Monteverdi: Quinto Libro de Madrigali (Fifth Book of Madrigals)
Editorial Reviews
Amazon.com essential recording
Monteverdi's Fifth Book of Madrigals begins like the Fourth Book--the first half of the publication contains five-voice a cappella madrigals (with optional continuo) that use surprising dissonances to express the images and sentiments of their texts with extraordinary intensity. The second half, however, breaks new ground: the continuo (i.e., accompanying chord instrument like harpsichord or lute) part becomes independent (and indispensable), thus enabling Monteverdi to set extended passages for one or two voices. One fine example is "T'amo, mia vita" ("I love you, my life")--a rapturous meditation by a young lover who has heard his beloved utter those words. Monteverdi sets the four words for solo soprano, repeating them between lines of the young man's reverie as if replayed over and over in his mind. Concerto Italiano's performance is, quite simply, extraordinary. --Matthew Westphal
Monteverdi: Quinto Libro de Madrigali (Fifth Book of Madrigals), Music, Claudio Monteverdi, Rinaldo Alessandrini, Concerto Italiano, Choral, Classical, Classical Composers, Classical Music, Madrigal
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- Exquisite...amazing...sublime!
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Monteverdi: Quinto Libro de Madrigali (Fifth Book of Madrigals)
Claudio Monteverdi , Rinaldo Alessandrini , and Concerto Italiano
Manufacturer: Opus 111
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Monteverdi: Ottavo Libro de' Madrigali, Vol.1
- Monteverdi: Quarto Libro dei Madrigali
- Monteverdi: Secondo Libro de' Madrigali (Second Book of Madrigals) /Concerto Italiano * Alessandrini
- Madrigals Book I
- Monteverdi: Madrigals Book 3
ASIN: B000005W50
Release Date: 1997-03-10 |
Tracks:
- Quinto Libro de' Madrigali: Cruda Amarilli, che col nome ancora
- Quinto Libro de' Madrigali: O Mirtillo, Mirtillo, anima mia
- Quinto Libro de' Madrigali: Era l'anima mia
- Quinto Libro de' Madrigali: Ecco, Silvio, colei ch'in odio hai tanto
- Quinto Libro de' Madrigali: Ma se con la pieta non e in te spenta
- Quinto Libro de' Madrigali: Dorinda, ah! diro mia se mia non sei
- Quinto Libro de' Madrigali: Ecco, piegando le ginocchia a terra
- Quinto Libro de' Madrigali: Ferir quel petto, Silvio?
- Quinto Libro de' Madrigali: Ch'io t'ami piu de la mia vita
- Quinto Libro de' Madrigali: Deh! bella e cara e si soavo un tempo
- Quinto Libro de' Madrigali: Ma tu, piu che mai dura
- Quinto Libro de' Madrigali: Che dar piu vi poss'io?
- Quinto Libro de' Madrigali: M'e piu dolce il penar per Amarilli
- Quinto Libro de' Madrigali: Ah! com'a un vago sol cortese giro
- Quinto Libro de' Madrigali: Troppo ben puo questo tiranno, Amore
- Quinto Libro de' Madrigali: Amor, se giusto sei
- Quinto Libro de' Madrigali: T'amo mia vita, la mia cara vita
- Quinto Libro de' Madrigali: E cosi a poco a poco
- Quinto Libro de' Madrigali: Questi vaghi concenti
Amazon.com essential recording
Monteverdi's Fifth Book of Madrigals begins like the Fourth Book--the first half of the publication contains five-voice a cappella madrigals (with optional continuo) that use surprising dissonances to express the images and sentiments of their texts with extraordinary intensity. The second half, however, breaks new ground: the continuo (i.e., accompanying chord instrument like harpsichord or lute) part becomes independent (and indispensable), thus enabling Monteverdi to set extended passages for one or two voices. One fine example is "T'amo, mia vita" ("I love you, my life")--a rapturous meditation by a young lover who has heard his beloved utter those words. Monteverdi sets the four words for solo soprano, repeating them between lines of the young man's reverie as if replayed over and over in his mind. Concerto Italiano's performance is, quite simply, extraordinary. --Matthew Westphal
Customer Reviews:
Exquisite...amazing...sublime!.......2001-02-08
If I could give this 10 stars I would. This performance of Monteverdi's 5th book is by far the most intense listening that i have experienced from a recording in a long, long time. Concerto Italiano takes these pieces where they have seldom been before...into the high heavens of outer space and the most intimate and hair-raising depths of your inner space. The recording quality is so clean that you can almost hear, in the prepatory breaths, what the singers had for breakfast. But seriously, the extreme dramatic qualities of Allesandrini's interpretations to the exquisite intonation to the amazing skill and sensitivity of each one of the musicians in Concerto Italiano-- this recording will leave you in tears and wholeheartedly agreeing that Monteverdi was the best composer to ever live.
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La bella Ninfa: European Madrigals ca. 1600
Manufacturer: Berlin Classics
ProductGroup: Music
Binding: Audio CD
All Works by Gesualdo
| Gesualdo, Carlo
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Gibbons, Orlando
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Madrigals
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ASIN: B000007RQN
Release Date: 1998-06-16 |
Tracks:
- La Bella Ninfa Mia
- Leggiadre Ninfe E Pastorelli Amanti
- I Vaghi Fiori E L' Amorose Fronde
- Il Bianco E Dolce Cigno
- Lasciate Mi Morire
- Ecco Mormorar L' Onde
- Moro Lasso Al Mio Duolo
- Dolcissima Mia Vita
- Ride La Primavera
- Matona Mia Cara
- Speme Amorosa
- Prado Verde Y Florido
- Recuerde El Alma Dormida
- Herzlich Tut Mich Erfreuen
- Gott B' Hute Dich
- Tritt Auf Den Riegel Vor Der Tur
- Ach Lieb, Ich Tu Dir Klagen
- Ich Sag Ade
- Le Cocu
- Bon Jour, Mon Coeur
- Il Est Bel Et Bon?
- It Was A Lover And His Lass
- Now Is The Month Of Maying
- Fair Phyllis I Saw Sitting All Alone
- Adieu, Sweet Amaryllis
- The Silver Swan
- Weep, O Mine Eyes
Customer Reviews:
Must have it!.......2002-04-06
The European Renaissance madrigals remain an invaluable good of humanity. And this recording is another proof that the real music goes hand in hand with good performers. The madrigal, a fashionable genre of secular vocal music in the sixteenth century, has lost its consideration today. However, more and more vocal ensembles around the world have contributed to the revival of this music.
The notes of this compact disc suggest that the term madrigal may derive from the Latin matricalis, meaning "from the mother," and refers to a song in the mother tongue. However, the term might also be used in order to designate secular pieces (cantus materialis) as oppose to sacred pieces (Cantus spiritualis). In any case, the madrigal indicates a lyrical and musical form in 14th-16th century Italy. The musical madrigal used to depict the nature, but its prevalence grew and thus the genre enjoyed a huge development in the cultural life of the princely courts and academies of the Italian city-states. Here, the madrigal displayed a great stylistic variety along with several regional variations.
The present recording unfolds a page of the madrigal history. The first group of pieces comes from Italy itself. Eternal "hits" such as Arcadelt's Il bianco cigno, Palestrina's I vaghi fiori, Monteverdi's Ecco mormorar l'onde and Lasciate mi morire, as well as the very chromatic Moro lasso and Dolcissima mia vita by Gesualdo stand under the very earthy concepts of nature, love, and death suggested in the title song of this compilation, Luca Marenzio's La bella Ninfa (The Beautiful Nymph).
After a short stop in Spain, the "trip" goes to Germany and France. While Hassler and Lechner dominate the German region of the madrigal, Passereau's Il est bel et bon and Lasso's Bon jour, mon coeur are the well-known examples of the French direction of the secular genre, the chanson.
The last section of the recording is dedicated to some of the most wonderful English madrigals, such as Morley's Now Is the Month of Maying, Farmer's Fair Phyllis, Gibbons's Silver Swan, or Bennet's Weep, O Mine Eyes. Considered by musicologists the "father" of the English madrigal, Thomas Morley inspired some other composers, among them John Bennet and John Farmer, while Gibbons and Wilbye developed a style of their own.
The listener can't find any information about the vocal ensemble that performs on this compact disc, the Hallenser Madrigalisten, but references about them can be easily extracted from their web site, .... The choir, whose English name would be The Halle Madrigal Singers, was founded in 1963 in Halle, Germany by Siegfried Bimberg as a chamber choir at the Martin Luther University of Halle-Wittenberg. The 20 singers, musicologists, lecturers, students, and teachers of singing, have devoted themselves above all to the interpretation of 16th and 17th century choral music. Another omission from the CD notes is the text of the 27 madrigals including their translations. In my opinion, this may cause a limitation with regard to the general public who might choose not to buy this product whether or not they like Renaissance music.
What does not miss from this CD is the crisp performance of the group. This is an excellent recorded performance, not only because it was made in a church (Paul-Gerhardt-Kirche), but also for an overall good intonation, and for a stylistically correct phrasing and rhythm. A very good vocal balance, impressive diction and pronunciation, a vigorous character alternating with more lyrical pieces make this recording worth trying. However, there are some inexplicable fast tempi in Lasso's Matona mia cara or in Passereau's Il est bel et bon. It's not specifically the fast pulse they took in these pieces that might bother the elevated listener, but the lack of the feeling that after a structural section there's no clear delimitation, such a longer rest. Also, some of the slower to medium speed pieces might be found in a better "shape" elsewhere.
In conclusion, with all the pluses and minuses, the Halle Singers's collection of Renaissance madrigals remains a "must have" in any musician's personal library. I highly recommend this recording to anyone who loves Renaissance vocal music.
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Madrigal Masterpieces, Vol. 2
Manufacturer: Vanguard Classics
ProductGroup: Music
Binding: Audio CD
All Works by Gesualdo
| Gesualdo, Carlo
| ( G )
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All Works by Monteverdi
| Monteverdi, Claudio
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| Marenzio, Luca
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Partsongs
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ASIN: B00004YNHX
Release Date: 2000-11-28 |
Tracks:
- Noel - Allons, Gay Bergeres
- Mignonne, Allons Voir Si La Rose
- Il Est Bel Et Bon
- Lagrime D'Amante Al Sepolcro Dell' Amanta: Part One: Incenerite Spoglie
- Lagrime D'Amante Al Sepolcro Dell' Amanta: Part Two: Ditelo Voi
- Lagrime D'Amante Al Sepolcro Dell' Amanta: Part Three: Dara La Notte Il Sol
- Lagrime D'Amante Al Sepolcro Dell' Amanta: Part Four: Ma Te Raccoglie
- Lagrime D'Amante Al Sepolcro Dell' Amanta: Part Five: O Chiome D'Or
- Lagrime D'Amante Al Sepolcro Dell' Amanta: Part Six: Dunque Amate Reliquie
- Zefiro Torna E'l Bel Tempo Rimena
- Solo E Pensoso
- Leggiadre Ninfe
- Ancor Che Co'l Partire
- Moro Lasso Al Mio Duolo
- Il Bianco E Dolce Cigno
- Fair Oriana
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The Golden Age of Madrigal
Manufacturer: Harmonia Mundi
ProductGroup: Music
Binding: Audio CD
All Works by Monteverdi
| Monteverdi, Claudio
| ( M )
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| Classical
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All Works by Marenzio
| Marenzio, Luca
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
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General
| Classical
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Cantatas
| Classical (c.1770-1830)
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General
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Cantatas
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Madrigals
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Classical
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ASIN: B00000I52F
Release Date: 1999-02-09 |
Tracks:
- Troppo Ben Puo: A 5 Voix - Con Vocale/ Rene Jacobs
- Taci Armelin: A 3 Voix - Con Vocale/ Rene Jacobs
- E Cosi A Pocco A Pocco: A 6 Voix - Con Vocale/ Rene Jacobs
- T'amo Mia Vita: A 5 Voix - Con Vocale/ Rene Jacobs
- O Mio Bene: A 3 Voix - Con Vocale/ Rene Jacobs
- Mentre Vaga Angioletta: A 2 Voix - Con Vocale/ Rene Jacobs
- Luci Serene E Chiare: A 5 Voix - Con Vocale/ Rene Jacobs
- Partenza Amorosa: A Voix Seule - Con Vocale/ Rene Jacobs
- O Mirtillo, Anima Mia: A 5 Voix - Con Vocale/ Rene Jacobs
- Ninfa Che Scalza Il Piede: A 1,2,3 Voix - Con Vocale/ Rene Jacobs
- Era L'anima Mia: A 5 Voix - Con Vocale/ Rene Jacobs
- Addio Florida Bella: A 5 Voix - Con Vocale/ Rene Jacobs
- Ahi, Come A Un Vago Sol: A 5 Voix - Con Vocale/ Rene Jacobs
Tracks:
- Come Inanti De L'alba: Premier Livre De Madrigaux A 6 Voix, 1581 - Con Vocale/ Rene Jacobs
- Venuta Era: Premier Livre De Madrigaux A 5 Voix, 1580 - Con Vocale/ Rene Jacobs
- Del Cibo Onde Il Signor: Second Livre De Madrigaux A 6 Voix, 1584 - Con Vocale/ Rene Jacobs
- Strider Faceva: Second Livre De Madrigaux A 5 Voix, 1581 - Con Vocale/ Rene Jacobs
- Rimanti In Pace: Sixieme Livre De Madrigaux A 5 Voix, 1594 - Con Vocale/ Rene Jacobs
- Vezzosi Augelli: Premier Livre De Madrigaux A 4 Voix, 1585 - Con Vocale/ Rene Jacobs
- Crudele Acerba: Neuvieme Livre De Madrigaux A 5 Voix, 1599 - Con Vocale/ Rene Jacobs
- Sestina: Sola Angioletta: Cinquieme Livre De Madrigaux A 5 Voix, 1585 - Con Vocale/ Rene Jacobs
- Tirsi Morir Volea: Premier Livre De Madrigaux A 5 Voix, 1580 - Con Vocale/ Rene Jacobs
- Giunto A La Tomba: Quatrieme Livre De Madrigaux A 5 Voix, 1584 - Con Vocale/ Rene Jacobs
Tracks:
- Madrigale: Langue Al Vostro Languir - Con Vocale
- Aria A Voce Sola: Torna Il Sereno Zefiro - Con Vocale
- Lamento Di Tancredi: Giunto A La Tomba - Con Vocale
- Clorinda E Tancredi: Amico, Hai Vinto - Con Vocale
- Dialogo: Che Nudrisce Tua Spene - Con Vocale
- Lamento Di Giasone Sopra I Figlioli Morti Da Medea: Ancidetemi Pur, Dogliosi Affanni - Con Vocale
- Dialogo A Una E Due Voci: Occhi Della Mia Vita - Con Vocale
- Aria: Quella Vermiglia Rosa - Con Vocale
- Madrigale: Son Gli Accenti Che Ascolto - Con Vocale
- Aria A Due Voci: O Leggiadr'Occhi - Con Vocale
- Pria Ch'Adori - Con Vocale
- Amanti, Io Vi Disfido - Con Vocale
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