The World of the Spanish Guitar [Import]
Track Listings
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1. Albeniz - Sevilla
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2. Albeniz - Tango
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3. Albeniz - Asturias
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4. Llobet - 6 Catalan Folk Songs - 1
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5. Llobet - 6 Catalan Folk Songs - 2
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6. Llobet - 6 Catalan Folk Songs - 3
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7. Llobet - 6 Catalan Folk Songs - 4
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8. Llobet - 6 Catalan Folk Songs - 5
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9. Llobet - 6 Catalan Folk Songs - 6
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10. Granados - Andaluza
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11. Granados - Danza Triste
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12. Tarrega - Estudio Brillante
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13. Tarrega - 5 Preludes
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14. Tarrega - Minuetto
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15. Tarrega - 3 Mazurkas
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16. Tarrega - Recuerdos De La Alhambra
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17. Segovia - Estudio Sin Luz
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18. Segovia - Neblina
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19. Segovia - Estudio
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20. Turina - Fandanguillo
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See all 21 tracks on this disc
The World of the Spanish Guitar, Music, Isaac Albeniz, Enrique Granados, Miguel Llobet, Andres Segovia, Francisco Tarrega, Joaquin Turina, Eduardo Fernandez, Chamber, Chamber Music, Chamber Music & Recitals, Classical, Coll. of Character/Single-Movement/Misc. Works for Keyb., Collection of Dance-Based Music for Keyboard, Guitar Solo, Keyboard, Miscellaneous, Miscellaneous Music, Suite/Partita for Keyboard
Average customer rating:
- This album is for musicians
- Four of the Best (before the 2 Pacos)
- This is where my flamenco journey began
- For all lovers of true Flamenco
- RAW, hard core, Flamenco Guitar!!!
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Masters of Flamenco Guitar
Various Artists
Manufacturer: Blue Note Records
ProductGroup: Music
Binding: Audio CD
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- Legends of Gypsy Flamenco
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ASIN: B000005HA9
Release Date: 1997-11-25 |
Tracks:
- Zapateado - Sabicas
- Taranta 'Camino De Linares' - Sabicas
- Bulerias 'Con Un Clavel' - Sabicas
- Alegrias 'Salero Gaditano' - Sabicas
- Farruca 'El Albacin' - Sabicas
- Siguiriyas 'Serrana Juncal' - Nino Ricardo
- Fandangos 'Martisma De Hueiva' - Nino Ricardo
- Soleares 'Gitana Gaditana' - Nino Ricardo
- Malguena 'Velez-Malaga' - Nino Ricardo
- Zapateado - Nino Ricardo
- Pregon 'Liego El Frutero' - Manolo De Huelva
- Fandangos Por Solea 'Yo No Me Hubiera Perdido' 'Ruegale A Dios Por Salud' - Manolo De Huelva
- Malaguena 'No Te Hagas Ilusiones' - Manolo De Huelva
- Fandangos 'Ese Me Gusto Seria'/'Ni Hermosa Ni Dinero' - Manolo De Huelva
- Bulerias - Melchor De Marchena
- Tanguillos De Cadiz - Melchor De Marchena
- Sevillianas - Melchor De Marchena
- Penteras - Melchor De Marchena
- Serranas - Melchor De Marchena
- Soleares - Melchor De Marchena
Amazon.com
Many subtly varied kinds of music fall under the rubric of flamenco, which is a style of singing, dancing, and even living, as well as playing the guitar. This collection presents a good guitar selection, highlighted by the polished technique of Sabicas, the profundity of Manolo de Huelva, and the sheer brilliance of Melchor de Marchena. There is a drastic change of atmosphere in the transition from track 10 (a zapateado played by Nino Ricardo) to track 11: Manolo de Huelva accompanying the voice of Manuel Vallejo. Suddenly we are in a cuadro, the natural environment of flamenco, with a group of participants clapping, stamping their feet, and shouting encouragement to the musicians. No longer is it just a man sitting alone on a stage or in a studio, playing the guitar fluently and flawlessly; this is cante hondo, the heart of flamenco, intense and astringent, and the best of this disc's many flavors. --Joe McLellan
Customer Reviews:
This album is for musicians.......2007-05-21
I am a big fan of flamenco, but I am not a musician. I still like and appreciate the music in this album, but I think it is for musicians who can understand the skill.
Four of the Best (before the 2 Pacos).......2007-03-28
This is a high quality recording of four of the best Flamenco Guitarist predecessors to Paco Peña and Paco de Lucia.
This is where my flamenco journey began.......2006-09-08
Not only is this CD flamenco puro at its best, It almost defines flamenco puro. The performers are all famous (sabicas, nino ricardo, manolo de huelva and Melchor de Marchena). The performances are old (40-50 years +) and are true to the spirit of flamenco puro.
I listened to other flamenco guitar performances, but not until I listened to this CD several times did I fall in love with the flamenco guitar.
For all lovers of true Flamenco.......2002-04-12
With all the 'Neuvo Flamenco' and its accompaning popularity. It is nice (and a relief) I might add, to hear the flamenco guitar in its purist form. Not only does this cd contain Sabicas and Nino Ricardo. It also contains four very rare perfomances by Manolo de Huelva. Which are difficult to find anywhere. Also included are Melchor de Marchena performing six pieces. This is truly Pure Flamenco at its best.
RAW, hard core, Flamenco Guitar!!!.......1999-07-28
If you are looking for something along the lines of Gypsy Soul (HIGHLY recommend it) or Gypsy Passion (also wonderful music), which I was, this most likely is not one for you.
This is R-A-W & hard core Flamenco guitar without much, if any, other vocal or instrumental accompaniment. I guess, the title says it all.
The masters can sure "pick'em".
I am warming up to it......slowly ;-).
Average customer rating:
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- One of he greatest voice ever!
- overall
- Beautiful
|
Zarzuela Arias & Duets
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Preludes & Choruses From Zarzuelas
- Romanzas de Zarzuelas
- Zarzuela: Spanish Operetta
- On the Wings Of Song and Zarzuela Arias - Victoria de los Angeles
- Very Best of
ASIN: B000003FW6
Release Date: 1995-09-04 |
Tracks:
- El Rey que rabi?: Mi t?o se figura
- El Caser?o: Bueno d?as
- La Canci?n del olvido: Marinela, Marinela
- El Cabo primero: Yo quiero a un hombre
- La Leyenda Del Beso: Amor, mi raza sabe conquistar
- Bohemios: No quiero que sepa que aqu? vengo yo
- La generala: Mi dulce sueno de adolescente
- MARINA: Pensar en ?l
- La Dolores: !Dolores m ... ! Aquu!
- El Nino jud?o: De Espana vengo
- Luisa Fernanda: Caballero del alto plumero
- La Rosa del Azafr?n: No me duele que se vaya
- Don Gil de AlcalBendita cruz
- El D?o de la Africana: Comprende lo grave de mi situaci?n
Customer Reviews:
One of he greatest voice ever!.......2007-01-10
A privilege to hear this wonderful voice in these native, for her, works.
overall.......2006-03-16
Great recording
Great music selection, Great orchestration
Every thing is what I was looking for.
I wish you had the same subjects in DVD
Thank you
Beautiful.......2001-09-29
This is a must have if you are not familiar with zarzuela (Madrid's response to Vienna's operetta). It's a nice combination of arias sung by Caballe in beautiful voice and joined by her husband tenor Bernabe Marti for the duets. The CD comes with translations for non Spanish speaking which will greatly improve your satisfaction.
Caballe is in as beautful voice as ever and feels at home with this non very taxing repertoire. She doesn't overindulge in her other times frequent "floatiness" and is very expressive throughout. Thogh sometimes when some coloratura is needed she tends to drop the consonants blurring her enunciation of the words. We are used to this from her opera recordings though she's not as bad as Sutherland.
Marti is a nice tenor but is not in the same league as Caballe. That's why he never got star recognition though he made a few recordings whith his wife, like Bellini's "Il Pirata". His is a lyrical tenor, a little throaty but with nice projection of the sound. He sounds a little strained over the "passagio" but hits all the notes. More importantly, he compensates for his lack of vocal lustre with burning impersonations of his characters. Passionate and burning in some, tender and caressing in others. In this respect is better than his wife who is a little more doll like hidding behind her vocal resources. So I specially enjoyed the many and varied duets in this recording.
Strongly recommended.
Average customer rating:
- Amazing
- so sweet
- Engaging and Enjoyable for all listeners
|
Flamenco Guitar Music of Ramon Montoya & Nino Ricardo
Paco Peña
Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD
Spain
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Similar Items:
- Flamenco on Fire
- Guitar & Flamenco
- Sabor Flamenco
- Fabulous Flamenco/La Gitarra Flamenca
- Grandes Figures du Flamenco, Vol. 14
ASIN: B0000037C6
Release Date: 1992-12-02 |
Tracks:
- La Rosa (Alegria)
- Rondena
- Solea
- Minera
- Granaina
- Tango Mayor Y Menor
- Alegrias
- Seguiriyas
- Fandangos
- Farrucas
- Tarantas
- Zambra
- Bulerias
Customer Reviews:
Amazing.......2005-11-17
Any fool who listens to this carefully can tell that Paco Pena's technique is astonishing. But to really appreciate the artistry and beauty of the music you need some good hifi equipment.
I have had this recording for 10 years and have listened to it on a wide range of equipment over those years. What I can hear now is wonderful: The full bite of the transient attack of the strings, the intermodulation of the harmonics, and the decay and ambient resonance of the chords. While this sounds technical, think about it: this is part of what makes Flamenco so beautiful, not simply the melody, but the mix of sounds coming from different aspects of the instrument and the environment.
And so if you are into hifi, I strongly recommend you get this recording to see what your equipment can do, and what it reveals in the music.
Flamenco is an interesting challenge for speakers. I remember when I was a kid hearing a demo of three prototypes of the Ohm Walsh cone speakers. They used a recording of Flamenco guitar for the demo. It was a remarkable performance from the speakers. But a person with a well-selected setup can get even better sound at a reasonable price these days than I heard back then.
Just remember that the point of hifi is further the enjoyment of the music. And that is what you can do with the recording: discover the beauty of Flamenco.
so sweet.......2004-08-18
beautiful songs. paco pena, although not as fast as say sabicas, has excellent technique and feeling. really brings these songs to life. i respect his wanting to carry the torch of traditional flamenco forward to the next generation.
Engaging and Enjoyable for all listeners.......2000-08-17
I have had the pleasure to hear Paco in concert on a number of occasions, and have always enjoyed the emotion as well as technical skill that he brings from/to the guitar. This album is an excellent representation of his style and abilities. The music is very accessable for all level of listeners. In other words, you don't have to be "really into" flamanco to be swept away by it. I have an other CD by Paco and really enjoy it, but it is not as accessable as this one. This CD should be part of the collecion for any lover of the guitar.
Average customer rating:
- A Review of Classical Guitar- Terry Muska
- excellent music
|
Seville to Sante Fe: A Spanish Guitar Anthology
Manufacturer: Talking Taco/Iago Records
ProductGroup: Music
Binding: Audio CD
All Works by Tarrega
| Tarrega, Francisco
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Similar Items:
- Spanish Guitar: Timeless Collection
- Mesa Sunrise: Best of John Huling
- Christmas in Santa Fe
- Reflections of Spain: Spanish Favorites for Guitar
- Masters of Flamenco Guitar
ASIN: B000001D3K
Release Date: 1999-05-18 |
Tracks:
- Cancion Mixtteca (Frank Corrales)
- Camino A Santa Fe (Ruben Romero)
- Adelita (Frank Corrales)
- Recuerdos De La Alhambra (Terry Muska)
- La LLorona (Frank Corrales)
- Romance Antiquo (Ben Tavera King)
- Valentina (Frank Corrales)
- Adelita (Terry Muska)
- Delgadina (Frank Corrales)
- El Testament d'Amelia (Terry Muska)
- Seis Cuerdas y Seis Cervezas (Frank Corrales)
- Amanacer En Nuevo Mexico (Ruben Romero)
- Canarios (Ben Tavera King)
- Las Golondrinas (Frank Corrales)
- Romance Anonimo (Terry Muska)
- Leyenda (Terry Muska)
- Cielito Linda (Frank Corrales)
- Lagrima (Terry Muska)
- El Abandonado (Frank Corrales)
- FaLai Mina Amor (Ben Tavera King)
Product Description
The solo and duo guitar arrangements on "SEville to Santa Fe" cover over 500 years of guitar music starting withthe royal courts of Spain and continuing through today with performances of the best-loved selections from the Spanish and Mexican guitar reperoire and flamenco improvisations.
Customer Reviews:
A Review of Classical Guitar- Terry Muska.......2000-04-15
One of my favorite instruments to listen to is the classical guitar. I currently have all of Terry Muska's CDs in my collection. These CDs are relaxing and inspiring and I often listen to them when I am drawing or webdesigning.
Beautiful work, Terry!
excellent music.......1999-01-28
This music is traditional and will last from generation to generation as it has. It gathers people from all ages. The spanish guitar is made for the soothing and comfort of the soul with this CD. You will want to listen to this CD forever, you will never out grow it.
Average customer rating:
- Best five bucks you'll ever spend on a classical guitar CD
- Pleasing but not perfect
- Not what I was looking for
- Remastered...and Rediscovered
- Hauntingly beautiful
|
Malagueña: Spanish Guitar Music
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Spanish Guitar Music
- Tárrega: Recuerdos De La Alhambra; Lágrima; Danza mora; Etc. [Germany]
- Romance D'Amour
- Sor, Aguado, Tárrega: 19th Century Guitar Favourites
- Villa-Lobos: Complete Music for Solo Guitar
ASIN: B00004Z33R
Release Date: 2001-03-27 |
Tracks:
- Malaguena (Transcr: N. Yepes)
- Recuerdos de la Alhambra
- Marieta: Mazurka
- Capricho arabe - Serenata
- Tango
- En los trigales
- Concion y danza No. 1
- Inroduction And Variations On A Theme By Mozart, Op. 9
- Suite Espanola (Arr: N. Yepes): Espanoletas
- Suite Espanola (Arr: N. Yepes): Gallarda y Villano
- Suite Espanola (Arr: N. Yepes): Danza de las hachas
- Suite Espanola (Arr: N. Yepes): Rujero y Paradetas
- Suite Espanola (Arr: N. Yepes): Zarabanda al ayre espanol
- Suite Espanola (Arr: N. Yepes): Passacalle
- Suite Espanola (Arr: N. Yepes): Folias
- Suite Espanola (Arr: N. Yepes): La Minona de Cataluna
- Suite Espanola (Arr: N. Yepes): Canarios
- Fantasia que contrahaze la harpa en la manera de Ludovico
- Sonata In E Major
- Suite espanola: 5. Asturias. Leyenda
- Danza espanola No. 4: Villanesca (Transcr.: N. Yepes)
- El sombrero de tres picos: Danza del molinero. Farruca
- Romance (From The Film 'Forbidden Games')
Customer Reviews:
Best five bucks you'll ever spend on a classical guitar CD.......2007-04-06
I can't help but think that because it's five dollars some people have to get snobby about this collection. In my humble opinion the recordings of "Malaguena," "Capricho Arabe," "En Los Trigales," and "Introduction, Theme, & Variations on a Theme From Mozart" are the standard by which all others should be judged. And nobody else can touch his interpretation of Granados' "Villanesca." Except perhaps for Manuel Barrueco, but the way Narciso uses harmonics for the pedal tone is something that feels so natural, you can't listen to a fretted version ever again w/o wishing it was done in harmonics! The rest of the album is typical Narciso. Amazing dynamics and phrasing with flawless technical execution. I don't really believe that anyone else in the history of classical guitar has been able to carry a counterpoint with such defined independence. A true 20th century master. His tone may be a bit on the treble side for "Recuerdos de la Alhambra" but why even play that after Pepe put his mark on it? ;)
This collection is nearly identical to a cassette tape I used to own 20 some odd years ago except that "Rumores de la Caleta" and perhaps one or two others are not included with this compilation.
Pleasing but not perfect.......2007-02-14
This CD is packed with the classics and must hear of classical music. There are some pieces I wouldnt have included and others that I would have, but overall it's in my #3 rotation.
Not what I was looking for .......2007-01-09
I was looking for the "old" guitar version on Malaguena that I have heard several times before. I didn't recognize this version.
Remastered...and Rediscovered.......2006-12-24
There are two CD's available with this exact same program; this one has an "ambient surround imaging" applied to it, which is a pleasant effect on a surround sound system. Yepes' guitar sounds a bit recessed, but the tape hiss that was present on his budget-label LP recordings that I have is virtually gone. The dynamics have also been improved. At this price, it's a great buy, and a nice introduction to the Spanish guitar from a true master.
Hauntingly beautiful.......2001-08-20
Something to listen to when you are on a long flight and missing the new lover you left behind. Just simply beautiful music.......
Average customer rating:
- Misleading CD
- Stark and smoky
- The untied soul of Spanish Flamenco
- The untied soul of Spanish Flamenco
|
Art of Flamenco
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Flamenco
- Masters of Flamenco Guitar
- Flamenco on Fire
- Flamenco Direct
- Legends of Gypsy Flamenco
ASIN: B000001V3V
Release Date: 1993-11-30 |
Tracks:
- Seguriya
- Saeta
- Variacones Por Tango
- Zambra
- Petenera Para Guitarra
- Granada
- Tanguillo Rumbeno
- Cante Minero
- Fandanguillo
- Sevillanas
- Noche Granadina
- Bulerias De La Samaritana
- Fandangos
- Torremolinos
- Zapateado De Las Campanas
- Los Ojos Mios
- Levante
- Danza Egipcia
- Temas De Iiuelna
Customer Reviews:
Misleading CD.......2005-01-15
Only the first half of this CD is Carlos Montoya on guitar, the other half is Mario Escudero on Guitar (which is why tracks 10-19 sound so much better!)... I'm glad I realized this early on, because enjoying the 2nd half of the CD was giving Montoya too much credit, he's not that good. Only 3 stars because the first half is a 1 and the second half a 5.
Stark and smoky.......2001-08-20
If you like your flamenco in a smoky bar late at night, then this is great. The first half is just solo Carlos Montoya -- complete with buzzing strings, etc. The second half is more varied with some singing and castenets. This is first-layer flamenco - no producer polish added. Not a lot of information about the players or music itself is included.
The untied soul of Spanish Flamenco.......2000-08-06
Carlos Montoya brushes his heart along the strands of his instrument in this 19 track CD. I've listened to it for years and would gladly plunk down another fifteen clams for a new one if I ever lost it. His rifts through Variacones Por Tango set one's heart thumping, and his soulful pining in Cante Minero is enough to woo any corazon (heart). Noche Granadina and Zapateado De Las Campanas tell the true talent of this master as he unleashes his mastery and lets rhythym run wild. If you want pure Flamenco guitar, The Art Of Flamenco is it.
The untied soul of Spanish Flamenco.......2000-08-06
Carlos Montoya brushes his heart along the strands of his instrument in this 19 track CD. I've listened to it for years and would gladly plunk down another fifteen clams for a new one if I ever lost it. His rifts through Variacones Por Tango set one's heart thumping, and his soulful pining in Cante Minero is enough to woo any corazon (heart). Noche Granadina and Zapateado De Las Campanas tell the true talent of this master as he unleashes his mastery and lets rhythym run wild. If you want pure Flamenco guitar, The Art Of Flamenco is it.
Average customer rating:
|
A Flamenco Guitar Recital
Paco Pena
Manufacturer: Wigmore Hall Live
ProductGroup: Music
Binding: Audio CD
Spain
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Flamenco
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ASIN: B000OZ70JU
Release Date: 2007-06-12 |
Tracks:
- Los Arcos
- Rizos De La Mar
- Piedra Adentro
- Mi Sole
- Rosarillo
- Paterna
- Maestro Mario
- Filigrana
- Rabanales
- Arroyo Pedroche
Average customer rating:
|
Spanish Guitar Collection
Robert Michaels
Manufacturer: Melaby Music
ProductGroup: Music
Binding: Audio CD
General
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General
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World Dance
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ASIN: B000JSDP00
Release Date: 2007-01-08 |
Tracks:
- Paradiso
- Sunset Samba
- Fuego
- Birds of Paradise
- Luna
- Bomp
- Cubamenco
- Velocity
- Utopia
- Terra Cotta
- Arizona
- Brazilia
- Toro
- Duende
- Chitarra Romantica
Average customer rating:
|
Flamenco Guitar
Paco Peña
Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD
Spain
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Flamenco
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Similar Items:
- Fabulous Flamenco/La Gitarra Flamenca
- Encuentro
- Arte Y Pasion
- Flamenco Guitar Music of Ramon Montoya & Nino Ricardo
- The Art of Paco Pena
ASIN: B00004Z1D7
Release Date: 2000-11-14 |
Tracks:
- Salobre (Maleguenas)
- Los Veleros (Alegrias)
- Medina Azahara (Granainas)
- Cancion (Peteneras)
- Acera Del Rio (Soleares)
- Riomar (Fandangos De Huelva)
- Mantilla Y Peina (Guajiras)
- Puerto Aguila (Tientos)
- Pedregales (Serranas)
- Solquema (Bulerias) - Paco Pena/Tito Losada
- Claroscuro (Tangos) - Paco Pena/Tito Losada
- Las Ferialas (Sevillanas) - Paco Pena/Tito Losada
Tracks:
- La Rosa (Alegria)
- Rondena
- Solea
- Minera
- Granaina
- Tango Mayor Y Menor
- Alegrias
- Seguiriyas
- Fandangos
- Farrucas
- Tarantas
- Zambra
- Bulerias
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