Lully - Atys
Editorial Reviews
Amazon.com
Jean-Baptiste Lully has long been known as the father of French opera; this 1987 recording was the first to suggest his works are fit for something more than the library shelf. Though the 1676 Atys lacks the depth of texture and characterization (as well as the sheer weirdness) found in Rameau, the opera is like a catalog of French Baroque recitative and aria techniques in this Dangerous Liaisons-style story of love and jealousy amid royals and gods. Ironically, when the title character goes to sleep in act 3, the music truly wakes up in an imaginative, strikingly mellifluous evocation of abstract gods such as Morpheus and Phantasmus. William Christie's direction isn't quite as crisp and polished as later recordings, but his sense of style and ability to find passion behind the operatic formality is rock solid, with fine vocal contributions by Guy de Mey (Atys), Agnes Mellon (Sangaride), and Guillemette Laurens (Cybele). --David Patrick Stearns --This text refers to an out of print or unavailable edition of this title.
Lully - Atys, Music, Guy de Mey, Jean-Baptiste Lully, William Christie, Les Arts Florissants, Guillemette Laurens, Gilles Ragon, Jean-Paul Fouchécourt, Véronique Gens, Agnès Mellon, Jean-François Gardeil, Classical, French Baroque Opera, Opera, Opera / Operetta / Oratorio, Opera/Operetta
Average customer rating:
- One of the best recordings of any Baroque opera
- A glorious opera, spinning like a sun king in music's galaxy
- Fantastique!
- Wonderful: Christie gets better and better!
- stunning
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Lully - Atys
Guy de Mey , Jean-Baptiste Lully , William Christie , Les Arts Florissants , Guillemette Laurens , Gilles Ragon , Jean-Paul Fouchécourt , Véronique Gens , Agnès Mellon , and Jean-François Gardeil
Manufacturer: Harmonia Mundi Fr.
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ASIN: B000027PA9
Release Date: 1992-12-09 |
Tracks:
- Prologue: Ov - Orch Les Arts Florissants/William Christie
- Prologue: Le Temps: En Vain, J'ai Respecte/Chor Des Heures: Ses Justes Iois - Bernard Deletre/Chor Les Arts Florissants/Olivier Schneebelli
- Prologue: Air Pour Les Nymphes De Flore/Le Temps: La Saison Des Frimats - Monique Zanetti/Bernard Deletre
- Prologue: Air Pour La Ste De Flore - Chor Les Arts Florissants/Olivier Schneebelli
- Prologue: Prld Pour Melpomene/Air Pour La Ste De Melpomene - Arlette Steyer/Orch Les Arts Florissants/William Christie
- Prologue: Ritournelle - Chor Les Arts Florissants/Olivier Schneebelli
- Prologue: Menuet/Reprise De I'Ouverture - Chor Les Arts Florissants/Olivier Schneebelli
- Acte I: Scene I: Ritournelle/Scene 2: Vous Veillez - Jacques Bona
- Acte I: Atys, Ne Feignez Plus - Jacques Bona
- Acte I: Scene 3: Allons, Allons, Accourez Tous/Ecoutons Les Oiseaux - Agnes Mellon/Guy De Mey
- Acte I: Scene 4: Atys Est Trop Heureux/Un Amour Malheureux - Agnes Mellon/Francoise Semellaz
- Acte I: Scene 5: On Voit Dans Ces Campagnes/Scene 6: Sangaride, Ce Jour/Si I'hymen Unissait - Agnes Mellon/Guy De Mey
- Acte I: Scene 7: Mais Deja De Ce Mont Sacre/Commencons De Celebrer - Agnes Mellon/Guy De Mey
- Acte I: Entree De Phrygiens/Second Air Des Phrygiens - Chor Les Arts Florissants/Olivier Schneebelli
- Acte I: Scene 8: Prld/Venez Tous Dans Mon Temple - Guillemette Laurens/Orch Les Arts Florissants/William Christie
Tracks:
- Acte II: Scene 1: Ritournelle/Qu'un Indifferent Est Heureux - Guy De Mey
- Acte II: Scene 2: Prld/Je Veux Joindre - Guillemette Laurens
- Acte II: Scene 3: Tu T'etonnes, Melisse/J'ai Cru Me Faire Un Coeur/Fais Venir Le Sommeil - Guillemette Laurens
- Acte II: Scene 4: Celebrons La Gloire Immortelle - Chor Les Arts Florissants/Olivier Schneebelli
- Acte II: Entree Des Nations/Entree Des Zephirs - Orch Les Arts Florissants/William Christie
- Acte II: Que Devant Vous/Indigne Que Je Suis/Que Devant Nous/Reprise De I'Air Des Zephirs - Guy De Mey/Chor Les Arts Florissants/Olivier Schneebelli
- Acte III: Scene I: Ritournelle/Scene 2: Peut-On Ici Parler/Dans I'empire Amoureux/Je Souhaite, Je Cr - Guy De Mey/Francoise Semellaz/Jacques Bona
- Acte III: Le Plus Juste Parti/Scene 3: Mais Le Sommeil Vient Me Surprendre - Guy De Mey
- Acte III: Scene 4: Prld/Le Sommeil: Dormons, Dormons Tous/Prld - Orch Les Arts Florissants/William Christie
- Acte III: Ecoute, Ecoute, Atys/Que I'Amour A D'attraits/Goute En Paix/Trop Heureux Un Amant - Jean-Paul Fouchecourt/Michel Laplenie/Bernard Deletre
- Acte III: Un Songe Funeste: Garde-Toi D'offenser/L'amour/Scene 5: Venez A Mon Secours - Guy De Mey/Chor Les Arts Florissants/Olivier Schneebelli
- Acte III: Scene 6: Je Sais Trop/Scene 7: Qu' Atys Dans Ses Respects/Deux Coeurs A Feindre - Guy De Mey/Guillemette Laurens/Noemi Rime
- Acte III: Va Melisse/Scene 8 - Guillemette Laurens/Chor Les Arts Florissants/Olivier Schneebelli
Tracks:
- Acte IV: Scene I: Quoi! Vous Pleurez!/Trop Heureux Un Coeur/Apres Une Trahison/Qu'une Premiere Amour - Agnes Mellon/Francoise Semellaz
- Acte IV: Scene 2: Prld/Belle Nymphe/Scene 3 - Jean-Francois Gardeil
- Acte IV: Scene 4: Ritournelle/Qu'il Sait Peu Son Malheur/Mon Pere Vient Ici - Guy De Mey/Francoise Semellaz
- Acte IV: Scene 5: Prld/Que I'on Chante - Orch Les Arts Florissants/William Christie
- Acte IV: Gavotte/Menuet/Un Grand Calme - Chor Les Arts Florissants/Olivier Schneebelli
- Acte IV: Scene 6: Venez Former - Chor Les Arts Florissants/Olivier Schneebelli
- Acte V: Scene 1: Ritournelle - Chor Les Arts Florissants/Olivier Schneebelli
- Acte V: Scene 2: Venez Vous Livrer/Toi Qui Porte Partout/Ciel! - Guillemette Laurens/Jean-Francois Gardeil
- Acte V: Atys Lui-Meme/Scene 4: Un Calme Heureux/Quoi! Sangaride Est Morte! - Guy De Mey/Chor Les Arts Florissants/Olivier Schneebelli
- Acte V: Scene 5: Je Commence A Trouver/Scene 6: Il S'est Perce Le Sein - Guillemette Laurens/Jacques Bona
- Acte V: Scene Derniere: Ritournelle/Venez, Furieux Corybantes - Guillemette Laurens
- Acte V: Entree Des Nymphes/Premiere Entree Des Corybantes/Seconde Entree - Orch Les Arts Florissants/William Christie
- Acte V: Que Le malheur D'Atys - Guillemette Laurens/Chor Les Arts Florissants/Olivier Schneebelli
Amazon.com
Jean-Baptiste Lully has long been known as the father of French opera; this 1987 recording was the first to suggest his works are fit for something more than the library shelf. Though the 1676 Atys lacks the depth of texture and characterization (as well as the sheer weirdness) found in Rameau, the opera is like a catalog of French Baroque recitative and aria techniques in this Dangerous Liaisons-style story of love and jealousy amid royals and gods. Ironically, when the title character goes to sleep in act 3, the music truly wakes up in an imaginative, strikingly mellifluous evocation of abstract gods such as Morpheus and Phantasmus. William Christie's direction isn't quite as crisp and polished as later recordings, but his sense of style and ability to find passion behind the operatic formality is rock solid, with fine vocal contributions by Guy de Mey (Atys), Agnes Mellon (Sangaride), and Guillemette Laurens (Cybele). --David Patrick Stearns
Customer Reviews:
One of the best recordings of any Baroque opera.......2006-09-23
I listened to this recording very frequently when I worked in a Melbourne music shop in the late '80s & early '90s. It bought it and I have enjoyed it ever since. It is a masterpiece and I am certain that Jean-Baptiste Lully is one of the greatest composers of opera in history.
The cast of Atys is first class and many will recognise names amongst the chorus and orchestra - John Holloway (violin), Christoph Rousset (harpsichord), Stephen Stubbs (lute), Marc Minkowski (bassoon), Véronique Gens (soprano), Hervé Niquet (tenor), etc. Yes, even the "rank & file" members of the cast of Atys are that good!
The whole thing is glorious and beautiful from start to finish. Listen "La Sommeil" from Acte III (track 9, disc 2) and you'll be hooked!
A triumph for William Christie and Les Arts Florissants and one of the best recordings they made for Harmonia Mundi France. Sadly, they have recorded less Lully ever since.
A glorious opera, spinning like a sun king in music's galaxy.......2006-05-31
The music of Lully has a resonance all of its own. It is unmistakable - elegant, graceful, almost sorrowful in its beauty, full of French baroque ornaments and distinctive falling figures. It lends itself wonderfully to good baroque singers, making them sound ravishing if they will but sing with shimmering and creamy purity right into the centre of each note, and if they will utilise the correct style for this genre of singing.
This opera is a grand and spectacular achievement. The music is Lully at his best - the plot is magnificent on a royal scale.
With William Christie conducting, the style is, as one would expect, impeccable. The playing of Les Arts Florissant is glorious. And most of the singers on this recording are splendid indeed - some of the finest exponents of French baroque singing.
But... there is a substantial "but".
Guillemette Laurens was once a very good singer of this style of music, I believe. But the tone appears to have deterioriated to the point where I feel uncomfortable listening to her. I have tried to do so on numerous occasions... and each time I think I can see the stylishness of her attempted portrayal, although I do not think she's attained what she strove to portray - certainly not in this recording, and in several others. The voice has a vibrato that is uncontrolled, and a sour quality to the timbre that does it no service. Style-wise, yes, I could appreciate it... but as far as timbre goes... no.
And I'm afraid that for me, timbre and style are two necessary components that simply cannot please unless both are present and functioning beautifully.
This recording is thus hampered by the singing of one pivotal role.
In every other respect, it's a gorgeous recording. I do recommend it, but I can also say that I am eagerly waiting to see if there will be a new recording with, perhaps, Veronique Gens or Mireille Delunsch in the role which Ms Laurens sings here.
Fantastique!.......2004-05-29
It is said that this opera was written by the Italian composer Lully for the famous sun king Louis XIV and that he so identified with the obscure mythical origin that he wept at the end. I have seen engravings of the grand event; it was staged in the inner court at a young Versailles, with thousands of candles. And only the king could sit on a chair with a back! They restaged this when I was in college, and I read that people still were sitting on benches to watch the 4.5 hour opera, and loving it.
It may take a little getting used to and is a bit of a culture shock, but there are many lilting melodies, charming and graceful arias, entrees, gavottes, and overall I miss this opera much (it was stolen from my trunk). The music is baroque, early baroque, played on period instruments that give a shimmering quality to the music that I find most charming and unusual. The singers also have been trained to sing with the shimmering trills of the period. I particularly like the counter tenors, which is basically the highest tenors singing falsetto.
For some reason Louis XIV identified with the protagonist: an exceptionally good and comely man, whom the earth godess falls in love with. She elevates him to the position of high priest over more qualified persons. He falls in love with his rivals' daughter, and when Cybele finds out, she castrates him. He laments his fate, kills himself, and when he dies, she turns him into a tree.
If you like baroque opera, this is a gem. But not for the unsophisticated.
Wonderful: Christie gets better and better!.......1999-03-26
This is a great recording, maybe not as great as some of the most recent Christie opera recordings, but distinguished nevertheless. Guy de Mey's singing is a bit too nervous for my tastes, but he gets it pretty close to the French baroque high tenor sound which is expected in a role like that. Later, Christie will get better tenors, first tapping more extensively into the talents of Jean-Paul Fouchecourt (who is present here in a small role), and then enlisting a couple of English guys (Padmore, Agnew and even Bostridge - who can compare with this lineup!). But in 1987, Les Arts Florissants already boasted a strong cast of performers. Agnes Mellon is marvellous. Too bad that she later somehow disappeared from Christie's universe. The most famous, and by far the most beautiful scene in the entire opera is the Scene du Sommeil. It is one of the most captivating quartets you will ever hear in your life. I also relished the scene Que l'on chante, que l'on danse with Sangar and the chorus of gods. Sangar is sung here by Bernard Deletre, who was reportedly recruited into baroque music by Christie himself. If that is true, I applaud Christie for catching Deletre because he is one of the most outstanding basses I've ever heard. Atys has a lot of beautiful music and a lot of beautiful performances - don't miss it!
stunning.......1998-12-06
William Christie runs a very tight ship used to marvellous effect. I discovered this production thanks to un unforgettable live performance. The record reflects excellently that wonderful day although, unfortunately, the scene is missing. If you like baroque opera, this is a must.
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Roi Danse
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Lully - Atys / Guy de Mey · Guillemette Laurens · Agnès Mellon · Jean-François Gardeil · Les Arts Florissants · William Christie [Highlights]
Jean-Baptiste Lully , William Christie , Guy de Mey , Agnès Mellon, Jean-François Gardeil, Gilles Ragon Guillemette Laurens , and Les Arts Florissants
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ASIN: B00000074J
Release Date: 1995-03-21 |
Average customer rating:
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Lully: Atys / Christie, Les Arts Florissants [Highlights]
Jean-Baptiste Lully , William Christie , Les Arts Florissants , Guillemette Laurens , Jean-Paul Fouchécourt , Gilles Ragon , Jean-Francois Gardeil , Véronique Gens , Bernard Deletré , and Isabelle Desrochers
Manufacturer: Harmonia Mundi
ProductGroup: Music
Binding: Audio CD
All Works by Lully
| Lully, Jean-Baptiste
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Christie, William
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ASIN: B0000007I9
Release Date: 1996-10-22 |
Tracks:
- Ov - Les Arts Florissants/John Holloway/William Christie
- Act I. Scene 1: 'Allons, Allons, Accourez Tous'/Scene 2 - Guy De Mey/Jacques Bona
- Act I: 'Atys, Ne Feignez Plus' - Guy De Mey
- Act I. Scene 3: 'Allons, Allons, Accourez Tous, Cybele Va Descendre'/Ecoutons Les Oiseaux - Agnes Mellon/Francoise Semellaz/Guy De Mey/Jacques Bona
- Act I. Scene 4: 'Atys Est Trop Heureux'/'Un Amour Malheureux' - Agnes Mellon/Francoise Semellaz
- Act II. Scene 2: 'Je Veux Joindre En Ces Lieux La Gloire Et L'abondance' - Guillemette Laurens/Jean-Francois Gardeil
- Act II. Scene 3: 'Tu T'etonnes, Melisse' - Guillemette Lauren/Noemie Rime
- Act II Scene 4: 'Celebrons La Gloire Immortelle' - Les Arts Florissants/John Holloway/William Christie
- Act III Scene 4: Prld/'Dormons, Dormons Tous'/Air Des Songes Agreables - Gilles Ragon/Jean-Paul Fouchecourt/Bernard Deletre/Michel Laplenie
- Act IV Sc.2 & 3: 'Belle Nymphe, L'hymen Va Suivre Mon Envie' - Jean-Francoise Gardeil/Agnes Mellon
- Act IV Scene 5: 'O Vous Qui Prenez Part Au Bien De Ma Famille'/'Que L'on Chante, Que L'on Danse - Bernard Deletre/Les Arts Florissants/John Holloway/William Christie
- Act IV Scene 5: 'La Beaute La Plus Severe'/'D'une Constance Extreme Le Ruisseau Suit Son Cours'... - Bernard Deletre/Les Arts Florissants/John Holloway/William Christie
- Act IV Scene 6: 'Venez Former Des Noeuds Charmants' - Les Arts Florissants/John Holloway/William Christie/Guy De Mey/Jean-Francois Gardeil
- Act V Scene Derniere: 'Venez, Furieux Corybantes - Les Arts Florissants/John Holloway/William Christie
- Act V Scene Derniere: Entree Des Nymphes/Premiere Entree Des Corybantes/Seconde Entree Des Corybante - Les Arts Florissants/John Holloway/William Christie
- Act V Scene Derniere: 'Que Le Malheur D'atys Afflige Tout Le Monde' - Les Arts Florissants/John Holloway/William Christie
Music Review:
- Marcello Giordani - Tenor Arias
- A Banquet of Voices: Music for Multiple Choirs
- Adam Grabois & John Nauman
- Anything Goes: The San Sylmar Theatre Organ
- Argento: Casa Guidi / von Stade / Minnesota Orchestra
- Bach: Cantatas, Vol. 6
- BACH: Harpsichord Album / Robert Aldwinkle
- Bach J.S: Goldberg Variations Bwv988 [Import]
- Bach: Sacred Cantatas Vols. 1 - 10 / Harnoncourt, Leonhardt [Box set]
- Bach: The Complete Orchestral Suites [Hybrid SACD] [Hybrid SACD] [SACD]
Music Review
music review
Music Review
Faintly Blowing [Import]
Bartok: Concerto No. 1 for Violin and Orchestra Op. Posth (recorded 24 December 1960); Concerto for Orchestra (recorded 25 February 1972)
Bach: Complete Cantatas, Volume 10 / Koopman [Box set]
Small Town Life
And They Danced the Night [Import] [Box set]
Between Tides
Brasil! [Import]
Amethyst Rock Star [Explicit Lyrics]
Back From Gone
Beethoven: Piano Sonatas
Autumn Leaves [Import]
A Medias de la Noche y Otros Exitos
20 Exitos
Dmitri Shostakovich: Symphony No. 15 / From Jewish Folk Poetry - Bernard Haitink
Axis: Bold As Love