II. Largo - Oslo Philharmonic Orchestra
Jean De Florette - Toots Thielemans
Concerto For Lute And Two Violins - II. Largo - Anthony Bailes
Cello Concerto In E Minor Op.85 - III. Adagio - Jacqueline De Pre
Waltz No.15 In A Flat - Dame Moura Lympany
Romance - Piers Lane
Pavane - Maurice Handford
Woodbrook - Micheal O Suilleabhain
Time To Say Goodbye - Orchestra

Tracks:

The Four Seasons - Concerto No.1 In E 'Spring' - Yehundi Menuhin
Dance Of The Blessed Spirits - New Philharmonia Orchestra
Double Violin Concerto In D Minor - II. Largo Ma Non Tanto - Yehudi Menuhin
Prelude No.7 In A Op.28 No.7 - Tzimon Barto
Cantique De Jean Racine - MONKS AND CHOIRBOYS OF DOWNSIDE ABBEY
The Lark Ascending - Hugh Bean
'Pathetique Sonata Op.13 - II. Adagio Cantabile - Leonard Pennario
Pie Jesu - Choir Of King's College, Cambridge
Salut D'Amour - Richard Hickox
La Fille Aux Cheveux De Lin (The Girl With Flaxen Hair) - Dame Moura Lympany
The Coventry Carol - Medeval Babes
Pavane For A Dead Princess - New Philharmonia Orchestra
Liebestraum No.3 In A Flat - John Ogdon
Panis Angelicus - Elisabeth Schwarzkopf
Piano Concerto No.2 In F Op.102 - II. Andante - Dmitri Alexeev
Agnus Dei - Peter Barley
Symphony No.5 In C Sharp Minor - IV. Adagietto - New Philharmonia Orchestra
My Heart Will Go On - Orchestra

Customer Reviews:

The Most Relaxing Classical Album In the World Eveer, Volume II.......2006-08-28

Good selection of music, poorly performed and badly arranged. Good album for a tag sale. Same comment applies for Volume I.

Great music listein to while you read in bed.......2005-08-21

I have listened to this CD for the last several years before going to sleep at night. I love classical music, and this is great music to help make my soul feel at peace and unwind after a taxing day.

A must buy for the non-snobbish classical music fan........2004-10-22

I bought Vol. 1 of this series and was quite satisfied, but I have to say I'm more than satisfied with this one. If you can just mellow out and enjoy some great pieces, you'll love this CD. #15 on Disc 2 is almost worth the price alone!

A bliss of spirit........2004-09-18

That's disc will open You a wonderful, beautiful world of sounds, their harmony & emotion : you'll feel your heart full of
Joy, Tears, Love.
Good LUCK!

Boring.......2004-05-11

Yes this CD will put you to sleep in minutes. Its the most boring uninspiring classical music. The first CD was very good but this Vol. 2 is like most movie sequels....AWFUL !

Average customer rating:

Rostropovich stands out like a dazzling star
The flight of no return!
Rostropovich at 75 - A Look Back

Rostropovich, Master Cellist

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Schubert, Debussy / Rostropovich, Britten
Bach: Cello Suites Nos. 1-6
Dvorak & Saint-Saens: Cello Concertos
Brahms: The Cello Sonatas
Great Recordings Of The Century - Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter

ASIN: B000062R5A
Release Date: 2002-04-02

Tracks:

Concerto For Cello And Orchestra In B Minor Op. 104: Allegro
Concerto For Cello And Orchestra In B Minor Op. 104: Adagio Ma Non Troppo
Concerto For Cello And Orchestra In B Minor Op. 104: Finale. Allegro Moderato
Concerto For Cello And Orchestra In A Minor: Nicht Zu Schnell
Concerto For Cello And Orchestra In A Minor: Langsam
Concerto For Cello And Orchestra In A Minor: Sehr Lebhaft
Andante Cantabile Op. Posth. For Cello And String Orchestra: Andante Cantabile Op. Posth.
Chand Du Menstrel Op. 71 For Cello And Orchestra: Chant Du Menestrel

Tracks:

Sonata For Piano And Cello In G Minor Op.19: Lento - Allegro Moderato
Sonata For Piano And Cello In G Minor Op.19: Allegro Scherzando
Sonata For Piano And Cello In G Minor Op.19: Andante
Sonata For Piano And Cello In G Minor Op.19: Allegro Mosso
Introduction And Polonaise Brillante For Cello And Piano In C Major Op.3: Introduction And Polonaise Brillante For Cello And Piano In C Major
Vocalise Op.34 No.14: Vocalise
Impromptu In G Flat Major D 899 No.3: Impromptu In G Flat Major
Kinderszenen Op.5 No.7 Scenes From Childhood: Traumerei - Dreaming

Amazon.com

Mstislav Rostropovich's 75th birthday is the occasion for this two-disc set of prime recordings by the protean artist. The Dvorák Concerto with Karajan's overrefined conducting, one of the better of the cellist's five recordings of this masterpiece, is not as lively as his version with Ozawa or as idiomatic as his early recording with Talich and the Czech Philharmonic in monophonic sound. The Schumann Concerto, here with Rozhdestvensky and the Leningrad Philharmonic, is incisively Romantic, but disciplined and done with a ravishing tone, vividly recorded. It's superior to his later, indulgent version with Bernstein. The charming short pieces by Tchaikovsky and Glazunov are also irresistible for Rostropovich's gorgeous playing. Disc two partners him in solo pieces with pianist Alexander Dedyukhin, the centerpiece being Rachmaninov's Sonata, overflowing with lovely melodies played to the hilt by the cellist. The shorter works include transcriptions, perfect encore fare perfectly played. This set is a feast for Rostropovich's fans. --Dan Davis

Customer Reviews:

Rostropovich stands out like a dazzling star.......2007-05-20

As difficult a period as the 20th century was ... and all the more so in the soviet union -- Rostropovich stands out like a dazzling star. He represented some the finest levels of musical art that man can achieve -- a triumph of the human spirit.

In the 21st century in the western world, we are witness to the decline of the art form known as "classical music"... with nothing comparable or better on the horizon to replace it. As the 6 billion people of the earth, soon to be 9 billion, struggle for light and space ... there are ominous reverberations in the arts.

Thank God the few of us left who love this music have recordings of men like Rostopovitch ... always with the hope that the fire will be passed on to new generations of performers and composers who will catch the spirit and breath new life into the world.

The flight of no return!.......2007-05-02

This genius of the cello left us April 27th. For the recent music newcomers this name is synonymous of a talented musician, but Rostropovich meant for the music much more than a privileged and sheer artist. His multiple activities as soloist performer and conductor ranked such historical achievements that hardly could be resumed in this little note.

His loss is extremely significant, due he embodied the goal of a total artist. Reader, thinker, and always worried by his country, he knew about so many unsaid details of the missed U.R.S.S, and his narrow collaboration with Dimitri Shostakovich make of him a essential part of the musical History of the last Century With his departure a cycle ends. Fortunately his enormous musical bequeath stand out through the years to come, as striking evidence of his egregious talent.

Hail and farewell!

Rostropovich at 75 - A Look Back.......2003-09-19

To celebrate the 75th year of the birth of cellist Mstislav Rostropovich, the various labels he recorded with over his illustrious career have issued several excellent collections. EMI outdid themselves by issuing, among other sets, the breathtaking 13-CD box set "The Russian Years," featuring rare recordings and numerous premieres made by Rostropovich during his tenure behind the Iron Curtain. That set's a hard one to match, but the two-disc "Master Cellist: Legendary Recordings 1956-78" comes close. What it lacks in quantity, "Master Cellist" makes up for in quality. It contains arguably the single best recording ever made of the Dvorak Cello Concerto (with von Karajan), an excellent Schumann Concerto, and stunning shorter works for cello and orchestra by Tchaikovsky and Glazunov. These are legendary accounts for sure, but no big deal to most serious collectors because they are, or have been, previously available on CD. But what made me trade in my DG Originals disc of the Dvorak Concerto, and get "Master Cellist" was disc two of this set. It features four glorious works for cello and piano, never before released on CD, with Slava's long-time collaborator, pianist Alexander Dedyukhin. They are all, along with the Rach Sonata, quite simply sublime. Rostropovich will sadly not live another 75 years, but his legacy will live on for at least that long thanks to magical recordings like these.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
What to Listen for in Music
Study of Orchestration, Third Edition
The Life and Works of Ludwig van Beethoven
The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

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