Philippine Treasures

Track Listings

1. Sampaguita (Dolores Paterno)

2. Saan Ka Man Naroroon (Restituto Umali)

3. Doon Po Sa Amin (Traditional)

4. Ay Kaylisud (Traditional)

5. Maalaala Mo Kaya (Constancio de Guzman)

6. Ang Tagni Kong Pag-ibig (Constancio de Guzman)

7. Buhat (Miguel Velarde, Jr.)

8. Lagi Kitang Naaalala (Leopoldo Silos)

9. Minamahal Kita (Miguel Velarde, Jr.)

10. Hatinggabi (Antonio Molina)

11. Mutya Ng Pasig (Nicanor Abelardo)

Editorial Reviews
Album Description
This is music that simply must be heard, and once heard, cherished and listened to again and again. The warmth and sentimentality of it softly beckons the listener. While it is culturally and historically important as the 19th and early 20th century roots of contemporary Filipino music, it is the emotion and the colors of the times from which the music sprang that gives us story and lesson about what was and is Filipino.

Most certainly Lolas and Lolos will give endless blessings to the thoughtful child or grandchild who gifts her or him with these precious sounds. But here as well is the beautiful solitude of the way the music is played: so intimately that the very soul of the song can be felt and understood across generations and cultures - so delicately that the softest ring of even one string of the guitar resonates color and meaning.

So listen, truly listen and enjoy the wordless poetry of Philippine culture as song. Take pride as well in knowing that Angelo Favis, the musical artist, is -like the music- also Filipino.

Daniel Phil Gonzales JD
Assoc. Prof. Asian American Studies
San Francisco State University

Philippine Treasures, Music, Various Composers, Angelo Favis

Average customer rating:

A Wonderful Introduction to the Music of the Philippines!

Simply a musical treasure that will bring pride to all Filipinos - Dr. Marie Alonzo Snyder Arts Educator

Filipino Music and Weddings!

Wonderful selection of popular tunes ; a response to Mr. Nagy

Exquisite Philippine guitar music

Philippine Treasures

Manufacturer: VGoRecordings.com
ProductGroup: Music
Binding: Audio CD

Classical | Indie Music | Stores | Music
General | Classical | Styles | Music
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Philippine Treasures, Volume 2

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ASIN: B00007KLHB
Release Date: 2002-06-17

Tracks:

Sampaguita (Dolores Paterno)
Saan Ka Man Naroroon (Restituto Umali)
Doon Po Sa Amin (Traditional)
Ay Kaylisud (Traditional)
Maalaala Mo Kaya (Constancio de Guzman)
Ang Tagni Kong Pag-ibig (Constancio de Guzman)
Buhat (Miguel Velarde, Jr.)
Lagi Kitang Naaalala (Leopoldo Silos)
Minamahal Kita (Miguel Velarde, Jr.)
Hatinggabi (Antonio Molina)
Mutya Ng Pasig (Nicanor Abelardo)

Album Description

This is music that simply must be heard, and once heard, cherished and listened to again and again. The warmth and sentimentality of it softly beckons the listener. While it is culturally and historically important as the 19th and early 20th century roots of contemporary Filipino music, it is the emotion and the colors of the times from which the music sprang that gives us story and lesson about what was and is Filipino.

So listen, truly listen and enjoy the wordless poetry of Philippine culture as song. Take pride as well in knowing that Angelo Favis, the musical artist, is -like the music- also Filipino.

Daniel Phil Gonzales JD
Assoc. Prof. Asian American Studies
San Francisco State University

Customer Reviews:

A Wonderful Introduction to the Music of the Philippines!.......2005-08-09

This CD was my "introduction" to the music of the Philippines. The music is indicative of the many influences that make up the Philippines. Each song is a story, and we are invited to experience the joys and hardships that are a reality in the daily lives of Filipinos. Ultimately however, the romantic soul of the Filipinos emerge in this beautiful CD. Dr. Angelo Favis is a fine classical guitarist, and his performances here are at once, both passionate, and skilled. Each one of these songs are from the transcriptions of the "Maestro" Jose Valdez (a legend amongst Filipino guitarists). If you don't have any idea what Filipino music is, this is a good place to start. If these songs are special to you, then you will hear them in a new setting, but no less lovely and romantic as when they were written. ENJOY!

Simply a musical treasure that will bring pride to all Filipinos - Dr. Marie Alonzo Snyder Arts Educator.......2005-07-21

This is absolutely a fabulous CD that brings a taste of the Philippines to one's home. I have been looking for a long time for a CD like this, as a choreographer I am alway looking for good music. I grew up with my father playing his records of Filipino love songs whenever we had guests,whether Filipino or not... I did not understand what they said, but I surely enjoyed listening to all of them and lately have missed hearing those familiar melodies. Living here in the US, I wanted my kids and friends to hear what Filipino music was like, and to listen to the strong Spanish influence in our music and the exquisite melodies. Each piece is played with superb clarity and musicality. For anyone who is Filipino, this is a must to have and to share with others. Let's keep educating people about the richness in the Filipino culture and arts.

Filipino Music and Weddings!.......2005-07-21

I bought this (and other cd's) for my wedding on July 16 because my father wanted to have filipino music inbetween the klezmer music and my more modern music. This wasn't bad. It's mostly instrumentals and unfortunately the songs that were sung were in another dialect that I didn't understand. But other than that, I would definately recommend this cd.

Wonderful selection of popular tunes ; a response to Mr. Nagy.......2005-07-02

This CD is a wonderful selection of popular, traditional songs of the Philippines.
Las Islas Filipinas is one of the most unusual countries in the world and to form stereotypes of " who " or "what" Filipinos are suppose to be is making a great mistake and injustice to it's unusual culture. It is unfortunate that there some people in positions and in this case a professor that comes to conclusions about the Philippines based on it's geographical location. First, the Philippines is composed of hundreds of islands inhabited by different groups of indigenous peoples with different cultures. Peoples from mainland Asia and Indonesia have also settled in the islands. With the coming of the Spaniards, perhaps the greatest influence on the Filipino culture, they also brought with them traditions from the Aztecs of Mexico. Some dialects containing mostly of Spanish words also contain some Nahuatl ( Aztec dialect ) words. The trade route Manila-Acapulco brought the traditions of Mexico to the islands. The celebrations of fiestas in honor of patron saints, Dia de los Muertos, and many people don't know that La Virgen de Guadalupe is the official patroness of the Philippines. It is not a surprise that the traditional music of the Philippines is influenced by all this other cultures. So to make judgements of the Philippines based on it's location is a big mistake, it is a country very different from it's neighbours.

Exquisite Philippine guitar music.......2005-03-30

This is a really wonderful recording and performance of traditional Philippine guitar. I bought copies of the CD for every member of my family. This music is perfect for a rainy afternoon, or a small dinner party, or anytime I would like a little peace and nostalgia. For anyone familiar with Filipino music and culture, this is an absolute treasure. And I love the fact that this album has no annoying vocal track, so I get to sing along all by myself!

Average customer rating:

Philippine Treasures, Volume 2
Angelo Favis
Manufacturer: VGo Recordings
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

Solo Instrumental | New Age | Styles | Music
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Popular Guitar Music of the Philippines

ASIN: B000LZ595K
Release Date: 2007-01-01

Tracks:

Ti Ayat Ti Meysa Nga Ubing (The Love of a Child) - Traditional
Nasaan Ka Irog (Where Are You, Love) - Nicanor Abelardo
Kundiman 1800 (Love Song circa 1800) - Traditional
Dahil Sa Iyo (Because of You) - Miguel Velarde, Jr.
Walay Angay (Not Meant to Be) - Traditional
Cavatina - Nicanor Abelardo
Anak Ng Dalita (Child of Poverty) - Francisco Santiago
Usahay (Sometimes) - Juanito Gonzales Angus
Babalik Ka Rin (You Shall Return) - Constancio de Guzman
Hindi Kita Malimot (I Can t Forget You) - Josefino Cenizal
Variations on Lulay (A Philippine Folk Song) - Bayani Mendoza de Leon

Product Description

This second set of Philippine folk songs and kundimans continues the trend set by the first volume: breadth, depth, and variety. We can now also add versatility to the mix, as some of the pieces can be classified as both folk and art music. Many of the pieces reflect the many facets of love. Hindi Kita Malimot speaks of undying love, while Dahil Sa Iyo describes how love can make one strong, good, and whole. Lost love and unrequited love are represented by Nasaan Ka Irog, Usahay, Anak Ng Dalita, and Babalik Ka Rin. Nasaan Ka Irog speaks of a doomed love affair. In Anak ng Dalita, being unloved is equivalent to being poor, yet there is a glimmer of hope if one gets noticed by the object of his/her affection. An almost defiant declaration that love will return is the mantra of Babalik Ka Rin, while dreams and despair abound in Usahay. Included here is an instrumental work written by one of the country s most famous songwriters. The Cavatina, originally written for violin and piano in 1921, is one of Abelardo s most famous pieces, and it is the only work here that sounds Filipino and yet does NOT sound Filipino. At this stage in his career, Abelardo was absorbing the idioms of the late Romantic masters and it is evident in the compositions that come from this period. It is a highly skilled composition in the art music tradition and yet accurately and deeply portrays the Filipino soul. The folk tradition is represented by four songs. Ti Ayat Ti Meysa Nga Ubing, which humorously and pointedly admonishes old men to stop looking for love among the young ones, hails from the Ilocos region. The Visayas is represented by Walay Angay, a lament about being abandoned and how one is never meant to be lonely, while Kundiman 1800 is an early 19th-century Tagalog folk tune - also known as Jocelyna ng Baliwag - about a young maiden who is the image of Love personified. The last representative is Lulay, a Tagalog song about a woman who is the paragon of virtue whom her sui

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1. Sampaguita (Dolores Paterno)
2. Saan Ka Man Naroroon (Restituto Umali)
3. Doon Po Sa Amin (Traditional)
4. Ay Kaylisud (Traditional)
5. Maalaala Mo Kaya (Constancio de Guzman)
6. Ang Tagni Kong Pag-ibig (Constancio de Guzman)
7. Buhat (Miguel Velarde, Jr.)
8. Lagi Kitang Naaalala (Leopoldo Silos)
9. Minamahal Kita (Miguel Velarde, Jr.)
10. Hatinggabi (Antonio Molina)
11. Mutya Ng Pasig (Nicanor Abelardo)