Schumann: Cello Concerto

Editorial Reviews
Amazon.com
Mischa Maisky's wide vibrato, big, full tone, exaggerated rubatos, and consistent lunge for the emotional jugular make him a controversial artist, loved by some and disliked by others. This disc will confirm both opinions, as did his earlier, intense recording of the Concerto with Bernstein. Here, he's joined by a much smaller, conductorless orchestra and there's a refreshing give-and-take between band and soloist. Although it reveals countless orchestral details, the close-up engineering spotlights the cello, undercutting the point of recording the chamber orchestra version. Maisky's playing is often breathtaking in its virtuosity. His is an interesting, if overstated, alternative view of the work. Argerich's dynamic partnership at the piano helps make the fillers exciting, too. The 5 Pieces in Folk Style are beautifully done, though some may find them excessively bloated. Ditto for the other short works on the disc. --Dan Davis

Tracks:

Cello Concerto No. 1 In C Major, Hob. VIIb:1: 1 - Moderato - Kadenz - Tempo I
Cello Concerto No. 1 In C Major, Hob. VIIb:1: 2 - Adagio - Kadenz - Tempo I
Cello Concerto No. 1 In C Major, Hob. VIIb:1: 3 - Allegro molto
Cello Concerto No. 2 In D Major, Hob. VIIb:2: 1 - Allegro moderato
Cello Concerto No. 2 In D Major, Hob. VIIb:2: 2 - Adagio
Cello Concerto No. 2 In D Major, Hob. VIIb:2: 3 - Rondo (Allegro)
Cello Concerto in B flat major: 1 - Allegro moderato - Kadenz - Tempo I
Cello Concerto in B flat major: 2 - Adagio no troppo
Cello Concerto in B flat major: 3 - Rondo (Allegro) - Kadenz - Tempo I

Tracks:

Cello Concerto In A Minor, Op. 129: I. Nicht zu schnell
Cello Concerto In A Minor, Op. 129: II. Langsam - Etwas lebhafter - Schneller
Cello Concerto In A Minor, Op. 129: III. Sehr lebhaft - Kadenz - Tempo I
Concerto No. 1 in A minor, Op. 33
Cello Concerto In G Minor: I. Allegro
Cello Concerto In G Minor: II. Adagio
Cello Concerto In G Minor: III. Allegro non tanto

Tracks:

Concerto In B Minor, Op. 104: I. Allegro
Concerto In B Minor, Op. 104: II. Adagio ma non troppo
Concerto In B Minor, Op. 104: III. Finale (Allegro moderato)
Concerto In E Minor, Op. 85: Adagio-Moderato
Concerto In E Minor, Op. 85: II. Lento-Allegro molto
Concerto In E Minor, Op. 85: III. Adagio
Concerto In E Minor, Op. 85: IV. Allegro ma non troppo

Amazon.com essential recording

During her far-too-brief career, cellist Jacqueline du Pré exhibited an almost oracular power of communication. Her performances bristled with the kind of brilliant electricity that could change lives and convert listeners to a lifelong love of music. Happily, it's possible to experience a sense of that power from the recordings du Pré completed before multiple sclerosis halted her career as a performer in the early 1970s. This set provides a splendid portrait--at bargain price--of du Pré's unmistakable personality: the astonishingly original yet convincing phrasing, raw energy, and ability to make her instrument sound uncannily like a human voice (du Pré was after all a favored student of Mstislav Rostropovich). Her rendition of Haydn's Concerto in C is clearly cast in a romantic--and nowadays perhaps unfashionable--mold, yet du Pré's big, bold tone carries the musical line forward with exhilarating presence. It's a demeanor that proves especially reassuring for the quirkily mercurial inventions of Boccherini. Yet du Pré most indelibly leaves her signature on the work that became her hallmark, Edward Elgar's E Minor Concerto, grafting a deeply personal level of expression onto the score's rich post-World War I melancholy. In the Schumann, du Pré makes an eloquently passionate protagonist. A similar sense of excitement is to be heard in Dvorák's Concerto--performed near the end of her career--above all in the flame of inspiration she evidently sparks from the orchestra in the serene close of its slow movement. This is a supremely rewarding collection for the beginner and aficionado alike. --Thomas May

Customer Reviews:

Beutefully interpretted.......2007-04-04

Jacquline du Pres interprettation of some of the moast famous cello consertos is simply amasing. her music just flows with energy and abbowe all passion. she realy brings out the qaleties of the cello with intensety and softnes intertwined. music bursting with passion.

I THOUGHT I had heard these concertos,,,.......2007-04-04

UNTIL I was fortunate enough to have heard them performed by Jacqueline du Pre!!!
ABSOLUTELY STUNNING!!! Her superb playing, along with truly masterful
interpretative skills, just "comes pouring out of the speakers!"
Also, the orchestras were obviously truly inspired by these opportunities to perform and record with one of the greatest musicians of all time.
The sound quality is excellent, as is the separation and clarity of both the soloist's and orchestral performances. The overall dynanism is also top notch - I found I had to lower the volume substantially from my normal
system loudness levels.
I've enjoyed this set so much I'll probably wind up buying everything from Amazon that EMI has produced with Jacqueline du Pre's name on it!

Excellent Selection.......2007-02-27

The choice of concertos is excellent and the artistry of Jacqueline du Pre is exceptional. The Schumann and Saint-Saens works are truly beautiful.

The album is a fitting tribute to the tragic loss of an incredible young talent.

A sassy dame.......2007-02-20

I love this CD. It came extremely fast to NZ and a bonus too as I was expecting only one cd not three!
While Dvorak is currently my favourite, other composers featured here have been growing on me.
Never been a Cello devotee in the past, but I am enjoying this new phase of my musical listening.
The late Ms du Pre plays with vigor and assertiveness, yet manages to convey those moving and sublime moments when needed.
Most enjoyable. Thanky you

Pleasure to listen.......2006-02-23

This 3 cd pack plays daylong on the player. Great music, great artist.

Average customer rating:

Rostropovich stands out like a dazzling star
The flight of no return!
Rostropovich at 75 - A Look Back

Rostropovich, Master Cellist

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

Schubert, Debussy / Rostropovich, Britten
Bach: Cello Suites Nos. 1-6
Dvorak & Saint-Saens: Cello Concertos
Brahms: The Cello Sonatas
Great Recordings Of The Century - Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter

ASIN: B000062R5A
Release Date: 2002-04-02

Tracks:

Concerto For Cello And Orchestra In B Minor Op. 104: Allegro
Concerto For Cello And Orchestra In B Minor Op. 104: Adagio Ma Non Troppo
Concerto For Cello And Orchestra In B Minor Op. 104: Finale. Allegro Moderato
Concerto For Cello And Orchestra In A Minor: Nicht Zu Schnell
Concerto For Cello And Orchestra In A Minor: Langsam
Concerto For Cello And Orchestra In A Minor: Sehr Lebhaft
Andante Cantabile Op. Posth. For Cello And String Orchestra: Andante Cantabile Op. Posth.
Chand Du Menstrel Op. 71 For Cello And Orchestra: Chant Du Menestrel

Tracks:

Sonata For Piano And Cello In G Minor Op.19: Lento - Allegro Moderato
Sonata For Piano And Cello In G Minor Op.19: Allegro Scherzando
Sonata For Piano And Cello In G Minor Op.19: Andante
Sonata For Piano And Cello In G Minor Op.19: Allegro Mosso
Introduction And Polonaise Brillante For Cello And Piano In C Major Op.3: Introduction And Polonaise Brillante For Cello And Piano In C Major
Vocalise Op.34 No.14: Vocalise
Impromptu In G Flat Major D 899 No.3: Impromptu In G Flat Major
Kinderszenen Op.5 No.7 Scenes From Childhood: Traumerei - Dreaming

Amazon.com

Mstislav Rostropovich's 75th birthday is the occasion for this two-disc set of prime recordings by the protean artist. The Dvorák Concerto with Karajan's overrefined conducting, one of the better of the cellist's five recordings of this masterpiece, is not as lively as his version with Ozawa or as idiomatic as his early recording with Talich and the Czech Philharmonic in monophonic sound. The Schumann Concerto, here with Rozhdestvensky and the Leningrad Philharmonic, is incisively Romantic, but disciplined and done with a ravishing tone, vividly recorded. It's superior to his later, indulgent version with Bernstein. The charming short pieces by Tchaikovsky and Glazunov are also irresistible for Rostropovich's gorgeous playing. Disc two partners him in solo pieces with pianist Alexander Dedyukhin, the centerpiece being Rachmaninov's Sonata, overflowing with lovely melodies played to the hilt by the cellist. The shorter works include transcriptions, perfect encore fare perfectly played. This set is a feast for Rostropovich's fans. --Dan Davis

Customer Reviews:

Rostropovich stands out like a dazzling star.......2007-05-20

As difficult a period as the 20th century was ... and all the more so in the soviet union -- Rostropovich stands out like a dazzling star. He represented some the finest levels of musical art that man can achieve -- a triumph of the human spirit.

In the 21st century in the western world, we are witness to the decline of the art form known as "classical music"... with nothing comparable or better on the horizon to replace it. As the 6 billion people of the earth, soon to be 9 billion, struggle for light and space ... there are ominous reverberations in the arts.

Thank God the few of us left who love this music have recordings of men like Rostopovitch ... always with the hope that the fire will be passed on to new generations of performers and composers who will catch the spirit and breath new life into the world.

The flight of no return!.......2007-05-02

This genius of the cello left us April 27th. For the recent music newcomers this name is synonymous of a talented musician, but Rostropovich meant for the music much more than a privileged and sheer artist. His multiple activities as soloist performer and conductor ranked such historical achievements that hardly could be resumed in this little note.

His loss is extremely significant, due he embodied the goal of a total artist. Reader, thinker, and always worried by his country, he knew about so many unsaid details of the missed U.R.S.S, and his narrow collaboration with Dimitri Shostakovich make of him a essential part of the musical History of the last Century With his departure a cycle ends. Fortunately his enormous musical bequeath stand out through the years to come, as striking evidence of his egregious talent.

Hail and farewell!

Rostropovich at 75 - A Look Back.......2003-09-19

To celebrate the 75th year of the birth of cellist Mstislav Rostropovich, the various labels he recorded with over his illustrious career have issued several excellent collections. EMI outdid themselves by issuing, among other sets, the breathtaking 13-CD box set "The Russian Years," featuring rare recordings and numerous premieres made by Rostropovich during his tenure behind the Iron Curtain. That set's a hard one to match, but the two-disc "Master Cellist: Legendary Recordings 1956-78" comes close. What it lacks in quantity, "Master Cellist" makes up for in quality. It contains arguably the single best recording ever made of the Dvorak Cello Concerto (with von Karajan), an excellent Schumann Concerto, and stunning shorter works for cello and orchestra by Tchaikovsky and Glazunov. These are legendary accounts for sure, but no big deal to most serious collectors because they are, or have been, previously available on CD. But what made me trade in my DG Originals disc of the Dvorak Concerto, and get "Master Cellist" was disc two of this set. It features four glorious works for cello and piano, never before released on CD, with Slava's long-time collaborator, pianist Alexander Dedyukhin. They are all, along with the Rach Sonata, quite simply sublime. Rostropovich will sadly not live another 75 years, but his legacy will live on for at least that long thanks to magical recordings like these.

Jacqueline du Pré - a lasting inspiration

Average customer rating:

cello lover
99% perspiration
Immortal Legend
Epitome of Cello
Ooo! Samples!

Jacqueline du Pré - a lasting inspiration
Antonin Dvorak , Franz Joseph Haydn , Edward Elgar , Maria Theresia von Paradis , Robert Schumann , Felix Mendelssohn , Gabriel Faure , Johann Sebastian Bach , Camille Saint-Saens , Manuel de Falla , Max Bruch , Ludwig van Beethoven , Johannes Brahms , Cesar Franck , Chicago Symphony Orchestra , London Symphony Orchestra , Daniel Barenboim , Sir John Barbirolli , Jacqueline du Pré , Pinchas Zukerman , Roy Jesson , Gerald Moore , John [guitar] Williams , and Osian Ellis
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

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Jacqueline du Pre - Favourite Cello Concertos ~ Boccherini, Dvorak, Elgar, Haydn, Monn, Saint-Saens, Schumann
Jacqueline du Pre In Portrait
Jacqueline du Pré - Chopin: Cello Sonata in G minor, Franck: Sonata in A / Barenboim
Cello for Relaxation
Daniel Barenboim, Pinchas Zukerman & Jacqueline du Pré - Beethoven: Piano Trios

ASIN: B00000K4F9
Release Date: 1999-09-14

Tracks:

Cello Concerto In B Minor Op. 104: I. Allegro - Dvorak
Cello Concerto No.2 In D: I. Allegro moderato
Cello Concerto No.2 In D: II. Adagio
Cello Concerto No.2 In D: III. Allegro
Cello Concerto In E Minor: I. Adagio - Moderato
Cello Concerto In E Minor: II. Lento - Allegro molto
Cello Concerto In E Minor: III. Adagio
Cello Concerto In E Minor: IV. Allegro, Moderato, Allegro ma non troppo

Tracks:

Sicilienne
Three Fantasy Pieces: I. Zart mit Audruck
Three Fantasy Pieces: II. Lebhaft
Three Fantasy Pieces: III. Rasch und mit Feuer
Sing Without Words in D, Op.109
Elegie In C Minor, Op. 24
The Toccata: Adagio
The Carnival Of The Animals: The Swan
Suite populaire espagnole: Jota
Kol nidrei, Op. 47
Piano Trio In B-flat 'Archduke', Op.97
Cello Sonata No.2 In F, Op.99
Sonata in A

Customer Reviews:

cello lover.......2007-05-31

Absoluty the best. It is no wonder she was the world premier cello artist!! Can't say enough. If you love cello, and classical music, this is a must have. Her whole collection is worth every penny!!!

99% perspiration.......2006-11-08

(4.5/5 stars) This is a two-disc collection of musical works, in which the great cellist Jacqueline du Pre plays. The first disc consists of three cello concerti by three different composers: Dvorak (Romantic), Haydn (Classical) and Elgar (Romantic). Very good music, though it might leave you wondering what all the fuss is about. Not to worry: just pop in Disc Two to find out. The second disc contains shorter works by a wider variety of composers. It also might just leave you breathless by its beauty. Saint-Säens' "The Swan" (from "Carnival of the Animals") is nearly indescribable in its elegance, with du Pre's cello dancing with a harp. This haunting recording should not be missed. Bruch's "Kol Nidrei" is magnificently gorgeous as well. Three fantasy pieces from Schumann, one of Mendelssohn's "Lieder Ohne Wörter" and a stunning Brahms sonata infuse this collection with genuine grace. Since these were recorded prior to the advent of digital recordings, you might hear a very slight hiss on some of the recordings. This is barely audible and really does not detract from the pleasure of listening to it. Each disc runs 75 minutes, making this inspiration last long indeed.

Immortal Legend.......2006-10-07

As a cellist, I grew up listening to Jacqueline Du Pre's recordings. Even now as a 35 year old, I'm still enthralled by her amazing talent. This is a great cd if one is looking for a wonderful introduction to this superb cellist or simply wants to savor her most well known recordings. Du Pre owned the "Elgar" concerto. No other words can summarize this fact. Other beautiful and moving pieces are here on this disc: Bruch "Kol Nidrei", Haydn "Concerto No.2", Faure "Elegie", Brahms "Concerto No.2". The cello is a difficult instrument to play due to the strength required in both hands. Du Pre's playing touches the heartstrings with both emotion and depth. The tone that she coaxes from her cello is amazing. Jacqueline Du Pre is a legend.

Epitome of Cello.......2006-06-23

As a cellist, I absolutely love du Pré's work. I actually found this CD when I was looking for a modern recording of "A Jacqueline du Pré Recital", a record compiled of pieces done between July 15, 1962 and April 1, 1969. The second CD in this set contains the same songs as that record.

The concertos on the first CD are spectacular, especially her rendition of the Elgar concerto which has defined the piece since she first performed it. The second CD, however, is just as wonderful as a collection of some of the most loved cello pieces. No cello recording complete without Saint Saen's "The Swan" and du Pré's version is the only one I've ever heard that I actually like. "Elégie in C minor" (composed by Gabriel Fauré) is one of my personal favorites especially since her rapport with the pianist is obvious and the two instruments blend in a way that makes the piece even more poignant.

Overall, this CD is a must-have for anyone who loves cello as a perfect sample of Jacqueline du Pré's work.

Ooo! Samples!.......2005-11-29

As far as the romantic period goes, Jacqueline Du Pre is my personal favorite 'cellist. Her sensitivity to put expression of the musical idea always outweighed the desire to appear impressive. There is a difference in being just a virtuoso and being a musician. A virtuoso has the capability to dazzle and amaze, but music is more than just being impressive, and Du Pre succeeds in becoming, in every sense, a musician first and foremost. The only complaint I have of this album is the fact that you only get one movement of each piece! Even so, this a wonderful "sample dish" of Du Pre's extraordinary playing, mainly meant to get you hooked so you can get more.

Martha Argerich and Friends: Live from the Lugano Festival, 2006

Average customer rating:

Lots of Schumann, not much Argerich, plus some real oddities

Martha Argerich and Friends: Live from the Lugano Festival, 2006

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

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A Piano Evening with Martha Argerich [DVD Video]
Haydn: Piano Sonatas
Martha Argerich and Friends Live from the Lugano Festival 2005: Chamber Music
Piano Quintet in F Min / Complete String Quartets (1, 2, 3)
Volodos Plays Liszt

ASIN: B000PFU9OM
Release Date: 2007-06-05

Tracks:

I: Sostenuto Assai/Allegro Ma Non Troppo
II: Scherzo: Molto Vivace
III: Andante Cantabile
IV: Finale: Vivace
I: Allegro Assai Vivace
II: Allegretto Scherzando
III: Adagio
IV: Molto Allegro E Vivace
I: Zart Und Mit Ausdruck
II: Lebhaft, Leicht
III: Rasch Und Mit Feuer

Tracks:

I: Mit Energie Und Leidenschaft
II: Lebhaf, Doch Nicht Zu Rasch
III: Langsam, Mit Inniger Empfindung
IV: Mit Feuer
I: Introduzione: Adagio Mest/Allegro
II: Scherzo
III: Largo
IV: Finale: Allegro Vivace

Tracks:

I: Nauges
II: Fetes
I: Andante
II: Allegretto
III: Largo
IV: Allegretto Scherzando
I: Overture
II: Idylie
III: Cadenza
IV: Menuet
V: Finale Alla Marcia

Amazon.com

This inexpensively priced 3-CD set of music from the 2006 Lugano Festival with pianist Martha Argerich at its center presents a fascinating cross-section of chamber music, expertly performed. In addition to Argerich, we hear from 15 other instrumentalists - pianists, cellists, violinists, violists, a flugelhorn player (who plays along with Argerich in three of Schumann's Fantasiestücke, to very strange and not very welcome effect), and a wind ensemble made up of members of the Orchestra della Svizzera Italiana that plays with cellist Gautier Caupcon in Friedrich Gulda's Concerto for Cello and Wind Orchestra: a jazzy, definitely eclectic, and playful finale to the third CD. The infrequently played but rapturous Schumann Piano Quartet is a particular treat. Ravel's transcriptions of two Debussy Nocturnes for two pianos played by Sergio Tiempo and Karin Lechner are a delight as well. This is an off-the-beaten-track collection that will fascinate true devotees of chamber music. --Robert Levine

Customer Reviews:

Lots of Schumann, not much Argerich, plus some real oddities.......2007-06-08

EMI has gotten into the pleasanat habit of issuing a 3-CD bargain box of Martha Argerich's summer music from Lugano, and they are caviar for chamber music lovers, mixing familiar and unfamiliar works in sterling live performances. It's hard to think of any comparable series meeting such high standards since the heyday of the Marlboro Festival under Rudolf Serkin in the Fifties and Sixties. This 2006 edition is no exception, my only disappointment being the absence of Argerich herself in so many works. She even gives up her place in the two-piano arrangement of Debussy's Nocturnes to her protege Sergio Tiempo (she has been a long-time devotee, if not addict, of two-piano arrangements that almost every other serious musician eschews).

The dominance of works by Schumann reflects Ms. Argerich's personal fondness for him, and she appears in the Piano Quartet, which has enjoyed a wonderful, highly personal reading by Glenn Gould and the Juilliard Qt. (Sony), among others. This one displays every virtue of live musicmaking, with Argerich's fervent, spontaneous playing leading the way. Compared to earlier sets, the 2006 collection contains more rarities and because of all the sSchumann, less representation by great composers. The flugelhorn arrangement of Schumann's Fantasiestucke for clarinet sounds like a joke. The once unknown Tanayev Piano Quintet gets a committed reading that should help to boost its popularity. The Debbusy Nocturnes actually bring pleasure in the two-piano arrangement. You won't be prepared for Gulda's concerto for Cello and Piano, which sounds like three-beer night at your local German jazz club. But its worth a smile and a listen.

In the end, however, this installment might be best left to connoisseurs while newcomers to Argerich's summer festivities should begin with the earlier, more conventional editions.

Here's the listing of works and personnel since Amazon doesn't supply it:

Martha Argerich / Renaud Capucon / Lida Chen / Gautier Capucon - Piano Quartet in Eb op.47 (Schumann).

Gautier Capucon / Gabriela Montero - Sonata for cello and piano No.2 in D op.58 (Mendelssohn).

Sergei Nakariakov / Martha Argerich - Fantasiestucke op.73 - version for flugelhorn and piano (Schumann).

Nicholas Angelich / Renaud Capucon / Gautier Capucon - Piano Trio in D minor op.63 (Schumann).

Lilya Zilberstein / Dora Schwarzberg / Lucy Hall / Nora Romanoff-Schwarzberg / Jorge Bosso - Piano Quintet in G minor op.30 (Taneyev).

Sergio Tiempo / Karin Lechner - Three Nocturnes : Nuages / Fetes (Debussy transcribed for two piano Ravel).

Alissa Margulis / Polina Leschenko - Sonata for violin and piano No.1 (Schnittke).

Gautier Capucon / Alexander Rabinovich-Barakovsky - Concerto for cello and windband (Gulda).

Average customer rating:

GREAT WEDDING MUSIC!
Good Music
A very complete selection of ceremony music!
Comprehensive Classical Selection
Just one note...

A Bride's Guide to Wedding Music

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

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Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

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The Knot Collection of Ceremony and Wedding Music Selected by the Knot's Carley Roney
Bride's Guide to Wedding Music, Vol. II
The Ultimate Wedding Album
Bride's Guide to Wedding Music
25 Wedding Favorites

ASIN: B00005YD53
Release Date: 2002-02-19

Tracks:

Bach: Jesu, Joy Of Man's Desiring
Vivaldi: Largo Winter
Bach: Air On A G String
Torelli: Trumpet Concerto
Bach: Sheep May Safely Graze
Handel: Let The Bright Seraphim
Handel: Pastoral Symphony
Boccherini: String Quintet, Minuet
Mendelssohn: On Wings Of Song
Liszt: Dream Of Love
Rachmaninov: Vocalise
Debussy: Claire De Lune
Satie: Gymnopedie No.1
Gluck: Dance Of The Blessed Spirits
Debussy: Arabesque
Bizet: Intermezzo
Elgar: Salut D'amour
Debussy: Prelude A L'apres - Midi D'un Faun

Tracks:

Wagner: Bridal Chorus
Clarke: Trumpet Voluntary
Handel: Royal Fireworks Music, Overture
Gabrieli: Canzon V
Charpentier: Te Deum
Purcell: Trumpet Tune
Mussorgsky: Promenade
Pachebel: Canon In D
Handel: Larghetto
Vivaldi: Guitar Concerto In D Major, Largo
Handel: Water Music, Air
Macdowell: To A Wild Rose
Beethoven: Pathetique Sonata, Adagio
Melchior: Adagio
Gounod: Ave Maria
Schubert: Ave Maria
Franck: Panis Angelicus
Faure: Pie Jesu
Rachmaninov: Rhapsody On A Theme Of Paganini
Schumann: Romance For Violin And Piano
Massenet: Meditation

Tracks:

Mendelssohn: Wedding March
Vivaldi: Concerto For Two Trumpets In B, Allegro
Telemann: Trumpet Concerto In D, Allegro
Vivaldi: Spring, Allegro
Telemann: Trumpet Concerto In B, Allegro
Handel: Concerto Grosso, Hornpipe
Bach: Brandenburg Concerto No.4, Allegro
Handel: Arrival Of The Queen Of Sheba
Schumann: Piano Quintet In E Flat Major
Widor: Toccata
Dubois: Toccata
Walton: Crown Imperial
Bach: Cantata No.51. 'Jauchzet Gott In Allen Landen.' Alleluia
Mozart: Exsultate Jubilate, Alleluia
Handel: Water Music, Hornpipe
Chopin; Variations On A Theme From 'La Cenerentola'
Faure: Sicilienne
Offenbach: Barcarolle
Faure: Berceuse
Saint-Saens: The Swan
Brahms: Waltz In A Flat
Grieg: Wedding Day At Troldhaugen

Album Description

The process of choosing music for a wedding day can certainly be a daunting process for any couple. There are many choices and the questions can be endless. Traditional music or something off the beaten path? Will your Mom cry (and not in a good way) if you do not come down the aisle to the traditional Wedding March from Wagner, or are you eager to try something new? This collection is designed to give the bridal couple some key pointers to navigate the world of classical music for their wedding day. The package includes over 3 1/2 hours of music on 3 CDs for all portions of the wedding service, all from the Naxos classical label (known for high-quality recordings at inexpensive prices). Wedding day favorites are there, along with new discoveries and tunes you may have never considered for a wedding. All pieces are hand selected by professional wedding musicians and consultants. As a bonus, the 20 page booklet will lead you through the process of choosing music, from hiring musicians to sample programs. Everything you need to create your own unique personal wedding soundtrack.

Customer Reviews:

GREAT WEDDING MUSIC!.......2007-01-24

I used these CD's for my wedding, and I was so happy I did. You need to buy this CD if you like having a traditional wedding! :)

Good Music.......2006-07-05

I bought these CDs for my wedding, in ceremony and reception. Also, when I created my own wedding video, I used it as background music.

A very complete selection of ceremony music!.......2005-02-02

I am getting married in several months and we couldn't decide what music we wanted at our wedding ceremony. This three disk compilation reminded us of all the great ones- including new options we hadn't thought about. I really enjoyed hearing the organ and strings versions of the songs. If you're someone who hears a classical or baroque piece of music, but can't remember the name or the precise tune, this is a must-have to jog your memory and trigger the tear ducts!

Comprehensive Classical Selection.......2004-04-15

I searched all over for a CD set that had a somewhat comprehensive list of classical selections that are traditionally played at weddings. When I found this 3 CD set, I was very pleased. It contains 61 works from almost as many composers. This set might not contain the "best recording ever" of each of the selections, however it is very well done and the quality is very good. I used it primarily to choose the pieces that I wanted to have played by the church organist, and so the actual recordings were more for my consumption rather than for use in the ceremony/reception itself. However, I would not have hestitated to use the CD's in the wedding itself if needed. The book inside includes a list of suggested songs for various wedding styles (formal, outside, morning, etc.). From the classical neophyte to the seasoned classical music expert, this CD set will meet if not exceed expectations.

Just one note..........2003-06-07

I have not heard this album, so I cannot rate it as a whole. (The form made me include a rating, but disregard that.) However, I want to point out that track 36, the Pie Jesu from Gabriel Faure's Requiem is - well, from a requiem, a mass for the dead. The Pie Jesu is a lovely, gentle movement, and it has a beautiful and pure sound that does seem to fit the mood of a wedding. The Latin words, however, mean "Merciful Lord Jesus, grant them everlasting rest," where "them" refers to the dead.

Tracks:

RACHMANINOFF Piano Concerto #2, Adagio
VERDI Preludio
PAGANINI "Introduzione e tema con variazioni"
BRAHMS Sonata for two pianos, Andante
MOZART Adagio in E Major
BEETHOVEN "Pathetique" Sonata, Adagio
YSAYE Sonate #2, "Malinconia"
BACH Prelude #22, Well-Tempered Clavier, Book I
VERDI "Quando le sere al placido" (When the Evening Becomes Peaceful)
BACH Orchestral Suite #2
SIBELIUS The Swan of Tuonela
PROKOFIEV Romeo and Juliet
MASSENET Meditation from "Tha
RACHMANINOFF Prelude

Tracks:

TRADITIONAL Catalonian Folk Song
CHOPIN Piano Concerto #1, Larghetto
PUCCINI "Crisantemi" (Chrysanthemums)
SCHUMANN "Traumerei" (Dreaming)
TCHAIKOVSKY Swan Lake (excerpt)
K. YAMADA ''Chugoku-Chiho No Komoriuta" Lullaby
DEBUSSY "En Bateau" (By Boat)
BEETHOVEN Symphony #6 "Pastoral", Andante
MENDELSSOHN Songs Without Words
WEBER Introduction, theme and variations
GRANADOS "Goyescas" (Sketches on the works of Goya)
TCHAIKOVSKY Nocturne in F
HOLST The Planets, "Neptune"

Customer Reviews:

Better than most.......2007-02-08

This is a good mixture of elevator music, and some soft relaxing melodies.

Wonderful Music.......2007-01-18

Wonderful music for your listening pleasure. Very relaxing and soothing. Nothing beats classical music.

Average customer rating:

What is all the hype about?
great cd
My girls listen to this every night
I would give it more than 5 stars....
Great CD: soothing music by best performers. Worth every penny.

Baby Sleep

Manufacturer: Erato
ProductGroup: Music
Binding: Audio CD

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Sweet Dreams
Build Your Baby's Brain
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Parents: The Lullaby Album
UltraSound - Music for the Unborn Child

ASIN: B000005E5H
Release Date: 1997-04-22

Tracks:

Scenes Form Childhood: Foreign Lands And People
Scenes Form Childhood: Dreaming
Scenes Form Childhood: Child Falling Asleep
Dream Of Children: Andante
Dream Of Children: Allegretto Piacevole
Sicilienne
Study No. 5: Moderato
The Nutcracker Suite Op. 71a: Dance Of The Sugar Plum Fairy - Tchaikovsky
Notebooks Of Anna Magdalena Bach: Minuets 4 and 5
The Indian Queen: Adagio
Album Leaves: Lullaby
Album Leaves: Cradlesong
Prelude In C Major - Bach
The Carnival Of Animals: The Swan
Gymnopedie I
Gymnopedie III
Album for the Young: Morning Prayer - Tchaikovsky
Album for the Young: My Dear Little Mother - Tchaikovsky
Album for the Young: Sweet Reveries - Tchaikovsky
A Midsummer Night's Dream: Nocturne No. 7 - Mendelssohn
Contes D'Hoffmann: Barcarolle
Piano Concerto No. 26 In D Major: Larghetto
Melody
Lullaby

Amazon.com

I think this music is intended for adults, though the photo on the cover is of a sleeping baby. In any event, Schumann's work, Scenes From Childhood, Op. 15, featured here is more likely to bolt you out of bed than put you to sleep, as the mike is far too close to the piano being played by Cyprien Katsaris. Purcell's Adagio from The Indian Queen is magnificent, performed by John Elliott Gardiner and the English Baroque Soloists. The Weird Award goes to triple harpist Tim Hobrough and lutenist Stephen Barber for their bizarre, spiky rendition of Minuets Nos. 4 and 5 from the Notebook of Anna Magdalena Bach. I would like to meet Bill Holland, producer of all these Atlantic Records classical compilations. He's programmed Satie's Gymnopedie No. 1 on three different CDs, billed alternately as sensuous, romantic, and now here: good for a long snooze. --Gwendolyn Freed

Customer Reviews:

What is all the hype about?.......2007-07-09

I purchased this CD on the basis of the reviews written on Amazon. I have to say I am terribly disappointed. My son hates the CD, I listened to it and I am not all that impressed either. It is ok but nothing like described by other users.

great cd.......2007-06-26

We play this cd every night at bedtime. It not only helps my baby stay asleep, but helps me fall asleep. The only issue I have is that one of the tracks near the end of the cd is a little louder than the tracks before it, so I just make sure I keep it on very quiet and it's wonderful.

My girls listen to this every night.......2006-11-10

My girls (ages 3 & 5) have a hard time winding down at night. We have a regular bedtime routine (bath, snack, teeth brushing, books, hugs), but they still take forever to settle down and sleep. Adding this CD to the bedtime routine has really helped.

I would give it more than 5 stars...........2005-11-18

I had this CD when my daughter was born 5 years ago, and it gave us such a soothing environment in which to bond during quiet times. We also put it on shortly before we'd put her down to sleep, and by 6 weeks she was sleeping through the night in her own crib. I think it was her sanctuary, and the music helped her feel comforted. We've since then completely worn out the CD (she listened to it through her 3rd year), and will have to buy a new one for our next little addition (coming soon!). I found it on this site and just listened to the samples from each track. Aahhh... very soothing for Mommy, too!
I also plan to get it as a baby gift for a friend. :)

Great CD: soothing music by best performers. Worth every penny........2005-08-05

I listened to this CD countless times ever since I first bought it from BMG music service back in 1997. Compositions of this CD are popular classical hits. That is, you will likely recognize at least some of them if you listen to the sampler.

What sets this CD apart is supreme music performance. Every composition is performed flawlessly, with real feeling and passion. There is a good reason why this CD that was released in 1997 is still around and costs over ten dollars. This reason is called quality.

The Glory of Rostropovich: 80th Birthday Tribute

Average customer rating:

The Glory of Rostropovich: 80th Birthday Tribute

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Schubert, Debussy / Rostropovich, Britten
Rostropovich, Master Cellist
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ASIN: B000M05VP2
Release Date: 2007-03-20

Jacqueline du Pré - The Concerto Collection

Average customer rating:

Wonderful Concerto Performances
Lacks the "real" Elgar!
The real du Pre, but not the *real* Elgar performance!!!
Great performances, by one of the greatest cellists!
a fitting memorial to a unique artiste

Jacqueline du Pré - The Concerto Collection
Edward Elgar , Joseph Haydn , Antonin Dvorak , Luigi Boccherini , Robert Schumann , Frederick Delius , Georg Mathias Monn , Richard Strauss , English Chamber Orchestra , Sir John Barbirolli , Daniel Barenboim , Chicago Symphony Orchestra , Jacqueline du Pré , London Symphony Orchestra , Sir Adrian Boult , New Philharmonia Orchestra , Herbert Downes , and Desmond Bradley
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Daniel Barenboim, Pinchas Zukerman & Jacqueline du Pré - Beethoven: Piano Trios
Elgar: Cello Concerto; "Enigma" Variations
Jacqueline du Pre - Favourite Cello Concertos ~ Boccherini, Dvorak, Elgar, Haydn, Monn, Saint-Saens, Schumann
Jacqueline du Pré - Chopin: Cello Sonata in G minor, Franck: Sonata in A / Barenboim
Jacqueline du Pré - a lasting inspiration

ASIN: B00004RIU5
Release Date: 2000-06-06

Tracks:

Cello Concerto No. 1 In C Hob.VIIb:1: I. Moderato - Cadenza
Cello Concerto No. 1 In C Hob.VIIb:1: II. Adagio - Cadenza
Cello Concerto No. 1 In C Hob.VIIb:1: III. Allegro molto
Cello Concerto No. 2 In D Hob.VIIb:2: I. Allegro moderato - Cadenza
Cello Concerto No. 2 In D Hob.VIIb:2: II. Adagio
Cello Concerto No. 2 In D Hob.VIIb:2: III. Rondo (Allegro) - Cadenza
Cello Concerto In B Flat: I. Allegro moderato - Cadenza
Cello Concerto In B Flat: II. Adagio non troppo
Cello Concerto In B Flat: III. Rondo (Allegro) - Cadenza

Tracks:

Cello Concerto In A Minor Op. 129: Nicht zu schnell
Cello Concerto In A Minor Op. 129: Langsam - Etwas lebhafter - Schneller
Cello Concerto In A Minor Op. 129: Sehr lebhaft - (Cadenza) - Im Tempo - Schneller
Cello Concerto No. 1In A Minor Op. 33: Allegro non troppo
Cello Concerto No. 1In A Minor Op. 33: Allegretto non troppo
Cello Concerto No. 1In A Minor Op. 33: Un peu moins vite
Cello Concerto In G Minor: I. Allegro
Cello Concerto In G Minor: II. Adagio
Cello Concerto In G Minor: III. Allegro non tanto

Tracks:

Cello Concerto In B Minor Op. 104: I. Allegro
Cello Concerto In B Minor Op. 104: II. Adagio ma non troppo
Cello Concerto In B Minor Op. 104: III. Finale (Allegro moderato)
Silent Woods Op. 68
Cello Concerto: Lento
Cello Concerto: Con moto tranquillo
Cello Concerto: Lento
Cello Concerto: Con moto tranquillo
Cello Concerto: Allegramente

Tracks:

Cello Concerto In E Minor Op. 85: I. Adagio - Moderato
Cello Concerto In E Minor Op. 85: II. Lento - Allegro molto
Cello Concerto In E Minor Op. 85: III. Adagio
Cello Concerto In E Minor Op. 85: IV. Allegro - Moderato - Allegro, ma non troppo
Don Quixote: Introduction (Massiges Zeitmass)
Don Quixote: Theme: The Knight Of The Mournful Countenance (Massig)
Don Quixote: Variation I: The Adventure With The Windmills (Gemachlich)
Don Quixote: Variation II: The Battle With The Sheep (Kriegerisch)
Don Quixote: Variation III: Discourse Between Knight And Squire (Massiges Zeitmass)
Don Quixote: Variation IV: The Adventure With The Pilgrims (Etwas breiter)
Don Quixote: Variation V: The Knight's Vigil (Sehr langsam)
Don Quixote: Variation VI: The Meeting With Dulcinea (Schnell)
Don Quixote: Variation VII: The Ride Through The Air (Ein wenig ruhiger als vorher)
Don Quixote: Variation VIII: The Voyage In The Enchanted Boat (Gamachlich)
Don Quixote: Variation IX: The Combat With The Two Magicians (Schnell und sturmisch)
Don Quixote: Variation X: The Defeat Of Don Quixote (Viel breiter)
Don Quixote: Finale: Don Quixote's Death (Sehr ruhig)

Customer Reviews:

Wonderful Concerto Performances.......2006-11-17

Of the six or seven cd albums that I have by Jacqueline du Pre, this album contains the meat and potatoes of du Pre's repertoire. Happily, she doesn't disappoint at a time when she was still physically healthy and developing musically. The Boccherini Concerto arranged by Grutzmacher, I believe she owns. The Monn Concerto is excellent and the Delius is a romantic dream. Don't miss this one, if you want hear the breadth of her short-lived talent.

Lacks the "real" Elgar!.......2005-04-28

Like other reviewers, I just want to say that this set lacks the famous Elgar recording by Jackie Du Pre. The Elgar performance on this CD is dull in comparison to her more famous performance. So, you will have to buy a separate CD for the Elgar. Other than that, this is a great set to have. I love the two Haydns especially.

The real du Pre, but not the *real* Elgar performance!!!.......2003-03-04

This is a comprehensive collection of Cello performances by a thrilling artist. Unfortunately, despite reviewer MacFarlane's assurances to the contrary, the producer of this CD has failed to include Jacqueline du Pre's *famous* and greatest performance of the Elgar Cello, and this is the reason for witholding a star. Ms.du Pre's famous performance of Elgar's Cello Concerto, Opus 85, was performed live in Philadelphia on November 27-28, 1970, with conductor-husband Daniel Barenboim, not Conductor Barbiroli. This Amazon review, comparing the two performances will indicate why this CD loses points for not featuring the Barenboim performance: < > The performance with Barenboim was formerly available on Sony. Today the Amazon search engine only turned it up one time in six search attempts using the SAME words! Elusive, but an essential recording nonetheless! Because confusion persists between the Elgar performances and conductors, it is necessary to persist in citing that it is Jacqueline Du Pre's performance with BARENBOIM which is so revered. Besides, the Sony disc which has the favored performance with conductor Barenboim, is also known for Barenboim's brilliant interpretation of the Elgar Enigma Variations. Daniel Barenboim's talent is becoming more and more visible and worthy of following closely. He's doing great things outside of music as well, so put his name in the Google search engine and find out!

Great performances, by one of the greatest cellists!.......2001-04-29

If there is one word for describing Jacqueline du Pre, it is MUSIC. She was the embodiment of music itself, because she gave all to the music she played. Some do not like her playing because it is too emotional. I echo the other reviewer's sentiments in that music is there to be played. Played with emotion. Music is about transmitting emotion to the listener, and du Pre was one of the best examples of how that could (and should) be done. Here, EMI has remastered and reissued most (I say most, because one concerto - the Lalo- has been omitted in this otherwise full compilation of du Pre's concerto recordings) of du Pre's concerto recordings. The Haydn concerto in C, is undoubtedly one of the most touching accounts, with its romantic sentiments. The same can be said of the Haydn in D and the Monn concerti, with the broad tempi, quite relaxed, and very opposite of Period performances Completely incorrect stylistically, but the performances are so moving and involved that all the fuss about stylistic correctness is throuwn out the window. I dare say that one is not going to get a more impassioned account of the Haydn C major concerto. It is among my absolute favourites. The Boccherini concerto is another matter. The version du Pre plays is not the original, but a mixture of the original, with bits borrowed from other Boccherini cello concertos, combined with Romantic styling by Grutzmacher (the 'editor' of the concerto). I don't like it as much as the Haydn concertos, but still it receives a bravura performance by du Pre with the English Chamber Orchestra under Barenboim. The Schumann and Saint-Saens concerti are unsurpassed for their passion and imaginativeness. The Schumann is tragic, but ends triumphantly, in a way that only du Pre could make it sound like that. The Saint-Saens is a less musically significant piece, but in du Pre's hands, it sounds like an important work. Dvorak's cello concerto is one of the greatest pieces in the cello repertoire, with its grand writing and poignancy. While du Pre's Dvorak concerto is not the best version one can buy, for the recording quality is notoriously horrible, with the orchestra sounding so distant from the cellist (who is placed far too forward) it is certainly one of the most outspoken and yes, impassioned accounts, interpretation-wise. Emotionally, it outdoes the justly famous Rotropovich/Karajan version. But the other Dvorak piece in this collection, the Silent Woods, is so touching that one is bound to cry at some stage of the 6-minute piece. The Delius concerto is a very rhapsodic, but a very engmatic one. Technically it is very demanding, because for once the technical difficulties are really due to the musical difficulties. It is hard to make sense of the work unless you are absolutely sure of its musical structure. But du Pre makes this sound easy, fully capturing the rhapsodic nature of the work, and sings beautifully. It was du Pre's first concerto recording, under one of the most arrogantly aristocratic conductors (arrogant to soloists, I mean, as he didn't regard them highly. But for du Pre, he was more than generous), Malcolm Sargent. The Elgar had to be included, didn't it? I mean, it is one of the great classics of the century. So there is nothing more to say about the Elgar. The Strauss tone-poem Don Quixote is a strange work, because it has a solo cello part (with a solo vioin and viola, who are usually members of the orchestra), a solo part that can be a soloist or the principal cellist from the orchestra cello section. It is strange, because the cello part is the most significant solo part, yet 80 per cent of the time it is outplayed by the orchestra, because the 'solo' cello plays the part of the orchestral cello section. But as to this performance, it was a run-through for a concert. Klemperer was supposed to be the conductor but he pulled out at the last minute and Boult was engaged. This historical recording does not sound like a run-through, although it si a bit messy at times ensemble-wise. But du Pre plays with absolute commitment. Her playing of the Finale must be one of the most poignant ever. The conductor's 'bravo' and the unanimous applause of the orchestra adds to the magic. I apologise for the long review, but if you have read this far, then I will say if you like du Pre and the cello, then this set is essential, and at mid price for CDs that would otherwise be full price and in single CDs, it is a bargain.

a fitting memorial to a unique artiste.......2001-02-09

The keyword with Jacqueline du Pre was always involvement, and so it is here. The performances in this collection are riveting. The Elgar, of course, is one of the most famous performances of all time - young cellist Du Pre with former cellist Barbirolli reaching to the absolute heart of this wonderful music. Though she plays with utmost and unvarying conviction throughout - and therefore these are not middle-of-the-road performances, and it is possible to sense a hothouse element in them as I do in the Haydn and the Monn, where stylistically she is far from faultless - the conviction, sincerity, guts and beauty of the playing carry you (and her) through. Curiously affecting is the end of 'Don Quixote', in a recording, with a bizarre history, which we are really very lucky to have (you can read about it in the set). At the end of a fine and fully characterised run-through, which is all it was, never meant to be issued, she plays with amazing poignancy the touching postlude. The performance ends, the counductor (Boult) shouts 'bravo' and the orchestra claps - it's all there, and we think of poor, wonderful Jacqueline, who never played a dishonest or uncommitted note, we are touched, and we are glad we bought this set!

Average customer rating:

A great Schumann, a very good Brahms, good value
Again, Some Interesting Programme from Ms. Grimaud
Understanding the Intricacies of the Schumann/Brahms Love Triangle
Reflection
Heart and Head

Reflection

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Wild Harmonies: A Life of Music and Wolves
Credo
Hélène Grimaud plays Chopin & Rachmaninov
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ASIN: B000C5RRL8
Release Date: 2006-09-12

Tracks:

Allegro affettuoso
Intermezzo (Andantino grazioso)
Allegro vivace
Er is gekommen in Sturm und Regen
Warum willst du and're fragen?
Am Strande
Allegro non troppo
Allegretto quasi minuetto
Allegro - Pisto
No.1 in B minor, op.79/1
No.2 in G minor, op.79/2

Amazon.com

Titled Reflection, this CD program examines one of classical music's most fascinating triangles: the love between Robert Schumann and his wife, Clara, and their friend Johannes Brahms, who loved them both. There is music by all three composers here, and the almost 80-minute program is varied and fascinating. Robert's popular, stunning A minor Piano Concerto is played by Grimaud with romantic abandon but little sentiment; when it is showy, it comes from the music itself and is not an affectation. The first movement is filled with poetic vs. dramatic contrasts; there is a subtle but noble transition on piano and winds from the gently presented second movement to the springy, dramatically energetic third. Esa-Pekka Salonen is the remarkable conductor of the superb Staatskapelle Dresden. Grimaud then joins with mezzo-soprano Anne Sofie von Otter in three songs by Clara. Two, with texts by Rückert, are poems to connubial love and the third, "Am Strande," was composed as a gift for Robert's 40th birthday. Brahms's Sonata for Cello and Piano No. 1 in E minor is given a strong but lyrical and well-balanced reading by Grimaud and cellist Truls Mørk; both play with passion. Brahms's two Rhapsodies for piano complete the program; Grimaud gathers the darkness of the second and gives a fervent performance. What a beautiful CD! --Robert Levine

Customer Reviews:

A great Schumann, a very good Brahms, good value.......2007-05-30

If you are looking for a Schumann piano concerto that is not coupled with the Grieg, you've come to the right place. At first, this coupling may seem strange, but there is a compelling logic to it. Brahms was an intimate friend of the Schumanns (perhaps in more ways than one although there is no clear evidence to support this view). Clara Schumann was a fine composer in her own right, but has been overshadowed by her more famous husband (both she and Fanny Mendelssohn). Helene Grimaud proves herself to be up to the task here and she delivers a sparkling concerto performance as does the Dresden Staatskapelle orchestra (the same orchestra that premiered the work with Clara as the soloist). Five stars for her performance, five stars for the orchesta and five stars for the sound. Truls Mork recorded the Brahms E minor cello sonata previously, but coupled with the F major which is the usual coupling. The sonata was written in Brahms' youth and is full of energy, passion and stunningly beautiful melodies. Mork does not disappoint and Helene Grimaud is more than a competent partner. Her piano sings without overpowering the cello. A lovely performance, although I must confess that I am slightly more partial to Starker/Buchbinder. Very good recorded sound in the sonata. The two lieder are not familiar to me so I have no point of reference and can only say that Anne Sofie von Otter sings like an angel. (German and English texts are provided for the lieder.) The two piano rhapsodies are also unknown to me. They make a nice filler for this very fine disk but the piano gets a little clangy in the rhapsodies and I wish the engineering had been better. But no one will be buying this CD for the filler. Notes in English only. All in all, a very musical and well thought out and executed program.

Again, Some Interesting Programme from Ms. Grimaud.......2007-02-06

After the rather controversial latest release of Chopin and Rachmaninoff's Sonatas, Grimaud is back on the scene. This time with the music of the Schumanns and Brahms, the latter being the composer this pianist is often associated with. The result is an eclectic, engaging program - even though it may not be perfect. The programme is also designed to show listeners the different sides of Grimaud: as a soloist in a concerto, an accompanist, and a solo performer.

A famous work of the standard repertoire, Robert Schumann's "Concerto in A minor for Piano and Orchestra" is performed with unassuming clarity, pleasant balance, and most notably impeccable articulation. Grimaud, known for her adherrence to the original score and 'composer's intention' again gives a very sensitive rendition of this work. Although personally I think she lacks contrasts, color, and warmth in timbre, this rendition is logical and structurally well-built. Salonen provides great accompaniment to Grimaud, very sensitive although the relationship between piano-orchestra may not be developed to the point of say, Argerich-Rostropovich. When compared to Argerich's playing, Grimaud falls heavily on the conservative side. Her tempi are definitely slower than Argerich's both in the first and third movt. The downfall is that she does not utilize this moderate tempi to allow more interpretations and variation of tone color which Argerich does despite her quick tempi. Hers is then probably closer to that of Katchen's or Zimerman's - elegant, well-articulated, but unfortunately somewhat lacking fire and fluidity. Most praiseworthy in this recording is Grimaud's clean touch and articulation. There is a sense of control and confidence in every passages of this concerto, probably facilitated by her moderate tempi. Thanks to the great piano sound and recording, it is not hard to listen to all the voices she is trying to emphasize, an evidence of perfect articulation. You can easily hear all the notes in her quintuplet in the first minute of the piece without sounding 'busy' or dirty.

Grimaud's collaboration with von Otter on Clara Schumann's lieder are also praiseworthy. While some says Grimaud often overpowers von Otter, I personally don't think she does. Although I am not familiar with these lieder, they really are great songs. The piano accompaniment is utilized to its greatest potential and the melody is haunting. Both soloist and accompanist provide a passionate rendition. It is obvious that Grimaud chose a great order for these lieder, as the three forms a sonata-like combination - the outer lieder (Er is gekommen and Am Strande) being fiery while 'Warum' is serene and beautiful. The fact that the next work is Brahms' cello sonata gives a psychological effect that the album actually has three sonatas. However, it is in the Brahms' cello sonatas that Grimaud actually overpowers Mork in a quite obtruding manner. Grimaud the soloist seems to step over Grimaud the accompanist.

The Rhapsodies serve as the 'encores' but are actually my favorite pieces in the album. In both these Rhapsodies, Grimaud not only provides convincing, confident, and unique interpretation but also fire and passion which makes up for the cool Schumann Concerto. Although she maintains the same sense of control and balance, the first Rhapsody has great contrasts and tone color despite rather quick tempo. The second Rhapsody is relatively heavy and took on slow tempo but accurately conveys the 'agitato'. Very well done.

The booklet is somewhat rather disappointing despite the great photography works. While in 'Credo' and the Chopin-Rachmaninoff sonata album she offers great written insights and ideas, in 'Reflection', there is only a foreword (which I think is written by her, but not written so I'm sure) and a historical background of the composer. Pretty dull, considering you can find those stories in any music history books or Wikipedia even! These weaknesses are somewhat, although not completely, compensated by the beautiful photographs of Grimaud, especially when she wears white and the one in which she is playing the piano. Gorgeous!

All in all, definitely give this album a try. Besides the fact that it has an awesome rendition of Brahms' Rhapsodies, Clara Schumann's lieder, and Robert Schumann's concerto, it is also very generous (80 min) and has awesome pictures of Grimaud inside the booklet. It may not be your favorite rendition of the works, but it still has an addictive quality.

Understanding the Intricacies of the Schumann/Brahms Love Triangle.......2006-12-26

Whispers, poems, and pages have been floating around for years about the strangely romantic triangle that bound the composers Robert Schumann, Clara Wieck Schumann and Johannes Brahms - secrets that will be forever the purview of intuitive writers and philosophers and historians. This very intelligent and tender CD REFLECTION is one way of examining the closeness of these three remarkable and very human artists. And it is a complete success, musically and thoughtfully.

Incorporating some the finest artists available today this CD is the brainchild of the remarkable Hélène Grimaud, a pianist who not only is a remarkably fine artist but who also looks for more in her musical thoughts than merely the notes on the score. She offers here a collaboration with Esa-Pekka Salonen conducting the Dresden Staatskapelle in an elegant and wistful performance of Robert Schumann's Piano Concerto in A minor, rich in subtleties and deeply felt melodic line.

Grimaud then partners with Anne Sofie von Otter in three songs by Clara Schumann: 'Er is gekommen in Sturm und Regen', 'Warum willst du and're fragen?', and 'Am Strande' - songs that give both artists the opportunity to remind us how gifted Clara was with song writing.

The third member of this remembered and honored triad is Johannes Brahms and his 'Sonata for Cello and Piano No. 1 in E minor' is performed with passion and grand scale by Grimaud and the gifted cellist Truls Mørk. Grimaud then closes the recital with Brahms' 'Rhapsodies for Piano Nos. 1 (B minor) and 2 (G minor)', sublime works that not only serve as a fitting closure to this thoughtful program but that also leave us with the desire for more Brahms from Hélène Grimaud! This is a very special recording, well produced technically, and one with which we are left with the feeling that both the Schumanns and Brahms would have warmly applauded. Highly recommended as one of the important issues of the year. Grady Harp, December 06

Reflection.......2006-12-23

When reflection makes Clara alive I applaud Helene for her spirits to bring to us such a wonderful design. This CD is carefully crafted to engage the listener to the colors of the sonatas and what they express.

After listening to this CD I had a remarkable experience. I was approaching a friend at the hallway. The shadows from the overhead lights created a magical experience. I was seeing Helene just like she appears on the CD cover. As I was getting closer and closer I realized Helene was really my mentor.

This was so strange and also so remarkable I am making a note in my poetry log.

Heart and Head.......2006-11-15

Lovely and committed playing by Grimaud and all concerned combined with an inspired selection. I'm usually not a fan of "concept" albums but this recording makes its musical and intellectual point deftly and with great musicality. Highly recommended.

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