Classic Kennedy
Editorial Reviews
Amazon.com
Just in case you thought Nigel Kennedy--fresh from his Hendrix tribute album--had left the classical music repertoire for good, think again. On Classic Kennedy, the fiddler is situated with the English Chamber Orchestra in a program that spans from Bach to Satie. (Yes, you also get a Joni Mitchell tune; "Scarborough Fair"; and the fiddler's own forgettable "Melody in the Wind," too.) The sequencing is a bit disjointed--the summer storm from The Four Seasons is followed by Massenet's blissful "Meditation" from Thaïs--and Kennedy's performances range from good to fair. The English Chamber Orchestra does an admirable job on these diverse works (it deserves a lot of credit here), but it'll be up to the listener to decide whether he or she wants to hear "Air on the G String" followed by Kennedy's version of "Danny Boy." As with most Kennedy discs, you'll either love it or hate it. --Jason Verlinde
Classic Kennedy, Music, Antonio Vivaldi, Jules Massenet, English Traditional, Johannes Brahms, Fryderyk Chopin, Erik Satie, George Gershwin, Johann Sebastian Bach, Vittorio Monti, George Frideric Handel, Charles Gounod, Claude Debussy, Nikolay Andreyevich Rimsky-Korsakov, William Kroll, Pablo de Sarasate, Joni Mitchell, English Chamber Orchestra, Nigel Kennedy, Osian Ellis, London Voices, John Anderson, David Thomas, Harold Lester, Andrew Crowley, Charles Tunnell, Baroque Suite/Partita for Orchestra, Chamber, Chamber Music & Recitals, Choral, Classical, Classical Artists, Classical Music, Collection of Preludes for Keyboard, Concerto, Folk Song, Keyboard, Keyboard Work with Descriptive or Unclassified Title, Miscellaneous, Miscellaneous Music
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The Man & His Music
Manufacturer: Classic Options
ProductGroup: Music
Binding: Audio CD
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ASIN: B000050LQD
Release Date: 2006-08-15 |
Tracks:
- Ragamuffin
- Fete in Santa Lucia
- Have You Forgotten So Soon?
- Madame You're Lovely
- You're Laughing at Me
- Spider of the Night
- No More You
- In a German Beer Garden
- September in the Rain
- Aromas Mendocinas
- Maracay
- Eto Nutche
- Traumerei
- Romany
- Speak to Me of Love
- Smoke Gets in Your Eyes
- Rose Dreams
- Nothing Lives Longer Than Love
- Serenade [The Student Prince]
- Ten Pretty Girls
Average customer rating:
- CLAIM
- Romantic-Styled Playing
- The beauty as it is
- Clearly Kennedy
- An Interesting Concept, A Failed Production
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Classic Kennedy
Antonio Vivaldi , Jules Massenet , English Traditional , Johannes Brahms , Fryderyk Chopin , Erik Satie , George Gershwin , Johann Sebastian Bach , Vittorio Monti , George Frideric Handel , Charles Gounod , Claude Debussy , Nikolay Andreyevich Rimsky-Korsakov , William Kroll , Pablo de Sarasate , Joni Mitchell , English Chamber Orchestra , Nigel Kennedy , Osian Ellis , London Voices , John Anderson , David Thomas , Harold Lester , Andrew Crowley , and Charles Tunnell
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Kennedy Experience
- Nigel Kennedy's Greatest Hits
- Antonio Vivaldi: The Four Seasons [Complete]
- Kennedy Plays Bach
- Nigel Kennedy: Vivaldi
ASIN: B000026D4B
Release Date: 2000-02-01 |
Tracks:
- Concerto No. 2 In G Minor: The Four Seasons - III Presto
- Meditation from Thais
- Scarborough Fair (Trad.)
- Hungarian Dance No. 5
- Nocturne in C Sharp Minor Op. Posth.
- Gymnopedie (No. 2
- Prelude No. 1
- Air on the G String
- Danny Boy
- Czardas
- The Arrival of the Queen of Sheba
- Ave Maria
- La Fille aux Cheveux de Lin
- Gymnopedie No. 1
- Prelude No. 2
- The Flight of the Bumble-Bee
- Banjo and Fiddle
- Zigeunnerweiden
- Urge for Going
- Melody in the Wind
Amazon.com
Just in case you thought Nigel Kennedy--fresh from his Hendrix tribute album--had left the classical music repertoire for good, think again. On Classic Kennedy, the fiddler is situated with the English Chamber Orchestra in a program that spans from Bach to Satie. (Yes, you also get a Joni Mitchell tune; "Scarborough Fair"; and the fiddler's own forgettable "Melody in the Wind," too.) The sequencing is a bit disjointed--the summer storm from The Four Seasons is followed by Massenet's blissful "Meditation" from Thaïs--and Kennedy's performances range from good to fair. The English Chamber Orchestra does an admirable job on these diverse works (it deserves a lot of credit here), but it'll be up to the listener to decide whether he or she wants to hear "Air on the G String" followed by Kennedy's version of "Danny Boy." As with most Kennedy discs, you'll either love it or hate it. --Jason Verlinde
Customer Reviews:
CLAIM.......2007-01-11
SOORY BUT WE DIDN'T RECEIVE THE PRODUCT YET, DESPITE WE PURCHASED ON NOV/10/2006.WATH'S HAPPENED ?
Romantic-Styled Playing.......2005-07-25
I came to love classical music through classical crossover, but have dumped crossover after listening to artists like Perlman and Hahn. So was very apprehensive going back to a “crossover” artist.
After a minute into his interpretation of Vivaldi’s third movement of Summer, I was hooked. Although Nigel may not play the pieces in a way that is considered “proper”, he brings his own style which is intense and highly emotional. The sound he can extract from his violin is engaging, and I always feel as if his violin is singing/crying to me. I’ve also heard several versions of “The Flight of the Bumble-Bee”, but this version just makes me giggle.
The only weakness for me is the mixing of main stream classical music. Songs such as the traditional songs like Scarborough Fair (a great song) and the Joni Mitchell song seem out of place. Perhaps it was EMI’s goal to show Nigel’s approach to different styles of music, but "this mixing things up" personally doesn’t work for me.
If you like the classical music on this CD, also pick up his Vivaldi CD’s which are fantastic. And if you like the traditional stuff, then get his “East to East” CD.
The beauty as it is.......2003-03-06
On a scale of love-hate, I love this CD. No: I -L-O-V-E- it. That is a masterpiece in itself. I'm neither violinist nor classical musician, not even very experienced classical listener - though I enjoy "Der Ring des Nibelungen" much deeper than "Love Me Tender". What strikes me in Nigel's playing, and on this album particularly, is his incredible technical brilliance. When he plays a note it is always THE NOTE he's meant to play. Not a 1/16 tone mistake, not a 1/10 millimeter shift. Few singers are capable of such exactness, much less violin players. With a brush like this, you can paint whatever picture you want. And the pictures of Nigel's are just incredible. The deepest of his feelings are portrayed in his music with such a delicacy and balance, and with great confidence. On to titles: my personal faves are Brahms, Chopin, Bach, Satie and Kroll's. "Banjo and Fiddle" is so ironic and courteous, "Zigeunerweisen" is heartbreaking, "Nocturne in C Sharp minor" makes you breathless of its sweet sadness. "Hungarian Dance 5" swept all other versions away: compared to Kennedy's brave, sharp, masculine, fiery rendition, any other version seems like glucose syrup compared to juicy meat. "Air on the G String" is so airy and transparent. And "Czardas" is probably the best thing I've ever heard in my life...
Flawless. Brilliant. Beautiful.
Clearly Kennedy.......2003-01-22
I had only heard Kennedy one other time and knew that this would be good, as it is. I'm not new to classical music and can say that Kennedy's playing is clear and beautiful. I don't know why others have such a hard time with it, but if it's talented and artistic violin music that you're looking for then this is for you...
An Interesting Concept, A Failed Production.......2002-09-07
A while back I had heard about a British violin soloist named Nigel Kennedy, who was working on transcribing songs by Jimi Hendrix for the violin. I had altogether forgotten his name until my friend lent me a copy of Kennedy's 1999 release 'Classical Kennedy', and when I saw the pictures of him with his Morrisey haircut, stubbly facial hair, and his leather jacket, I recognized this controversial figure, the so-called "Bad Boy" of classical music.
'Classical Kennedy' is an exploration of the violin not as the solo voice of a gargantuan half-hour concerto but, rather, the lead voice in a three to five-minute song, and it explores this concept from Bach to Joni Mitchell. Right away this poses a serious undertaking- it is difficult to achieve continuity in a classical album that practically spans the history of Western art music. However, this conflict is partly resolved by the consistency of the tracks' lengths.
Kennedy has a distinct sound, and his little "trick" is that he sometimes plays really hard and really fast. He occasionally draws an elegant and pure tone that listeners expect from a great soloist, but he also has the tendency to turn a beautiful phrase into a crude and apathetic statement. These days the idea of a violinist who isn't utterly predictable, and is willing to take liberties with the repertoire, is a pleasant muse, but Nigel Kennedy is certainly not the ideal solution.
Kennedy's gimmick becomes his fatal flaw- in classical music, the notes speak for themselves. He makes Bach and Brahms sound hoarse and nasal. Ask any professional violinist and they'll tell you that, though there isn't one exact way to play any piece, there are limits on what one should do with a phrase, and that rule is implicit through understanding the composition. It's a hard truth to face, and perhaps only a trained musician fully understands this phenomenon. Either way, there needs to be an intimacy between the performer and the listener. All in all, Kennedy's technique caves in on itself. He plays as if taking great liberties at every turn were in itself a good thing. He cuts off a note that should sing, his sense of tempo is awkward at best- he seems to be driven by self-indulgent whims rather than musical passion.
There are points in the album where I think that his approach does utter disservice to the piece. For example, his interpretation of Massenet's 'Meditations' simply does not compare to Itzhak Perlman's flawless, dramatic performance on 'A La Carte'. Kennedy's Chopin 'Nocturne in C#' (which really sounds better with just a piano) doesn't at all capture the emotion and power of Sarah Chang's performance on 'Sweet Sorrow'. I'm not saying that every single track on this album is a loser. But where he fails miserably in some regards is that his playing strays into avant-garde quirks, and it becomes somewhat ignorant to the music in the piece. Ivry Gitlis quoted in the DVD 'The Art of Violin' that 'of course it's an insult to music when somebody says 'that's the benchmark performance' or 'that's how it's supposed to be played''. But in a lot of classical works, the personality and individuality of the performer lay in the subtleties of the performance, not in urinating on the very things that made the piece wonderful and then hoping that the listener will somehow connect with it.
Nigel Kennedy, from a technical standpoint, is a musician to be envied, but I am certainly not one of his defenders. I am a violinist, and I have a life-long love and respect for some of these compositions. When I see these works become so utterly removed from the things that made them great in the first place, I become disappointed and depressed- but not because 'Classic Kennedy' has somehow offended me. Rather, these days it seems that classical record labels, big-shot corporate management, and major symphony orchestras, seem to think that a soloist with a clever gimmick is a cure for a disease effecting a dying genre. But classical music has upheld itself through discipline, conservation, and passion. In a lot of the pieces on this album, Kennedy abandons those values, and unfortunately the result is music that is surprisingly un-musical.
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Patch Work
James Kennedy
Manufacturer: Heart Consort Music
ProductGroup: Music
Binding: Audio CD
Contemporary Blues
| Blues
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General
| Blues
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Pop Rock
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ASIN: B000BH4CVK
Release Date: 2005-09-27 |
Tracks:
- Wild Bill
- Daddy Likes To Dance
- Motown
- Cruella
- Here's My Heart
- Charlie
- Old Movies
- Road
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Quartet No. 1
Manufacturer: Mike Kennedy
ProductGroup: Music
Binding: Audio CD
General
| Jazz
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Traditional Jazz General
| Traditional Jazz & Ragtime
| Jazz
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ASIN: B000CADRNU
Release Date: 2003-04-22 |
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Rock N Roll Heart
Manufacturer: Heart Consort Music
ProductGroup: Music
Binding: Audio CD
General
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Pop Rock
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ASIN: B00006XLLW
Release Date: 2002-09-23 |
Tracks:
- Victory & Honor
- Michael's Back Door
- Save Your Heart
- Believable
- Circle
- Same Old Story
Album Description
Classic Rock straight from the heart! Guitars, bass, drums, and for the first time on HCM, Vocals!
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Bits N Pieces
James Kennedy
Manufacturer: Heart Consort Music
ProductGroup: Music
Binding: Audio CD
General
| Contemporary Folk
| Folk
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General
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General
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Folk Rock
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General
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General
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ASIN: B00005R199
Release Date: 2001-04-24 |
Tracks:
- Morocco
- That African Song
- Ancient Warriors
- Time Will Tell
- Through Your Eyes
- Nite Opener
Album Description
Guitars, Bass, and Percussion in live recordings. Combine classic rock, jazz, world music, stir, and see what happens. Zesty! Up for a Grammy in the "Contemporary Jazz" category.
Average customer rating:
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The Man Behind The Curtain
James Kennedy
Manufacturer: Heart Consort Music-BMI
ProductGroup: Music
Binding: Audio CD
Contemporary Blues
| Blues
| Styles
| Music
General
| Jazz
| Styles
| Music
General
| New Age
| Styles
| Music
Folk Rock
| Rock
| Styles
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General
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Pop Rock
| Pop
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General
| Classic Rock
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General
| Jazz
| Indie Music
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General
| Rock
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ASIN: B00067W3IE
Release Date: 2004-09-21 |
Tracks:
- Terra Cotta
- Dave's Not Here
- Turn Around
- Cafalk
- Raw Deal
- Bare Bones
- Just Close Your Eyes
- Silhouette In Time
Album Description
A follow up to his last two award-winning CDs, James offers a tasteful mix of rock, jazz and latin, plus gives listeners a treat with his "bottleneck" blues. Who *is* The Man Behind The Curtain?
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Vagabond
James Kennedy
Manufacturer: Heart Consort Music
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
| Music
General
| New Age
| Styles
| Music
Folk Rock
| Rock
| Styles
| Music
General
| Rock
| Styles
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Pop Rock
| Pop
| Styles
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General
| Classic Rock
| Styles
| Music
General
| Rock
| Indie Music
| Stores
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ASIN: B0000DZBV3
Release Date: 2003-09-26 |
Tracks:
- Time Walker
- Long Lost Love
- Shall We Dance
- Crossing The Rio
- Dance the Night Away
- Brazil Bound
- Call Out My Name
- Urban Shadows
Album Description
This release combines favorite elements of James Kennedy's past CDs. Classic Rock, Jazzy Swing, a Bossa Nova and a few surprises. Take a trip with "Vagabond"...
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