Lully: Persee (Les Talens Lyriques)
Editorial Reviews
Amazon.com
This opera concerns Perseus, his love for Andromeda, and his killing of the snake-headed gorgon Medusa. Jean-Baptiste Lully clearly meant the heroic Perseus to stand for Louis XIV, who commissioned the work. Indeed, while Persee is not on stage all the time, he is the central character of this lengthy, ceremonial, beautifully scored work. Those who love the peculiar formalities of French Baroque opera will need no coaxing. For others, the lovely dance interludes, the grand gestures of Andromeda (who loves Persee but is promised to Phinee, a role gorgeously sung by Anna Maria Panzarella), the big choral sections, the fearless deeds of Persee (he battles a sea monster in Act IV), and the overall strength of this live, lively performance should win new fans. Yes, there's definitely the whiff of powdered wigs abounding, but the splendor of Lully's music--here conducted by the redoubtable Christophe Rousset leading Les Talens Lyriques--makes it all seem far more urgent. Recommended. --Robert Levine
Lully: Persee (Les Talens Lyriques), Music, Jean-Baptiste Lully, Paul Agnew, Anna Maria Panzarella, Salome Haller, Jerome Correas, Vincent Billier, Monique Simon, Christophe Rousset, Les Talens Lyriques, Laurent Slaars, Robert Getchell, Classical, Classical Composers, Classical Music, French Baroque Opera, Opera, Opera / Operetta / Oratorio
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Rockwell Blake ~ French Opera Arias
Adolphe Adam , Daniel-Francois-Esprit Auber , Georges Bizet , Francois-Adrien Boieldieu , Leo Delibes , Gaetano Donizetti , Christoph Willibald Gluck , Jean-Baptiste Lully , Niccolo Piccinni , Gioachino Rossini , Patrick Fournillier , Orchestre Philharmonique de Monte-Carlo , and Rockwell Blake
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ASIN: B000009KXP
Release Date: 1995-01-17 |
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Roi Danse
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ASIN: B000207LZU
Release Date: 2004-08-10 |
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Gérard Souzay sings Classical Airs and Songs
Manufacturer: Preiser Records
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ASIN: B0006OSAOS
Release Date: 2005-02-22 |
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Music at the Hanoverian Court / Capella Agostino Steffani · Lajos Ravatkay
Agostino Steffani , Jean-Baptiste Lully , Marin Marais , Anonymous , Francesco Venturini , Andre Danican Philidor , Jean-Baptiste Farinel , Lajos Ravatkay , and Capella Agostino Steffani
Manufacturer: EMI Records [All429]
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Release Date: 2000-05-24 |
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Schubert, Fauré, Debussy, Ravel: Cansons, Lieder & Opera
Manufacturer: Pearl
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ASIN: B00005RKQU
Release Date: 2002-02-26 |
Tracks:
- Si, Tra I Ceppi-Demetrio's Air - Gerard Souzay
- In Questa Tomba Oscura - Gerard Souzay
- Elle Est Morte. (Orfeo) - Gerard Souzay
- Air Des Songes (Persee) - Gerard Souzay
- Tristesse, Op.6, No.2 - Jacqueline Bonneau
- Au Bord De L'eau, Op.8, No.1 - Jacqueline Bonneau
- Apres Un Reve, Op.7, No.1 - Jacqueline Bonneau
- Clair De Lune, Op.46, No.2 - Jacqueline Bonneau
- Arpege, Op.76, No.2 - Jacqueline Bonneau
- En Sourdine, Op.58, No.2 - Jacqueline Bonneau
- L'Horizon Chimerique, Op. 118: A) La Mer Est Infinie/B) Je Me Suis Embarque/C) Diane, Selene/D)Vaisseaux, Nous Vous Aurons Aimes - Jacqueline Bonneau
- Trois Ballades De Francois Villon: Ballade Que Feit Villon A La Requeste De Sa Mere Pour Prier Notre Dame - Gerard Souzay
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- Mandoline - Gerard Souzay
- Don Quichotte A Dulcinee: Chanson Romantique - Gerard Souzay
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- Don Quichotte A Dulcinee: Chanson A Boire - Gerard Souzay
- Harfenspieler I (Gesange Des Harfners, No.1) D.478 - Jacqueline Bonneau
- Fischerweise, Op.96, No.4, D881 - Jacqueline Bonneau
- Der Wanderer, Op.4, No.1, D.489 - Jacqueline Bonneau
- Der Doppelganger (Schwanengesang, D.957) - Jacqueline Bonneau
- Heidenroslein, Op.3, No.3, D.257 - Jacqueline Bonneau
- Erlkonig, Op.1, D.328 - Jacqueline Bonneau
Customer Reviews:
gerard souzay is amazing.......2004-03-28
This album is amazing. Gerard Souzay has one of the most soothing tones - when he sings it isn't harsh at all. my favorite is "apres un reve" - an absolutely gorgeous song. There are english translations for the french and the lyrics are beautiful. This is a classic album for anyone - esp. someone studying opera.
Average customer rating:
- One of Best Lully recording
- Lully's Masterpiece
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Lully: Persee (Les Talens Lyriques)
Vincent Billier , Monique Simon , Christophe Rousset , Les Talens Lyriques , Laurent Slaars , and Robert Getchell
Manufacturer: Astree
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Binding: Audio CD
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ASIN: B00005S7XP
Release Date: 2002-06-11 |
Amazon.com
This opera concerns Perseus, his love for Andromeda, and his killing of the snake-headed gorgon Medusa. Jean-Baptiste Lully clearly meant the heroic Perseus to stand for Louis XIV, who commissioned the work. Indeed, while Persee is not on stage all the time, he is the central character of this lengthy, ceremonial, beautifully scored work. Those who love the peculiar formalities of French Baroque opera will need no coaxing. For others, the lovely dance interludes, the grand gestures of Andromeda (who loves Persee but is promised to Phinee, a role gorgeously sung by Anna Maria Panzarella), the big choral sections, the fearless deeds of Persee (he battles a sea monster in Act IV), and the overall strength of this live, lively performance should win new fans. Yes, there's definitely the whiff of powdered wigs abounding, but the splendor of Lully's music--here conducted by the redoubtable Christophe Rousset leading Les Talens Lyriques--makes it all seem far more urgent. Recommended. --Robert Levine
Customer Reviews:
One of Best Lully recording.......2002-10-21
If you love Lully or his "Atys", you will be love this exciting rcording.
Christophe Rousset and his Les talens lyriqus' one of finest recording!
Singers are Paul Agnew, Anna Maria Panzarella, Salomé Haller, Jérôme Correas, Vincent Billier, Monique Simon, Robert Getchell, Béatrice Mayo Feli, Laurent Slaars, Cyrisl Auvity, Bruno Rostand.
If you like French baroque opera, some of them are familier... Angew and Panzarella are so sweet.... Haller will be future baroque star (she will sing Handel's Agrippina in 2003)...
Lully's Masterpiece.......2002-06-13
After three centuries of undeserved obscurity, the lyric tragedies of Jean-Baptiste Lully are finally being rediscovered and revived. Persée (1682) is one of Lully's finest compositions-a true lost masterpiece. Christophe Rousset and his singers and players have done the world a favour by recording this work and making it available to a wide audience.
This is not quite the best recording ever of a Lullian opera: in my opinion, Christie's Atys is still the best. However, Rousset's Persée is every bit as good as Herreweghe's Armide, or Minkowski's recent Acis et Galatée. The score is rich and diverse, with less recitative and more choruses and divertissements than usual. The orchestra takes an unusually active part. Quinault's libretto is quite good, and almost worth reading on its own.
The performance is top-notch. There are no big names among the soloists-at least, none that I recognize-but they are all excellent. Paul Agnew is appropriately regal, making the most of his surprisingly small role as Perseus. The best parts go to the villains: Salomé Haller and Jéròme Correas are memorable as the wretched Merope and the evil Phineus. The big star here is the choir (Les Chantres de la Chapelle, conducted by Olivier Schneebeli), especially in Act IV, when it moves effortlessly from the despondent "Descondons sous les ondes" to the triumphant "Le monstre est mort, Persée en est vainqueur!" Les Talens Lyriques play very well under the direction of Christophe Rousset.
There are only three problems with these discs:
First, the English translation of Quinault's lyrics is sometimes poor, and may confuse listeners who do not speak French. For example, in Act IV, Scene 3, Phineus sings: `L'amour meurt dans mon coeur, la rage luy succède.' Roughly, this means: `Love dies in my heart, rage takes its place.' The insert booklet translates these words as `Love has been extinguished in his heart, and anger has taken its place.' This is quite wrong: to who is Phineus referring? A bad translation is better than no translation at all, but the libretto is very important in French Baroque opera, and I wish the producers had taken the time and trouble to produce a better English version of Quinault's poetry.
Second, this is a live recording. This is not necessarily a problem: Minkowski's recent live recording of Rameau's Dardanus was studio-quality. However, there is so much dancing in Persée that a `dirty' recording with lots of stage noise was probably unavoidable. (You can even hear the swords clashing during the battle between Perseus and Phineus in Act V). This doesn't bother me-this is still a good recording for a live performance-but it might bother some people.
Third, I've heard a better version of Persée. A year before this recording, Persée was revived in Toronto, Canada. These performances were collaborations between Opera Atelier and Tafelmusik, conducted by Herve Niquet. Maybe I'm biased, but I prefer Niquet's version to Rousset's. Niquet's Persée was undoubtedly less authentic than Rousset's, but it was more colourful, energetic, and dramatic. The difference is clearest in Act IV, Scene 7-- the climax of the opera. After Perseus kills the sea monster and rescues Andromeda, the Ethiopians celebrate with the above-mentioned chorus: "The monster is dead, and Perseus is victorious! Perseus is invincible!" In Niquet's version, this was the end of the scene. In Rousset's version, the chorus is followed by a lengthy divertissement, which slows down the story and takes away from the drama. Niquet's version of the chorus was also quicker and livelier than Rousset's.
Despite these complaints, I recommend this recording highly. If you're a Lulliste like me, or a fan of French Baroque music in general, then Persée is de rigueur. If you're an opera fan, but don't know much about Lully and the French Baroque, then this is a good place to start. (And if you like this, then you owe it to yourself to purchase Atys, performed by Les Arts Florissants conducted by William Christie)
Average customer rating:
- Dynamic, beautiful, riveting
|
Music From The Court Chapel Of Frederik IV
Manufacturer: Danacord Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000264UA
Release Date: 1997-01-28 |
Customer Reviews:
Dynamic, beautiful, riveting.......2004-12-24
Alba tackles late baroque music this time. Again the performance is superb. Danish music from this time is not so well known so it was about time that something was produced. This album will leave the listener looking for more.
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