Shchedrin: Carmen Suite; Concerto for Orchestra "Naughty Limericks"
Editorial Reviews
Amazon.com
Some of you skating enthusiasts may remember the "battle of the Carmens" a few years ago, in which every female skater at the World Championships seemed to be using this music (Katerina Witt won, by the way). It's not really Bizet's Carmen, but rather a ballet based on tunes from the opera and arranged by Shchedrin for lots of strings and percussion. He originally wrote it for his wife, a prima ballerina at the Bolshoi, but the score is so skillfully done and entertaining in its own right that it has become almost as popular as Bizet's original--and it's much better for skating. All of the most famous melodies are here, including several from Bizet's other works. At budget price, this performance offers a good 45 minutes of fun. --David Hurwitz
Shchedrin: Carmen Suite; Concerto for Orchestra "Naughty Limericks", Music, Rodion Konstantinovich Shchedrin, Theodore Kuchar, Ukrainian State Symphony Orchestra, 20th/21st Century Ballet, 20th/21st Century Orchestral Music, Ballet, Classical, Classical Composers, Orchestral, Orchestral Music
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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Shchedrin: Carmen Suite; Concerto for Orchestra "Naughty Limericks"
Manufacturer: Naxos
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Binding: Audio CD
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ASIN: B00000143I
Release Date: 1994-12-13 |
Tracks:
- Carmen Suite, From The Ballet After Bizet's Opera: Introduction
- Carmen Suite, From The Ballet After Bizet's Opera: Dance
- Carmen Suite, From The Ballet After Bizet's Opera: First Intermezzo
- Carmen Suite, From The Ballet After Bizet's Opera: Changing Of The Guard
- Carmen Suite, From The Ballet After Bizet's Opera: Carmen's Entrance And Habanera
- Carmen Suite, From The Ballet After Bizet's Opera: Scene
- Carmen Suite, From The Ballet After Bizet's Opera: Second Intermezzo
- Carmen Suite, From The Ballet After Bizet's Opera: Bolero
- Carmen Suite, From The Ballet After Bizet's Opera: Torero
- Carmen Suite, From The Ballet After Bizet's Opera: Torero And Carmen
- Carmen Suite, From The Ballet After Bizet's Opera: Adagio
- Carmen Suite, From The Ballet After Bizet's Opera: Fortune-Telling
- Carmen Suite, From The Ballet After Bizet's Opera: Finale
- 'Naughty Limericks' - Concerto For Orchestra
Amazon.com
Some of you skating enthusiasts may remember the "battle of the Carmens" a few years ago, in which every female skater at the World Championships seemed to be using this music (Katerina Witt won, by the way). It's not really Bizet's Carmen, but rather a ballet based on tunes from the opera and arranged by Shchedrin for lots of strings and percussion. He originally wrote it for his wife, a prima ballerina at the Bolshoi, but the score is so skillfully done and entertaining in its own right that it has become almost as popular as Bizet's original--and it's much better for skating. All of the most famous melodies are here, including several from Bizet's other works. At budget price, this performance offers a good 45 minutes of fun. --David Hurwitz
Average customer rating:
- Why is Carmen so polite?
- New Twist on an Old Favorite, with Delightful Extras
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Rodion Shchedrin: Carmen Suite; Concertos for Orchestra Nos. 1 & 2
Schedrin , Pletnev , Mikhail Pletnev , and Russian National Orchestra
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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ASIN: B00005KBJR
Release Date: 2001-08-14 |
Tracks:
- Carmen Ste. Intro: Andante Assai
- Carmen Ste. Dance: Allegro
- Carmen Ste. First Intermezzo: Allegro Moderato - Andante Moderato - (Attacca:)
- Carmen Ste. Changing Of The Guard: Moderato
- Carmen Ste. Carmen's Entrance And Habanera: Allegro Moderato - Quasi Andante
- Carmen Ste. Scene: Allegro Moderato - Tempo Precedente - Andante Assai
- Carmen Ste. Second Intermezzo: Larghetto
- Carmen Ste. Bolero: Allegro Vivo
- Carmen Ste. Torero: Moderato Con Stoltezza
- Carmen Ste. Torero And/Und Carmen: Lento - Tempo I.
- Carmen Ste. Adagio: Andante Moderato - Adagio
- Carmen Ste. Fortune-Telling: Andantino - Andante Assai
- Carmen Ste. Finale: Allegro - Tempo Precedente - Andante Assai
- Con, 'Naughty Limericks': Allegro Assai
- Con, 'The Chimes': Ca. 3/4nt=60/3/8nt=120/3/8nt=76/3/8nt=120/1/8nt=100-152 -Tempo I.
Amazon.com
Shchedrin's Carmen Ballet, a hit in the 1960s, still amuses, delights, entertains, and, for some, enrages. It's full of Bizet's great melodies, but instead of a fancy-dress version of great hits from Carmen, Shchedrin's reorchestration features extravagant percussion effects and fascinating original variations. So it's a truly original work in the long line of parody pieces central to 20th century music, including the reworking of Baroque music by Stravinsky, Respighi, and others. Pletnev and his fine orchestra play the daylights out of it, and the engineers make the most of its "hi-fi spectacular" potential. Arthur Fiedler, the Boston Pops, and RCA's "Living Stereo" engineers did it even better back in 1968, but this version can't fail to please. The Concertos for Orchestra are welcome fillers. The first, subtitled "Naughty Limericks," sounds like music to accompany a riotous cartoon. The second, "Chimes," is made of sterner stuff, with some dazzling trumpet and percussion passages in its middle section and an extended finale for bells and a dark-textured orchestra. This is one of those discs you can't go wrong with. --Dan Davis
Customer Reviews:
Why is Carmen so polite?.......2005-09-24
When you are beaten out as a conductor by Arthur Fiedler, you're in trouble. That's what happens here to Pletnev, never one of my favorites, but in the Carmen Ballet he is particularly fussy and uninvolving. Fiedler didn't exactly catch fire in this piece, but the engineers at rCA gave him a sonic spectacular, and the conducting is good enough to carry the work with some excitment, unlike what one hears on this CD.
New Twist on an Old Favorite, with Delightful Extras.......2001-08-31
Russian composer Rodion Shchedrinýs Carmen Suite, after Bizet, is very familiar music indeed, but somehow slightly askew. This sometimes odd rhythmic reinterpretation and reorchestration (with much more percussion than Bizet used) was premiered as a ballet in 1967 in Moscow. Like so much music of that time and place, it was immediately banned; the grounds were that it was ýan insult to Bizetýs masterpiece and for its sexual treatment of the character of Carmen.ý Only through the intervention of Dmitri Shostakovich, no stranger to vagaries of Soviet critics himself, was the ban eventually lifted. Although Shchedrin, like Shostakovich (who was some 26 years his senior) struggled with the issues of artistic and personal freedom within the Soviet system, he eventually had great success. He succeeded Shostakovich as chairman of the Composers Union of the Russian Federation in 1973, and received both the USSR State Prize for Music and later the State Prize of the New Democratic Russia.
Perhaps the listener can read into the dichotomies of the finale Shchedrinýs conflicts between his personal desires and his public demands. But much of the piece is simply an exuberant and thrilling reinterpretation of Bizet--not only Carmen, but other bits of Bizet creep in, notably a length selection from LýArlesienne. All of it is recast in the light of a twentieth century sensibility regarding orchestration and style, somewhat more conservatively than his contemporary Alfred Schnittke. At times Shchedrin turns Bizet jazzy, and he always colors the music with brilliant writing for a vastly expanded percussion section. I find the result extremely enjoyable, and certainly the performance by the Russian National Orchestra, conducted by Mikhail Pletnev, is very good. The tone quality of the strings is rich and full, intonation impeccable, and the ensemble (with a very few minor exceptions) demonstrates a rhythmic precision that should be the envy of any group.
In addition to the Carmen Suite, the listener is also given the first two of Shchedrinýs four (to date) Concerti for Orchestra. The first of these, subtitled Naughty Limericks, has an immediately apparent jazz influence, with the pizzicato walking bass, the use of glissandi, and the jazzy drums. Iým also greatly reminded of Stravinsky, especially his ýCircusý music. The CD notes tell us that the translation of the title, Naughty Limericks, is insufficient to give the full meaning of the original Russian, which carries a connotation of political satire and ridicule.
These two Concerti are a rather different conception of the form than the original Concerto for Orchestra by Bela Bartok. Whereas Bartokýs idea is a grand lengthy multi-movement vision, Shchedrinýs is almost insubstantial by comparison, at least in terms of length. Both are single movement pieces, and the longest of the two (his Second Concerto for Orchestra, subtitled ýThe Chimesý) is only 10 minutes long. This work, the last on the CD, is by far the most adventurous and difficult. Many listeners may want to skip that track, but I find it fascinating. Although dissonant, it is full of color and drama, with rhythmic energy reminiscent of the primitivist works of Prokofiev and Stravinsky. Listeners familiar with the works of Alfred Schnittke will also notice similarities to those pieces. But no one should be put off by the inclusion of this work on the disc--if contemporary music ordinarily makes you want to cover your ears, simply consider listening to it an option that you might not want to exercise. Certainly most regular concertgoers will be delighted with the other two works.
Average customer rating:
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Farberman: Concerto for Jazz Drummer; Shchedrin: Carmen Suite
Manufacturer: Bis
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000016DZ
Release Date: 1994-03-25 |
Tracks:
- Movement One - Louie Bellson
- Movement Two - Louie Bellson
- Movement Three - Louie Bellson
- Movement Four - Louie Bellson
- (1) Introduction
- (2) Dance
- (3) First Intermezzo
- (4) Changing The Guard
- (5) Entry Of Carmen And Habanera
- (6) Scene
- (7) Second Intermezzo
- (8) Bolero
- (9) Torero
- (10) Torero And Carmen
- (11) Adagio
- (12) Fortune Telling
- (13) Finale
Average customer rating:
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Le violon vagabond
Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD
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ASIN: B00015WMEQ
Release Date: 2004-03-09 |
Tracks:
- Piece En Style De Blues
- Danses Populaires Roumaines Sz 56
- Estrellita - Serenade Mexicaine
- Valse-scherzo Op.34
- Caprice Hebraique
- Tarantulla
- Lotus Land
- La Campanella
- Imitation D'Albeniz
- Banjo Et Violon
- Horo (Paraphrases Bulgares)
- Fantaisie De Concert Sur Carmen Op.25
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Serene Journeys Through Classical Music
Durufle, Maurice , Holst, Gustav , Gounod, Charles , Victoria, Tomas Luis de , Brahms, Johannes , Barber, Samuel , and Harris, William H.
Manufacturer: Delos Records
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ASIN: B00000DCXT
Release Date: 1998-09-22 |
Tracks:
- Symphony No. 6, 'Pastorale', Scene By The Brook - Carol Rosenberger
- Sleeping Beauty, Panorama - Carol Rosenberger
- Clarinet Concerto, K. 622: Allegro - Carol Rosenberger
- The Carmen Ballet, Second Intermezzo - Carol Rosenberger
- Intermezzo From String Quintet, Op. 77: Notturno - Carol Rosenberger
- Symphony No. 40: Andante - Carol Rosenberger
- Lyric Suite, Op. 54: Nocturne - Carol Rosenberger
- Piano Concerto No. 2 In D Major: Un poco adagio - Carol Rosenberger
- Bagatelle, Op. 30 No. 1 - Carol Rosenberger
- Traditional Scottish: Wild Mountain Thyme - Carol Rosenberger
- Symphony No. 3: Andante tranquillo - Carol Rosenberger
- Cello Concerto In D Major: Adagio - Carol Rosenberger
Tracks:
- Arabesque No.1
- Mazurka Op.17, No.4 In A Minor
- Au lac de Wllenstadt ( By The Lake At Wallenstadt )
- Bruyeres ( Heather )
- Berceuse ( Cradle Song ) , Op.57
- Nocturne No.8 In D Flat, Op.84
- Sancta Dorothea
- Pavane pour une Infante defunte
- Romance In F Sharp, Op.28, No.2
- Sonata In A , Hob. XVI:12: Andante
- French Suite No.5 In G: Sarabande
- Le tombeau de Couperin: Menuet
- Kinderszenen: Traumerei
- The Lake At Evening, Op.5, No.1
- Consolation III In D Flat
Tracks:
- Invitation to Prayer
- Jesus, Wonderful King
- Cantata No. 147: Jesu, Joy of Man's Desiring
- Requiem, Op. 9: Sanctus
- Ave Maria
- Ave Maria
- Ave Maria
- Deck Thyself, My Soul, With Gladness
- Adagio, Op. 11: Agnus Dei
- Stabat Mater, Op. 58: Of Your Wounded Son
- Prelude In E flat
- Lord, For Thy Tender Mercy's Sake
- Rejoice, Rejoice
- Suite in D: Air On The G String
- Requiem, Op. 9: Kyrie
- The Month Of The Righteous
- Blessed Are Ye Faithful Souls
- He Shall Feed His Flock
- The Souls Of The Righteous
- Let My Prayer Come Up As The Incense
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Engineer's Choice II
Reyngol'd Moritsevich Gliere , Igor Stravinsky , Donald Fraser , Claude Debussy , Frederick Loewe , Giovanni Pierluigi da Palestrina , George Gershwin , Tylman Susato , Hector Berlioz , Litton, Andrew , Schwarz, Gerard , James DePreist , Macal, Zdenek , Keene, Dennis , and Cichowicz, Vincent
Manufacturer: Delos Records
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Similar Items:
- Engineer's Choice
ASIN: B00000071J
Release Date: 1997-11-20 |
Tracks:
- 1812 Overture: 1812 Overture (Excerpt)
- Daphnis And Chloe: Daybreak (Excerpt)
- Barcarolle
- Capriol Suite _: Bransles
- Capriol Suite _: Pieds-en-l'air
- Carmen Ballet: I. Introduction - II. Dance
- Brandenburg Concerto No. 4: 1st Movement (Excerpt)
- Symphony No. 8: 3rd Movement (Excerpt)
- Quartet No. 22: 4th Movement
- Dream Of The Peasant Gritzko: Dream Of The Peasant Gritzko (Excerpt)
- Pentecost Mass: Pentecost Mass (Excerpt)
- Billy The Kid: Billy The Kid (Excerpt)
- Red Poppy: Chinese Dance
- Rite Of Spring: Part I (Excerpt)
- Symphony No. 10: 3rd Movement (Excerpt)
- PETER PAN: The Mermaid's Lagoon (Excerpt)
- Syrinx
- Camelot: Before I Graze At You Again
- Alma Redemptoris Mater
- Promenade
- La Mourisque
- Te Deum: Te Deum-Judex crederis (Excerpts)
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Spanish Dance works for Violin & Piano
Manufacturer: Berlin Classics
ProductGroup: Music
Binding: Audio CD
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| Kreisler, Fritz
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| Sarasate, Pablo de
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| ( S )
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Similar Items:
- Aaron Rosand Plays Sarasate
ASIN: B00002DES4
Release Date: 2000-02-22 |
Tracks:
- Danse Espagnole De 'La Vida Breve': Molto Ritmico
- Caprice Basque: 1. Moderato
- Caprice Basque: 2. Allegro Moderato
- Malaguena: Andantino
- La Gitana: Allegro Moderato
- Piece En Forme De Habanera (Presque Lent Et Avec Indolence)
- Malaguena: Allegretto
- In The Style Of Albeniz: Con Passione
- Tango: Andantino
- Ste Populaire Espagnole: 1. El Pano Maruno (Allegretto Vivace)
- Ste Populaire Espagnole: 2. Nana (Calmo Sostenuto)
- Ste Populaire Espagnole: 3. Cancion (Allegretto)
- Ste Populaire Espagnole: 4. Polo (Vivo)
- Ste Populaire Espagnole: 5. Asturiana (Andante Tranquillo)
- Ste Populaire Espagnole: 6. Jota (Allegro Vivo)
- Zapateado: Allegro
- Andaluza: Andantino
- Habanera: Allegretto
- Romanza Andaluza: Andantino
- Introduction Et Tarantelle: 1. Moderato
- Introduction Et Tarantelle: 2. Allegro Vivace
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Girls Gotta Dance
Manufacturer: Delos Records
ProductGroup: Music
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ASIN: B0006IINIM
Release Date: 2004-11-30 |
Tracks:
- Shostakovich: Waltz
- Khachaturian: Mazurka
- Khachaturian: Dance of the Rose Maidens
- Bizet - Rodion Shedrin: Bolero
- Bizet - Rodion Shedrin: Dance
- Shostakovich: Spanish Dance
- Khachaturian: Lezginka
- Prokofiev: Finale
- Tchaikovsky: Waltz (from Sleeping Beauty)
- Tchaikovsky: Waltz (from Swan Lake)
- Tchaikovsky: Waltz (from Serenade for Strings)
- Sinsalo: Russian Folk Song
- Milhaud: Brazileira
- Hu-Wei Huang: Evening Dance at Aba
- Vivaldi: Allegro
- Vivaldi: Spring, Allegro
- Torelli: Allegro
- Handel: Gigue
- Mozart: Menuetto
- Beethoven: Rondo
- Handel: The Arrival of the Queen of Sheba
- Irish Jigs
- Tamarin: Tapestry
- Steibelt: Un ballo
Album Description
Rhythms to excite the muscles & Melodies to delight the heart
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Shchedrin: Carmen Suite
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
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Shchedrin, Rodion K.
| ( S )
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All Works by Turina
| Turina, Joaquin
| ( T )
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ASIN: B000000AUV
Release Date: 1994-07-26 |
Tracks:
- La Oracio`n Del Torero Op.34
- Carmen Suite (Introduction)
- Carmen Suite (Dance)
- Carmen Suite (First Intermezzo)
- Carmen Suite (Change of The Guard)
- Carmen Suite (Carmen's Entrance And Habanera)
- Carmen Suite (Scene)
- Carmen Suite (Second Intermezzo)
- Carmen Suite (Bolero)
- Carmen Suite (Toreo)
- Carmen Suite (Toreo And Carmen)
- Carmen Suite (Adagio)
- Carmen Suite (Fortune Telling)
- Carmen Suite (Finale)
- In Imitation Of Albe`niz
- Stalin Cocktail
- Humoresque
Music Review:
- Sibelius: Op. Nos. 2, 9, 11, 26 & 112
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- Still/Dawson/Ellington: Symphony No. 2/Negro Folk Symphony/Harlem
- Symphony 7
- The Ethos Percussion Group
- The Segovia Collection, Vol. 4
- The Strauss Family [Box set]
- The World's Best Rabbit Music CD...Ever ~ Pet Melodies Music
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Tournemire: L'Orgue Mystique, Vol. 1
Symphony 5 1937 1943 & 1954
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Visions of Love
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Watchfires
Vestavia
West Side Story (1997 Studio Cast) (First Complete Recording) [Extra tracks] [Cast Recording]
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Mix 02.0
Hank Williams, Jr.'s Greatest Hits, Vol.1