Ockeghem: Missa L'homme Arme, Missa Sine Nomine a3

Editorial Reviews
Album Description
It is said that Ockeghem had a fine bass voice, and one of his many innovations as a composer was to extend the range of the lower voices downwards. His fondness for the low register is apparent in the first mass on this recording, L’homme armé, where for much of the time the bass has the cantus firmus (the fixed melody on which the rest of the piece is built). The Clerks’ Group basses serve the music well, seizing your attention with their wonderfully resonant, sonorous sound, but unfortunately they’re not quite matched by the upper voices, which sometimes sound slightly strident and off-key. No such flaws mar the Missa sine nomine, where the sweetness and clarity of the singing effectively brings out the beauty of the piece’s sinuous lines.

Ockeghem: Missa L'homme Arme, Missa Sine Nomine a3, Music, Robert Morton, Johannes Ockeghem, Philippe Basiron, Clerks' Group, Edward Wickham, Choral, Classical, Classical Composers, Classical Music, Early Music / Chant, Miscellaneous, Miscellaneous Music, Renaissance Mass
Ockeghem: Missa L'homme Arme, Missa Sine Nomine a3
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    Ockeghem: Missa L'homme Arme, Missa Sine Nomine a3
    Robert Morton , Johannes Ockeghem , Philippe Basiron , Clerks' Group , and Edward Wickham
    Manufacturer: Gaudeamus
    ProductGroup: Music
    Binding: Audio CD

    Vocal & SongVocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems
    Sacred & ReligiousSacred & Religious | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    MassesMasses | Vocal Non-Opera | Opera & Vocal | Styles | Music
    Renaissance (c.1450-1600)Renaissance (c.1450-1600) | Historical Periods | Opera & Vocal | Styles | Music
    Similar Items:
    1. Ockeghem: Missa Cuiusvis Toni / Missa Quinti Toni
    2. Jacob Obrecht: Missa Sub Tuum Praesidium; Benedictus in laude; Salve Regina
    3. Ockeghem: Missa Caput, Missa Ma Maistresse, 3 Motets / The Clerks' Group, Wickham
    4. Ockeghem: Requiem; Missa Fors Seulement
    5. Dufay: Missa Puisque je vis; Loyset Compere: Omnium bonorum plena

    ASIN: B00004T8Y7
    Release Date: 2000-06-27

    Tracks:

    1. Il Sera Pour Vous / L'Homme Arme
    2. Kyrie
    3. Gloria
    4. Credo
    5. Sanctus And Benedictus
    6. Agnus Dei
    7. Salve Regina
    8. Kyrie
    9. Gloria
    10. Credo
    11. Sanctus And Benedictus
    12. Agnus Dei

    Album Description

    It is said that Ockeghem had a fine bass voice, and one of his many innovations as a composer was to extend the range of the lower voices downwards. His fondness for the low register is apparent in the first mass on this recording, L'homme armé, where for much of the time the bass has the cantus firmus (the fixed melody on which the rest of the piece is built). The Clerks' Group basses serve the music well, seizing your attention with their wonderfully resonant, sonorous sound, but unfortunately they're not quite matched by the upper voices, which sometimes sound slightly strident and off-key. No such flaws mar the Missa sine nomine, where the sweetness and clarity of the singing effectively brings out the beauty of the piece's sinuous lines.

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