Jane Eaglen - Italian Opera Arias
Editorial Reviews
Amazon.com
Jane Eaglen, today's most acclaimed interpreter of Wagnerian heroines, takes on 11 post-Verdian ones, only three of whom she has portrayed on stage: Ponchielli's Gioconda, Puccini's Turandot, and Santuzza from Mascagni's Cavalleria rusticana. The program is an interesting mix of beloved and unfamiliar arias. In addition to the operas already mentioned, they come from Cilea's Adriana Lecouvreur, Catalani's La Wally, Boito's Mefistofele, and several from Puccini. The disc begins with Butterfly's famous "Un bel di" and closes with her heartbreaking death scene. Eaglen's resplendent voice illuminates every note, soaring triumphantly and effortlessly over the orchestra. The top range especially is glorious; there are numerous thrilling high B-flats, B's, and C's. Her voice is a bit heavy for the lightness of "Un bel di" and the coloratura in "Mefistofele," but Eaglen projects Marguerite's madness with extraordinary empathy. Though renowned primarily for her dramatic roles, she seems to have the strongest affinity for the lyrical, mournful arias here. Sister Angelica's lament for her dead child, Adriana's somber resignation, and Santuzza's aching sorrow are especially memorable. Butterfly's death is perhaps the disc's highlight, both for the intensity of expression and the glorious singing. It is, of course, very difficult to create operatic characters in excerpts performed out of context. There is not enough differentiation between these very dissimilar heroines, but Jane Eaglen's incomparable voice and emotional honesty make one long to hear her bring them fully to life in the opera house. --Edith Eisler
Jane Eaglen - Italian Opera Arias, Music, Arrigo Boito, Alfredo Catalani, Francesco Cilea, Pietro Mascagni, Amilcare Ponchielli, Giacomo Puccini, Carlo Rizzi, Philharmonia, Philharmonia Orchestra of London, Jane Eaglen, Classical, Classical Artists, Classical Music, Italian Romantic Opera, Opera, Opera / Operetta / Oratorio
Average customer rating:
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Great Arias and Ensembles From Your Favorite Operas
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
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ASIN: B0007SK9UG
Release Date: 2005-04-26 |
Tracks:
- Escamillo: 'You're Most Kind, And In Return I Toast You' - Philharmonic Orchestra
- Carmen: 'There's An Old Bar In The City' (Seguedilla) - Philharmonia Orchestra
- Belmonte: 'Constanza! Constanza' - 'Oh What Trembling, Oh What Passion' (Aria) - Nicolai Gedda
- Falstaff: 'Hey, Page Boy!' - 'Your Honour? Vermin!' (Monologue) - English National Opera Orchestra
- Fenton: 'From Lover's Lips A Happy Song Is Flying' (Aria) - Susan Gritton
- Lucia: 'Imagine When The Breezes Sigh' (Duet) - Philharmonia Orchestra
- Edgardo: 'What Restrains Me At Such A Moment?'/Enrico: 'What Restrains My Righteous Anger?' (Sextet) - Philharmonia Orchestra
- Turandot: 'Within This Palace A Story Lives Forever' - 'Gentle Princess Lo-U-Ling, Pure, Serene And So Gentle' (Aria) - Philharmonia Orchestra
- Liu: 'I Beg You, Hear Me, Ah My Lord, I Beg You!' (Aria) - Philharmonia Orchestra
- 'Through Her Soul In Endless Grieving' (Cujus Animam) - Barry Banks
- Ilia: 'My Father Was Taken' (Aria) - Rebecca Evans
- Forester: 'When Evening Arrives, I Welcome The Rays Of The Setting Sun!' (Final Scene) - Thomas Allen
- Aida: 'We'd Leave This White Oppressive Heat' (Duet) - Dennis O'Neill
- Propulace: 'Glory To Isis, Goddess Fair' (Grand March From Triumphal Scene) - Philharmonia Orchestra
- 'Rejoice Greatly, O Daughter Of Zion' (Aria) - London Philharmonic Orchestra
Average customer rating:
- The most beautiful voice
- A Vocal Battleship in full sail
- Quite dissapoited
- MAGNIFICENT ARIAS RICHLY DELIVERED
- Another 5-Star Performance for Ms. Eaglen
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Jane Eaglen - Italian Opera Arias
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Similar Items:
- Jane Eaglen - Bellini & Wagner
- Jane Eaglen - Mozart & Strauss / Zubin Mehta
- Jane Eaglen - Four Last Songs, Wesendonck-Lieder, Seven Early Song / Runnicles
ASIN: B00005OKTH
Release Date: 2001-09-18 |
Tracks:
- Madama Butterfly: Un Bel Di, Vedremo
- Madama Butterfly: Che Tua Madre
- Tosca: Vissi D'arte, Vissi D'amore
- Turandot: In Questa Reggia
- La Wally: Ebben? Ne Andro Lontana
- La Gioconda: Suicidio!... In Questi Fieri Momenti...
- Suor Angelica: Senza Mamma, O Bimbo, Tu Sei Morto
- Cavalleria Rusticana: Voi Lo Sapete, O Mamma
- Adriana Lecouvreur: Poveri Fiori
- Adriana Lecouvreur: Io Son L'umile Ancella
- Edgar: Addio, Addio, Mio Dolce Amor - Jane Eaglen/The Royal Opr Chor Covent Garden
- Mefistofele: L'altra Notte In Fondo Al Mare
- Cavalleria Rusticana: The Easter Hymn: Regina Coeli, Laetare... - Jane Eaglen/The Royal Opr Chor Covent Garden
- Madama Butterfly: Tu, Tu, Piccoli Iddio!
Amazon.com
Jane Eaglen, today's most acclaimed interpreter of Wagnerian heroines, takes on 11 post-Verdian ones, only three of whom she has portrayed on stage: Ponchielli's Gioconda, Puccini's Turandot, and Santuzza from Mascagni's Cavalleria rusticana. The program is an interesting mix of beloved and unfamiliar arias. In addition to the operas already mentioned, they come from Cilea's Adriana Lecouvreur, Catalani's La Wally, Boito's Mefistofele, and several from Puccini.
The disc begins with Butterfly's famous "Un bel di" and closes with her heartbreaking death scene. Eaglen's resplendent voice illuminates every note, soaring triumphantly and effortlessly over the orchestra. The top range especially is glorious; there are numerous thrilling high B-flats, B's, and C's. Her voice is a bit heavy for the lightness of "Un bel di" and the coloratura in "Mefistofele," but Eaglen projects Marguerite's madness with extraordinary empathy. Though renowned primarily for her dramatic roles, she seems to have the strongest affinity for the lyrical, mournful arias here. Sister Angelica's lament for her dead child, Adriana's somber resignation, and Santuzza's aching sorrow are especially memorable. Butterfly's death is perhaps the disc's highlight, both for the intensity of expression and the glorious singing. It is, of course, very difficult to create operatic characters in excerpts performed out of context. There is not enough differentiation between these very dissimilar heroines, but Jane Eaglen's incomparable voice and emotional honesty make one long to hear her bring them fully to life in the opera house. --Edith Eisler
Customer Reviews:
The most beautiful voice.......2004-11-29
She just has the most beautiful voice. It's just the greatest. And the way she approaches high exposed notes is just brilliance. Her In questa reggia sounds better than most. Her Vissi d'arte and all the Madama Butterfly are my favorite renditions so far. I really love her vibrato. It's not too slow where she'd fall underpitch, but just slow enough that it stays perfectly in the area that's beautiful and exciting. This album is just pure gold. I really wish she'd actually SING these roles. Her L'altra Notte In Fondo Al Mare is also quite good. I'm very happy with this CD.
A Vocal Battleship in full sail.......2002-04-11
Jane Eaglen's voice is enormously impressive. It is simply huge, and it's hard perhaps for anyone who hasn't heard her in the theatre to understand this. This recording doesn't really do full justice to the power and amplitude of the voice (I notice I'm not the only reviewer to think this) but there is plenty to keep the listener occupied.
She has stage experience of many of these roles - I've been fortunate enough to her her Tosca, Turandot and Gioconda live. The main drawback of this disc for me is the relative lack of involvement Eaglen seems to show. No matter how red-blooded and passionate these Italian ladies are, they just don't seem to float Eaglen's boat in the same way that her Wagnerian ladies do. Some of the excerpts are touching, such as those from Madama Butterfly (real bitterness as well as sorrow) and Gioconda. However, too often one has the feeling that she is simply singing words without attaching real meanings to them, and I suspect that this is partly to do with Carlo Rizzi's deeply uninspiring (and he a native Italian!!) conducting.
So most of the pleasures of this disc are vocal. And what pleasures! How many other sopranos can you name who can sing "In Questa Reggia" without appearing to bat an eyelid? Ditto "Suicido"? There is admirable control of all registers and a blessed lack of wobble. I enjoyed the "Edgar" excerpt (ably accompanied by the Royal Opera Chorus) and her Santuzza. The voice is simply too large for some of the most delicate pieces (I listened to "Io son l'umile ancella" alongside Renee Fleming's version and I'm afraid Fleming's exquisite control won hands down) but by and large she makes an intoxicating sound.
So - a flawed recording and one that doesn't do full justice to a highly impressive singer. But certainly one for her fans and really impressive listening for voice-fanciers. However, nothing really beats trhe thrill of hearing a voice like this in the theatre.
Quite dissapoited.......2002-03-01
Well,for a heavy soprano,her performances are quite good,
but i don't like the style of the conductor,i feel nothing
with his conducting,under his baton,jane can do nothing but just
sing only,like other reviews,her voice is beautiful,huge,warm,
but less poweful,after this album,i bought her "Four Last Songs",
she did a good job with this album,her voice is pure and the legato line she made was one of the best four last songs i have heard(although norman's was the best).
I've sang for five years,it's not easy to control a voice which is heavy,broad or huge,jane has done her best.
I like her,and i'm look forward to her Aida.
MAGNIFICENT ARIAS RICHLY DELIVERED.......2002-01-29
Sung with beauty, energy, and endurance these well-loved arias are superbly rendered by soprano Jane Eaglen. Butterfly, Margherita, and Sister Angelica have seldom been given such heartfelt life.
This CD focuses on the work of the incomparable Giacomo Puccini, presenting seven arias from five operas. Granted, I have a bias here because of my admiration of this composer's work, nonetheless I would unequivocally state that these arias find hitherto unexplored dimensions with the emotional and vocal agility of Eaglen. Her voice embracing "Che tua madre" is especially moving.
With Tosca we again experience "Vissi d'arte," now transformed into a poignant prayer. Turandot is, of course, without peer and "In questa reggia" the perfect vehicle for Eaglen to showcase her vocal amplitude and passion.
Richly delivered, magnificent arias, what more could one ask?
- Gail Cooke
Another 5-Star Performance for Ms. Eaglen.......2002-01-28
I'll have to admit I bought this CD with some misgivings. I always think of Jane Eaglen as the glorious Brunnhilde and other roles requiring a strong Wagnerian voice, but I was pleasantly surprised to discover that Ms. Eaglen's voice readily lends itself to Italian opera. Her Suor Angelica: Senza Mamma, O Bimbo, Tu Sei Morto -- well I cannot even express how this recording affected me. Her warm golden voice evokes all too well the nun who learns her baby died without her. Her Cavalleria Rusticana: The Easter Hymn: Regina Coel was magnificient. I think this is the best recording I have of this perennial favorite. Her Madam Butterfly was fantastic. I would love to see her perform this role.
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