Editorial Reviews
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A Graduate of the Royal Academy of Music, Ms. Thornton is also a Founding Member of the Group "Arcana Mundi", a Concept Dreamt Up by Producer Craig Leon. Her Exceptional Talent was Brought to the Fore When She Opened the Show on Roxy Music Vocalist Bryan Ferry's Solo Tour Promoting his "as Time Goes By" Album of Standards. Since Then, She Has Not Only Toured with Beau Ferry on his Solo Ventures but also as Percussionist for the Roxy Music Reunion Tours. This Disc is her First Set of Solo Harp Classical Recordings, Produced (Of Course) by Longtime Mentor Craig Leon (Who Incidentally Produced the First Ramones Album, Both Blondie Label Debut Albums, Phillip Boa, Rodney Crowell, the National Lampoon's Vacation Soundtrack, in Addition to Albums Recorded with his Wife Cassell Webb).
Harpistry, Music, Johann Sebastian Bach, Ludwig van Beethoven, Francois Couperin, Claude Debussy, John Dowland, George Frideric Handel, Hans Neusidler, Giovanni Battista Pescetti, Carlos Salzedo, Erik Satie, Pyotr Il'yich Tchaikovsky, Antonio Vivaldi, Fabio Zanon, Julia Thornton, National Radio Orchestra of the Netherlands, Cassell Webb, Baroque Sonata/Sonatina for Keyboard, Baroque Variations for Keyboard, Chamber, Chamber Music & Recitals, Character/Single-Movement/Miscellaneous Work for Keyboard, Classical, Classical Artists, Collection of Preludes for Keyboard, Concerto, Harp Solo, Keyboard, Miscellaneous, Miscellaneous Music, Musical Theater, Piano Concerto, Renaissance Polyphonic Song, Romantic Music for Voice and Keyboard, Vocal
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Harpistry
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000AOWUZ Release Date: 2004-03-09 |
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Album Details
A Graduate of the Royal Academy of Music, Ms. Thornton is also a Founding Member of the Group "Arcana Mundi", a Concept Dreamt Up by Producer Craig Leon. Her Exceptional Talent was Brought to the Fore When She Opened the Show on Roxy Music Vocalist Bryan Ferry's Solo Tour Promoting his "as Time Goes By" Album of Standards. Since Then, She Has Not Only Toured with Beau Ferry on his Solo Ventures but also as Percussionist for the Roxy Music Reunion Tours. This Disc is her First Set of Solo Harp Classical Recordings, Produced (Of Course) by Longtime Mentor Craig Leon (Who Incidentally Produced the First Ramones Album, Both Blondie Label Debut Albums, Phillip Boa, Rodney Crowell, the National Lampoon's Vacation Soundtrack, in Addition to Albums Recorded with his Wife Cassell Webb).Customer Reviews:
Sadly, A Little Background Music.......2005-09-03
A Little Too Light, A Bit Too Much Glamor.......2004-04-21
This is the case with Julia Thornton, whose sole recording is this disk of music, of which only a few were originally for the harp. Many are quite pleasant, and a few are a bit eye-opening, but for some reason her producer, Craig Leon, has decided to mix in angelic choirs and other gimmicks that make the music hackneyed and a bit too 'new age.' On such case of this is 'Gassenhawer,' and another is Couperin's 'Les Baricades Misterieuses' which is overdone enough to be upsetting.
On other cases - the Vivaldi 'Largo' and the Handel Sarabande Julia is reduced to simple striking of the notes, nothing that shows of either the harp or her capabilities. On the other hand, the Bach Goldberg Variation and the Pescetti Andantino are a bit idiosyncratic, but very musical and interesting. Obviously there is more to Thornton than the album offers, but the album often suppresses these qualities in order to appeal to the popular audience.
The Adagio from Beethoven's Concerto No. 5 is problematic. Your ears will say 'interesting' but your mind will find it a far cry from Beethoven's original intentions. She comes so close to the percussive sound of the piano that it catches you up when she stops disguising her instrument. She does an excellent performance of the Tchaikovsky Lullaby, as well as Debussy's 'The Sunken Cathedral.'
The only piece that was originally written for harp is 'Chanson Dans La Nuit (Carlos Salzedo), which is something of a signature piece for Thornton. I can't say I found the various rattling and thumping which accompany the play very compelling, but they are Aledo's idea, not Thornton's. Chanson is a technical show off sort of thing and a bit to dry compared to the rest of the album (other than the Satie).
In sum, Thornton is an interesting harpist, but hardly the brilliant and inventive advocate of the instrument that the liner notes and website make her out to be. She is not the equal of players like Marisa Robles or Yolanda Kondonassis, and one shouldn't listen to her music expecting that kind of performance. On the other hand, as light listening the album is quite good and hopefully signals more to come.
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