Tenebrae

Editorial Reviews
Amazon.com
Carlo Gesualdo's name will always conjure up a special image: When he discovered that his wife had been unfaithful, he had her and her lover murdered and left on his palace steps, impaled on the same sword. Ghastly, but gripping--and, oddly enough, his harmonies, dissonances, upsetting chromatic passages, and general complexity can also be seen as "ghastly but gripping." Gesualdo was wealthy enough that he never had to depend on a patron; he could therefore write whatever he pleased, in whatever, far-out (to this day), experimental style he chose. His Tenebrae Responsoria are particularly thorny--they're a part of the religious service in which the church's candles are extinguished one at a time until the congregation is sitting in darkness--and Gesualdo's music is incredibly deep and troubling. And, I might add, magnificent. The Hilliards perform them ideally, with great technical accuracy, a sense of the weightiness of the text and music, and simply beautiful sound. This is an example of what makes the Hilliards so special. --Robert Levine

Tracks:

Ash Wednesday And Lent: Antiphon: Immutemur
Ash Wednesday And Lent: Kyrie XVII
Ash Wednesday And Lent: Gradual: Laetatus sum
Palm Sunday: Antiphon: Hosanna, Psalm 23
Maundy Thursday: Antiphon: Dominus Jesus
Good Friday: Responsory: Tenebrae factae sunt
Good Friday: Hymn with refrain: Pange lingua, Crux fidelis
Good Friday: Reproaches And Trisagion
Holy Saturday: Responsory: Christus factus est
Holy Saturday: Hymn: Vexilla Regis
EASTER: Gloria In excelsis II
EASTER: Alleluia V. Pascha nostrum
EASTER: Sequence: Victimae paschali laudes
EASTER: Offertory: Iubilate Deo
EASTER: Agnus Dei XVII
In Honor Of The Blessed Virgin Mary: Antiphon: Alma Redmeptoris
In Honor Of The Blessed Virgin Mary: Antiphon: Ave Regina caelorum
In Honor Of The Blessed Virgin Mary: Antiphon: Regina caeli
In Honor Of The Blessed Virgin Mary: Antiphon: Salve Regina

Amazon.com

From the first notes of the Lenten antiphon "Immutemur," you feel a soothing, reassuring calm from Chanticleer's sensuous, lyrical legato style and perfect unison expression and phrasing. This is first class singing, no matter what the repertoire. But this just happens to be chant, which requires a particular sensitivity to syllabic emphasis and to the rise and fall of phrasing, all of which is determined as much by tradition as by sense of the text. Since there is no existing notation that clearly indicates rhythm or meter for the earliest body of chant repertoire, and there is no unbroken line of chant singing that goes back to the first and second centuries, singers have to rely on a certain accepted scholarship and a tradition that's only a couple of hundred years old. Chanticleer's performing decisions here are articulate, musicologically sensible, and above all musically satisfying, taking this music to its proper level of exalted simplicity. The program includes some of the gems of Gregorian chant, such as "Pange lingua, Crux fidelis" and "Victimae paschali laudes." --David Vernier

Customer Reviews:

Music to Transport You.......2007-01-21

I love this CD and it accomplishes exactly what I'd hoped it would--it is relaxing, meditative, reflective and beautiful. I use it for my yoga exercises or when I want calming music.

The wrong CD.......2005-09-04

I really made a mistake in choosing this CD. The presentation was near perfect but I was looking for something more than just chanting.

Truely the best..........2003-09-12

...CD of Gregorian Chant (other than that recorded by our local abbey) that I have in my collection. The purity of pronounciation, the precision of timing and phrasing is beyond compare. Whether a lover of chant, or a first time listener, I recommend you give this a try.

Turn out the lights, light some candles, burn some incense and you will be transported to another, far more peaceful and less stressful place. I use this CD to focus on God during my prayer times, and I find it an invaluable worship resource.

Beautiful.......2002-05-19

I came upon Chanticleer through my interest in Renaissance polyphony. I bought their recording of Palestrina's Missa Pro Defunctis and was extremely pleased. I thought at first that they were explicitly dedicated to early music (I had only come across the Palestrina and this chant CD); my impression was that they were a kind of all-male version of the Tallis Scholars. I discovered, though, that they explore all types of music (from early to contemporary, even commissioning new works on a fairly regular basis). I was able to see them in concert a few weeks ago, and as always was impressed with their skill.

This group really does do almost everything well. They have put to disc a recording of Tallis' If Ye Love Me (one of the English Anthems) that is wonderful and sublime. When I heard them a few weeks ago, they did a few 20th century Cuban folk songs that were just as enjoyable. They are known best (probably) for their smooth sound and great blending. There are never any rough edges to any of the voices - even the countertenors, who are really quite skilled, by the way - and their balance is delicate and precise. That same smoothness is present on this CD as well. At times it is hard to believe that several voices are singing; the pitch and intonation is so good that often the 6 or so could pass for one or two. As usual, they are quite sensitive to the dynamics of the vocal line - their approach is subtle, and not forced. The result is an hour or so of chant that is soothing and relaxing, but also engaging and never monotonous.

The only drawback is this: as I understand the current state of "authentic" chant practice, Chanticleer's approach is probably not on the cutting edge of scholarly theory (they do not add some of the melismatic decorations that some groups use, for example). If you are really interested in that authenticity, the smooth voices might turn you off as well; many other groups use coarseness of the voices for texturing. Even if you are a stickler for those things, though, the visceral pleasure of listening to this recording will probably persuade you to put aside some of your ideas about "correct" practice.

On the other end of the spectrum (listeners with not much chant experience) this CD works to great effect as well. Again, the disc is an easy one to listen to; it is quiet and reflective without being spiritless. This CD might be a good choice for first exposure to Gregorian chant.

Highly recommended for all types of listeners. As per usual for Chanticleer, it is high quality work.

a great cd.......2001-10-23

This cd is great if your always feeling stressed out. The cd really shows how beautiful the latin language can be. Gregorian chanting is also one of the most oldest forms of christain worship dating back to a time when people lived in fear of the "dragons" that lived across the Altanic ocean and the "demons" that lived beyond what is now Germany. People looked to a higher power for comfort and still today the music is very relaxing. If you love the haunting latin voices are if your just a fan of the middle ages(the name chanticleer comes from the Chaucer's Canterbury Tales) then this cd is a must for you.

Voices Of Ascension: From Chant To Renaissance

Average customer rating:

The best early choral music recording I've heard!

Voices Of Ascension: From Chant To Renaissance
Peter Stewart , English Anonymous , William Byrd , Gregorian Chant , Guillaume Dufay , Richard Farrant , Hildegard of Bingen , Marc' Antonio Ingegneri , Heinrich Isaac , Josquin Desprez , Antonio Lotti , Giovanni Pierluigi da Palestrina , Thomas Tallis , Thomas Weelkes , Dennis Keene , Kathy Theil , Susanne Peck , Alexandra Montano , Jeffrey Johnson , Neil Farrell , Thom Baker , and Voices Of Ascension
Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD

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Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music

Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

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Beyond Chant: Mysteries Of The Renaissance
The Greatest Choral Music of Palestrina: Prince of Music
Mysteries Beyond: Songs and Chants in Praise of Mary
Duruflé: Requiem Op.9/Messe Cum Jubilo,Op.11
Voices of Angels

ASIN: B0000006ZX
Release Date: 2002-01-08

Tracks:

Hildegard of Bingen: O virga ac diadema
Palestrina: Sitivit anima mea
Byrd: Justorum animae
Isaac: Sanctus
Josquin: Ave Christe
Dufay: Alma Redmptoris Mater
Byrd: Rejoice, rejoice
(chant): Kyrie eleison
Palestrina: Surge illuminare
(chant): Sanctus
Tallis: In ieiunio et fletu
Palestrina: Hodie Christus Natus Est
Byrd: Sing joyfully
Farrant: Lord, for thy tender mercy's sake
Hildegard of Bingen: Ave generosa
Byrd: Miserere mei, Deus
(anonymous): Rejoice in the Lord alway - Anonymous
(chant): Ave Verum Corpus
(chant): Agnus Dei
Lotti: Crucifixus
Ingegneri: Tenebrae factae sunt
Palestrina: Ascendo ad Patrem
Weelkes: Hosanna to the Son of David
Weelkes: Alleluia, I heard a voice

Customer Reviews:

The best early choral music recording I've heard!.......1999-07-25

This is a stunning recording, including well-known and not-so-well-known works.

Average customer rating:

Heavenly
The Holy Grail of Choral Recordings
One Small Correction
Gorgeous music, gorgeous performances
Stunning collection suitable for music nuts or newbies alike

Choral Moods

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

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Choral Masterpieces
Agnus Dei: Music of Inner Harmony
The Only Choral CD You'll Ever Need
Tears from Heaven
Agnus Dei II: Music to soothe the soul

ASIN: B00000DFKO
Release Date: 1998-10-13

Tracks:

Miserere Mei, Deus
Deutsche Messe D.872: Sanctus
Hear My Prayer, Oh Lord
Timor Et Tremor
Videntes Stellam
Psalm 13, OP.27
O Salutaris Hostia
Salvette Flores
Evening Hymn
L'enfance du Christ: Shepherd's Farewell
Ave Maria
Advent Responsory
Ave Maria OP.93
Edi Beo Thu, Hevene Quene
Missa Cum Iubilo (Gregorian Chant): Kyrie
Missa Cum Iubilo (Gregorian Chant): Gloria
Missa Cum Iubilo (Gregorian Chant): Sanctus & Benedictus
Missa Cum Iubilo (Gregorian Chant): Agnus Dei
Requiem: In Paradisum
Agnus Dei

Tracks:

Nunc Dimittis
Mass In G: Agnus Dei
Ave Verum Corpus Op. 65 No. 1
O Ignis Spiritus Paracliti
Hear My Prayer
Ave Maria
Panis Angelicus
Eternal Father
Vom Himmel Hoch
Ave Maria
Messe basse: Kyrie
Messe basse: Sanctus
Messe basse: Benedictus
Messe basse: Agnus Dei
Rejoice, Rejoice
Salve Regina, Op. 67 No. 1
Ave, Verum Corpus
Laudi Alla Vergine Maria
Tenebrae Facta Sunt
O Sacrum Convivium

Customer Reviews:

Heavenly.......2007-03-29

This is the most uplifting music I have encountered. The angelic sounds of this choral group help me stay sane on California highways!

The Holy Grail of Choral Recordings.......2006-07-03

This was the first choral CD I've ever purchased when I started becomming involved with choir during my senior year of high school five years ago. My director was telling the choir that he had finally found his copy at a music store and referred to it as the "Holy Grail" of choral recordings. So, I went out to find my own copy and I'm still blown away by it today. I've even given copies as gifts. The music is certainly relaxing and such, but what I most value from it is the spiritual magic. The Choir of Trinity College, Cambridge (then and now my favorite choir in the world) brings every composition to life in such a way that's pure, elegant, and deep. Listening to this music and enjoying this choir has allowed me to set my own standard of singing and compositional excellence.

One Small Correction.......2004-03-06

I keep finding new things to love on this CD, including the fact that it has the first recording I found of Gabriel Faure's beautiful Soprano (or Soprano/Alto) duet Ave Maria., Opus 93. The same recording appears on another CD where the singers are named. The above description of this selection unaccountably adds a baritone. Incidentally, Faure also composed a shorter SATB Ave Maria, which John Rutter has recorded.

I only wish the recording included the complete text of Psalm 50/51 from Gregorio Allegri's Miserere Mei Deus. This might come from John Rutter's recently edited score, published by Oxford Press, if I'm not mistaken. I, for one, do not find this selection (or indeed the entire recording) too long and I believe that the embellishments at the end (mentioned in another review) are probably correct when considering performance conventions of the time of its composition.

Gorgeous music, gorgeous performances.......2003-06-19

I am a semi-professional singer with a BA in Music, and I bought this CD with some trepidation because it looked like one of those dreadful "pop classical" compilations that are everywhere lately. But it had lots of great repertoire all in on place, so I decided to risk it, and I was not disappointed! In fact, this is now one of my favorite choral CDs.

As usual, the Choir of Trinity College delivers stunning performances, and the music itself is just gorgeous. Lots of "church" favorites from a wide range of musical periods. The mood of the CD is definitely on the mellow side, but it's perfect for those quiet moods. I love this CD -- highly recommended!

Stunning collection suitable for music nuts or newbies alike.......2002-03-18

Even as an avid fan of classical music with very picky tastes, there was just so much good music packed on these two (cheap!) discs for me to take in at once!
The perfectly balanced and locked chords can really give you chills.

Tracks:

Song For Athene
Ex Ore Innocentium
The Lamb
Hymn To The Cherubim
Noew Ye Heavenly Powers
Hymn To St Ceclia
Ave Maria
8-Part Crucifixus
Miserere
Esti Dal
The Dying Soldier
Psalm 148, Lord Who Has Made Us For Thine Own
Faire Is The Heaven

Customer Reviews:

Simply extraordinary.......2007-01-11

I get quickly out of my depth when it comes to any classical music, let alone sacred choral music, so I am wary about looking like a right pillock when I review it. But here goes:

This is a truly extraordinary, beautiful, haunting listening experience.

Signum Records seem to be doing its best to hide the fact that it is recording and releasing exquisite classical music. Much of Signum's catalogue is available only through its website, which Signum doesn't seem to have submitted to search engines for indexing. Allegri-Miserere is one of the few Signum releases available on Amazon. If you do nothing else, snap it up before Signum decides to hide this one too!

To my way of thinking, there are three aspects a record like this: The quality of the material performed, the quality of its execution by the choir, and the quality of the recording. In this case, all three are sublime, across the length of the album.

The title track is, of course, one of the most beautiful pieces of music ever written - so beautiful the Vatican forbade, on pain of excommunication, anyone but its own Sistine Chapel Choir from playing it (the story, briefly recounted in the liner notes, of how a young Mozart nicked it from under the Vatican's nose by memorising it in one sitting is a beauty). While I've heard plenty recordings of the Miserere this one - it is a beautifully crisp recording - reveals the complexity and ornamentation of the vocal lines like no other version I've heard, even as between the tenors and basses positioned at the front of the soundstage (I think the Miserere is structured as a song-and-reply between two small choral groups). The sopranos and altos are positioned at the back of the soundstage, and the famous solo treble line is softened and embedded in a glorious natural reverberation giving it a haunting, solemn quality. When the lead soprano (I was surprised to see there are no boy trebles in the choir, by the way - I know it's not supposed to be the same, but I couldn't tell) hits her high C - and it's high in the stratosphere all right, practically in dogs-only territory - and falls away from it down a major scale it really takes your breath away. I almost fell down an escalator at King's Cross St. Pancras with excitement. And I just love the way Miserere resolves delicately into a major, at the very last. Clever man, that Allegri.

Elsewhere, the repertoire fully spans Tenebrae's stated coverage era of 17th-21st century, from Lotti's beautiful 8 Part Crucifix to the more modern works by Taverner, Ireland, Rachmaninov, Britten and Holst.

Not only is the music beautifully selected and recorded, the performance is just extraordinary in its accuracy and tone, dynamism and control. Though the sopranos steal the limelight in the Miserere, the rich bass and beautifully constant tenors are well to the fore throughout, and kick some righteous heavenly butt on Sheremetriev's Now Ye Heavenly Powers. It's spine-tingling, neck-shivering material, and when the basses hit their final bottom note, as low in the subterranea as the sopranos are high in the Miserere, I fell down the stairs with surprise and delight at East Finchley. Marvellous.

I really couldn't recommend this more highly. Treat yourself.

Olly Buxton

Les tres riches heures du Moyen Age: A Medieval Journey

Average customer rating:

Excellent, but What Are the Words?
outstanding collection
Awesome
7.5 hours of superb music at a most reasonable price.

Les tres riches heures du Moyen Age: A Medieval Journey

Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

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Perotin / The Hilliard Ensemble
Ambrosian Chant

ASIN: B00000074R
Release Date: 1995-11-21

Tracks:

1. By Way Of A Preamble: Byzantine Chant: Alleluia - Tropaire de la venue de l'epoux (Lundi Saint) - MEDIEVAL JOURNEY
1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint: Version arabe - MEDIEVAL JOURNEY
1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint: Version grecque - MEDIEVAL JOURNEY
1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint - Version arabe - MEDIEVAL JOURNEY
1. By Way Of A Preamble: Chants sacres Melchites (IV siecle): Hymne a la Vierge (Liturgie grecque de saint Jean Chrysostome) - MEDIEVAL JOURNEY
1. By Way Of A Preamble: Chants sacres Melchites (IV siecle): Office de la Nativite de la Mere de Dieu (Grand Canon de saint Jean Damascene) - MEDIEVAL JOURNEY
2. Monody Before Gregorian Chant: Chants de l'Eglise de Milanaise: Psaume: 'Tecum principium in die virtutis tue'' - MEDIEVAL JOURNEY
2. Monody Before Gregorian Chant: Chants de l'Eglise de Milanaise: Responsorium: 'Congratulamini mihi omnes qui diligitis Dominum'' - MEDIEVAL JOURNEY
2. Monody Before Gregorian Chant: Le Chant Beneventain: Communio: 'Qui manducaverit' - MEDIEVAL JOURNEY
2. Monody Before Gregorian Chant: Les Chants de l'Eglise de Rome (VII-VIII siecles): Introit 'Resurrexi' - MEDIEVAL JOURNEY
2. Monody Before Gregorian Chant: Les Chants de l'Eglise de Rome (VII-VIII siecles): Office de l'Adoration de la Croix; Improperes: 'Agios o Theos, Sanctus Deus' - MEDIEVAL JOURNEY
2. Monody Before Gregorian Chant: Le Chant Mozarabe: Cathedrale de Tolded: Sacrificium 'Vox clamantis' - MEDIEVAL JOURNEY

Tracks:

1. Gallican Chant: Versus de l'eveque Theodulfe d'Orleans: 'Gloria laus' - Deller Consort
1. Gallican Chant: Semaine Sainte: repons du 7 mode: 'Tenebrae factae sunt' - Deller Consort
2. An Immense Corpus: Missa da Requiem Gregorienne: Introit: 'Requiem aeternam' - Deller Consort
2. An Immense Corpus: Missa da Requiem Gregorienne: Kyrie eleison - Deller Consort
2. An Immense Corpus: Missa da Requiem Gregorienne: Graduel 'Requiem aeternam' - Deller Consort
2. An Immense Corpus: Missa da Requiem Gregorienne: Trait: 'Absolve, Domine' - Deller Consort
2. An Immense Corpus: Missa da Requiem Gregorienne: Sequence: 'Dies irae' - Deller Consort
2. An Immense Corpus: Missa da Requiem Gregorienne: Offertoire: 'Domine Jesu Christe' - Deller Consort
2. An Immense Corpus: Missa da Requiem Gregorienne: Sanctus - Deller Consort
2. An Immense Corpus: Missa da Requiem Gregorienne: Agnus Dei - Deller Consort
2. An Immense Corpus: Missa da Requiem Gregorienne: Communion: 'Lux aeterna' - Deller Consort
2. An Immense Corpus: Missa da Requiem Gregorienne: Repons: 'Libera me' - Deller Consort
2. An Immense Corpus: Missa da Requiem Gregorienne: Antienne: 'In paradisum' - Deller Consort
2. An Immense Corpus: Planctus Hugonis Abbatis: 'Hug dulce nomen' pour la mort d'Hugues, fils de Charlemagne, en 844 - Deller Consort
3. The Aquitaine Tradition, Or The Problem Of Notation: Antiphona ad processionem: 'O beata infantia' - Schola Hungarica
3. The Aquitaine Tradition, Or The Problem Of Notation: Introitus cum tropis: 'Quam queritis in praesepe - Puer natus est' - Schola Hungarica
3. The Aquitaine Tradition, Or The Problem Of Notation: Alleluja 'Dies sanctificatus' - Schola Hungarica
3. The Aquitaine Tradition, Or The Problem Of Notation: Communio cum tropis: 'Desinat esse dolor - Viderunt Omnes' - Schola Hungarica
3. The Aquitaine Tradition, Or The Problem Of Notation: Alleluia cum tropis in octava - Schola Hungarica
3. The Aquitaine Tradition, Or The Problem Of Notation: Cantio ad laudem cantoris: 'Annus novus in gaudio' - Schola Hungarica
4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: Virtute multa - Ensemble Organum
4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: In timore Dei - Ensemble Organum
4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: 'Testamentum eternum' - Ensemble Organum
4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: 'Dedit Dominus confessionem sancto suo' - Ensemble Organum

Tracks:

The Art Of The Troubadours: A l'entrada del temps clar - MEDIEVAL JOURNEY
The Art Of The Troubadours: Vida - MEDIEVAL JOURNEY
The Art Of The Troubadours: Quand vei la laudeta mover - MEDIEVAL JOURNEY
The Art Of The Troubadours: Vida - MEDIEVAL JOURNEY
The Art Of The Troubadours: Sitot me soi - MEDIEVAL JOURNEY
Cantigas de Santa Maria: Cantiga 77 (Flute a bec et percussion) - MEDIEVAL JOURNEY
Cantigas de Santa Maria: Prologue: 'Porque Trobar' - MEDIEVAL JOURNEY
Cantigas de Santa Maria: Cantiga 37 (Flute de berger et zarb) - MEDIEVAL JOURNEY
Cantigas de Santa Maria: Cantiga 7: 'Santa Maria leva' - MEDIEVAL JOURNEY
Cantigas de Santa Maria: Cantiga 100: 'Santa Maria, strela do dia' - MEDIEVAL JOURNEY
Carmina Burana (XIII siecle): 'Bacche, bene venies' (CB 200) - MEDIEVAL JOURNEY
Carmina Burana (XIII siecle): 'In taberna quando sumus' (CB 196) - MEDIEVAL JOURNEY
Carmina Burana (XIII siecle): 'Axe Phebus aureo' (CB 71) - MEDIEVAL JOURNEY
Carmina Burana (XIII siecle): 'Deduc Syon, uberrimas' (CB 34) - MEDIEVAL JOURNEY
Carmina Burana (XIII siecle): 'Flete flenda' (CB 5) - MEDIEVAL JOURNEY
Les Minnesanger: 'Sinc an, guldin huon!' - MEDIEVAL JOURNEY
Les Minnesanger: Ich lobe ein wip (Instr.) - MEDIEVAL JOURNEY
Les Minnesanger: 'Owe dirre not' - MEDIEVAL JOURNEY
Les Minnesanger: Wol auff, gesell (Instr.) - MEDIEVAL JOURNEY

Tracks:

1. 12th Century Polyphony In Aquitaine: 'Domine labia mea aperies' - 'Deus in adjutorium meum' (Choeur) - Ensemble Organum
1. 12th Century Polyphony In Aquitaine: Versus: 'O primus homo coruit' (a 2 voix) - Ensemble Organum
1. 12th Century Polyphony In Aquitaine: Versus: 'Veri solis radium' (a 2 voix) - Ensemble Organum
2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Introit trope: 'Puer natus est' - Ensemble Organum
2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Kyrie - Ensemble Organum
2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Graduel: 'Viderunt omnes' - Ensemble Organum
2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Sanctus (organum) - Ensemble Organum
2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Agnus Dei - Ensemble Organum
2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Ite missa est - Deo Gratias - Ensemble Organum
3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Kyrie 'Orbis factor' - Ensemble Organum
3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Credo in unum Deum - Ensemble Organum
3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Sequence: 'Res est admirabilis' - Ensemble Organum
4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Plus bele que flor - Quant revient - L'autrier joer - Flos Filius - Anonymous 4
4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Puisque bele dame m'eime - Flos Filius - Anonymous 4
4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Celui en qui - La bele estoile - La bele, en qui - Iohanne - Anonymous 4
4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Amor potest - Ad amorem sequitur - Anonymous 4
4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: S'on me regarde - Prennes i garde - He, mi enfant - Anonymous 4
4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Qui d'amour se plaint - Lux Magna - Anonymous 4
4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: On doit fin(e) Amor - La biaute - In Seculum - Anonymous 4
5. An English Ladymass In Salisbury Cathedral (13th Century): Kyrie: 'Kyria christifera' - Anonymous 4
5. An English Ladymass In Salisbury Cathedral (13th Century): Gloria - Anonymous 4
5. An English Ladymass In Salisbury Cathedral (13th Century): Sanctus - Benedictus - Anonymous 4
5. An English Ladymass In Salisbury Cathedral (13th Century): Agnus Dei: 'Virtute numinis' - Anonymous 4

Tracks:

1. Le Roman de Fauvel (1310-1316): In mari miserie - Clemencic Consort
1. Le Roman de Fauvel (1310-1316): Vers 149 a 168 - Clemencic Consort
1. Le Roman de Fauvel (1310-1316): Ad solitum vomitum - Clemencic Consort
1. Le Roman de Fauvel (1310-1316): Porchier miex estre. Vers 250 a 280 - Clemencic Consort
1. Le Roman de Fauvel (1310-1316): J'ai fait nouveletement - Clemencic Consort
1. Le Roman de Fauvel (1310-1316): Quoniam secta latronum - Clemencic Consort
1. Le Roman de Fauvel (1310-1316): Vers 5905-5926 - Mario, virgo viginum - Clemencic Consort
1. Le Roman de Fauvel (1310-1316): Vers 6023-6050 - Clemencic Consort
1. Le Roman de Fauvel (1310-1316): Quare fremuerunt - Clemencic Consort
2. La Messe de Tournai (c.1330-40) - Excerpts: Kyrie - Ensemble Organum
2. La Messe de Tournai (c.1330-40) - Excerpts: Gloria in excelsis Deo - Ensemble Organum
2. La Messe de Tournai (c.1330-40) - Excerpts: Sanctus - Ensemble Organum
2. La Messe de Tournai (c.1330-40) - Excerpts: Agnus Dei - Ensemble Organum
3. The Chansons Of The French And Italian Ars Nova: 'De toutes flours' - Ensemble Organum
3. The Chansons Of The French And Italian Ars Nova: 'Honte, paour, doubtance' - Ensemble Organum
3. The Chansons Of The French And Italian Ars Nova: 'Honte, paour, doubtance', version instrumentale - Ensemble Organum
3. The Chansons Of The French And Italian Ars Nova: 'Che pena e quest'al cor' - Ensemble Organum
3. The Chansons Of The French And Italian Ars Nova: 'Imperiale sendendo fra pi stelle' - Ensemble Organum
3. The Chansons Of The French And Italian Ars Nova: Rondeau-canon 'Tout par compas' - Ensemble Organum
3. The Chansons Of The French And Italian Ars Nova: Rondeau 'Belle, bonne, sage' - Ensemble Organum
3. The Chansons Of The French And Italian Ars Nova: Rondeau 'Fumeux fume par fumee' - Ensemble Organum
3. The Chansons Of The French And Italian Ars Nova: Ballade 'On voit tout' - Ensemble Organum
Sacred Music In 14th Century England: 'Campanis cum cymbalis - Honoremus Dominam' - The Hilliard Ensemble
Sacred Music In 14th Century England: 'Mater ora filium' - The Hilliard Ensemble
Sacred Music In 14th Century England: 'Edi be thu' - The Hilliard Ensemble
Sacred Music In 14th Century England: 'Gabriel From Heven-King' - The Hilliard Ensemble
Sacred Music In 14th Century England: 'Gaude virgo Mater Christi' - The Hilliard Ensemble

Tracks:

Johannes Ciconia (c. 1335-1414): 'Ligiadra donna' pour vielles - The Newberry Consort
1. 15th Century English Music: Les Carols: Alleluya: 'A Nywe werke' - Anonymous 4
1. 15th Century English Music: Les Carols: 'Ecce quod natura' - Anonymous 4
1. 15th Century English Music: Les Carols: Nowel: 'Owt Of Your Slepe Aryse' - Anonymous 4
1. 15th Century English Music: Les Carols: 'Anna Mater Matris Christi' - The Hilliard Ensemble
1. 15th Century English Music: Les Carols: 'Tota pulcra es, amica mea' - The Hilliard Ensemble
1. 15th Century English Music: 15th Century Marial Polyphony: Conduit 'O Maria stella maris' - Anonymous 4
1. 15th Century English Music: 15th Century Marial Polyphony: Sequence 'Salve virgo singularis' - Anonymous 4
1. 15th Century English Music: 15th Century Marial Polyphony: Motet 'Veni mater gracie - Dou Way, Robin' - Anonymous 4
2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'Propinan de Melyor' - The Newberry Consort
2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: --sans titre - The Newberry Consort
2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'La Spagna' - The Newberry Consort
2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'La Spagna' - The Newberry Consort
3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Introit. 'Requiem eternam dona eis Domine' - Ensemble Organum
3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Kyrie - Ensemble Organum
3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Tractus: 'Sicut servus desideral ad fontes aquarum' - Ensemble Organum
3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Sanctus - Ensemble Organum
Lute Music: Ricercar 'L'autre jour' - Paul O'Dette
Lute Music: 'Nous bergiers' - Paul O'Dette
Lute Music: Ricercar No. 33 - Paul O'Dette
Lute Music: 'Il est bel et bon' - Paul O'Dette

Customer Reviews:

Excellent, but What Are the Words?.......2006-07-04

This is a wonderful collection of music spanning many centuries, some of which you are unlikely to encounter anywhere else. The performances are beautiful, too. The one drawback is that the liner notes contain very few song text translations, a big problem for a large CD set with music that is primarily vocal.

outstanding collection.......2002-09-27

I have quite a number of CDs with Medieval Age polyphony, byzantine chant and renaissance music, but this collection goes beyond what could usually be expected from such boxsets. I'd highly recommend it to all.

Awesome.......2001-09-20

This is the best collection of medieval music I have ever heard. The performances are top-notch, and all of the songs are well done. I highly reccomend this collection not only for fans of medieval music, but for any music lover.

7.5 hours of superb music at a most reasonable price........1999-12-24

There isn't a clunker in this set. All the performers are top drawer and the recordings are good. The notes are a little brief and a bit scholarly, but can be ignored easily.

You will get an idea of the different kinds of medieval music as well as the top groups and soloists working currently in the field.

When I got this set, my mother and I listened to all 7+ hours straight through. We then started buying CDs from the different performers we had to hear more from.

Tracks:

Heu! unux ex vobis me tradet hodie
Mais qui vos meut, Seigneur
dit Carpentras: Vexilla regis
Premiere Lamentation pour le Mercredy Saint au Soir
Comme Trois Forgerons
Ha! Plange
Premiere Lamentation pour le Jeudy Saint au Soir
Sur L'Albre de la Crotz
Ne avertas facium tuam
Permiere Lamentation pour le Vendredy Saint au Soir

Customer Reviews:

A wonderful discovery.......2005-06-28

I have known and enjoyed the relatively famous Requiem by Gilles for some years now, but was pleasantly surprised by this disc of Lamentations.

Most other French Baroque lamentations are composed on a small scale, but these by Gilles are quite large, more in the tradition of grands motets. They employ a full complement of soloists plus chorus, with obbligato instruments. The music is sublime; usually quite understated, but occasionally bursting forth with energy and drama.

Gilles proves himself to be a master of wonderfully poignant melodies. The mood us mainly quite sombre, but is broken up somewhat by the contrasting textures (if not mood) of the works by Carpentras and Bouzignac, the latter of which is a truly unique composer and deservse more renown.

The performances are faultless, especially the solo singers who capture the delicate French ornaments exquisately.

This is a very rewarding performance, and a delight in all respects. Highly recommended

Gesualdo: Tenebrae Responsories for Maundy Thursday

Average customer rating:

Just a little bit magical

Gesualdo: Tenebrae Responsories for Maundy Thursday

Manufacturer: Signum UK
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
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Gesualdo: Tenebrae Responses for Good Friday
Carlo Gesualdo: Tenebrae Responsories for Holy Saturday
Landscape & Time
The King's Singers Original Debut Recording
The King's Singers: From Byrd to the Beatles

ASIN: B00022XEEA
Release Date: 2004-05-25

Tracks:

Lectio 1
In Monte Oliveti
Tristis Est Anima Mea
Ecce Vidimus Cum
Lectio 2
Amicus Meus Osculi
Judas Mercator Pessimus
Unus Ex Discipulis Meis
Lectio 3
Eram Quasi Agnus Innocens
Una Hora Non Potuistis
Senoires Populi Consilium
Benedictus
Christus Factus Est

Customer Reviews:

Just a little bit magical.......2005-10-19

The King's Singers have been in decline of late. Let's not mistake this statement for one in which I say, "it's crap." What I mean is, most of the more recent King's albums haven't had the same sort of cohesive synergy which characterized their very first albums back in the Carrington-era incarnation of the group. Very very good, probably better than anyone else on the scene; but not quite as good as the King's Singers of 1976 or '77 (I forget when they actually started).

They are now back to fighting trim.

The Carrington-era group was not quite as aggressive in terms of individual vocal production as they are in this album, which is fine, a different ethic is at work here. A large portion of blame for the new and wonderful sound can be laid at the feet of new countertenor, Robin Tyson, who seems to act as an anchor for the upper end of the group's sound just as the equally wonderful Stephen Connolly has done for the bass end of the scale for many years now. The group's musicianship has never been so forward, yet so...well... musical, as it is here.

And then there's the material... Gesualdo is one of those lurking genuises who hide in Renaissance repertoire. He's always there, just overlooked more often than is fair. I think of what Bach must have been before Mendelssohn reintroduced him to the world--then I think of Gesualdo. The King's drive straight for the odd little turns that populate Gesualdo's music and reveal them in ways which I have not experienced before.

In short, this album is unearthly perfection.

Women in Chant: Recordare: Remembering the Mysteries in the Life of Jesus, Son of Mary

Average customer rating:

HIGHLY RECOMMENDED FOR STUDY OF LIVING GREGORIAN CHANT
Excellent recording of Gregorian Chants

Women in Chant: Recordare: Remembering the Mysteries in the Life of Jesus, Son of Mary
The Choir of Benedictine Nuns at the Abbey of Regina Laudis
Manufacturer: Sounds True Direct
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | International | Styles | Music

General | New Age | Styles | Music

Meditation | New Age | Styles | Music

General | Opera & Vocal | Styles | Music

Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Vocal Pop | Pop | Styles | Music

New Age | Imports | Stores | Music

Classical | Imports | Stores | Music
Similar Items:

Women in Chant: Gregorian Chants for the Festal Celebrations of the Virgin Martyrs and Our Lady of Sorrows
Lost in Meditation: Meditative Gregorian Chants
The Soul Of Chant
Mother Benedict: Foundress of the Abbey of Regina Laudis
Catholic Latin Classics

ASIN: B000059SW1
Release Date: 2001-03-13

Tracks:

Recordare
Alma Redemptoris Mater
Meditation: Recordare I. - Mother Dolores Hart
Ave Maria
Beatam Me Dicent/Magnificat
Hodie Christus Natus Est
Accipiens Simeon/Nunc Dimittis
Non Invenientes Jesum/Benedictus
Ave Regina Caelorum
Meditation: Recordare II. - Mother Dolores Hart
In Monte Oliveti
Lamentation
O Vos Omnes
Crux Fidelis
Tenebrae Factae Sunt
Christus Factus Est
Regina Caeli
Meditation: Recordare III. - Mother Dolores Hart
Haec Dies
Pascha Nostrum
Victimae Paschali Laudes
Viri Galilaei
Veni Sancte Spiritus
Assumpta Est Maria
Signum Magnum
Salve Regina
Collect And Final Blessing

Customer Reviews:

HIGHLY RECOMMENDED FOR STUDY OF LIVING GREGORIAN CHANT.......2007-02-27

Although Gregorian Chant is very carefully tied to particular times and seasons, and therefore recordings of the living chant always feels odd out of season and captured and pinned on display, like fascinating irridescent butterfly wings on cotton under glass, please play this disk and live and breathe a little easier, in peace and in rhythm and in unity.

Gracefully directed by Dr. Marier, this recording wonderfully captures the greatest living Gregorian choir fully active in the United States of America, at the Abbey of Regina Laudis, which daily and nightly maintains the true cycle of Gregorian chant, completely, in the living of the Rule of Saint Benedict with all of the liturgical hours fully chanted as ever through the centuries, per saeculum saeculi. The best way, then, to experience in union this true and living and breathing chant is to spend as much time as possible on retreat at the Abbey in still rural Bethlehem, Connecticut. Lacking that ability, live with this disk, and let it play day and night until it becomes a part of your bones and you sing with it without yet quite knowing it.

I strongly recommend this disk for anyone who fully and deeply wants to know Gregorian Chant, as chanted by a contemplative community of devoted and committed women in America. Hear also their recording, also with Mr. Marier, of the Festal Celebrations of the Virgin Martyrs and Our Lady of Sorrows, which includes the founding Abbess Mother Benedict's blessing.

Please note in particular the most important Marian hymns are included on this disk, for anyone seriously interested in learning the most important Gregorian Marian tones. FOr instance you find here a solemn version of the Magnificat, the greatest hymn of Mary directly from the Gospel of Saint Luke, which is chanted every day at Vespers without exception by any monastic choir worthy of the name. We also may find here Regina coeli and the wonderful seasonal hymn, Salve Regina. Please look closely at the play list and you find nearly every traditional Marian hymn you can recall. Within this collection are scriptural meditations beautifully read by Mother Dolores Hart, an actress who was on her way to becoming the next Grace Kelly (who had then abdicated her throne to take on the throne of Monaco) but entered Regina Laudis monastery instead, filling its readings with the depths of her trained and restrained and profoundly emotional voicings. We are very fortunate she is so well recorded here, and regret she never made at the height of her powers an audiobook of the entire Holy Bible, or at least the Psalms, or Gospels . . .

In other words, what more can you possibly ask for?

Please note the photograph on this product, the Mysteries in the Life of Jesus, Son of Mary, is of the new Abbess, Mother David, who is currently directing the choir in a fresh recording of the hymns of Christmas, a new recording which may be available come Christmas of this year. In the mystery of Bethlehem, that will be well worth adding to your music library, for anyone serious about studying the true Gregorian chant as it is lived and breathed daily by this now too rare and precious choir.

Please also see the soon-to-be-released biography of Mother Benedict from Ignatious Press. Let us learn to cherish our American saints and study from them how to live in peace and loving Catholic community in this quadrant of the hemisphere.

Please see all of the Abbey's rare recordings at their website.

Excellent recording of Gregorian Chants.......2002-04-09

I bought this recording a few weeks ago and it has quickly become a favourite. While Gregorian Chant has become popular, especially with the recordings of Santo Domingo de Silos, it is easy to lose sight of the fact that Gregorian Chant is sung prayer. In hearing the nuns of the Abbey of Regina Laudis sing, you understand that this is something that they experience each day. It is a beautiful recording and is accompanied by beautiful meditations on the life of Jesus read by Mother Dolores Hart, O.S.B.

Gesualdo: Tenebrae Responsories; Benedictus; Miserere

Average customer rating:

Gesualdo: Tenebrae Responsories; Benedictus; Miserere

Manufacturer: Warner Classics
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
ASIN: B000MM0CB8
Release Date: 2007-05-22

Tracks:

I In Monte Oliveti Oravit Ad Patrem
II Tristis Est Anima Mea
III Ecce Vidimus Eum
IV Amicus Meus Osculi Me Tradidit
V Juda Mercator Pessimus Osculo Petiit
VI Unus Ex Discipulis
VII Eram Quasi Agnus Innocens
VIII Una Hora Non Potuistis Vigilare Mecum
IX Seniores Populi Consilium Fecerunt
Miserere (Psalm 50)
I Omnes Amici Mei Dereliquerunt Me
II Velum Templi Scissum Est
III Vinea Mea Electa, Ego Te Plantavi

Tracks:

IV Tanquam Ad Latronem Existis Cum Gladiis Et Fustibus
V Tenebrae Factae Sunt, Dum Crucifixissent Jesum Judaei
VI Animam Meam Dilectam Tradidi In Manus Iniquorum
VII Tradiderunt Me In Manus Impiorum
VIII Jesum Traditit Impius Summis Principibus
IX Caligaverunt Oculi Mei Fletu Meo
Benedictus (Canticle Of Zachariah)
I Sicut Ovis Ad Occisionem Ductus Est
II Jerusalem, Surge
III Plange Quasi Virgo Plebs Mea
IV Recessit Pastor Noster
V O Vos Omnes
VI Ecce Quomodo Moritur Justus
VII Astiterunt Reges Terrae
VIII Aestimatus Sum Cum Descendentibus In Lacum
IX Sepulto Domino Signatum Est Monumentum

Average customer rating:

music as prayer.
Chant, but not Gregorian
Incredible!

Ambrosian Chant

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

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Chant Mozarabe - Cathedrale de Tolede (15th century) /Ensemble Organum * Peres
Chants de L'Eglise de Rome: Période byzantine
Chants sacrés de l'Orient (tradition melchite)
Chants of the Maronitic Liturgy
Polyphonic Aquitaine of th 12th Century

ASIN: B00000149E
Release Date: 1996-05-21

Tracks:

Kyrie Eleison (Litania)
Si Quis Sermonem (Psallenda)
Venite, Benedicti (Ingressa)
Videns Dominus Sororem (Ingressa)
Gloria In Excelcis (Hymnus)
Levavi Oculos Meos (Cantus)
Haec Dies. Confitemini (Psalmellus)
Alleluia. Pascha Nostrum
Antiphonae Post Evangelium
Dixit Raphael Angelus (Offertorium)
Credo (Symbolum)
Sanctus
Te Laudamus (Transitorium)
In Tribulatione Mea (Responsorium In Baptisterio)
Nunc, Frater (Responsorium - Canticum)
Tenebrae Factae Sunt (Responsorium - Canticum)
Tunc Cantabat Moyes (Canticum)
Omnes Patriarchae (Antiphona In Choro)
Antiphonae (Alleluia, Noli Flere Maria)

Customer Reviews:

music as prayer........2007-04-09

through all the world's madness music has been there for me, keeping a love for life burning bright. music as prayer. the beauty that's within the soul. this is a stunning recording of latin chant from italy. absolutely gorgeous. if you find enrapture in the heart of music. if you find the human voice about as good a musical instrument as there is. then this disc is for you.

Chant, but not Gregorian.......2003-03-01

Few people realize that Gregorian Chant is not the only form of sacred chant that existed in Europe. Of course Byzantine chant was known in Constantinople and her spheres of influence. But even in the Latin west there were several forms of chant, two of which survive to this day: Mozarabic and Ambrosian.
Ambrosian Chant is named after and attributed to Ambrose, bishop of Milan (Italy) in the 4th century. Ambrosian Chant has continued to be the chant proper to the distinct liturgical practices of the Milanese church.
This particular recording presents the sounds of Ambrosian Chant wonderfully. For anyone interested in experiencing the wide range of sacred music traditions that existed in Western Europe, this CD as well as Chant Mozarabe (Mozarbic Chant), should be on your shelf.

Incredible!.......2000-06-13

I couldn't be happier with this cd. What a great value for the money. The chant is beautiful, there are many great pieces, and you can't beat the low Amazon price. I definatelt recommed this one. I have a copy in my car and office for anti-rage music, and I am getting another one today for my family. I must have chant cd.

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